After losing his show and girlfriend, a painter’s life spirals until a new romance with his neighbor brings unexpected challenges.
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Short filmTranscript
00:00:00It's two jumbo poor boys and a smoky awful.
00:00:05You're late.
00:00:07I know. I'm sorry.
00:00:09I came in to tell you I quit.
00:00:11I appreciate everything you've done for me,
00:00:13but the grand scheme of my life does not include
00:00:15being some crappy little delivery boy.
00:00:17No offense, Oscar.
00:00:19I am an artist.
00:00:21I'm getting a show today.
00:00:22Do you have any idea what that means?
00:00:24Getting a show? Do you have any idea at all?
00:00:26I don't think you do.
00:00:27And I'll tell you something else.
00:00:29When my work is hanging in the Kuggenheim,
00:00:32when I'm having a retrospective at the Met,
00:00:34all those slick, swammy, uncreated little bastards
00:00:37that I've had to deal with every day,
00:00:39day in and day out,
00:00:40will be done on your knees, kissing my ass!
00:00:45Seize the day!
00:00:49That's two pepperonis.
00:00:50Okay.
00:00:56Yes.
00:00:59Yes.
00:01:00Well, this is very awkward, Alex.
00:01:05I spoke with Yvette yesterday.
00:01:08She did not tell you?
00:01:10Tell me? Tell me what?
00:01:12Well, the thing is, you know,
00:01:14your work is not ready to show.
00:01:16It's style over substance.
00:01:20I mean, don't take it personal, Alex,
00:01:22but it's, it's so nice.
00:01:23I mean, don't take it personal, Alex,
00:01:24but it's, it's so nice.
00:01:27I mean, I'm a friend for this,
00:01:29but I'm really happy.
00:01:30I know that I'm not the same person
00:01:32as well as a mother.
00:01:33I love my father.
00:01:34I love the idea.
00:01:35I love my father,
00:01:36and I don't think so.
00:01:37Why don't you feel like I'm a kid too?
00:01:39Well, I'm a kid.
00:01:40You're doing it?
00:01:41Yeah.
00:01:43Well, that's not my kid.
00:01:44At the same time.
00:01:45I don't think so.
00:01:46You're not a kid.
00:01:48What you are.
00:01:59Yvette!
00:02:02Yvette!
00:02:03Yvette!
00:02:05Yvette!
00:02:07Yvette!
00:02:10Yvette!
00:02:15Yvette!
00:02:16Well, the thing is, the owners, they don't really like to put a sign out.
00:02:23They feel it kind of attracts all the losers, but, you know, I'm starting to get kind of
00:02:26a good feeling about you, uh, Alex.
00:02:29Alex, the bottom line is, I'm a good judge of character.
00:02:32Hey, Ray.
00:02:34Whoa, arrest me, officer.
00:02:36So what do you think?
00:02:37Do you want the apartment?
00:02:38Uh, you know, I'm not very comfortable with the whole six-month lease thing.
00:02:43Wow, this, this is just a formality.
00:02:45It's what you call a paperwork.
00:02:46Don't even worry about that.
00:02:48Hey, you need some furniture?
00:02:49Because we got a bunch of good junk down in the basement.
00:02:52To be honest with you, this is just a temporary situation for me until I get back with my
00:02:57girlfriend, and I just really can't have the commitment right now.
00:03:00It's probably none of my business, but I think you ought to get a place of your own.
00:03:05You know what I'm saying?
00:03:06Show her that you can live without her.
00:03:08Hi, this is J. Beth.
00:03:09Please read the message.
00:03:11Well, you certainly didn't waste any time taking my name off the answering machine.
00:03:15Listen, J. Beth, I really feel like we should talk about this and try and work this out.
00:03:21I mean, I know that I've neglected you over the past few months.
00:03:24Hold on.
00:03:24Hello?
00:03:25Hello?
00:03:26Hello?
00:03:26Hello?
00:03:27Hello?
00:03:27Hello?
00:03:28You bet?
00:03:29Hello?
00:03:30Who's this?
00:03:31No.
00:03:32This.
00:03:32Two days.
00:03:47Two days.
00:03:51Man, is that ruthless.
00:03:53That is...
00:03:55I told you not to call her.
00:03:59Maybe it was her brother.
00:04:01You got your packaging.
00:04:03You got your advertising.
00:04:04And you got your brand name.
00:04:06But in the end, I think you and I know the generic is just as good, right?
00:04:09Am I right?
00:04:10So why do people pay more?
00:04:12I'll tell you, Alex.
00:04:13Because they are deceived and distracted by labels.
00:04:18I mean, come on.
00:04:18Toilet paper is toilet paper.
00:04:19Am I right?
00:04:20Huh?
00:04:21Hi.
00:04:22How's it going?
00:04:22Whoa.
00:04:23Are you looking for an apartment?
00:04:24Because you're not going to find anything with junk in here.
00:04:26How'd you know I was looking for an apartment?
00:04:28I know everything.
00:04:29You're from Colorado.
00:04:31Oh, my God.
00:04:33No, you're wearing a Denver Broncos shirt.
00:04:35Come on.
00:04:36What do you think?
00:04:36I'm telekinetic or something?
00:04:38Woo.
00:04:38I don't know.
00:04:40My name's Ray.
00:04:41Let me help you out.
00:04:41I'll give you my number.
00:04:42And you are?
00:04:43Laurie.
00:04:44Laurie.
00:04:44And this is my friend Alex.
00:04:46Alex.
00:04:47Hey, Alex.
00:04:47Ooh.
00:04:49Ooh.
00:04:49Ooh.
00:04:50Ooh.
00:04:50Ooh.
00:04:51Ooh.
00:04:52Ooh.
00:04:53Ooh.
00:04:54Ooh.
00:04:54Ooh.
00:04:55Ooh.
00:04:56Ooh.
00:04:57Ooh.
00:04:58Ooh.
00:04:59Ooh.
00:05:00Ooh.
00:05:01Ooh.
00:05:02Ooh.
00:05:03Ooh.
00:05:04Ooh.
00:05:05Ooh.
00:05:06Ooh.
00:05:07Ooh.
00:05:08Ooh.
00:05:09Ooh.
00:05:10Ooh.
00:05:11Ooh.
00:05:12Ooh.
00:05:13Ooh.
00:05:14Ooh.
00:05:15Ooh.
00:05:16Ooh.
00:05:17Ooh.
00:05:18Ooh.
00:05:19Ooh.
00:05:20Hi.
00:05:20I hope I'm not bothering you.
00:05:22I'm Sylvia, number 15 right down the hall.
00:05:26I just wanted to welcome you to our little family here.
00:05:29I don't know if you have a girlfriend or anything, but even if you do, I know that bachelors never
00:05:34have any food in their refrigerator.
00:05:36So I just wanted to offer you a little something I made.
00:05:39It's a specialty of mine.
00:05:41Curried Spam casserole.
00:05:44Well, thank you.
00:05:45Well, you're very, very welcome.
00:05:46I understand that you're an artist.
00:05:47I think that's just fascinating.
00:05:48Sylvia, gordita bonita.
00:05:49There's no smoking in the building!
00:05:50¿En serio?
00:05:51Light my fire!
00:05:52No!
00:05:53Se ve bueno, ¿no?
00:05:54Mmm, se ve bueno, ¿no?
00:05:55Tienes que saber algo.
00:05:56Food.
00:05:57Is it good?
00:05:58No, no, no, no, no.
00:05:59No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no.
00:06:01And she, she's starving.
00:06:02There's no smoking in the building!
00:06:06En serio?
00:06:08Light my fire!
00:06:16Se ve bueno, no?
00:06:18Tienes que saber algo.
00:06:20Food is the language of love.
00:06:24And she...
00:06:26She's starving.
00:06:30Linda?
00:06:32Tu hombre está aquí.
00:06:34Llegó el rey de la casa.
00:06:38Go away, you son of a b****!
00:06:42Linda?
00:06:44Linda?
00:06:46Linda?
00:06:48Linda?
00:06:50Linda?
00:06:52Linda?
00:06:54Linda?
00:06:56Linda?
00:06:58Linda?
00:07:00Linda?
00:07:02Linda?
00:07:04Linda?
00:07:06Linda?
00:07:10What do you say?
00:07:12What do you say?
00:07:14Hey, try it!
00:07:16What?
00:07:18What do you say?
00:07:22What?
00:07:24Right?
00:07:36Right?
00:07:38Yeah!
00:07:38Yeah, yeah!
00:07:40That's so cool.
00:07:44Get on!
00:07:45Are you ready?
00:07:50I mean, you know, he still haven't fixed the floss.
00:08:09It's like some psychopath breaks into my room,
00:08:11tries to kill his girlfriend.
00:08:13I mean, Ray, you know, it's no offense,
00:08:18but, I mean, you know, the place is filled with losers.
00:08:22And I just, you know, I can't live like this, you know?
00:08:26I mean, so I'm wondering if maybe, you know,
00:08:29you let me give my two-month lease notice
00:08:32to get out of the lease or something.
00:08:34Well, Alex, I'd like to help you out, but...
00:08:37The owners, they're really cracking down
00:08:39in the lease situation.
00:08:41If you leave now, you're gonna forfeit your first month's rent.
00:08:43Plus, you're out the security deposit for the door.
00:08:46The door?
00:08:49You're gonna make me pay for the door.
00:08:51You shouldn't have left it open.
00:08:53Never leave your door open.
00:08:56Tell you what.
00:08:59I don't need her.
00:09:01I'm a lot better off without her.
00:09:04I'm gonna get a lot more work done.
00:09:06It's the best thing that could ever happen.
00:09:08Hey, Alex, I forgot to tell you.
00:09:10Evette called a few days ago.
00:09:11See, I told you she'd come back begging.
00:09:13She weren't into four with your mail.
00:09:15I gave her your new address.
00:09:17Marihorn.
00:09:21Is that a pepperoni pizza or are you just glad to see me?
00:09:27Gee, that's funny every time I hear it.
00:09:29Wait.
00:09:30Oh, wait.
00:09:31Oh, God.
00:09:35Um, I think I'm lost.
00:09:36Do you know where 1407 is?
00:09:37Excuse me, pizza boy.
00:09:38How many of us?
00:09:39Hi.
00:09:40Where are you going?
00:09:41Oh, I'm not sure.
00:09:42Oh, you're in the wrong building.
00:09:43Just kidding.
00:09:44Wait over here.
00:09:45Oh, hey.
00:09:46Alex.
00:09:47Hey, Ray.
00:09:48How's it going?
00:09:49Oh, good.
00:09:50Just doing a little touch-up.
00:09:51Hey, by the way, this ended up in my mailbox.
00:09:52I just assumed it was for me.
00:09:55It's for me.
00:09:56It's for me.
00:09:57You know what?
00:09:58You know what I'm saying?
00:09:59I don't know where the oven is.
00:10:00I don't know where the oven is.
00:10:01Oh, I don't know where the oven is.
00:10:03Excuse me, pizza boy.
00:10:04I don't know where the oven is.
00:10:05Excuse me, pizza boy.
00:10:06I don't know where you're going.
00:10:07Where you going?
00:10:08Oh, I'm not sure.
00:10:09Oh, you're in the wrong building.
00:10:10Just kidding.
00:10:11Oh, hey!
00:10:12Oh, hey!
00:10:13It's from a vet. She wants to be friends.
00:10:17You opened my mail?
00:10:20Yeah, she wants you to call her.
00:10:22I can't believe you opened my mail, Ray.
00:10:24I mean, isn't there a law against that or something?
00:10:26I think you're missing the big picture here, Alex.
00:10:28She wants you to call her.
00:10:30Gee, Ray, she only ripped my fucking heart out.
00:10:32I don't think I'm gonna call her!
00:10:37Are you all right?
00:10:43Hey!
00:10:58Cheers!
00:11:01Here's to you and me
00:11:04Baby, can't you see?
00:11:07We can win the day
00:11:11Please show the way, we've got the world before us, we're gonna be rich, not for us, don't be a brontosaurus, go to it, we can do it, cheers, we should make the time.
00:11:32She was the best two years when I was on the fucking train, she was doing stuffers with something that she never did to see, I can't make it anymore, oh sh**, all right, pull yourself together man, we should, I'm not one to focus, we can be the best, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on,
00:12:02We've got whatever it takes, we'll make our own lucky breaks, so clear the decks for action, guarantee it's an action, we'll make our own lucky breaks, so clear the decks for action.
00:12:13Oh, Jesus Christ, Alex, I didn't tell you to buy her a bouquet of flowers, get down on one knee and proclaim your love for her, I mean, what the heck's wrong with you?
00:12:22It was a friendship bouquet.
00:12:26You need to meet some new people.
00:12:32You need to meet some new people.
00:13:02Come on over here.
00:13:03Come on, sit down.
00:13:05Here you go.
00:13:08Alex, this is Irene.
00:13:11Eileen.
00:13:12Eileen, Irene, I mean, whatever, she's still quite sexy.
00:13:16And this fascinating young specimen is not wild.
00:13:22Kiki, my friends call me Coyote.
00:13:25Oh!
00:13:28Alex here is an artist, he's very sensitive, so.
00:13:32Don't go breakin' his heart.
00:13:35This is so intense.
00:13:38When you guys walked in, I turned to Eileen and said,
00:13:41That guy looks just like an artist.
00:13:46Oh, my God.
00:13:48She did.
00:13:49And what did you think I looked like?
00:13:51A sleaze bag.
00:13:53Come on, sweetheart, let's dance.
00:13:57Well, there's no dance floor.
00:13:58Hey, who cares?
00:14:00You have fun.
00:14:01Oh.
00:14:01So, hi.
00:14:10Hi.
00:14:10Hi.
00:14:10So, then, I met this guy.
00:14:18He wanted me to run drugs in and out of the country.
00:14:22And I was like, no way, Jose.
00:14:24Which was pretty funny, because that was actually his name, Jose.
00:14:29Isn't that ironic?
00:14:29But, anyways, I did it a few times, and I finally got freaked out and just took off.
00:14:35I know for a fact there are Colombian hitmen looking at me.
00:14:40They could be anywhere.
00:14:42Oh, my God.
00:14:44I think that's them.
00:14:45Oh, f**k.
00:14:46No, don't look.
00:14:47I'm only kidding.
00:14:56Oh, honey, you should have seen the look on your face.
00:14:59You look like you were going to crap in your hair.
00:15:02Oh, don't worry, baby.
00:15:03I'll protect you.
00:15:05Oh, so, I've been gabbing all night.
00:15:09Enough about me.
00:15:10Tell me about you, honey.
00:15:12What makes Alex tick?
00:15:15Oh, uh.
00:15:17Well, um, I, uh, I'm kind of going through a hard time right now.
00:15:23I just, you know, I just broke up with my girlfriend, and my, you know, Ray, the guy I came with,
00:15:27said that I should get out and meet some new people, and.
00:15:37Excuse me?
00:15:40Um, I just, uh, you know, a hard time meeting new people, and.
00:15:47I don't believe this.
00:15:51I don't f**king believe this.
00:15:54I feel like, I feel like I've just been s**t on.
00:15:58You son of a b**, you goddamn s**t of a b**ch.
00:16:01No, you're right, darling.
00:16:13A little bit of me and you.
00:16:16A little bit of everything you do.
00:16:19Hey, you got any walnuts?
00:16:21Hey.
00:16:23Come and get them.
00:16:23Here comes Rudolph.
00:16:26AHHHHH!
00:16:28AHHHHH!
00:16:28AHHHHH!
00:16:29AHHHHH!
00:16:30AHHHHH!
00:16:30AHHHHH!
00:16:30AHHHHH!
00:16:31Long night?
00:17:01What are you doing here, Ray?
00:17:07Oh, my God, you're here.
00:17:09I tried calling a few minutes ago, no one answered, so I figured you'd spent the night
00:17:12over at Wolverine's, huh?
00:17:14Just trying to get a head start on this.
00:17:18Yeah, as it turns out, what we got here is a bad nipple.
00:17:23No, seriously, the seat's rotted out, I gotta shut off the water for the entire building,
00:17:28rip this out, I mean, it's a nightmare, a nightmare.
00:17:33So?
00:17:34Uh, you know, I was taking a shower here, Ray, maybe we could do this another time.
00:17:38Oh, sure, okay.
00:17:40Listen, I gotta go turn off the main water anyways.
00:17:43I'll come back sometime this afternoon.
00:17:46Hey, look, don't worry about it, okay?
00:17:49I mean, it didn't work out, so what?
00:17:51It can't always work out.
00:17:52The point is, you kept on trying.
00:17:55You gotta get back on the horse and ride it, huh?
00:17:57Ride it, ride it.
00:17:59Fact is, there's a new girl across the hall, she's pretty cute.
00:18:03I think you should check her out.
00:18:12What are you doing?
00:18:14Oh, it's dripping down here.
00:18:16That happens because you use too much water when you mix paint.
00:18:18I know, Ray, I want it that way.
00:18:20Well, I don't know anything, but if dripping watery paint makes good art of it, what do I know?
00:18:25Get the hell out of here.
00:18:27Excuse me?
00:18:28Do you live here?
00:18:29Do you pay the rent on this apartment?
00:18:31Who pays the rent on this apartment?
00:18:33Well, you do.
00:18:34That's right, I do.
00:18:35It is my apartment, I pay the rent, and I want you to get the hell out.
00:18:38I like you, Ray, but I don't want you barging in here anymore.
00:18:41I don't want any more of your lame, unsolicited advice.
00:18:44I don't want to check out the cute girl next door, and I don't want to get back on the goddamn horse.
00:18:49the horse and the horse it rode in on.
00:18:53No.
00:18:54I've got a lot of work to do, and I would appreciate it if you were to leave.
00:18:59You're obviously very upset, and I think the best thing is for you to just have some time to yourself.
00:19:10Oh, hey, this I like.
00:19:13This use of color, this is a great painting.
00:19:17I'm going to check back later with you, okay?
00:19:20Come on, you stupid thing.
00:19:49Gosh darn it.
00:19:51Come on.
00:19:52Oh, what are you doing sneaking up on a person?
00:19:56Oh, I wasn't sneaking.
00:19:57Yes, you were.
00:19:58You were sneaking up on me.
00:19:59No, I was just, there's a light here.
00:20:02Oh, I'm sorry.
00:20:04It's just a stupid thing that took my money.
00:20:07I think you need to push the button that says start up.
00:20:12Oh, thanks.
00:20:14Sorry.
00:20:15Sorry I yelled at you.
00:20:16Oh, okay, sure.
00:20:17Uh, I think this belongs to you.
00:20:27Um, thanks.
00:20:33Oh, hi, I'm Lori.
00:20:34I'm new in town.
00:20:35Alex, I just broke up with my girlfriend.
00:20:39Actually, she broke up with me.
00:20:42Oh, why'd she break up with you?
00:20:44I mean, what's wrong with you?
00:20:45Um, I don't know.
00:20:48Well, this is me.
00:20:50Oh, this is me.
00:20:51Really?
00:20:52What a coincidence.
00:20:53I guess we're neighbors then.
00:20:54Guess so.
00:20:55You know, you look really familiar.
00:20:56Have we met before?
00:20:57I don't know.
00:20:58I don't think so.
00:20:59Are you sure we haven't met?
00:21:00Because you look really familiar.
00:21:01Really?
00:21:02Have you ever been to Guffey, Colorado?
00:21:03You know, home with a world-famous Guffey burger.
00:21:04I think I missed that.
00:21:05Thanks.
00:21:06Okay.
00:21:07Well, see you around, neighbor.
00:21:36I was young.
00:21:37I was told be seen and not heard.
00:21:39While mama wiped the teardrops from her eyes.
00:21:44Daddy used to come home, staring through the door.
00:21:48Full of whiskey and full of empty lies.
00:21:53I still hear mama saying, don't treat me this way.
00:21:57You know, Alex, you have to keep focused.
00:22:14Focused?
00:22:15I am.
00:22:16Focus.
00:22:17That's the key to success.
00:22:18It doesn't matter if you're driving a truck or you're trying to be a great artist.
00:22:21If you want to accomplish anything in this world, you have to keep focused.
00:22:26Right?
00:22:27Exactly.
00:22:28Right.
00:22:56Like, let me leave my hospital.
00:22:57Let me take my home.
00:22:58Let me take your home.
00:22:59Let's take my home.
00:23:00I can't do this.
00:23:01I can't do this.
00:23:02I can't do this.
00:23:03It's not me.
00:23:04We are so sorry.
00:23:05Or we can do this.
00:23:06Hello, Alex.
00:23:11Hello, Alex.
00:23:12Hello, Addicts.
00:23:28What are you doing?
00:23:29Just checking the old mail.
00:23:32Well, don't lose your mailbox key.
00:23:34Ray will charge you $10 for a new one.
00:23:36Okay.
00:23:39So, the new tenant seems very nice.
00:23:42Don't you think?
00:23:44New tenant.
00:23:48The new girl.
00:23:49Lori.
00:23:51She lives right across the hall from you.
00:23:53I'm sure you've met her.
00:23:56I don't think so.
00:24:00Uh-huh.
00:24:09Well, okay.
00:24:12I don't know.
00:24:24Ray?
00:24:26Oh, hi.
00:24:28See what happens when you leave your door open?
00:24:30I left my door open.
00:24:32Yeah, I knocked and the door swung open.
00:24:34I thought I heard you in here.
00:24:36So, I came in.
00:24:37I hope you don't mind.
00:24:39Uh, no.
00:24:40It's okay.
00:24:42I can't believe I left my door open.
00:24:44So, what is all this stuff?
00:24:45Are you like an artist of some kind?
00:24:48Uh, yeah.
00:24:48I guess so.
00:24:49Wow.
00:24:50Wow.
00:24:50I've never met an artist before.
00:24:54So, um, what are they supposed to be?
00:24:58Uh, well, they're trying to explore the, uh, interaction between light and color and surface
00:25:06tension.
00:25:06You know, like, um, how do two fields react to each other in different circumstances?
00:25:12It's kind of like a play on Reinhardt's reduction of images to their basic, minimal, uh...
00:25:18Actually, it's kind of hard to explain.
00:25:23No, it sounds really impressive.
00:25:25So, hey, I was going to go to the Range.
00:25:31I thought you might want to come.
00:25:32The Range?
00:25:33Yeah.
00:25:34Uh, I'm not really into the whole golfing thing, you know?
00:25:38Golf.
00:25:39Oh, oh, that's funny.
00:25:41That's funny.
00:25:49Come on, you want to try it?
00:25:50It's really relaxing.
00:25:52Ha, no, I'm relaxed.
00:25:54Okay.
00:25:55So, uh, what makes a person decide to go into the Air Force, of all things?
00:26:12Well, I grew up in a pretty small town.
00:26:15It had a population of 8,000 people.
00:26:18The highlight of the week was watching the truck from Denver unload frozen chicken wings
00:26:25at the first cafeteria.
00:26:27I thought I was going to lose my mind.
00:26:29So, when I turned 18, I enlisted, and six weeks later, I'm stationed in Istanbul.
00:26:37Well, uh, they certainly taught you how to keep a tidy ship.
00:26:40Amongst other things.
00:26:43For example, I could probably kill you right now with my bare hands.
00:26:48Ha!
00:26:49Ha!
00:26:51I'm just kidding.
00:26:53I don't think I could.
00:26:55So, um, do you want a cold pop or something?
00:26:59Cold pop?
00:26:59I don't know.
00:27:00Yeah, you know, a soda?
00:27:03Gee, I don't know.
00:27:04I should probably get going now.
00:27:06Well, it's still early.
00:27:07I know, but I should be concentrating on my painting, and it's probably been such a good
00:27:12idea, living across the hall and everything.
00:27:15I just asked if you wanted a cold pop.
00:27:18I know.
00:27:18Well, I should just, uh, be going.
00:27:25I'm not going to shoot you.
00:27:26Don't flatter yourself.
00:27:27I know.
00:27:30Okay, thank you.
00:27:30Um, uh, good night.
00:27:36Okay, good night.
00:27:48Linda.
00:27:52Mi amor soy yo.
00:27:53Linda.
00:27:54Go away, you bastard.
00:27:55I hate you.
00:27:56No, no, pero yo te amo.
00:27:59Contigo aprendí que existen nuevas y mejores emociones.
00:28:05No, call me INS.
00:28:06I'm serious.
00:28:07Oh, no, no, no.
00:28:09Contigo aprendí que existen nuevas y mejores emociones.
00:28:14Straight to the ground.
00:28:16Knocks her head right on the dance floor.
00:28:18Gave herself a concussion.
00:28:19They had to call the paramedics.
00:28:21These girls, they really sacrifice.
00:28:27Got any fries for that shake?
00:28:30Do I detect a little tension between you two?
00:28:32A little magic happening?
00:28:33Nah, she's not my type.
00:28:35Well, no one's anyone's type.
00:28:37It's all an accident.
00:28:39Ah, she's...
00:28:41Hey, she's got a great ass.
00:28:45She's got a great ass?
00:28:46You're so superficial, Ray.
00:28:49I'm a painter.
00:28:50I should be going out with models from Milan.
00:28:52I mean, she doesn't know who Jackson Pollock is.
00:28:54I'm a painter.
00:28:55She doesn't know who Jackson Pollock is.
00:28:58Nobody knows who Jackson Pollock is.
00:29:01What's wrong with you, Alex?
00:29:03What she's doing is she's exploring the way light plays on different surfaces and textures.
00:29:28It's not so much about color, but more like a painting of light.
00:29:35Oh.
00:29:36Wow.
00:29:43Let's go.
00:29:44So there's not many, uh, contemporary art museums in Guffey, Colorado, huh?
00:29:50Not that I knew of.
00:29:59What's this supposed to mean?
00:30:03I guess I just don't get it.
00:30:05Well, there's nothing to get.
00:30:07I like this one.
00:30:31What do you like about it?
00:30:34I don't know.
00:30:36Do I need to know?
00:30:37No, I guess not.
00:30:54Um, 1950s, early 60s.
00:30:57I guess those are my role models.
00:31:00Those are, like, the last serious painters, you know, the last ones to believe in the power
00:31:03of art to change the way we see the world.
00:31:05So where are they now?
00:31:09Actually, I think most of them committed suicide.
00:31:13Wow.
00:31:15That must be nice, though, to grow up knowing what you want to be.
00:31:19You think?
00:31:21I mean, did you just do this while we were sitting here?
00:31:24It's nothing.
00:31:25It's not nothing.
00:31:26It's not nothing.
00:31:27You should draw more.
00:31:29You're very talented.
00:31:30It doesn't mean anything.
00:31:31It's just, you know, it's just technique.
00:31:34I still like it.
00:31:38Here.
00:31:39Sign it for me.
00:31:41For when you're famous.
00:31:42They don't get any bigger than this, do they?
00:32:00Oh, my God.
00:32:01I hope not.
00:32:02Yeah, I know.
00:32:03I thought you were going to have a heart attack or something.
00:32:14I think we should give him a name.
00:32:16I think Bob likes you.
00:32:40I think Bob likes you.
00:33:10What's going on?
00:33:11I know what happened, Sylvia.
00:33:12You were sleepwalking.
00:33:13Then you got hungry.
00:33:14I thought you whipped together a little pot.
00:33:17Ray!
00:33:20I'm really, really sorry if I got anybody out of bed.
00:33:24Right.
00:33:25Well, don't worry about it, darling.
00:33:26I think we've all had enough excitement for tonight.
00:33:28Let's just head back.
00:33:30Good night, Alex.
00:33:31Good night.
00:33:32Good night, everyone.
00:33:33Good night, Lori.
00:33:34Good night.
00:33:35Good night.
00:33:35Good night.
00:33:36Good night.
00:33:48Don't be stupid.
00:33:50You're only going to get hurt.
00:33:52You don't need this.
00:33:52You don't need this.
00:33:53I love my jacket.
00:34:06I know.
00:34:11I have to paint.
00:34:12I can't have the distractions.
00:34:15It's too much.
00:34:16Go paint.
00:34:31No me tienes cansado.
00:34:32Siempre con lo mismo.
00:34:33Oh, my God.
00:34:33Mira, un pie de estos ya no voy a cortar más y mover.
00:34:35I can't go.
00:34:55I can't go.
00:35:03That smells like one great cup of Jabba, right?
00:35:14Good morning, Mrs. Johnson.
00:35:16Good morning to you, too.
00:35:33Good morning.
00:36:03Good morning.
00:36:33Good morning.
00:36:47What's up, Fred?
00:36:49Just trying to fix this.
00:36:52Apparently somebody has no respect for personal property.
00:36:54Good luck.
00:37:00You, too.
00:37:00Good morning.
00:37:02Good morning.
00:37:04Good morning.
00:37:06Good morning.
00:37:08Good morning.
00:37:12Good morning.
00:37:14Good morning.
00:37:16Good morning.
00:37:20If you think of it, a great portrait usually is both very beautiful and full of personality.
00:37:32It's a charge field. It takes us into a dynamo of somebody else's personal.
00:37:40And this is what he thinks. One of the most things...
00:37:44What are you drawing?
00:37:46Modern.
00:37:47Titian became enormously successful. He was a sort of superstar, wealthy, fated, sought
00:37:55after by kings and emperors. It was a status symbol to possess a Titian. And he had great
00:38:02personal success too. Because he was one of those rare artists who become greater as they
00:38:10grow older. Late Titian is one of the climaxes of the story of painting.
00:38:17Alex? Alex, are you okay? What is it? Talk to me.
00:38:45I don't...I don't know.
00:38:52What don't you know?
00:38:55All these paintings. I mean...I don't know what I'm doing anymore. I...I mean, I always thought
00:39:08myself as this...this great painter, you know, and one day I'd be famous and now I...I don't
00:39:16know. What if...what if it never happened? I mean, what...what am I then?
00:39:21You're still an artist.
00:39:27what's up rat rats rats really yep two big ones i hear them every night running up and down the
00:39:57hall back and forth and forth and back trying to figure out whether or not i should use traps or
00:40:02poison i'll help you get them oh don't worry we'll get them hello alex uh i think those are mine
00:40:15i know i don't mind
00:40:18so been keeping busy uh yeah very busy
00:40:25i'm sure you have
00:40:28what nothing
00:40:48what is it
00:40:53i think
00:40:56i think the others are starting to get suspicious
00:41:01are you embarrassed no
00:41:06are you somehow feeling ashamed or degraded of course not
00:41:13because if you are maybe we'll have to stop meeting like this
00:41:20no it's fine i just why would i mind
00:41:27hey there's an art opening tomorrow night at a gallery downtown
00:41:37would you like to go to that um did you do these yeah do you mind no it's just i mean they're all wrong
00:41:46really yeah i mean son of zeus jr.
00:41:53Yeah. Do you mind?
00:41:55No, it's just, I mean, they're all wrong.
00:41:59Really?
00:42:00Yeah. I mean, son of Zeus, Junior.
00:42:05Yeah, you know, like Zeus, Junior.
00:42:07Uh, it's actually Apollo, not Junior.
00:42:11Well, it fits in the space. How do you know it's not Junior?
00:42:15I don't know. I mean, you know, if you're not sure of your answers, maybe you should use a pencil next time.
00:42:19I'm sorry. Did I ruin it?
00:42:23No, it doesn't matter. It's not, it's not important.
00:42:31So, anyway, do you think you'd want to go to this?
00:42:34Not really.
00:42:37Well, I think it would be of interest to you.
00:42:40Well, it's not.
00:42:41Well, I think you, of all people, would want to keep up on what's new and interesting in the art world.
00:42:51Well, no offense, but nothing done in the last 20 years is new or interesting.
00:42:56It's all meaningless crap made by some slick phonies.
00:43:00And you know what? Just like this guy right here.
00:43:04So, no, no thank you.
00:43:05Well, at least they're trying.
00:43:10At least they're not sitting around wallowing in self-pity.
00:43:28Hey, Alex, do you ever see Vin anymore?
00:43:32What's that supposed to mean?
00:43:33Just, just wondering, man.
00:43:36She was fine.
00:43:37Muy bonita chiquita.
00:43:39Alex has a new girlfriend. Leave him alone.
00:43:41She's not my girlfriend.
00:43:42She seems very nice.
00:43:43She is very nice. She's just not my girlfriend.
00:43:45We're just friends, okay?
00:43:48Okay, relax.
00:43:56Alex!
00:43:58What are you doing here?
00:44:00What do you mean?
00:44:01Well, I thought you were going to the art opening with Lori.
00:44:02She left about an hour ago.
00:44:04What?
00:44:05Yeah.
00:44:06Shit!
00:44:09Face it, man.
00:44:10Art as we know it is dead.
00:44:12It is totally and completely irrelevant to the 21st century.
00:44:16Exactly.
00:44:16All right.
00:44:17We need new forms.
00:44:18Yes.
00:44:20Hey, Alex.
00:44:20Hey, Alex.
00:44:21Hey.
00:44:22Where's Yvette?
00:44:24We broke up.
00:44:25You broke up? What happened?
00:44:27You were the perfect couple.
00:44:28Hey, I'm sorry.
00:44:29Hey, I'm sorry.
00:44:34Oh, I'm sorry.
00:44:38Hello.
00:44:38Hello.
00:44:39I'm, uh...
00:44:40Hi, I'm Lori.
00:44:41Hi, Lori.
00:44:42How are you?
00:44:43Good.
00:44:44How are you?
00:44:46Oh, what a coincidence.
00:44:48This is a friend of mine, Alex.
00:44:50Marco.
00:44:51How are you doing?
00:44:52Fine.
00:44:53Well, I was just telling Marco that I really like this work.
00:44:56I think it's very cute.
00:44:58Cute.
00:44:59Uh, cute's probably not a word that you would use in a hammock gallery.
00:45:02What would be a good word?
00:45:05Um, I don't know.
00:45:06An original, banal, contrived.
00:45:09Those are words that come to mind.
00:45:10Ouch.
00:45:11Alex, this is the artist.
00:45:13He painted these.
00:45:14It's okay.
00:45:15Honey, sweetheart, come.
00:45:16This is Lori and, uh, Alex.
00:45:23Uh, they are fans of my work.
00:45:25Hello.
00:45:25Hi.
00:45:26Nice to meet you.
00:45:27Hi.
00:45:28Hello.
00:45:31Alex, uh, finds me unoriginal, and Lori thinks my work is cute.
00:45:37Cute?
00:45:37Really?
00:45:38Well, not cute.
00:45:39Actually, um, I think it's, uh, more reminiscent of, um, early figurine.
00:45:45Um, you mean early figurative?
00:45:49Yes, exactly.
00:45:51Boy, this wine is going near my head.
00:45:54I'm such a cheap date.
00:45:57It's the genius.
00:46:00Marco, you're a star.
00:46:01You know that?
00:46:02Uh, you bet.
00:46:03Tell him he's a star.
00:46:04You're a star.
00:46:06Hello, Alex.
00:46:08Okay, we're going now.
00:46:09Okay, okay.
00:46:10Well, it was very nice meeting you all.
00:46:12Nice to meet you.
00:46:13Oh, they're such nice people.
00:46:14It's so much fun.
00:46:25What are you thinking about?
00:46:30Awesome.
00:46:30I've been really having a good time these last few months.
00:46:43I feel like I'm learning about things I never knew existed.
00:46:47I've never said this to a guy before, but, um, I kind of think that maybe, uh, I love you.
00:47:13You can at least say you like me.
00:47:30I'm not.
00:47:32I do.
00:47:33I do.
00:47:34By the way, my parents are coming into town tomorrow.
00:47:45They're really looking forward to meeting you.
00:47:47They're really looking forward to meeting you.
00:47:48They're really looking forward to meeting you.
00:47:49They're really looking forward to meeting you.
00:47:50They're really looking forward to meeting you.
00:47:51They're really looking forward to meeting you.
00:47:52They're really looking forward to meeting you.
00:47:53They're really looking forward to meeting you.
00:47:54They're really looking forward to meeting you.
00:47:55They're really looking forward to meeting you.
00:47:56They're really looking forward to meeting you.
00:47:57They're really looking forward to meeting you.
00:47:58They're really looking forward to meeting you.
00:47:59They're really looking forward to meeting you.
00:48:00They're really looking forward to meeting you.
00:48:01They're really looking forward to meeting you.
00:48:02They're really looking forward to meeting you.
00:48:03They're really looking forward to meeting you.
00:48:04They're really looking forward to meeting you.
00:48:05They're really looking forward to meeting you.
00:48:06They're really looking forward to meeting you.
00:49:14Well, good morning to you.
00:49:17I got locked up.
00:49:20Just be a man and be honest with her and just tell her to her face I can't see her anymore.
00:49:24Yeah.
00:49:26Who is it?
00:49:27I'm not here.
00:49:28I'm not here.
00:49:29I'm not here.
00:49:31Lori.
00:49:31Hi, good morning.
00:49:36Hi, Ray.
00:49:37Have you seen Alex?
00:49:38Who?
00:49:40He left his key in my apartment.
00:49:42Oh, really?
00:49:44Listen, would you like to come in and have a nice cup of coffee?
00:49:47Oh, no.
00:49:47I really don't have time.
00:49:49You haven't seen him?
00:49:50No.
00:49:50But it really is important to have coffee before you go to work.
00:49:53Kind of gets the whole body percolating.
00:49:55I just made a pot.
00:49:56Come on in.
00:49:57No, I really have to get going to work.
00:49:59All right, then.
00:50:00Listen, have a nice day.
00:50:01Me, too.
00:50:02God bless.
00:50:09You're pathetic.
00:50:14Somebody call an angel.
00:50:15They're about three and a half minutes.
00:50:17You're in his dreams out here.
00:50:19It's so good for you.
00:50:20Let's go sun in.
00:50:22Need the sky of blue.
00:50:24Greet the sun every morning.
00:50:26Feel as free and happy as the day you were born.
00:50:30Let's go native.
00:50:31Sign your cares away.
00:50:33Be creative.
00:50:35Learn to live and play.
00:50:37Greet the flowers.
00:50:38Need the sun every morning.
00:50:39Hi.
00:50:40I've been looking for you all day.
00:50:42Oh.
00:50:44You left last night.
00:50:45Is everything OK?
00:50:48Yeah, fine.
00:50:50Well, my parents are here.
00:50:51I thought you could stop by and say hello.
00:50:54It would be good for them to meet some of the friends I've made here.
00:50:57Hmm, well, yeah, I'm pretty busy right now.
00:51:06Oh, it'd just take a minute.
00:51:09Yeah, well, actually, I'm pretty busy right now.
00:51:11Happiness to everyone, so let's go sun in.
00:51:18OK.
00:51:19OK.
00:51:19OK.
00:51:19OK.
00:51:19OK.
00:51:20OK.
00:51:21OK.
00:51:21OK.
00:51:21OK.
00:51:22OK.
00:51:23Hi, car trouble?
00:51:53Uh, where are we going?
00:51:57I think I might have taken a wrong turn.
00:52:07So what happened to you yesterday?
00:52:08I really wanted you to meet my parents.
00:52:10Yeah, well, you know, don't take this the wrong way, but I'm a little uncomfortable
00:52:17with the whole meet the parents thing.
00:52:20Well, I wasn't asking you to get married.
00:52:22I just wanted you to say hello to them.
00:52:24I know.
00:52:25It's not just that.
00:52:27It's the whole, like, the guns, the saluting.
00:52:30What are you talking about?
00:52:33Well, I mean, you know, you do got to wonder about the kind of people that join such an
00:52:38organization.
00:52:39And what kind of person is that?
00:52:41I don't know.
00:52:42You're a high school dropout, sociopath, psychopath.
00:52:45Oh, boy.
00:52:46You know, you artist types really crack me up.
00:52:49Always whining about free speech.
00:52:51You know, that is so lame.
00:52:52You guys always pull out this free speech thing.
00:52:54All I want to do is express myself.
00:52:55People died.
00:52:56I didn't ask them to.
00:52:57Nobody asked them to.
00:52:58So you could express yourself.
00:52:59This free speech thing.
00:53:00It's so lame.
00:53:01Just because you don't have the courage to stand up and fight for what you believe in.
00:53:05In fact, what do you believe in, if anything?
00:53:08The freedom of artistic expression.
00:53:10Yeah, but only for yourself.
00:53:12You're such a hypochondriac.
00:53:14A hypochondriac?
00:53:15Yes.
00:53:16Really?
00:53:17Yes.
00:53:18Really?
00:53:19Um, because a hypochondriac is somebody who has an imaginary illness.
00:53:21I think the word that you're searching for is a hypocrite.
00:53:24Laurie.
00:53:25Please get out of my car.
00:53:29We're still friends?
00:53:42I don't know.
00:53:43This could be very unpleasant, Ray.
00:53:44Living across the hall from her very unpleasant.
00:53:46I don't know.
00:53:47This could be very unpleasant, Ray.
00:53:49Living across the hall from her very unpleasant.
00:53:52I see what you mean.
00:53:53I tried to warn you about that.
00:53:54What do you mean you tried to warn me?
00:53:55You're the one that suggested I go out with her in the first place.
00:53:56You tried to warn me.
00:53:57Well, I didn't mean her specifically.
00:53:58I was just speaking in general.
00:53:59Great.
00:54:00All you ever do is speak in general.
00:54:01Should have never signed that lease.
00:54:02What are you gonna do?
00:54:03No, no.
00:54:04I hate when you say that.
00:54:05You say that all the time.
00:54:06Please don't say that anymore.
00:54:07We're gonna have to get a guy here for this.
00:54:08We're gonna have to get a guy here for this.
00:54:21Deeper and deeper I go.
00:54:40Deeper and deeper I go.
00:54:44Sky like fish and whale.
00:54:51Will I look, see, and feel the rain?
00:54:55Ah!
00:54:56I've got a guy here.
00:54:57I've got a guy here for this.
00:54:59I've got a guy here.
00:55:01I've got a guy here.
00:55:03I've got a guy here.
00:55:04I've got a guy here.
00:55:06Hey, hey, hey, hey, hey.
00:55:08Deeper and deeper I go.
00:55:11Climbing up the ladder in the wise circle, stay well.
00:55:16Nothing else in the matter.
00:55:19Hey, hey, hey, hey.
00:55:20I'm sorry, I'm late.
00:55:21I got on my car.
00:55:23Get a new car cow, go on.
00:55:33That smells good.
00:55:34Don't need extra.
00:55:38It's a beautiful blouse.
00:55:39Oh, I got a joke for you.
00:55:40What's that?
00:55:40What has two thumbs?
00:55:41Speaks fluid French.
00:55:42a wildcat.
00:55:43What?
00:55:44Moi.
00:55:45You're terrible.
00:55:46Well, they kill me, huh?
00:55:53You're afraid of the spider thing.
00:56:00How am I not?
00:56:01You ever do it with another girl?
00:56:04I don't think so.
00:56:06AHHHHH!
00:56:08AHHHHH!
00:56:09AHHHHH!
00:56:10AHHHHH!
00:56:11AHHHHH!
00:56:12AHHHHH!
00:56:13AHHHHH!
00:56:14AHHHHH!
00:56:15AHHHHH!
00:56:16AHHHHH!
00:56:17AHHHHH!
00:56:19AHHHHH!
00:56:20AHHHHH!
00:56:21AHHHHH!
00:56:22AHHHHH!
00:56:23AHHHHH!
00:56:23AHHHHH!
00:56:24AHHHHH!
00:56:25Boy, I wonder if I could get you out of this stuff.
00:56:27There's a, uh, pretty bad element around here.
00:56:31Hey, do you lick Moroccan fruit?
00:56:35I know this girl's in a place here.
00:56:36I know this girl's in a place here, and I have some music.
00:56:37God, Professor, what god's name was that?
00:56:40I don't know, but that was the most
00:56:42hideous, disgusting creature I've ever seen!
00:56:46Me?
00:56:47Me?
00:56:48AHHHHH!
00:56:49AHHHHH!
00:56:50AHHHHH!
00:56:51AHHHHH!
00:56:51AHHHH!
00:56:52Hello, Alex.
00:57:04Uh, hello.
00:57:05What are you doing?
00:57:07Just, you know, taking out the trash.
00:57:11You're dripping.
00:57:15Mm-hmm.
00:57:22Howdy.
00:57:29Oh, hi.
00:57:31We must be on the same trash schedule.
00:57:34We have to stop meeting like this.
00:57:36Oh, yeah, I guess so.
00:57:39Listen, I'm having a little party tonight.
00:57:40Why don't you drop on by?
00:57:42Oh, well, gee, okay, sure.
00:57:46Apartment 17.
00:57:48You know, like, lucky number seven, teen.
00:57:51Oh, I get it.
00:57:51Seventeen.
00:57:52Seventeen.
00:57:55Okay.
00:57:56Okay.
00:57:56Okay.
00:57:56Okay.
00:57:56Okay.
00:58:27Okay, two can play with this game.
00:58:49Gee, Laurie, I'm sorry, but I have other plans for tonight.
00:58:52Really?
00:58:52Well, maybe some other time.
00:58:54Oh.
00:58:55My phone, it's on the blink.
00:58:58I really need to use your phone.
00:59:00Uh, this really isn't a very good time, Sylvia.
00:59:03It's extremely urgent, if you wouldn't mind.
00:59:07Yes, I guess it all that I made with my own bare hands.
00:59:12He did.
00:59:13I saw him.
00:59:14He threw it out right in front of us.
00:59:16And then they laughed about it, both of them, laughing and laughing.
00:59:24It was horrible.
00:59:27No, I don't know why I allow myself to be treated like this.
00:59:33No, I can't take a wild guess.
00:59:36You're the doctor.
00:59:37That's why I'm calling you.
00:59:38Oh, hi.
00:59:55It's me.
00:59:56so I'm sorry I was late I got kind of held up whatever so I hear you're a painter oh yeah yeah
01:00:12I am I'm a painter I paint well don't go crazy like that Gauguin guy cut your ear off
01:00:19actually it was van Gogh Gauguin died of syphilis so you must have a very interesting line of work
01:00:39oh yeah drive an hour out to Timbuktuville just to walk into some stranger's ugly living room wearing
01:00:47nothing but a g-string and then let a bunch of drunk horny frat boys stick their heads between
01:00:52my tits and pretend like I'm having a great time happy birthday woo yee-haw jeez it's a blast
01:01:00give it to me give it to me now come on that's a good baby give it to me give it to me give it to me
01:01:20now oh yeah oh baby give it to me now what the fuck are you doing what I'm sorry I'm sorry I'm
01:01:30sorry I thought I thought you were saying like give it to me I'm sorry I'm sorry get the hell out of
01:01:38all right oh you idiot idiot what have you done oh boy I am really full
01:01:48I had a lovely evening I did too it was uh it was fun huh yeah yeah have a good night
01:01:55uh so you just uh you know to bed or yeah whoa whoa whoa get me vibrated here uh listen can I use
01:02:03your phone really quick now what could happen I'm a lawyer if anything does I'll uh I'll sue myself
01:02:08huh all right okay just for a minute just a minute
01:02:12huh must have been a wrong number oh see you like a soft mattress yes you know I kind of like it a little
01:02:25on the firm side
01:02:26huh
01:02:29huh
01:02:31huh
01:02:33huh
01:02:35huh
01:02:39huh
01:02:40huh
01:02:44huh
01:02:44Oh, my God.
01:03:14Really officer I can explain shut up sheriff's department open up
01:03:26Sheriff's department come on out these people they all know I live here tell them please
01:03:31will you tell them please will you tell them who I am please he's a pervert
01:03:36I can't believe it it's pizza boy sheriff's department open up
01:03:44help you officer you're the manager yes I am is there a problem here we caught this guy
01:03:53prowling around outside no ID says he lives here same time we get a 911 on a peeping Tom
01:04:00totally right it's a misunderstanding I told you to shut your hole that guy delivers pizzas
01:04:05in our building do you know him you smell something burning hey whoa pizza boy you go to jail who's
01:04:11going to bring us our lunch huh
01:04:30you're in trouble now pizza boy yeah I'm gonna sue you're sorry I'll appreciate it so fast you won't
01:04:34no no no I'll hit you
01:04:35sue me
01:04:36how did you do this
01:04:37hey
01:04:38hurry
01:04:40hurry
01:04:42hurry
01:04:44hurry
01:04:46hurry
01:04:48no
01:04:50no
01:04:52no
01:04:54no
01:04:56no
01:04:58no
01:05:00no
01:05:02no
01:05:04no
01:05:06no
01:05:08no
01:05:22no
01:05:24no
01:05:26no
01:05:28no
01:05:30no
01:05:31I don't know, but I think I'm the one that should be upset here.
01:05:34You? Why should you be upset?
01:05:36You broke up with me.
01:05:38You insult me and everything I believe in,
01:05:40and then you spy on me and attack my date.
01:05:42Speaking of which, I mean, boy, Laura, you know,
01:05:44you sure didn't waste any time, did you?
01:05:46It was your idea.
01:05:47You're the one who said we should see other people.
01:05:49It's not my fault you can't get a date on Friday night.
01:05:51Well, if that's the kind of guy you want to go out with...
01:05:53Oh, you mean nice, successful men with good jobs and cars that run?
01:05:57Yeah, I guess.
01:05:58Oh, that's... that's nice.
01:05:59That's real nice.
01:06:00Nice shot.
01:06:02What about you, Alex?
01:06:04What kind of girl are you looking for?
01:06:06Some female version of yourself?
01:06:08Someone who works in an art gallery and knows what avant-garde means?
01:06:12What are you talking about?
01:06:14Don't play dumb, Alex.
01:06:15Make up your mind.
01:06:17She broke up with me.
01:06:19Well, that doesn't really matter now, does it?
01:06:22Why don't you figure out what you want,
01:06:23and then you can quit wasting everyone else's time.
01:06:30Increíble.
01:06:44You're despicable.
01:06:45You're despicable.
01:06:49Hey.
01:06:49Hey, that's it. No more. You want out of the lease, you're out of the lease. I'm sitting
01:07:05in here relaxing with my horticultural hobbies and you bring the cops here. I mean, you're
01:07:09moping around the halls, creating all kinds of problems. I'm sick of it. It's very depressing.
01:07:15I think the best thing for everyone involved would be for you to look for a new place to
01:07:20live. I'm serious. Hey, by the way, your painting, it's totally shallow. It has no soul. It's
01:07:36like warmed up mid 60s expressionism without the balls. Jackson Pollock, you got a lot of
01:07:45nerve calling yourself an artist.
01:07:47Bye.
01:07:50Bye.
01:07:54I don't know.
01:08:24I don't know.
01:08:54I don't know.
01:09:24I don't know.
01:09:54I don't know.
01:09:55I don't know.
01:09:56I don't know.
01:09:57I'm so excited.
01:09:58I'm very happy for you.
01:09:59I want to talk to you later.
01:10:01I think the texture is kind of cool.
01:10:04I'm doing some very modern issues here, you know, of pain, man's pain.
01:10:09Where is the dialogue between the didactic and the semiotic?
01:10:13It doesn't exist anymore.
01:10:15Exactly.
01:10:16Home mediums are a rotting corpse.
01:10:18Right.
01:10:19You're painting, honey.
01:10:20Yeah.
01:10:21Alex, what can I say?
01:10:22I mean, if I saw this new work, I knew you had been reborn.
01:10:26You had found your soul.
01:10:28And, and, and, and...
01:10:29And, and, and, and...
01:10:30And, and, and, and...
01:10:31I mean, I'm gonna stop.
01:10:32It's Alex.
01:10:33You lucky bastard.
01:10:34You lucky bastard.
01:10:35Ha ha ha.
01:10:36You...
01:10:37baptist.
01:10:39AAAAAAAH!
01:10:41I meanophical Quarque.
01:10:42You are!
01:10:52You are!
01:10:58Navy, Navy, allied Nablus, líquible.
01:11:02this is just so exciting I'm really happy for you I always knew you had it in you
01:11:11it was actually kind of an accident all great inspiration is an accident
01:11:19that doesn't mean it's not brilliant it's what you do with it yeah I guess so
01:11:32come in and zip me
01:12:02I'm
01:12:09I'm
01:12:11I'm
01:12:14I'm
01:12:15I'm
01:12:17I'm
01:12:20I'm
01:12:24I'm
01:13:30Lori?
01:13:32Oh, hey.
01:13:48She moved out.
01:13:50Nice going.
01:13:52She left?
01:13:54She moved out last night.
01:13:58She asked me to give this to you.
01:14:02Where is she, Ray?
01:14:04I'm not supposed to tell you.
01:14:08Where is she, Ray?
01:14:18I'm not supposed to tell you.
01:14:22I'm not supposed to tell you.
01:14:24I'm not supposed to tell you.
01:14:26She's going to tell you what's supposed to tell me.
01:14:36And it's as though she was supposed to tell you.
01:15:40See what happens when you leave your door open?
01:17:16But if you need anything else, you let me know.
01:17:28Okay, thanks.
01:17:58Tell you what, you really know how to impress a girl.
01:18:01I'm really sorry about this.
01:18:03I've been meaning to get this fixed.
01:18:05It sounds like the carburetors flooded.
01:18:08Oh, yeah, maybe so.
01:18:14Check the venturi valves.
01:18:16Sometimes you have to toggle it open.
01:18:18Oh, yeah, the venturi valves.
01:18:20Okay.
01:18:22Oh, Jesus!
01:18:24Oh, God!
01:18:28Oh, God!
01:18:30Oh, God!
01:18:32Oh, God!
01:18:34There's a, in my car, there's something alive down in there.
01:18:37Alive?
01:18:38Yeah, there's a big, like a huge reptile,
01:18:40like a reptile thing is on my car.
01:18:43A lizard? Really? Where?
01:18:45No, no, no, you really shouldn't do this.
01:18:47No, wait, maybe we should call the police or something.
01:18:49I think I feel him.
01:18:50No, oh, God.
01:18:52Oh, Jesus!
01:18:54Look, he's just a little thing.
01:18:57Isn't he cute?
01:18:59That's it?
01:19:11Don't worry about it.
01:19:12No, don't worry about it.
01:19:13You're the one who told me not to worry about the leash.
01:19:15You said it was a formality.
01:19:16A binding formality, yeah, but...
01:19:19Oh, what are you gonna do?
01:19:21Well, actually, it's about the dissolution and reinvention of writing.
01:19:37It's definitely from the avant-garde period of thought.
01:19:38What's bad?
01:19:39Avant-garde.
01:19:40It's a period of painting that spans...
01:19:41No, that word, avant-garde, what is that?
01:19:42You don't know what avant-garde means?
01:19:43No, what is it?
01:19:44I can't believe you don't know what avant-garde means.
01:19:45I can't believe you don't know what avant-garde means.
01:19:46Well, I've never even heard the word before.
01:19:47Well, it's just, you know, such a common term.
01:19:48If it's so common, what is it?
01:19:49I mean, it's like, you know, like, gee, isn't that painting avant-garde?
01:19:52Well, that's not a very good definition.
01:19:53Well, what is it?
01:19:54Well, what's bad?
01:19:55What's bad?
01:19:56Avant-garde.
01:19:57It's a period of painting that spans...
01:19:58No, that word, avant-garde, what is that?
01:20:00You don't know what avant-garde means?
01:20:01No, what is it?
01:20:02I can't believe you don't know what avant-garde means.
01:20:05Well, I've never even heard the word before.
01:20:08Well, it's just, you know, it's such a common term.
01:20:10If it's so common, what is it?
01:20:12I mean, it's like, you know, like, gee, isn't that painting avant-garde?
01:20:17Well, that's not a very good definition.
01:20:21Maybe you don't know what it means.
01:20:26No, believe me, I know what avant-garde means.
01:20:51A lot of parking violators tonight?
01:21:04Just a few little bad boys.
01:21:06Okay.
01:21:07Let's spin the
01:21:24Voilà.