Lud Zbunjen Normalan (LZN) Sezona 7 / Ep 21
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Zapratite nas na Tiktoku: Serijska Podsvjest
https://www.tiktok.com/@serijskapodsvjest
Hashtags : #lzn #serijskapodsvjest #balkan #croatia #bosnia #serbia #viral #dailymotion #youtube #ludzbunjennormalan #domaceserije #domacifilmovi
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TVTranscript
00:00There's no more series. We'll give you this episode and that's it.
00:06And what are we going to do next?
00:08I don't know. We'll think about something. We have to do something. We have to do something.
00:13For example?
00:14What do I know? We'll have sports, training, food.
00:18That's what we've done before.
00:20I'm going to have a stone. I'm going to have a stone in my head.
00:25You have to take a look and see how we're good.
00:30See all this. I have to go through these papers to see where we are.
00:35And how will I work when I'm going to get this car?
00:40No, old man. Let's go home and go home.
00:43You can't really work from these two cars.
00:46Who else?
00:48I'm going home.
00:50I'm going home.
00:53I'm going home.
00:55Come on.
00:56Come on.
00:57If someone's looking for me, I'll give him my number of mobile.
01:01Just as if it's something important.
01:03No problem, chef.
01:10Fufa.
01:11Fufa.
01:13Fufa, you're sleeping.
01:14Fufa.
01:15No.
01:16What did you think?
01:18What did I expect?
01:19In fact, I saw it.
01:20When I came, I told you what I was going to do.
01:23Tell me, Fufa.
01:25What did I expect?
01:26Look.
01:27We really don't want nothing to happen in our lives.
01:30We have a good job.
01:32First, all, that job is good.
01:34It's a job that...
01:35A good job that we have is good.
01:38Whatever is missing.
01:40What is missing?
01:41ala.
01:42The rice.
01:43The rice?
01:45I have maria, the rice.
01:47It has a pasta, a rice, a sapa, a sausage.
01:50Fuff, fuff, fuff, fuff.
01:51I didn't think of the rice in that sense.
01:53But the rice like a coke.
01:55I understand, Buraz.
01:57Now I'm going to take one pill.
02:00There's a hand to get it.
02:01I'm just trying to get something out.
02:03Here, for a second.
02:05I can't.
02:06I couldn't.
02:12Oh, that's a good one.
02:14I think it could be a good one.
02:17It could be a good one.
02:19It could be a great one.
02:23Hello, Fufe.
02:25Where are you from now?
02:27Well, what did you do?
02:28I'm waiting for you to be cooked.
02:30As soon as possible, that's what I'm talking about.
02:33I don't understand.
02:35They need your baby's legs.
02:37I can't explain to you.
02:39Let's go to my baby's legs.
02:42And when you do this, we'll see you here for 15 minutes.
02:45Let's go.
02:48Let's go to my baby's legs.
02:51Let's go to my baby's legs.
02:53$5.
02:54$5.
02:55$5.
02:56$5.
02:57$5.
02:58$5.
02:59$5.
03:00$5.
03:01$5.
03:02$5.
03:03$5.
03:04$5.
03:05$5.
03:06$6.
03:07$5.
03:08$-02.
03:09I don't know if it is.
03:10$100
03:11and you'veancy $6...
03:12does not have to, that?
03:14I don't have to listen.
03:15They want to say.
03:16I don't care.
03:17You don't hate me.
03:18$30.
03:19I've lost a lot.
03:19$10.
03:21Zap.
03:21Okay, okay.
03:22I think you'll be there.
03:24Excuse me, if I'm going up something,
03:27from the university.
03:28Here I go, I got changes.
03:30That's right, Tito.
03:32When he died, he didn't die.
03:35That's right, guys.
03:37No, how are you doing?
03:39Super, mate.
03:41Let's go.
03:43I'm going.
03:44What am I going to do?
03:46Do you know what she does?
03:48What do you think?
03:49I mean, money, finance, how the company is.
03:52I don't know.
03:54I don't know.
03:55I know these numbers.
03:572, 4, 6, 10.
03:59This is not a company.
04:00I have to put everything on the table.
04:01Yes.
04:02Well, you see, I have a feeling
04:04that you can take a seat.
04:07What do you think, Marija?
04:08Well, he always says that we're
04:10on the short line of bankruptcy.
04:12And you believe him?
04:13I believe.
04:14I can't.
04:15Tell me, how much money do you have?
04:17Well, I have...
04:19I have two marks.
04:23I have 13 marks.
04:25That's 12 marks, Fargo.
04:27Wait a minute.
04:28Wait a minute.
04:29Wait a minute.
04:30Okay.
04:31Let's see.
04:32IZET
04:33takes you
04:34and takes a bullet
04:36through the books
04:37and hundreds of thousands of marks.
04:39And how do you have a salary?
04:4113 marks.
04:4212 marks.
04:43Wait a minute.
04:44Wait a minute.
04:45What do you think?
04:46That I could?
04:47I could.
04:48I could.
04:49I could.
04:50And not that I could.
04:51I could.
04:52J.
04:53I could.
04:54Let's try to answer these 13 marks.
04:57Let me see that.
04:59Let me see his table of multiply.
05:01Why did I pay Marks?
05:0517% of 8420 and 60,000, plus the foundation for pension and health.
05:18Hey, old man, how are you going?
05:20How are you going?
05:22How are you going?
05:23How are you going to go?
05:24How are you going to go every second?
05:26Okay, sorry, I didn't want you.
05:29I need cash.
05:31I think I need cash for coffee.
05:34Oh, my God, you're not normal.
05:36I'm going to look at what would happen to be able to measure the state,
05:41and I'm going to cash for coffee.
05:43My dear, listen to that from my ears.
05:49You don't have money!
05:51How do you don't have money?
05:53We got the last fight for the last episode.
05:57Oh, I've never forgotten.
06:00Here, see the money I paid for this month.
06:04The money goes through them, if you don't know where the money is.
06:09What is this?
06:13You've got a few days of 350 cash.
06:16Why did you get it?
06:17Yes, let me see.
06:19That's it!
06:20That's it for Angelica.
06:22I paid it for him.
06:24What?
06:25What?
06:26I don't remember that I've never been married.
06:30What?
06:31What?
06:32What?
06:33What?
06:34What?
06:35What?
06:36What?
06:37What?
06:38I don't know...
06:39I don't like the money, my dear.
06:40Don't worry.
06:41Why do you pay it for 350?
06:45Okay, if you want a real bread,
06:48pay it to buy a real bread
06:51and give the salami to the손,
06:53and then sell it then and sell it what you want!
06:57Okay, let's see.
06:58What is this?
06:59What?
07:00500.
07:01500!
07:02I know.
07:03That's for this, Maxusio.
07:05For maximum $500.
07:08Yes, I bought 30 liters.
07:11You're going to buy 10 liters.
07:15You're not enough for 30 liters.
07:20Come on, boys.
07:35Dedo, do we have another one?
07:39Yes, my son.
07:4030 liters.
07:41Dedo, I bought it.
07:43They are in the parking lot.
07:46Okay, I'm ready.
07:48Here's the last one.
07:49We'll have a cup.
07:53What did I say?
07:55Don't be afraid of that.
07:58I can't believe that I've got an answer.
08:00What are you, mother?
08:03What did you do?
08:05What did you do?
08:06He ate in Zološko vrtu and ate bananas.
08:09Oh, you Americans from the law.
08:12They're not the orangutans.
08:14Here we go.
08:16Oh, what did you do?
08:18Do you have a cup?
08:20No.
08:21There's no cup.
08:23I'm sorry.
08:24I'm sorry.
08:26I'm sorry.
08:27I'm sorry.
08:28There's no cup.
08:30There's no cup.
08:31Okay, I'm sorry.
08:32I'm just asking.
08:33See this.
08:34What's your face for baby?
08:35Listen.
08:36I'm reading on the internet.
08:38The women are usually
08:38on the children's children.
08:41I don't know.
08:42I'm sorry.
08:43I'm sorry.
08:44I'm sorry.
08:45I'm sorry.
08:46I'm sorry.
08:47I'm sorry.
08:48I'm sorry.
08:49I'm sorry.
08:50I'll take my life in the room and put it in the room.
08:52I'll make a portrait first.
08:53Get myself away and look at me.
08:54I can see the other.
08:55I'll never be able to go into my face.
08:57The African59.
08:58Because I cannot show you inНi Portal.
08:59I have aignon before death.
09:00But I have a princess man.
09:01Who wants my teeth?
09:02I am not with the administration.
09:04Again, when I am breathing, he is going to eat a milyon latte in ordered of Japanese thank you.
09:08I did not.
09:09No, that'd be either.
09:10Aint already left.
09:11That's not possible.
09:12That's not possible.
09:13I got two right.
09:14You're still going over there.
09:15You got the city of leukis.
09:16That's bye.
09:17I just started telling you, my świe, don't know.
09:19I'm going to get out of here.
09:21Okay, now we don't have any money on the record.
09:24You can't do that, Faruk.
09:27It's just not acceptable.
09:29Okay, what do you do?
09:31Here you go.
09:32The next job is to do yourself.
09:34And take your money.
09:36You don't have anything to say.
09:38The advertising shop is the first time to go.
09:40You just take your money and you're done.
09:43Let's pray.
09:45Hear me.
09:47Marija, it would never fall on my mind.
09:50I have a conversation with one client about the advertising shop.
09:55You do the job yourself and you take your money.
09:59You, while you're working with him, you won't see any money.
10:02We'll have to go and get a little rest.
10:06Let's go.
10:10Hey, Marija, Marija.
10:12I'm going to give you 13.
10:1412.
10:16I'm going to make a difference.
10:19I'm going to make a difference.
10:21Wait, wait.
10:22What do you do?
10:23You want to tell you that you have your wife,
10:26you can have sex.
10:27You can be able to get sex?
10:28You're right.
10:29You're right.
10:30I'm just going to sleep.
10:31You're going to sleep.
10:32That's true.
10:33That's a science.
10:34The idea is it.
10:35You're right.
10:36Even if I'm going to sleep.
10:37Just a bit.
10:38Is that your baby?
10:39Yes, yes, yes, my baby.
10:40Just don't let her wake up, I'm going to sleep right now.
10:44You know, I'm...
10:46...the only brother.
10:47Really?
10:49What am I?
10:50Here's the story for a little bit.
10:52Where is my hamburger?
10:54I know my service here.
10:55It's a big deal.
10:56The only brother, like me.
10:58Maybe he'll die and die...
11:00...when he doesn't bring that hamburger.
11:01Prevko, here's him, ready.
11:03Let's go, there's time.
11:05Here.
11:07Here you see, here.
11:09I'm eating myself...
11:12...and my father.
11:13I'm eating my father.
11:16Wait, Bona.
11:18It's just been proven to me to you, eh?
11:21You know what, Revko?
11:22I don't think that your theory about sex is not the best.
11:26I know.
11:27I don't know where I'm going to get you.
11:29Hey, intellectuals.
11:30I'm sorry for you very much...
11:32...that I'm going to break your mental health.
11:35God tell me, what do you mean by yourself?
11:37I know you know how to do this.
11:39I'm going to break my credit.
11:41I've got credit while I had a regular payment.
11:43Now, it's just a recording series.
11:44I have to keep going to return my credit.
11:46I know, Lado.
11:48I know.
11:49There's no series.
11:50There's no job.
11:51We're going to film.
11:52You know what I'd call you.
11:54I'd even be scared.
11:55There's a lot. Some advertising, whatever.
11:59It's a short, short. Nobody shoots advertising.
12:03Now, a client will come to shoot advertising,
12:06but I don't see you there.
12:11Why? You know that I can play everything.
12:15I believe in my concept, I need a baby.
12:20You have to be older for 60 years.
12:24But I don't know what to do.
12:26You have to wear a mask.
12:28You have to wear a mask.
12:32You have to be there.
12:36Good morning, Faruke.
12:39No, no, Indira, please.
12:41Just talk to you, friends.
12:44Please, please.
12:46I can't be my mother.
12:48Indira, please, sit.
12:50Thank you, Faruke.
12:52Lado, if there's anything for you, I'll call you.
12:56Indira, a little bit of me.
13:00You and the old house.
13:02Listen, I tried it with a cafe.
13:04It doesn't go. I tried it with a internet agency.
13:06It doesn't go. I tried it.
13:08It doesn't go.
13:10I'll tell you what business is the most secure business.
13:13I open the old house, and the third house is called.
13:16Why?
13:17The third house, and the third house is called the third house.
13:20Stop.
13:21It's really nice to call the old house.
13:23The third house.
13:25The third house, God will help you.
13:28And the third house, and the third house is called the first house.
13:40The third house is called the first house.
13:42The third house is a good house.
13:44Yeah, that's not exactly what you've read.
13:48I'm saying that you didn't understand what you mean
13:52a healthy father.
13:54That's clear.
13:56Write what you say and what you're saying.
13:59It's healthy.
14:00It's healthy, it's healthy.
14:02Well, you're not sick.
14:04My mother, you're stupid.
14:06I'm telling you that your theory isn't okay.
14:08Don't be afraid.
14:10Look.
14:11A healthy father?
14:13It doesn't mean that it's a father who is eating himself,
14:17but that it's a father who is holding his children.
14:21He cares about that child.
14:24What do you mean?
14:26He doesn't say that he cares about his father.
14:29What now, Maria?
14:30I'm going to give him this question.
14:32Then I said to myself,
14:34Faru, if he knows how to make a good series,
14:38I know every episode in memory.
14:41If he did such a good series,
14:44then this is the game for his children.
14:46Is that right?
14:47That's right, Indira.
14:48That's right.
14:49When we make this spot,
14:51you don't have to do a good series of people.
14:54No, no.
14:55No, no.
14:56There's nothing.
14:57It's true that a person can do it in a bar.
15:01You know who is the biggest one in this country?
15:05No.
15:06No, no, no.
15:07No, no, no.
15:08No, no, no, no.
15:09No, no, no.
15:11Anything else,
15:12no, no.
15:13That's right,
15:14I don't would say that.
15:15No, no, no.
15:16We have to do it.
15:17Poch,
15:18there's nothing.
15:19My father is a little nervous, there is a great coffee in San Remo.
15:24Let's go there.
15:25I won't be nervous when we are in the country more than what we have.
15:31There is nothing to do. You know why there is nothing to do?
15:35Because there is no logic. That's why.
15:39We are going to drink coffee.
15:42I didn't ask you anything.
15:44Indira, we met you before.
15:47I will bring you the old house.
15:52The old house?
15:53Yes, it is.
15:55Indira, let's go to the coffee.
15:58My father really has a lot of work.
16:01Let's go there.
16:03I hope we will see you in the future.
16:09Hello, my father.
16:11I have seen you in the future.
16:17My father wants me to take care of the old house.
16:23Because she is here.
16:25And because she is here.
16:27Because she is here.
16:29She is here with Faruka.
16:30Yes.
16:31She has the old house.
16:33She wants to take care of the old house.
16:35Yes.
16:36Yes.
16:37Yes.
16:38Yes.
16:39Yes.
16:40Yes.
16:41Yes.
16:42Yes.
16:43Yes.
16:44Yes.
16:45You don't have the blessing in the spot.
16:46What did I do before?
16:47Yes.
16:48All the stuff from the United States is a little bit of a mask and a mask.
16:52But it's not that he's going to be able to get back to the United States.
16:55But in the United States,
16:56I don't know how to get back to the United States.
16:58God, God, I'm going to get back to you with your credit.
17:00I don't remember him.
17:01Three days later.
17:03Maybe you could talk to Faruk and I'm going to get back to that spot?
17:09No, no, no, no.
17:12I'm sorry, I'm sorry, I'm not going to get back to Faruk.
17:15But I'm not going to get back to Faruk.
17:17I'm not going to get back to me.
17:20I don't know.
17:22I'm going to talk to Damir.
17:25Wait, wait, wait, wait.
17:27Is that right?
17:29Is that right?
17:30Is that right?
17:31Is that right?
17:32Is that right?
17:33I'm not going to talk to Faruk.
17:35I'm going to talk to Faruk.
17:37Look, I have to go to the kitchen.
17:40I'm going to check it out.
17:42I'm going to leave it under the bag.
17:44I hope you will get it.
17:46You can follow me.
17:47I'm going to go to Faruk.
17:49I haven't been to Faruk.
17:50It's not for me.
17:51I'm going to get back to Faruk.
17:52I'm going to get back to Faruk.
17:53I'm going to get back to Faruk.
17:54I'm going to get back to Faruk.
17:55Let's go.
17:56Indira, here we go.
17:58Maria, watch out.
18:00You are old friends.
18:02We are old friends.
18:04Lado,
18:06listen,
18:08this Egyptian nonsense has no progress.
18:12It could go!
18:16I don't understand, Farouk,
18:18why did we have to go out of the hospital?
18:20Do you have any problems with your father?
18:22Indira, I would ask you
18:24that my father doesn't know
18:26anything about this hospital
18:28that we need to do.
18:30Wait, wait, you're doing a spot
18:32for my old home, is that it?
18:34No, no, no, it's not.
18:36In fact,
18:38it is.
18:40You saw him
18:42as strong,
18:44as he is in the same way.
18:46He is in the same way,
18:48in the same way,
18:50and it's very stressful
18:52and very challenging.
18:54I wouldn't like him
18:56with this new job.
18:58Oh,
19:00I really surprised me.
19:02It's funny that you are so close to me.
19:04What do I do?
19:06He is in those years
19:08when he is with children.
19:10What are we going to drink?
19:11We will drink coffee
19:12or something else to eat?
19:13I don't think anything.
19:15There is something
19:16that Maria has said.
19:17I don't know.
19:18And now I decided
19:20the next time
19:21when someone needs to go
19:22and I will be right
19:23as Maria said.
19:24Let's see.
19:25What's talking, my friend?
19:26What's talking?
19:27What's talking?
19:28Well, you understand what's talking about.
19:30What's talking about?
19:31That's it, my friend.
19:32And that's it.
19:33As soon as my wife
19:35died,
19:36I can only care
19:38about this baby.
19:39I'm only a baby's father.
19:41Tell me
19:42how your wife died.
19:43What's the name of your wife?
19:44It's terrible.
19:45I don't think so.
19:46I was in the car.
19:47I was in the car.
19:48I was in the car.
19:49And tell me
19:50what's the name of your wife?
19:51Selma.
19:52Selma.
19:53Selma.
19:54I don't know her.
19:55I'm alone.
19:56I'm alone.
19:57I'm alone.
19:58I'm alone.
19:59I'm alone.
20:00Come on.
20:01Come on.
20:02Come on.
20:03Here.
20:04I'm prepared.
20:05Your hamburger with mayonnaise
20:06and sweet potatoes.
20:07Come on.
20:08Come on.
20:09Come on.
20:10You're right.
20:11I'm your wife.
20:12I'm not nervous
20:13If I'm just thinking
20:14she'll come back
20:15and ask me
20:16if you need help.
20:17I mean,
20:18I think
20:19that we have two
20:20don't have a horrible relationship.
20:21I mean,
20:22that we can't do that
20:23if we can't do it.
20:24Help us.
20:26Do you need
20:28for a second
20:29to go after
20:30because when
20:31I'm in the car,
20:32what are the way?
20:33What is that?
20:34There's not a car you
20:36out there.
20:37Let's have.
20:38And tell me
20:39How do you need help?
20:41It's a little uncomfortable.
20:45It's not your obligation, it's not your problem,
20:49but I have that credit, I'm still without a loan,
20:54and I haven't yet yet.
20:58If you want to say something that I think you want to say,
21:02Lado, I don't have enough beer, I have to go to the bathroom.
21:04But...
21:05No, Lado!
21:07I'm so old that I know what it means when someone says that she didn't get it.
21:12Wait here!
21:14Wait!
21:15Damir, I...
21:16No!
21:17He's totally fucked up from alcohol.
21:20Later.
21:22She didn't get it.
21:24I just needed this in my life.
21:27I don't know if I can't.
21:28I need to get it.
21:29Oh, my God.
21:30You're a good boy.
21:31I know.
21:32My dear friend, you're all pretty.
21:34I got a lot of people in my life.
21:36I'm not a good boy.
21:37You are a good boy.
21:38You're a good boy.
21:39You're a good boy.
21:40You're a good boy.
21:41You're a good boy.
21:42Indira, I'm happy to hear about the poetry of the spot.
21:46It's left us just to write the scenario.
21:49Sorry, I'm sorry, you won't let me go to the toilet.
21:53No, no, just let me go.
21:55Don't let me go, I'm waiting for you.
21:57I'm waiting for you.
22:03I didn't think anything.
22:06Indira, we know each other.
22:12Where are you from, my mother?
22:28Where are you from, my mother?
22:36If I understand correctly, you are the owner of the old house.
22:41I am.
22:43The third house is called the old house.
22:46It's a very pleasant place for people in the third house.
22:49Yes, yes, how can it be pleasant in the old house?
22:53Did you meet with my son?
22:58No, no, he's nothing special.
23:01I mean, I'm not sure enough to drink a drink.
23:05He really depends on how the old house is working.
23:09How much is it, how much is it, how much is it.
23:12Yes, yes, yes.
23:14I understand.
23:15Tell me, please.
23:18Go!
23:20Dad, help me!
23:22What is it, son?
23:23Yo, Lord!
23:24How are you, son!
23:25The Lord!
23:26God, come on a warm up!
23:27What is it, son?
23:28Father!
23:29Father!
23:30What is it, Father?
23:31It seems like he is a mess.
23:33I am going to talk to me about his dad.
23:36I did not tell you to do it together.
23:37What is it?
23:38I did not.
23:39Like how we agreed to.
23:40We're at the most convenient cafe, no, no, just friendly.
23:45You know what, Indira, let's go to my house.
23:48I have storyboards in my house.
23:50I have a great storyboard when I was doing a spot for cassettes and japaners.
23:55You'll see, when we look at the storyboard,
23:57the scenario goes out of yourself.
24:00Okay, that skateboard helps, let's go.
24:03How can it help?
24:05You know what?
24:06You just look at the images and the scenario goes out of yourself.
24:11And, you know what, it's a mess.
24:14So, it's hard, Dedo, didn't get it.
24:17I just said it, I didn't say it.
24:19I couldn't listen to it, I didn't listen to it.
24:21I can't listen to it, I can't listen to it.
24:23I can't give it to Dedo.
24:24It's such a way to drink.
24:26I don't know who's in the situation.
24:29Is it you or you?
24:31What are you?
24:32Working at me, to the old house.
24:36Let's give it to me.
24:38You can tell me.
24:39I pray for you.
24:40Little people, we need to make fun for you.
24:42Dedo, she's a good thing.
24:44She's a bad thing.
24:45She's a good thing, Dedo.
24:46Take me and grab some more.
24:48I'll go home.
24:49It's ok.
24:50It's fine.
24:51Let's give it to Dedo.
24:53One sweet, sweet, the most sweet thing you have.
24:57This won't be done well.
25:00I'll tell you.
25:03What do you say, Bovan?
25:05Their ears say no.
25:07But the word of their body.
25:09As if she says, read it from her ears.
25:12But she already told us what they say.
25:14Wait, wait, don't go there.
25:16I have to go.
25:18I'll tell you what to explain.
25:20Tell me what's going on with these lines.
25:22I'll tell you what.
25:24And then at the end of the spot, the woman asks her,
25:29is she sure?
25:31And she asks her,
25:33time for the third time.
25:35Contage!
25:36Contage, how not?
25:38And then there's a graphic,
25:40logical music play,
25:41and the end of the spot.
25:42Do you understand?
25:44Original.
25:45You know what, Nira?
25:47I thought we'd rent my daily fight for the first scene.
25:50No?
25:51No, no, no, no.
25:52Super.
25:53Evo.
25:54Evo, nek' on sjedi na ovu stolicu, na ovu fotelju,
25:55a ona nek' dođe kroz ova vrata, može?
25:57Ma, originalno.
25:59I pogotovo mi se sviđa taj lik k'čerke.
26:02Imam jednu idealnu glumicu za tu ulogu.
26:05Ona jest da je malo skupa, ali srediće je to.
26:08Ajde, izvoli, sjedi.
26:09Hvala ti.
26:10Eee, kaži mi, šta ćeš, kafa ili da nas nešto ujede?
26:14Evo, nemoj majke tiše da nas ujeda i šta.
26:16Ajde, donesi vinu.
26:17A, vidi nje, otko tebe?
26:22A, vidi nje, otko tebe?
26:26Adam je odšao do podruma, rekao, vratit će se odmah.
26:32Eee, Lado, reci Dragička.
26:34Dragička?
26:35Dobila si ulogu.
26:36Igraš jednu djevojku koja trpa svoga čaču u mrijudska lište.
26:41Šta je mrijudska lište?
26:42Pa strčki dom.
26:44Oj, hvala ti, hvala ti puno.
26:47Nemaš pojma koliko mi ovo znači.
26:50Damire.
26:52Šta se dešava?
26:53Dobila sam.
26:54Faruk mi sad rekao.
26:56Hvala vam obojici.
26:58Uff.
26:59Nema te pojma koliko sam sada srećna.
27:02Divno.
27:04Divno.
27:08Paš mi je drago da sam ja donio dobre vijesti.
27:12Ti?
27:13Nekon tam pa.
27:14Kako ćeš joj ti reći da je ona dobila?
27:16Pa ko će joj reći?
27:18Pa niješ valjda ti.
27:20Vajke milije sine, ti ne znaš ko ti glavu nosi.
27:24Pa ništo.
27:25Bi...
27:26Pa ti gora svati da tvoj plan ne radi, kontaž.
27:27Pa joj znam bolj, ne radi.
27:40Ja nijem jasno kako.
27:41I'm going to tell you that your plan is not working.
27:44I know I'm not working, but I don't know how to do it.
27:47You can see someone talking about the car.
27:49What are we going to do now?
27:51Nothing, I'm going to take the car.
27:54I'm going to sell the car.
27:56I'm going to sell the car in Chinese.
27:58What must not have you?
28:00What must not have you?
28:01What must not have you?
28:03What must not have you?
28:04I'm going to do it now.
28:06I'm going to do it.
28:07I'm going to do it.
28:09It's not hard.
28:14It's not.
28:15How do you know?
28:17I don't know how I know.
28:19I don't know where Faruk knows.
28:21I know that it's not hard.
28:23And that's the only important thing.
28:25You've solved your problem,
28:28and I'm not.
28:30Your son and Mary's son
28:34want me to suffer in the old house.
28:37It's the third time.
28:39I've heard about the third time.
28:41That's my colleague, Giuričko.
28:43He left his father there,
28:45but he had to come back home.
28:47What?
28:49I don't know what Seniland is.
28:51I'm sorry.
28:53They have a very strong rule.
28:55You have to be healthy as a drink.
28:58Oh,
29:00Jesus.
29:01You're very strong.
29:03He, Rjevko,
29:05you idiot,
29:06you're a Chinese kid.
29:07Who's right?
29:08You're a Chinese kid.
29:10You see?
29:11You see?
29:12You open your eyes.
29:13You open your eyes.
29:14When you open your eyes.
29:15You open your eyes.
29:16You open your eyes.
29:17I think I'm going to mess with your hands.
29:19I don't know.
29:21I don't know.
29:22I don't know.
29:23I don't know.
29:24I don't know.
29:25My mother,
29:26I think this is a Chinese kid.
29:27You're a Chinese kid.
29:28I don't know.
29:29I don't know.
29:30I don't know.
29:31My mother,
29:32I think this is a Chinese kid.
29:34I tell you,
29:36you Chinese,
29:37you're a crazy kid.
29:38No.
29:39No.
29:40No.
29:41No.
29:42No.
29:43No.
29:44No.
29:45No.
29:46No.
29:47No.
29:48No.
29:49No.
29:50No.
29:51No.
29:52No.
29:53No.
29:54No.
29:55No.
29:56No.
29:57We've been here.
29:58I left my face,
29:59in the swimming這樣 with Kofolbeish.
30:00Okay,
30:01and where could I go from now?
30:05In here.
30:07Kid!
30:08Are you okay?
30:14It's okay, dear.
30:15My sister,
30:16the idea,
30:17of way she should have been healthy,
30:18interested.
30:19Let me show her,
30:20I would get there yet.
30:24He's there again.
30:26Who is there?
30:27Indira, the owner of that old house, the third happy.
30:31The reaction must be as soon as possible.
30:36Where is it?
30:38What are you looking for?
30:40Here he is.
30:42Salt oil.
30:44That's what I need.
30:46Come on.
30:47Hello.
30:51Dear dear, what are you doing?
30:54Why are you doing the oil good?
30:58For cholesterol.
31:00For cholesterol, for bugs, for everything.
31:06Here are the spots for Japaners.
31:09In the first stage we have Japaners.
31:12We have people who collect half of steel.
31:15In the second stage we have a person who comes to Japaner.
31:19Then he is a dog.
31:21And in the third stage he is a Japaner.
31:23Everything is easy when you have a storyboard.
31:28It is really nice that you are here.
31:30I hope that I do not change anything.
31:34Well, old man, what?
31:36You do not change anything.
31:38I have Indira, it is impossible.
31:41Nothing is important.
31:42Every day, it is impossible.
31:45We have a lot of together.
31:48Yes, in the second stage.
31:50Good, good.
31:51Good.
31:52Oh, oh.
31:55Oh.
31:56Oh.
31:57Oh.
31:58Oh.
31:59Oh.
32:00Oh.
32:01Oh.
32:02Oh.
32:03Oh.
32:04Oh.
32:05Oh.
32:06Oh.
32:07Oh.
32:08Oh.
32:09Oh.
32:10Oh, my God.
32:11Oh, my God.
32:13Oh.
32:14Oh, that is the main line.
32:16Oh.
32:17Oh.
32:18Oh.
32:19Oh my God.
32:20Oh, my God.
32:21Oh, my God.
32:22Oh my God.
32:23Oh my God.
32:24I'll go to my house.
32:26And you'll get me to my old home.
32:29Come on, come on.
32:31Come on, come on.
32:33Come on.
32:42Ravko i Fufe.
32:44Mr. Policajac,
32:45Izu, Zetu,
32:46that you're happy to be here.
32:48And you're happy to be here.
32:55Who?
32:56Me!
32:57You!
32:58You're not normal.
33:00How will you die in front of a woman?
33:03It's just a lie, man.
33:05What's the goal?
33:07It's the right thing.
33:09I'm prepared for you to die in the house.
33:12What am I able to do?
33:14What am I able to do?
33:15I can't be able to die in my head,
33:17as if it's not a mess.
33:19Come on in the house,
33:21where you live in the house.
33:23I'll go to the house,
33:25and I'll live in the house,
33:26and you'll stop me to die.
33:28It's just a lie, man.
33:30And I'm a lie,
33:32and I'm a lie,
33:33and you take me out of the stairs,
33:35and take me out of the stairs.
33:37No, that's not so.
33:40And when it's not so,
33:42I'll take the stairs
33:44and take me out of the stairs.
33:46Of course.
33:48I thought you were a little bit of a mess.
33:53Oh, that's great.
33:55Oh, the sun is so cold.
33:57What happened?
33:58Oh, it looks like the oil of Masino's oil
34:02didn't go through my test.
34:08Oh, I didn't need to get this new pyjama.
34:11I didn't need to get this new pyjama.
34:12Oh, no, no.
34:13No, no, no.
34:14No, no, no.
34:17What's your name, Damir?
34:18What's your name?
34:19Hey, Maripa.
34:20I can't ask you something.
34:24I think that
34:26when you, women,
34:29when you get a divorce
34:30or you don't get a divorce.
34:32Yes, what's your name?
34:33Yes? What is it?
34:38How Faruk can he know whether a person, let's say Lada,
34:46that she got it or not?
34:49How can he tell her about it?
34:53How?
34:55Oh... Doktore...
34:58Hey, Mr. Policist, there is no need for us.
35:06No one has been killed when Pinocchio was killed.
35:09No one was killed.
35:11No one was killed. I was killed because I found myself on the face of the place.
35:14Where did I find myself?
35:16On the face of the place.
35:18Ah, Conta, Conta, that's the same.
35:20No one was killed.
35:22I don't know who that is.
35:24Listen to me.
35:26Who is that carpet?
35:27I looked at that carpet.
35:28That carpet.
35:29That carpet.
35:30That one was killed with a wooden prange.
35:31And then, when the prange was killed,
35:32they were two at the end of the house with some dirty clothes.
35:38Someone, Belma, Selma...
35:40Here is the TV.
35:42You will tell me the decisions.
35:44Who is the shencanice?
35:47Oh, my dear, they are going to eat you.
35:50Don't care, dear dear.
35:53That was the third one.
35:55Where did you eat you?
35:56For a great day.
35:57For a great age, a chance is bigger.
36:02For the fair age, a chance is bigger.
36:04The third one.
36:06The third one.
36:08The third one.
36:09And do not care.
36:10Be careful, the third one.
36:12And do not care.
36:13The third one.
36:16The third one.
36:18The third one.
36:20That's right, you do!
36:23I don't go to... I don't go to...