Egyptologist and professor Henry Morlant (Boris Karloff) thinks an ancient jewel will give him powers of rejuvenation if it is offered up to the god Anubis. But when Morlant dies, his assistant Laing (Ernest Thesiger) steals the jewel. While a gaggle of interlopers, including a disreputable lawyer (Cedric Hardwicke) and a fake vicar (Ralph Richardson), descend on the professor's manor to steal the jewel for themselves, Morlant returns from the dead to punish everyone who has
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00:00:00The End
00:02:08We don't want to buy no line-owner nothing.
00:02:11Mr. Dragore, please.
00:02:13Oh, we...
00:02:30No sound, please.
00:02:54After two years I find you.
00:02:57I want the eternal light.
00:02:58You found me too late.
00:03:01It's no longer mine.
00:03:09I can kill with this from the end of the room.
00:03:12No lies, please.
00:03:14You cannot kill in England, Mahmoud.
00:03:17They get their madras here and hang them.
00:03:20I have not come alone.
00:03:22If I hang, there are others.
00:03:24The eternal light goes back to the tomb from which you stole it.
00:03:28But I tell you, I have not got it.
00:03:30Please, I am not a child.
00:03:33I sold it.
00:03:35To whom did you sell it?
00:03:38To Professor Morland.
00:03:41That robber of the dead.
00:03:45Has he sold it?
00:03:46He did not buy to sell.
00:03:48What then?
00:03:48Like you, Mahmoud.
00:03:49She believes.
00:03:50Believes?
00:03:52He believes that the eternal light will open for him the gates of paradise?
00:03:56Even so, he gave the best part of his fortune for it.
00:04:00And very soon he will know whether or not he was right.
00:04:03What do you mean?
00:04:05Professor Morland is dying.
00:04:10Then you think it will be buried with him?
00:04:13I am sure of it.
00:04:15We have only got to wait until he is dead.
00:04:29Unnubius.
00:04:35Opener of the way.
00:04:36Opener of the way.
00:05:06What's that?
00:05:19Well, what is it?
00:05:21Good evening.
00:05:23I happen to be staying in the neighborhood.
00:05:25And hearing of your master's illness, I took the liberty of calling.
00:05:28How is he tonight?
00:05:30He will never see the morning.
00:05:31He hasn't asked for anyone of my cloth.
00:05:33Nor will he.
00:05:34He's set in his ways.
00:05:36And they are the ways of the heathen.
00:05:38I know he won't see the Richter.
00:05:39But though I'm a comparative stranger, I don't like to leave a man to die like that.
00:05:43He'll die in his own fashion.
00:05:45As he has lived.
00:05:46Still, sometimes at the end.
00:05:47Not with him.
00:05:49He's stubborn and unbending.
00:05:51And will be so at the throne itself.
00:05:55Well, I suppose I can be of no use then.
00:05:57No manner of use.
00:05:58Good night.
00:06:15He's asking for you.
00:06:17Where can I find Mr. Brobler?
00:06:37Wizard.
00:06:38Come in or go out.
00:06:40You'll have to go up soon if you want to see him again.
00:06:57Curious house, this.
00:06:59Curious owner.
00:06:59Yes, but I suppose a great Egyptologist can't be expected to be like other people.
00:07:05Well, he'll be like a great many other people soon.
00:07:07That's not a very sympathetic thing to say.
00:07:09Well, I'm not a sympathetic man.
00:07:12Want a drink?
00:07:13That's, uh, across the hall, isn't it?
00:07:17I dare say.
00:07:19Thanks.
00:07:1975,000, September 22nd, 1931.
00:07:49The eternal light, mine at last.
00:08:19I want to see you there.
00:08:43I'm here.
00:08:45I'm here.
00:08:49Is the door shut?
00:08:51It is.
00:08:53No listeners.
00:08:55None.
00:08:58The curtains.
00:09:00They are drawn.
00:09:03Come near.
00:09:19This man, Brobler.
00:09:23Watch.
00:09:25Brobler.
00:09:27You were always suspicious.
00:09:30Have you ever trusted a living soul?
00:09:32Only fools.
00:09:36I trust you.
00:09:39Better to trust in the spirit than in the flesh.
00:09:42I put my trust in my own gods.
00:09:50And now, when I am dead, my funeral, you will bury me at dusk in the clothes I told you.
00:10:04You will place the figure of Anubis at the west of the inner chamber.
00:10:12I will.
00:10:15And on the night of the full moon, at the first hour, I will make my offering of the eternal light to Anubis.
00:10:32Anubis, opener of the ways.
00:10:40If I have done well in his sight, those fingers will close over the jewel.
00:10:50And he will open to me the gates of immortality.
00:10:59The hand of a heathen image will now come to life.
00:11:03Ah, the bandage.
00:11:06The bandage.
00:11:07The bandage.
00:11:23Look.
00:11:48Look.
00:11:54This is the eternal light.
00:12:00It must rest in my hand.
00:12:04A man will now find peace who robs his heirs.
00:12:09Bandage my hand.
00:12:12The eternal light must lie with me in the tomb.
00:12:19You're afraid of me?
00:12:22I'm afraid for you.
00:12:24If this should leave me, then you'll have reason to fear.
00:12:33For when the full moon strikes the door of my tomb, I will come back.
00:12:43You hear?
00:12:45I will come back to kill.
00:12:51Bandage my hand.
00:13:21Bandage my hand.
00:13:33Bandage my hand.
00:13:36Doctor!
00:13:38Doctor!
00:13:42Doctor!
00:13:44Doctor!
00:13:59Little windows.
00:14:01Off the...
00:14:11It's all over.
00:14:41Make out a certificate. Heart failure.
00:14:48What was the idea of bandaging his hand like that?
00:14:52I cannot say. He had many a queer fancy.
00:14:58I'll be around in the morning to sign the certificate.
00:15:07I'll not be leaving me, Master, aside till his body is laid to rest.
00:15:14. . .
00:15:21. .
00:15:28. .
00:15:35. .
00:15:40. .
00:15:47. .
00:15:52. .
00:15:59. .
00:16:04. .
00:16:11. .
00:16:16. .
00:16:28. .
00:16:29. .
00:16:31. .
00:16:43. .
00:16:44. .
00:16:46. .
00:17:04Where are you going?
00:17:05To feed the lamp that is to burn inside.
00:17:12. .
00:17:24. .
00:17:27. .
00:17:28. .
00:17:32. .
00:17:34. .
00:17:35. .
00:17:36It's all wrong. It's a disgraceful devil.
00:18:06It's all wrong.
00:18:36Wait! You're leaving the key inside.
00:18:51Aye. That was another of his queer fancies.
00:19:06When your master died, Lang, I believe him to have been possessed of a jewel of great value.
00:19:22Do you know anything about it?
00:19:24Nothing.
00:19:25I advise you to be very careful, Lang.
00:19:28I have a careful nature.
00:19:29You may be putting yourself perilously near dishonesty.
00:19:33I've seen men nearer.
00:19:35You may regret this, Lang.
00:19:45I've seen men nearer.
00:20:16Davis, I want you to stay here and watch that man with a club foot.
00:20:21I'm not a detective, Mr. Burton.
00:20:23One more word from you, Davis, and you're not at work.
00:20:26I have reason to believe that he has stolen a valuable piece of property.
00:20:30He may make an effort to get rid of it.
00:20:33Watch him and telephone me at my office if he leaves the house.
00:20:36Very good, sir.
00:20:37He may make an effort to get rid of it.
00:20:42No way.
00:20:45Let's go.
00:20:46Oh, my God.
00:21:16Miss Betty Harlan, 32 Langford Street.
00:21:46Miss Betty Harlan.
00:22:16Miss Betty Harlan.
00:22:46Miss Betty Harlan.
00:22:58From Ramsons.
00:23:05Ten shillings if you'll drive me to Yaksford Station in time to catch the five o'clock train.
00:23:09I'll oblige you, Governor. I was going straight back as it was.
00:23:28That's a very old carpet, Mr. Morland. I should be glad if you will not kick it to pieces.
00:23:42I'm sorry. When I'm angry, I do kick.
00:23:45You could love to explain that.
00:23:47Yes, I intend to.
00:23:49By your own statement, Miss Holland and I are the sole heirs of Professor Morland.
00:23:53We were informed neither of his death nor of his funeral.
00:23:55Your uncle died and was buried in a certain way according to his wishes, which need I go on.
00:24:02Almost his last words were a threat to return from the dead.
00:24:07In my opinion, he was mad.
00:24:08Well, that may be so. But Miss Holland and I should have been consulted.
00:24:12But I understood that you and Miss Holland were not on speaking terms.
00:24:14Well, what of that? You expect quiet at a funeral, don't you?
00:24:17Yes, I also expect it in my office.
00:24:19I'm very sorry, but after all, this means a good deal to both of us.
00:24:22My uncle was worth about $4,000 a year.
00:24:24Well, he isn't now.
00:24:26What do you mean by that?
00:24:28He spent a good deal, you know.
00:24:31It may surprise you to know that some time ago he drew a cheque for £75,000.
00:24:36What for?
00:24:38I don't know.
00:24:39You don't know? You were in charge of all his affairs and you don't know?
00:24:42That's what I said.
00:24:45And I advise you to look after the tone of your voice.
00:24:48I'm not at all sure.
00:24:49I have much more important things to look after than the tone of my voice.
00:24:52I don't follow you.
00:24:54I'm going to run down to Alphale House tomorrow morning.
00:24:57Yes, well, I don't think you realise the conditions that you'll find there.
00:25:04No, that's why I propose to go.
00:25:06You won't like it.
00:25:08You'll be most uncomfortable.
00:25:10You don't advise me to go?
00:25:11Well, I think you'll be making a very big mistake.
00:25:15Then I'll go.
00:25:18Oh, by the way, does Miss Harlan know anything about this will business?
00:25:22No doubt she will have received a letter from me by now.
00:25:25Do you know, Miss Harlan?
00:25:26No.
00:25:27Well, I propose to give myself the pleasure of calling upon her this evening.
00:25:34Hello.
00:25:35Oh, it's you, Davies.
00:25:36Wait a minute.
00:25:38I have a visitor here, but I think he's just going.
00:25:41Thank you very much.
00:25:43If you're going to see Miss Harlan tonight, I shall be there myself.
00:25:46No doubt you will succeed in making a painful interview intolerable.
00:25:50Good afternoon.
00:25:51Your manner must help your practice a great deal.
00:26:02Now, Davies.
00:26:13Can you direct me to Blountford Street, please?
00:26:16Follow the tram lines, close on a mile, and then turn right to the church.
00:26:19I'm obliged to you.
00:26:21Oh, hello, Caney.
00:26:51Oh, it's good to get out of that fog.
00:27:05My dear, a most exciting thing has happened.
00:27:08Oh, don't let it happen again.
00:27:10No, not that.
00:27:12That's a chestnut.
00:27:13It's this.
00:27:15It looks like a solicitor's letter.
00:27:17It's just been delivered by hand.
00:27:19Oh, dear.
00:27:20What haven't we paid?
00:27:22I wonder if I'm going to get a shock or not.
00:27:24Oh!
00:27:24Oh, Caney, that is a silly game.
00:27:29After all we've said about Uncle Henry, what do you think he's done?
00:27:32Something nice at last.
00:27:34He's dead.
00:27:35My dear, I'm sorry.
00:27:37And his solicitor wants to see me.
00:27:40My dear, I'm glad.
00:27:42He was awfully rich, wasn't he?
00:27:44He may have left you a fortune.
00:27:46If he has, I'll buy you a private cinema.
00:27:49Oh!
00:27:49I say, when did this letter come?
00:27:52A few minutes ago.
00:27:53Why?
00:27:54He asked me to telephone him if I could see him here at six.
00:27:58You don't want to miss the chance of a fortune for the sake of tuppence.
00:28:02You'd better run out and do it now.
00:28:03You're right.
00:28:19I say, when did this letter come?
00:28:49I say, when did this letter come?
00:29:19I say, when did this letter come?
00:29:26It's done.
00:29:32Miss Harland?
00:29:53Yes?
00:30:02Yes, sir.
00:30:12Yes, sir.
00:30:18Yes, sir.
00:30:23What's the matter? What's happening?
00:30:33Somebody attacked me and smashed my bag.
00:30:35Why, good Lord, it's Betty Harland.
00:30:38Rafe Morland.
00:30:39You would go and get yourself into some kind of mix-up.
00:30:42You would arrive when it's all over.
00:30:45Well, I'm going home.
00:30:46Wait a minute.
00:30:47I was on my way to see you, strictly on business.
00:30:49You wouldn't be allowed in for any other reason.
00:30:51That's good.
00:31:21Not exactly.
00:31:22Got all.
00:31:27I'll try.
00:31:28Maybe never mind.
00:31:30Maybe never mind.
00:31:34Not by that.
00:31:37I'll try.
00:31:38It's the same to the thee, and you have no doubt
00:31:43with the week where I am.
00:31:46Oh, so you brought him.
00:32:08Dear Mr. Broughton, we're delighted to see you.
00:32:11No, it isn't Mr. Broughton.
00:32:12It's my cousin, Rafe Morland.
00:32:13Dear Mr. Morland, we're delighted to see you.
00:32:18Wrong again.
00:32:18We don't like him very much.
00:32:20Oh, don't we?
00:32:21I didn't realize.
00:32:23Well, our two families are not on speaking terms.
00:32:25Oh, dear.
00:32:26As far as I can make out, it was started by my late uncle as a Christmas joke.
00:32:30Won't you sit down?
00:32:34But now he's dead.
00:32:35The trouble's all over.
00:32:37I'm not sure.
00:32:38It hasn't just begun.
00:32:40Where's Mr. Broughton?
00:32:41Oh, he won't come because I didn't telephone.
00:32:44I nearly got throttled instead.
00:32:46Betty!
00:32:47There was a man with a limp.
00:32:48He pushed a note into my hand.
00:32:50I just put it in my bag when somebody snatched the whole affair.
00:32:54What was in it?
00:32:56There's something of value at Owls Vale.
00:32:59Others are after it.
00:33:01So come.
00:33:02And Broughton was doing everything he knew to keep me away from there.
00:33:06There's a fox in the cover somewhere.
00:33:09Goodbye.
00:33:09Goodbye.
00:33:11Oh, why goodbye?
00:33:13I'm going down there right away.
00:33:15I'll let you know what happens.
00:33:16You're wrong.
00:33:16I'll let myself know.
00:33:18If you go, I go too.
00:33:19You can't do that.
00:33:21Alone in a house with a man you're not even on speaking terms with?
00:33:25Oh, don't be so absurd.
00:33:26It's not as if I even liked him.
00:33:28If another woman was going, perhaps.
00:33:31I suppose that means you want to come too.
00:33:33Well, obviously it's my duty.
00:33:34And suppose I object.
00:33:37I'm not so broke I can't hire a car.
00:33:40Oh, all right.
00:33:42You win.
00:33:42But for goodness sake, hurry.
00:33:43Girls, I'm just getting this as best you can.
00:34:00There you are.
00:34:00You first.
00:34:07No, you.
00:34:07Hurry up.
00:34:12Oh, this is an unspeakable car.
00:34:14There's no roof for my face.
00:34:15It looks as if I'll have to walk.
00:34:28It might do worse.
00:34:30There's a grand moon.
00:34:31It's full.
00:34:45It might do worse.
00:35:15It might do worse.
00:35:45I'll see if there's a name on this gate.
00:36:09No, there's nothing to show.
00:36:10This is the place.
00:36:10But there aren't any other places and I'm frozen.
00:36:14Well, it's no use going to the wrong place.
00:36:16Wait a minute.
00:36:17Here's someone on a bike.
00:36:18Hi there, cocky.
00:36:18Wait a minute.
00:36:21Oh, hello.
00:36:22I'm awfully sorry.
00:36:23I didn't see you were a parson.
00:36:24Oh, that's all right.
00:36:27Any trouble?
00:36:28Oh, no, no.
00:36:29We just want to get to Owls Vale House.
00:36:32Well, this is it.
00:36:34As a matter of fact, I'm calling there myself.
00:36:36Did you know my uncle?
00:36:38Professor Morland.
00:36:38Oh, slightly.
00:36:40So I want to introduce myself.
00:36:41My name's Hartley, Nigel Hartley.
00:36:43I'm down at Raveley, the vicar's ill.
00:36:45How do you do?
00:36:47I'm Rafe Morland.
00:36:48This is Miss Harlem.
00:36:51We're the heirs of the old...
00:36:52Couldn't we have the rest of the introduction indoors?
00:36:55Yes, yes, of course.
00:36:55You must be cold.
00:36:59All right, straight down this drive.
00:37:00You go along, I'll follow.
00:37:01All right.
00:37:18I'll show you the way.
00:37:41I'll show you the way.
00:37:48I'll show you the way.
00:38:18What a horrible house.
00:38:34I wish I was back home in bed.
00:38:39I can hear someone coming.
00:38:48Ah.
00:38:53Well, don't stand about.
00:38:54Come inside.
00:38:55I'll show you the way.
00:38:55I'm going to show you the way.
00:39:28We'll go to the library.
00:39:58I may be old-fashioned, but I feel awkward when I am not introduced to people.
00:40:06I'm sorry.
00:40:07I forgot you didn't know your clients by sight.
00:40:11This is Miss Harlan.
00:40:12How do you do?
00:40:14I was expecting a telephone message from you.
00:40:17Oh, I was on my way to call you up when the most extraordinary thing happened.
00:40:21And this is Miss Kanin.
00:40:27How do you do?
00:40:34You're a surprise, Broughton.
00:40:36I have a great deal of business to clear up down here.
00:40:40This house has needed a woman for about 25 years.
00:40:45Now I've blinded myself.
00:40:48You haven't wasted much time in getting here, Mr. Morland?
00:40:51No.
00:40:52Just a little too much, perhaps.
00:40:53Whatever do you mean?
00:40:55Really, you're the rudest man alive.
00:40:58Oh, pretty pussy.
00:40:59How horrible.
00:41:02It's stuffed.
00:41:03I dare say you know your own business best.
00:41:06But why you should want to bring a parson?
00:41:08A pure accident.
00:41:09We met at the gates.
00:41:10So naturally, you brought him in.
00:41:11Broughton, I can stand a certain amount, but no more.
00:41:13Oh, come, come.
00:41:14Don't let's make a battle of it.
00:41:15You stay here in the car.
00:41:27No.
00:41:28I shall be among the trees, watching.
00:41:30You may say I have no right to express this opinion, but to my mind it's a scandalous and
00:41:48disgraceful burial, which may have disastrous consequences.
00:41:52It would be very disastrous if it came back, wouldn't it?
00:41:55I quite see Mr. Hartley's point.
00:41:56Yes, you make friends quickly, don't you?
00:41:58An enemies quicker.
00:41:58Need we have these childish squabbles?
00:42:01We all know the dead men don't come back.
00:42:07Oh, I wish I was back home in bed.
00:42:11Hadn't somebody better answer that?
00:42:13Certainly.
00:42:14It's your house.
00:42:15Very well.
00:42:24I'm sorry to disturb you, but I was an intimate friend of Professor Molland.
00:42:28Well, you'd better come in.
00:42:31We seem to be giving a party.
00:42:33Oh.
00:42:34Oh, thank you.
00:42:35My name is Aga Ben-Dragore.
00:42:50An Egyptian.
00:42:51An Arab.
00:42:51I don't remember having heard your name.
00:42:56I did not flatter myself that you would, but I knew Professor Molland some years ago, in
00:43:01Egypt.
00:43:02I heard of his death, and of his burial in my own faith, and I hoped, as I am leaving England
00:43:18tomorrow, that I might be allowed to visit his tomb.
00:43:21I must protest against anything of the sort.
00:43:25Why shouldn't the poor man look at his friend's tomb?
00:43:28I don't mind him going.
00:43:30I can't believe that you'd willingly encourage paganism.
00:43:34The Egyptians were not pagan, sir.
00:43:37As no doubt you know, Miss...
00:43:39Kamey, I think you're all being very unkind to Mr. Dragore.
00:43:46I don't think you people realize quite how far Molland's queer ideas took him.
00:43:51He even believed that after his death at a certain hour, the image of Anubis would come
00:43:55to life in his tomb and receive his soul.
00:43:57It's horrible.
00:43:59Well, I can't see that it matters.
00:44:01After all, if that sort of mumbo-jumbo gave him any comfort, I'd...
00:44:04It matters a great deal.
00:44:06If my suggestion is likely to hurt anyone's feelings, please forget it.
00:44:12Oh, I think that's very sweet of you, Mr. Dragore.
00:44:16Oh, your sympathy is more than charm.
00:44:20Well, what about a cup of coffee after your cold drive?
00:44:25I dare say we should find some in the kitchen.
00:44:28May I offer my services as pantry man?
00:44:32Quite sweet of you.
00:44:34Come, Mr. Dragore.
00:44:41For sheer speed.
00:44:43Shall not let him out of our sight for a moment now?
00:44:45Perhaps that's just as well.
00:44:49Come along, Betty.
00:44:50How about making a fire in the library?
00:44:52Yes.
00:44:54I'm sorry.
00:44:54There should be this sort of atmosphere.
00:44:56After all, we're only ships that pass in the night.
00:44:58Hmm.
00:44:59Do you want a drink or will you pass now?
00:45:01Oh, well, thank you very much.
00:45:12There you are.
00:45:12Well, if you build it that way, there won't be any draft.
00:45:28Well, that'll be the only place in this house where there isn't one, then.
00:45:30Oh, don't you think you carry those snapper retorts a trifle too far?
00:45:35Since we met, I can't remember you saying a kind word to anyone.
00:45:40Perhaps you're right.
00:45:41I'm sorry.
00:45:42Six cups.
00:45:54That's just...
00:45:56Just four too many.
00:45:58Eh?
00:46:01Tell me about Egypt.
00:46:03Have you ever seen a sheik?
00:46:07I am one.
00:46:08Oh, thank you.
00:46:20Then how should I address you?
00:46:23Oh, I'm cutting sandwiches for a sheik.
00:46:27I don't feel quite well.
00:46:30Oh, don't be alarmed.
00:46:32We're not quite as uncivilized as people think.
00:46:34Oh, don't say that.
00:46:36Do you ride a white stallion?
00:46:40Sometimes.
00:46:41Oh, down the path of the moon.
00:46:45The noble animal plunging and frothing up the nostrils
00:46:49till it founders at your feet, faithful unto death.
00:46:53Well, not very often.
00:46:54You see, it's rather too expensive.
00:46:58I know it's not your fault.
00:46:59We were taught to hate one another, but...
00:47:01Good Lord, you don't think I hate you, do you?
00:47:02Well, I can't somehow feel I'm your dearest friend.
00:47:06You never did have a great deal of sense, did you?
00:47:08Oh, that's nice.
00:47:12Rafe, I have a woman's intuition that you and I are up against things.
00:47:17Yes, I'm pretty sure we are.
00:47:18Well, then, let's cut the quarreling.
00:47:21Shoulder to shoulder, eh?
00:47:22All right?
00:47:24Partners.
00:47:25Partners.
00:47:26Oh, what a wonderful night.
00:47:43It's a full moon.
00:47:44Scared of a dead man in his tomb?
00:48:05Shame on yourself.
00:48:09Are you a child that your knee should rattle at the talk of a madman?
00:48:13Look your enemy in the face.
00:48:20It's the fear the big door has got you.
00:48:23And will hold you fast till you stare it down.
00:48:32Do dead men walk?
00:48:35I'm no thinking a dead man will cross my path tonight.
00:48:39sehr müdent.
00:48:47Ooh.
00:48:50Ooh.
00:48:50Ooh.
00:48:50Ooh.
00:48:52Ooh.
00:49:01Ooh.
00:49:02Ooh.
00:49:03Ooh.
00:49:05I don't know.
00:49:35I don't know.
00:50:05I don't know.
00:50:35I don't know.
00:51:05I don't know.
00:51:35I was dreaming.
00:51:37Now I will show you how we make coffee in the desert, underneath the stars.
00:51:43But you don't make it yourself, do you?
00:51:46No, of course not.
00:51:48A Circassian slave, lovely as sin, cooks it for us, kneeling.
00:51:54And if it is not to our liking...
00:51:56I know.
00:51:57She stripped to the waist and lashed for miles across the Sahara.
00:52:05Where she is finally eaten by locusts, and rightly.
00:52:09Now, take this canister and do exactly as I tell you.
00:52:15And if I fail?
00:52:19The Yorkshire moors are just behind us.
00:52:21Now, six spoonfuls.
00:52:26One.
00:52:29Two.
00:52:29Three.
00:52:30Four.
00:52:31Five.
00:52:33Three.
00:52:34Four.
00:52:35Five.
00:52:36Five.
00:52:37Five.
00:52:38Five.
00:52:39Five.
00:52:40Five.
00:52:41Five.
00:52:43Five.
00:52:44What's the matter with you?
00:53:02Are you mad, eh?
00:53:10What was the matter with him?
00:53:12Was it drink?
00:53:14No.
00:53:14Terror.
00:53:16Stark terror.
00:53:18Oh, then I've caught it.
00:53:21You stay here.
00:53:23I'll look after him.
00:53:24If you must look after somebody, why look further?
00:53:29Eh?
00:53:30Come on, then.
00:53:38Rafe, that limp, I'd swear to it anywhere.
00:53:40That's the man.
00:53:55That's the man.
00:53:57Look here, did you give a note to this?
00:54:04Dather up your things and get out of here.
00:54:06The master, I've seen him.
00:54:08You, you...
00:54:09Who screamed?
00:54:20I did.
00:54:21That's the last time I'll ever try to make coffee in a strange house.
00:54:25That man with the limp.
00:54:26Who was he?
00:54:27Lang.
00:54:29Your uncle's servant.
00:54:30Well, he seemed mad to me.
00:54:42Yes.
00:54:44And probably dangerous.
00:54:47You others have better go into the library.
00:54:48I'll have a word with him.
00:54:49Yes, come along.
00:54:51Mr. Broughton understands the man.
00:54:52It would do no harm to warn my man to stand by.
00:55:10Your man?
00:55:11Is he a sheik, too?
00:55:13No.
00:55:13No, he's his chauffeur.
00:55:15He's outside now with my car.
00:55:16Oh, you're not leaving us, are you?
00:55:25My dear lady.
00:55:36Not a very courageous person, our foreign friend.
00:55:40You think he's run away?
00:55:42Absurd.
00:55:43I'd like to see you riding your bicycle with a Circassian slave,
00:55:47lovely as sin, across the handlebars.
00:55:50What on earth are you talking about?
00:55:51Now, listen, good people.
00:55:53Good people?
00:55:54Don't you think perhaps we're allowing this thing to get on our nerves?
00:55:57Don't you think perhaps if we took a grip on our self-control...
00:56:00Now, listen, good person.
00:56:02This is our show, and our nerves are probably just as good as the next man's.
00:56:06So keep that sort of talk for your pulpit.
00:56:08Right.
00:56:08Oh, well, of course, I have no wish to interfere where I'm not wanted.
00:56:11Then don't.
00:56:11This is not a Sunday school.
00:56:19After that, I think I can say goodnight.
00:56:22As you please.
00:56:28Well, I'm sorry I was offensive.
00:56:30Goodnight.
00:56:31Oh, well, the tongue is an unruly member, is it not?
00:56:34Yes.
00:56:35Yes.
00:56:36Yes.
00:56:36Yes.
00:56:36Yes.
00:56:41I was tempted.
00:56:46I was tempted, but I did not fall.
00:56:51I did not fall.
00:57:04The thing's safe.
00:57:06I swear it.
00:57:12When you told me you'd come back from the grave, how could I believe you?
00:57:17I never knew such things could be.
00:57:20I never knew such things could be.
00:57:20I never knew such things could be.
00:57:20I never knew such anything.
00:57:33You never knew.
00:57:34Yes.
00:57:35I never knew such things could be.
00:57:39I have no got it.
00:58:03I have no got it.
00:58:06The girl, she has it.
00:58:08I swear it.
00:58:09The girl, she has it.
00:58:39It's a ghost.
00:58:40I have.
00:58:42I saw Morlant as plainly as I see you.
00:58:47I'm going to mix myself a drink.
00:58:59Betty, just a minute.
00:59:04Well?
00:59:05I have an idea.
00:59:06They're trying to scare us out of this house.
00:59:11I have a good idea.
00:59:12I have a good idea.
00:59:13My wife is here.
00:59:17I love you.
01:00:19Something that depends on getting rid of us.
01:00:22That's how it looks to me.
01:00:24What are we going to do?
01:00:26What are we going to do?
01:00:31What are we going to do?
01:00:36What are we going to do?
01:00:38Social Media
01:01:08I don't know.
01:01:38I'm going down to that tomb and find out whether it's the only way we've got of finding out what's going on around here.
01:01:56I don't want to be left here alone. Can I come too?
01:02:00There's nothing wrong with your nerve. Come on.
01:02:08I'll put on a puller. I'll have some thicker shoes.
01:02:16All right. Is this yours?
01:02:18Yes.
01:02:19I'll keep an eye on Broughton.
01:02:35Well, I think you've every chance of seeing things if you lower Scotch at that pace.
01:02:38I don't know.
01:02:56All right.
01:05:29Mr. Dregore!
01:05:30Mr. Dregore!
01:05:31Mr. Dregore!
01:05:33Mr. Dregore!
01:05:34Oh, there you are!
01:05:36Oh, Mr. Dregore!
01:05:37I'll come up to you!
01:05:43Wait!
01:05:44I'll come down!
01:05:45What do you want?
01:05:51There was somebody in the library!
01:05:53Who?
01:05:54Who?
01:05:55I don't know!
01:05:56The door!
01:05:57It's shut!
01:05:58It's shut!
01:05:59I...
01:06:00Don't scream!
01:06:01Oh, that's what I need!
01:06:03The command in your wonderful voice!
01:06:06Come with me!
01:06:07I think you've gone far enough with your insinuations!
01:06:13Yes, and I may go a great deal farther!
01:06:16What is it?
01:06:17What's the matter?
01:06:18I've seen him!
01:06:19What is it?
01:06:20What is it?
01:06:21What's the matter?
01:06:22I've seen him!
01:06:26Now, perhaps you'll believe what I told you!
01:06:32Get me a glass of water quickly, will you?
01:06:56You're speechless...
01:06:58God, what's the matter?
01:07:03Have you heard that!
01:07:13Oh my God...
01:07:18Thanks. I wasn't hurt. I'm only frightened.
01:07:40Right, and see if you can find Miss Caney, will you?
01:07:42It's wonderful to be with a man who isn't afraid.
01:07:50I am afraid.
01:07:52You, who have ridden barebacked over the desert.
01:07:56If you don't stop chattering, I'm afraid I shall have a knife in my back.
01:07:59But when I'm with you, I have to talk. It comes like poetry.
01:08:05Are you prepared to obey me?
01:08:07In anything.
01:08:08Then close your eyes, and don't speak for ten seconds.
01:08:38We'll all panic sometimes.
01:09:01I felt his hands on me.
01:09:02That's why I know it was no ghost.
01:09:04It was no ghost.
01:09:06Look at the clock. It's nearing the hour.
01:09:10I know where you'll find him now.
01:09:13He's gone back to the tomb, to his heathen gods.
01:09:18Then you and I will follow in there.
01:09:20Wait a minute.
01:09:22What's his doctor's telephone number?
01:09:24Yaksford, 72.
01:09:25Shoo!
01:09:25Shoo!
01:10:25Look, the door's open and there's a light.
01:10:34I'll go no nearer.
01:10:35I'll go no nearer.
01:10:39I can see a shadow moving.
01:10:41I'll go no nearer.
01:10:43Well, then, go back.
01:10:46What about it, Betty?
01:10:48Do we go on?
01:10:51Yes, of course.
01:10:53Thought you'd say that.
01:11:13I'll go no nearer.
01:11:14I'll go there.
01:11:15I'll go there.
01:11:17I'll go there.
01:12:47Look!
01:12:49No!
01:12:51Hartley!
01:12:53So you're not a parson, just a dirty crook.
01:13:10You'd better get out of my way.
01:13:13Your hand, eh?
01:13:15So that's how it was done.
01:13:17I wouldn't come any nearer.
01:13:19I don't have to.
01:13:20Look, if you please.
01:13:31Come on now.
01:13:31Go!
01:13:41Go!
01:13:43Go!
01:13:45Go!
01:13:46Go!
01:13:47Go!
01:13:51Go!
01:13:53Go!
01:13:54Go!
01:13:55Go!
01:13:56Go!
01:13:57Go!
01:13:58Go!
01:13:59Go!
01:14:00Go!
01:14:01Go!
01:14:02Go!
01:14:03Go!
01:14:04Go!
01:14:05Go!
01:14:06Go!
01:14:07Go!
01:14:08Go!
01:14:09Oh, my God.
01:14:39The door!
01:14:53It's too late. Are you badly hurt?
01:14:55No, no, it's nothing.
01:14:57Come and sit down.
01:14:59Where's the key?
01:15:01He threw it away.
01:15:09When I phoned the doctor, I told him to ring the police.
01:15:13They ought to find us somehow.
01:15:15Even if they do come,
01:15:17how could they break down that door?
01:15:23They'll find a way.
01:15:29I'll make a bandage.
01:15:39The doctor in charge didn't understand the case.
01:15:43I'm afraid of catalepsy.
01:15:45Morlant was buried alive.
01:15:47Oh, Mr. Dragore.
01:15:49What were those shots?
01:15:51Out of my way.
01:15:53Where are the others?
01:15:55Leave me alone!
01:16:09I'd rather thought you might be leaving in a hurry with something in your pocket that doesn't belong for you.
01:16:23Hand it over.
01:16:25You win.
01:16:27You win.
01:16:37That woman!
01:16:38There she is!
01:16:39Come now.
01:16:40Oh, you put up all gun, you fool.
01:16:42I tell you, she's got it.
01:16:47Come on, man.
01:16:58Stop!
01:17:00Now, Miss Caney, if you please.
01:17:01I don't think so.
01:17:03You fool!
01:17:04If for either of you, two horrible men, so much as move, in it goes.
01:17:09But you don't know the value of that jewel.
01:17:11I don't care for the value. It'll go.
01:17:15And if you shoot, I'll go with it.
01:17:19I mean it.
01:17:20Down 30 feet.
01:17:22And about 60 feet of water.
01:17:24And, and, and then Australia.
01:17:31I can't see to tie this.
01:17:33That light seems much lower.
01:17:52Hartley!
01:17:53Get up!
01:17:54Get up!
01:17:55Get him out of here!
01:18:02The door!
01:18:03The door!
01:18:04It's shut!
01:18:06The flames!
01:18:08They mustn't reach the door!
01:18:24It's no good.
01:18:25You can't breathe in there.
01:18:29A cartridge!
01:18:33Sure!
01:18:34Only!
01:18:37Only!
01:18:42I've had nothing, Mrs. Caney.
01:18:45Supposing I'm ready to shoot and take the risk.
01:18:47You'd be taking a bigger risk than you think.
01:18:50I'll take that gun, thank you.
01:18:52Now look here!
01:18:53That'll do.
01:18:54Now, what's the trouble?
01:18:56This.
01:18:57They're after it.
01:18:58All of them.
01:19:00It belongs.
01:19:04I'll carry her to the house.
01:19:05I'll carry her to the house.
01:19:16Get back!
01:19:17Back in that corner!
01:19:18Back in that corner!
01:19:19Back in that corner.
01:19:20Back in that corner!
01:19:22Look!
01:19:24Down!
01:19:27Down!
01:19:28Down!
01:19:30Down!
01:19:32Down!
01:19:35Down!
01:19:38Down!
01:19:41Down!
01:19:42Down!
01:19:44Down!