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  • 6 days ago
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Transcript
00:00You know, I explained it to you, didn't I?
00:29You should say you weren't.
00:31You need to get Daniel Brennan back in prison.
00:43Brennan's missing.
00:44I will start the recall paperwork today.
00:59Did that.
01:00Tried to get rid of me, leaving me on my own, again.
01:08Hello, I'm calling about the taxi, 4th Borne Park.
01:23Do you need a lift anywhere?
01:24I haven't got any idea where he's gone.
01:25My phone's flat.
01:26What?
01:27What?
01:28What?
01:29What?
01:30What?
01:31What?
01:32What?
01:33What?
01:34What?
01:35What?
01:36What?
01:37What?
01:38What?
01:39What?
01:40What?
01:41What?
01:42What?
01:43What?
01:44What?
01:45What?
01:46What?
01:47What?
01:48What?
01:49What?
01:50What?
01:51What?
01:52What?
01:53What?
01:54What?
01:55What?
01:56What?
01:57What?
01:58What?
01:59What?
02:00What?
02:01What?
02:02What?
02:03What?
02:04What?
02:05What?
02:06What?
02:07What?
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02:47What?
02:48What?
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02:50What?
02:51What?
02:52What?
02:53What?
02:54What?
02:55Where?
02:56What?
02:57What?
02:58No.
02:59Jerry?
03:00Jerry.
03:01Your dad.
03:03No!
03:04You heard.
03:06No.
03:07Jerry, don't do it.
03:11Oh no.
03:13Jerry.
03:14Why?
03:15No.
03:16What?
03:17Where?
03:18Oh.
03:19Oh.
03:20No.
03:21Oh.
03:22♪♪
03:32♪♪
03:42♪♪
03:52♪♪
04:02♪♪
04:12♪♪
04:22♪♪
04:32♪♪
04:42♪♪
04:52♪♪
05:02♪♪
05:12♪♪
05:22♪♪
05:32♪♪
05:42♪♪
05:52♪♪
06:02♪♪
06:12♪♪
06:22♪♪
06:32♪♪
06:42♪♪
06:52♪♪
07:02♪♪
07:12♪♪
07:22♪♪
07:32♪♪
07:42♪♪
07:52♪♪
08:02♪♪
08:12♪♪
08:22♪♪
08:32♪♪
08:42♪♪
08:52♪♪
09:02♪♪
09:12♪♪
09:22♪♪
09:32Mom, what's wrong with him?
09:34♪♪
09:46What's he talking about?
09:49Oh, for...
09:51♪♪
10:01♪♪
10:08What was...
10:11Mom, help me!
10:16Stop!
10:17Dad, you've got to stop!
10:19Stop!
10:21Aah!
10:22Aah!
10:23Aah!
10:29Mom, I can't run!
10:35Aah!
10:40♪♪
10:44Anything back from your dad yet?
10:49No.
10:51What about your mum?
10:53Would she know where your dad might be?
10:57She's not around anymore.
11:03You've got to help me out here.
11:05I already told you I wasn't going to be able to help you.
11:11If you still let me go, now!
11:14The sooner we track him down, the sooner I'll let you go.
11:17OK?
11:24How come you haven't called the police?
11:27You told me you were going to call the police.
11:30You don't really want to get the police involved, do you?
11:33You don't really want to get the police involved, do you?
11:57The Brennan recall paperwork's gone through now, yeah?
12:00Yeah.
12:01I put him down as high risk.
12:03I'm sure he is, but...
12:05No, he is.
12:06Done your job.
12:08One thing I noticed, though.
12:11Daniel Brennan signs his own interview statement.
12:14See? Right here.
12:16This statement is true, to the best of my knowledge and belief.
12:20Right.
12:21Right.
12:22These...
12:24..are his basic English learning certificates from prison.
12:28Why would someone sign their own confession if they couldn't properly read it?
12:32Oh, maybe someone signed it to him.
12:36Not a legal counsel present either.
12:43What did you want, Ray?
12:47Why did you keep coming round our house again?
12:54I wanted to call the police.
12:57To ask them to talk to you.
13:00Maybe if I'd done that...
13:03..Ray would still be alive.
13:09Help?
13:10With what?
13:26I don't know.
13:27I don't know.
13:54God, why?
13:57Why?
13:58Why?
14:26Why?
14:28Why?
14:34But...
14:35But...
14:38Why?
14:39Why?
14:44Why?
14:50Why?
14:52Why?
14:58Why?
15:29Why?
15:43You didn't want his help, did you?
15:49He was your friend.
15:52He would have done anything to help you.
15:55But you...
15:57..killed him.
15:59Why?
16:25Why?
16:55Why?
17:01Why?
17:02Why?
17:04Why?
17:05Why?
17:13Why?
17:18Why?
17:21This where you're setting the world to rights now?
17:23Now?
17:24Been a few years.
17:25And how's that going for you?
17:27Same shit, different job title.
17:34Oh, mate.
17:35All you want.
17:37So who is this guy to you, anyway?
17:39You never asked for a favour like this before?
17:41No.
17:43It's complicated.
17:44Try me.
17:45Someone's a bit too keen to see him back in prison.
17:48Cleaving messages, coming by the office.
17:51Right.
17:52I don't know.
17:54Just want to set my mind at rest.
17:57Still a detective through and through, eh?
18:00Look.
18:01Some time's passed now, you know.
18:03I could...
18:04I could speak to some people if you wanted to come back to the police.
18:07I'm sure they'd welcome you.
18:13Right.
18:14See myself out.
18:15Nice one.
18:16Right.
18:23Let's get this done, shall we?
18:29Want a bit of water?
18:40Look, my dad, it's got nothing to do with me.
18:42Please just let me out.
18:43I can't do that.
18:44Why not?
18:47Is there anywhere else where your dad might have gone?
18:52Like where?
18:53Like a safe house.
18:54A meeting place.
18:55A safe house?
18:56What, you think he's some sort of mobster or something?
18:58Well, he's a murderer, I know that much.
19:01My dad's not like that.
19:02He wouldn't hurt Christine.
19:04You don't know that.
19:05Well, I don't know you.
19:06I only met you half an hour ago,
19:07and now you've locked me in your car,
19:09and you're threatening me.
19:12Fucking let me out, now!
19:17There you go.
19:20What?
19:21You're free to go.
19:47Let's just take a breath.
19:49Okay?
19:52I'm not looking for your dad.
19:53I just want to find Christine, and she's where your dad is.
19:58You take me to where Christine is,
20:00and then we can part ways,
20:02and that's the end of it.
20:05I'm sorry.
20:07I'm sorry.
20:09I'm sorry.
20:11I'm sorry.
20:13I'm sorry.
20:14I'm sorry.
20:18You promise?
20:20I have no interest in your dad.
20:22Okay?
20:26Well, that makes two of us, then.
20:36That's where he is.
20:45Fuck.
20:47Fuck.
20:49Fuck.
20:51Fuck.
20:53Fuck.
20:56Fuck.
21:14Fuck.
21:21Fuck.
21:26Fuck.
21:31Fuck.
21:35Fuck.
21:39Fuck.
21:44Fuck.
21:49Fuck.
22:04Fuck.
22:10Fuck.
22:14Fuck.
22:19Fuck.
22:23Fuck.
22:24Fuck.
22:26Fuck.
22:27Fuck.
22:29Fuck.
22:32Fuck.
22:33Fuck.
22:34Fuck.
22:35Fuck.
22:44Fuck.
22:48Fuck.
22:50Fuck.
23:00Fuck.
23:02Fuck.
23:12Fuck.
23:14Fuck.
23:26Fuck.
23:38Fuck.
23:41Fuck.
23:44Hey...
23:52Hey.
23:53Hey.
23:54Stop.
24:03No, stop.
24:05Shut up.
24:07Shut up.
24:08Hey.
24:09Dad!
24:21Mom?
24:28Dad?
24:40Dad?
24:46Oh no!
24:57What are you doing here?
25:00What has happened?
25:04Everything is lost.
25:07You don't have family!
25:16I could do with her.
25:24But I can't.
25:30Don't.
25:32Don't!
25:59You had a haunted knife.
26:19Were you planning to kill someone?
26:24If you plan to kill someone,
26:26that is premeditated.
26:29You murdered him.
26:34So you accept full responsibility
26:37for his death?
26:47It's all my fault.
26:56You do that one more time.
27:07I'm sorry.
27:08Your job is to interpret what is said between me and the suspect.
27:11Nothing more.
27:13Have you got that?
27:22Why are they signing to each other?
27:26Ask him, eh?
27:28I don't know.
27:30And when he already does?
27:32You do that one more time.
27:34I'm sorry.
27:56I'm sorry.
28:26I'm sorry.
28:57I'm sorry.
29:00I'm sorry.
29:02I'm sorry.
29:20I'm sorry.
29:26Yes.
29:48What the?
29:52God, no.
29:56No.
30:07No.
30:11No.
30:23No, no.
30:26No.
30:32No.
30:34No.
30:36No.
30:38No.
30:42No.
30:43No.
30:56No.
31:17Ow.
31:26♪♪
31:36♪♪
31:46♪♪
31:56♪♪
32:06♪♪
32:16♪♪
32:26♪♪
32:36♪♪
32:46♪♪
32:56♪♪
33:06♪♪
33:16♪♪
33:26♪♪
33:36♪♪
33:46♪♪
33:56♪♪
34:06♪♪
34:17Thanks for coming by on such short notice.
34:19No worries. Where do you want me?
34:21Here you go.
34:24So, the first bit we're interested in is here, right at the start.
34:39What is it? What are they saying to each other?
34:41Erm, would you mind playing it again? I might need a couple of goes to get it all.
34:44Okay.
34:47Are you sure you don't want a lawyer?
34:51I just want to get this over with.
34:54So he refuses legal counsel?
34:56Yeah, looks like it.
35:08Do you understand what you're confessing to?
35:11He's dead because of me. That's it.
35:13He's dead because of me. That's it.
35:17But you didn't mean to kill him, right?
35:20So he didn't know what he was confessing to.
35:23He sent Brendan down for premeditated murder. That's coercion.
35:38You really don't want anything to do with your dad, then?
35:41No.
35:42Why's that?
35:44It's all secrets.
35:47He won't tell me anything.
35:49He wants to shield me from everything.
35:54I don't even know who he is anymore.
35:57What do you mean?
36:03I still remember what it's like to have a dad. Just about.
36:10Someone who looked out for me, brought me to school, made me feel safe.
36:15Taught me how to fix cars.
36:22When he first came out of prison, I thought, maybe...
36:26Maybe I'll get my dad back.
36:29Maybe he's still a good person.
36:31Even after everything that happened.
36:34But now, he's just some angry deaf man going around getting into fights.
36:40Had you told him that?
36:43What difference would it make?
36:46Maybe he's trying to change his ways. I don't know.
36:50No, it's too late for us now.
36:53He doesn't care about me.
36:58Not really.
37:01Not really.
37:13Don't do that. One more time.
37:15I'm sorry.
37:16Your job is to interpret what is said between me and the suspect. Nothing more.
37:21Have you got that?
37:23He said it's about school. Something happened to him.
37:26Now, you listen to me. I'm not interested in his life story.
37:29He's murdered someone and he's going to sign this.
37:32Whether you like it or not.
37:39Understood?
37:40Yes, son.
37:45Just like we talked about.
37:48You sign this, and that's the end of it.
37:52And we don't want to hear about it.
37:55And we don't have to bring in your family and interview them.
37:59We don't have to ask your friends about you.
38:03You sign here, and it's all over.
38:15It'll all be over.
38:18They'll go easy on you in court, too.
38:24I'm sorry.
38:44It's them, isn't it?
38:48Yeah.
38:50Right. Tell Christine I'm here.
38:52What now?
38:53Tell her yourself. I've told you I'm done with all of this.
38:56Look, it's like I said. I've no interest in going anywhere near your dad.
39:00I don't want to get involved. I don't want to interfere.
39:02I just want to make sure she's safe. Okay?
39:06Please.
39:07Fine.
39:19Hey!
39:20Your boyfriend's here.
39:24He wants to make sure you're all right.
39:28Carly?
39:30Look at you.
39:36Hey, love.
39:39I was in a lot of pain, but...
39:42I'm sorry. It should have been there for you and your mum.
39:45I'm sorry.
39:51Um...
39:53When you see Mary, just tell her I didn't mean what I said.
39:56Yeah?
40:01Bye, love.
40:08Woo!
40:20Woo!
40:50I'm sorry.
41:20I'm sorry.
41:30Mary!
41:32Mary, where are you?
41:35Mary?
41:39I'm sorry.
41:41I'm sorry, Mary!
41:47I'm sorry.
41:48And it really hurt.
41:59That's Genesis.
42:02Oh, no.
42:05Yeah, it did.
42:08But I'm broke.
42:10♪♪
42:14I'm...back.
42:17♪♪
42:19I'm...
42:21♪♪
42:28♪♪
42:33♪♪
42:39You didn't hurt you?
42:41No.
42:43Did he tell you what he said?
42:45Did you get the answers that you wanted?
42:48It's complicated.
42:50I just need to sort it all through in my head.
42:53Oh, I've been so worried about you.
42:54Been drowning around all day calling and texting.
42:56I'm sorry, love.
42:58Oh, thank God you're safe.
43:00Oh, God, Miri.
43:02She must be worried sick.
43:04No, she's all...
43:06I'll treat you there now.
43:10Be good to track Brennan down.
43:12Talk to him.
43:15You've changed your tune.
43:17What's going on?
43:19I joined the police because I wanted to help people.
43:22Do good.
43:23Change stuff for the better.
43:25The usual.
43:28Then I ended up working with people like him.
43:31Got sick of people being pushed.
43:34Coerced.
43:36Deciding who we liked, this and that,
43:38and then just making the pieces fit,
43:40another case closed.
43:42Any time I tried to do something,
43:44to say something about it,
43:46there was another secret black mark against me.
43:51In the end,
43:52I got too much.
43:57Do you think Daniel Brennan's innocent, then?
44:00I don't think anyone's gonna care about any of that.
44:03He's done his time in prison.
44:06Maybe more than he should have.
44:10I'm sorry.
44:12But you were right.
44:15He deserves a chance.
44:23I'm gonna keep trying his phone.
45:03I'm gonna keep trying his phone.
46:03I'm gonna keep trying his phone.
46:34Hi.
46:50Christine.
46:52Yeah?
46:55I know you both had a long day,
46:58but, uh...
47:00What is it, love?
47:05I'm just...
47:06I'm just glad you're both safe.
47:12I'll let myself out.
47:29I love you.
47:59I love you.
48:30So much for second chances, eh?
48:33I almost believed you.
48:35I'll be all right.
48:36Well, what the fuck is this, then?
48:38Eh?
48:39Do you have any idea,
48:41any idea how much I wanted to believe you?
48:46To believe that you and me,
48:48well, we could start over together.
48:50Yeah.
48:51You were always planning on going back to prison, weren't you?
48:54Leaving me on my own.
48:56More lies, more broken promises.
48:58More lies, more broken promises.
49:00Same old fucking shit!
49:05I hate you.
49:08I fucking hate you!
49:29Ten years in here
49:31No one near
49:33No one to sign my name
49:37No one to sign my name
49:42Nowhere to hide my shame
49:49One day soon I'll be forgiven
49:53Even though I don't know what I've done
49:57Some say there's no use in trying
50:01To be free under the sun
50:07Reunion.
50:08Reunion.
50:09Reunion.
50:10Reunion.
50:11Action!
50:13It just felt profoundly worthwhile.
50:17It's an ingenious and unique story.
50:22Oh!
50:25Reunion is the story of a man called Daniel Brennan.
50:29He's just out of prison after ten years inside
50:32for committing a terrible crime.
50:35He's lost his family, he's lost his friends,
50:38he's lost the deaf community.
50:40When he gets out, he finds that he's still isolated
50:43and he's on a journey to try and reunite various people
50:46and solve the problems from his past.
50:49My character Brennan is on a wildly different journey
50:52than that portrayed at normal deaf lives.
50:54He is reunited with his daughter who I'm playing
50:58and tries to reform the bond that was kind of damaged
51:02and lost between them both when he went to prison
51:05and there's kind of the reunion of father and daughter
51:08as well as the wider story of the reunion.
51:11What attracted me to it is the deaf writer.
51:13When I read it, there were so many moments in it
51:16that it was so particularly deaf culture
51:19that only deaf people should get it.
51:21So it got me so excited to see the moment in it
51:24and I just felt that I have to be in this project.
51:27My dad always believed that every deaf child
51:31had a right to an education.
51:33It had this amazing, unique perspective
51:36of how it feels to be a deaf man in prison,
51:39a deaf man sort of re-entering the world after ten years.
51:42So on the one hand it was like universal,
51:44there were a lot of universal themes,
51:46but then on the other hand it was really specific
51:48to deaf culture and the deaf community.
51:50What I love about the story is that everything goes wrong
51:53for all the characters because people are not communicating
51:56and it's about failure to communicate.
51:58So I found that fascinating and to put it in the context
52:01of a deaf character who can't hear and can't communicate
52:05was a really ingenious way of exploring that theme.
52:09I'm from Sheffield, so what I wanted to write
52:12is a bit of a love letter to my hometown.
52:15I want to show those amazing locations,
52:17those amazing places that I remember from my childhood.
52:21So when Warp Films first joined the production
52:23I was so happy because Warp is based here in Sheffield
52:26so it was kind of a dream collaboration
52:28to be working with them.
52:30I love Sheffield as a town.
52:31There's an incredible generosity of spirit here.
52:34We've used a lot of deaf people who live and work here
52:37in Sheffield as part of Reunion
52:39and that was really important for me.
52:41From the start I wrote Reunion as a bilingual script
52:45which meant I used italics and bold
52:49to show the different range of communication
52:51they use in the script.
52:53I had to think about that carefully.
52:55How am I?
52:58I just paid off the mortgage, I bought a new car.
53:02I'm in line for a promotion actually.
53:08Why are you still wearing that?
53:11I love that Reunion is an inclusive production
53:14and I think it's one of the things
53:15that's most important to me personally.
53:17I feel like not only are we telling a story
53:20with a deaf protagonist and deaf cast members
53:22but we've also managed to get
53:24some amazing deaf crew members as well
53:27a lot of whom have been invaluable to us making this
53:30and it's really lovely to see the connection
53:32between the hearing crew and the deaf crew
53:34and to see those relationships being formed
53:37but also us all pushing together
53:39towards a common goal of making the show.
53:41We have a deaf access team
53:43who are central to everything
53:44just making sure that we have
53:46all the interpreters we need every day.
53:48We also have a whisper track
53:49which is having one of the interpreters
53:51just reading out everything that gets signed on set
53:54so that everything hopefully works
53:57as a fully bilingual set.
53:59We took a lot of advice over
54:01through the whole production period
54:02because there were a lot of things
54:04to take into consideration.
54:05We consulted with Triple C
54:07who very early on set up a deaf round table
54:10which was a meeting with deaf creatives as well
54:13just to talk about good and bad experiences
54:15they've had on set previously.
54:17It's amazing to see
54:18remember that pre-shoot that we did
54:20just seeing it work.
54:21Luke, the director, is now pretty much fluent in BSL
54:25and Lara is just incredible.
54:28They're just having conversations outside
54:29so it's just really great to see that
54:31the team's embraced it.
54:32There are two actors I'm really proud of
54:35Lara Peake and Anne-Marie Duff.
54:37Both had to learn sign language for this series
54:41and they've learnt in a matter of weeks.
54:44I think enough time has passed
54:47that your dad would want me to move on
54:52to try.
54:55I've really loved it.
54:56It's very interesting translating and saying
54:58okay, if I would act this vocally in this way
55:01how would I physicalise that then
55:03in scenes where I don't vocalise
55:05and so it was exactly the same.
55:07I'd be just as awkward physically as I would
55:09with my voice, you know, things like that
55:11so it's been rather beautiful actually.
55:14I was an absolute beginner when it came to signing.
55:17In a way, sometimes that can be the best place to start
55:19because you don't bring anything with you
55:21you're just wide open and ready to learn
55:23and I've had the most incredible teacher, Duffy.
55:26Duffy, he's like a complete legend teacher
55:29that has taught me pretty much every day
55:32I think for about three weeks
55:34and as time's gone on we've kind of
55:36been out in social settings
55:38and then I think when you can apply
55:40what you've learnt in a more formal setting
55:42to then going to the pub
55:44there's all different signs for different accents
55:46and different regions
55:48and you pick up so much more as well
55:50outside of the formal learning environment.
55:52We've had a really good giggle along the way
55:54and even just having a cup of tea with everybody
55:57I'm having to sign all the time
55:59so it's immersion, you know
56:00it's like visiting this beautiful country
56:02where I've had to learn the language
56:04and yeah, I've loved it, it's been brilliant.
56:06For the chemistry audition with Matty
56:08I was asked to learn the scene in BSL
56:11and I got sent a video of the sign
56:14and then I kind of at that stage
56:16just had to copy it and memorise it
56:18and then put the emotion and the acting
56:21on top of it after I'd kind of
56:23cemented the movement
56:25but then actually learning BSL for Je
56:28where I've not been copying
56:30I've been properly learning the meaning of the words
56:33I've always been quite fascinated by it
56:35as a language and the visuals and everything
56:37but I didn't know any of it
56:39so it's just been really amazing
56:41to learn it and soak it all up
56:44I just find the whole process amazing
56:46and I feel really grateful.
56:50You did that!
56:51Wilma!
56:52Tried to get rid of me!
56:54The environment on set around signing
56:57is so alive, you know, because
56:59it's not just actors who are deaf
57:02there's also crew members
57:04everyone's having to communicate with each other
57:06and it's been a really good example of how we can
57:09and how easy it is actually, if we try.
57:13The deaf culture and the deaf community
57:15is quite underserved, you know, on TV
57:17I think there's still a long way to go
57:19in terms of real inclusivity
57:21and giving deaf cast and crew members
57:23real opportunities, but I'm really happy
57:25and glad that we were able to do that on this
57:27feels really important to this show.
57:34It's a unique story
57:36it's completely different from other deaf films
57:39it showcases pure BSL
57:43it's different from hearing actors
57:45we are much more visual storytellers
57:47this is not about sound
57:49it's not about relying on sound
57:51it's about using your eyes
57:52and seeing what is going on in the story
57:54and I love the fact that this felt
57:56not only was it a really important story
57:58about the deaf community
57:59and a perspective I'd never read before
58:01but it was really entertaining and thrilling
58:03the story is an absolute rollercoaster
58:05and I think that, coupled with the perspective
58:08that's the sweet spot for us.