Brother Alfred (1932) is a delightful British comedy that blends mistaken identity, romance, and a touch of slapstick in a story that still manages to charm audiences decades after its release. Directed by Henry Edwards and based on the successful stage play by P.G. Wodehouse and Herbert Westbrook, this film features the brilliant talents of Gene Gerrard, Molly Lamont, and Elsie Randolph. The film stands as a shining example of early 1930s British cinema, filled with the wit and lightheartedness characteristic of the pre-war era.
⭐ Plot Summary
Brother Alfred tells the whimsical tale of George Lattaker (played by Gene Gerrard), a wealthy young man who becomes entangled in a ridiculous misunderstanding that spirals out of control. The film begins with George’s love life taking a hit when he kisses a dancer at a nightclub on a dare. His fiancée, Daphne (played by Molly Lamont), finds out and, in a fit of rage, breaks off their engagement. George, eager to win her back and prove his loyalty, concocts a plan that’s as absurd as it is hilarious.
He decides to impersonate his fictional twin brother, "Brother Alfred," a stern and deeply religious monk, while staying at a Scottish castle. The idea is to convince Daphne that he has changed his wild ways and adopted a life of penance. But things don't go quite as smoothly as planned. His disguise leads to countless comic situations, especially when his real identity begins to unravel.
Things become even more complicated when a colorful cast of characters arrives at the castle, including Daphne, the dancer who caused all the trouble, and various other relatives and guests. With his double life becoming harder to maintain and misunderstandings stacking up like dominoes, George’s charade escalates toward a hilariously chaotic climax.
At its core, Brother Alfred is a story about love, deception, and redemption—but told through a lens of cheeky British humor and theatrical farce.
⭐ Plot Summary
Brother Alfred tells the whimsical tale of George Lattaker (played by Gene Gerrard), a wealthy young man who becomes entangled in a ridiculous misunderstanding that spirals out of control. The film begins with George’s love life taking a hit when he kisses a dancer at a nightclub on a dare. His fiancée, Daphne (played by Molly Lamont), finds out and, in a fit of rage, breaks off their engagement. George, eager to win her back and prove his loyalty, concocts a plan that’s as absurd as it is hilarious.
He decides to impersonate his fictional twin brother, "Brother Alfred," a stern and deeply religious monk, while staying at a Scottish castle. The idea is to convince Daphne that he has changed his wild ways and adopted a life of penance. But things don't go quite as smoothly as planned. His disguise leads to countless comic situations, especially when his real identity begins to unravel.
Things become even more complicated when a colorful cast of characters arrives at the castle, including Daphne, the dancer who caused all the trouble, and various other relatives and guests. With his double life becoming harder to maintain and misunderstandings stacking up like dominoes, George’s charade escalates toward a hilariously chaotic climax.
At its core, Brother Alfred is a story about love, deception, and redemption—but told through a lens of cheeky British humor and theatrical farce.
Category
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Short filmTranscript
00:00:00Transcription by CastingWords
00:00:30CastingWords
00:01:00CastingWords
00:02:31Billy.
00:02:33Mamie.
00:02:35Yes.
00:02:37Beautiful moon.
00:02:41It's a beautiful moon.
00:02:47But you're not looking at it.
00:02:49I can see it in your eyes.
00:02:53But that may not be moonlight.
00:02:57Good night.
00:03:21What are you saying?
00:03:23I was saying that I can't understand why your son should take such a time to propose to my daughter.
00:03:28Well, Billy isn't a great one for speed, you know. He's built more for comfort.
00:03:31Oh, speed enough to be up there with your secretary and allow his friend George Latiker to look at the moon with my daughter.
00:03:38You don't say.
00:03:39I do.
00:03:40Gee.
00:03:41I'll soon fix that.
00:03:43Say, are you in love?
00:03:46Oregano Ann.
00:03:48Who is she?
00:03:50Can't you guess?
00:03:52Maybe it's Stella.
00:03:54Stella.
00:03:55Oh, Stella's a nice enough girl in her way.
00:03:58But you don't want her in yours.
00:04:01Say, Billy.
00:04:05Hello, Dad.
00:04:06Oh, there you are.
00:04:08I want to talk to you, son.
00:04:10Miss Foster, I've signed those letters.
00:04:12Will you see they go ashore as soon as we anchor?
00:04:14Why, certainly, Mr. Marshall.
00:04:17Now, young man.
00:04:18If you want to marry Stella Vanderlei, you've got to show a flash of speed.
00:04:22If you don't, young George Latiker will be cutting you out.
00:04:26Oh, yeah?
00:04:27Perhaps you think he's not a drawing card because he's got no money.
00:04:30Well, forget it.
00:04:31He has got money.
00:04:33What?
00:04:34Or will have in the morning.
00:04:35Is that so?
00:04:37Oh, sure.
00:04:38A radiogram came for him this afternoon.
00:04:40There's a legacy due to it.
00:04:42And his Uncle Albert calls on board at 10.30 tomorrow and unbellished.
00:04:48So snap into it.
00:04:52Billy.
00:05:02And what were you going to say, Justin?
00:05:05Oh, I...
00:05:08I...
00:05:11It's a beautiful moon.
00:05:14Stella!
00:05:15Do you mean that?
00:05:16If you really love me.
00:05:18Oh.
00:05:20Let her go!
00:05:21Stella go!
00:05:36Well, we're here, sir.
00:05:37Back again to Monte Carlo.
00:05:38Right.
00:05:41Guess we'll stay over tomorrow.
00:05:42Very good, Mr. Marshall.
00:05:44Stella!
00:05:45How wonderful!
00:05:46How terrific!
00:05:47Darling!
00:05:48I can't believe it!
00:05:51I can't believe it!
00:05:52I can't believe it!
00:05:53I can't believe it!
00:05:54It's so marvelous!
00:05:55Stella!
00:05:56It's wonderful!
00:05:57She loves me!
00:05:58She loves me!
00:05:59I can't believe it!
00:06:00Stella!
00:06:01Stella!
00:06:02I can't believe it!
00:06:03I can't believe it!
00:06:04I can't believe it!
00:06:05I can't believe it!
00:06:06I...
00:06:10She's going to marry me!
00:06:11She's going to marry me!
00:06:13Mwah!
00:06:14And you know what?
00:06:15No, you're too young.
00:06:17Isn't it wonderful?
00:06:19Really?
00:06:20Yes, really!
00:06:21It isn't a dream!
00:06:22Well!
00:06:23Isn't it all too wonderful?
00:06:25Isn't it?
00:06:26But you might have waited a little longer after proposing to me before you started kissing
00:06:27my maid.
00:06:28Stella, you don't understand!
00:06:29I do perfectly, thank you!
00:06:30Stella!
00:06:31Stella, darling!
00:06:32Please, don't be so absurd!
00:06:33Listen, I can explain everything!
00:06:34I don't think you'll get it!
00:06:35I can't believe it!
00:06:36I'm not thinking it's a dream!
00:06:37Really!
00:06:38Yes, really!
00:06:39It isn't a dream!
00:06:41It isn't a dream!
00:06:42Well!
00:06:43Well!
00:06:44Isn't it all too wonderful?
00:06:45Isn't it?
00:06:46But you might have waited a little longer after proposing to me before you started kissing
00:06:49my maid?
00:06:50Stella, you don't understand!
00:06:51I do perfectly, thank you!
00:06:52Stella, Stella, darling, please, don't be so absurd!
00:06:55Listen, I can explain everything!
00:06:57I don't think you can.
00:06:59Oh, please, Stella.
00:07:00Stella, you must listen to me.
00:07:01Stella, please.
00:07:03Stella, please.
00:07:04Stella, if you'll leave me like this,
00:07:06I won't be responsible for what I'll do, honestly.
00:07:09Stella, please.
00:07:15Stella, please listen to me.
00:07:17You must listen.
00:07:18Stella, I'm desperate.
00:07:20I'll probably commit suicide.
00:07:23Would you care?
00:07:25Would you?
00:07:26No.
00:07:27All right.
00:07:44I said, would you care?
00:07:46Would you?
00:07:47No.
00:07:49Stella, Stella, you must listen to me.
00:07:51Stella.
00:07:52Stella.
00:07:53Very well, then.
00:07:56I don't wish to talk about it.
00:08:18Whether he kissed you or you kissed him, you liked it.
00:08:21No.
00:08:22You reveled in it.
00:08:23No.
00:08:24This is the end.
00:08:26I've done with you.
00:08:27Oh, Heather, you frighten me.
00:08:30Mr. Vol's to you, Miss Pillbeam.
00:08:32Oh.
00:08:33Up from my kisses you was.
00:08:36You've gone too far.
00:08:38You've burnt your fingers.
00:08:40Now, that's for Mr. George Latika.
00:08:41A snake in sheep's clothing.
00:08:42That's what he is.
00:08:43I'll settle with him.
00:08:44Here.
00:08:45Where's Mr. Latika?
00:08:46Mr. George Latika?
00:08:47A snake in sheep's clothing.
00:08:49That's what he is.
00:08:50I'll settle with him.
00:08:53Here.
00:08:54Where's Mr. Latika?
00:08:55I've just gone ashore.
00:08:56So much the better for him.
00:08:57Here.
00:08:58Where's Mr. Latika?
00:09:00I've just gone ashore.
00:09:01So much the better for him.
00:09:02Here.
00:09:03Where's Mr. Latika?
00:09:04I've just gone ashore.
00:09:05So much the better for him.
00:09:06Here.
00:09:07One of them nasty, stinging black flies settles on the back of your neck, gives you malaria.
00:09:13I've known a lot of men what died of malaria.
00:09:32Here.
00:09:33Here.
00:09:34Here.
00:09:35Here.
00:09:36Here.
00:09:37Here.
00:09:38A moment, Peter.
00:10:08I understand.
00:10:13That's good.
00:10:14I understand.
00:10:15That.
00:10:16Oh, I say.
00:10:17How many miles did you do to the gallon?
00:10:21I'm a prince of Salzburg.
00:10:23Lightly.
00:10:24That's so.
00:10:25Well, you can't blame me for everything, can you?
00:10:28I'm a prince of Salzburg.
00:10:30I'm a prince of Salzburg.
00:10:33I'm a prince of Salzburg.
00:10:35Lightly.
00:10:36That's so.
00:10:37Well, you can't blame me for everything, can you?
00:10:40Prozy.
00:10:41Cheerio.
00:10:42I say, don't you ever come up for air?
00:10:52Tonight, I am alone.
00:10:57Yes.
00:10:58Even so, I don't think it'll last.
00:11:01I have my ecuaries, the sleep, given.
00:11:05Yes.
00:11:06Well, I'm alone too.
00:11:07But I prefer to drink from a glass.
00:11:10I've been on the bottle for years.
00:11:13Didn't we forget air?
00:11:16You and me.
00:11:17Of course we will.
00:11:18I'll take the luggage.
00:11:19Nothing to fight the Spatz again.
00:11:43I've been on the bottle for my warmth.
00:11:44I will see you at all.
00:11:45Here you go.
00:11:46I'll see you, Faan.
00:11:47Oh, feel fine.
00:12:00Oh, feel fine.
00:12:17What do they say?
00:12:22Those lips whose kisses never let me breathe.
00:12:33Oh, feel fine.
00:13:03Oh, feel fine.
00:13:33What is the pain you hear?
00:13:36Will one day unfold?
00:13:42Thousands that seem to haunt me night and day.
00:13:53What do they say?
00:13:58Those lips whose kisses never let me breathe.
00:14:08Oh, feel fine.
00:14:15Oh, feel fine.
00:14:17Oh, feel fine.
00:14:18Oh, feel fine.
00:14:20Oh, feel fine.
00:14:22Oh, feel fine.
00:14:23Oh, feel fine.
00:14:25Oh, feel fine.
00:14:27Oh, feel fine.
00:14:28Oh, feel fine.
00:14:30Oh, feel fine.
00:14:32Oh, feel fine.
00:14:36Oh, feel fine.
00:14:37Oh, feel fine.
00:14:38Oh, feel fine.
00:14:39Oh, feel fine.
00:14:41Oh, feel fine.
00:14:42Oh, feel fine.
00:14:43Oh, feel fine.
00:14:44Oh, feel fine.
00:14:46Oh, feel fine.
00:14:47Oh, feel fine.
00:14:49Oh, feel fine.
00:14:51Oh, feel fine.
00:14:52Oh, feel fine.
00:14:53Oh, feel fine.
00:14:54Oh, feel fine.
00:14:56Yeah, but first we drink, and then we walk.
00:15:15If we can.
00:15:26We should hear the English food, it's reckless.
00:15:31What's that?
00:15:32The girls here, no food, threatening.
00:15:35They're not English girls.
00:15:37No girls, but first of them, really.
00:15:39Certainly not.
00:15:40You've insulted the women of England.
00:15:43I propose.
00:15:44Sit down.
00:15:45Hold it, sir.
00:15:47I will not hold my tongue.
00:15:49Sit down.
00:15:50You've insulted the women of England.
00:15:52How dare you move to the country.
00:15:56Stop the room!
00:16:05Stop the room.
00:16:06Stop the room.
00:16:07I'll kill him.
00:16:14Where is it?
00:16:15Where is it?
00:16:17I'll kill him.
00:16:18Where is it?
00:16:20Stop the room!
00:16:23Stop the room!
00:16:25Thank you very much.
00:16:55George Latterkill, English, search the hotels.
00:17:06Alle Hotelle und Gasthäuser durchsuchen.
00:17:09Und auf Vörich suchen, Jachten, Bahnhöfe, Kirchen und Gasthöfe.
00:17:13Alle Abreisen verboten, kein Fahrkarten kaufen lassen, kein Zug oder Schnellzug abreisen, alle Dampfschiffe und Daben blocken.
00:17:19Alle Ausgänge der Stadt kontrollieren, jede Dampfschiff, Jacht und Automobil inspezieren.
00:17:24Alle Hotelle, Gasthöfe, Bahnhöfe, Kirchen und Nacktick, alle Durchsuchen.
00:17:29Aber sofort.
00:17:31You will all yachts, ships and forts visit.
00:17:34Many too from the harbor going up, permit not.
00:17:37Also, the churches, night places, hotels, hospitals and stations search.
00:17:44You understand?
00:17:45Yes, no?
00:17:46Yes.
00:17:46Good.
00:17:47Find him, Mr. Sturgis.
00:17:49Find the assassin of...
00:17:52My highborn master.
00:17:53The End
00:17:57THE END
00:18:27THE END
00:18:57Oh, I wish I'd given George a chance to explain.
00:19:00Why, did he want to?
00:19:02Yes.
00:19:02Gee, that's funny.
00:19:04What is?
00:19:05Well, some guys always want to talk.
00:19:06Others can't get a word out.
00:19:08Oh, lovely.
00:19:22Is Mr. George Latiker up yet?
00:19:29Mr. George Latiker?
00:19:30I don't know.
00:19:30Why?
00:19:31I, I wanted to speak to him, sir.
00:19:34Oh, I reckon he's still asleep, lucky devil.
00:19:37Here, but where's Vols?
00:19:39Below, sir.
00:19:40Did he say he was coming up?
00:19:41Didn't say anything.
00:19:43He didn't speak to me.
00:19:48Oh.
00:19:49Oh, Vols, there you are.
00:19:51I've been waiting for you.
00:19:52You're ten minutes late.
00:19:53I'm sorry, sir.
00:19:54It shall not occur again, sir.
00:19:55Did you ever sleep yourself?
00:19:57No, sir.
00:19:58I was brooding.
00:20:02Brooding?
00:20:03Yes, sir.
00:20:04Engrossed in thought, sir.
00:20:05I have had trouble.
00:20:09Well, now you are here.
00:20:12Whistle.
00:20:17Would it be all the same to you, sir,
00:20:19if I ummed instead?
00:20:20I haven't the art to whistle.
00:20:23Say, what's wrong with you?
00:20:25If you will excuse my reticence, sir.
00:20:29On the word free.
00:20:31One, two, three.
00:20:34medium, three.
00:20:44So, when the tiger lost the stream.
00:20:47Why, I have a burning pigment.
00:20:53My eye on the blooming moon.
00:20:59Oh, cut it out, Vols! I'm through!
00:21:14You will not continue, sir?
00:21:17How can I continue with those farmyard imitations going on?
00:21:22Shall I measure you, sir?
00:21:24All right, go on.
00:21:29Any reduction, Vols?
00:21:31No, sir.
00:21:32Petty, sir. I hope it ain't apoplexy.
00:21:35I had a stout uncle once what died of apoplexy.
00:21:39Went up in a flash.
00:21:41Beat it!
00:21:42Aye, aye, sir.
00:21:59Ahoy there!
00:22:04Yeah, mind there, Frank.
00:22:09Good morning.
00:22:11I trust you'll excuse this early visit.
00:22:14I think you were Mr. Latiker on board.
00:22:16That's right, young Latiker.
00:22:18You're his uncle Albert, of course.
00:22:20Of course, yes.
00:22:21Why, sure.
00:22:22We'll get your nephew for you right away.
00:22:24Where is George?
00:22:25Excuse me, sir.
00:22:26Mr. Latiker is not on board.
00:22:28I understand he went ashore last night and has not been seen since.
00:22:32His bed has not been slept in.
00:22:34Oh.
00:22:35Thank you, Vols.
00:22:36Very good, sir.
00:22:38I know he was expecting you this morning.
00:22:39And I guess he's hurrying back right now, just as fast as ever he can.
00:22:54And so my nephew's a friend of yours.
00:22:58Yeah.
00:22:59Where did you meet him?
00:23:00At a ball game.
00:23:01Have you known him long?
00:23:02No.
00:23:03Thanks.
00:23:04And now Miss, uh...
00:23:05Miss Vanderlei.
00:23:06Yes?
00:23:07Now I wonder if you can tell me, Miss Vanderlei, at what time my nephew left the yacht last night.
00:23:15Well, uh...
00:23:16I'm afraid I don't know.
00:23:18I see.
00:23:19Now, Miss Vanderlei, think carefully.
00:23:22Did my nephew have his hat with him when he left?
00:23:27Well, uh...
00:23:28I can't quite tell.
00:23:30You see, we...
00:23:31Perhaps you can tell me why he left the yacht last night.
00:23:35I particularly want to know.
00:23:40Because this hat...
00:23:45Get that thing!
00:23:46Aye, aye, sir.
00:23:47Here.
00:23:48Get that boat up.
00:23:53Now, Miss Vanderlei, you haven't answered my question.
00:23:55I'm afraid I can't.
00:23:56I didn't see Mr. Latica go.
00:23:58And now you, madam.
00:23:59I refuse to be examined like this.
00:24:00I'm going to put on my bathing costume.
00:24:01Make yourself at home.
00:24:02He's sure to pop up soon.
00:24:04Say, here.
00:24:05What's up?
00:24:06Here.
00:24:07Oh, I did a murder last night.
00:24:08I know we heard it over the radio.
00:24:09Here, they found your hat.
00:24:10I'd better get a...
00:24:11Mr. Money and get away.
00:24:12Is it a murder last night?
00:24:13I know we heard it over the radio.
00:24:14Here, they found your hat.
00:24:15I'd better get a...
00:24:16Mr. Money and get away.
00:24:17Is Uncle aboard?
00:24:18No, he's not aboard yet.
00:24:19Then I'll have to wait.
00:24:20Oh, but you can't wait that the detective is aboard.
00:24:22If I stay here, I'll drown.
00:24:23Listen, if you come aboard, you'll get five years.
00:24:25What a doublo.
00:24:26What a doublo!
00:24:27Oh, m-m-m-m-m-m-m-m-m-m-m-m-m-m.
00:24:28I know, we heard it over the radio.
00:24:30Yeah, they found your hat.
00:24:31I'd better get up, Mr. Money, and get away.
00:24:33Is Uncle aboard?
00:24:34No, he's not aboard yet.
00:24:36Then I'll have to wait.
00:24:37Oh, but you can't wait for the detective to board.
00:24:39If I stay here, I'll drown.
00:24:41Yes, and if you come aboard, you'll get five years.
00:24:43Oh, what a double.
00:24:45Give me a hand.
00:24:46Yes.
00:24:46I think I'll stay.
00:24:48Hold it.
00:24:52What are you doing?
00:24:53You're...
00:24:54I'll just sit here and wait.
00:25:19Hey, what's the idea?
00:25:21Don't...
00:25:22What'd you say?
00:25:24Hey, what am I going to do?
00:25:29Climb through a porthole and hide there till your uncle comes.
00:25:32I'll send them down to you.
00:25:33You get the money out of him, and then hurry over the frontier.
00:25:36Hurry over the frontier?
00:25:37Yeah, yeah, go on that rope.
00:25:39Well...
00:25:39Yo, if I do...
00:25:41No, don't be great.
00:25:41You will have to take care of him.
00:25:41I'll talk to him.
00:25:51I'll see you.
00:25:54THE END
00:26:24THE END
00:26:54THE END
00:27:04For Mr. Latica, sir?
00:27:06Yeah, put it down there.
00:27:09Funny thing he ain't back, sir.
00:27:11Gone gay, I expect, sir.
00:27:14Ha-ha.
00:27:15Give him enough rope.
00:27:17You know the old saying.
00:27:18Yeah, yeah, quiet.
00:27:19All right, eh?
00:27:34What do you think you're doing?
00:27:35Fishing?
00:27:36No.
00:27:36Is Uncle here yet?
00:27:37No, that was the post boat you heard.
00:27:39Well, help me in.
00:27:39Yeah.
00:27:40I'll help you.
00:27:40Oh, come on.
00:27:46Here we are.
00:27:48I've got to get away.
00:27:50I can't wait.
00:27:50Let me some money.
00:27:52Here.
00:27:53What's that?
00:27:54Water.
00:27:55Take it away.
00:27:56I'm web-footed now.
00:27:57He can be long now, and he'll be delighted to see you.
00:28:00Let's hope so.
00:28:01But I tell you, Billy, I've got to have some money.
00:28:02A fiver.
00:28:07What's the use of that?
00:28:08Well, I've got a check for $500.
00:28:09That's no good.
00:28:10I'd be arrested cashing it.
00:28:13What's this?
00:28:15It's from Uncle Albert.
00:28:16Perhaps he's sent something on account.
00:28:17Yeah.
00:28:22Perhaps he has.
00:28:24What's he sent?
00:28:24His kindest regards.
00:28:25Here, you read it.
00:28:26Yeah.
00:28:27I'll go and change these wet things.
00:28:29Well, go on.
00:28:31Tell us the good news.
00:28:32My dear George, an unforeseen hitch has occurred in the matter of your legacy, which must,
00:28:38I fear, considerably delay an immediate settlement.
00:28:41Oh, splendid.
00:28:42Perfectly splendid.
00:28:44Go on.
00:28:45It appears that your twin brother, Alfred...
00:28:48What's that?
00:28:50Don't interrupt.
00:28:51Your twin brother, Alfred, who, as your poor father must have told you, was kidnapped as
00:28:56a baby and presumed dead, is alive after all.
00:29:01Brother Alfred?
00:29:03Is this a joke?
00:29:04Read it yourself if you don't believe.
00:29:05Oh, no.
00:29:06Go on.
00:29:06Go on.
00:29:07All right.
00:29:08He is on his way from Mexico to claim half the money.
00:29:12And as trustee, I must, of course, verify credentials, etc.
00:29:15Before payment can...
00:29:17Here, one moment.
00:29:17Hold on.
00:29:18Before payment can be made.
00:29:24And as your brother may arrive at any moment, you will forgive me if I am unable to get aboard
00:29:30to see you today, your affectionate uncle.
00:29:33What does this mean?
00:29:36Looks mighty like the end for you.
00:29:39Too true.
00:29:40True, too.
00:29:42Your brother, Alfred.
00:29:46Billy!
00:29:47What?
00:29:47This isn't the end.
00:29:48This is the beginning.
00:29:49What do you mean?
00:29:49This lets me out.
00:29:50What does?
00:29:51Brother Alfred.
00:29:52Twin brother, Alfred.
00:29:53Now look here, George.
00:29:54Well, I've waited long enough, and I demand that this yacht be searched.
00:29:58Really, Mr. Arbott?
00:29:59I'm not Mr. Arbott.
00:30:02Not?
00:30:02No.
00:30:03But they'll want proof!
00:30:04Uncle's letter.
00:30:05Say you opened.
00:30:06Oh, that's not enough!
00:30:07Proof.
00:30:08Proof.
00:30:09Proof.
00:30:10I've got it!
00:30:10How'd it taste?
00:30:12The mole!
00:30:12The one on the back of your neck!
00:30:14What about it?
00:30:15Well, we'll swear that George hasn't won and Alfred has!
00:30:18Billy!
00:30:20Then what do you mean by coming on board my yacht and claiming my hospitality
00:30:23as a relative of one of my guests?
00:30:26What is your name?
00:30:27My name's Denman Sturgis.
00:30:30Ah!
00:30:31And as Alfred, I'll be able to speak to Stella and put things right for George.
00:30:34Do you know George?
00:30:35You're a genius!
00:30:36No, not George.
00:30:37Alfred!
00:30:38Oh, good old George!
00:30:39Good old Billy!
00:30:40Good old Alfred!
00:30:41Good old Bill!
00:30:42Good old Alfred!
00:30:43Good old Bill!
00:30:43Good old Bill!
00:30:44Good old George!
00:30:45Good old Bill!
00:30:45Good old Billy!
00:30:45I started a little...
00:30:47Oh!
00:30:47Oh!
00:30:49Oh!
00:30:53And then came a carriage filled with flowers.
00:31:02Well, what is it?
00:31:04Gentlemen, I have heard all.
00:31:07All?
00:31:08All?
00:31:09All.
00:31:10Heh!
00:31:11Well, Vold is all right.
00:31:12Good old Vold!
00:31:13Of course he is!
00:31:14Good old Vold!
00:31:15Good old Vold!
00:31:16You see, Vold, this is a little surprise we've planned and you'll keep your mouth shut, won't
00:31:21you, Vold?
00:31:22On the contrary, sir.
00:31:24You're not serious.
00:31:25Deadly.
00:31:26He looks it.
00:31:27Well, what do you expect again?
00:31:29Financially, nothing.
00:31:31But...
00:31:32Ah, but!
00:31:33But by holding your tongue, my dear old Vold, by being a good fellow, my dear old Vold,
00:31:39you may, uh, you may gain a considerable wad.
00:31:44Am I right, Billy?
00:31:45Sure thing.
00:31:46You could write him a little check?
00:31:49Sure thing.
00:31:50Do I understand, gentlemen, that you are proposing to purchase my silence?
00:31:57Oh, certainly not.
00:31:59How much?
00:32:00A hundred.
00:32:00Two.
00:32:01Three.
00:32:01Any points on three?
00:32:02Say four.
00:32:02Four.
00:32:02No!
00:32:04Before I leave this yacht, I must find Mr. Lattica and ask him to account for every moment
00:32:08he spent ashore last night.
00:32:09Say, that's going, sir.
00:32:10He went ashore at ten o'clock.
00:32:12That's not true.
00:32:13I was speaking to him myself at ten o'clock.
00:32:15I should have said shortly after, ten.
00:32:17And I have positive proof that George Lattica murderously assaulted His Serene Highness,
00:32:22Prince Saxburg Leibniz.
00:32:23Oh, the wicked man.
00:32:25That's ridiculous.
00:32:26Then I should like Mr. Lattica to explain how it was I found his hat lying beside His
00:32:31Serene Highness's body.
00:32:33Thank you, gentlemen.
00:32:34And now I would like to take the day off.
00:32:36Certainly, take it.
00:32:37Yes, take it, old boy.
00:32:38Take anything else you like.
00:32:39You've got everything we want.
00:32:40Take it, old boy.
00:32:42Are you going to join us in the bays, Mr. Sturgis?
00:32:44No, madam, I am not.
00:32:46But it's staggering.
00:32:47The likeness, even the voice.
00:32:49Oh, am I like my brother?
00:32:51Why, here he is.
00:32:53You'll never believe it.
00:32:54You'd swear it was his brother.
00:32:56Who?
00:32:57Alfred.
00:32:58Alfred.
00:33:06Where have you been?
00:33:14Won't you introduce me?
00:33:16Isn't it wonderful?
00:33:17Wouldn't you swear it was George?
00:33:19It is George.
00:33:20Oh, that's where I went wrong.
00:33:22It's Alfred, George's twin brother.
00:33:25Twin brother?
00:33:26Yeah, from Mexico.
00:33:29Seems that my likeness to my brother is somewhat confusing.
00:33:31I'm not surprised, because you aren't.
00:33:33Who isn't?
00:33:34You aren't.
00:33:34Aren't who?
00:33:35Your brother.
00:33:35Of course I'm not my brother.
00:33:36It's the likeness.
00:33:38It's amazing.
00:33:39I think this is your hat, Mr. Lattica.
00:33:43The extraordinary.
00:33:46Too funny.
00:33:49Yes.
00:33:50I think my brother's head must be smaller than mine.
00:33:52Are you trying to tell us that this isn't George?
00:33:55Of course it isn't.
00:33:56It's Alfred.
00:33:57I shall want proof of this.
00:33:58Sir, is there something?
00:34:00A sort of, um...
00:34:01I know what you mean.
00:34:03Proof, sir.
00:34:04Proof?
00:34:04Who is this man?
00:34:07I'm Denman Sturgis, a detective.
00:34:08I'm making inquiries about George Lattica.
00:34:10Oh, my brother.
00:34:11Or you.
00:34:12Oh.
00:34:12I want proof.
00:34:14Now, wait a minute.
00:34:14Wait a minute.
00:34:15Wait a minute.
00:34:16Now, you've known George for a long time, Dad.
00:34:18Yes.
00:34:19And you have, too.
00:34:20Yes.
00:34:20Have you ever bathed with him, sir?
00:34:22Scores of times.
00:34:23Did you ever notice he had a mole on the back of his neck?
00:34:25Oh-ho.
00:34:26A mole?
00:34:27No.
00:34:28Can't say I did.
00:34:29But you would have noticed if he had have had one.
00:34:31Sure.
00:34:31And you?
00:34:32I'm certain he hadn't.
00:34:33Are you prepared to state that he hadn't one?
00:34:35Absolutely.
00:34:35Then I have.
00:34:39Ladies and gentlemen, the mole.
00:34:49Would you care to look, Miss, uh, Miss, uh...
00:34:52Miss Vanderly.
00:34:54Miss Vanderly.
00:34:55No, thank you.
00:34:56I wouldn't dream of denying you were Alfred.
00:34:59Thank you, Miss Vanderly.
00:35:00You see, I always believed that if George were in trouble, he would trust me.
00:35:07Yes, I certainly think you should be satisfied, Mr. Sturgess.
00:35:11Why, obviously.
00:35:12There'll be no question of any doubt.
00:35:14Vote alongside, sir.
00:35:16Mind our paint.
00:35:18I shan't want you.
00:35:20They'll take me ashore.
00:35:22Yes, if he answered.
00:35:23Yes, if he had me, sir.
00:35:24I expect this is Mr. Lattica's uncle now.
00:35:27He'll give us all the proof we need.
00:35:30I shall be delighted to see him.
00:35:32He can assure you all.
00:35:34But say...
00:35:35Shh, he's not coming.
00:35:36He said so in the letter.
00:35:39Good morning.
00:35:41I don't know if I'm expected.
00:35:43My name's Arbert.
00:35:47Yes, yes.
00:35:48Delighted to see you.
00:35:49Mr. Marshall.
00:35:50Sure.
00:35:53Ah, George.
00:35:55Where?
00:35:59I thought my brother had come aboard.
00:36:03But, George, you got my letter.
00:36:06I'm afraid you're confusing me with my brother.
00:36:08But, George, George.
00:36:10Oh, no, no, no.
00:36:11That's what I thought.
00:36:12That's what we all thought.
00:36:13But we were wrong.
00:36:13Oh, that's delusional.
00:36:14This is Alfred.
00:36:19Alfred?
00:36:19Yes, I'm afraid your nephew, George, isn't here.
00:36:33He went ashore last night.
00:36:35And, well, this is Alfred.
00:36:38Well.
00:36:39Well, you surprise me.
00:36:41Yeah, I thought I would.
00:36:42You got my letter, Uncle?
00:36:43Yes, yes, yes, quite so.
00:36:44You see, I heard you were coming here.
00:36:46So, I came aboard instead of staying at the hotel.
00:36:54You'll excuse me, but it's the likeness.
00:36:58You know, you might be, George.
00:37:01Yes, I might, but I'm not.
00:37:02Of course not.
00:37:03How could you be, George, if you're Alfred?
00:37:06Quite.
00:37:06Oh, what a brain.
00:37:08It's hot.
00:37:08Well, well, well, well.
00:37:12Marvelous.
00:37:13Isn't it?
00:37:14It astonished us.
00:37:16And it wasn't until Alfred showed us the mole
00:37:17that we could believe it.
00:37:19The mole?
00:37:20Yes.
00:37:21On the back of my neck.
00:37:23Oh, quite so, quite so.
00:37:25But George.
00:37:26What's become of George?
00:37:28I'm afraid I have rather bad news about your nephew, George.
00:37:31He, in fact, well...
00:37:33Have you read the papers, Mr. Arbott?
00:37:35Yes.
00:37:35That assault on the prince.
00:37:37Evidence points to your nephew being mixed up in it.
00:37:40I'm Denman Sturgis, a detective.
00:37:43Oh, indeed.
00:37:44And my nephew?
00:37:45Has disappeared.
00:37:48Disappeared?
00:37:50Absolutely.
00:37:52I must say that at first,
00:37:53I was convinced this gentleman was George Latica.
00:37:56But the evidence of the mole?
00:37:58Quite so, quite so.
00:37:58That by your statement that George really has a brother, Alfred?
00:38:01Exactly.
00:38:02No more to be said.
00:38:03Coffee's ready in the saloon, monsieur.
00:38:06Thank you, Philbeam.
00:38:07What about it?
00:38:08Coffee, anyone?
00:38:09Coffee.
00:38:09Then you and your nephew can have your little talk later.
00:38:12Yes.
00:38:13You know, you mustn't go arresting Alfred by mistake.
00:38:16You found it.
00:38:17I wanted it for bathing, didn't I?
00:38:18Thank you, child, so much.
00:38:20I'm so glad you found it.
00:38:23Monsieur George.
00:38:25Ah, not George.
00:38:26Alfred.
00:38:27You're wrong, my child.
00:38:28This is Alfred.
00:38:29No, no, no, monsieur George.
00:38:30It's Alfred.
00:38:31Oh, George.
00:38:37Sir Latica, I must ask you to forgive me for doubting you.
00:38:42Not at all.
00:38:42It's a pleasure.
00:38:43I mean, not at all.
00:38:47You're looking a little worried.
00:38:49Yes, I am a little worried.
00:38:50You're thinking about your brother, George.
00:38:52Yes.
00:38:53What a terrible thing to have done.
00:38:56His mind must have become unhinged.
00:38:58Had he any trouble?
00:39:11I know what it is.
00:39:18Then you'd rather not tell me.
00:39:19Mr. Latica, I can confide in you.
00:39:26Why, of course, of course.
00:39:29I feel that I'm responsible for this dreadful business.
00:39:32Ah, as I thought.
00:39:34As I guessed.
00:39:35George loved you.
00:39:37You had a little tiff.
00:39:38You were probably in the right.
00:39:39But George has a proud and sensitive nature.
00:39:42And he went away in despair, poor lad.
00:39:52Ah, poor lad.
00:39:57Well, you see, if I had only...
00:39:59Miss Bandly, I beg of you to forgive, George.
00:40:02I feel that you are...
00:40:03You are doing something that may wreck the happiness of two lives.
00:40:05Absolutely.
00:40:06Absolutely.
00:40:11Can I tell you the tale of my own tragedy?
00:40:19It's difficult to speak of.
00:40:21I feel that you may find there is a message for you.
00:40:25There was a young lady of...
00:40:26Years ago in sunny Mexico,
00:40:31I too loved a girl as proud as she was beautiful.
00:40:34Readily offended, slow to forgive.
00:40:36One day I asked her to be my wife.
00:40:38She accepted me.
00:40:40And I pressed her to my heart.
00:40:41And went away, walking on air.
00:40:46I felt a universal benevolence.
00:40:48I felt I wanted to grab the nearest thing in sight and kiss it.
00:40:51I did.
00:40:51Yes?
00:40:52Yes.
00:40:52Go on.
00:40:53Understand, at that moment it might have been anything.
00:40:55It might have been the cat.
00:40:56But it wasn't.
00:40:58It was her mother's maid.
00:41:02What?
00:41:03Oh, yes.
00:41:05At that moment the girl I loved came along and saw it.
00:41:07I tried to explain she wouldn't listen.
00:41:10And we parted.
00:41:11Mr. Lettica.
00:41:12Forever.
00:41:13Mr. Lettica, you're making this up.
00:41:15You've seen your brother and he's heard what happened last night.
00:41:18I've never seen my brother in my life.
00:41:20Is that really true?
00:41:22Absolutely.
00:41:23I swear it.
00:41:26Was that really the reason why you kissed her?
00:41:28Absolutely.
00:41:28Just because you were happy?
00:41:30Absolutely.
00:41:30Oh, she's a fool not to believe you.
00:41:33Oh, Mr. Lettica, what shall I do?
00:41:35It sounds incredible.
00:41:36But George last night did exactly the same thing as you did.
00:41:39What an unlucky family we are.
00:41:46I promised to marry him.
00:41:48He went out and a moment later I found him kissing Poby.
00:41:52Extraordinary, that plain girl.
00:41:53Yes.
00:41:54I shouldn't call her plain.
00:41:57Oh, my dear, quite unattractive.
00:41:59Do you mean to tell me that George really kissed her?
00:42:02Yes.
00:42:03Oh, well.
00:42:04I don't know.
00:42:06More coffee, Mr. Auburn.
00:42:07No, thanks.
00:42:08I think if you don't mind, I'd better have a talk to my young nephew.
00:42:11Right, we'll find him.
00:42:13I'll tell Stella you want her, Mrs. Butler.
00:42:14I think I can explain it.
00:42:17George's motives were just the same as mine.
00:42:21And you broke off the engagement.
00:42:25Yes.
00:42:26Then I'm afraid you have much to answer for, Miss Vanderley.
00:42:29You sent him away.
00:42:30And in despair, he knocked the stuffing out of a prince.
00:42:38Oh, and I'm to blame.
00:42:39No.
00:42:40Yes.
00:42:40No, no, it was all my fault.
00:42:42His fault.
00:42:43There, there, there, there.
00:42:46There.
00:42:49No.
00:42:50No, you mustn't.
00:42:51I don't think George would like it.
00:42:52Oh, he would.
00:42:53Something tells me that he would.
00:42:56There.
00:42:57Stella!
00:43:02There you are.
00:43:03Your mother's asking for you.
00:43:05Come along.
00:43:06We leave these two to have their little talk.
00:43:09See you later.
00:43:10Well, Uncle.
00:43:14Very sad, this about poor George.
00:43:16I shouldn't have expected it of him.
00:43:18Ah, young blood.
00:43:19Young blood.
00:43:20Hmm.
00:43:21You never do that sort of thing, of course.
00:43:23Oh, Uncle.
00:43:23What a question.
00:43:24Well, well, well.
00:43:26I'm glad poor George isn't aboard the yacht just now.
00:43:29Yeah, so am I.
00:43:30That policeman would have him in an instant.
00:43:32Hmm.
00:43:33Determined man.
00:43:33Oh, very.
00:43:35Very.
00:43:35It would be fatal for George to appear for a long time to come with him around.
00:43:40Absolutely, poor boy.
00:43:42Oh, what a relief.
00:43:44Huh?
00:43:45George, my boy, you needn't keep it up any longer.
00:43:48I'm now in a position to inform you that you have no twin brother.
00:43:52Alfred does not exist.
00:43:53I invented him.
00:43:55What?
00:43:59You see, after I'd spent the trust money...
00:44:03The trust money?
00:44:06My boy never become a trustee.
00:44:10There it sat, smiling up at me, saying, spend me, spend me, spend me.
00:44:17And I found myself dipping and dipping and dipping...
00:44:21Till one day there was nothing left.
00:44:24Only a hole.
00:44:25All right.
00:44:26Chip.
00:44:27Jack.
00:44:29And then...
00:44:31Then I got the idea of creating your twin brother, Alfred.
00:44:35Oh.
00:44:38Well, sooner or later, you'd find out the truth.
00:44:41I'd be gone to South America.
00:44:43But I never thought the thing would be so easy.
00:44:46Easy, old...
00:44:47Well, my boy, this is our farewell interview.
00:44:50I'm leaving you tonight.
00:44:53Do you think I'm going to let you get away with this?
00:44:57But what could you do?
00:44:58I've established you as Alfred with the detective.
00:45:01A word from me, and you'd pretty soon be George again.
00:45:05And don't forget that.
00:45:07Can you afford to be George?
00:45:12Exactly.
00:45:15You going ashore?
00:45:16Yeah, I have to do an hour's rowing every morning, you know, thinning.
00:45:20Well, perhaps you'd give me a seat in your boat as far as the shore.
00:45:22Oh, delighted.
00:45:24Have you finished your business?
00:45:25Most satisfactorily.
00:45:28You're quite satisfied, Alfred, I think.
00:45:32Alfred?
00:45:33Oh, absolutely.
00:45:34Come on, if you're coming.
00:45:38Well...
00:45:38Goodbye, Alfred.
00:45:50You...
00:45:51You couldn't lend your old uncle a fiver, could you?
00:45:55Alfred?
00:45:56George.
00:46:16Oh, that kind of...
00:46:16Mind that paint, sir?
00:46:21All right, my boy.
00:46:23Jolly good of you to make room for me.
00:46:26Oh, not at all.
00:46:27It's a pleasure, I'm sure.
00:46:30You aren't looking quite yourself today, sir.
00:46:33Hope you ain't sickening for something.
00:46:37Probably malarial fever, sir.
00:46:40There's a lot of them nasty black flies around this coast.
00:46:43Settles on the back of your neck and poisons your system.
00:46:53Borussic acid's the thing for you, sir.
00:46:55And purrussic acid for you.
00:47:00Oh, Harold, you're not leaving us.
00:47:03As far as you're concerned, Miss Pillbeam, I've already left you.
00:47:07Oh, Harold.
00:47:08I'm going to shorter the tables to gamble away the money I've put by for our union.
00:47:13And if I lose...
00:47:15Put it on 16, matey.
00:47:17I dreamt of 16 corpses last night.
00:47:25Delilah!
00:47:27Hi there, rowboat!
00:47:28He frightens me!
00:47:30What does he mean?
00:47:36Well, it's wonderful what a lot of fellas do, so is hide theirselves in them gardens.
00:47:42Oh!
00:47:42Sometimes of a summer's evening, when it's all peaceful, you can hear the revolvers popping like champagne corks.
00:47:50Oh!
00:47:51Mr. Marshall's yacht, ahoy!
00:47:56This is Mr. Marshall's yacht, no?
00:48:08Yes.
00:48:09You are him?
00:48:10Yes.
00:48:11No.
00:48:11He could fetch himself, yes, no?
00:48:13Yes, no, no, yes, yes, yes, yes, Sidney.
00:48:16Tell Mr. Marshall that, ah...
00:48:18Count Fritz von Koslin.
00:48:19Count Fritz von Koslin wants to see him.
00:48:22Aye, aye, sir.
00:48:23A query to his serene hides.
00:48:26Prince Aschberg Leibniz.
00:48:28Oh!
00:48:28Ah, you are agitated, my friend.
00:48:44Not at all.
00:48:45Who's that knocking?
00:48:48You have read in the paper of the terrible outrage against my high-born master.
00:48:55Yes, quite.
00:48:58Have, have, have, have...
00:49:02Have...
00:49:03No.
00:49:04Have, have, have they caught the man yet?
00:49:07Noch nicht, aber wait!
00:49:09He doesn't say so.
00:49:10What's that?
00:49:10But wait!
00:49:11He will not escape.
00:49:13He may wriggle.
00:49:14Oh, he, he, he will.
00:49:16But he will not escape.
00:49:18My high-born master has a long arm.
00:49:23And with it, we will stretch out.
00:49:28We shall search the land.
00:49:32He'll only find worms.
00:49:33We shall scour the ocean.
00:49:35That'll make it nice and clean, won't it?
00:49:37He shall live to regret today.
00:49:39He raised his hand against us.
00:49:42My high-born master, we shall...
00:49:44Ah, Count Fritz von Koslin.
00:49:46Glad to meet you.
00:49:52This is Mr. Latiker.
00:49:54Mr. Latiker?
00:49:55Mr. George Latiker?
00:49:57No, no, no.
00:49:58George's brother, Alfred.
00:50:00I had hoped yourself were he.
00:50:02You can tell me where he is, yes?
00:50:04No.
00:50:04How's the prince?
00:50:06I am glad to say things go a little better with my high-born master.
00:50:11Good.
00:50:12Ah, Count?
00:50:13Mr. Sturgis, have you yet not found the owner of the hat?
00:50:16Not yet, but I will.
00:50:18Find him, Mr. Sturgis.
00:50:20It is the wish of my high-born master.
00:50:23He's not yet come aboard, but I've sent his description to the police.
00:50:26His description?
00:50:28You have seen him then?
00:50:29No, but this gentleman is his twin brother.
00:50:33An exact double, except for a mole.
00:50:35Don't you forget the mole?
00:50:36Oh, don't you go mixing me up with my brother George.
00:50:39It would be awful.
00:50:41Mr. Sturgis, send us all at once.
00:50:44Perhaps the noble young man has been hurt.
00:50:49What noble young man?
00:50:52The hero, George Latiker.
00:50:55The hero?
00:50:57Yes, who last night, at risk of his own life,
00:51:00saved from the assassin, my high-born master.
00:51:04Oh, oh, oh.
00:51:08Oh.
00:51:11What?
00:51:12What?
00:51:12Really?
00:51:13Mr. Sturgis, we have long been.
00:51:17When my high-born master recovered his consciousnesses,
00:51:20he tell us of the attack.
00:51:22A ruffian in a mask, his accomplices.
00:51:26Weakened by blows, my high-born master fell.
00:51:29Then, from the nowhere, comes a young man in a operatic hat,
00:51:35blows from right to left,
00:51:37till one and the other were collapsed beneath his almighty fist.
00:51:42Then, my high-born master remembers no more.
00:51:46Only who saved his life.
00:51:48Mr. Sturgis, the owner of the operatic hat is not a villain, but a hero.
00:51:56No.
00:51:59Oh.
00:52:03Bollé for George.
00:52:04Mother.
00:52:05Yes, Mr. Latiker.
00:52:06Your brother is a hero.
00:52:08He may ask for anything he desires.
00:52:10His fortune is made.
00:52:12And tonight, when he is found,
00:52:14and you must find him, Mr. Sturgis,
00:52:17my high-born master will himself visit the yacht
00:52:19and in his own person,
00:52:21give the thanks and the rewardings.
00:52:28How splendid!
00:52:30You know, I've always thought that George only seemed more objectionable
00:52:33than he really was.
00:52:36Mr. Latiker, I do congratulate you.
00:52:38Oh, me?
00:52:39On the heroism of your brother.
00:52:41Oh, yes.
00:52:41Oh, how proud you must be of him.
00:52:43Oh, yes, we are.
00:52:45Oh, isn't it marvelous?
00:52:47Splendid!
00:52:49I seek a nice bottle to drink young George's health.
00:52:54Sidney!
00:52:56Go below and ask the steward to give you a bottle of Cordon Rouge 21.
00:53:00Thank you, sir.
00:53:01Very kind of you.
00:53:02And bring it on deck with some glasses.
00:53:06Oh, how are you, sir?
00:53:07How splendid of George!
00:53:10Oh, I wish he could come back.
00:53:12Oh, I wish he could.
00:53:14Don't you think he can?
00:53:16Do you mean he was hurt in the struggle?
00:53:18It's possible.
00:53:19That would account for everything.
00:53:23Slight concussion.
00:53:27Unconscious.
00:53:28Taken to hospital.
00:53:30Oh!
00:53:31Oh, poor George!
00:53:32Don't worry.
00:53:33Twins have a sort of second sight about each other.
00:53:35And I know, I say, I know that George is coming back.
00:53:39You really think so?
00:53:40I'm certain.
00:53:41Some inner voice seems to whisper to me, saying, George is coming back.
00:53:47Oh, I wish it could be true.
00:53:49He'll come aboard stealthily, avoiding his friend's eyes.
00:53:53Why?
00:53:53Modesty.
00:53:56Hatless.
00:53:57Maybe disheveled.
00:53:59But a hero.
00:54:00Oh, I wish I could go.
00:54:02Oh.
00:54:02Oh.
00:54:03Stella.
00:54:04Coming.
00:54:05Good heavens! How did you get aboard? Well, well, I know. It must be. George! Dear old
00:54:28George! Why, who are you? I'm your brother, Alfred! No! Yes! I say, everybody! George is here! What's that
00:54:40you say? George is here. Where? He's in his cabin. Oh, is he hurt? Not a scratch, but you should
00:54:44see his dress suit. It's in ribbons. He's changing now. Oh, mother! Mr. Marshall! George has come back!
00:54:50Where is he? Where is he? He's down in his cabin, changing. You said he'd come back. Isn't it much?
00:54:55Listen. I thought I heard George calling. All right, George. I'm coming, old boy. Really?
00:55:00This brotherly affection is very pleasant. So I'll give you a tick, George. Give me a hand,
00:55:05will you, Alfred, old man? Why, certainly, George, old boy. Coming right away.
00:55:10One for a part. Even the voices are each other, no? But surely, Count. You notice a difference
00:55:16in the timbre? Well, Alfred. Well, George, old boy, you look better now. Do I? Rather.
00:55:24I say, what a mess you were in. Yes, wasn't I? Have you seen my dress suit? No. Oh, I say,
00:55:32old boy. It's done in, I'm afraid.
00:55:37Not enough. Thank you, darling. Up you go, George, old boy. They're all waiting.
00:55:43How do I look now, man? You look fine. Aren't you coming? No, not now. See you later.
00:55:49Oh, here I have it last, Mr. Marshall. I owe an apology. Yes, I don't usually stay out on
00:55:55right. As a matter of fact, I got mixed up with a bit of a rough and tumble. I got a tap
00:55:58over the head. Still, I think I saved the man they were going for. You did, Mr. Lappica.
00:56:02Do you know who he was? No. My highborn master, Prince Saxburg-Lightnitz. No. Well, would you
00:56:10believe it? My highborn master is a very grateful man. He was ready to spend much money
00:56:16to find you. There is nothing he will not do to you now that we have you discovered, Mr.
00:56:22George Lattica. Say, here, for the love of Mike. Say, you're making a mistake. You're all
00:56:29wrong. This isn't George Lattica. No, no, this is his brother, Alfred.
00:56:34Robert. Look here. See the move. Well.
00:57:00Hello, darling. Glad to see you. Good evening. Let me go right now.
00:57:03Gee, this is fully for you, Marshal. Do you have a real prince coming on board?
00:57:07Aye, Mr. Lattica. Pass my door to the moon, will you? How are you? How are you?
00:57:10How are you? How are you? How are you? How are you? How are you?
00:57:14Let's give it to me. We'll sure spread the news when we get home.
00:57:16That's right. Good evening.
00:57:18Any news of Sturgish yet? No, nothing for Mr. Fred's message.
00:57:21Gee, what's he doing, then? Do you realize that Prince will be on board in a few minutes?
00:57:25What's going to happen if George isn't here for him to decorate? Why can't they hurry?
00:57:29Good evening. Good evening. Good evening.
00:57:31I'm glad to see you all. Didn't we just have a wonderful time last week?
00:57:34We certainly did. And say, that Prince guy's shown up here.
00:57:37No, not Captain. He'll get us. One moment, please. I want to say something to you.
00:57:40It's a wonderful time.
00:57:43Please, Miss Banderley.
00:57:48Say, got a camel?
00:57:49All right.
00:57:50All right.
00:57:51All right.
00:57:52Let's go.
00:57:53What is it?
00:57:55Oh!
00:58:00Stella, please.
00:58:01How are you?
00:58:02How are you? Glad to see you.
00:58:03Well, how are you?
00:58:04You park your app on that seat, or any old wearer.
00:58:06Our club attendant's gone for a walk.
00:58:08You go right straight down in the saloon. You'll find everybody waiting there for you.
00:58:11You just can ride straight now.
00:58:12Billy, this is awful.
00:58:15Stella keeps cutting me.
00:58:17For all the chance I've got to get him back into my own body, I might as well be a ghost.
00:58:20Not cutting you, old boy. Only Alfred.
00:58:22Hello there. Let me take this from you. I'm glad to see you.
00:58:25Go right down into the saloon. There's certain cocktails down there.
00:58:28Billy, I tell you, I can't stand it.
00:58:30Well, it did look as if Alfred was kind of trying to steal George asunder, didn't it?
00:58:33And now your father's practically told me to clear off the yacht.
00:58:36Yeah, but it don't matter now.
00:58:38Stella's going.
00:58:39What?
00:58:40Yes, she and her mother are clearing off.
00:58:41But they can't. They mustn't.
00:58:42Oh, but she seems kind of set.
00:58:44What?
00:58:45We sail tomorrow without Stella?
00:58:46Why, it's unheard of.
00:58:47Don't you realize I love her?
00:58:49Oh, what are we going to do?
00:58:51Well, what can we do?
00:58:54Well, if Stella won't speak to me as Alfred, I shall have to speak to her as George.
00:58:57Oh, no, no, man. You can't be George again. You've tried that.
00:58:59Yes, and you mucked it up. What am I going to do?
00:59:01Now step on it. Step back on it. You're almost up.
00:59:04Just because you think Stella's giving you the air.
00:59:06Think. Think.
00:59:07Yes.
00:59:08Have you ever stepped on a rake?
00:59:14Well, I guess that's the lot.
00:59:16Yes. Wait a minute, there's another boat.
00:59:18Don't say it's the prince.
00:59:19Gee, what shall we do?
00:59:21No, it's me.
00:59:22Good. Good. And George. Have you got George?
00:59:24Of course not.
00:59:25Isn't he here?
00:59:26Gosh, nice mess you've made of things.
00:59:28What do you mean?
00:59:29What do you mean?
00:59:30Did you tell the prince?
00:59:31Have you cancelled his coming?
00:59:32No.
00:59:33What's up?
00:59:34What's up?
00:59:35Your message said, okay, Latika located.
00:59:37Yes.
00:59:38Where was he located? I'd like to know.
00:59:40In the casino gardens today.
00:59:41The police spotted him and traced him to the shore.
00:59:43He didn't come back, so they deduced he'd taken a boat and made for the yacht.
00:59:46Isn't he here?
00:59:47No, he isn't.
00:59:48And a nice fool we'll make of the prince.
00:59:51What the blazes were going to tell him, I don't know.
00:59:54Billy, this has got to stop.
00:59:56And the only thing to do is to tell him the king.
00:59:58They won't believe it.
00:59:59They've got uncle's word that there are two of us.
01:00:00They've got yours that George had no mole.
01:00:02And uncle's gone to South America.
01:00:03Then you must get rid of the mole.
01:00:04Yeah, but how?
01:00:05I know a beauty specialist who'd do it.
01:00:07You do?
01:00:08Wonder!
01:00:09Do you know where to find him?
01:00:10Where?
01:00:11Let's go.
01:00:12Mr. South America, please.
01:00:15Give me a moment, please.
01:00:16I can explain everything, everything.
01:00:18You're breaking George's heart.
01:00:20George would hate you not to like his brother.
01:00:22So a brother tried to supplant him.
01:00:24I didn't.
01:00:25I did it for him.
01:00:26I tried to get the prince's reward for George before the prince had time to change his mind.
01:00:29Oh, I don't have listened to you.
01:00:30It's true.
01:00:31The moment George had returned, I was going to withdraw.
01:00:34Oh.
01:00:35I swear, in fact, I can say with truth that if George had returned, Alfred would have ceased to exist.
01:00:39That's enough.
01:00:40Oh, listen, please.
01:00:41You won't leave this bloat, will you?
01:00:43If George came back and found that I had driven you off the yacht, I mean, please.
01:00:47Mr. Latica, will you please let me pass?
01:00:50All right.
01:00:51But you mustn't go.
01:00:53I'll go.
01:00:54As a matter of fact, I'm leaving the yacht now.
01:00:56Marshal has kicked me off.
01:00:58I won't bother you anymore.
01:00:59I shall scream out!
01:01:00No, no, please.
01:01:01I'll go.
01:01:02I'll go.
01:01:03I'm sorry you don't believe me, but perhaps one day I'll be able to explain everything.
01:01:07And please, please don't tell my brother of my downfall.
01:01:14Oh.
01:01:15Oh, sir, how do I go?
01:01:16Oh.
01:01:17Oh, sir, how do I go?
01:01:20Ugh.
01:01:21Wie.
01:01:22Oh.
01:01:24Oh.
01:01:25Oh.
01:01:26Oh, we sailors.
01:01:52Oh, Stella, just a minute.
01:01:56Your mother wants you.
01:02:17George!
01:02:20George!
01:02:21At last!
01:02:22Oh, my dear, I'm so glad you're back.
01:02:24I feel holy.
01:02:30Your bag.
01:02:36Gee, this is great!
01:02:42George, dear, that dreadful brother of yours.
01:02:45Did you see him?
01:02:46What, sir?
01:02:47That brother of yours.
01:02:48Did you see him?
01:02:49I can't see anything.
01:02:50I think I've had a knock.
01:02:52Oh, you're poor.
01:02:53Oh, George.
01:02:54What have they done to you?
01:02:56I don't know.
01:02:57I think I fell.
01:02:59Yes.
01:03:00But not until you'd knock down four of the Ruskins and saved the Prince's life.
01:03:04Oh, George.
01:03:05I'm so proud of you.
01:03:08Oh, go on being proud.
01:03:11Prouder.
01:03:12Hey, Billy, what do you think?
01:03:13Oh, I can't think.
01:03:14Well, listen.
01:03:15No, no, Mamie, you listen to me.
01:03:16Mamie, why won't you marry me?
01:03:17Well, maybe it's because you haven't asked me.
01:03:18Haven't what?
01:03:19You haven't asked me.
01:03:20Oh, good lord.
01:03:21I don't believe I have.
01:03:22Oh, where is Mr. Marshall?
01:03:23Oh, but Mamie, if you don't...
01:03:24Oh, I'm so sorry.
01:03:25I do hope I haven't...
01:03:26I haven't...
01:03:27Oh, hello, the boy here.
01:03:28Great news.
01:03:29Great opening of a bottle.
01:03:30Great news.
01:03:31What is it?
01:03:32What is it?
01:03:33I'm loved.
01:03:34Oh.
01:03:35I was coming ashore.
01:03:36Oh.
01:03:37Oh.
01:03:38Oh.
01:03:39Oh.
01:03:40Oh.
01:03:41Oh.
01:03:42Oh.
01:03:43Oh.
01:03:44Oh.
01:03:45Oh.
01:03:46Oh.
01:03:47Oh.
01:03:48Oh.
01:03:49Oh.
01:03:50Oh.
01:03:51Oh.
01:03:52Oh.
01:03:53Oh.
01:03:54Oh.
01:03:55Oh, I'm sure I could go to find you.
01:03:57But now I'll never let you go.
01:03:59No, never let me go.
01:04:00Darling.
01:04:01Say, Mr. Marshall.
01:04:02Great news.
01:04:03George has come back.
01:04:04Are you sure?
01:04:05Yeah, Stella's up there with him now.
01:04:06Is it really, George?
01:04:07Sure, I saw him come aboard.
01:04:08He's kind of funny.
01:04:09Head knocks apart, and all that.
01:04:10I say, folks!
01:04:11Stop that van a minute!
01:04:12Stop it!
01:04:13What about a bit of a welcome?
01:04:15The hero will be now let out of a glass case.
01:04:18Let's do this thing well.
01:04:19of those flies i've been so unhappy but you've forgiven me for what i did last night darling
01:04:33but you'll never doubt again darling
01:04:38it's something that may alter our whole future it's about my brother and me hey what's the idea
01:04:45i beg pardon sir i thought it was one of them stinging flies i see now it's only a mole
01:04:52a mole no no the man's mad thank you sir he's not mad thank you miss let me see no no no please let me
01:04:58see and what is your explanation this time mr alfred latiker i'm not alfred alfred does not exist you
01:05:09are alfred i'm not that's what i was trying to explain if you listen you see i am and i'm not
01:05:14you see there are not two of me there are only one of me
01:05:25you must believe me i shall never believe you again
01:05:27this is not george it's alfred what what alfred again well look for yourself it's still alfred with
01:05:48the mole may i see oh certainly madam help yourself what's a few moles amongst friends oh it's there
01:05:56what does it all mean mean there's another infamous and cruel deception i can explain there is no
01:06:02explanation there is then let's hear it mr marshall the prince what the blazes are we going to do
01:06:19where is my lataka
01:06:25oh my lataka
01:06:32oh my lataka
01:06:36i'm floyd mine lever freud
01:06:40how glad we are i should say so
01:06:42yeah
01:06:47of the first between prince i'm mr marshall the owner of this yacht
01:06:52herr marshall prince here herr marshall is time gross a hero george latiker
01:07:03prince i i'm afraid there's been some mistake
01:07:06this is alfred latiker george's brother but mr marshall surely if the prince recognizes me as george
01:07:12that's sufficient evidence of my identity not among twins oh no not even a prince can distinguish
01:07:18twins did you see the mole yes the mole yes the mole
01:07:21a mole is it's more only it's it's billy come to the rescue yeah well it's it's uh it's not a
01:07:37carbuncle no no no and it's uh it's not a pimple so no and it's it's not a boil so then what is it's
01:07:44it's a sort of uh it's an inflated freckle no no it's a mole of course now that's all
01:07:51clear isn't it yeah yeah but at least i'm moan oh i'll show you had your rescuer a mole i have
01:07:59not look no he had not this man has this is george's twin brother alfred latiker what's this
01:08:10excuse me madam but i have to step on the snake a human snake you did you say alfred latiker i did
01:08:16well he's not keep quiet they'll hear you i mean them too you don't believe it hey well this morning
01:08:22i overheard them plotting the cabin mr george was to pass himself off with his twin brother alfred
01:08:27because he slugged a royal prince what yes and what must have been their proof why mr george
01:08:32latiker's mole which they wish to swear he never had and alfred did here here here moles moles i mean
01:08:39this here's george latiker let him deny it if he can i wouldn't dream of denying it thank you very
01:08:46much moles thank you then it is you my friend you are my rescuer you're your slugger what is thine slugger
01:08:58moles you're fired mr latiker did not attack the prince he rescued him what he well i'm
01:09:04and how go below i'll attend to you later but look here mr mark and i make the rewardings you have
01:09:12saved my life and i give you the greatest reward my country can offer thank you what is gold to me or
01:09:18to you oh what what is silver oh what indeed what is the banknote oh search me what is a mole nothings i
01:09:28i could shower you with these but instead i shake you the hunter
01:09:34and i say i thank you very much my dear friend and i decorate you with the rote kreuzer from
01:09:44so
01:09:48so
01:09:54so
01:09:58so
01:10:06I'm very angry with you.
01:10:23No, not really.
01:10:25Yes, really.
01:10:26You behave very badly.
01:10:27Most girls like bad men.
01:10:32I can't believe that a man could be so happy.
01:10:36He wanted to kiss the nearest thing in sight.
01:10:38Can't you?
01:10:39Well, you'd better try.
01:10:41Because I'm feeling that way now.
01:10:43Let her go!
01:10:46Why would you?
01:11:06Why would you?
01:11:17Why would you?
01:11:17Why would you?