Classic Romantic Movie
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Short filmTranscript
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00:05:01THOSE PLANES
00:05:02IN A PRAIRY
00:05:03SCHOONER WITH
00:05:04YOUR GRANDFATHER
00:05:05OH. EVERYONE
00:05:06LAUGHED AT THIS
00:05:07AS THEY DID
00:05:08TO ALL THE OTHER
00:05:10PIONEERS.
00:05:11THEY SAID
00:05:12THIS COUNTRY
00:05:13WOULD NEVER BE
00:05:14ANYTHING BUT A WILDINESS.
00:05:15WE DIDN'T BELIEVE THAT.
00:05:16WE WERE GOING TO
00:05:18MAKE A NEW COUNTRY.
00:05:20SIDES, WE WANTED TO
00:05:21SEE OUR DREAMS COME TRUE.
00:05:23OH. GRANNY, IT MUST HAVE
00:05:24BEEN WONDERFUL.
00:05:26BUT DON'T YOU THINK
00:05:27FOR ONE SINGLE MINUTE
00:05:28THAT IT WAS EASY, ESTA BLOGET
00:05:30in summer and we froze in winter but we kept right on going and we didn't complain because
00:05:36we were doing what we wanted to do can you understand that yes i can
00:05:46could you do it could you do it even if it broke your heart because remember esther for
00:05:53every dream of yours you may come true you'll pay the price in heartbreak
00:06:00i know what i'm talking about you may not believe it but i was a young girl once
00:06:08and a very pretty young girl a lot prettier than you are and i was in love with your grandfather
00:06:15and when some indian devil put a bullet through him that is it had come right straight through my heart
00:06:20too but i remembered all he taught me and i went right on i buried him out there in that wilderness
00:06:28with my own hands and i went right on that same day and i kept right on moving even when your mother
00:06:37was born oh granny i want to make it worthwhile
00:06:47you know esther there'll always be a wilderness to conquer maybe hollywood's your wilderness now
00:06:54from all i hear it sounds like it but if you've got one drop of my blood in your veins you won't let
00:07:02matty or any of her kind break your heart you'll go right out there and break it yourself that's your right
00:07:10oh here oh here here stop that nonsense here take this and go to your hollywood oh i can't take your
00:07:21money well why not it's your savings well i was only saving up for my funeral now i don't think i'm ever
00:07:27going to die oh granny how can i ever thank you by giving me your word of honor that you will never
00:07:33tell a living soul where you got that money i promise remember if you do i'll have you arrested for
00:07:41robbing me
00:07:52oh
00:07:54i can make it there oh oh my oh no i kissed dad goodbye just a little kiss he didn't even wake up
00:08:02i'll bet you didn't try that on your aunt maddie oh aunt maddie think of her face when you tell
00:08:06i am thinking about it i've waited for that chance for 30 years there she is girl oh thank you
00:08:13thank you thank you thank you thank you thank you thank you very much
00:08:20well come on come on here's your prairie school
00:08:36all aboard oh granny
00:08:39go on go on go on go on goodbye granny goodbye i'll be waiting for you in those movie pictures
00:08:51don't tell maddie you know my eyes are not as good as they used to be but my ears are all right so
00:08:57you know you'll remember
00:09:10Do you want to go home now?
00:09:21I don't want to.
00:09:23But I will.
00:09:40I don't want to.
00:10:10I don't want to.
00:10:40I don't want to.
00:11:10I don't want to.
00:11:40I don't want to.
00:11:42I don't want to.
00:11:44I don't want to.
00:11:46I don't want to.
00:11:48I don't want to.
00:11:50I don't want to.
00:11:52I don't want to.
00:11:54I don't want to.
00:11:58I don't want to.
00:12:00I don't want to.
00:12:02I don't want to.
00:12:06I don't want to.
00:12:08I don't want to.
00:12:12I don't want to.
00:12:14I don't want to.
00:12:20I don't want to.
00:12:22I don't want to.
00:12:24I don't want to.
00:12:30I don't want to.
00:12:32I don't want to.
00:12:40I don't want to.
00:12:42I don't want to.
00:12:44I don't want to.
00:12:45I don't want to.
00:12:46I don't want to.
00:12:48I don't want to.
00:12:49I don't want to.
00:12:50I don't want to.
00:12:51How long have you been in Hollywood?
00:12:52Well, it's about a month now.
00:12:54We haven't put anyone on our books for over two years.
00:12:59Come here.
00:13:00I'd like to show you something.
00:13:05Every time you see one of those little lights flash, it's somebody asking for a job.
00:13:21Every time you hear them say, try later, it means there isn't any job.
00:13:25You can't keep the girls to switchboard long.
00:13:29They go crazy.
00:13:30Every one of those little lights thought it was going to be a star.
00:13:34You still want to go in the movies?
00:13:41You know what your chances are?
00:13:44One in a hundred thousand.
00:13:46You still want to go.
00:13:47You still want to go.
00:13:48You still want to go.
00:13:49You still want to go.
00:13:50You still want to go.
00:13:51See you.
00:13:52I don't want to go.
00:13:54But maybe I'm that one.
00:13:56Any phone calls from me, Mr. Randall?
00:14:12Oh, no.
00:14:13Jesse Lasky and Sammy Golden
00:14:16must be writing letters instead.
00:14:20How's the luck today?
00:14:21There wasn't any.
00:14:23Maybe you don't go at it in the right way.
00:14:26Now take Danny McGuire here.
00:14:27He knows the ropes, don't you, Danny?
00:14:29Sure, I've had them around my neck for years.
00:14:35Huh?
00:14:36What?
00:14:37Oh, Miss Blodgett.
00:14:39Danny McGuire, our lieutenant.
00:14:41How do you do?
00:14:42Mr. McGuire is a big director.
00:14:47Oh, are you really?
00:14:52Oh, could you possibly use me in a picture, Mr. McGuire?
00:14:55Of course, I haven't had much experience,
00:14:57but I don't think that really matters if you're willing.
00:15:00Now listen, lady.
00:15:02In the first place, I'm not a director.
00:15:04I'm an assistant director.
00:15:06In the second place, if I had any jobs to give away,
00:15:09I'd confer one on myself.
00:15:11And in the third place, you should have stayed back home in the first place.
00:15:20Oh, now look what you've done.
00:15:22Hey, wait a minute.
00:15:24Hey, don't be that way.
00:15:28Don't do that.
00:15:29Gosh, I didn't mean to get tough, but that guy thinks he's being kidded when somebody
00:15:37asks him for a job and he hasn't got one for himself.
00:15:45After all, I'm not a big enough shot to hurt your feelings.
00:15:48I'm sorry.
00:15:50It wasn't just that.
00:15:51It was a lot of things.
00:15:53Looking for a job every day and never getting any nearer to it.
00:15:56I guess I was beginning to get a little scared.
00:15:59I know.
00:16:00Lady, do I know.
00:16:03Well, there's only one thing to do for that feeling when you're tired and sunk and down to
00:16:07your last nickel.
00:16:08Come on and I'll buy you a drink.
00:16:09Well, it's not as bad as down to the last nickel.
00:16:11I've still got $11 left.
00:16:14$11?
00:16:15You're going to buy me a drink.
00:16:17Come on.
00:16:24That's right, George.
00:16:26There's nothing like a little rum that'd take away that milk flavor.
00:16:37I beg your pardon?
00:16:40Certainly.
00:16:41And when I find my contact, the first thing I'm going to do is see that you direct every
00:16:52picture I'm in.
00:16:53That's my pal.
00:16:56Of course, I'm going to be perfectly nice about it, but I'll just insist.
00:17:02Now, that's the way to talk.
00:17:04Don't let them lick you.
00:17:06Oh, I should say they can't lick me.
00:17:07If they try anything like that, what?
00:17:09I just mean, sorry.
00:17:13Now, that's right.
00:17:14What have you got to lose?
00:17:17Another one of these and we'll open our own studio.
00:17:26Bill rendered $24.
00:17:29Pass due.
00:17:30To remit without further delay.
00:17:34Me.
00:17:43Here.
00:17:43I don't care if you pray that you don't, she gets a couple of bucks, I guess.
00:17:48Well, the fifth race, the fifth race, try again, try again.
00:18:11Who's right?
00:18:11Try again.
00:18:12Hey, the program's going to be swell tonight.
00:18:33Now, you take this fellow Beethoven.
00:18:35I'm a pushover for him.
00:18:37And Chopin?
00:18:37Well, he's not so dusty either.
00:18:40But I kind of wish that once in a while they'd play something you could sort of go out whistling.
00:18:44You know, like,
00:18:45Blado!
00:18:46Nassado!
00:18:47Blado!
00:18:49Well, there's a tune.
00:18:52Hey, why don't you throw your hat in the air or something, can't you?
00:18:54This is a celebration.
00:18:56My job starts tomorrow.
00:18:57I know it does.
00:18:58And I think it's swell, Danny.
00:19:00Gee, I wish you were in on it, too.
00:19:02But, oh, no, it would have to be a war picture with those big novelty numbers, a war picture
00:19:07without any beautiful women at the front.
00:19:10Oh, well, something will happen soon.
00:19:12Maybe.
00:19:14Why don't you go home, kid?
00:19:17Oh, Danny, I can't do that.
00:19:19I came here, and I've got to stay.
00:19:21Well, now, if it's on account of money, I can...
00:19:23Oh, thanks.
00:19:24You've given me enough already.
00:19:25Anyhow, this is no time to be worrying.
00:19:27This is a party.
00:19:30Look at all the people.
00:19:32Everybody in the world.
00:19:36Look.
00:19:38That's Norman Maine.
00:19:46And he seems to have had that one extra cocktail.
00:19:58Oh, thank you.
00:20:02Sit down, you dope.
00:20:04That's for the orchestra leader.
00:20:13Hello.
00:20:13Hello, Norman.
00:20:14Hello, Norman.
00:20:16Oh, Mr. Maine.
00:20:18Mr. Maine.
00:20:19Put your arm around Miss Regis.
00:20:20I don't know if this is the Hollywood Bowl.
00:20:24Oh, we're afraid of crowds.
00:20:26Go on, go on.
00:20:26Get out of here.
00:20:28What's the matter?
00:20:29You getting too big to bother with photographers?
00:20:31Don't want any pictures taken now.
00:20:34Oh, is that so?
00:20:35Well, supposing I take it anyway?
00:20:36If you do, I'll shove that brownie number two of yours down your throat.
00:20:40Thank you, Mr. Maine.
00:20:41Norman, stop it.
00:20:42Stop it.
00:20:42Stop it.
00:20:43Stop it.
00:20:43Stop it.
00:20:44Stop it.
00:20:44Stop it.
00:20:44Stop it.
00:20:45Stop it.
00:20:45Stop it.
00:20:46Stop it.
00:20:46Stop it.
00:20:47Stop it.
00:20:47Stop it.
00:20:48Stop it.
00:20:48Stop it.
00:20:49Stop it.
00:20:49Stop it.
00:20:49Take it easy, Mr. Maine.
00:20:50Just calm down.
00:20:54Norman, come back and sit down.
00:20:56Everybody's laughing at you.
00:20:57All right, all right.
00:21:04All right, Norman.
00:21:07Is he always like that?
00:21:09Well, I suppose he has to sleep sometimes.
00:21:12Oh, and he's so wonderful on the screen.
00:21:16Shh.
00:21:17Shh.
00:21:17Shh.
00:21:27Come in.
00:21:50Hello, Danny.
00:21:52What's the matter?
00:21:53Well, believe it or not, I got a job for you.
00:21:57Danny, that's wonderful.
00:21:58When do I go to the studio?
00:22:00Well, you don't exactly go to the studio.
00:22:03Oh, it's on location.
00:22:04Well, it's not exactly on location.
00:22:06But, of course, I haven't any makeup.
00:22:07Will you tell me what to get and sort of help me put it on?
00:22:09Well, you don't exactly need any makeup.
00:22:12You see, it's not really a picture job.
00:22:14It's, it's, well, it's being a waitress.
00:22:19Oh.
00:22:21Well, it's kind of a picture job if you look at it right.
00:22:24You said it was a waitress.
00:22:27Well, it's waitressing for Casey Burke, the big director over at our studio.
00:22:31He's given a party tonight to kind of celebrate on account of finishing the picture.
00:22:35And, and he wanted me to get him an extra waitress.
00:22:38And it's five dollars.
00:22:39And I thought of you right away, Esther.
00:22:42That was awfully sweet of you, Danny.
00:22:44Well, well, there's going to be a lot of big people at Burke's house tonight.
00:22:48And I'll bet you there's any number of big directors.
00:22:50And if you're there, maybe they'll notice you.
00:22:55I could make them notice me.
00:22:57Sure you could, Esther.
00:22:58It's your chance.
00:23:01My chance.
00:23:03All right, Danny, I'll do it.
00:23:05Oh, oh, but I can't.
00:23:06I haven't got the right things to wear.
00:23:08To wear?
00:23:09Oh, oh, yes.
00:23:13Now, you don't think the wardrobe department's right next to my office for nothing, do you?
00:23:17Ha, a perfect fit.
00:23:19Did you get to the preview last night?
00:23:37I did.
00:23:40Would you like a little order?
00:23:44They are very nice.
00:23:47Oh, thanks.
00:23:47Well, what did you think of the picture?
00:23:50They should have saved it for Thanksgiving.
00:23:52What a turkey.
00:23:53Oh.
00:24:00Will you have some hors d'oeuvres?
00:24:02You do like hors d'oeuvres, don't you?
00:24:03I don't think there's anything so enjoyable as hors d'oeuvres before supper.
00:24:07And these are rarely delightful.
00:24:09Oh.
00:24:10Oh.
00:24:10Oh.
00:24:10Oh.
00:24:10Oh.
00:24:10Oh.
00:24:10Oh.
00:24:10Oh.
00:24:10Oh.
00:24:11Oh.
00:24:12Oh.
00:24:12Oh.
00:24:13Oh.
00:24:14Oh.
00:24:14Oh.
00:24:15Oh.
00:24:16Oh.
00:24:16Oh.
00:24:17Oh.
00:24:17Oh.
00:24:17And at the finish, the kid turns around and sings the lullaby to its mother.
00:24:24Pardon me, big boys, but would you like a little hors d'oeuvres?
00:24:30They say they're the best in town.
00:24:34Don't tell me.
00:24:35I know.
00:24:36May West.
00:24:37That's a great twist.
00:24:39But where are you going to find a two-month-old baby that can sing?
00:24:41Hello, Oliver.
00:24:45Oh, hello, Casey.
00:24:46Do you want to fire me now?
00:24:48Wait till you see the picture.
00:24:49I'm not a director anymore.
00:24:51I'm a male nurse.
00:24:53What's the matter with the picture?
00:24:54A guy by the name of Norman May.
00:24:57His work is beginning to interfere with his drinking.
00:25:01Oliver.
00:25:02Don't tell me I'm to direct his next picture, too.
00:25:04Mm-hmm.
00:25:05You were my favorite producer.
00:25:08Now, wait a minute.
00:25:09You just go right on with your directing.
00:25:11I'll take care of these stars.
00:25:12I know how to handle them.
00:25:14I had a serious talk with Norman after that Hollywood boat occurrence,
00:25:17and you don't have to worry any more about his behavior.
00:25:20You'll be Mr. Niles.
00:25:21Mr. Libby of your publicity department is on the telephone.
00:25:24He says it's most important, sir.
00:25:26It's about Mr. Maine.
00:25:31Oh, it's probably just some little thing.
00:25:33Mm-hmm.
00:25:34Of course, Oliver.
00:25:35I'll turn on the radio and see if they've called out the National Guard yet.
00:25:40Hello, Libby.
00:25:40What's the good word?
00:25:42Mr. Norman Maine, America's Prince Charming,
00:25:46was apprehended driving an ambulance down Wilshire Boulevard
00:25:49with a siren going full blast.
00:25:52He explained he was a tree surgeon on a maternity case.
00:25:56Well, will it be in the papers?
00:25:57No, it won't be in the papers.
00:25:59But that's a nice, expensive hobby of yours,
00:26:02keeping Mr. Maine's informal entertainments out of the public press.
00:26:07Oh, that's fine work, Libby.
00:26:09Try and see that no one gets to Norman.
00:26:11He's probably home sleeping at all.
00:26:13All of them.
00:26:14Why can't you forget those dopes at the studio for one night?
00:26:17Business, business, all the time.
00:26:20I don't know what's going to become of you.
00:26:24Norman!
00:26:25Why didn't you call for me?
00:26:27Well, by telling, why didn't I call for you?
00:26:30In case you've forgotten, I was supposed to come here with you.
00:26:33Oh, that, oh, that's all right.
00:26:34I got here without any trouble.
00:26:36The only reason I don't slap your face.
00:26:38Yes, yes, darling, I know.
00:26:40Hello, John.
00:26:41Oh, hello, man.
00:26:42What's the matter with Oliver?
00:26:43He looks as if he'd had bad news.
00:26:44He's a...
00:26:45Hello.
00:26:47Hello, man.
00:26:49What's the matter, old boy?
00:26:51Maybe I'm wrong.
00:26:52I guess I've been drinking too much lately.
00:26:54No, you'll have to cut it down.
00:26:55It's bad stuff.
00:26:56Scotch and soda.
00:27:03Come on, come on, come on.
00:27:05The word you know is pronounced when.
00:27:08Bad dialogue, Oliver.
00:27:10You'd rather not watch this.
00:27:11You know best.
00:27:14Soda.
00:27:23Go ahead and say it.
00:27:24I've got it coming to you.
00:27:26Don't make it tougher on me, Norman.
00:27:28I don't want to stand here and preach.
00:27:29But take a look at my side of it.
00:27:31I'm trying to make pictures with you.
00:27:32I know, I know.
00:27:34Costs are going up and the grosses are going down.
00:27:36No, it isn't that.
00:27:37I've made lots of money with you.
00:27:38And I can afford to take a loss.
00:27:40But I hate to see you going the way of so many others.
00:27:42Why don't you get Lloyd's to insure you against me?
00:27:45You can't get insurance against a man forgetting who he is.
00:27:48You're a great star, Norman.
00:27:49But there's nobody so big that you can afford to have people refuse to work with him.
00:27:52Who doesn't want to work with me?
00:27:54Shh, quiet.
00:27:55Listen, I know plenty of people who do.
00:27:57Yes, and so do I.
00:27:58But your real friends can't stand seeing you start to fall apart.
00:28:01What do you mean by that?
00:28:02The first signs are always the same.
00:28:04Not being able to remember your lines.
00:28:06Cameraman struggling to cover your hangovers.
00:28:08And all because you have to have a good time.
00:28:10Every day and every night.
00:28:11Listen, I've warned you for a long time, Norman.
00:28:13Okay, Oliver, you're a swell guy.
00:28:14You won't lose any money on me.
00:28:15I'll promise you that.
00:28:16I'll be ready for the curtains when the time comes.
00:28:21When it does, here's my epithet.
00:28:24And now I think I'll, um, have a little drink.
00:28:35Scotch and soda.
00:28:42Scotch and soda.
00:28:44Oh.
00:28:44Come on, come on, come on, come on.
00:28:54A little soda.
00:28:56How much?
00:28:57No, thanks.
00:28:58Yes, I, uh, pardon me.
00:29:03Ah, lovely, lovely.
00:29:06No, I mean the caviar.
00:29:08No, don't, don't go away.
00:29:09I'm, I'm starving.
00:29:11Really.
00:29:11Which, which would you take?
00:29:17I don't know.
00:29:18You know?
00:29:19I don't know either.
00:29:20It's hard to choose.
00:29:22I think I'll take caviar.
00:29:24Mr. Maine doesn't care for any more.
00:29:27Do you, Normie?
00:29:29No.
00:29:31No, Normie doesn't care for any more.
00:29:33I think I shall get very drunk indeed.
00:29:45Scotch and soda.
00:29:47Sorry, I have something.
00:29:48Mind if I help?
00:30:13Won't they miss you?
00:30:14Oh, no, no, no.
00:30:15They'll just look under the table,
00:30:17and when they see I'm not there,
00:30:18they'll forget the whole matter.
00:30:22Say, what, uh,
00:30:24what, what's your name?
00:30:26Esther Blodgett.
00:30:27My name's Maine.
00:30:28I know.
00:30:29You do?
00:30:30Ah.
00:30:34What, what's so funny?
00:30:36I was just thinking about all your fans
00:30:38and how surprised they'd be to see you here
00:30:39helping me put plates away.
00:30:41Oh, they, they don't know my finer side.
00:30:44You'd be pretty envious of me
00:30:45meeting you this way in person.
00:30:47Oh, I think you do.
00:30:49Well, tell me, are, uh,
00:30:50are you disappointed?
00:30:53Yes.
00:30:56Now you've done it.
00:30:58Oh, never mind that.
00:30:59That makes the room look lived in.
00:31:03Tell me, uh,
00:31:04why, why, why are you disappointed?
00:31:07I was sitting behind you
00:31:09at the Hollywood Bowl
00:31:10the night you didn't want to be photographed.
00:31:13Well,
00:31:15I'm told I crept into many a heart that night.
00:31:20Oh, I can never explain this.
00:31:22You know, you have very pretty hair.
00:31:23You'd better get out of here.
00:31:24And a sensitive mother
00:31:26and a charming little...
00:31:28Is that exactly why you're here
00:31:29instead of with the rest of the guests?
00:31:31Well, I'm just trying to be helpful.
00:31:32I see.
00:31:34Are you sure there's no other attraction?
00:31:36Well, it might be that
00:31:37my old mania for putting plates away
00:31:39is coming back on me.
00:31:41It's rather odd.
00:31:42I always know where I can find you
00:31:43if there's a pretty girl around.
00:31:45It's not only odd,
00:31:46it's embarrassing.
00:31:47You're being deliberately insulting, Norman.
00:31:49I put out the news wrong enough.
00:31:50Now, now, now, now, now,
00:31:50don't lose your temper.
00:31:52Remember, we must try
00:31:52to keep the voice low.
00:31:55I know you'll excuse us
00:31:56if we go on with our work.
00:32:12Now, see what you've done.
00:32:13Now, see what you've done.
00:32:17Come here.
00:32:22Help me up.
00:32:25Are you hurt?
00:32:26No more than usual.
00:32:29Come on, the wolves are on us.
00:32:30We've got to get out of here.
00:32:31No, I can't.
00:32:31The dishes aren't finished.
00:32:33Oh, yes, they are.
00:32:45Well?
00:32:47I bet I know
00:32:49what you're going to say now.
00:32:50What?
00:32:51Good night.
00:32:53Good night and thanks.
00:32:56Hey, wait a minute.
00:32:57Wait a minute.
00:32:59Hey, uh,
00:33:00you realize that
00:33:01all I've found out about you
00:33:03is that you, uh,
00:33:04foolish enough
00:33:05to want to go into pictures?
00:33:06But why is it foolish?
00:33:07Look at you.
00:33:08Yeah,
00:33:09that's what I mean.
00:33:11No, I'd, uh,
00:33:13I'd rather like to
00:33:14go into this matter
00:33:15a little more thoroughly.
00:33:17Oh, that's awfully nice of you.
00:33:20So why, uh,
00:33:21why don't we, uh,
00:33:22go on up to my place
00:33:24and, uh,
00:33:25talk it off?
00:33:26Oh, no.
00:33:27Thank you very much,
00:33:28but
00:33:28I really must say good night.
00:33:32Good night.
00:33:34But you're not angry.
00:33:36No, no.
00:33:36I'm hungry.
00:33:39Well,
00:33:39why don't you go
00:33:40and get something to eat?
00:33:44Good night,
00:33:45Miss Blodgett.
00:33:46Good night,
00:33:47Mr. Mayne.
00:33:49Wait a minute.
00:33:51Peter,
00:33:51the least I can do
00:33:53is to see
00:33:53at your door.
00:33:57Will I see you again?
00:33:59I hope so.
00:34:02Has anyone ever told you
00:34:03that you're lovely?
00:34:04Well, now you know.
00:34:14It's, uh,
00:34:16it's hard to say,
00:34:18but I,
00:34:19I want to say it anyway.
00:34:22You know,
00:34:23I'm a,
00:34:23I'm a screen,
00:34:24I'm a,
00:34:25you know,
00:34:26in private life,
00:34:28I'm a,
00:34:30you know.
00:34:31but
00:34:33whatever I do,
00:34:34I,
00:34:35I still respect
00:34:36lovely things.
00:34:39And you're lovely.
00:34:42Do you understand?
00:34:44Yes,
00:34:45I,
00:34:45I think I do.
00:34:47And it,
00:34:47it isn't that bump
00:34:48on the head
00:34:48that's doing this.
00:34:50Well,
00:34:50I'm glad.
00:34:57Good night.
00:34:59Good night.
00:35:01Good night.
00:35:05Hey.
00:35:07Do you mind
00:35:07if I take just
00:35:08one more look?
00:35:18Go away.
00:35:20Quite impossible.
00:35:21I wouldn't even consider it.
00:35:24No,
00:35:24no,
00:35:25no.
00:35:25No.
00:35:25No.
00:35:25No.
00:35:25No.
00:35:25No.
00:35:31Who is it?
00:35:38Who?
00:35:39Norman?
00:35:41What have you done now?
00:35:43You're not in jail,
00:35:44are you?
00:35:46Oh.
00:35:49Yes,
00:35:50I see.
00:35:51Oh,
00:35:52it's that again.
00:35:53I see.
00:35:54she's beautiful.
00:35:56Yeah,
00:35:56I know.
00:35:57You want me to give her
00:35:57a screen test?
00:35:59Yeah,
00:36:00certainly.
00:36:01She's got wonderful
00:36:02possibilities.
00:36:04Oh,
00:36:04you know she's got
00:36:05something.
00:36:06You knew all the other
00:36:07ones had something,
00:36:08too.
00:36:11Oh,
00:36:11no.
00:36:12I tell you,
00:36:13Oliver,
00:36:14she's got that
00:36:14sincerity
00:36:15and honestness
00:36:16and a...
00:36:17Uh,
00:36:18sincerity
00:36:19and honestness
00:36:20that makes
00:36:22great actresses.
00:36:23You...
00:36:23Oliver,
00:36:25I am so sure
00:36:27of this girl
00:36:27that I want to
00:36:29take the test
00:36:29with her myself.
00:36:33Listen,
00:36:33Oliver,
00:36:34you've worked hard.
00:36:35You're entitled
00:36:36to a break.
00:36:37You get...
00:36:39Yes,
00:36:44I heard you.
00:36:46Anything.
00:36:46Anything!
00:36:48Yes.
00:36:49Yes.
00:36:50Yeah.
00:36:51Oliver,
00:36:51look,
00:36:52you try to get
00:36:53a little steep
00:36:54now,
00:36:54old man.
00:36:56Right.
00:36:56All right,
00:36:57boy.
00:36:58Good night.
00:37:00That's wrong.
00:37:01Let's go.
00:37:03Now,
00:37:03tell him.
00:37:04There,
00:37:05there,
00:37:05now.
00:37:05There,
00:37:05now.
00:37:05There,
00:37:06now.
00:37:06There,
00:37:06now.
00:37:06There,
00:37:07now.
00:37:09telephone book.
00:37:11Telephone book.
00:37:13Telephone book.
00:37:15Whiff!
00:37:18Whiff!
00:37:18Why did-
00:37:21ask you the telephone?
00:37:22You-
00:37:22There you are,
00:37:23little telephone book!
00:37:25Yes.
00:37:26Over the hand,
00:37:26over the hand,
00:37:27over the hand,
00:37:27over the hand!
00:37:29Oh!
00:37:31Oh no!
00:37:34O.
00:37:35O.
00:37:35oooooooої é Rabiotui!
00:37:36Oh no!
00:37:37Mhm.
00:37:39Mhm.
00:37:42Mhm.
00:37:48Mhm, right?
00:37:54What's beioè eye carresela?
00:37:57Uncle Sam Rud.
00:38:02Fine.
00:38:04Castiel seem oh.
00:38:07Oh,
00:38:37Yeah, let's see.
00:38:52Yes?
00:38:53Telephone.
00:38:54For me?
00:38:56Some drunk trying to be funny says he's Norman Maine.
00:38:59Oh, oh, thanks. I'll be right down.
00:39:02And Miss Blodgett, would you give him a message from me?
00:39:09Tell him it's three o'clock in the morning!
00:39:32Hello?
00:39:36What?
00:39:39Oh.
00:39:41Oh.
00:39:44Oh.
00:39:46Oh, yes, yes. I'll be there.
00:39:49Oh, thank you.
00:39:55Daddy?
00:39:56Daddy?
00:39:57Huh?
00:39:58Huh?
00:39:58Daddy, what do you think? I'm going to take a test tomorrow and Norman Maine's helping me do it.
00:40:03I'm taking one, too.
00:40:06Garbo's assisting me.
00:40:08Hmm.
00:40:22Oh.
00:40:23Move that gobo in.
00:40:37Put a silk on that broad.
00:40:38No, the Yankees.
00:40:40Is this light too hot for you, Haley?
00:40:41Okay, but put that on the back light.
00:40:43Put a dobo on that 90.
00:40:45Leave it down a little.
00:40:47That's it.
00:40:48Pull down on that 150.
00:40:57We're ready to take him.
00:40:59Okay.
00:41:01Pull down on that 150.
00:41:03Hold it up.
00:41:03That's right.
00:41:05Okay.
00:41:06Okay.
00:41:06Come here and get this thing.
00:41:10Run it here.
00:41:12Run it.
00:41:12Give me an apple bottle.
00:41:19Listen, gentlemen, please, if you don't mind.
00:41:24This is, this is just a test.
00:41:26Ready, Mr. Burke.
00:41:27Ready, Mr. Burke.
00:41:28Ready, Mr. Burke.
00:41:29Ready now, Mr. Burke.
00:41:30Ready now, Mr. Burke.
00:41:32All ready, Mr. Burke.
00:41:33We're ready, Mr. Burke.
00:41:34All right, let's take it.
00:41:40Quiet!
00:41:40Quiet!
00:41:41Quiet!
00:41:42Quiet!
00:41:43Quiet!
00:41:43Quiet!
00:41:44Quiet!
00:41:46You ready, Norman?
00:41:47Yeah.
00:41:49You ready, Mr. what's-your-name?
00:41:53He'll soon know your name, Esther.
00:41:55The whole world's going to know it.
00:41:57But I'm so scared.
00:41:59Maybe I'd better not try it today.
00:42:00Oh, come on.
00:42:01Now, don't be foolish.
00:42:02They all had to go through this.
00:42:03Harlow, Lombard, Myrna Loy, and now, Esther Blodgett.
00:42:09All right.
00:42:10I'm ready.
00:42:12This is a take.
00:42:13Rulham.
00:42:15Quiet!
00:42:16Stay!
00:42:24I may as well tell you that my whole organization thinks I've gone a little nuts to sign you.
00:42:29Well, maybe they're right.
00:42:30I've been nuts before.
00:42:32You see, all the experts seem to think that your type is a little mild for present-day taste.
00:42:37But I rather believe that tastes change, like eyebrows.
00:42:40And I think that also like eyebrows, tastes are going back to the natural.
00:42:43You look like a nice girl.
00:42:46I think I'm going to like you.
00:42:50That's not important.
00:42:51I think the public will like you.
00:42:53That is important.
00:42:55Yes.
00:42:56I see what you mean.
00:42:57I mean, I know it is.
00:42:58Well, I don't think it's going to be easy.
00:43:00Nothing you really want is ever given away free.
00:43:02You have to pay for it.
00:43:04And usually with your heart.
00:43:08Someone else told me that one.
00:43:09But you still have to work it out for yourself.
00:43:13Oh, well, all this is just a long way of saying, I'm glad you're with us and good luck to you.
00:43:17And now I'm going to turn you over to our demon press agent, Libby.
00:43:21Don't let him frighten you.
00:43:22He has a heart of gold.
00:43:23Only harder.
00:43:24And for the love of Pete, learn to close your mouth and keep it closed.
00:43:30Even in your love scenes.
00:43:44Are you a Russian?
00:43:46No, I was born in Fillmore, North Dakota.
00:43:48Oh, no.
00:43:51Frey saw light of day in a mountain cabin.
00:43:54A trapper's hut, high up in the Rockies.
00:43:59Go on.
00:44:00Well, I always wanted to be an actress.
00:44:04Dreamed of footlights as lonely kitty.
00:44:08Are you sure there's no Russian in your family?
00:44:10Positive.
00:44:11That's a shame.
00:44:13Well, what does your father do?
00:44:14He's a farmer.
00:44:16Yeah.
00:44:17Social registered right father.
00:44:20Fed up with hypocrisies of 400.
00:44:23Sort wilderness for consolation.
00:44:26There amidst the mountain flowers, he raised another blossom.
00:44:30His lovely little daughter.
00:44:33What's your name?
00:44:34Esther Victoria Blodgett.
00:44:37Greatly appreciating your attention in this matter, very truly.
00:44:46Do you know what her name is?
00:44:48Esther Victoria Blodgett.
00:44:52Hey, we'll have to do something about that right away.
00:44:58Esther Victoria Blodgett.
00:45:01Well, that Blodgett's definitely out.
00:45:03Let's see.
00:45:04Esther Victoria.
00:45:06Victoria.
00:45:07Vicky.
00:45:07How about Vicky?
00:45:07Oh, I think that's terribly cute.
00:45:09Let's see Vicky.
00:45:10Vicky what?
00:45:11Vicky, Vicky.
00:45:12Pronounced Vicky, Vicky.
00:45:17Siesta, besta, sesta, desta, festa.
00:45:20Oh, that's very pretty.
00:45:24Justa, hesta, desta, lester.
00:45:26Vicky Lester.
00:45:27Oh, I like that.
00:45:28Say it.
00:45:28Vicky Lester.
00:45:29Say it again.
00:45:30Vicky Lester.
00:45:31Say it again.
00:45:31Vicky Lester.
00:45:32Say it.
00:45:33Vicky Lester.
00:45:34Say Vicky Lester.
00:45:35Vicky Lester.
00:45:36Vicky Lester.
00:45:36Vicky Lester.
00:45:37Vicky Lester.
00:45:39Vicky Lester.
00:45:42Flash.
00:45:43Oliver Nile's studio discovers new starlet, a Cinderella of the Rockies.
00:45:47Her name is Vicky Lester.
00:45:50Those who have peaked tell me she couldn't be more divoon.
00:45:53The face of an angel and such natural talents.
00:45:56Her voice is a symphony.
00:45:58Her very walk, they tell me, is enough to drive men mad.
00:46:03Not that way.
00:46:06Get the lead out of your feet.
00:46:08Lift them up.
00:46:16That's better.
00:46:17It's terrible, but it's better.
00:46:20The quality of mercy is not strained.
00:46:23It dropeth as the gentle rain from heaven.
00:46:25Cease.
00:46:26Through the mouth, my child.
00:46:27Through the mouth.
00:46:28The nose is for smelling roses.
00:46:32Proceed.
00:46:37Does she have to look surprised all the time?
00:46:46Anyway, it's just a rough sketch.
00:46:48Pretty small mouth, eh?
00:46:55Oh, well.
00:46:56Give her that Crawford smear.
00:46:58This will give her that deepish.
00:47:08Mm-mm.
00:47:09Yeah.
00:47:16We're on the wrong track.
00:47:18She still looks surprised.
00:47:20Listen, drunk people.
00:47:26We're shooting on the set this morning.
00:47:28Not in the commissary.
00:47:29Now, come on, slap into it.
00:47:34Acme Trucking Company?
00:47:37No.
00:47:38Mr. Smith is not in.
00:47:47Acme Trucking Company?
00:47:48Oh, no.
00:47:50Mr. Smith is not in.
00:48:01Good morning.
00:48:02What can I bring you, Mr. Nain?
00:48:03That just shows how long you've been here.
00:48:06Naval bless you.
00:48:08How soon are you and I going to be married, huh?
00:48:10I don't know.
00:48:11You'll have to ask my mother.
00:48:18Acme Trucking Company?
00:48:25No.
00:48:26Mr. Smith is not in.
00:48:31Acme Trucking Company?
00:48:34No.
00:48:34Mr. Smith is not in.
00:48:41Acme?
00:48:42No.
00:48:42Smith ain't in.
00:48:43Acme Trucking Company.
00:48:57Why speak to Mr. Smith, please?
00:48:58Mr. Smith is not...
00:49:00Oh, Norman.
00:49:01What's all this between you and Smith?
00:49:03I've got a part.
00:49:04It's only one line, but it's in the picture.
00:49:06Well, it's ambition that made you break that date with me last night.
00:49:08Well, I had to be here so early this morning and...
00:49:11So did I.
00:49:12I had to stay up all night to make it.
00:49:15You started your picture, haven't you?
00:49:17No.
00:49:18No, we're still in the testing stage.
00:49:20Can't seem to get the right girl for the lead.
00:49:23Gee.
00:49:24You think with all the girls there are that...
00:49:26Yeah, no, but this one's got to be different.
00:49:28She's got to be little and cute and sweet and intelligent.
00:49:34Now, blow me down.
00:49:36What?
00:49:36Well, close my tired old eyes.
00:49:39Well, what is it?
00:49:40Hold everything.
00:49:40Come on.
00:49:41Come on.
00:49:47Had you been through the whole casting directory?
00:49:49I'll work day and night, Mr. Niles.
00:49:50And I'll work with her, Oliver.
00:49:51And I can be mean or nasty or anything you want, Mr. Niles.
00:49:54If she clicks, Oliver, you've got a star overnight.
00:49:59Okay.
00:50:06You won't.
00:50:19Wait till you hear them at the end of the picture.
00:50:49Do you think we were noticed?
00:51:11By no one.
00:51:12They're much too busy playing at croquet.
00:51:16I've loved you all my life.
00:51:18But we only met two days ago.
00:51:22That's when my life began.
00:51:24Hey, T.Q., you know, I think she's the same type I am.
00:51:51Don't you?
00:51:51I think she's sweet.
00:51:52Well, it's Vicki Lester's picture, all right.
00:51:54I think she was much better than he was.
00:51:56These producers are so horribly dumb.
00:51:58They won't know how good she is.
00:51:59Well, maybe it's because she's a good girl.
00:52:03No means not so bad, but it's Vicki Lester that we go to see.
00:52:06Vicki, darling, I think she's the most precious little thing I've ever seen.
00:52:09It's a knockout, Libby.
00:52:12You might mention that when you write your review.
00:52:14That Lester kid's a goldmine.
00:52:16Didn't you like Norman Maine?
00:52:18Was he in it?
00:52:21Libby, I'm afraid we have another hit.
00:52:23It's in the bag.
00:52:25Neatly tied up with beautiful pink rivets.
00:52:27Say, where are Norman and Vicki?
00:52:28I don't know.
00:52:29I thought you had them.
00:52:30I wish they'd come.
00:52:31We're having a party at the Trocadero.
00:52:32Isn't it thrilling running away from people?
00:52:37Norman, it's so exciting, so...
00:52:39So new.
00:52:40A star is born.
00:52:42Come on, friends.
00:52:43Come on.
00:52:52It's wonderful, isn't it?
00:52:54Crazy quilt.
00:52:56Oh.
00:52:58It's a carpet that's spread for you.
00:53:02It's all yours from now on, you know?
00:53:06Come, Esther.
00:53:06You're a success.
00:53:09You'll have everything in the world you want.
00:53:13I hope it'll make you happy.
00:53:16Hasn't it you?
00:53:20But then there was one thing I never had.
00:53:23Lots of times I told myself I'd found it,
00:53:26but I always knew I was mine.
00:53:30Still, I never stopped looking for it.
00:53:33Maybe it'll come.
00:53:35Oh, I think it has come, Esther.
00:53:38I only wish it weren't too late.
00:53:41Oh, but it's not too late.
00:53:44Oh, you can't throw away your life
00:53:46the way I've thrown away mine
00:53:48and have anything left that's good enough.
00:53:51No.
00:53:52You can.
00:53:54Norman, you can.
00:53:55You mustn't tell me that, Esther.
00:54:01I'm so afraid that I'll believe it.
00:54:03I'm so afraid...
00:54:10I'm so afraid.
00:54:10I won't.
00:54:11I'll be there.
00:54:11I won't.
00:54:12I'll be there.
00:54:13Get him, Garcher.
00:54:23Shoot your right.
00:54:24Swell, isn't it?
00:54:25Lovely.
00:54:26Watch Garcher again.
00:54:27Don't you hear me, Garcher?
00:54:29Shoot your right!
00:54:35He's down!
00:54:36Garcher got him!
00:54:37Garcher got him!
00:54:38He did, didn't he?
00:54:39Yeah, but he'll be up, though.
00:54:40Come here.
00:54:41You like it?
00:54:42Sure, I do.
00:54:42You like me?
00:54:43Sure, I do.
00:54:45That reminds me.
00:54:46Will you marry me?
00:54:47No, thank you.
00:54:49Come on, Garcher.
00:54:50Finish him.
00:54:50Why won't you marry him?
00:54:51Wasn't that dependable?
00:54:52Hey, shoot your right!
00:54:53Throw away your money.
00:54:54Break him up in there.
00:54:55Break him up.
00:54:55I don't drink so much.
00:54:59Suppose I quit drinking.
00:55:00Yes?
00:55:01Come on, Garcher.
00:55:02Shoot the right in there.
00:55:03The right!
00:55:03Suppose I'd save my money.
00:55:04Yes?
00:55:05There he goes!
00:55:06Let him have it!
00:55:07Suppose I became absolutely dependable on all occasions.
00:55:09Yes?
00:55:09He's got you!
00:55:19He's got him!
00:55:20He's got him!
00:55:22He certainly did.
00:55:23Come on, Garcher.
00:55:24Come on, get out of that place!
00:55:32Gee, that was a beautiful fight.
00:55:35Norman.
00:55:36What, dear?
00:55:36Would you fall back to me if I said I'd marry you?
00:55:39No, certainly not.
00:55:40I was just supposing.
00:55:41We're going to be married.
00:55:47Guess I didn't read that line right.
00:55:48I'll try it again.
00:55:50We are going to be married.
00:55:52Both of us?
00:55:53Yeah, to each other.
00:55:55What do you think of that?
00:55:56When?
00:55:57Where?
00:55:58Well, we thought we'd elope in the conventional manner.
00:56:04What's the matter?
00:56:05It's trying to decide whether it's good for the studio.
00:56:07Is it?
00:56:08It is.
00:56:10And bless you, my children.
00:56:11When's it going to happen?
00:56:12Oh, we thought we'd just sneak out sometime.
00:56:14We're not telling anyone but you.
00:56:16Listen to this.
00:56:17The Queen's ideal romance blossomed into breathtaking reality today
00:56:21when Vicki Lester and Norman Maine, America's dream lovers,
00:56:25slipped quietly through the portals of holy matrimony.
00:56:28How does it sound?
00:56:30Horrible.
00:56:30But you see, we're going to elope.
00:56:32Sure you are.
00:56:33It'll be the biggest elopement this town ever saw.
00:56:35We'll get a tie-up with the army.
00:56:37Have you escorted all the way down to Yuma
00:56:39by 20 of their new bombing planes?
00:56:41Is he going with us?
00:56:44Don't you think we can work this thing out better alone?
00:56:46No sense in bothering the happy couple with all the details.
00:56:49I'll see to it that you get a carbon copy of the whole layout.
00:56:52I can hardly wait.
00:56:54I'm sorry we didn't realize that we were in the way.
00:56:57While you're settling the details,
00:56:58you don't mind if I take this woman out and buy her a ring.
00:57:01Sure, go ahead.
00:57:02We want everything legal.
00:57:05That's a charming match.
00:57:07A nice girl like Vicki.
00:57:09And public nuisance number one.
00:57:11Now, wait a minute, Libby.
00:57:12Norman's all right.
00:57:13And if you'll pardon my pointing, Vicki's business is her own.
00:57:15It doesn't require any comments.
00:57:16I wasn't making any comments.
00:57:18I just said it was a rotten shame.
00:57:19Go ahead and climb the elopement.
00:57:20Oh, that elopement stuff is out.
00:57:23You can't get any scope in that.
00:57:25We're going to have a wedding.
00:57:27Where do we have it?
00:57:28Customary place, I believe, is a church.
00:57:30Nah, it's been done.
00:57:32This has got to be something big.
00:57:35The beach.
00:57:36I can visualize it.
00:57:38The bridesmaids in bathing suits.
00:57:4020,000 Santa Monica schoolchildren
00:57:43spelling out the word love.
00:57:48It's a novelty, but is it big enough?
00:57:51Why not the city hall?
00:57:53A police escort
00:57:53of every motorcycle cup in town.
00:57:56Sirens screaming,
00:57:57confetti pouring out of buildings
00:57:59like the Lindbergh reception in New York,
00:58:01only on a big scale.
00:58:05What's the matter?
00:58:06Isn't it big enough?
00:58:07And now, if any man can show just cause
00:58:11why these two may not be lawfully joined together,
00:58:13let him now speak,
00:58:14or else hereafter forever hold his peace.
00:58:17Do you, Alfred Henkel,
00:58:19take this woman as your lawful wedded wife?
00:58:22Will you love, comfort, honor,
00:58:23and keep her in sickness and health
00:58:24as long as you both shall live?
00:58:26I will.
00:58:27I beg your pardon.
00:58:29Do you, Esther Blodgett,
00:58:30take this man as your lawful wedded husband?
00:58:32Will you obey, serve, love, honor,
00:58:34and keep him in sickness and health
00:58:35as long as you both shall live?
00:58:37I will.
00:58:39Place the ring on her finger.
00:58:40Uh-huh.
00:58:41A hurry, please.
00:58:42Uh-huh.
00:58:46Now, by virtue of the power invested in me
00:58:48as Justice of the Peace of San Bardo Township,
00:58:50County of Los Angeles,
00:58:52I pronounce you man and wife.
00:59:00Quiet!
00:59:00Quiet!
00:59:02And now I must exercise my prerogative of office.
00:59:10I hope you'll be very happy, Mrs. Henkel.
00:59:14Thank you, sir.
00:59:15Thank you very much.
00:59:17Now, if you'll please sign the license.
00:59:20Oh, yeah.
00:59:21You know, Mrs. Henkel,
00:59:22I can't help but believe
00:59:24I've seen you somewhere before.
00:59:26Oh, really?
00:59:27Well, I believe this is the first time
00:59:29I've ever been in San Bardo.
00:59:31Well, you know, your face is familiar, too, Mr. Henkel.
00:59:33There you are, sir.
00:59:34Thank you very much.
00:59:35Thank you, sir.
00:59:37Goodbye.
00:59:38Goodbye.
00:59:38Goodbye.
00:59:39See you again.
00:59:40Yes, goodbye.
00:59:40See, I think you got by with it.
00:59:45But it was close.
00:59:46That J.P. was just beginning to remember where he's seated.
00:59:48Well, anyway, we got away from Libby.
00:59:53Hello, sir.
00:59:53If you will be kind enough
00:59:56to glance between my shoulder blades,
00:59:59Mr. and Mrs. Henkel,
01:00:00you will find there a knife
01:00:02buried to the hilt
01:00:03on the handle of your initials.
01:00:05Lovely to have seen you, Libby.
01:00:07Hold him.
01:00:07Hold him, Danny.
01:00:08Hold him.
01:00:08So you will be.
01:00:10He goes,
01:00:11look at me.
01:00:13Here you are.
01:00:14Thank you, if you will.
01:00:16You guys are standing good to the Ivan体,
01:00:17if you ain'tinese.
01:00:17Here you go.
01:00:18For now, sir.
01:00:19Thank you, sir.
01:00:19Thank you for your support.
01:00:19Thank you, sir.
01:00:20Thank you, sir.
01:00:20Thank you, sir.
01:00:20Well, sir, thank you, sir.
01:00:21Thank you, sir.
01:00:21Thank you, sir.
01:00:23I'm so sorry, thanks for the necessaryavoir
01:00:23in this list that I had to mention.
01:00:24Oh, yes, sir.
01:00:24My way I had to dengue.
01:00:25If I could list my knowledge
01:00:27克 Eld Pode