Courage 2021 full movie
Category
🎥
Short filmTranscript
00:00:00You
00:00:30They're running, right?
00:00:32Can I talk to you like Rubén?
00:00:35Sure.
00:00:40I've tried to assimilate it in such a way
00:00:47that it stops hurting me.
00:00:53Because, obviously, that's part of the work of an actor or actress
00:00:58that coincides with my things that I can contribute.
00:01:02But in this case, my personality is implicit.
00:01:09So, thinking about this, and also answering honestly,
00:01:14what would you prefer, for your character to be called like you, or Alma?
00:01:21I don't like to be called Alma.
00:01:24Yes, first, I felt a little uncomfortable when I read the script,
00:01:29because I said, if it's based on me, why can't I be called Marta?
00:01:33But as this process has gone on,
00:01:38I recognize that it's not me at all.
00:01:45Okay.
00:01:47I'd like to ask you the same question.
00:01:51I think it's right that it's called Alejandro.
00:01:55It's a success that the character,
00:01:58to maintain a distance between reality and fiction,
00:02:01I think it's very successful. And healthy, too.
00:02:21Let's see.
00:02:24It's a...
00:02:27I'm not sure. Is it a K or an L?
00:02:36A K?
00:02:38A K?
00:02:41Okay.
00:02:46It's not possible that he stopped, Doctor.
00:02:51Well, no, Alma.
00:02:54It's getting worse, and very fast.
00:03:00We need to apply the therapy, but now.
00:03:04To prevent this from progressing, okay?
00:03:07Look ahead, please.
00:03:19In a desert area in northern Mexico,
00:03:22Hilario, the youngest son of the old merchant known as Mother Courage,
00:03:27distributes a shipment of weapons to the municipal police.
00:03:31In a small cement house in Obra Negra,
00:03:34two policemen tremble with cold.
00:03:37Sometimes I feel like shooting myself.
00:03:40I don't know how much longer I can hold on.
00:03:42Mother Courage enters the house,
00:03:44Hilario, who carries some suitcases, and his sister, Muda.
00:03:49Good morning, Commander.
00:03:51How's Courage doing?
00:03:53No problem at all.
00:03:55Here, my son brought everything they asked for.
00:03:58Even some pilon ammunition, to keep the sergeant happy.
00:04:04I hope you come too.
00:04:10Goodbye, have a good rest.
00:04:13Alma, can you give me a hand?
00:04:16Oh, no, I can't walk. It's okay.
00:04:18No, no, no, don't worry, of course.
00:04:21Are you staying and I'll drop you off at the university?
00:04:23Of course, that's perfect, thank you.
00:04:25Good.
00:04:26See you.
00:04:28Alma.
00:04:29See you tomorrow.
00:04:32There he goes.
00:04:34Because at last a love of a woman
00:04:40And has Lejalde always been like that?
00:04:42Oh, yes.
00:04:44Always.
00:04:46But he's very talented.
00:04:49And I think this project is going to be beautiful.
00:04:53Yes.
00:04:58Well, they just offered me a series.
00:05:00I have callback tomorrow.
00:05:01Wow.
00:05:03Yes, but I'm like ...
00:05:06I don't know what I would do if I stayed with the role.
00:05:10Well, think about it, my love.
00:05:13Because I've heard that things out there aren't very good.
00:05:18Well, yes.
00:05:19But what if it's over for us, what do we do?
00:05:21But why? It should be over.
00:05:24Oh, well, you haven't heard what Artemio is saying.
00:05:26Oh, what do you think of Artemio? He's a gossip.
00:05:33This meant then that a defense process of this character would enter
00:05:39and that you had to expose what happened in the last few hours,
00:05:45revive that story.
00:05:47How was the judicial diligence, so to speak?
00:05:51We are in a historical moment in Mexico
00:05:54in which we already have a law of protection,
00:05:56a federal law of protection of victims,
00:05:59which has to do with the importance of this new law,
00:06:02with experiencing it in its own flesh as a reporter too,
00:06:05knowing what is happening in the courts,
00:06:07that there is a group of people who really want to transform the justice system
00:06:11and there are others, including several lawyers who defend torturers and kidnappers, etc.,
00:06:16who are against these procedures being carried out in a much more respectful way
00:06:22of human rights, or at least a little respectful of human rights to begin with.
00:06:26What I was thinking with my lawyers this afternoon...
00:06:37Hello.
00:06:43Ale?
00:06:46Yes.
00:06:49What are you doing here?
00:06:53Can you open the door?
00:06:56Yes, yes, of course.
00:07:16Wow!
00:07:19Your apartment is nice.
00:07:22Yes, I love it too.
00:07:25The only bad thing is the noise, but look at the view.
00:07:33And how long have you been here?
00:07:36Well, one or two years after you left.
00:07:43Do you want to eat something?
00:07:46Yes, if you haven't eaten yet.
00:07:49No, I'll see what's in the fridge.
00:07:54Do you want to eat something?
00:07:57Yes, if you haven't eaten yet.
00:08:00No, I'll see what's in the fridge.
00:08:24Do you want to stay here?
00:08:27Yes, that's what I was going to do.
00:08:30I want to stay in Mexico.
00:08:34Well, while you take your things to the studio,
00:08:37the sofa over there is getting dry.
00:08:40I'll take care of it.
00:08:42I'll take care of it.
00:08:45I'll take care of it.
00:08:48I'll take care of it.
00:08:50Well, while you take your things to the studio,
00:08:53the sofa over there is getting dry.
00:09:11Oh no, son, please.
00:09:13Don't smoke here, you know I don't like it.
00:09:16Get out of the balcony, please.
00:09:20Get out of the balcony.
00:09:50Get out of the balcony.
00:10:20Get out of the balcony.
00:10:50Get out of the balcony.
00:11:20Get out of the balcony.
00:11:50Get out of the balcony.
00:12:20Get out of the balcony.
00:12:50Get out of the balcony.
00:13:21How are you?
00:13:26Good afternoon.
00:13:27How are you?
00:13:28Good afternoon.
00:13:30Good afternoon.
00:13:34Not everyone is here, but let's begin.
00:13:39I called you because some of you have externalized your concern
00:13:42about the rumors
00:13:44that we will no longer receive the money from the Patronato.
00:13:49That's not exactly the case,
00:13:51but there is something to worry about.
00:13:55The Patronato will cut 30% of the subsidy.
00:14:00And they also ask me to continue with the same pace of production.
00:14:04We will have to take important measures.
00:14:11We are forced to reduce the number of actors.
00:14:15We will have to exclude five or six people of different ages.
00:14:23We will see their work and their commitment to the company.
00:14:44We will see their work and their commitment to the company.
00:15:15SCREENING
00:15:16SCREENING
00:15:18SCREENING
00:15:20SCREENING
00:15:24SCREENING
00:15:28What the fuck man?
00:15:31What's up, bro?
00:15:32I recognized you, let me see it.
00:15:35It's you, fuck, come on.
00:15:37What the fuck, man.
00:15:39You see.
00:15:40What is this shit, dude?
00:15:42Hey, hey, hey, hey, hey, hey, hey, hey, hey, hey.
00:15:47Hey, what's up, Patito?
00:15:49Not so much, Patito, man.
00:15:5021 years old.
00:15:51No way.
00:15:52Come on, then, have a drink with your boss, man.
00:15:55Yeah.
00:15:56Cheers.
00:15:57Don't you have coffee?
00:15:59Oh, don't say nonsense, man.
00:16:00We're celebrating.
00:16:01They're not nonsense, Pato.
00:16:03I have things to do.
00:16:04What things, man?
00:16:05You just got here.
00:16:06Well, that's why, because I just got here.
00:16:08Oh, well, well, well.
00:16:09Drink some coffee, man.
00:16:10No way.
00:16:11What did they do to you, man?
00:16:12Nothing.
00:16:13They didn't do anything to me.
00:16:14Go to the store.
00:16:15Do you want something?
00:16:16No, no, no.
00:16:17I'm just going to get changed, girl.
00:16:18What's up? Nice to meet you.
00:16:19Hi, you too.
00:16:22Bye.
00:16:23Bye.
00:16:25With two sugars, right?
00:16:27Yeah, man.
00:16:35So, what?
00:16:36You're still with the same thing?
00:16:38Yeah, man.
00:16:39Well, now it's on me.
00:16:42Just a few productions.
00:16:44But I don't complain, man.
00:16:45I take it.
00:16:47That's how I get my daily expenses, man.
00:16:51Thanks.
00:16:52Cheers.
00:16:53Cheers.
00:16:56And what are you going to do?
00:16:58What are you going to dedicate yourself to?
00:17:00Well, I'm looking.
00:17:05I don't know yet, but...
00:17:07How much do you know?
00:17:08No way.
00:17:09I could help you.
00:17:12The thing is, I don't trust people who don't suck, man.
00:17:15No way. I'm not asking you for help, fucking duck.
00:17:18You don't change, man.
00:17:19You're still the same fucking angry bastard.
00:17:21No way.
00:17:22I did change, man.
00:17:23Now I play the jarana on the subway, man.
00:17:26No way.
00:17:27I like it to get some money, man.
00:17:28Look.
00:17:29Oh, my cousin El Pilonchas,
00:17:31the really asshole,
00:17:33came back from Spain
00:17:35and looks like a spider.
00:17:36And looks like a spider well fumigated.
00:17:38Up and up.
00:17:39Oh, my cousin El Pilonchas,
00:17:40the really asshole,
00:17:42came back from Spain
00:17:45and looks like a spider.
00:17:47Up and up.
00:17:53Ladies and gentlemen,
00:17:56But we are in our last days.
00:18:00I don't want to scare you.
00:18:02Don't say the word last.
00:18:04I would say in the final stretch of my life.
00:18:07And you know that the final stretch is when you run the most.
00:18:10Maria, you know what I think?
00:18:12I say, let's see, how much longer am I going to live?
00:18:15Well, no more than 10, 12, or 13, or 15 years maybe.
00:18:20And the time I have left is so short.
00:18:23Yes.
00:18:24Well, then you tell me.
00:18:28What a subtle way of saying it.
00:18:33I am 70 years old and she has just turned 70.
00:18:3770, it has taken me a long time.
00:18:39She feels very young.
00:18:41Still, still.
00:18:42Aging is an idea.
00:18:45No, Maria, it's a reality.
00:18:47Well, we would like it to be an idea.
00:18:50No, how would we like it to be an idea?
00:18:53Well, do you know why it's horrible?
00:18:55Because of the deterioration, Maria.
00:18:57Because of the deterioration.
00:18:58No, you know what?
00:18:59I go beyond that.
00:19:00Because of the marginalization that we old people have.
00:19:03I mean...
00:19:04And the aging, really?
00:19:07It's understood until you are 70.
00:19:09Because of the...
00:19:11You don't age, you start to get old.
00:19:13That's why.
00:19:14But from 20 to 40, you are young.
00:19:18Yes.
00:19:19So you are waiting for life to give you everything
00:19:23and your hopes.
00:19:26But you are young.
00:19:28And you can afford to get high, to get drunk.
00:19:32No, not to get high.
00:19:33Yes.
00:19:34Never get high.
00:19:35Oh, no.
00:19:36Look, this is not drugs.
00:19:37This is pure health.
00:19:38No, no, no.
00:19:39Maria.
00:19:40It's a reality, Maria.
00:19:48It's a reality, Maria.
00:20:18It's a reality, Maria.
00:20:49Hello.
00:20:50What a shock you gave me.
00:20:54Every day that passes, I remember why I left.
00:20:57This city is hell.
00:21:01Well, I like it.
00:21:03I like it.
00:21:04You like it?
00:21:05Yes.
00:21:06You like it?
00:21:07Yes.
00:21:08You like it?
00:21:09Yes.
00:21:10You like it?
00:21:11Yes.
00:21:12You like it?
00:21:13Yes.
00:21:14You like it?
00:21:15Yes.
00:21:16You like it?
00:21:17Well, I like it.
00:21:18Yeah, but look at the traffic.
00:21:21What a noise.
00:21:22It's horrible.
00:21:24It takes two hours to get anywhere.
00:21:28No one respects you.
00:21:29Everyone throws their car at you.
00:21:32It's disgusting.
00:21:41Hey, mom.
00:21:43Did you come into my room?
00:21:47Yes.
00:21:55What?
00:21:56Where are you going?
00:21:57To wash the dishes.
00:22:02How did it go today?
00:22:06Good.
00:22:09How are you?
00:22:11Good.
00:22:13I was with Pato.
00:22:16Good.
00:22:17How are you?
00:22:19Good.
00:22:31Mom, I'm not drinking.
00:22:34In case you didn't notice.
00:22:37Good, son.
00:22:39You know that if you live here, you can't drink.
00:22:42That's why I'm telling you that I'm not doing it.
00:22:45What do you want me to tell you, son?
00:22:48You're a man.
00:22:51You're not a teenager.
00:23:00Enough.
00:23:15Enough.
00:23:22I'm a little confused about what you told us.
00:23:25I have a career of more than 50 years and the company is my life.
00:23:29I know your career very well, Alma.
00:23:31Very well.
00:23:32And I understand you.
00:23:33Because it's the life of all of us.
00:23:35Well, yes, but I thought ...
00:23:37I'm very sorry about this situation.
00:23:42But to be truly fair, we have to be equal with everyone.
00:23:48Those of us who have a career like mine should not compete with anyone.
00:23:52It's not a competition, it's a selection process.
00:23:55And what is going to be weighed is the commitment of the actors to the company.
00:24:01Anything else?
00:24:03Yes, well, I wanted to tell you that they just ...
00:24:08What happened?
00:24:11That at my age, Martin ...
00:24:13Everyone comes to see me because they want to be an exception.
00:24:16The old ones, because they've been on stage for a long time.
00:24:19The young ones, because they say they are more boxers.
00:24:21No, I wasn't talking about that.
00:24:23Are you 100% with the company?
00:24:25Of course, Martin.
00:24:27Well, it's the only question you have to ask yourself, Alma.
00:24:29Don't worry.
00:24:41Hello.
00:24:51You arrived!
00:24:53Well, yes, you invited me.
00:24:55Of course.
00:24:57How are you?
00:24:58Fine.
00:24:59Fine?
00:25:00Yes, and you?
00:25:01Fine.
00:25:03What a miracle.
00:25:05You look the same.
00:25:07You too.
00:25:11Where were you?
00:25:13I had to go to the supermarket to get coal.
00:25:15There was none around here.
00:25:17I brought bread.
00:25:21Alejandro, Mario.
00:25:23How are you?
00:25:24Alejandro.
00:25:25Likewise, welcome.
00:25:27Come in.
00:25:28Come in, please.
00:25:31Here you go.
00:25:41Thank you very much.
00:25:42Cheers.
00:25:43Cheers.
00:25:54May I?
00:25:55Yes.
00:25:56A friend of mine from Argentina taught me that if you brush your teeth with oil...
00:26:01Yes, I know.
00:26:02Everyone has their own technique.
00:26:05You'll see.
00:26:06It'll be ready soon.
00:26:10And you?
00:26:11What are you doing?
00:26:12I just arrived from Spain.
00:26:14I'm just getting settled in.
00:26:16Very good.
00:26:19And you?
00:26:21I...
00:26:22Well...
00:26:23I import seafood from La Baja.
00:26:26I have a couple of restaurants here in La Condesa.
00:26:31Up and down.
00:26:33I rest.
00:26:36But...
00:26:37But what do you do?
00:26:38Me?
00:26:39Tape.
00:26:40I work.
00:26:41Ah.
00:26:42I'm a painter.
00:26:43Plastic artist.
00:26:45Yes.
00:26:46Ready.
00:26:47What did I tell you?
00:26:48There it is.
00:26:49Ladies and gentlemen.
00:26:50The charcoal is ready.
00:26:52I've already done it.
00:27:12I met her.
00:27:13That day I saw her.
00:27:20I met her too.
00:27:35Popular.
00:27:36Popular.
00:27:37Popular sound.
00:27:39Popular.
00:27:40Popular.
00:27:41Popular sound.
00:28:19Oh
00:28:49Oh
00:29:19Foreign
00:29:33Foreign
00:29:49I'm not
00:29:58Keep us all
00:30:00Otra vez no tengo ningún interés de perder
00:30:03Esto es un ejercicio de ritmo no podemos dejar tanto tiempo y sin decir nada
00:30:08Dale to libretto por favor prefiero que lo lea
00:30:11Quiero ritmo
00:30:16No tengo intención de perder estas facultades
00:30:20hectares
00:30:21de arena dice
00:30:24Aquí solo hay una fosa escuchen el ramón ritmo ritmo ritmo ritmo otra vez
00:30:40I
00:31:10I
00:31:27Hola
00:31:30Mira lo que me encontré en una de las cajas
00:31:32reaching
00:31:34Quieres que lo leamos
00:31:36Vengo de prisa nada más me cambio y me voy
00:31:43Okay
00:31:45You
00:32:05You
00:32:16Pardon
00:32:21Me premió el otro fue escritor y no me lanzó
00:32:26No perdoname
00:32:37Un día que las invité a mi casa
00:32:39The voice and you know, I mean the police the voice and you know las fotos de cuando me casé la primera vez
00:32:53Y luego me que empiezan a quitar todas las primeras películas que se me ofrecían por mujeres más bonitas que yo
00:33:01Quédate Marta que no vas a poder hacer ese papel porque me es bonita
00:33:07Sí, necesito mucha chan muy bonita
00:33:14Literalmente y me la enseña
00:33:17Su interpretación algo que no es cierto no te dijeron que fueras fea te dijeron que ya era
00:33:23Ella si era bella ven por qué deje el teatro
00:33:28ven por qué
00:33:31Pero yo me sentí
00:33:33Es que es así
00:33:38Me fue a llorar a mi casa y a su tarde y contra todas las paredes
00:33:44Exagerando un poco
00:33:48Fíjate que no suicidio no es algo que que yo haya
00:33:54imaginado
00:33:55inclusive ahora que he tenido mis depresiones con lo de la vista
00:33:59Si quería dejar de ver amigas y si quería desaparecer de este mundo porque me parecía
00:34:07Que cuál sentido tenía mi vida si yo no podía ver si no podía si no puedes leer los textos y no para
00:34:14Si no puedo subirme al escenario si no puedo hacer un personaje
00:34:19todo eso si me hizo
00:34:21desear
00:34:59I
00:35:29I
00:35:39Muchos invasores fueron
00:35:43Yo de día bien le odié de noche le amaba en pero pues después
00:35:52Que bueno que estás aquí
00:35:54Siéntate
00:35:59Y
00:36:01Mente le estaba diciendo a carlota que para evaluar
00:36:05Necesito que todos los actores estén trabajando por ese le pedí que fuera tu suplente en madre coraje
00:36:14Ella va a estar con nosotros en los ensayos para que poco a poco puede aprender los movimientos y
00:36:20se aprende el personaje
00:36:23Otros actores también van a tener suplentes
00:36:25Así
00:36:27quienes
00:36:28No sé todavía pero lo importante es que el personaje principal ya tenga sustituto
00:36:36Con permiso
00:36:42Hay el mitad que pena pero yo también tengo que irme
00:36:55Oh
00:37:26Es un estado
00:37:28Exacto el sur de estados unidos
00:37:30Que bueno que lo mencionas padre
00:37:32El sur de estados unidos
00:37:34Va a estar representado
00:37:36En la primera obra
00:37:38Que se llama historia
00:37:40Exacto
00:37:42Lo que hace es
00:37:44Hablo de parodia
00:37:46Cuál es el sentido de la palabra
00:37:48Sobre
00:37:50La obra de Stravinsky
00:37:52Por un encargo
00:37:54De cámaras estadounidense
00:37:56Y que
00:38:02Pues allá atrás no hay nada
00:38:04Ni sangre ni perro ni rastros de nada
00:38:06Probablemente solo lo rozaste
00:38:08Y no le pasó nada
00:38:10De seguro nada de nada
00:38:12Nada nadita
00:38:14Que susto
00:38:16Si
00:38:25Gracias por venir tan pronto
00:38:27Es que le estuve llamando a Alejandro
00:38:29Pero nunca me contestó
00:38:31Estaba trabajando mamá
00:38:33Estaba en la compu
00:38:34Ya sabes que siempre estoy a tus órdenes
00:38:36Para lo que se ofrezca tía
00:38:38Bueno
00:38:40El carro está todo rayado
00:38:42Tiene golpes por todos lados
00:38:44Yo nunca lo he chocado
00:38:46Entonces
00:38:48No sé hijo
00:38:50Los viene bien
00:38:52A ver mamá
00:38:54¿Al perro lo viste o no lo viste?
00:38:56No sé hijo, venía distraída
00:38:58¿Cómo distraída?
00:39:00Bueno ya está, ya está hombre
00:39:02No pasó nada, vámonos yo manejo
00:39:08Todo tranquilo
00:39:10¿Eh?
00:39:12Vámonos pues
00:39:14De nada
00:39:18Ya tira tu cigarrote
00:39:20Ya
00:39:26Qué bonito se te ve tu cabello así tía
00:39:28Sí ¿verdad?
00:39:30Me ha crecido mucho
00:39:32Sí
00:39:34¿Y en qué andas ahora o qué?
00:39:36Por lo mismo de siempre hijo
00:39:38Teatro ya sabes
00:39:40Qué bien, pues invítame
00:39:42Sabes que me encantan tus obras
00:39:44Pero ahorita ahorita ¿estás en algo?
00:39:46Sí
00:39:48Tengo una adaptación
00:39:50De Madre Coraje y sus hijos
00:39:52Órale, para que veas es así
00:39:54No la conozco
00:39:56Bueno es una versión
00:39:58Mexicana de la problemática
00:40:00Que estamos pasando
00:40:02Sobre todo en el norte del país
00:40:04De venta de armas
00:40:06Con los narcotraficantes
00:40:08Y los soldados
00:40:10Suena muy bien oye
00:40:12Oye ¿qué le haces de la dealer mayor o qué?
00:40:14Algo así
00:40:16Porque soy la que vende las armas
00:40:18A los soldados
00:40:20A los narcos
00:40:22Es negocio a quien sea
00:40:24Qué bien
00:40:34Marina hija
00:40:36Nosotros no tenemos
00:40:38Nada que hacer al otro lado
00:40:40De qué le serviríamos
00:40:42A esos gringos
00:40:46Marina
00:40:48Hija
00:40:50Adiós ma
00:40:58Hijo
00:41:10Adiós
00:41:40Adiós
00:41:56A ver chula
00:42:04A ver mi amor
00:42:06Mochilas
00:42:10A ver
00:42:40¿Esto es para la universidad?
00:42:42Sí, es para acá
00:42:44¿Para allá?
00:42:58Ya
00:43:00Ya no estamos solos
00:43:02¿Vale?
00:43:04¿Vale?
00:43:06¿Vale?
00:43:08Ya no estamos en edad
00:43:10Para esas cosas
00:43:12Siéntense
00:43:14Antes de que lleguen mis hijos
00:43:16¿Y qué van a hacer?
00:43:18Si sus hijos son como usted
00:43:20Solo les interesa el dinero
00:43:22¿El dinero nos importa a todos?
00:43:24No se haga pendejo
00:43:26Muy bien, muy bien
00:43:28Mucho mejor, mucho mejor
00:43:30Pero cuando le dices el dinero nos importa a todos
00:43:32Te indignas más
00:43:34Carlota
00:43:36Si no podemos ver la escena
00:43:38Si estás revisando tu texto todo el tiempo
00:43:40Apúrate con la memoria, por favor
00:43:42Bueno, 15 minutos de descanso
00:43:44La sigues tú, Alma
00:43:46La misma escena
00:43:48Sí, señor
00:44:06¿Qué? ¿Quién es?
00:44:26Soy yo, ma
00:44:28¿Estás bien?
00:44:30Sí
00:44:32¿Qué pasa?
00:44:34Pensé que te habías quedado dormida con la tele prendida
00:44:36Iba a apagarla
00:44:38Pues sí, ya estaba dormida
00:44:44¿Por qué cierras la puerta con el aire?
00:44:50¿Qué quieres, hijo?
00:44:54Solo quería hacerte un favor
00:45:04¿Qué te pasa?
00:45:06¿Qué no te pasa?
00:45:10Son muchos años de vivir una
00:45:12una carrera maravillosa
00:45:14dificilísima
00:45:16que me ha costado
00:45:18no se, no se, todo
00:45:20sudo, sangre y todo
00:45:22más que eso, María, podría yo decir
00:45:24que me ha costado la vida misma
00:45:26y quiero de alguna manera transmitirle eso
00:45:28a la gente
00:45:30que todos sufrimos igual
00:45:32Unos más, unos menos.
00:45:34¿Sabes qué es lo que yo creo?
00:45:35Perdón la interrupción, ma'am, pero...
00:45:37¿Podrías profundizar un poco más en esa parte del sacrificio?
00:45:44Ajá.
00:45:47¿Sí?
00:45:50Ok, está bien.
00:45:52Vale.
00:45:53Ay, es que es difícil decirlo.
00:45:55No, trata, trata, trata de explicarlo.
00:45:57Sin ayudar a la psicóloga.
00:45:59Lo más importante de mi vida era mi trabajo actoral.
00:46:05Claro, claro.
00:46:06Pero también tengo que reconocer que parte de ser quien soy es ser madre.
00:46:19Que no es que los haya descuidado, porque yo creo que no los he descuidado.
00:46:26O sí, pero no importa.
00:46:27Bueno, pero no he pensado que los haya descuidado.
00:46:31Simple y sencillamente he pensado que yo ya no soy importante para ellos.
00:46:41Ya ellos son independientes, cada uno, y yo quería seguir siendo independiente.
00:46:48Digamos que los ves más fuertes que tú.
00:46:50Exacto.
00:46:51Como nos pasa a todos.
00:46:53Entonces yo digo, ¿qué sentido tiene vivir una vida donde yo ya no me puedo realizar como lo que yo soy?
00:47:05Yo creo que mi único sentido de vida es ser actriz, no ser madre.
00:47:15Yo entiendo cuando tú dices, mi motivo de vida, lo que me da vida,
00:47:20lo que me hizo vivir y lo que todavía me hace vivir es la actuación.
00:47:24Sí.
00:47:26Soy madre, siento que no los abandoné, pero sí prioricé mi profesión.
00:47:30Prioricé.
00:47:32Sí.
00:47:34A mí me pasó, y es muy importante reconocerlo.
00:47:37Claro, porque finalmente ahí está la cuestión.
00:47:39Mi vida personal, o mi vida profesional, o mi vida marital, o mi vida de X, ¿qué priorizo?
00:47:51Telefono
00:47:57Telefono
00:48:02Telefono
00:48:06Telefono
00:48:07¿Bueno?
00:48:10Sí, soy yo.
00:48:13Ah.
00:48:15No, señorita, dígale por favor al doctor que no voy a poder ir.
00:48:23No, no se preocupe, yo hago una cita en cuanto libere mi agenda.
00:48:41Hola, hijo.
00:48:42Hola, buenos días.
00:48:53¿Quieres un café?
00:48:56No, gracias.
00:49:07¿Qué te pasa, ma?
00:49:08¿Qué te pasa, ma?
00:49:11¿Qué me pasa de qué?
00:49:17¿Qué quieres, hijo?
00:49:19Saber qué tienes.
00:49:21Nada, estoy cansada.
00:49:24No pude dormir bien.
00:49:28A esta hora te vas a levantar todos los días.
00:49:31Llegué a las cuatro de la mañana, estaba trabajando.
00:49:34Y estoy despierta desde las cuatro de la mañana.
00:49:38Mamá, si vamos a vivir juntos, quiero saber qué tienes.
00:49:44¿Qué quieres decir con eso? Yo vivo sola desde hace mucho tiempo.
00:49:49Pues sí, pero ahora no estás sola, yo estoy aquí.
00:49:53Yo ya te conté que estoy tratando de cambiar, que quiero dejar de beber.
00:49:58Sí, hijo, me parece muy bien que dejes de beber y puedes vivir aquí el tiempo que necesites.
00:50:03Pero eso no quiere decir que yo tenga que adaptarme a ti.
00:50:06Solo quiero saber qué te pasa, eso no es adaptarte a mí.
00:50:10¿Y ahora por qué?
00:50:12En todos estos años, ¿cuántas veces me llamaste? ¿Tres, cuatro?
00:50:16Tú tampoco me hablaste.
00:50:18Pues claro que no, si te desapareciste así de buenas a primeras, sin avisarle a nadie.
00:50:23Y de la misma manera regresas, de la nada.
00:50:26Eso no tiene nada que ver con lo que te estoy diciendo.
00:50:29No soy idiota, ¿eh?
00:50:31Regresaste y te diste cuenta de que tienes una mamá vieja y de repente te preocupa.
00:50:37¿Por qué eres tan arrogante?
00:50:39Pues porque yo quiero vivir mi vida.
00:50:42En cambio ahora te tengo aquí encima todo el tiempo. Es un fastidio.
00:51:01¿Seguro que no quieres, güey?
00:51:04No, pero güey, estoy chido.
00:51:15Más de tres sacudidas de chaqueta, cabrón.
00:51:30Más de tres sacudidas de chaqueta.
00:52:00Más de tres sacudidas de chaqueta.
00:52:03Más de tres sacudidas de chaqueta.
00:52:05Más de tres sacudidas de chaqueta.
00:52:07Más de tres sacudidas de chaqueta.
00:52:09Más de tres sacudidas de chaqueta.
00:52:11Más de tres sacudidas de chaqueta.
00:52:13Más de tres sacudidas de chaqueta.
00:52:15Más de tres sacudidas de chaqueta.
00:52:17Más de tres sacudidas de chaqueta.
00:52:19Más de tres sacudidas de chaqueta.
00:52:21Más de tres sacudidas de chaqueta.
00:52:23Más de tres sacudidas de chaqueta.
00:52:25Más de tres sacudidas de chaqueta.
00:52:27Más de tres sacudidas de chaqueta.
00:52:28Más de tres sacudidas de chaqueta.
00:52:30Más de tres sacudidas de chaqueta.
00:52:32Más de tres sacudidas de chaqueta.
00:52:34Más de tres sacudidas de chaqueta.
00:52:36Más de tres sacudidas de chaqueta.
00:52:38Más de tres sacudidas de chaqueta.
00:52:40Más de tres sacudidas de chaqueta.
00:52:42Más de tres sacudidas de chaqueta.
00:52:44Más de tres sacudidas de chaqueta.
00:52:46Más de tres sacudidas de chaqueta.
00:52:48Más de tres sacudidas de chaqueta.
00:52:50Más de tres sacudidas de chaqueta.
00:52:52Más de tres sacudidas de chaqueta.
00:52:54Más de tres sacudidas de chaqueta.
00:52:56Más de tres sacudidas de chaqueta.
00:52:58Más de tres sacudidas de chaqueta.
00:53:00Más de tres sacudidas de chaqueta.
00:53:02Más de tres sacudidas de chaqueta.
00:53:04Más de tres sacudidas de chaqueta.
00:53:06Más de tres sacudidas de chaqueta.
00:53:08Más de tres sacudidas de chaqueta.
00:53:10Más de tres sacudidas de chaqueta.
00:53:12Más de tres sacudidas de chaqueta.
00:53:14Más de tres sacudidas de chaqueta.
00:53:16Más de tres sacudidas de chaqueta.
00:53:18Más de tres sacudidas de chaqueta.
00:53:20Más de tres sacudidas de chaqueta.
00:53:22Más de tres sacudidas de chaqueta.
00:53:24Más de tres sacudidas de chaqueta.
00:53:26Más de tres sacudidas de chaqueta.
00:53:28Más de tres sacudidas de chaqueta.
00:53:30Más de tres sacudidas de chaqueta.
00:53:32Más de tres sacudidas de chaqueta.
00:53:34Más de tres sacudidas de chaqueta.
00:53:36Más de tres sacudidas de chaqueta.
00:53:38Más de tres sacudidas de chaqueta.
00:53:40Más de tres sacudidas de chaqueta.
00:53:42Más de tres sacudidas de chaqueta.
00:53:44Más de tres sacudidas de chaqueta.
00:53:46Más de tres sacudidas de chaqueta.
00:53:48Más de tres sacudidas de chaqueta.
00:53:50Más de tres sacudidas de chaqueta.
00:53:52Más de tres sacudidas de chaqueta.
00:53:54Más de tres sacudidas de chaqueta.
00:53:56Más de tres sacudidas de chaqueta.
00:53:58Vamos a platicar.
00:54:05¿A donde vas? Estamos hablando.
00:54:07Por favor, hijo. No grites.
00:54:12¡Te van a oir los vecinos!
00:54:14¡Me vale un pito!
00:54:28I'm sorry.
00:54:34Please, son.
00:54:40Mom.
00:54:43I don't understand why you left me.
00:54:48And why you left my dad.
00:54:51That was a long time ago.
00:54:56So what?
00:54:59You screwed me anyway.
00:55:04Why did you leave me with him, mom?
00:55:08You wanted to stay with him.
00:55:16No, the thing is that you never loved me, mom.
00:55:23Nobody ever loved me.
00:55:29Everybody loved you.
00:55:33You were a very happy child.
00:55:37That's true.
00:55:43And then you left my dad.
00:55:48I couldn't live with him anymore.
00:55:53Yes, of course.
00:55:58Because he was a drunk.
00:56:07Like me.
00:56:16But you'll see what you do to fill your life with drunks.
00:56:28I'm sorry.
00:56:59Marina, wait.
00:57:04We have nothing to do on the other side.
00:57:08We're no use to those gringos.
00:57:11Our place is here, on our land.
00:57:14With our people.
00:57:18This war has been a good business for us.
00:57:24But it still hasn't given us what we need.
00:57:29Do you understand?
00:57:33I'm not going to leave these lands.
00:57:37But I'm not going to let you go either.
00:57:42We'll be together.
00:57:44The two of us.
00:57:49This winter will also pass.
00:57:53You'll see.
00:57:55Daughter.
00:57:57Very good, Alma.
00:57:58I like it.
00:58:00Very good.
00:58:01I like that loving and maternal way.
00:58:05Very good.
00:58:07Excuse me, Almita.
00:58:08Excuse me for a moment.
00:58:10It's just that, Martin,
00:58:11we had just discussed the characteristics of the character
00:58:15and it doesn't go that way.
00:58:17She's a woman full of courage.
00:58:21Carlota.
00:58:23I think she's very good like that.
00:58:25I like it.
00:58:27Loving and maternal.
00:58:30We'll do it again, please, Iguanita.
00:58:36We'll go when you want.
00:58:37Very good.
00:58:54How are you, son?
00:58:59Very good.
00:59:07Very good.
00:59:15What did I tell you?
00:59:38Okay.
00:59:46Okay.
00:59:48You got this.
01:00:07Okay.
01:00:14Okay.
01:00:19It's over.
01:00:22It's all over.
01:00:24It's over.
01:00:37My son.
01:00:38It's over.
01:01:06It's over.
01:01:08It's over.
01:01:16Yeah.
01:01:28Yeah.
01:01:34It's over.
01:01:35Well, I'm still here.
01:01:56Mr. Chavo, come here.
01:01:59Mr. Chavo, five trucks are entering through the north entrance.
01:02:02We have to go now.
01:02:03We have to go now.
01:02:05Come on.
01:02:33No.
01:02:40Luisa.
01:02:43Luisa.
01:02:48Come here.
01:03:04Courage.
01:03:08And your daughter?
01:03:10Concentrate on what matters, Captain.
01:03:21And how much is this?
01:03:23It's five thousand pesos, Captain.
01:03:27I had to spend three retenes at a wedding.
01:03:31Don't be offended, but...
01:03:34you're too old to be in these trucks.
01:03:38Why take that risk, mother?
01:03:42You see?
01:03:44We have to work.
01:03:46How's the work going?
01:03:49It's going well.
01:03:53Well, no, actually...
01:03:57it's a terrible situation.
01:04:02It's a terrible situation.
01:04:06It's a terrible situation.
01:04:09It's a terrible situation.
01:04:12It's a terrible situation.
01:04:16I can't even say anything to keep my place safe.
01:04:22What do you mean?
01:04:25They're going to reduce the company.
01:04:28So what?
01:04:32Are you afraid they'll fire you?
01:04:34That's impossible, mother.
01:04:36No, son, nothing is impossible.
01:04:39Well, I don't know.
01:04:42Something can be done, right?
01:05:03I say all my dead men are here.
01:05:06All my dead men are here.
01:05:10My grandfather, my father...
01:05:15my brother Javier.
01:05:17All of them.
01:05:18I come here and talk to them.
01:05:22Sometimes I get closer...
01:05:25and I discover, like this, between the bark...
01:05:29their eyes...
01:05:31their nose...
01:05:33their mouth.
01:05:34Sometimes I even see...
01:05:37your father's moustache.
01:05:43What I don't quite understand is...
01:05:47how do you see?
01:05:49Or don't you see?
01:05:51Do you see blurry, or how?
01:05:54Well, it's hard to explain.
01:05:57It's like...
01:05:59it's like you see from the side, but...
01:06:02but blurry.
01:06:06And I can hardly read, because in the center I can't see.
01:06:14Do you see me now?
01:06:17Well...
01:06:20not very well, actually.
01:06:32Beep.
01:07:02Beep.
01:07:26Wow, man.
01:07:28Sorry.
01:07:29Don't worry about it, man.
01:07:31Come in, man.
01:07:34So, what happened to you, man?
01:07:37Nothing.
01:07:39Well, bring some beers from the fridge.
01:07:48So, did you dress up like Uncle Jose?
01:07:51No, actually, you fucked up Uncle Jose's jacket, man.
01:07:54And the jacket, too.
01:07:57It's all the same, man.
01:08:01That's what you did to me, asshole.
01:08:05Hold on, hold on, hold on.
01:08:10You're welcome.
01:08:16What's up, man? Where are you going?
01:08:19Come on, man. Sit down.
01:08:23Come on, man. You're making me nervous. What's up?
01:08:26What's up, man?
01:08:30What's up, man?
01:08:35I don't give a shit what you call me, man.
01:08:37You're really stupid, man.
01:08:44Bye, man.
01:08:47Fuck you, man.
01:08:49What's up, man?
01:08:51Come on, man.
01:08:56What's up, man?
01:09:27Today they called me from the Patronato.
01:09:31To tell me that someone from here went to see them,
01:09:33so that they could pressure me
01:09:36in the selection process.
01:09:39That doesn't seem right to me.
01:09:42If we become a nest of gossipy cockroaches,
01:09:44then they will definitely cut our subsidy.
01:09:49Businessmen only give money to spy on culprits.
01:09:52Do you think you're interested in theater?
01:09:56No.
01:10:03Carlota.
01:10:06Get ready for tomorrow's premiere.
01:10:08You're in charge of that.
01:10:10Good night.
01:10:27Hello, good morning.
01:10:29Good afternoon.
01:10:32I'm sorry, but yesterday I stayed until late
01:10:35sending some work emails.
01:10:40I'm going to resume the design.
01:10:50Are you okay, Mom?
01:10:51No.
01:10:55Why?
01:11:01Alejandro.
01:11:08I'm not going to premiere.
01:11:21And why is that?
01:11:25I went to talk to Sarkis yesterday.
01:11:28I went to see him and he told me he was going to do something.
01:11:34What's going on?
01:11:37Nothing.
01:11:51Okay.
01:12:21I'm sorry.
01:12:22I'm sorry.
01:12:23I'm sorry.
01:12:24I'm sorry.
01:12:25I'm sorry.
01:12:26I'm sorry.
01:12:27I'm sorry.
01:12:28I'm sorry.
01:12:29I'm sorry.
01:12:30I'm sorry.
01:12:31I'm sorry.
01:12:32I'm sorry.
01:12:33I'm sorry.
01:12:34I'm sorry.
01:12:35I'm sorry.
01:12:36I'm sorry.
01:12:37I'm sorry.
01:12:38I'm sorry.
01:12:39I'm sorry.
01:12:40I'm sorry.
01:12:41I'm sorry.
01:12:42I'm sorry.
01:12:43I'm sorry.
01:12:44I'm sorry.
01:12:45I'm sorry.
01:12:46I'm sorry.
01:12:47I'm sorry.
01:12:48I'm sorry.
01:12:49I'm sorry.
01:12:51welcome.
01:12:53Alma?
01:12:54Hello.
01:12:55Rosa will talk to Martin.
01:12:58He agrees.
01:13:00Do not worry.
01:13:20Hola, Alma.
01:13:22Hola, mi amor.
01:13:27Solo vine a desearles mucha mierda.
01:13:30Muchas gracias.
01:13:47Estoy muy nerviosa.
01:13:50Estoy muy nerviosa.
01:13:52Estoy muy nerviosa.
01:13:54Estoy muy nerviosa.
01:13:56Estoy muy nerviosa.
01:13:58Estoy muy nerviosa.
01:14:00Estoy muy nerviosa.
01:14:02Estoy muy nerviosa.
01:14:04Estoy muy nerviosa.
01:14:06Estoy muy nerviosa.
01:14:08Estoy muy nerviosa.
01:14:10Estoy muy nerviosa.
01:14:12Estoy muy nerviosa.
01:14:14Estoy muy nerviosa.
01:14:16Estoy muy nerviosa.
01:14:19¿Qué hacen aquí todos?
01:14:21Ya, vámonos arriba. Los estamos esperando.
01:14:23Ya va a empezar la función. Vamos.
01:14:25Sí, señor. Perdón. Yo estoy buscando mis lentes.
01:14:28¿Tus lentes para qué, Carlota?
01:14:30Porque necesito repasar unos detalles.
01:14:32¿Repasar qué, Carlota? ¿Que no sabes la obra?
01:14:35Por supuesto que me la sé. Tú lo has visto.
01:14:37Solo que me gusta repasar antes de entrar.
01:14:40Me estás poniendo nervioso, carita.
01:14:42A mí me tranquiliza repasar antes de cada escena, ¿sí?
01:14:45¿De qué chingados me estás hablando?
01:14:47Oye, te pido que no me hables así, por favor, ¿eh?
01:14:50Tampoco.
01:14:51No te preocupes. Yo ahorita le pido sus lentes a Artemio.
01:14:54No me preocupan tus lentes. Me preocupa la obra.
01:14:57Ramón.
01:14:58Sí.
01:14:59Ve a buscar a Alma. Yo la voy a llevar.
01:15:01Pero...
01:15:02Ándale, ve a buscar a Alma.
01:15:03Córrele, córrele, córrele.
01:15:04Por favor.
01:15:15¿Y quién crees que estaba aquí?
01:15:30Alma, ¿cómo vamos? ¿Estás lista?
01:15:32Sí, ya voy.
01:15:33Perfecto. Rosa, ¿estás?
01:15:34Sí.
01:15:35Acompáñame, que te necesitan allá arriba.
01:15:45Vamos.
01:16:45Niña.
01:16:50No está dormida.
01:16:53Tienes que comprenderlo.
01:16:56Se ha ido para siempre.
01:17:00Y usted también debe de irse cuanto antes.
01:17:04Sí.
01:17:09¿No le queda nadie?
01:17:15Sí.
01:17:17Me queda un hijo.
01:17:21Ahí se tiene que encontrarlo.
01:17:26De ella nos encargaremos nosotros de que tenga un entierro decente.
01:17:45Cuando era muy pequeña...
01:17:49...me asustaba la lluvia.
01:17:53Mi madre me tranquilizaba diciendo que no tenía nada que temer.
01:17:59Y yo...
01:18:01...no tenía nada que temer.
01:18:04No tenía nada que temer.
01:18:07No tenía nada que temer.
01:18:10No tenía nada que temer.
01:18:12Que el agua purifica.
01:18:15Que lo limpia todo.
01:18:19¿Pero qué pasa si no para de llover?
01:18:24Le pregunté una vez.
01:18:27Me dijo que eso no era posible.
01:18:31Que siempre escampa.
01:18:35Ahora sé que mintió.
01:18:38Ahora sé que mintió.
01:18:42Ahora sé que no dejará de llover.
01:18:48Es posible que salga el sol.
01:18:52No después de lo que hemos vivido.
01:18:56No para mí.
01:19:07No para mí.
01:19:34¿Ale?
01:19:37¿Ale?
01:20:07¿Ale?
01:20:37¿Ale?
01:21:07¿Ale?
01:21:38Hola, hijo.
01:21:40Hola.
01:21:42Pensé que llegabas más tarde.
01:21:46Ahorita recojo.
01:21:47No te preocupes.
01:21:50Mejor bañate, no te vayas a resfriar.
01:21:57Sí, gracias.
01:22:07No te preocupes.
01:22:37Oye, mamá.
01:22:39¿Te acuerdas cómo eras cuando nació mi hermano?
01:22:44Bueno, pues en esa época yo era muy joven.
01:22:49Con mucha ilusión en el futuro.
01:22:53¿Y tú?
01:22:55¿Y tú?
01:22:57¿Y tú?
01:22:59¿Y tú?
01:23:01¿Y tú?
01:23:03¿Y tú?
01:23:04Con mucha ilusión en el futuro.
01:23:08Feliz de que estaba haciendo lo que quería.
01:23:14Estaba estudiando teatro con su papá.
01:23:19Y nos queríamos muchísimo.
01:23:23Siempre estaba contenta, riéndome, ilusionada.
01:23:27Pensando que el futuro iba a ser maravilloso.
01:23:31Yo siempre me estaba riendo de todo, de cualquier babosada.
01:23:36Entonces...
01:23:37Ah, siempre recuerdo.
01:23:41¡Que todo reviente!
01:23:44Sí, ah, siempre recuerdo.
01:23:49¡Que todo reviente!
01:23:53¿Y a él?
01:23:56Pues también, siempre lo recuerdo muy feliz.
01:24:02Cuando era chiquito siempre quería ir con nosotros al teatro
01:24:06y se quedaba en el camerino dibujando.
01:24:10Se ponía a dibujar siempre la familia.
01:24:13Era su tema favorito.
01:24:15El papá, la mamá y el hijito.
01:24:20Agarraditos de la mano.
01:25:39¡Gracias por ver el video!
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01:25:44¡Gracias por ver el video!
01:25:47¡Gracias por ver el video!
01:25:50¡Gracias por ver el video!