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FunTranscript
00:00:00Power-Tron! Special attack!
00:00:23Curses! I'll get you next time, Power-Tron!
00:00:28Hold it, Kingberg!
00:00:31Damn it! Did he get away?
00:00:33However, we Power-Trons will uphold the peace of the network without fail!
00:00:37Yeah!
00:00:51Let's check out a movie!
00:00:53Man, that's like way too expensive!
00:00:56Mm-hmm. Like I said, it's from that show they performed in Hiroshima.
00:01:00You mean the one I couldn't go to?
00:01:02Yeah, that time when Rei fumbled one of her songs and then those guys started all that trouble.
00:01:06And this is supposed to be the mini-disc from when Mima had sung in Rei's place one time.
00:01:10Yeah, I hear it's a real collector's item.
00:01:12Oh, yeah. So, like, is that rumor really true?
00:01:15What, the one about Mima?
00:01:17Uh-huh. That's what everyone's saying.
00:01:19400 yen.
00:01:20Jam, fanzines.
00:01:22Three left.
00:01:23Only three left.
00:01:24400 yen.
00:01:26Yeah, I read about that too.
00:01:29And it's supposed to be your last concert here.
00:01:31At a nothing show like this? I'd say that's pretty cold of Mima-din.
00:01:35Seems like there's been a lot more solo acts going on lately.
00:01:39Yeah, but I think that Mima-din could really act.
00:01:42Huh? Hey, look! It's those guys over there!
00:01:44Yeah, the same guys who caused trouble last week.
00:01:47Shit. Today of all days, they better not cause any trouble.
00:01:53Oh, I'm getting nervous!
00:01:56Rei, come on, please, sit still.
00:01:58Hey, what's up with this? It's all frayed!
00:02:00What are you doing?
00:02:01Where the hell is the masking tape?
00:02:03Hello? Yeah?
00:02:04Remember your entrance in the second song, Mima.
00:02:07Please, Rumi, don't pressure me.
00:02:09I need a drink!
00:02:10I'm sorry, I'll call you back, okay?
00:02:11You can have drinks after the show.
00:02:12All right, ladies, let's go, hurry, you're on.
00:02:18All right, people, it looks like they're ready!
00:02:23So without further ado, please welcome to our stage, Chow!
00:02:42Chow!
00:02:43Chow!
00:02:44Chow!
00:02:45Chow!
00:02:46Chow!
00:02:47Chow!
00:02:48Chow!
00:02:49Chow!
00:02:50Chow!
00:02:56Chow!
00:02:57Chow!
00:02:58Sometimes you feel for your love
00:03:02Spend a little heart for her
00:03:06And she'll be there with you
00:03:07Grow her love
00:03:09Waiting only for you
00:03:11And when you love her, love her, she grows
00:03:15A little angel, angel in your heart
00:03:19You've got to push her, push her
00:03:21And then forever, ever, she goes
00:03:25And then forever, ever, she'll be there
00:03:29And then forever, ever, ever, ever, ever, ever
00:03:34So you found the gift of her?
00:03:36Great.
00:03:43Nikki, would you get a mop to aisle five?
00:03:45Yes, sir.
00:03:47Uh...
00:03:48Excuse me.
00:03:50Call me when you get to mop!
00:03:52Come here.
00:03:53Open your drink, get some soda.
00:03:55Wow.
00:03:56Sure.
00:03:57Many of you have to do that part.
00:03:58decreed
00:04:15Lema should be acting, not singing
00:04:17I can't do this.
00:04:24Mika.
00:04:26They want her in a drama series.
00:04:28You just don't pass up a deal like this.
00:04:31She can do both. She can sing and act.
00:04:33Her schedule with the other two has already created a difficult problem.
00:04:37Listen, she didn't go to all those singing lessons just so she could become an actress.
00:04:41The producer of the show doesn't care. He thinks Mima's a wonderful actress.
00:04:44Of course. But what about Mima's feelings?
00:05:14Thank you very much. You guys are wonderful. It was a fun concert, but we only have time for one more song.
00:05:30We just got here. You gotta sing more than one.
00:05:32Yeah!
00:05:34Um, but before we sing our last song, we do have some news we would like to share with all of you.
00:05:41You see?
00:05:42Uh, I, Mima Kirigoui, had a really fun time being a member of CHAM.
00:05:48I said out of my way! Get your slimy hands off me, you oversized freak!
00:05:52Listen, you can't tell me what I can and can't do, you asshole!
00:06:01Why don't you punks leave?
00:06:03What's that? What the hell?
00:06:04Who do you think you're telling them to leave, you fucker?
00:06:06Hey, it wasn't me. I didn't say anything.
00:06:08Ah! Who threw that? Get the hell over here, whoever threw that!
00:06:12Go home!
00:06:13Damn, it's those guys again. We're canceling this show.
00:06:21Huh? But today is the...
00:06:23Shut up, don't do it!
00:06:26Stop it now!
00:06:33Huh?
00:06:39Tonight...
00:06:40I mean, today, I just wanted us to please have a good time!
00:06:46Fucking attitude she has for a no-namer! Want a good time here!
00:06:51What the hell?
00:06:56Damn weirdo!
00:06:58Let's go, you guys!
00:07:04Come on!
00:07:07Come on, CHAM.
00:07:10Come on!
00:07:16A-um...
00:07:16Actually, what I wanted to say is...
00:07:21This is Mima's last performance with CHAM!
00:07:24Thank you all so much.
00:07:27I'm really happy that I spent the last two and a half years
00:07:30being a part of Cham and sharing it all with you.
00:07:33I really hope that I can entertain you
00:07:36just the same as an actress.
00:07:39So now, if you please,
00:07:42this will be my last song.
00:07:54Well, you know, it totally makes sense from the agency's point of view.
00:08:05Pop idols just don't make money, right?
00:08:07Metamorphosis, huh?
00:08:09The day the sun was born
00:08:13Your warmth was all my love
00:08:17Remembering the day when we loved each other
00:08:24I thought that was everything
00:08:30Your warmth was in my heart
00:08:34Remembering the time when we loved one another
00:08:41And now I know that I feel like a coward
00:08:47I don't feel pain, just keep living
00:08:51My face looks so pale like a little white flower
00:08:55Do I still believe?
00:08:57Over here, Mima!
00:08:58Over here, Mima!
00:08:59Over here, Mima!
00:09:00Over here, Mima!
00:09:02Over here, Mima!
00:09:04Over here, Mima!
00:09:06Over here, Mima!
00:09:07Over here, Mima!
00:09:08Mima, Mima!
00:09:09Here, here, take this!
00:09:10Thank you!
00:09:11I'm always watching Mima's room!
00:09:13Over here, Mima!
00:09:15Over here, Mima!
00:09:19Yuck, this cheese has gone bad already.
00:09:49I'm sorry, I forgot to feed you yesterday.
00:09:59The earthquake that happened in the B.A. area flattened a number of towns throughout the region.
00:10:16The government reports 200 dead, but the total number of victims is yet to be determined.
00:10:22But many more of them still remain missing amid the rubble.
00:10:24Authorities have called in troops for rescue operations, however, because the area is getting dark, and obtaining any source of light will be a problem.
00:10:33The full operation will have to be done in the long run.
00:10:35Well done, guys. Thanks for all the work and good times.
00:10:39Bye-bye, Mima the Pop Idol.
00:10:43More ambulances and emergency crews are making their way to the scene.
00:10:46We have reported that they're being rerouted through the surrounding residential streets, and police...
00:10:51Sing for us forever.
00:10:52I guess I can't do that.
00:10:57Huh?
00:10:59Hmm.
00:11:03I always like looking into Mima's room. I'm linked with you. I've put up a link to Mima's room.
00:11:10What the heck?
00:11:12Huh?
00:11:12It did end up taking two paramedics to help the woman out of the car.
00:11:16She was unheard of, but apparently the car did.
00:11:18Oh, it's you, Mom.
00:11:30Yeah, I'm doing fine. How are you doing?
00:11:34You did? Really?
00:11:39Yeah, today was the last one. No more singing.
00:11:42What are you saying? You always said you wanted to be a singer.
00:11:45I told you, Mom. I'm going to be an actress.
00:11:49Honey, we have all been waiting for your new single.
00:11:51Well, not to mention your uncle over in Yamaguchi said he'd buy 20 copies. Do you realize that?
00:11:57You just don't understand how this industry works, Mom.
00:12:00Well, I do understand that singing is what you do best.
00:12:03Mom, the pop idol image is suffocating me.
00:12:06Besides, today pop idols are...
00:12:08Oh, wait. Another call.
00:12:13Kirigoi residence.
00:12:16Hello?
00:12:18Hello?
00:12:22Wrong number.
00:12:25Uh-uh. They didn't say anything.
00:12:28Yeah, I know what you mean.
00:12:31Oh, wait a minute. The bath.
00:12:33Call me back in five minutes.
00:12:36Oh, Mother. Can't you just wait one minute?
00:12:45A fax? Who's it from?
00:12:48Huh?
00:13:04Huh?
00:13:04Excuse me.
00:13:14Excuse me. Who are you?
00:13:16Excuse me. Who are you?
00:13:19Excuse me. Who are you?
00:13:22Could you please bring me to these repairs, Kate?
00:13:24A little bit... Bring it in.
00:13:25Bring it down.
00:13:27Must have been the first take.
00:13:28They're both good.
00:13:29Up, up, up.
00:13:31There's a Fresnel that's out.
00:13:33No, I'll find you right over there.
00:13:34That's number five.
00:13:35Then I just need you to...
00:13:36Bring in number five.
00:13:37What do you think, Rumi?
00:13:39Do you know what it means?
00:13:40No.
00:13:41Right here.
00:13:46It's just a website.
00:13:48Somebody took it off the internet.
00:13:50Oh, that's really popular lately.
00:13:52Huh.
00:13:53Huh.
00:13:53So what's it mean?
00:13:54Hmm.
00:13:55How can I describe it?
00:13:57It's kind of like networking by using the computer.
00:14:00Yeah, and?
00:14:01Well, it looks like this person, whoever it is, put up a link to Mima's room, which is the title of the website.
00:14:07That makes sense?
00:14:10Hmm.
00:14:10Not one bit.
00:14:11All right.
00:14:13Sorry to keep you waiting.
00:14:15We're ready for the next take.
00:14:23Don't make me laugh.
00:14:25But I like to hear you laugh.
00:14:28Five seconds.
00:14:30Four.
00:14:31Three.
00:14:32Two.
00:14:34The murder victim, Rika, her younger sister, is here.
00:14:37Would you like to see her?
00:14:38Mr. Yamashiro.
00:14:41Yes?
00:14:42Tell me, do you have any idea why the culprit peels off the skin of his victims?
00:14:47Uh, I assume he gets sexual stimulation from such activities.
00:14:52He wants to become one.
00:14:54Forgive me.
00:14:55Become what?
00:14:56A woman.
00:14:58Or perhaps.
00:15:00Ah, cut!
00:15:02Ah!
00:15:03Eri Ochiai is a great actress after all.
00:15:07She's a different person, so completely involved when the camera's rolling.
00:15:10That's good!
00:15:11Okay, scene 32.
00:15:15Hey, Rika's sister, we're ready for ya!
00:15:18Here?
00:15:21All right.
00:15:21Chris, you nervous?
00:15:23A bit.
00:15:24Hmm.
00:15:29She only has one line.
00:15:31What's she nervous about?
00:15:34Well, how's our star actress so far?
00:15:37Mr. Tadokoro, she's going on now.
00:15:44Excuse me, who are you?
00:15:46Excuse me, who are you?
00:15:47Excuse?
00:15:48Excuse?
00:15:51You see?
00:15:53That's what I mean.
00:15:54You believe it?
00:15:55Ha, ha, ha, ha, ha, ha.
00:15:57Ha, ha, ha, ha, ha.
00:15:58Ha, ha, ha, ha, ha.
00:15:58Get on the floor and tell him that how...
00:16:00Man, I'm exhausted.
00:16:01I'm not going to be here for five, five, five, five.
00:16:03Aria, that's scary.
00:16:04Do you have a gas in sheet?
00:16:04I guess here is.
00:16:05Bring that in quick, quickly, quickly, quickly.
00:16:07Okay.
00:16:07Ha, ha, ha.
00:16:10Let's get moving.
00:16:11Come on.
00:16:11I'm ready to go.
00:16:12Ha, ha, ha, ha.
00:16:13Ha, ha, ha, ha.
00:16:14All right, everybody.
00:16:16All right, let's get this going quickly now.
00:16:18Hey, can I get an apple box over here?
00:16:20You got it.
00:16:20A cup of coffee.
00:16:22Good morning.
00:16:22Good morning.
00:16:22Good morning.
00:16:25Well, hello, everyone.
00:16:26Ah, good morning.
00:16:28Mr. Shibuya, you decided to come?
00:16:30Hi, Eddie.
00:16:30How's it going?
00:16:31How's my script holding out for you?
00:16:33Hmm, your words are so difficult, Mr. Shibuya.
00:16:35I think I'll have to quit.
00:16:37Eddie, please don't say that.
00:16:39Oh, it's the best.
00:16:40I just love it.
00:16:42You've really outdone yourself.
00:16:43Oh, you little devil, you.
00:16:45Eddie, darling, I have these fan letters.
00:16:48They were sent to the station.
00:16:49They're all for you.
00:16:50Oh, thank you, Mr. Tajima.
00:16:52Kuro?
00:16:55Oh, this one's not for you.
00:16:58Well, keep up the good work.
00:16:59I'm back to mine.
00:17:01So, Mr. Shibuya, you have to tell me who ends up being the criminal.
00:17:05Sorry, can't tell you.
00:17:06That'd spoil all the fun.
00:17:10So what are you going to do about the criminal?
00:17:12Well, you're running out of time.
00:17:14You've got to make a decision soon.
00:17:16Hmm.
00:17:18Good morning, Mr. Tajima.
00:17:20Mr. Shibuya.
00:17:21How's everything going?
00:17:22Huh?
00:17:23How's everything?
00:17:24Ah, hello there.
00:17:26Everyone tells me that Mima's doing great.
00:17:28Well, if that's the case, don't you feel that she's not doing enough?
00:17:33Did you hear that, Shibuya?
00:17:35Hey, don't look at me.
00:17:36It's not my decision.
00:17:37Help me out here.
00:17:39Please, would you?
00:17:40Try and make use of Mima just a little bit more.
00:17:44Ah, she's a pop idol, understand?
00:17:46They're just so hard to use.
00:17:48No problem.
00:17:49It's easy.
00:17:50She's done with being a pop idol.
00:17:52Really?
00:17:52We also want to give her a drastic image change.
00:17:56We're ready for the take!
00:18:00Almost forgot.
00:18:01This is for Mima.
00:18:03Your hair is like shining in the light.
00:18:05It's very pretty.
00:18:06Excuse me, who are you?
00:18:08Excuse me, who are you?
00:18:09Five seconds.
00:18:10Excuse me.
00:18:11Four.
00:18:12Three.
00:18:13Two.
00:18:14Mr. Tadakoro!
00:18:22Oh, my God, what happened?
00:18:26Mr. Tadakoro!
00:18:32I'm like...
00:18:34What in the hell was that?
00:18:37I think that the letter just exploded.
00:18:39Call an ambulance!
00:18:40Quick!
00:18:41Got it!
00:18:44Okay, we're all set now.
00:19:14Rumi, you're so amazing!
00:19:16Thank you!
00:19:17And now I'll sign you up for online services, okay?
00:19:20Okay!
00:19:21Oh.
00:19:22Rumi, I was just wondering about...
00:19:25About what?
00:19:26About the other day.
00:19:28Oh, that?
00:19:30Okay.
00:19:31Credit card number...
00:19:34Don't you think we should have at least let the police know about it?
00:19:38Mr. Tadakoro said not to.
00:19:40He doesn't want us to do anything about it.
00:19:42But it was...
00:19:44I mean, a crime was committed.
00:19:46And if you think about it, I could have been the one who opened that letter.
00:19:50Everything's okay now.
00:19:51It was just a prank.
00:19:52Fortunately, Mr. Tadakoro wasn't badly hurt, so you shouldn't worry about it anymore, Mima,
00:19:57right?
00:19:58Now, I have to explain this all to you, so listen carefully.
00:20:02Okay.
00:20:02This is a browser for the World Wide Web.
00:20:06You launch it by double-clicking here.
00:20:09What?
00:20:10Double-clip?
00:20:11What are you going to do with a clip?
00:20:13I thought that's what you said.
00:20:14No.
00:20:15See, at the location here, you enter the URL.
00:20:18It's really not that difficult to understand.
00:20:20Oh, Rumi, come on.
00:20:22Will you please explain it to me in English?
00:20:25Oh, boy.
00:20:26Whatever gave you the idea to buy a computer anyway?
00:20:29Because they said it was easy.
00:20:32All right.
00:20:33I'll explain it from the beginning once more.
00:20:35Okay.
00:20:44H-T-T-P.
00:20:52Oh, something came up!
00:20:55Hey, I'm not so bad at this.
00:20:58Now, let's see.
00:20:59Hmm.
00:21:00There it is!
00:21:07It was just terrible.
00:21:11I screwed up the choreography and forgot my lyrics.
00:21:13I feel so sorry for all my fans.
00:21:16This morning, when I got off the train, left foot first,
00:21:19all the bad stuff started.
00:21:21I always make it a point that my right foot goes first
00:21:23into the train and into the bath.
00:21:25Somebody sure knows me!
00:21:29What's this?
00:21:30Today was my 21st birthday.
00:21:32Yukiko, Ray, and the staff at the agency held a party for me.
00:21:35It was terrific.
00:21:36Coming home, I went grocery shopping at the usual store.
00:21:40I bought myself mineral water and milk.
00:21:43I get the best water, and the milk just has to be cow brand.
00:21:46I have to allow myself at least that luxury, and of course I get the right brand of food for my precious fish,
00:21:54the kind they like.
00:21:56May 12th, I was impressed with Eddie Ochiai's performance in Double Bind.
00:22:00She becomes another person when the camera is rolling.
00:22:04Where did this come from?
00:22:06How do they know so much?
00:22:08Excuse me, who are you?
00:22:11Excuse me, who are you?
00:22:20Excuse me, who are you?
00:22:22Excuse me, who are you?
00:22:24Excuse me, who are you?
00:22:28Dr. Asamiya, specializing in psychiatry.
00:22:32I was your sister's psychiatrist. I'm very sorry this happened.
00:22:36However, there are some things I'd like to ask you.
00:22:38Detective Yamashiro, another one.
00:22:41What?
00:22:58This looks like the fifth victim.
00:23:07Just three shots of her?
00:23:11Do you really think this is worth it for her to leave Cham? Do you?
00:23:16Rule me, darling. Do you know how much work it is in getting a recurring role in a series?
00:23:21I understand all that. However...
00:23:25This is when Mima proves herself.
00:23:29She's very close to establishing credibility as a real actress.
00:23:32Right. But we should be selling Mima as a pop idol.
00:23:36Yeah, come on. Times have changed since Rumi Hidaka was a working pop idol.
00:23:41I know that.
00:23:42Nowadays, there are no places for pop idols to appeal to the masses.
00:23:46This is the turning point that'll decide if Mima lasts or not.
00:23:49Well, excuse me, sir, for not surviving.
00:23:51Please, Rumi. There'd be nothing better than for her to be an actress and become a star.
00:23:57She came all the way to Tokyo to make it as a singer.
00:24:01Rumi, stop and think about it. On record sales, we make practically nothing. It'd be fine if she could sell more.
00:24:09Well, you know, I do agree with you. I wish they'd start using her a bit more.
00:24:13Sorry, we're not that profitable.
00:24:16Good morning!
00:24:17How's the new Cham coming along?
00:24:21Hmm.
00:24:41It was totally worthless. Did you see it?
00:24:43Double bind. Yeah, I saw it.
00:24:46It's boring.
00:24:48Do all the psycho thrillers made in Japan turn out that way?
00:24:53Mimorun wasn't even in it.
00:24:55Yeah, she is.
00:24:56How many scenes was she in last week? Four?
00:24:58No, it was only three.
00:24:59Yeah.
00:25:00Will somebody save Mimorun? Please?
00:25:02Hurry up. The train's coming.
00:25:19I know. I'm just going to get a newspaper.
00:25:26Excuse me.
00:25:29Come on, keep it moving now.
00:25:49Mom, I'm here!
00:25:53What?
00:25:53Hey, it's Mimorun.
00:26:13Good morning, Mimorun.
00:26:15Hey, Mimorun.
00:26:17Hey, wait! Mimorun!
00:26:18Ah. Do they all get unfriendly when they become actresses or what?
00:26:23Hurry up!
00:26:24Good morning, everyone!
00:26:44Good morning, Mimorun.
00:26:48Good morning, everyone.
00:26:54Good morning, Mima.
00:26:55Cheers, everyone.
00:26:57Cheers!
00:27:02What's going on?
00:27:03Cham's new single.
00:27:04They're celebrating.
00:27:05Look.
00:27:06Wow, they got 83rd.
00:27:08I can't believe it.
00:27:09That's great.
00:27:11We three never even made the charts before.
00:27:13One, two, three!
00:27:18Congratulations!
00:27:21We did it!
00:27:22Now we're going to have to work really hard.
00:27:24But what about the audience?
00:27:26Will there be anyone there?
00:27:28Of course there will be, Mima.
00:27:32Here's your next script.
00:27:33It has a few more lines in it.
00:27:36Oh.
00:27:37You've done great, both of you.
00:27:39Really.
00:27:40Cham's doing great as a duo.
00:27:41What can I say?
00:27:42Ha, ha, ha, ha, ha, ha, ha, ha, ha.
00:27:43Ha, ha, ha, ha, ha, ha, ha.
00:27:50Ha, ha, ha, ha, ha, ha.
00:27:59Excuse me, are you currently represented by an agent?
00:28:02I'm sorry, I'm in a hurry.
00:28:04Oh.
00:28:04Come on now. Wouldn't you be interested in becoming a model? You sure do have the look for it.
00:28:11A model?
00:28:13Cut!
00:28:18She's so pretty.
00:28:21Okay, everybody. Let's move. Set up for the next scene.
00:28:26All right, next set up.
00:28:28Hey, who's that girl?
00:28:30I'm not sure.
00:28:31Oh, hey, Shibuya. I saw next week's script. You did a great job. It looks absolutely marvelous.
00:28:40I didn't expect any of that.
00:28:43Wait till you see. It gets even better after that.
00:28:46I'm sure.
00:28:47But I'm beginning to wonder if our darling Mima can handle that sort of thing.
00:28:52Or better yet, her agency.
00:29:01Mima's character, Yoko Takakura, completely changes personalities when she's raped by the customers at a local strip show.
00:29:09A rape scene? You have got to be out of your mind!
00:29:12It's pivotal, Rumi. She's the key figure in the second half.
00:29:15Pivotal? Mima is a pop idol.
00:29:18Don't worry, Mima. It'll be all right. We'll talk to the producers and we'll get it changed.
00:29:22Wait, wait, wait a minute. The scripts are behind schedule as it is, and the art crew is getting antsy just sitting around.
00:29:29I mean, how will it look if we start complaining now?
00:29:32I just told Shibuya that she was pulling out from the pop idol scene. Will you stop already?
00:29:36It's our job to protect the celebrities in our agency. There is absolutely no way Mima can do such a thing.
00:29:41It's all right, Rumi. I'm an actress now. I've made that decision, so now that's what I'm going to do.
00:29:48Mima!
00:29:48Ah, Mima. Fabulous. This kind of thing is commonplace for actresses. Jodi, what's her name? She had to do it, right?
00:29:56Mima, dear. Please, think it over. Do you realize what will happen?
00:30:00It's not as if they're really going to rape me or anything. Although, I'm sure my parents will flip when they see me like that.
00:30:09Anyway, Rumi, I'll do it. I have to give it my best shot.
00:30:14Mima.
00:30:18I'll do it all day.
00:30:19I know. What are you doing? I don't know. I don't know. I just don't know. I was going to go sleep.
00:30:23So, did you check out this article on the computer?
00:30:27Have you put up some of the stuff over there? Just go out.
00:30:30I absolutely refuse to do it!
00:30:37It's real much technical. It's not good.
00:30:40God damn it.
00:30:41I mean, I finally got some work.
00:30:43I guess you're...
00:30:44how's my director doing how's the set coming along i'd prefer to shoot in a real club
00:30:56but considering what we're filming no one will let us shoot in their place
00:30:59ah i'm tired please i'm counting on you hey hey come on yada what are we doing about our next
00:31:09meeting we're running out of time here all we have is a date you ready that doesn't make much
00:31:13of a meeting yes i am okay everybody she's really young
00:31:20we're ready to roll
00:31:26scene 48 the manager gets dragged down take one
00:31:3110 seconds
00:31:34five four three two
00:31:42yeah looking good not half bad for an ex-pop either
00:32:07get out of here i'll call the police
00:32:14you think i give a shit about the cops get your hands on me get off
00:32:21let me go
00:32:30help me somebody help me
00:32:36over there hold your places
00:32:51okay everyone we have to move the cameras
00:32:58i'm really sorry
00:33:02oh no it's all right
00:33:04right next up the rape scene everyone get ready
00:33:08take one
00:33:10take one rolling
00:33:23no you got to get there faster yeah sorry sir it jammed once again
00:33:30from the top okay guys can't break yet ready take two
00:33:43no you got to get there
00:34:05Huh?
00:34:11No!
00:34:14No!
00:34:19No!
00:34:23No!
00:34:27No!
00:34:28No!
00:34:30No!
00:34:32Yeah, yeah, come on!
00:34:38Yeah, yeah, come on!
00:34:41Yeah!
00:34:52Yeah!
00:34:58Yeah!
00:35:02I'm so tired.
00:35:24I haven't seen Rumi. Where is she?
00:35:29She had a meeting to go to.
00:35:32Hey, Mima, I... you know...
00:35:37It's okay. Why don't I just treat you to a delicious meal, because you've been working so hard.
00:35:46I'd love it!
00:35:47I'm home, fishies!
00:35:52I'm home, fishies!
00:35:53I wonder if you're hungry yet?
00:35:57I'm home, fishies!
00:35:58I wonder if you're hungry yet?
00:36:02I'm home, fishies!
00:36:03I wonder if you're hungry yet?
00:36:07I'm home, fishies!
00:36:08I wonder if you're hungry yet?
00:36:12I'm home, fishies!
00:36:13I wonder if you're hungry yet?
00:36:15You-hoo!
00:36:19Yoo-hoo.
00:36:49Of course I don't want to do it, but I didn't want to tell them that. All those people have done so much for me.
00:37:11See? Didn't I tell you? Is that really the job that you wanted?
00:37:17It's a pit!
00:37:35I don't want to do that drama anymore. The producer is a total pervert and my role is really screwed up.
00:37:41I have to say singing in front of my fans is my favorite thing.
00:37:47I don't want to do that drama anymore.
00:37:57Yep. That particular scene? Of course I would be lying if I said I didn't have any hesitations. But I see it as a hurdle I had to get over as an actress.
00:38:05I heard the ratings went up.
00:38:11As always, the public at large are all a bunch of idiots.
00:38:15Yes, I'd like to be recognized as an actress.
00:38:18And not as an ex-pop idol?
00:38:20That's right!
00:38:21I'm fine with it because Rei was always the one I liked.
00:38:24Although...
00:38:25Hello. All the Miminen fans are totally upset.
00:38:27But being with Cham did teach me a lot. It was a great experience in its own way.
00:38:33Yeah, totally.
00:38:35Yeah, totally.
00:38:36Probably whining, Matt's not Miminen.
00:38:37Yeah, totally.
00:38:38Probably whining, Matt's not Miminen.
00:38:39Yeah, totally.
00:39:09Huh?
00:39:10Everyone is forcing me to do it. It's all the screenwriter's fault.
00:39:14What? This isn't true! I didn't write this!
00:39:20Of course you didn't. The real Mima is writing this.
00:39:24I know that deep down in your heart you want to be a pop idol again.
00:39:30No! It's not true! I'm no longer...
00:39:33No longer what?
00:39:35Oh, yeah, that's right. You're no longer a pop idol.
00:39:38You're a filthy woman now, like a slut.
00:39:41No one likes a pop idol with a tarnished reputation.
00:39:45It's not true! It's not!
00:39:54You won't be able to step back into that spotlight now.
00:39:57It's all right. You don't have to worry. I'm here.
00:40:05From now on, I'll be in the light and you'll be in the shadows.
00:40:11What are you saying?
00:40:12Who in the hell are you?
00:40:15Nobody cares for you anymore.
00:40:17You're tarnished and you're filthy!
00:40:20Stop it! Stop it! I am not tarnished!
00:40:23Wait! No! Wait!
00:40:29No! Wait!
00:40:53What the?
00:41:23Hello? Is anyone there?
00:41:53Huh?
00:42:23Oh, that's my hat, man!
00:42:53Did you guys go sit with us?
00:42:55Come on, the seat's over here.
00:42:57It happened somewhere near 1 o'clock this morning.
00:43:02Hey, buddy, I called you last night and you weren't in.
00:43:05Oh, shit, you guys. How'd you know?
00:43:09So did you check it out? Mima's room?
00:43:11Yeah, but is that really her?
00:43:14No clue.
00:43:15According to that ad, Mimarin's gonna be on stage today.
00:43:18No way!
00:43:19Police say Shibuya was stabbed multiple times with a sharp object,
00:43:23including his eyes and 65% of his body.
00:43:26Police sources at this time have not yet indicated...
00:43:28It's extremely shocking what happened,
00:43:30but our worrying about it won't do any good.
00:43:32We have to put it behind us.
00:43:34But then, there was also the letter bomb. What about that?
00:43:37Come on, Mima.
00:43:39Do you honestly think that Shibuya's murder can be connected with that?
00:43:42I'm not sure what I think anymore.
00:43:45You watch too many TV shows. Now, don't you worry about it.
00:43:49You won't become a star looking like that.
00:43:52Smile, okey-doke.
00:43:54Mm-hmm.
00:44:01Serves? You write. Serves? Me?
00:44:04Hey, move it, buddy!
00:44:15Mima!
00:44:16Hey!
00:44:16Get off the road!
00:44:16What's wrong?
00:44:22I was wondering, do you think Mima's gonna be all right?
00:44:25Yeah, why?
00:44:27Well, that photographer, he's known for getting people to strip.
00:44:30So what? She doesn't care.
00:44:32I'm sure she can't wait to take it off.
00:44:34In front of the photographer and everyone, like totally, I'm here!
00:44:39Isn't it time you girls get ready? Stop fooling around.
00:44:41All right.
00:44:45Ooh, I like that expression.
00:44:53Try running your fingers through your hair.
00:44:55That's it. Hold it right there.
00:44:57You look beautiful.
00:45:02Yeah, just like that.
00:45:07Part your lips a little.
00:45:08Nice.
00:45:09Now let's take the top off.
00:45:10I'm gonna take this year just as it's known.
00:45:20I'm making plans, I'm gonna have fun.
00:45:24My feelings of love have faded away like now.
00:45:32I don't wanna read it in a book.
00:45:36This is me.
00:45:38Why don't you take a look?
00:45:40That's what makes love for me.
00:45:42Like changing all the time.
00:45:44I'll have fun today.
00:45:46Living on my own now.
00:45:48I thought you decided to go through with this.
00:45:58Everyone is out here waiting for you.
00:46:01Come on, Mima.
00:46:03See?
00:46:04Didn't I tell you?
00:46:05You didn't believe me.
00:46:07You were better off as a pop idol.
00:46:09I was right, huh?
00:46:10Hey, Mima.
00:46:11Are you listening?
00:46:12Stop all this nonsense.
00:46:14Please tell me who you are.
00:46:15Who, me?
00:46:17I am a pop idol.
00:46:19The fans are all waiting.
00:46:21So I decided I'm going to sing with Rei and Yukiko again.
00:46:25No, I'm not.
00:46:26I'm an actress now.
00:46:28Don't be stupid.
00:46:30No one really wants that.
00:46:33Wait.
00:46:34This is what everyone really wants.
00:46:45I can't get drunk when I see my changing mood playing fire.
00:46:50You can fill my heart.
00:46:53I'm OK on my own right now.
00:46:56I've found a lonely place to walk through.
00:46:59Goodbye, my surfing all along.
00:47:04Everyone, thank you.
00:47:06Goodbye, my surfing all along.
00:47:36BASTARDS!
00:47:54Hey, what are you doing?
00:47:56Hey, what's going on?
00:47:57Hey, what's up?
00:47:58Come here.
00:47:59Did you read the new genre?
00:48:00I haven't seen it.
00:48:02I tried to get through some of the snow.
00:48:04Well, I've heard some cool things about it, so...
00:48:10You believe me, right?
00:48:29she's just an imposter it's not me I trust you mr. Ramania I'll always be with
00:48:44you and I'll never change not a bit but I have a problem it's that imposter she
00:48:49keeps getting in my way I don't know what to do
00:48:54mr. Ramania thank you very much
00:49:01you're the only one I can depend on
00:49:07oh god I don't know anything about myself anymore
00:49:22well I wouldn't be so sure about that how do you know that that person you were a
00:49:27second ago is the same person you are now huh a continuous stream of memories
00:49:33given only that we create the illusion within ourselves saying that we have
00:49:37only one fixed persona doctor I'm really afraid I'm scared that the other stuff
00:49:43will do something terrible that I don't know about something out of my control
00:49:46it's all right there is no way illusions can come to reality
00:49:51cut what is it Mima what's wrong I'm sorry sir oh this rain oh I'm gonna catch a cold
00:50:07I'm so sorry
00:50:14hey everybody it's pouring really badly outside but your hearts are like
00:50:30like always sunny well I think we're ready now welcome to ray and Yukiko's I don't
00:50:36check land
00:50:37mr. Tadakoto I'm sure they're on the air now I thought you'd like to see them
00:50:45we're going to have our next show this Sunday it's going to be held at Ibaragi
00:50:53Sim City at two o'clock in the afternoon how's it going here and you doing fine just thought
00:50:58I'd drop by yes we'll be waiting for you
00:51:02Chandler and we'll be back next week at the same time till then one two
00:51:06bye-bye
00:51:08good show guys
00:51:10uh huh hey it's Mima
00:51:14uh huh
00:51:16uh uh huh
00:51:29no
00:51:31no
00:51:32ah
00:51:33ah
00:51:34ah
00:51:35ah
00:51:37ah
00:51:39ah
00:51:40ah
00:51:41ah
00:51:42ah
00:51:43ah
00:51:44I told you. Can't you tell? I'm the real Mima.
00:52:14I'm the real Mima.
00:52:21I'm the real Mima.
00:52:23I'm the real Mima.
00:52:26I'm the real Mima.
00:52:30I'm the real Mima.
00:52:34In other news, today the Economic Planning Agency announced a New Citizens Life Index
00:52:39that would indicate the overall Japanese standard of living and the individual's wealth.
00:52:44It feels like I haven't seen you in a long time.
00:52:50Well, I've been very busy lately.
00:52:52So, tell me, are you getting used to acting?
00:52:55Mm-hmm. It's hard, but I guess it's what I decided to do.
00:53:00You have become such a mature woman.
00:53:03And that's just great. Everyone seems to like the new Mima.
00:53:07Yeah.
00:53:10Well, it doesn't look like you agree.
00:53:13Um, Mima, what is it? Are you being harassed by someone?
00:53:19I've been checking out your website. It's a bit much.
00:53:22You change your image a little bit, and they complain.
00:53:26I think it's better if you don't look at it.
00:53:28Yeah.
00:53:29But maybe she is more like me than myself.
00:53:32Mima?
00:53:33My other self that I've now buried deep inside my heart.
00:53:37What if... what if that other personality started acting out on its own?
00:53:41It's all right. There's no way illusions can come to life.
00:53:45Rumi!
00:53:46Cut!
00:53:47Mima, dear. What the hell are you saying?
00:53:50Uh...
00:53:51I feel like I'm gonna have nightmares about this line.
00:53:55I'm sorry again.
00:53:56I'm sorry again.
00:54:08What is it?
00:54:09Nothing.
00:54:10Nothing.
00:54:16Once more from the top.
00:54:21All right, take two!
00:54:23In other news, today the Economic Planning Agency announced a New Citizens Life Index
00:54:30that will indicate the overall Japanese standard of living and individual's level.
00:54:37It's been a while, Rumi.
00:54:40What are you talking about, Mima? I was just here yesterday.
00:54:44What was yesterday? Was all that real?
00:54:48What? Now that's weird.
00:54:51Ah! Mima, what's wrong with you?
00:54:55Oh my god, you're bleeding!
00:55:01This blood... Rumi, is it real?
00:55:04Mima...
00:55:05I guess I went to Harajuku today.
00:55:20I went to Harajuku today.
00:55:30You mean... the murderer is just an illusion that she has simply created?
00:55:34Yes. She fears an imaginary security guard and then superimposes that figure as a serial murderer of people that she has been affiliated with.
00:55:44But doctor, there's no way illusions can kill a person.
00:55:48I know. But what if that illusion had possessed someone?
00:55:52Possessed?
00:55:54You mean all those men that got murdered?
00:55:56Were those that no longer had any use to her.
00:56:01Find her quickly, Mr. Yamashiro. Before it's too late and another victim falls prey.
00:56:05Hmm?
00:56:10How much is it?
00:56:12Hey.
00:56:17You sure are a weird pizza guy.
00:56:19You sure are Spider-Man.
00:56:44I know.
00:56:45Come on, baby, be more daring, that's it.
00:57:15All right, take three!
00:57:45Hello?
00:57:47Are you all right over there?
00:57:50Huh?
00:57:51You haven't heard yet?
00:57:52What happened to Murano?
00:57:55No, it can't be.
00:57:57Police say that Murano died of multiple stab wounds to 75% of his-
00:58:01Not Mr. Murano!
00:58:02No!
00:58:03It's complete chaos over here.
00:58:04That is not the point!
00:58:05We have nothing to do with it!
00:58:06All right, I know now that you're okay, but you stay put till I get there.
00:58:10The weapon used in the latest murder is said to closely resemble the one used in last week's killing of a popular screenwriter.
00:58:16Police are considering a personal grudge as the motive, and are looking into the connection between the two cases.
00:58:21There are also reports that there are suspicious murder cases.
00:58:26Oh, thank you, last night.
00:58:31Ah!
00:58:32Ah!
00:58:33Ah!
00:58:34Ah!
00:58:35Ah!
00:58:56That's her!
00:58:56Miss Kiragoe, please, we'd like to get your statement.
00:58:59Do you know anything about the murder of Mr. Murano?
00:59:01Do you know anything at all, Miss Kiragoe?
00:59:02Do you believe there's a connection between the killings of Mr. Murano
00:59:05and Mr. Shibuya, the screenwriter?
00:59:06How well did Mr. Murano and Mr. Shibuya know each other?
00:59:08Is it true you would express disappointment
00:59:10with the way Mr. Shibuya had written your heart?
00:59:17Hey, you think she's jinxed?
00:59:19Well, you know what happens twice happens twice.
00:59:22Let's take bets on who's next.
00:59:23Well, you guys cut it out.
00:59:25Don't worry about them.
00:59:28Am I alive?
00:59:29Is this really happening?
00:59:30Huh?
00:59:31Maybe that truck hit me.
00:59:33And all this has been a dream.
00:59:35I just can't make out the difference anymore.
00:59:38Okay, everyone, are we ready?
00:59:40Okay, Mima, you're on.
00:59:49Remember now, you've just killed someone.
00:59:51Breathe harder than you did during the rehearsal.
00:59:54Yes.
00:59:54Settling down.
00:59:56Settling down.
01:00:07And action!
01:00:14Are you awake?
01:00:19You are...
01:00:24Can you tell me what your name is?
01:00:28My name?
01:00:29I'm Mima Kirigoi.
01:00:31Okay.
01:00:32And what do you do?
01:00:33I don't know.
01:00:36Now I'm an actress.
01:00:37That must be really hard work.
01:00:40Yeah, it's really hard, but it's what I've chosen to do.
01:00:43Amazing.
01:00:45She thinks she's some new, young, up-and-coming actress named Mima Kirigoi.
01:00:50Hmm?
01:00:54Dissociative Identity Disorder.
01:00:55In other words, multiple personality syndrome.
01:01:00All those crimes took place when she believed herself to be some other persona, a different personality.
01:01:05So now what?
01:01:06Where's the persona of the original Yoko?
01:01:08Yoko Takakura, the original persona, is nothing more than a made-up character in a drama for her.
01:01:14Being a normal girl, how she was raped in a strip club, everything happened as a part of her own drama series.
01:01:23By doing this, she salvaged her own heart.
01:01:30That's right.
01:01:31I'm an actress.
01:01:34That's a cut!
01:01:38Can you tell me what your name is?
01:01:40My name?
01:01:41I'm Mima Kirigoi.
01:01:44The original persona, Yoko Takakura, no longer exists.
01:01:48By killing and later becoming her sister, the top model, she salvaged her own heart.
01:01:57That's right.
01:01:58I'm a model.
01:02:00All right!
01:02:01That's the take!
01:02:02Well, we did it, Mima.
01:02:15Mima.
01:02:16Oh, Mima, good work.
01:02:18I'm so proud.
01:02:20Lumi.
01:02:22As of this moment, everyone, Double Bind is in the can.
01:02:25You did a great job.
01:02:26I'd say that is a wrap.
01:02:47Mima, you were fantastic.
01:02:49Didn't you think so?
01:02:50She really was excellent, I have to admit.
01:02:52And we thank you for that.
01:02:54We'll see you at the wrap bar.
01:02:55See you then.
01:02:56Bye-bye.
01:02:56Okay then, we'll be talking to you.
01:02:59Well, that's great.
01:03:00Shall we go?
01:03:01Mima, go and get changed.
01:03:02Oh, I'm sorry, Doctor.
01:03:19Hey now, Mima, I'm not Toko anymore.
01:03:22Did you forget?
01:03:24Illusions can't come to reality.
01:03:28You can stop dreaming now.
01:03:32What's taking Mima so long?
01:03:49Well, I'm going back to the office.
01:03:51Take Mima home, will ya?
01:03:53Uh, Mr. Tadokoro, you were saying something about Mima's next job?
01:03:58Oh, yeah, it's great.
01:03:59A starring role in a video movie.
01:04:00Uh, there happens to be a few smutty scenes, but, uh, what are you going to do?
01:04:05Uh-huh.
01:04:09Ah!
01:04:10Somebody help me!
01:04:12Ah!
01:04:13Ah!
01:04:14Ah!
01:04:14Like anyone can hear you right now!
01:04:19Who are you?
01:04:21Why are you doing this?
01:04:22I'm protecting my dear Mimarin!
01:04:24What do you think?
01:04:25Protecting?
01:04:26But I'm Mimarin!
01:04:28No, no, no, no, no, no, no, damn it!
01:04:33You didn't know I was Mimania!
01:04:35You're just pretending to be Mimarin!
01:04:36Ah!
01:04:38No, stop!
01:04:40Ah!
01:04:40No!
01:04:41No!
01:04:42No!
01:04:42You're just pretending to be Mimarin's name, fooling that photographer and screenwriter.
01:04:50With that little mouth of yours.
01:04:53But how can...
01:04:55Can it be that you...
01:04:56The real Mimarin is nice.
01:04:58She emails me every day.
01:05:00And she says you're in her way.
01:05:02Did you kill them?
01:05:03Did you?
01:05:04And you'll die soon, too.
01:05:06You have to follow the script!
01:05:29And...
01:05:30Take two!
01:05:30Run!
01:05:50Run!
01:05:50Ah!
01:05:51Ah!
01:05:52Ah!
01:05:52Oh!
01:05:52Ah!
01:05:59Hey!
01:05:59I don't know.
01:06:29I don't know.
01:06:59All right, looks good.
01:07:07All right, let's go!
01:07:09Ready to go!
01:07:11Good job, Mother!
01:07:23Huh?
01:07:27Mima!
01:07:31Oh my God, what happened to you?
01:07:35I looked all over for you.
01:07:37Is it you?
01:07:39What in the world has happened here?
01:07:53This can't...
01:07:55Are you sure you weren't just dreaming?
01:08:09Are you all right?
01:08:11Hmm...
01:08:13We're going back to Mima's room.
01:08:15Oh my God!
01:08:17Oh my God!
01:08:19Oh my God!
01:08:21Oh my God!
01:08:23Oh my God!
01:08:25That's right!
01:08:27Oh my God!
01:08:29Rumi, are you here?
01:08:39Yes, what is it?
01:08:40Uh, nothing.
01:08:44I have to call Mr. Tarukoro.
01:08:59I have to call Mr. Tarukoro.
01:09:29I have to call Mr. Tarukoro.
01:09:59I have to call Mr. Tarukoro.
01:10:02I'm wearing it at tomorrow's show.
01:10:05Isn't it great?
01:10:06It's perfect on me.
01:10:10But Rumi, why are you...
01:10:13Hmm?
01:10:14Why is Rumi... Rumi?
01:10:19Oh, it's okay. Rumi went home.
01:10:21She said she worked hard and needed to get some sleep.
01:10:24Don't talk like that!
01:10:26This is a joke, isn't it, Rumi?
01:10:28Your heart goes thump, thump, thump, thump when you're in love.
01:10:31But then it pays off, pays off when you're loved back.
01:10:35What do you think?
01:10:36Perfect, huh? After all, I am a pop idol and a pop idol has to sing.
01:10:40But...
01:10:41But...
01:10:41You just have to keep getting in my way.
01:10:44Rumi was totally furious, too.
01:10:46No, please. Stop this.
01:10:49But you don't have to worry.
01:10:51A pop idol is always protected by her fans.
01:10:53They always listen to any favor that I, Mima, ask them.
01:10:57Although Mr. Mamania failed just a little bit.
01:11:00Mr. Mamania...
01:11:03How do you know him?
01:11:05But it doesn't make any difference.
01:11:07You reap what you sow, especially about you.
01:11:11Ah!
01:11:12Ah!
01:11:14Ah!
01:11:14Ah!
01:11:27Ah!
01:11:31Ah!
01:11:36Ah!
01:11:38Ah!
01:11:41Ah!
01:11:42No!
01:11:43No!
01:11:44No!
01:11:46No!
01:11:51No!
01:11:56No!
01:12:01No!
01:12:08I don't know.
01:12:38Help! Somebody help me!
01:12:54Help! Please, Rumi, it is you, isn't it? Wake up!
01:13:11You're the one who needs to wake up.
01:13:13Help! Somebody help me! Help me!
01:13:24Help me! Help me! Help!
01:13:30Please! Somebody help me!
01:13:33Please, somebody!
01:13:38Help! Help me!
01:13:42Somebody!
01:13:54Let's end all of this. We don't need two Mimas now, do we?
01:14:04I am Mima!
01:14:14That's funny. Mima is a pop idol. And you're just a dirty old imposter.
01:14:18You're the imposter! I'm not gonna take this anymore!
01:14:28You're the one who needs to be, man.
01:14:36I'm Mima!
01:14:42You're the one who needs to be.
01:14:47Oh, my God.
01:15:17Oh, shit.
01:15:36Oh, man, this is serious.
01:15:38Call the police.
01:15:39No call an ambulance.
01:15:40I know.
01:15:47Oh, shit.
01:16:17Thank you for the pretty flowers you always bring.
01:16:43I'll put them in my room.
01:16:45They're pretty.
01:16:46Very pretty.
01:16:55I didn't know you were here.
01:16:57You must be very busy lately.
01:17:00Uh, no.
01:17:01Once in a while, she returns to her roomy personality.
01:17:04I know I'll never see her ever again.
01:17:09But thanks to her, I am who I am today.
01:17:12Oh, my gosh.
01:17:23That girl looks just like me, Makira Goy.
01:17:24You're lying.
01:17:25There's no way me, Makira Goy, would be here of all places.
01:17:27Well, maybe she's just a look-alike.
01:17:29No, I'm the real thing.
01:17:40I'm the real thing.
01:17:41I'm the real thing.
01:17:41I mean, I think you're all alone.
01:17:42I think I'm the real thing.
01:17:43I think I'm the real thing.
01:17:43C'est bon, c'est bon.
01:18:13I was hiding everything in my clothes
01:18:18I was hiding in my clothes
01:18:22When I was walking
01:18:26I took my first love
01:18:33I was dreaming
01:18:35I was bored
01:18:38I was thinking
01:18:41I just remember that I'm sitting beside you
01:18:48I've had a lot of feelings that I've been growing up
01:18:54What kind ofๅญฃ็ฏ I've ever had
01:19:11When I graduated, I got my hair off.
01:19:18You don't have to change now, right?
01:19:25I'm still looking for my dreams that I've been looking for.
01:19:40Let's go.
01:19:43Let's go.
01:19:46Let's go.
01:19:51Let's go.
01:19:56Let's go.
01:20:01Let's go.
01:20:04Let's go.
01:20:08Let's go.
01:20:10Let's go.
01:20:13Let's go.
01:20:15Let's go.
01:20:17Let's go.
01:20:19Let's go.
01:20:22Let's go.
01:20:24Let's go.
01:20:27Let's go.
01:20:30Let's go.
01:20:36Let's go.
01:20:39Let's go.
01:20:43I've been feeling it, right?
01:20:47I've been waiting for a moment
01:20:50I've been looking for a็ณ
01:20:54I won't forget it