L2E Empuraan | Why Mohanlal is Irreplaceable as an Actor? | കോട്ടിട്ട ലാലേട്ടനെ ട്രോളുന്നവർ അറിയാൻ
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00:00Emperon continues on the topic of discussion.
00:02How is the movie? Will the box office take a new record?
00:06Where will the haters' comments go?
00:08What is the real purpose of the politics told in it?
00:12Can we say this? Can we do this?
00:15Discussions take place in various ways.
00:17One of the discussions is about a play called Mohanlal.
00:21It is only about that that is being discussed now.
00:24Can Mohanlal do this?
00:26Is this enough?
00:28Is there anything to do like this?
00:30These are the discussions.
00:32Some people have found that Lalettan from Kottuttu is not that good.
00:36Mohanlal does not have that much swag.
00:39What is the basis for saying this?
00:41What are the people asking?
00:43Most of them are in Kerala.
00:45Most of the intelligent people who watch movies agree with that opinion.
00:50Why?
00:52Is it because of worship?
00:54That is the second reason.
00:56The first reason is that Mohanlal is not there in Indian cinema.
01:04Why is that?
01:06Is it because of worship?
01:08Definitely, I have worship.
01:10But I am not saying this because of that.
01:13For those who say that the swag is not enough,
01:15Mohanlal is the main goosebump in the movie Lucifer.
01:23Mohanlal in a close-up shot.
01:29Mohanlal has done the goosebump scene with his legs.
01:35The style, the music,
01:39the gimmicks of the camera,
01:41and the production aesthetics were not that good.
01:45Cinema is a fruit tree.
01:47Mohanlal, who kneeds a plate on the roadside and
01:52calls out to God with his toe-fingers.
01:57Who else can do that?
02:00The movie Lucifer ends in Mohanlal's gaze
02:04looking at the helplessness and sadness of the sky and
02:08the unknown situation in his life.
02:15Which other actor can end a film in a single glance?
02:20Where else can you find an actor like Mohanlal, who has not learned to dance or has not practiced dance,
02:28who does not have the natural body of a dancer or does not have the body language or body rhythm?
02:33There are many films that can be compared with acting.
02:36For example, Drishyam.
02:39Mohanlal's George Kutty, who is adamant that he will be fully aware of his mistakes in front of the characters who represent hope and truth,
02:50will destroy all the emotions that linger in Mohanlal's character.
02:57Mohanlal's body language,
03:00his eyes, his fingers, his hands, his fingers.
03:07Mohanlal was so subtle in that regard.
03:10How was it when the world leader played that role in Tamil?
03:15Did we even need a comparison in that?
03:20Now Swag.
03:22Even then, Mohanlal's style of saying that narcotics is a dirty business,
03:28Mohanlal's impact, could have been said by someone else.
03:32When he wore a coat and suit, he said there was no swag.
03:36Even if you wear a coat and suit, even if you wear a shirt,
03:39a person's swag is not in the clothes they wear.
03:43It was necessary to have a common sense to express that.
03:47We noticed Mohanlal in the movie W2W5.
03:53Mohanlal was not the person who wore the biggest style of that time and wore a shirt inside.
04:01It was an assurance in that part.
04:03It was a confidence giving in that part.
04:05That is Swag.
04:06It was not a coat and suit.
04:08Can't you wear a coat and suit and walk through the streets?
04:11Swag is needed.
04:12Swag comes from action.
04:14Swag comes from action.
04:15It comes from emotion and the style of expressing it.
04:19Another example, in the movie Jailor,
04:22the scene where everyone comes and goes,
04:24the scene where the most reel came,
04:26the scene where the most people saw,
04:28the scene where the door of Kannada opens and the scene where the knife is kept.
04:32Was he wearing a coat and suit?
04:34Was it because Mohanlal, who wore a coat and suit, was turning the lorry?
04:40When he was hitting the lorry, the lorry turned and went.
04:42Was it because of our wish?
04:43Swag is different.
04:44It doesn't come from a role where people wear a coat and suit.
04:47You can criticize.
04:48Mohanlal was supposed to do this movie.
04:49He was supposed to do that movie.
04:50You can ask.
04:51You don't have to ask.
04:52You need to have an idea.
04:53Now we come to the movie stories.
04:55Sadayam.
04:56Mohanlal's face holding the children's hands.
05:00Mohanlal's truth.
05:01Sethu Madhavan in the movie Kireedam.
05:03In all of these, he is the hero who comes in every situation and turns into a raid.
05:08Both were done by Mohanlal.
05:10You just have to pay attention to the facial expressions of the two characters in the context.
05:15You can't see the truth in Sethu Madhavan or Sethu's truth.
05:19Mohanlal is a natural actor who pays attention to the details.
05:23That's why, for example, in the first scene, he is shaking his hand while holding his hand.
05:28You don't know if there will be a scene that you haven't seen yet.
05:30But there are scenes that can't be said because of the suspense.
05:33Mohanlal has some perfect acting skills that he shows with his eyes.
05:41Vanaprastham.
05:42I have heard that the cameraman asked if Kalamandalam Gopiyashan should not be represented while playing the role.
05:48Still, Mohanlal is able to maintain the colors that fall on both sides.
05:53In Kilukkathil, there is a character who is a little distorted.
05:59In Kolkata, there is a character who is a little distorted.
06:01Can you play another role without Mohanlal?
06:04You cannot.
06:06There are still other films.
06:08Tanmatra
06:09This is the color that everyone talks about.
06:11Act in an intoxicated state.
06:13Act as a drunkard.
06:15Act as a person who has no memory.
06:17Act as a person who is drunk.
06:20These are the colors that can be used whenever and wherever you take them to.
06:27The drunk Mohanlal drinking alcohol,
06:34the one losing his memory,
06:39somewhere you will find a word like Overboard in Mohanlal's songs.
06:43You can rap as much as Mohanlal pleases.
06:46It's a difficult answer.
06:49He was so careful while acting.
06:54In 2020, there is a courtroom scene where Mammootty is arguing for Mohanlal.
07:05You should watch that scene again.
07:08In that scene, Mammootty's character is the one who wins by arguing.
07:14In that frame, there is Mohanlal's character, Varma, who is standing behind.
07:20In that role, Mohanlal is not supposed to do anything.
07:25You should pay attention to Mohanlal who is standing behind.
07:30Even in that, he is acting.
07:32That is, he is acting because he is demanding that situation.
07:36The song, Pooey Pooey Pala Pooey, released by Devadhoothan, should be watched again.
07:43If he is going up from the stage, there is a cut like this.
07:47He is doing it according to the rhythm of the song.
07:50It is not a play written in a script or a cue given by a director.
07:55It is the subconsciousness of that situation.
07:59That is why Mohanlal is able to do it like this.
08:03Iruvar, my personal favorite.
08:06There was a person who said that Mohanlal had a problem with the anger award that day.
08:13Mohanlal, who always asks me to act a person,
08:16Mohanlal, who is excited to say a dialogue at home,
08:21is acting as a soldier and is trying to say a role.
08:24He is moving backwards.
08:26Mohanlal's face is a soldier who is standing behind and not saying anything.
08:35There is no one else in Indian cinema to stand like that today.
08:39There is another character in it.
08:41I remember that the character played by Prakash Raj is Nazar.
08:45When they are talking to each other,
08:48Mohanlal, who takes care of it with wonder, happiness, and pride,
08:53looks here and there.
08:55All this comes to us.
08:57That too, it is a part of swag.
09:00It is a bit too much to say that Mohanlal cannot walk wearing a coat and shirt.
09:07Now, Amrutham Kammaya.
09:09It is a film that should still be shown to all the people who do ragging.
09:13He is a student of Alamban in a medical college.
09:17Alamban is not used in other words.
09:20He walks and rags the children.
09:23Mohanlal, who is guilty of returning to it.
09:26Amrutham Kammaya is a film that you can watch anytime.
09:34Who else can you think of?
09:37Is it a villain?
09:38Villain in a film called Uyarangal.
09:40A villain who manipulates and makes things happen.
09:44Mohanlal slept with a villain.
09:47Have you ever seen a villain in Kerala enjoy and become a hero?
09:52He knows that job.
09:54There are more films.
09:55Devasaram.
09:56There is no need to tell them.
09:57We know each scene.
09:59Revathi is the one who shines in that scene.
10:02He pulls out the lamp and puts it there.
10:05Revathi shines in that scene.
10:07The fact that Revathi shines and that scene is amazing.
10:10Mohanlal's reaction is the reason why he thinks that he is right.
10:17Some colors shine on some people.
10:19The person standing on the other side stands according to it.
10:22K.P. Mettai.
10:23A comedy film under humanity.
10:25This villain role.
10:26There is a film called Kariyilakattu.
10:28People who haven't seen it should watch it.
10:30There is a story called Raktham Raktham Thiruchariyithathu Oru Silent Communication Udayana.
10:34There is a film called Rangam.
10:36In the film Rangam, Mohanlal's facial expressions and reaction are there.
10:43There is a film called Rangam.
10:45A role of an artist who has to face a lot of situations.
10:52Many of you might have seen it in new films.
10:54Balettan.
10:55Nowadays, kids might say that it is cringy.
10:58It is not cringy.
10:59It is a love that seems to be cringy now.
11:01Even then, Mohanlal does it in a fun way in its variants.
11:05Mohanlal is not the most valuable actor in a Malayalam film.
11:11For the last 18 years, he has been loved by Malayalam people.
11:15It is because of the acting ability that cannot be replaced.
11:19When he wore a coat, he laughed.
11:21When he wore a coat, he walked faster.
11:23When Mohanlal looked to the right or to the left, he did not look stylish.
11:26People who say such things.
11:28His filmography.
11:30You don't have to see everything.
11:32You just have to run and watch it.
11:34If you are a new kid, you can watch it when your parents tell you.
11:38You can watch it when you are studying in repeat value.
11:41In Janatha Garage, when you stand next to Junior NTR,
11:45Mohanlal got an award from an entirely different generation,
11:49from an entirely different film culture.
11:54Then Mohanlal came and said,
11:56Let it be.
11:58It is not like that.
12:00It is because of the range that he brings.
12:02In the company cinema,
12:04Ajay Devgn and Vivek Gopal Rao,
12:06Mohanlal's unknown languages,
12:08Mohanlal's unknown languages,
12:10Mohanlal's unknown languages,
13:12Mohanlal could stand the award because of his swag,
13:16Swag is not just from his silly words.
13:18Swag is not just from his silly words.
13:20Swag is because he knows the work.
13:22The work is acting.
13:24That can be replaced by Mohanlal.
13:26Swag has the value,
13:28the acting talent and which is the superstar.
13:30Today, In India.
13:32Today, In India.
13:34You have to think about it and praise Mohanlal by saying swag.
13:36You have to think about it and praise Mohanlal by saying swag.
13:38Mohanlal was 64 years old.
13:40There is no role that he has not tried.
13:44But all his roles,
13:47King's son's hero,
13:5120th century's hero,
13:54beyond the years,
13:56the hero called Qureshi,
13:59you can see his characters in everything.
14:03You can't see that actor.
14:05That's why I'm repeating.
14:07Mohanlal is the only one who can replace him.
14:10That swag, that's swag.
14:12His name is Lalisa.