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Short filmTranscript
00:00:00Hey, how much should I take you to my place, baby doll?
00:00:20Sorry, I don't do private dances.
00:00:22She'll strip her money, but you won't fuck a guy?
00:00:24I'm not a hooker, show some respect!
00:00:28You fucking bitch, I'll show you respect!
00:00:31Mr. Morgan, I am so sorry!
00:00:33She's new here, I've got to train her better.
00:00:36Just have a seat, we'll be with you shortly.
00:00:38Sorry about that.
00:00:44You ungrateful bitch!
00:00:46You remember who saved your ass?
00:00:48When you were knee deep in debt?
00:00:50Me!
00:00:55How are we doing with the search?
00:00:56Not good, boss. I'm still going.
00:00:59Find her. I don't care what it takes.
00:01:05I found the perfect woman for you.
00:01:07It's about time you settle down and get married.
00:01:09Her name is Carla. She's a daughter of a friend of mine.
00:01:12Dad, we've been over this.
00:01:14I don't need you to find me the perfect woman.
00:01:16Of course I do. You're an Arduin.
00:01:18I have to make sure my son marries the perfect woman.
00:01:20So now all of a sudden you give a shit about me?
00:01:22You never care when you drove mom away.
00:01:24Or when you sent me to that orphanage all by myself.
00:01:27Silence! How dare you!
00:01:29It's for the Arduin family business.
00:01:31You're marrying Carla Jennings.
00:01:33End of discussion.
00:01:34Dad.
00:01:35Dad.
00:01:37Dad.
00:01:41I paid your 500 grand debt.
00:01:43And I gave you a job.
00:01:44Now if you want to quit so bad, pay me back and get the fuck out of my club.
00:01:49Please, you know I don't have $500,000. Just give me another chance.
00:01:53Then get the fuck back in there, apologize to that nice gentleman,
00:01:57and do whatever the fuck he tells you to do.
00:02:00Now if I get any more complaints from our clients, you will be sorry.
00:02:04Got it?
00:02:06Is there a problem here?
00:02:08No, sir. Everything's fine.
00:02:11She looks just like her.
00:02:19Will you marry me?
00:02:28Will you marry me?
00:02:33Now let's tell my father I've chosen a wife for myself.
00:02:35Are you sure, boss?
00:02:37She's a stripper.
00:02:38How about we make a deal?
00:02:40Name any price you want, then we get married.
00:02:43I owe my boss $500,000.
00:02:46He's not gonna let me go until I pay it.
00:02:49Anything else?
00:03:01This is your house?
00:03:03It's our house now.
00:03:05Welcome.
00:03:06Alright.
00:03:07Sign this agreement, and we'll be contractually married for a year.
00:03:18After that, you can file for divorce.
00:03:20Until then, you're part of the richest family in the country.
00:03:24My heart belongs to somebody else, though.
00:03:36I want you to know that I'm not attracted to you.
00:03:39We're just gonna be married on paper.
00:03:43Is that so?
00:03:44Well, don't worry.
00:03:46I'm not attracted to you either.
00:03:48I just wanted the money.
00:04:02Hey, where am I staying, by the way?
00:04:04In the guest room.
00:04:05Wow.
00:04:06Total jerk.
00:04:07This isn't bad.
00:04:08It's been over 10 years.
00:04:10I miss you so much.
00:04:26I miss you so much.
00:04:56Nuss, I need you to find out everything you can about the woman I just married.
00:05:00See if she grew up in the same orphanage.
00:05:03Sorry, I didn't mean to.
00:05:19This is my bathroom.
00:05:21What do you think you're doing?
00:05:23Nice try.
00:05:24Trying to use your little tricks to get my attention.
00:05:26It's not gonna work, though.
00:05:28Sorry.
00:05:29I wasn't trying to get your attention.
00:05:32You mind turning that off?
00:05:39I just thought the carpet needed some cleaning.
00:05:43You're here to be my wife, not a maid.
00:05:46Who are you?
00:05:49Wait, you're that stripper.
00:05:54What are you doing in Edward's house?
00:05:57I am.
00:05:58Who are you?
00:05:59I am Edward's fiancé.
00:06:05Edward, you're marrying a stripper?
00:06:08I thought I was your fiancé.
00:06:10My father arranged for us to get married only for the sake of our families.
00:06:14We wouldn't be happy even if we did get married.
00:06:17But I would be happy, Edward.
00:06:19Carla, you know I have someone that I love.
00:06:22She's the one I'm waiting for.
00:06:24I don't know who the fuck you are, but if you think you have a chance against me, you're
00:06:31dumber than I thought.
00:06:33Miss, get it straight.
00:06:35I'm not competing with you.
00:06:37Stop it.
00:06:39Edward!
00:06:40Are you defending her now?
00:06:43You're not a dumb bitch.
00:06:45Just wait.
00:06:46Wow.
00:06:47You got a lot of admirers, huh?
00:06:50Need more that I need to watch out for?
00:06:52Look, if you see me in the living room, don't show your face.
00:06:57Same will go for me.
00:06:58Your house, your rules, big deal!
00:07:00Hi, I'm Velma.
00:07:11I've worked a lot of odd jobs in the city.
00:07:17Waitressing and working in nightclubs.
00:07:22All for a chance to act.
00:07:30I'm also looking for someone.
00:07:35And I hope that one day he sees me on screen.
00:07:44That way he knows that I'm still here.
00:08:00Okay.
00:08:01I hope you see me.
00:08:05That's okay, Sarah.
00:08:20Thelma doesn't need to dine with me.
00:08:22Bring my food to my room and I'll eat there.
00:08:24Yes.
00:08:25It's fine.
00:08:27I usually don't eat with people anyway.
00:08:30By the way, I'm going out for a bit today.
00:08:33Where you go is none of my concern.
00:08:36Fine!
00:08:41Is he always this big of a jerk?
00:08:44Excuse him, ma'am.
00:08:45He's just used to living alone.
00:08:47I'm sorry, Sarah.
00:08:49It must be difficult dealing with him every day.
00:08:51It's okay.
00:08:52Yeah.
00:08:53I'll be right there.
00:08:59Okay.
00:09:00Sit.
00:09:01So, I heard a funny little rumor that you married the famous billionaire Edward Arduin.
00:09:07Is it true?
00:09:08I didn't know that he was a billionaire until after we were married.
00:09:14You're joking.
00:09:15How did you manage that?
00:09:16I just signed a contract.
00:09:17It's fake.
00:09:18What?
00:09:19Well, who cares?
00:09:20What are you waiting for?
00:09:21Seal the deal.
00:09:22I don't know that I can't think of anything.
00:09:23I just signed a contract.
00:09:25It's fake.
00:09:26What?
00:09:27Well, who cares?
00:09:28What are you waiting for?
00:09:29Seal the deal.
00:09:30I can't think of any other thing.
00:09:32I don't know.
00:09:33I'm gonna give you a deal.
00:09:35I don't know that I can't think about anyone but Algar.
00:09:38T, it's been ten years since you two escaped the orphanage.
00:09:43I mean, Algar could be anywhere. He could be dead.
00:09:45He's not dead!
00:09:47Okay, um, it's okay. I'm sorry.
00:09:50So, what's your plan?
00:09:53Keep things the way they are, I guess,
00:09:56except now I can focus more on acting and not dancing in strip clubs.
00:10:01Hey, that's exciting, right?
00:10:03That's something you've always wanted to do since you were a kid.
00:10:06Is that audition today?
00:10:08Yeah.
00:10:15Hi, I'm here for the audition.
00:10:18You think you could just show up like that, you slut?
00:10:26You slut? Are you stalking me?
00:10:29Oh, don't flatter yourself. I'm the lead of this production.
00:10:33She's not auditioning.
00:10:35Sorry.
00:10:36You can't do this! I worked so hard for this opportunity!
00:10:40Oh, like stripping for men and fucking them in strip clubs?
00:10:44Got it! I was dancing, that's it!
00:10:47What's the fucking difference?
00:10:49I eat girls like you for breakfast.
00:10:52Let's go, Derek.
00:10:54No!
00:10:55Please!
00:10:56Wait!
00:10:57No!
00:10:58Please!
00:10:59Wait!
00:11:05Be quiet!
00:11:06Be quiet!
00:11:36You...
00:11:38You...
00:11:43Boss, get the details.
00:11:46Thelma, she went to high school not far from here.
00:11:49Dropped up, the husband auditioned for films.
00:11:52She worked at nightclubs to make a living.
00:11:55Bad relationship with her parents.
00:12:05But not an orphan.
00:12:06No name changes.
00:12:08And definitely never been to an orphanage.
00:12:11I wanted it to be her so bad.
00:12:21Of course it can't be Helen.
00:12:24You've been looking for this girl for ten years.
00:12:27Who is she?
00:12:28Someone more important to me than life itself.
00:12:32Oh my god.
00:12:33It is her!
00:12:50Find me the location where this photo was sent.
00:12:52Got it.
00:12:53The photo's been sent.
00:12:54Good.
00:12:55Where is she?
00:12:56Oh.
00:12:57Out like a lame.
00:12:59I guess marrying Edward won't solve everything.
00:13:03I hope you've got it.
00:13:05Do whatever you want with her.
00:13:06And clean up after you're done.
00:13:26I've been searching for you for so long and you were right here.
00:13:28Boss, he's gone.
00:13:29Find him.
00:13:30And keep this between us.
00:13:31Got it.
00:13:50Save me.
00:13:51He's gone.
00:13:51Find him.
00:13:52And keep this between us.
00:13:54Got it.
00:13:54Elgar, save me.
00:13:57Come on, I got you.
00:14:10Elgar.
00:14:13I'm sorry.
00:14:16I can't tell you who I am.
00:14:18Not yet.
00:14:21We'll need your names once we're out of here, right?
00:14:39Yeah, we're starting a new life.
00:14:41I'll be Thelma.
00:14:43What about you?
00:14:45Elgar.
00:14:47Helen.
00:14:48Where are you?
00:14:49We have to run quick.
00:14:51Trying to escape again?
00:14:53I warned you it's not going to work.
00:14:56Looks like I've got to give you some real punishment.
00:14:59You go first.
00:15:00At least one of us needs to escape.
00:15:02No, you go.
00:15:03She's going to kill you.
00:15:05I won't let her catch me.
00:15:06Just go, I'll find you.
00:15:08Let's meet the amusement park.
00:15:10I'll wait for you, Elgar.
00:15:15Oh, you're not going anywhere.
00:15:22I'll bring her back.
00:15:24Rest assured.
00:15:25After I'm done with you.
00:15:33I'll wait for you, Elgar.
00:15:35What happened?
00:15:45Nothing to worry about.
00:15:46Just some issues with the film crew.
00:15:49Why are you being so nice to me?
00:15:52No reason.
00:15:53Here, take this card.
00:15:56It's unlimited.
00:15:58Spend it however you want.
00:15:59Why are you doing this?
00:16:00Because I don't want your money.
00:16:03Well, if you need money, just let me know.
00:16:06And you can stop looking for odd jobs.
00:16:12Odd jobs?
00:16:15Acting is my dream.
00:16:17I danced in strip clubs for a living,
00:16:19but people like you, born from a silver spoon,
00:16:23wouldn't understand that.
00:16:24Then stop doing it.
00:16:26We're in a contract marriage, right?
00:16:29I won't interfere with your life,
00:16:31and you can't meddle in mine.
00:16:34Acting is something that I've always wanted.
00:16:38And besides,
00:16:38I'm not going to take your money
00:16:41besides the number that we agreed on.
00:16:44I need to rest now.
00:16:49Do you mind?
00:16:50I don't know.
00:16:59Look at this mess.
00:17:12Clean it up if you even think about going to bed.
00:17:15Eat up.
00:17:30He must be starving.
00:17:33Nah.
00:17:34You probably worked hard for this.
00:17:36Come on, take it.
00:17:37Take it.
00:17:37I can't believe she locked you out for three days
00:17:44and made you do all this.
00:17:46Did she even feed you all?
00:17:48You made it easier for me.
00:17:50No, get back before she sees you here.
00:17:52Excuse me.
00:18:12I'm calling to ask about my audition.
00:18:14I'm sorry.
00:18:16Your name has been blacklisted from reproduction.
00:18:19What?
00:18:19This is the dude who took them out
00:18:26and sent you those pictures.
00:18:36How about a drink?
00:18:38There are two glasses of scotch there.
00:18:40Pick one.
00:18:42I'm sorry, Mr. Epstein.
00:18:44Please.
00:18:45Just a friendly gesture from the bar.
00:18:47One more thing.
00:18:51Only one of those glasses is poison-proof.
00:18:54You should have known better
00:18:55that would happen
00:18:57when you kidnapped Emma.
00:18:58Here.
00:19:00I'll do it for you.
00:19:01Hold it.
00:19:05Go.
00:19:08Go.
00:19:09Take him away.
00:19:16This is what I've become, Thelma.
00:19:26I hope you never see me like this.
00:19:30Ruthless.
00:19:31Merciless.
00:19:34Both glasses would have silenced the man.
00:19:37I simply can't forgive him for what he did.
00:19:44Thelma, will you forgive me?
00:19:52What?
00:19:53What the fuck happened to you?
00:19:55How did he find you?
00:19:56What happened?
00:19:57Oh, you can't even talk now?
00:20:01God, you fucking useless.
00:20:05Inform every production you can reach.
00:20:07Thelma will never be an actress.
00:20:11Make sure of it.
00:20:15Go!
00:20:15Are you okay?
00:20:30I've been blacklisted by every production company,
00:20:33even the Actors Guild.
00:20:35What am I going to do?
00:20:36Hey, don't lose heart, okay?
00:20:38I happen to know of an audition going on today,
00:20:40if you're interested.
00:20:41Since when did...
00:20:42A good friend of mine tip me off.
00:20:44Now, come on.
00:20:44Let's go.
00:20:45All right?
00:20:46It's better than moping around here.
00:20:47Come on.
00:20:51Here it is.
00:20:52So I can just go in there, just like this?
00:20:56Yes, I got everything set up, okay?
00:20:57Just go ahead.
00:20:58Go in.
00:20:59And do your thing.
00:20:59You got this.
00:21:02Bring it away.
00:21:15What is she doing to you?
00:21:21Who is she?
00:21:23Nobody.
00:21:24She's not here for the audition, too, is she?
00:21:28Well, in that case...
00:21:29We're in for a treat.
00:21:34Karla Jenning, you're up next.
00:21:41Watch out.
00:21:54I can't believe it!
00:21:56It was you!
00:21:57All along!
00:21:57That's right.
00:22:01I never thought you'd find me.
00:22:03But it must come to an end.
00:22:06Oh, no!
00:22:08Cut!
00:22:20I'm sorry, were you shot or did someone just step on your toe?
00:22:27Can I just try again?
00:22:28I was just a bit nervous.
00:22:32Miss Jennings, we are making a thriller with a tragic ending.
00:22:36What you just did was borderline comedy.
00:22:39Excuse me?
00:22:40Yeah.
00:22:41Do you know how close I am with your investor?
00:22:43Sir?
00:22:44Sir, she was indeed recommended for the role.
00:22:48May we give her another chance?
00:22:56Oh, no!
00:22:58No, no, no, no, no.
00:22:59We are creating art that appeals to our audience.
00:23:02And she is clearly not right for the role.
00:23:05Next!
00:23:06I'm sorry, Miss Jennings.
00:23:08That was great.
00:23:09Maybe another project or another...
00:23:12What are you still doing here?
00:23:16I thought you were blacklisted.
00:23:17So it was you.
00:23:19You know, if that's the best you got, then I'm not that worried.
00:23:21Do you think you could do better than me?
00:23:25And you're nothing.
00:23:28Yeah, show us what you got!
00:23:32Thelma?
00:23:34Hi.
00:23:46So it was you.
00:23:49All this time!
00:23:51That's right.
00:23:52I never thought you would find me.
00:23:57But now it must come to an end.
00:24:01No!
00:24:03This can't be it for us!
00:24:11Cut!
00:24:14Well, that was amazing!
00:24:18You fully captured that role!
00:24:20Congratulations!
00:24:22You got the part!
00:24:23What?
00:24:29What about me?
00:24:30You promised me!
00:24:31Oh, come on.
00:24:32You have to admit.
00:24:33She was exceptional.
00:24:35She is perfect for the part.
00:24:36Girl!
00:24:37You killed it!
00:24:39You were great.
00:24:41I'm Alex.
00:24:42Looks like we're going to be team partners.
00:24:44Thelma!
00:24:44Hey, do you want to go somewhere more private?
00:24:46We can talk about the scripts.
00:24:48Yeah, sure.
00:24:48What the fuck?
00:25:03I'm hitting on the wrong girl, buddy.
00:25:05Edward, what are you doing?
00:25:08I need to go talk to Thelma.
00:25:10Thelma, how about you shoot another day?
00:25:16What are you doing?
00:25:18Can you explain yourself?
00:25:19I don't owe you any explanations.
00:25:22So you're seeing new guys?
00:25:23What?
00:25:26No!
00:25:27We were just acting out a scene.
00:25:29A scene where you two get real close?
00:25:31Like a couple?
00:25:32I was just doing my job.
00:25:33There's nothing wrong with it.
00:25:35And besides, even if I was seeing someone, it would be none of your business!
00:25:46Yay!
00:25:46I heard you got the lead role.
00:25:49That's amazing.
00:25:50I knew you'd kill it.
00:25:52Janet, what is Edward doing here?
00:25:54Who?
00:25:54Come on, you know who I'm talking about.
00:25:57Oh.
00:25:58Um, gosh, you still don't know, do you?
00:26:01You know what?
00:26:04Well, he's actually the investor of this movie.
00:26:07This is his project.
00:26:09Why did you bring me here, then?
00:26:17Well, it was actually his idea.
00:26:23Hello?
00:26:25Hi, is this Gene?
00:26:26Who is this?
00:26:27This is Edward Arduin.
00:26:29I recently invested in a film project, and I want you to take your friend Thelma.
00:26:34I think she'll be great for a lead role.
00:26:36Wait, wait, you're Edward Arduin?
00:26:39I wired the payment to your account.
00:26:41Wait, wait, wait!
00:26:46I still can't believe I spoke to the legendary Edward Arduin.
00:26:50I can't believe you knew all this time, and you didn't tell me.
00:26:54Oh, well, don't look at me.
00:26:55I'm just the middleman doing somebody else a favor, okay?
00:26:58And you still got the lead.
00:27:00It's amazing.
00:27:02But, you know, a lot of people say that Edward's not very nice.
00:27:06He's like a stone-cold man.
00:27:08So why is he being so good to you?
00:27:11Yeah, I don't get it either.
00:27:13I mean, women must be throwing themselves at him.
00:27:17Why would he help you?
00:27:18Maybe he's fallen for you.
00:27:28Come on.
00:27:29That's impossible.
00:27:31Why?
00:27:31He said some pretty harsh stuff earlier, so...
00:27:33Well, is that why you look all gloomy?
00:27:36What happened?
00:27:37Did you guys fight?
00:27:38He saw me doing a scene with another actor, and...
00:27:41Why do you care what he thinks, though?
00:27:52Come on, girl.
00:27:53This does not sound like you.
00:27:55Are you sure you haven't fallen for him, too?
00:27:57No, it's just...
00:27:59There's something about him that's...
00:28:03Familiar, like...
00:28:05Like...
00:28:06I've seen him before.
00:28:09Hmm.
00:28:09Thank goodness you here, Helen.
00:28:29This place is depressing.
00:28:32I don't know if I could make it without you.
00:28:35You're the one protecting me.
00:28:38I can't stand watching you getting hurt.
00:28:40You're as sweet as a sugar pea.
00:28:42Can I call you sugar pea?
00:28:43Sure.
00:28:44As long as I can call you my little rock.
00:28:47My little rock?
00:28:48Because you make me feel safe.
00:28:50Like a rock that I'll never break.
00:28:53Deal.
00:28:53Deal.
00:28:53Deal.
00:28:53Deal.
00:28:53Deal.
00:28:59Deal.
00:29:01It'll occur.
00:29:03What have you done to me?
00:29:10I see your face everywhere.
00:29:21Oh, good.
00:29:22Just in time.
00:29:29Ding it.
00:29:34Why are you being so nice to me?
00:29:40Look, I'm...
00:29:41Sorry about today.
00:29:43It was...
00:29:44Stupid of me to react that way.
00:29:47No, I mean...
00:29:48Why did you help me get the role for your film?
00:29:50Well, you won't take my money, and I can't allow the wife of Edward Ardoin to just work
00:30:03a regular job.
00:30:06Oh.
00:30:07Okay, so that's why.
00:30:09Mm-hmm.
00:30:10They're all rich people this way of themselves.
00:30:12What was that?
00:30:13Nothing.
00:30:14This is great.
00:30:15You know, you can be real sweet sometimes.
00:30:22This is delicious.
00:30:25I'm glad you like it.
00:30:28Sweet pea.
00:30:33Good morning, madam.
00:30:34Edward has left already.
00:30:38Oh, I saw you were cooking last night.
00:30:40I watched through utensils.
00:30:42Uh, yeah.
00:30:44It was Edward.
00:30:46He was the cook.
00:30:48Edward.
00:30:49Gotta go.
00:30:51Okay.
00:30:53Are we good?
00:30:57What is going on?
00:30:59What are we waiting for?
00:31:00Let's get started.
00:31:02One of our lead roles is not here yet.
00:31:04Oh, my God.
00:31:06The one thing I ask everyone here is to be professional.
00:31:12Woo!
00:31:12Sorry, guys.
00:31:14Traffic was nightmare.
00:31:16All right.
00:31:17I'm ready to start.
00:31:18Wait, I thought that she didn't get the part.
00:31:21Well, how about that?
00:31:22Looks like I'm going to be playing your SD.
00:31:26After this, nobody's even going to remember you.
00:31:30We'll see about that.
00:31:3442 Delta take two.
00:31:37Ready and action.
00:31:40You have to leave now.
00:31:41Not without the love of my life.
00:31:43I'll wait for him no matter what.
00:31:50Oh, God.
00:31:52God, God, God.
00:31:53What do you think you're doing?
00:31:54Just playing my role.
00:31:56I don't know what to say.
00:31:57Maybe I'm just going to be.
00:31:58Carla, what the hell was that?
00:32:02That wasn't even in the script.
00:32:03I was just adding some extra touch to it.
00:32:06You know, for the sake of art.
00:32:08Art?
00:32:09This slap doesn't make any sense.
00:32:11And who gave you the authority to change my script?
00:32:15It's fine.
00:32:17She can hit me.
00:32:17Oh, Thelma, are you sure about this?
00:32:22It's all good if it's all for the sake of the effect.
00:32:25Wow.
00:32:27I knew I was right.
00:32:28I'm choosing you as my lead.
00:32:30Okay, okay.
00:32:31Back to ones, please.
00:32:33Yes, thank you.
00:32:34Can you pick up my script?
00:32:36And action.
00:32:38You have to leave now.
00:32:40Not without the love of my life.
00:32:42I'll wait for him no matter what.
00:32:46Edward.
00:32:51Good to see you here.
00:32:53Were you watching me?
00:32:55Me and Thelma make a perfect team, don't we?
00:32:58Jay, have these two switch roles.
00:33:01I want Thelma to do the slapping.
00:33:04Since it's all for the sake of art.
00:33:08But Thelma's the lead.
00:33:14Yeah, that wouldn't make any sense.
00:33:17We can't make more changes to the script, Ed.
00:33:19We're already behind.
00:33:20Better get right to it, then.
00:33:22You don't have to do this for me.
00:33:25I'm not doing it for you.
00:33:26I'm doing it for my own investment.
00:33:33All right.
00:33:34All right, we have added a line to the script.
00:33:38So now, Thelma, Carla's new line will be your cue for the slap.
00:33:45Got it?
00:33:46All right.
00:33:47And action.
00:33:50You have to leave now.
00:33:52Not without the love of my life.
00:33:54I'll wait for him no matter what.
00:33:56But what if he's dead?
00:33:57What if he finds somebody else?
00:33:59You're just going to spend the rest of your life waiting for someone who will never come?
00:34:08Then I'll be sure to leave no room for regret.
00:34:14Cut!
00:34:16Oh, bravo!
00:34:18That was perfect, Thelma!
00:34:20You handled that perfectly.
00:34:23Thelma, were you not supposed to slap Carla after that line?
00:34:26Uh, no need for that.
00:34:29I think that my character is above that kind of pettiness.
00:34:40I'm going to expose you, Thelma.
00:34:43Sooner or later.
00:34:44Where are you, my little rock?
00:34:58I'm doing fine.
00:35:00Don't you worry.
00:35:03You know it's bad to waste food.
00:35:06Do you think you deserve to be punished?
00:35:08Yes, headmistress, I do.
00:35:11Ma'am, Helen's sick.
00:35:12That's why she couldn't finish.
00:35:14Isn't that sweet?
00:35:16Too bad.
00:35:17She's getting more punishment because of you.
00:35:20Isn't that sweet?
00:35:22Well, if you so insist, you can take it for her.
00:35:25Oh, get off.
00:35:28You're alright.
00:35:40Found the worker who leaked info to our computer.
00:35:43A manager who's worked with us for 20 years.
00:35:47What do we do with him?
00:35:50Uh, fire him.
00:35:52Sue him if we need to.
00:35:54Can't have disloyalty in the company.
00:35:57It might ruin him and his family.
00:35:59So be it.
00:36:02Alright.
00:36:02Pip around the country.
00:36:05Yes, sir.
00:36:06Ah, we'll see.
00:36:10Thanks for that invitation, everyone.
00:36:12You are living here.
00:36:13It's man, I've done it.
00:36:14That's full now.
00:36:15You are free-to-be.
00:36:15I love this.
00:36:16That's full now.
00:36:18ht встречи.
00:36:18He's done it.
00:36:19Yeah.
00:36:19I love it.
00:36:20That's full.
00:36:21I love it.
00:36:22I love it.
00:36:23That's very buena idea.
00:36:23I love it.
00:36:24I love it.
00:36:25You are telling me.
00:36:26What's going on?
00:36:26Elker
00:36:45Elker
00:36:56Elker
00:37:03Elker
00:37:08Where's my...
00:37:19Oh, no, no, no.
00:37:38Morning.
00:37:46What are you doing?
00:37:48Nothing.
00:37:53Nothing.
00:38:02I carried you to your bed last night and that was it.
00:38:07No, seriously.
00:38:09What are you doing?
00:38:10Nothing, sweet pea.
00:38:12What did you just call me?
00:38:15Sweet pea.
00:38:18You sat in your sleep last night.
00:38:23I see.
00:38:24Well, don't ever do that again.
00:38:26Sure.
00:38:37Hi.
00:38:40Could you maybe explain this scene a little bit?
00:38:44I'm not sure if I get it.
00:38:45I mean, it is pretty straightforward.
00:38:47Just do what it says without improvising.
00:38:50Well, Emma, you were so great yesterday.
00:38:56I want to go over this one part.
00:38:58Now, when you say this line, I'm about...
00:39:01We'll see who wins.
00:39:05Nos, what am I doing this afternoon?
00:39:08Well, it's kind of a very important meeting.
00:39:11Did you forget?
00:39:13Canceled.
00:39:14Send them my apologies.
00:39:16What?
00:39:18So, what do you normally do when you're not working?
00:39:20Uh, I do striptease.
00:39:23Oh.
00:39:24I was thinking more along the lines of going to the movies.
00:39:28There's actually a good one out right now.
00:39:31I mean, maybe if you're interested, we could try to catch it together.
00:39:34I'm sorry, but I really need to focus on this job right now.
00:39:38Oh, yeah.
00:39:39Sure, sure.
00:39:40You're a really interesting person to talk to.
00:39:43You know that?
00:39:44Edward!
00:39:45Are you here to see me?
00:39:49Oh, you're a brutal dad.
00:39:52Oh.
00:39:53Edward?
00:39:54It's not for you.
00:39:56I'm sorry.
00:39:57Why is she still talking about you?
00:39:59Go put the snacks in the lounge.
00:40:02You got it, boss.
00:40:09Edward?
00:40:10What's your name again?
00:40:12Actually, it doesn't matter.
00:40:14What were you talking to my wife about?
00:40:25Oh.
00:40:26Dama, I had no idea that you were married.
00:40:30Um, oh, don't worry about it, man.
00:40:32We were just talking about stuff in the script.
00:40:34Is that right?
00:40:35Yeah.
00:40:36Hey, so you must be Edward Ardoin.
00:40:39I've heard a lot about you.
00:40:40I'm Alex.
00:40:41Cool.
00:40:42Bye, Alex.
00:40:43Great.
00:40:44Yeah, um, I'll see you later, Dama.
00:40:47No, you won't.
00:40:48No, you won't.
00:40:49Good.
00:40:50You guys are all here.
00:40:51Edward brought snacks.
00:40:52They're in the lounge if anyone wants some.
00:40:54Yes, I'll come.
00:40:55What?
00:40:58Snacks.
00:41:02Edward doesn't usually come to set this often.
00:41:04He's quite the busy man.
00:41:06I think he's here to see you.
00:41:08He's here to see Carla, not me.
00:41:10Oh, please.
00:41:11Can you not see the way he looks at you?
00:41:13Whatever.
00:41:14Oh, speak of the devil.
00:41:17I will give you two some privacy.
00:41:19Wait.
00:41:20No, don't.
00:41:21Excuse me.
00:41:28You're getting out of hand.
00:41:29Don't forget, I'm the one who hired you.
00:41:31Excuse me?
00:41:33Stay away from Alex.
00:41:34Got it?
00:41:35What are you talking about?
00:41:36There's nothing going on between us.
00:41:38Besides, you came here to see Carla.
00:41:44So you're jealous.
00:41:45What are you talking about?
00:41:47I'm not just-
00:41:57What are you doing?
00:41:59Carla and I are together.
00:42:00I'm here for you.
00:42:02You really expect me to believe that?
00:42:04Don't look.
00:42:06Yeah, girl?
00:42:07What?
00:42:22Jean, are you absolutely sure?
00:42:24Yes.
00:42:25Positive.
00:42:26I used to know this guy from the streets and he and Algar drifted around for months.
00:42:29So where is he?
00:42:31Well, they later got separated so he has no idea after that.
00:42:36But that's gotta mean that Algar's still alive, right?
00:42:39Oh my goodness.
00:42:40Thank you so much.
00:42:41You have no idea how much this means to me.
00:42:44It's been ten years.
00:42:46Don't forget, you are married too.
00:42:49What are you gonna do?
00:42:51I'll divorce him once our contract is up.
00:42:54I needed the money.
00:42:56Algar will understand.
00:42:58I don't know.
00:42:59Edward seemed really into you.
00:43:03Actually, Jean, I think I should keep my distance from him.
00:43:17You okay?
00:43:18Yeah.
00:43:23Wanna tell me what happened?
00:43:24I just wanna be alone for a bit.
00:43:27Okay?
00:43:29Is this about Carla?
00:43:31I told you, I went to see you.
00:43:33Not her.
00:43:35Edward, I don't care who you're seeing.
00:43:37We're only married on paper, right?
00:43:42Is this because we're moving too fast?
00:43:51Is this about Carla?
00:43:52I just think that we should keep our distance.
00:43:55Please.
00:43:57I don't care who you're seeing. We're only married on paper, right?
00:44:03Is this because we're moving too fast?
00:44:08I just think that we should keep our distance. Please.
00:44:19Thought she was playing hard to get, huh?
00:44:21Maybe she doesn't want to seem too eager.
00:44:23I mean, why would anyone reject you?
00:44:27It's impossible.
00:44:29Come on. Let's get to the set.
00:44:35Hey, Thelma. You'll be wearing this dress for the next scene. Is that okay?
00:44:38That's fine.
00:44:42So you think you could just take whatever you want?
00:44:49I thought this was my personal changing room like it's always been.
00:44:54Carla, this room is for the lead role. Yours is outside.
00:44:58Well, actually, I'm all done here.
00:45:01Carla loves taking things that aren't hers.
00:45:03Be my guest. Use it.
00:45:06Oh.
00:45:08Aren't you quite generous then, hmm?
00:45:10Edward's not here so he can drop the act.
00:45:13We actually need to get back to work if there's nothing else.
00:45:16Actually, I can finish my makeup myself.
00:45:22Go on. What do you want to talk about?
00:45:25Let's make a deal.
00:45:26A deal?
00:45:28Who the fuck do you think you are?
00:45:32Well, as far as I know, I'm Edward's wife.
00:45:40What kind of deal?
00:45:42Stop picking fights with me. Stop giving me a hard time on set and I won't take anything away from you.
00:45:46I'll actually help you with whatever you and Edward have going on.
00:45:53Alright, deal.
00:45:55I'm done with this room, by the way. It's yours if you still want it.
00:45:59I don't need your pity!
00:46:14Don't you have, like, business to run?
00:46:16What are you doing here all day?
00:46:18Hey, um, actually, about what happened.
00:46:27I think that we should talk.
00:46:30Why don't you meet me in the lounge after we wrap up?
00:46:33Why can't we talk now?
00:46:35I want it to be a surprise.
00:46:37See you later.
00:46:48What does she want to talk about?
00:46:51Does she not want to see me?
00:46:53Hi, Edward.
00:46:55Carla?
00:46:58Why are you here?
00:46:59Where's Stella?
00:47:00Who should I be?
00:47:02Maybe...
00:47:04Squirt?
00:47:06What are you doing?
00:47:07Are you trying to set those two up?
00:47:09Yeah, and if they're together, then they'll have nothing to do with me.
00:47:14Sounds like a terrible idea.
00:47:15Well, if you have a better idea, then let's hear it.
00:47:22Edward!
00:47:25If they're together, then they'll have nothing to do with me.
00:47:30Well, as long as you're okay with this.
00:47:33Of course I am. Why wouldn't I be?
00:47:36I mean, now I can just focus on what really matters, and I can try to find Algar.
00:47:44Edward!
00:47:46What the fuck are you doing?
00:47:55Whatever games you're playing, you need to stop.
00:47:57What are you talking about? You came here to see Carlos, right?
00:48:01Delma, come on.
00:48:03Edward, we're going to be divorced really soon.
00:48:06So?
00:48:07So if you're attracted to somebody, then go for it! I want you to be happy!
00:48:10The only person I love is you!
00:48:17Edward, how could you?
00:48:21Everything I do for you, Carla, I do for your father.
00:48:24He looked out for me, so this is me hanging back.
00:48:36I'm already in love with somebody else. It's never going to be you.
00:48:41But if that man didn't exist, would you consider me?
00:48:44Stop it, Edward. It's never going to happen!
00:48:46What do I do, Algar? I know you're out there. What do I do?
00:48:57Boss, you've been here for a while. Is everything okay?
00:49:13Why don't you tell her you're the one she's looking for?
00:49:18Do you remember what I did to return to the Arduin family?
00:49:35About Algar.
00:49:37Are you telling me that Mr. Arduin knows his illegitimate son is Algar?
00:49:43Yes. And now the old man wants him back.
00:49:46Mmm. Another brat to share their inheritance.
00:49:51If I could only get rid of his mother, getting rid of him shouldn't be a problem.
00:49:57Madam, it's our fault. Please don't withdraw your donation to the orphanage.
00:50:03If we work together on this, I could even help you.
00:50:09Get rid of Algar. For good.
00:50:12Take care of it. But make sure we don't lose it.
00:50:16Shall we go to the Rose Garden?
00:50:17Yes, please, sir. I must have to see it, sir. I hope to.
00:50:19Goodness, sir. Yes.
00:50:20I got rid of the woman who killed my mother and sent me to an orphanage.
00:50:26I eliminated everyone associated with her.
00:50:30Over the years.
00:50:31I did whatever it took to gain my father's approval, to secure my inheritance.
00:50:32My methods were ruthless.
00:50:33I did whatever it took to gain my father's approval, to secure my inheritance.
00:50:41My methods were ruthless. My conscience, callous.
00:50:49You did what you had to do.
00:50:51I did whatever it took to gain my father's approval,
00:50:56to secure my inheritance.
00:50:58My methods were ruthless.
00:51:01My conscience, callous.
00:51:05You did what you had to do.
00:51:08And now I'm a different man, a monster
00:51:11she doesn't even recognize.
00:51:14If she finds out this is the man she's been looking for all
00:51:16these years, it'll drive her away.
00:51:21I can't lose her again.
00:51:25So it was true?
00:51:33Argon and I, we roamed the city for a winter.
00:51:37And a lot of people say he made some enemies.
00:51:43One night, under the bridge where we slept,
00:51:46he got stabbed, and he died.
00:51:50No.
00:51:52You're mistaken.
00:51:54He always had a ring with him.
00:51:56It was a nice ring.
00:51:58I think it had the letters A and H on it.
00:52:03I told him he could pawn it for a few bucks,
00:52:06but he just kept it with him.
00:52:10No, he can't just be gone.
00:52:12He can't just be gone.
00:52:13It's OK.
00:52:15It's OK.
00:52:20It's OK.
00:52:21It's OK.
00:52:22This is my fault.
00:52:24She's burning up.
00:52:26The doctor said it was from emotional distress and not eating.
00:52:32Go make her something late.
00:52:33I'll stay with her.
00:52:34Yes.
00:52:35Yes.
00:52:36I'll stay with her.
00:52:37Yes.
00:52:38You need to get some rest and let me handle this.
00:52:43No, it's OK.
00:52:44Leave it to me.
00:52:45Look, I know you care.
00:52:47You need to get some rest and let me handle this.
00:52:49No, it's OK.
00:52:50Look, I know you care, but I've never seen you do this for anyone.
00:52:54And if the old lady were here, she'd be heartbroken.
00:52:58I know you care.
00:52:58You need to get some rest and let me handle this.
00:53:03No, it's OK.
00:53:04Leave it to me.
00:53:06Look, I know you care, but I've never seen you do this for anyone.
00:53:10And if the old lady were here, she'd be heartbroken.
00:53:16You know, you're not going to get some rest.
00:53:20To see you this exhausted.
00:53:22Don't worry about me, Sarah.
00:53:23You can go now.
00:53:35I'm not hungry.
00:53:40Please eat and get better.
00:53:49Thelma, oh my god, are you OK?
00:53:58I've been trying to call you for 10 times.
00:54:02You haven't done something stupid, have you?
00:54:16I can't find a reason to go.
00:54:18Stop saying that, OK?
00:54:22Don't listen to what that guy said.
00:54:24He doesn't know what he's talking about.
00:54:26They never found Alger's body.
00:54:28Maybe he's still alive.
00:54:29You've waited 10 years, OK?
00:54:34You sure you're going to give up now?
00:54:37Don't you want to find out the truth for yourself?
00:54:38Yeah, you're right.
00:54:40I should keep going.
00:54:43Good.
00:54:44Now go get some sleep and get back to set, girl, OK?
00:54:48That is something that you've always wanted,
00:54:50and you're not going to screw it up, all right?
00:54:54Yeah, I understand.
00:54:56I'll keep going for Alger.
00:55:02I want that bitch, Ted.
00:55:05You got that thing ready?
00:55:08Sure, it would do the job.
00:55:14All right, don't mess this up.
00:55:16Ready for first day?
00:55:18Coming!
00:55:26Uh, you wanted to see me?
00:55:32Yes, it is about the scene where you're stabbed.
00:55:36We will be using this as a prop.
00:55:39So once the safety is clicked off,
00:55:41the blade will go back inside itself upon impact.
00:55:43So don't worry, it's not going to hurt you.
00:55:46See?
00:55:47Nice.
00:55:50Exactly.
00:55:50Uh, Thelma, Karla, all set.
00:56:00All departments ready?
00:56:04And action!
00:56:11Wait!
00:56:12Cut, cut!
00:56:13Edward, are you OK?
00:56:15Oh god, how did this happen?
00:56:16Call 911.
00:56:17Edward, don't die on me, please.
00:56:22I know that my past is complicated,
00:56:24and I'm not worthy of your time or your love.
00:56:28What makes me so special?
00:56:34OK, I admit, I think somewhere along the way,
00:56:37I became attracted to you,
00:56:39and I know that you keep this stone-cold face,
00:56:43but I know that that's not the real you.
00:56:47Please, show me the real you.
00:56:51Let me in.
00:56:56Edward!
00:57:03What are you doing?
00:57:04That's not funny.
00:57:05I was worried sick.
00:57:06What's the matter with you?
00:57:07How else could I get such a lovely monologue?
00:57:10OK, you know what?
00:57:11I'm going to go get a doctor.
00:57:12No, no, no, no.
00:57:14I'm fine.
00:57:15No.
00:57:16Look, not even a scratch.
00:57:18Just need a minute.
00:57:19Are you sure?
00:57:20It seemed pretty serious.
00:57:22Yeah, the knife didn't even get to me.
00:57:25Something blocked it.
00:57:27Really?
00:57:28Where is it?
00:57:30Nothing.
00:57:31I'll find out what happened today.
00:57:33Meanwhile,
00:57:34be more careful on set, yeah?
00:57:37No, don't worry about it.
00:57:39You're the patient.
00:57:40Just rest up now.
00:57:43I heard everything you were saying, by the way.
00:57:46OK, you know what?
00:57:47I'm really getting you a doctor now.
00:57:48Just shut up.
00:57:49You saved my life.
00:58:06How are you doing, boss?
00:58:08Oh, not too shabby.
00:58:11So, what do you plan to do with Karma?
00:58:15Karma, almost forgot.
00:58:17Let's get me back.
00:58:19Let's go.
00:58:22I'm not sure what we're going to do after your little incident.
00:58:27I'm sorry.
00:58:28I wasn't thinking.
00:58:29It won't happen again.
00:58:30I promise.
00:58:31Jay, get a replacement for her role.
00:58:33She's done.
00:58:39Edward, what are you saying?
00:58:41I told you to stop pulling these tricks behind my back.
00:58:43I didn't do anything.
00:58:45Don't listen to her.
00:58:46She's making it all up.
00:58:47Carla had someone on the prop team switch the fake knife with a real one.
00:58:51She almost killed Thelma.
00:58:53And myself.
00:58:54Edward, I'm sorry.
00:58:56I messed up.
00:58:57Please, please give me another chance.
00:59:00I've given you plenty of chances.
00:59:03Really, Edward?
00:59:04Edward, after all of these years.
00:59:08Please stop embarrassing yourself.
00:59:12Hey, mate.
00:59:13Doing all of this for a man, I hope it's worth it.
00:59:18Edward, you know everything I did is because I love you.
00:59:21If you try hurting her again, you will be sorry.
00:59:32Hand her over to the police.
00:59:37Well, now that that's over, we should talk about what you said to me earlier.
00:59:42Which is what?
00:59:45That you were attracted to me.
00:59:50We're not going to talk about that.
00:59:51That's not fair.
00:59:52You tricked me.
00:59:55Got it.
00:59:55What if the person you're looking for is me?
01:00:17Don't be ridiculous.
01:00:20Besides, you come from a rich and powerful family, and he's an orphan.
01:00:25Like me.
01:00:28And he's incredibly kind.
01:00:30He wouldn't even step on an ant.
01:00:34I can't say the same thing about you.
01:00:39People can change.
01:00:41And I'll never stop searching for him.
01:00:44I'm afraid that you can't stop me.
01:00:52Am I even worthy of love?
01:00:55Am I even worthy of love?
01:01:02You're a billionaire.
01:01:03I'm sure that there's plenty of women fighting over you.
01:01:07Plus,
01:01:08I stand by what I said.
01:01:14I don't think that this Edward is the real you.
01:01:19Do you remember when we first met?
01:01:22You saved me.
01:01:23You're a good person.
01:01:25You're kind to Nos, to Sarah.
01:01:32You'll find the love that you deserve.
01:01:33He's gone.
01:01:44I waited 10 years and he's just gone.
01:01:47Do you like the man I am now?
01:01:54It doesn't matter.
01:01:55We're getting divorced in here.
01:02:01If I give you all my properties and assets,
01:02:04can we not get a divorce?
01:02:06No.
01:02:20My head.
01:02:35Do you remember what happened?
01:02:43You said something about money and assets.
01:02:47And then, after that, not a thing.
01:02:58All right, okay, back to work. Come on.
01:03:04Can't be watching people get arrested all day.
01:03:06Hey, can we talk?
01:03:08I heard you've been looking for someone.
01:03:11Yes.
01:03:12I believe this could be our phone.
01:03:18This place is reopening soon.
01:03:21I'd like for you to come.
01:03:24What does this have to do with the man that I'm looking for?
01:03:28You'll see.
01:03:30Okay, I'll go.
01:03:34Good.
01:03:35Edward was probably placed.
01:03:37What does this have to do with Edward?
01:03:39You'll see.
01:03:40Look at that. See?
01:03:41Oh, my God.
01:03:42Yes, I trusted you.
01:03:43You did it.
01:03:44Guys, we're blowing up.
01:03:45What do you mean?
01:03:46After we posted the behind the scenes, we went viral.
01:03:49Thelma became a sensation.
01:03:51She's now trending number one.
01:03:53Big star.
01:03:54Trending?
01:03:55Does this mean more money?
01:03:56Of course it does.
01:03:57And that is just the easy part.
01:03:59I was thinking about my next movie, and I want you to be in it.
01:04:03Wow.
01:04:04This is a dream come true.
01:04:06And we're having a wrap party at the hottest bar tonight.
01:04:10All right.
01:04:11You'll wonder who's so generous.
01:04:14Mm-hmm.
01:04:15Mm-hmm.
01:04:16Mm-hmm.
01:04:17Mm-hmm.
01:04:18Mm-hmm.
01:04:19Mm-hmm.
01:04:20Mm-hmm.
01:04:21Mm-hmm.
01:04:22Mm-hmm.
01:04:23Mm-hmm.
01:04:29Boss, about this new country...
01:04:31Do you think Thelma will be surprised by the party I'm throwing for her?
01:04:34Oh, definitely.
01:04:36So should I pick her up, or do I just show up at the party?
01:04:40You don't do this often, do you?
01:04:52Great party, Edward.
01:04:53It'll only be fitting, right?
01:04:54Not entirely bad.
01:04:55So, thank you.
01:04:56How would you like to thank me?
01:04:57Uh, sorry, everybody.
01:04:58Uh, sorry, everybody.
01:04:59Attention, attention.
01:05:00Thank you, thank you.
01:05:01Uh, first off, this has been an amazing three months.
01:05:10I'd like to thank everybody in here.
01:05:11And, uh, well, here is to its huge success.
01:05:15Cheers.
01:05:16Cheers.
01:05:17Cheers.
01:05:18Cheers.
01:05:19Mm-hmm.
01:05:20Cheers.
01:05:21Cheers, cheers.
01:05:23Cheers.
01:05:27Cheers.
01:05:28Cheers.
01:05:29Cheers.
01:05:30Mm-hmm.
01:05:31and now a few words from Edward the man the big boss without him none of this would be possible
01:05:40thank you all so much I just want to say how grateful I am for the opportunity
01:05:46Jay is an exceptional director his casting remarkable Thelma's performance in particular
01:05:54out of this world and I'd like to take this moment to tell her that I'll always
01:06:00be there to support her cheers
01:06:03Thelma the superstar stop it by the way do you think Algar will watch my new show do you think
01:06:16he'll recognize me oh Thelma I know this is really hard to hear but you gotta let him go
01:06:23Algar's gone I'm not giving up until I know for sure
01:06:30hey let me out
01:06:41Thelma are you quitting what are you talking about production told me you turned down Jay's new
01:06:53project and you didn't show up for any of the promo events what new project is this about
01:06:59who told you this oh oh no it couldn't be Edward could it Edward so he turned it down and he told
01:07:13everybody that I quit maybe he thought it was for your own good interfering with my career without
01:07:19telling me how is that for my own good
01:07:23man mr. Ardoin is in a meeting right now
01:07:29got me out my plate
01:07:30apologies gentlemen let's uh take a break we'll continue this afternoon
01:07:34did you turn down the offer for my new film
01:07:41can explain this will terminate our contract marriage the deal is over
01:07:51what do you mean I'll pay the penalty for breaching our contract once it's settled I don't want you
01:07:58meddling in my life anymore you almost got hurt on set I was trying to protect you
01:08:03God I don't need your protection okay I can look out for myself this is my life
01:08:08you're making a big mistake here
01:08:11just stay out of my work and my personal life Edward
01:08:15we're done
01:08:16hey it's Thelma can I see you real quick
01:08:26Thelma you're very talented it was such a shame just seeing you give up but I knew you had it in you from this start
01:08:39I saw it in you all the way thank you now I strictly get to make decisions for myself now let's see this next project
01:08:51next project next project here it is what do you think
01:09:01let's just say that it's a pleasure doing business with you Jay
01:09:10congratulations
01:09:12thank you
01:09:21come on close move I'm leaving it you need to calm down what are you doing excuse me I'm perfectly calm
01:09:29how about we both compromise you continue with your acting as long as it's through Ardoin investments
01:09:35you still don't get it do you I'm not your accessory I'm not a part of the Ardoin family
01:09:41plus the only person that can make decisions for me is myself
01:09:45can't we talk about it for the sake of our relationship
01:09:48look
01:09:51I'm thankful for everything you've done for me
01:09:54you've crossed the line
01:09:56goodbye Edward
01:09:59oh Thelma
01:10:03look I have rarely seen Edward smile since his father passed away
01:10:08and he's like a new man now that you're here
01:10:11I'm sorry but I can't stay here
01:10:16it's okay Sarah let her go
01:10:21since when did we become stalkers
01:10:39where is she
01:10:42she has a bunch of crazy fans trying to get her attention but if those assholes think they have a shot with my woman
01:10:46you've not seen the news
01:10:48Thelma has announced she's single again
01:10:51what
01:10:52yeah
01:10:53even a bunch of haters have turned into fans now
01:10:56especially after watching her show
01:11:06damn it
01:11:07knew that guy was up to no good
01:11:09tell me
01:11:10tell me
01:11:11tell me
01:11:12tell me
01:11:13tell me
01:11:14tell me
01:11:15tell me
01:11:16tell me
01:11:17tell me
01:11:18tell me
01:11:19are you still working with Ardoin investment family
01:11:21the Ardoin family's never officially announced your divorce
01:11:24is there something that they're hiding
01:11:26was your marriage to Edward Edward in strictly business like the tabloids say
01:11:33uh
01:11:34why don't you ask the man himself
01:11:37hey Mr. Ardoin you got a second
01:11:47I don't
01:11:48I'm sorry
01:11:49so Mr. Ardoin what brings you here thinking of joining the entertainment industry
01:11:58you know why I'm here
01:12:00sorry I can't help you with that
01:12:02uh so this new film is a romantic drama
01:12:06a romantic drama
01:12:07with some comedy
01:12:08you're a Jay's new movie too yeah
01:12:09you ever want any
01:12:12like let's go
01:12:13no
01:12:14not yet
01:12:15please
01:12:16I would love to thank our amazing director Jay for all of his amazing visions
01:12:21and everyone else who's helped me on this incredible journey
01:12:25like hello specifically
01:12:27and I'm so excited to get started because I know that this is going to be another hit
01:12:33alright ready to check out the set for the new movie
01:12:36I'll walk in
01:12:37uh actually do you want to check it out together
01:12:39sure
01:12:40how do you win back a woman
01:12:48um
01:12:49through hours
01:12:50roomans
01:12:51gifts are always a good movie
01:12:53oh where'd you learn
01:12:55let's get back to the office
01:12:56Let's get back to the office sign.
01:13:06I, uh...
01:13:08got these for you.
01:13:10You can just leave them there.
01:13:17Thelma, I'm sorry.
01:13:19I was wrong.
01:13:21Please, give me another chance.
01:13:30I promise I won't be overbearing.
01:13:32I'll respect all your opinions.
01:13:34And I'll never interfere with your career again.
01:13:41The flowers look good.
01:13:43I'll take these, and we can talk about the rest later.
01:14:00Go! I don't want to see you again!
01:14:02Cuts!
01:14:04Well done, everybody. That is a wrap.
01:14:06You're great. Here. I got you a cup of coffee.
01:14:12Thanks, Alex.
01:14:13Oh, shoot!
01:14:14Oh, shoot!
01:14:38I need to know where she is. Now!
01:14:40Uh, I think I might know where she is.
01:14:45Why the hell would you, though?
01:14:46Do you have something to do with it?
01:14:47No, man. Look, all right.
01:14:48Carla was talking to some sketchy dude about Carla's basement.
01:14:51I think Thelma might be there.
01:14:53Trust me, man.
01:14:54I don't want anything bad to happen to her either.
01:14:56Believe me.
01:15:03Thelma?
01:15:06Where are you?
01:15:10Let's not do anything stupid.
01:15:17Whatever you want, just name it.
01:15:23Edward, Edward, Edward.
01:15:29How did you find this place?
01:15:31You again?
01:15:36You didn't seriously believe I would just walk away, did you?
01:15:40You're a coward.
01:15:45Killer.
01:15:46And, Edward, I want you to watch.
01:15:49If you touch her, I will skin you alive.
01:15:53I got it!
01:15:55No!
01:15:56Oh!
01:15:57Oh!
01:15:59Please.
01:16:01Ah!
01:16:02Ah!
01:16:03Ahhh!
01:16:04Ah!
01:16:05Sss!
01:16:06Ah!
01:16:07crimes.
01:16:09Ow!
01:16:10Ah!
01:16:11Ah!
01:16:16Had industries.
01:16:22Oscar was кон normality.
01:16:23Ah!
01:16:24It's okay. It's over. It's all over.
01:16:55It's today. I promised Nas I would go.
01:17:08Wait, this is the amusement park I agreed to meet Little Rock at.
01:17:13I thought it closed down years ago.
01:17:16Alma?
01:17:18Edward?
01:17:19What are you doing here?
01:17:21Nas told me to come. What are you doing here?
01:17:24Well, now that you're here, I need to tell you a little secret. Be right back.
01:17:31Edward?
01:17:44Don't be scared, sweet man.
01:17:45What did you just call me?
01:17:54I told you I'd meet you here, Alan.
01:18:03I told you I'd meet you here, Alan.
01:18:07Algar, but how? Why didn't you tell me after all this time?
01:18:12After I escaped the orphanage, the headmistress sent people after me.
01:18:18So I had to fake my own death.
01:18:21I survived.
01:18:22But the price was becoming a different man.
01:18:26Cold.
01:18:28Ruthless.
01:18:30Even cruel.
01:18:31And I was so scared that if you found out this was the man I'd become, you wouldn't love me anymore.
01:18:40Besides, the Arduin family erased every trace of my past.
01:18:44If they find out you're the one I'm looking for, they'll use you against me.
01:18:50And I can't risk that.
01:18:52Algar.
01:18:54You know that I love you.
01:18:58You do?
01:18:59Yeah, with you by my side, I'm not afraid of anything.
01:19:07I don't want us to ever be apart again.
01:19:20Yes.
01:19:29I'm not afraid of anything.
01:19:37If you're not a father, I just, you don't think anybody else.
01:19:42Now, finally, please wait.
01:19:45A couple of more Hejadas do?
01:19:46Later..
01:19:48Movie Hard charge in Rp.
01:19:50We are also determining the搭 look.
01:19:53So what we do...
01:19:56Jennifer'saroo.