The Girl on the Train (2016) is a psychological thriller based on the bestselling novel by Paula Hawkins. The story follows Rachel Watson (Emily Blunt), a woman struggling with personal challenges who becomes obsessed with a seemingly perfect couple she watches from her train window daily. When the woman mysteriously disappears, Rachel becomes entangled in a web of secrets, deception, and unexpected revelations. Directed by Tate Taylor, this suspenseful film also stars Rebecca Ferguson, Haley Bennett, and Justin Theroux.
The Girl on the Train 2016, psychological thriller, mystery drama, Emily Blunt, best thrillers, suspense movies, book-to-movie adaptation, gripping mystery, intense drama, missing person mystery, investigative thrillers, psychological drama, edge-of-your-seat movies, plot twists, best mystery films
The Girl on the Train 2016, psychological thriller, mystery drama, Emily Blunt, best thrillers, suspense movies, book-to-movie adaptation, gripping mystery, intense drama, missing person mystery, investigative thrillers, psychological drama, edge-of-your-seat movies, plot twists, best mystery films
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00:00:00you
00:00:26You're not real
00:00:30When your eyes green
00:00:32When your eyesggreen
00:00:33When your hair is green
00:00:34When your hair
00:00:36You were what I thought
00:00:37The Real Person would never say that
00:00:38Prove to me
00:00:39How you ain't gonna think that
00:00:40When your eyes green
00:00:43The Real Person would never say-
00:00:43They will never say it to me
00:00:45you were what I thought
00:01:00The thing is, even after everything, I wanted to believe her.
00:01:09Duct taped to a chair, inches from oblivion, I still wanted to believe her.
00:01:19It's a myth that we use only 5% of our brains.
00:01:23Ask anyone who's lost even the smallest bit.
00:01:27No, we use pretty much all of it.
00:01:30And usually that's not enough.
00:01:34We never catch the turtle who sits on the turtle who sits on the...
00:01:39Yeah.
00:01:41It's turtles all the way down.
00:01:47A lot to learn.
00:01:51All too late.
00:01:57TURTLE
00:02:09Are you ready?
00:02:12What did you have for breakfast this morning, Mr. Hertzman?
00:02:15Who cares about that?
00:02:17I'm just getting sound levels.
00:02:19Ham and eggs, like every morning.
00:02:23Okay.
00:02:26The trains were hell.
00:02:29But even hell has levels.
00:02:32Some are in the middle of the car.
00:02:35And they're probably not going to make it.
00:02:38The heat from the bodies.
00:02:42Their hell is worse.
00:02:44But my father pushed me to the edge.
00:02:48There wasn't a window there, but there were slats.
00:02:51And through the slats, sometimes a breath of fresh air.
00:02:56Heaven.
00:02:59We stopped at a station somewhere.
00:03:04Standing still is worse than moving, even if you're moving to something bad.
00:03:11A bit of light hit my eye.
00:03:16So I squeezed closer to the slat.
00:03:20Then, suddenly...
00:03:23a beautiful face appears.
00:03:27With innocent blue eyes.
00:03:30An angel.
00:03:33But I didn't believe in angels.
00:03:36Even then, when I was a boy, certainly not in this place.
00:03:43The Hertzman story had been featured in a local paper and was picked up nationally.
00:03:46Before they knew it, they had a book deal and it was talk of the movie.
00:03:50I thought it'd make an interesting documentary.
00:03:52History channel, that kind of thing?
00:03:54Yeah.
00:03:56Internet says you make movies.
00:03:58Normally. I prefer fiction.
00:04:01Why's that?
00:04:03It's more believable.
00:04:08I was late, as usual.
00:04:10Hustling to make the 942 Hudson, where the Hertzmans lived.
00:04:13In the city, you're always in a hurry.
00:04:16Gotta get to that meeting, business lunch, the ATM.
00:04:20People are just obstacles, inconveniences.
00:04:24And every now and then, a face you can't get out of your mind.
00:04:30Who is this person and how did our trajectories cross?
00:04:35What histories does she bring and what myths might we create if only given the chance?
00:04:40And you want to say something, but you can't find the words.
00:04:44You're just not that guy.
00:04:48So, she'll always be a face among faces, a cipher.
00:04:52You'll never talk on the phone, recognize her scent.
00:04:55You won't face each other over a bistro table, taste the Malbec, learn each other's favorite color.
00:05:03She is, in short, every girl you'll never know, never love.
00:05:10Better never to have seen her at all.
00:05:13Now you understand the ancient wisdom, rip out the offending eye.
00:05:20Except, I'd captured her in my camera.
00:05:31And like that, she was gone.
00:05:43I was getting some B-roll and she was just a face across the platform.
00:05:48No reason to believe you'd ever see her again.
00:05:50There are physicists who believe there are universes like ours, but with one or two things changed, I thought maybe there was a universe where we might meet.
00:05:58I didn't think it'd be this one.
00:06:00Other universes.
00:06:02Yeah.
00:06:04Is that what you believe?
00:06:06I find it comforting.
00:06:08For simplicity's sake, let's keep to this universe.
00:06:13It was a little girl, maybe five or six, with pretty blonde curls.
00:06:23She peered at me through the slat, a boy only a little older than she.
00:06:34What must she have thought of this train and its strange cargo?
00:06:42We looked at each other, only inches away, but it might have been different continents.
00:06:54Then she made a quick motion and her small fingers pushed through the slat.
00:07:02She dropped something into my palm and a moment later, as if the universe had known that this moment had ended,
00:07:09the train started up again.
00:07:12I looked down at my hand and I saw that she had given me a little gold cross from around her neck.
00:07:28There is always a moment when your life changes, though you may not realize it at the time.
00:07:34The words spoken, the light falling across someone's face in a certain way.
00:07:39The moment you realize you're in love or out of it.
00:07:43History has turned on its axis and you will never be the same.
00:07:49Right there.
00:07:52Was she getting a speck out of her eye or dabbing in a tear?
00:07:55That touch, however small, turned it into flesh and blood for me, a soul with a past, a life with an arc.
00:08:03A pretty girl on a train is one thing, a crying girl a whole other matter.
00:08:10I wasn't sure if it was the same girl I'd seen before.
00:08:14She looked different.
00:08:26Train sounds
00:08:44You okay?
00:08:49I'm sorry, you just, you seemed upset.
00:08:55You know, trains can make people sad. It's like in all those country western songs.
00:09:01Country?
00:09:02Right. There's always a train and there's always someone sad.
00:09:06No. No one's called it country and western in 30 years.
00:09:11Well...
00:09:12Your lens is showing.
00:09:16It's my job.
00:09:18If you're a private eye, you suck at it.
00:09:20Nothing surreptitious. Shooting a documentary.
00:09:23Is it on now?
00:09:26Camera shy?
00:09:28Who are those people who believe a photograph captures your soul?
00:09:32Aborigines.
00:09:35I'm pretty sure they're wrong.
00:09:38What's it about?
00:09:40Your movie.
00:09:42Uh, I guess you could say it's a love story.
00:09:46I thought documentaries were non-fiction.
00:09:49That wouldn't be cynicism.
00:09:51You think just because something really happens, it isn't fiction?
00:09:56I was pretty sure this wasn't your average girl on the commuter line.
00:09:59She give you any personal details?
00:10:02She had a way of turning your questions around.
00:10:04I mean, you thought you were talking about her, but you were really just talking about yourself.
00:10:11Why were you crying?
00:10:14You tell me.
00:10:16I get to make it wherever I want.
00:10:18Okay.
00:10:21Seven years ago, you met a man on this very train.
00:10:25You got to talking, but you never exchanged more than first names.
00:10:29He gets off of a Kipsey.
00:10:31As he steps onto the platform, you realize you should have gone off with him.
00:10:36He was the guy.
00:10:38He was your one chance to escape the wheel.
00:10:41But...
00:10:43I don't know.
00:10:44Your one chance to escape the wheel.
00:10:46But...
00:10:48The train's already moving.
00:10:49You've missed your chance.
00:10:51So you spend weeks looking through the Poughkeepsie directory,
00:10:55but you've only got his first name.
00:10:57Which is?
00:10:58Bob.
00:10:59Unfortunately.
00:11:01If only it were Zepediah.
00:11:03You call every one of the 373 Roberts, Bobs and Bobbies...
00:11:07I would never call a Bobby.
00:11:08With no luck.
00:11:10But every day, for seven years,
00:11:12you buy a ticket,
00:11:14you get on the train,
00:11:16take it to Poughkeepsie,
00:11:19and then you turn back and head home alone.
00:11:25That is such a guy's story.
00:11:27Yeah?
00:11:29I wouldn't spend that much time tracking someone down if they murdered my mother.
00:11:37So you're really not going to tell me?
00:11:39You know, the difference between trains and planes is...
00:11:43on a train, if you don't like the conversation, you can change your seat.
00:11:49Or get off at the next stop.
00:11:53Shouldn't ask for your number, then.
00:11:56Let me see your hand.
00:11:59You going to sell my fortune?
00:12:01That's easy.
00:12:02You'll know moments of joy, you'll lose what you love, you'll die.
00:12:06Can I get a second opinion?
00:12:07The other thing about trains is...
00:12:09you get to see the world passing in real time.
00:12:12When you're eight miles up, you can convince yourself you're still the same person when you get off.
00:12:38So.
00:12:40A million questions without a questioner.
00:12:43A hundred replayed nights.
00:12:46How do I find myself in this sweaty bed?
00:12:48Who is this person beside me?
00:12:51Why are there more scars than I remember wounds?
00:12:55Right.
00:12:56Memory is flawed.
00:12:59But isn't memory all that lits our moments of existence into a sense of self?
00:13:03Of course, philosophical questions lose power when you're staring at your own mortality.
00:13:08It's one thing to know you're going to die at some point in the indeterminate future.
00:13:13Another...
00:13:15to watch the clock wind down.
00:13:19And yeah.
00:13:21I'm not the only dead guy in the room.
00:13:24So, you went back to work.
00:13:26I had to finish the project.
00:13:27But now you have a name.
00:13:29There were no lecturers.
00:13:31You had a name.
00:13:32There were no Lexys in Westport.
00:13:34There were three Alexandras, but none of them were her.
00:13:40When we got to the camp, everything is very simple.
00:13:45A man points left or right, and you live or you die.
00:13:49For my mother and sisters, death.
00:13:53I was big enough to work, so my father and I go to the right.
00:13:58I still held the little cross in my hand.
00:14:02But I saw that they were taking every little piece of gold they could find.
00:14:07Rings, bracelets.
00:14:09You could only keep the fillings in your teeth that they took when you were dead.
00:14:15I decided then and there that I would hold on to the little cross the girl had given me.
00:14:24No matter what.
00:14:25What?
00:14:28I slipped it under my tongue.
00:14:32Having a mission, even if it's only in your mind, keeps you alive.
00:14:42When I wasn't working, I found myself wandering the streets.
00:14:47I would think I saw her maybe a dozen times a day.
00:14:52Somehow, I'd always wind up back at the same place.
00:14:59I remembered an old photo I'd seen somewhere.
00:15:02Watch things in real time, and it's easy to believe we're part of the world.
00:15:07That our motion is more than random.
00:15:09Our presence more than accidental.
00:15:13But a long exposure reveals the truth.
00:15:16We're just ghosts. Illusions we perpetrate in ourselves.
00:15:26So a guy's getting his morning coffee and paper.
00:15:33In line in front of him, he sees this vision.
00:15:36Gorgeous, I mean, right out of the swimsuit edition.
00:15:39And she's buying a lottery ticket.
00:15:42He's smitten. Can't get a word out.
00:15:44He lets her get away.
00:15:47The next day, he goes back to the store and he asks the owner,
00:15:49Do you know the girl who bought the lottery ticket?
00:15:51And all the English guy knows is that you buy something or get lost, right?
00:15:56Well, our boy figures people are creatures of habit,
00:15:59so he finds himself the nearest coffee shop,
00:16:01plans himself where he's got a view of the store,
00:16:03figuring sooner or later she'll come by for her ticket.
00:16:07But he gets obsessed.
00:16:09Days turn to weeks.
00:16:11Seasons change. He shows up late for work.
00:16:13He's unavailable for his friends.
00:16:15But wouldn't you know it?
00:16:17The day he finally decides to give it all up...
00:16:20She shows up.
00:16:22Turns out she was out of town.
00:16:24Let me guess.
00:16:26He never makes his move.
00:16:28Why?
00:16:29He sees the future.
00:16:31They'll have their affair, and in time, it'll be no more than that.
00:16:35An affair.
00:16:37It can happen.
00:16:39An affair.
00:16:41He can anticipate the purr of her throat,
00:16:44the scratchy quality of her voice in the morning.
00:16:48He closes his eyes and he can almost smell her.
00:16:51Oh, it'll be good.
00:16:53But they have about as much chance of making it in the long run
00:16:58as she does of winning the lottery,
00:17:00because good is never perfect.
00:17:04In his fevered mind,
00:17:06good is the unbridgeable distance between real and ideal.
00:17:11So he would rather let her walk away with her sad lottery ticket.
00:17:15He would rather let her live in the purity of his imagination
00:17:19than succumb to the spectacle of flesh and blood, scent and sorrow.
00:17:24Oh, he's lost something, sure.
00:17:26Another conquest, maybe even an enduring relationship.
00:17:30But think what he gets in return.
00:17:34He will forever be the man who waited in the snow and rain
00:17:38day after day for the lottery girl.
00:17:40He will be the one who walked away
00:17:43at the moment his dream was realized.
00:17:46He will be mythic.
00:17:51You want to know what really happens?
00:17:53Sure.
00:17:55He's out of that coffee shop so fast,
00:17:57he sloshes his half-caff latte on his hand, extra hot.
00:18:01He almost knocks her over, they strike up a conversation
00:18:04and they begin dating.
00:18:06Two kids on a summer home in Montauk?
00:18:10Lasted eight months, it's not you, it's me, that kind of thing.
00:18:15What? Don't be smug. He gave it a shot.
00:18:18My version would have lasted forever.
00:18:21Now I know your secret.
00:18:24Didn't know I had one.
00:18:26You'd rather have a great story than a great love.
00:18:31You didn't think it was odd running into her like that?
00:18:35I guess I wasn't thinking at all.
00:18:41What?
00:18:43I haven't quite figured out if you're a victim or a suspect.
00:18:47Well, I suppose you could pretty much say that about anyone.
00:18:51Oh, and the lottery ticket?
00:18:54She won.
00:19:02You tried to find me?
00:19:09There are no legsies in Westport.
00:19:11I didn't say I lived in Westport.
00:19:13You've got to give a guy a fair chance.
00:19:16I found you, didn't I?
00:19:21You look different.
00:19:23Hmm. Different day.
00:19:25What colour was your hair?
00:19:27Here's the thing about two people meeting on a train.
00:19:31If they know they'll always be strangers, they freeze them.
00:19:36You can create me any way you want and I'll never disappoint.
00:19:40I could ask you to kill for me and I won't know if you carry it out.
00:19:44We have no reason to lie to each other unless the lie is prettier than the truth.
00:19:51We're no longer friends.
00:19:55We're no longer on the train?
00:19:57No.
00:20:01How did you find me?
00:20:03Don't tell me you're one of those New Age types who don't believe in accidents.
00:20:10You're not going to ask me to kill someone, are you?
00:20:14Why don't you show me what you do?
00:20:17Can I get you a pain pill for that?
00:20:20Actually, the pain helps me remember.
00:20:24Sisters at St Jude's would agree with you.
00:20:27Catholic school? You bet.
00:20:33Her patron saint.
00:20:36I held the cross under my tongue
00:20:41until there was a bloody sore.
00:20:45I ate with it like dead.
00:20:49I slept with it.
00:20:51Eventually the pain fades and the callous appears.
00:20:56My father only made it a few weeks.
00:21:01One morning he refused to work
00:21:04and they beat him to death with their rifles.
00:21:09Bullets were too expensive.
00:21:13When I was young, my mother used to tell me this story when things got bad.
00:21:19The world ended when Jesus hung on the cross, she'd say.
00:21:25And all of history is just a dream
00:21:28in the last instant of a Roman centurion's life.
00:21:36Coffee?
00:21:39That's when she asked you to tail Carl Pruitt.
00:21:42Not at first.
00:21:44I knew she was hiding something, something from her past.
00:21:48It wasn't so much what she said.
00:21:51It was the way she said it.
00:21:54More the way she didn't say what she didn't say.
00:21:58You some kind of cop detective?
00:22:00Yeah.
00:22:01You don't look like a cop.
00:22:03Yeah? What's a cop look like?
00:22:05Yeah, what's a cop look like?
00:22:07Better dressed.
00:22:10Guy cheating on his wife, I seen it all right here.
00:22:13Yeah, I bet you have.
00:22:15Nothing like stories from cab driver.
00:22:17One guy tries to strangle hooker in back seat.
00:22:19I say, not in my cab.
00:22:21You see, I give you big tip.
00:22:23So what you do?
00:22:24I throw him out.
00:22:26He strangle on street, his business.
00:22:28Not in my cab.
00:22:29People fucking, okay.
00:22:31Big tip covers it.
00:22:33Killing?
00:22:34Yeah, I get it.
00:22:35Not in your cab.
00:22:36You can bet you.
00:22:44That's him.
00:22:49Want to hear strangest story ever?
00:22:51Does it involve dwarves?
00:22:53Dwarves? What?
00:22:55Somehow, they always seem to involve dwarves.
00:22:57And they're never true.
00:22:59This happened 100%.
00:23:01My brother, he's fucking this girl two years.
00:23:04Met in spinning class.
00:23:05You know, bicycle doesn't go nowhere.
00:23:07Only women in these classes.
00:23:09My brother joins for women.
00:23:10So he's fucking this girl.
00:23:12One night she asks, can a friend join in?
00:23:16My brother is like winning lottery.
00:23:18Of course, more is merrier.
00:23:20Let me guess.
00:23:21Friend is a man.
00:23:23Man? You crazy?
00:23:25Is more beautiful than one my brother is fucking.
00:23:27Big tits, everything.
00:23:29So they have wild night.
00:23:31Everything is on menu.
00:23:32Soup till nuts.
00:23:34My brother thinks he died straight to heaven.
00:23:37In the morning, I get call.
00:23:38He wakes up.
00:23:39Everything is gone.
00:23:40Girls, wallet, flat screen.
00:23:43He calls police, but nothing to do.
00:23:45Her cell doesn't work no more.
00:23:46She's gone from spinning class like she never exists.
00:23:49Let me get this straight.
00:23:51She's with him for two years, so she can steal his TV?
00:23:54His whole house.
00:23:55Lucky she left him his underwears.
00:23:58I tell you, it was crazy story.
00:24:01He never found her?
00:24:02Every day he sees her.
00:24:05On subway, walking down street.
00:24:08But never her.
00:24:10One woman he followed for half an hour.
00:24:12She called police.
00:24:15My brother is never same.
00:24:17Stopped spinning classes even.
00:24:22So she had you playing detective?
00:24:25It wasn't until the next time I saw her that she asked me.
00:24:30The time in the camps stands outside normal time.
00:24:44The time in the camps...
00:24:47The time in the camps stands outside normal time.
00:24:59Hello?
00:25:00Can you meet me?
00:25:17Where I grew up, everything was flat.
00:25:19Even the cities.
00:25:26This seems more honest.
00:25:29Eye to eye with everyone.
00:25:30You can convince yourself we're not that different.
00:25:33Step over a homeless guy to get to your penthouse?
00:25:36You know better.
00:25:37Grow up, Paul.
00:25:38Shows?
00:25:41My mother was always getting mixed up with the wrong guy.
00:25:44Father got out before I was born.
00:25:46Can't say I blame him.
00:25:47You ever try and find him?
00:25:49I heard he had an uncle in the east.
00:25:51That's why I came out here originally.
00:25:53He wasn't much use though.
00:25:55You still close to your mother?
00:25:57I grew up using her as a model of who not to be.
00:26:01When I was about seven, she finally seemed to get her life on track.
00:26:05Stopped drinking.
00:26:07Met a guy from a wealthy family.
00:26:10She always wanted me to be provided for,
00:26:12so he agreed to put something aside for me.
00:26:15It's good for a while.
00:26:18For a while.
00:26:23He never laid a hand on me,
00:26:25but I decided then and there I would never be a victim.
00:26:30It's important to keep promises to yourself.
00:26:35Isn't it?
00:26:40This the photo she showed you?
00:26:46I knew I was going to do what it took to help her.
00:26:50I'm sorry.
00:26:53It's okay.
00:26:56I knew I was going to do what it took to help her.
00:27:03At first, it's you know you like it rough, don't you, babe?
00:27:07It makes you feel like you're always the one at fault.
00:27:10If I hadn't done this, hadn't said that.
00:27:14You look in the mirror one morning and realize
00:27:17it's not only your mother's eyes you've got,
00:27:19it's the bruises around them.
00:27:23Is that why you called me?
00:27:26I called you...
00:27:29to get drunk.
00:27:32That when she told you she was married?
00:27:34Not in so many words.
00:27:37More the way she didn't say what she didn't say.
00:27:40So who was she?
00:27:43The one who got to you?
00:27:45What makes you think there was only one?
00:27:48It takes many forms, but there's really only one.
00:27:53You should have been a priest.
00:27:55No.
00:27:57Not an option for a woman.
00:27:59I'd make a terrible nun.
00:28:03There's always one who sets the standard.
00:28:05For most guys, it's the girl in college
00:28:07who barely knew they existed.
00:28:09There were a couple of those, I guess.
00:28:12It was just as well.
00:28:15If you'd gathered the courage to talk to her,
00:28:17it's obvious her teeth aren't perfect.
00:28:20Her eyes are slightly askew.
00:28:23You ever notice how it's always those quirks
00:28:25we find most charming in the beginning
00:28:27become the most irritating over time?
00:28:32What about you?
00:28:38I'm more comfortable on this side.
00:28:42As long as there's no tape in it.
00:28:45No tape.
00:28:47It was high school.
00:28:49Backseat of his car.
00:28:51I wish I could be more original.
00:28:55He plays it cool.
00:28:57A little smile on his face.
00:29:01But in that smile,
00:29:03is a world of expectation and sadness.
00:29:08The flower is beautiful, but it dies.
00:29:13The girl is fertile, but she will age.
00:29:20They won't find each other in an old age home
00:29:23at the sunny edge of the world.
00:29:26They won't wind up in L.A.
00:29:29This is their moment,
00:29:31and they better take it.
00:29:50If there's anything you need to tell me
00:29:52about your relationship with this young woman,
00:29:54now would be the time.
00:29:57I needed to know if it was possible to know someone.
00:30:00Really know someone.
00:30:05I always have.
00:30:07I wanted to know what was real.
00:30:10Our souls were born together at the beginning of time.
00:30:13And what was just some kind of image of her in my head.
00:30:16I love you.
00:30:18Our souls were born together at the beginning of time.
00:30:21I always have.
00:30:24Our souls were born together at the beginning of time.
00:30:26Our souls were born together at the beginning of time.
00:30:30I love you.
00:30:35Our souls were born together at the beginning of time.
00:30:45It wasn't in college.
00:30:48We met at the museum.
00:30:50Impressionists?
00:30:52How'd you know?
00:30:55I always find the best women in the impressionist wing.
00:30:58We went out a couple of times.
00:31:01She invites me back to her place,
00:31:03and we're sitting on the couch.
00:31:05When she gets up to throw a log on the fire,
00:31:08I notice a slight stiffness in her step.
00:31:11Somehow, that tiny sign of age made her real for me.
00:31:18She was perfected by her imperfections.
00:31:23And in that moment, I can see the future.
00:31:26We will move together into the bright haze,
00:31:29fighting age and decay, losing gloriously.
00:31:32I will come to love her cancer scars, her arthritic knee.
00:31:37And I know that sex and love are just animal things.
00:31:41The genes liking what's good for them.
00:31:45But maybe there's another possibility.
00:31:48If love is more than the sum of its parts,
00:31:51then maybe we are more than the sum of our parts.
00:31:57But there's another future.
00:32:00She will leave me, or I'll leave her.
00:32:04I'll feel the pain, but only for a while.
00:32:08And I know that if I ran into her a year later,
00:32:12she won't be someone that I could imagine falling in love with.
00:32:15In fact, I'll question that I ever did at all.
00:32:19So which future did you choose?
00:32:22Sometimes the scorpion stings you,
00:32:25even if it means you'll drown too.
00:32:31When I was little, my mother told me about the saints.
00:32:37Saint Jude was always my favorite.
00:32:40Patron saint of lost causes.
00:32:49Why did you really call me?
00:32:56I agreed to help her out with Pruitt, but there was a condition.
00:33:02She still hadn't told me why she was crying that day I met her on the train.
00:33:10He was a brave man once.
00:33:13He was in Cuba on business during the revolution.
00:33:16Somehow he managed to convince both sides he was with them.
00:33:20He infiltrated the guerrillas on behalf of the government,
00:33:24told the revolutionaries he was gathering intelligence for them.
00:33:28Both sides suspected he was CIA.
00:33:31I think eventually even he didn't know what the truth was.
00:33:36One time he was able to warn a village about a coming attack.
00:33:41About a dozen families escaped.
00:33:51Do you have chocolate?
00:33:57I need you to do this for me, Danny.
00:34:00What will following him with my camera give you?
00:34:04Ammunition.
00:34:07Not everybody has a double life. Not everybody has a secret.
00:34:12That's where you're wrong.
00:34:15You assume the elderly gentleman was her great-uncle.
00:34:19I imagine he was just some old-timer she used as a prop.
00:34:23She was very good with stories.
00:34:26That's when you agreed to follow Carl Pruitt.
00:34:29He was a criminal defense lawyer.
00:34:31I knew he'd have some unsavory associations, but I didn't think much of it.
00:34:36You were led to believe this ammunition was for a potential divorce proceeding.
00:34:40She never actually mentioned divorce.
00:34:43Right. The way she didn't say what she didn't say.
00:34:50About a week in, it started to get interesting.
00:34:55That was the first time you saw James Fenner.
00:34:59Well, we weren't formally introduced, but...
00:35:02Yeah, that's him.
00:35:04Of course, we already know that.
00:35:10For the record, I didn't leave her.
00:35:14So? Sometimes a scorpion gets stung, too.
00:35:17You replay the last weeks and days looking for a reason.
00:35:21You say something wrong, commit some callous act.
00:35:25Can it really be so fragile?
00:35:29Or you can move on.
00:35:32Maybe those couples have been together so long they can't remember why.
00:35:36In the land of the one-eyed, maybe the blind.
00:35:45With the Americans approaching,
00:35:48they were in a hurry to finish up with us.
00:35:52Finally, it would be my turn.
00:35:55I thought back to the little girl by the train.
00:35:59In a place where evil seemed so big,
00:36:04also so small.
00:36:07So every day,
00:36:10I believed that this one little act of kindness saved my life.
00:36:17I had to know that there was something else.
00:36:20Some people existed who could be good and kind.
00:36:35You didn't notice anything odd about the picture she showed you of Carl Pruitt?
00:36:40Not exactly a family portrait. That's taken with a telephoto lens.
00:36:45Well, she doesn't like getting her photograph taken.
00:36:48Right. The Aborigines.
00:36:51I guess I took a lot on faith.
00:36:54I thought all you movie people were atheists.
00:36:58Only when it comes to God.
00:37:01In the morning, so much excitement.
00:37:05The camp guards have disappeared. People are running around.
00:37:09The Americans have liberated the camp.
00:37:12They had hot food for us.
00:37:15Just some broth with a little meat.
00:37:19But it was so long since I had had anything so hot and good.
00:37:24I ate it so quickly that the little cross came loose and I almost choked.
00:37:29Just think about it.
00:37:31If after all I'd been through,
00:37:34I had choked on this kind gift,
00:37:40I took it out of my mouth and hung it round my neck.
00:37:48A Jewish boy wearing a cross?
00:37:52I got tired of explaining.
00:37:55So if they thought I'd converted, let them.
00:38:02I'd seen Pruitt go into the building a couple of times,
00:38:05so I decided to get a better look.
00:38:10I'm sorry.
00:38:36Ever seen him before?
00:38:38Of course.
00:38:40Karl represented him a few times.
00:38:43He's required to do a certain amount of pro bono work.
00:38:46In spite of?
00:38:48He's a provider. Drugs, girls, you name it.
00:38:51Karl likes to get paid one way or another.
00:39:09You asking for the time?
00:39:13Do I need some kind of respite?
00:39:17It ain't part of the club.
00:39:20I wasn't getting past this guy anyway,
00:39:23so I figured I'd come back another night.
00:39:25He had to take a break sooner or later.
00:39:27You didn't think you might be getting in over your head?
00:39:30Ever try and jump off a moving train?
00:39:35If there's anything you need to tell me
00:39:38about your relationship with this young woman,
00:39:40now would be the time.
00:39:42I thought I wasn't a suspect.
00:39:44You were willing to walk into a potentially dangerous situation
00:39:48armed with a video camera.
00:39:50I guess I wanted to know what was real
00:39:53and what was just some kind of image of her in my head.
00:39:58I needed to know if it was possible to know something
00:40:02I needed to know if it was possible to know someone,
00:40:05really know someone.
00:40:10It seemed very important.
00:40:25My wife died last year.
00:40:2830 years.
00:40:31I got the call I'm usually the one making.
00:40:34Car accident.
00:40:37Funny thing is she wasn't even supposed to go out that night,
00:40:40but she did go out.
00:40:43She was going out to see the guy she was screwing.
00:40:48For weeks I bounced between anger, hurt, loss.
00:40:53The hardest thing was jumping from one feeling to the next.
00:40:59I couldn't get a foothold.
00:41:02So finally I decided to pick one emotion.
00:41:06I tried to remember who she was and why I loved her.
00:41:11And then when the dark feelings would rise,
00:41:15I would, what do you call it when you turn lead into gold?
00:41:20Alchemy.
00:41:22I'd take everything about her, even the things I hated,
00:41:27and I'd tell her in my mind how that made me love her
00:41:30because that's what made her who she was, even the flaws.
00:41:38I see it every day.
00:41:42Love a person half your life, then wake up one morning
00:41:45and you can't find a single thing about them not to hate.
00:41:49I've seen women carved to ribbons by men who two days ago
00:41:53jumped in front of a truck to save.
00:41:57I wasn't going to let that happen.
00:42:00I wasn't going to turn gold to lead.
00:42:04Did it work?
00:42:07Sometimes.
00:42:13You know there's a tab on the camera menu
00:42:15you can turn off the tally light?
00:42:17That way the suspect doesn't know he's being recorded.
00:42:22You're good. You share, I share.
00:42:29Was it true?
00:42:31Didn't Jesus say, what is truth?
00:42:36Actually, I think it was Pilate.
00:42:40Eventually, I made my way to New York.
00:42:45I found work with a relative who sold small gifts,
00:42:49religious trinkets from the church.
00:42:52He always made fun of me anyway.
00:42:55The goy, he called me because of the cross.
00:42:58Go out and sell the saints.
00:43:01So every day I went to the cart out on Coney Island.
00:43:07I couldn't believe how happy all the people were
00:43:12just for nothing, for some cotton candy
00:43:16and a few silly rides.
00:43:20This happiness was more foreign to me than the new language.
00:43:27One day I'm pushing my cart when this pretty young woman
00:43:33approaches to buy something for her niece.
00:43:36I hear she has an accent, so we start talking German.
00:43:41I never talked about my experience.
00:43:45Certainly not a German.
00:43:48But she was so kind, so gentle.
00:43:53I let her know I was a Jew.
00:43:56She could figure out the rest.
00:43:59So much was different between us.
00:44:04And yet it was so easy to talk to her.
00:44:07I never forget her smile.
00:44:12Finally she buys a trinket.
00:44:15And I reach down to put it in a bag
00:44:19and the cross comes out from under my shirt.
00:44:22Her eyes get very big, like two blue pools of water.
00:44:29Where did you get this?
00:44:31She asks.
00:44:33I don't want to tell her the whole story.
00:44:36But of course she already knew.
00:44:39Why is a Jewish boy wearing a cross?
00:44:46It seemed like forever.
00:44:49Neither of us said a thing.
00:44:53Then there are tears in her eyes.
00:44:56I was punished when I told my parents I had lost it.
00:45:04I had found my savior.
00:45:07The little girl whose kindness had seen me through impossible times.
00:45:12I left the cart right there on the boardwalk
00:45:15and we walked for hours just talking.
00:45:18Two people so different.
00:45:23It was like we'd known each other our whole lives,
00:45:26which of course we had in our imaginations.
00:45:34Seeing the worst that people are capable of,
00:45:39I had also seen in her the best.
00:45:45Now that I'd found her, I promised her, promised myself
00:45:50I would never lose her again.
00:45:54And I've never broken that promise.
00:45:59I was wrong.
00:46:02You don't want to choose between a great love and a great story.
00:46:07You think that's what this is about?
00:46:10I woke up one morning.
00:46:13I saw my mom standing over the kitchen sink
00:46:16and suddenly I knew what hell was.
00:46:21You see the world, but you're not in it.
00:46:26People walk by your grave,
00:46:30crying, alive, forgetting you.
00:46:35But still you remain a bead of awareness in a universe of uncaring.
00:46:42But what if there's a way out?
00:46:47What if there's a bridge to just one moment,
00:46:52a story, a sentence of our lives?
00:46:57Does that become a part of that story?
00:47:02Does that become our eternity?
00:47:15I don't know why I didn't tell her about the husbands.
00:47:19I wonder if it saved my life.
00:47:23She took the cab down with me.
00:47:26I'd collect the footage and we'd meet later in a diner.
00:47:38You should have fought for her.
00:47:41You thought it was her imperfections that you loved,
00:47:45but it's really just the story.
00:47:49Makes you into a nicer guy than the one who would have left her for someone younger.
00:47:54The great lost love has its appeal, even to a girl like me.
00:47:59Stories don't age and die, you can tell them over and over.
00:48:04Problem is, they always end the same.
00:48:24I'm sorry.
00:48:54I'm sorry.
00:49:24I'm sorry.
00:49:55Seriously, man, what the fuck were you thinking?
00:50:00Fair question.
00:50:03I mean, what did you expect?
00:50:06Damned if I know.
00:50:09Damned if you don't.
00:50:12Good one.
00:50:15Yeah, well...
00:50:19Take it to the grave.
00:50:22What am I doing here?
00:50:25Hey, man, you chugged in here on your own steam.
00:50:29That's a rhetorical question.
00:50:32I was asking myself.
00:50:36I know what rhetorical means.
00:50:43No disrespect.
00:50:46No disrespect.
00:50:51You know what I like about vampire stories?
00:50:54The good ones, anyway.
00:50:57I couldn't begin to guess.
00:51:01The victim has to invite the vampire in.
00:51:12I think I might have misjudged you.
00:51:15It's a common mistake.
00:51:20Did you really think you could have her?
00:51:23Think she'd ever show you her real self?
00:51:26I guess I wasn't thinking.
00:51:28That's where you're wrong, partner.
00:51:31You think too much.
00:51:34A girl like Lexi, she isn't about thought.
00:51:39She'd tell you what floats her boat.
00:51:42Tell you to grab her hair.
00:51:45Put her face into the pillows.
00:51:48Tell you she likes it rough.
00:51:57I just had a funny thought.
00:52:00Wouldn't think you'd be in a laughing mood.
00:52:03About a patron samed for lost causes.
00:52:06Yeah, that's one of her raps.
00:52:08Unlike you, I don't imagine I'm the first man she's told that to.
00:52:11Probably not the first to wear this around his neck, either.
00:52:16You always believe women when they tell you you're their first?
00:52:20Actually, I never believed that.
00:52:23Well, there's hope for you yet.
00:52:35Now, of course, that's a scorpion.
00:52:38Your name's Spider. Why do you...
00:52:41Why have you got a scorpion tattoo?
00:52:45You do have a right to remain silent.
00:52:47Hey, I'm just saying.
00:52:49Just saying.
00:52:54In the end, does all that smarts really pay off?
00:52:59I mean, look where I am.
00:53:02Look where you sit.
00:53:04Doesn't that strike you as funny?
00:53:06Well, not ha-ha funny.
00:53:08I have this theory about smarts.
00:53:13That it gets in the way of seeing things.
00:53:17What?
00:53:19Did you think she cared?
00:53:23Just what I thought.
00:53:25Only a smart guy could be that fucking stupid.
00:53:35It's another smart guy.
00:53:38See how fucking smart?
00:53:51So, want to hear the plan?
00:53:54Our girl asks you to get some dirt on old Carl over there,
00:53:58which isn't hard to do.
00:54:00He's much more interested in pain than women.
00:54:02What's the difference?
00:54:03You wind up falling for her.
00:54:06Decide you have to have her.
00:54:13She brings that out in a man.
00:54:18Let me guess.
00:54:22I kill him.
00:54:33See? No smarts again.
00:54:38Why do I kill him if she's going to leave him anyway?
00:54:43Hang on a minute.
00:54:45Why?
00:55:01Because he put a fucking nail through your hand.
00:55:09Of course I'd been following Pruitt,
00:55:11collecting all this footage so it had a certain logic.
00:55:16Spider.
00:55:20Scorpion.
00:55:22Whatever your name is, arachnid.
00:55:28You like pain or something?
00:55:30Look, I know smarts has its limitations,
00:55:33but dumb won't get you very far either.
00:55:37Seriously?
00:55:38You really think you're going to end up
00:55:40on a paradise island with her?
00:55:42You really don't know what's what, do you?
00:55:44She's not real.
00:55:45No?
00:55:46She only shows you what she needs to.
00:55:49See, a man like you will never get what she's about,
00:55:53Upper West Side pussy.
00:55:57You think I don't know you.
00:55:59You walk the line, afraid to give the littlest offense,
00:56:03tell them what they want to hear,
00:56:06fuck on their schedule,
00:56:08tiptoeing nine paces behind them.
00:56:11You're right, arse.
00:56:13She'll never be real to you.
00:56:21Just about done here.
00:56:31And you thought the nail was a good idea because?
00:56:35He pisses me off.
00:56:37So let me get this straight.
00:56:39He kills Carl,
00:56:40and then he hammers a nail into his own hand.
00:56:44Carl fucks him up with the nail,
00:56:47but he gets himself free.
00:56:49He does Carl with the knife,
00:56:51and Carl has just enough left in him
00:56:54to put a bullet between his eyes.
00:56:58What did I say about improvising?
00:57:02Where is he? I want to see him.
00:57:09Come on.
00:57:27I've waited a long time.
00:57:30Who the fuck are you?
00:57:34Hey.
00:57:37Jesus.
00:57:39Now he's dead.
00:57:42He didn't know you.
00:57:47You have the gun.
00:57:49Cold as they come.
00:57:51Why didn't he know you?
00:57:58No.
00:58:00Let me.
00:58:02It's you, babe.
00:58:04He's my responsibility.
00:58:11There's my girl.
00:58:21Come on.
00:58:23You can do better than that.
00:58:27It makes a difference. I'm sorry.
00:58:33I can't blame the scorpion for stinging you.
00:58:40What was that she said
00:58:42about living out an alternative future
00:58:45in the last instant of your life?
00:58:48Is that what this is?
00:58:50Is that what all this has been?
00:58:53Are you always the last to realize you're already dead?
00:58:59Maybe I should have been paying more attention.
00:59:02Well, that was the death
00:59:05that flashed before my eyes anyway.
00:59:24No.
00:59:26Let me.
00:59:28There's my girl.
00:59:48For the record,
00:59:51I never liked it rough.
00:59:57It pisses me off.
01:00:05You weren't what I thought.
01:00:07You're exactly what I thought.
01:00:21You won't be needing it.
01:00:27So where will you go?
01:00:30Someplace warm.
01:00:32Who will you be when you get there?
01:00:35You invented me as much as I invented myself, Danny.
01:00:41The vampire can't enter without an invitation.
01:00:45I'm not going to let you in.
01:00:48He can't enter without an invitation.
01:00:54I knew he didn't come up with that line himself.
01:00:58Do you want me to tell you what was real for me?
01:01:02That I loved you if only for a moment?
01:01:06That's why you're alive and Spider is dead.
01:01:10Okay.
01:01:13I love you.
01:01:16I always have.
01:01:19Our souls were born together at the beginning of time.
01:01:23I can't tell you anything you don't already know.
01:01:34I believe you.
01:01:40Will you remember me?
01:01:44Safe bet.
01:01:53The thing is, even after everything,
01:01:57I wanted to believe.
01:02:00Duct tape to a chair, nail through my hand,
01:02:04two dead guys on the floor.
01:02:07I still wanted to believe her.
01:02:11Homo creditus, man the believer.
01:02:14Pretty fucking stupid, huh?
01:02:16Just overmatched.
01:02:18They're smarter than us, you know that.
01:02:21At least you're not one of the dead guys on the floor.
01:02:24Does that make me a suspect?
01:02:26I don't think you killed Carl Pruitt.
01:02:28And I don't really think that she ever expected you to take the rap.
01:02:33My guess is her plan was to get rid of Pruitt and Spider at the same time.
01:02:38So why use me?
01:02:40What Spider lacked in moral clarity he made up for in street smarts.
01:02:44He knew somebody would have to take the fall for Pruitt.
01:02:47Well, she convinced him it was you.
01:02:50So he wouldn't know it was him all along.
01:02:52Well, why kill Spider?
01:02:55I guess she had a short fuse on this kind of thing.
01:03:00Tell you she likes it rough.
01:03:04She was never married to Carl.
01:03:07He didn't seem to know her.
01:03:10Oh, he knew her.
01:03:12But I decided then and there I would never be a victim.
01:03:16The mother was married to him.
01:03:30He killed her.
01:03:32D.A. went for manslaughter.
01:03:34Carl claimed she came at him with a kitchen knife.
01:03:38He was acquitted.
01:03:42She never said she was married to him.
01:03:45What?
01:03:47Oh, that he was the one who beat her. She just...
01:03:49You look in the mirror one morning and realize it's not only your mother's eyes you've got,
01:03:53it's the bruises around them.
01:03:55She just...
01:03:58She just let me fill in the blanks.
01:04:00Turns out the mother insisted that Carl set up a blind trust for Lexi before she'd marry him.
01:04:06Carl stipulated the trust wouldn't go into effect until he and the mother died.
01:04:11She always wanted me to be provided for, so he agreed to put something aside for me.
01:04:16She cleaned out the trust three days ago.
01:04:21I imagine she hooked up with Spider as a way to get to Pruitt.
01:04:26She presented him on a couple of drug beefs.
01:04:30Once Spider laid a hand on her, his fate was set.
01:04:45You knew all along?
01:04:47It'd be nice if we could see the rest of the room.
01:04:49Well, I'll be more careful next time I drop my camera.
01:04:52You will get me the footage that you've been collecting.
01:04:56So I'm free to go?
01:05:03I am curious, though.
01:05:05Earlier you mentioned something about that couple, the Hertzmans.
01:05:10Something you never told her.
01:05:12I didn't want him to do this. Never.
01:05:14I was in the camps, just as I said.
01:05:17And I saw many trains pass by with prisoners.
01:05:21But I never even saw Morris.
01:05:23That day on Coney Island was the first time we met.
01:05:27We fell in love and were married.
01:05:30The important parts are true.
01:05:33But the story of the girl with the cross, your angel.
01:05:36That I made up.
01:05:40It was just a trinket he was selling.
01:05:43I thought it was so funny, you know, a Jewish boy selling crosses.
01:05:47I've worn it ever since.
01:05:49But it's not even real.
01:05:51Of course it's real. It's just not real gold.
01:05:55When the book publishers did their fact-checking,
01:05:58they found that the dates and places didn't match.
01:06:01Morris came clean, but of course he lost the book and movie deal.
01:06:05Why did he do it? For the money?
01:06:08Not exactly.
01:06:11It was a wonderful story. It made people happy.
01:06:16But it's not true.
01:06:18Ach! It made them feel good.
01:06:21Do you care when you read a novel that it didn't really happen?
01:06:24Are you angry at Shakespeare because Juliet never said those words?
01:06:29Our love is real. 50 years.
01:06:34That part is real.
01:06:37So what's more important?
01:06:39I gave them something beautiful and now it's gone.
01:06:44Is there too much beauty in the world?
01:06:46Believe me, where I was, there wasn't so much beauty.
01:06:51A story like this would have given those poor souls
01:06:55more hope than a hundred gold crosses.
01:07:02That's why I was on the train when I saw Legzi the second time.
01:07:05I was on my way up to do the follow-up interview with the Hertzmans.
01:07:12You will get me that footage.
01:07:14You're welcome to it.
01:07:17She never let me shoot her.
01:07:19Maybe she was right after all.
01:07:23About her capturing your soul.
01:07:27She asked me,
01:07:29if I choose the great love or the great story.
01:07:35But is there a difference, really?
01:07:38In the end, you aren't who you think you are.
01:07:41You're who I perceive you to be.
01:07:43You're not who I perceive you to be.
01:07:46You're who I perceive you to be.
01:07:49You're who I perceive you to be.
01:07:52You're who I perceive you to be.
01:07:55You're who I perceive you to be.
01:07:57In the world of matter, you are uncontrollable, unpredictable.
01:08:01A babble of random motion.
01:08:04I capture you in a net of words and you are known, if only for a moment.
01:08:09We imagine we create words.
01:08:12But what if they create us?
01:08:15This is the secret poets know.
01:08:18Words are incantations, weaving magic spells.
01:08:22If the word initiated the universe into existence,
01:08:27what will close it?
01:08:31Why didn't I tell Detective Martin?
01:08:34I guess I was never purely victim or suspect.
01:08:38You could say I was an accomplice of sorts.
01:08:44Check my heart.
01:08:53Why did I give her the memory card?
01:08:56Let her keep her soul.
01:08:59Why did I go back there, knowing?
01:09:05Sometimes you just have to find out how the story ends.
01:09:10Of course,
01:09:12sometimes you just have to find out how the story ends.
01:09:17Of course, it did back it up to my hard drive.
01:09:47I really do miss our conversations, Danny.
01:09:50But this time I'm just going to have to imagine your side.
01:09:54I'm sorry.
01:09:56I'm sorry.
01:09:58I'm sorry.
01:10:00I'm sorry.
01:10:02I'm sorry.
01:10:04I'm sorry.
01:10:06I'm sorry.
01:10:08I'm sorry.
01:10:10I'm sorry.
01:10:12I'm sorry.
01:10:14I'm sorry.
01:10:16I'll try to imagine your side.
01:10:19In a way, it's just as well,
01:10:22since we can't ever really know each other, can we?
01:10:26Men and women, people and people,
01:10:29we're all alone in the end,
01:10:32but maybe that's okay.
01:10:34It's what makes us hope and fear
01:10:36and sometimes love each other.
01:10:38It's what keeps us awake at night
01:10:40and makes us pull the blankets over our head
01:10:42against the glare of morning.
01:10:45It's 4 a.m. as you look for the bathroom in some stranger's apartment to piss out the chemicals from the night before.
01:10:52Its fingers scratching across tiles. My knees pointed at the ceiling.
01:10:58Love is a religion. Denial of death. Descent into fiction and improbability.
01:11:04The lighting of candles. A bridge to the impossible. A lunatic babbling on the uptown IRT.
01:11:11It is this tenement basement with its stink of cockroach and death. It is Jesus above Rio.
01:11:19It is sex and its withering. It is blood on the floor.
01:11:26You will kill for it and die for it. You will open its shroud and see your face etched in dirt and sweat.
01:11:36It fills you and empties you in the same heartbeat. A bridge to the impossible.
01:11:42It is hope and the death of hope.
01:11:49Love without sex is life without death. Sex without danger is God without the devil.
01:11:56If you can't risk being damned, don't imagine you can ever love.
01:12:00Love straps your arms to the cross, drives nails through your hands and feet.
01:12:05It is a spear that pierces your side in the blood and the gall that splashes to the ground.
01:12:11It is a rag of vinegar pressed to your lips and a thorn pushed into your scalp.
01:12:18It is a desert mirage, an echo in a cave. Your own words returning to mock you.
01:12:25It's every great painting you'll ever see.
01:12:28And there may be no art from the scratchings an elephant can make with his trunk.
01:12:55Art center or soft?
01:13:20Soft.
01:13:51Never much cared for the heart center.
01:13:57Nor I.
01:14:50Never much cared for the heart center.
01:14:52Nor I.
01:14:54Never much cared for the heart center.
01:14:56Nor I.
01:14:58Never much cared for the heart center.
01:15:00Nor I.
01:15:02Never much cared for the heart center.
01:15:04Nor I.
01:15:06Never much cared for the heart center.
01:15:08Nor I.
01:15:10Never much cared for the heart center.
01:15:12Nor I.
01:15:14Never much cared for the heart center.
01:15:16Nor I.
01:15:18Never much cared for the heart center.
01:15:20Nor I.
01:15:22Never much cared for the heart center.
01:15:24Nor I.
01:15:26Never much cared for the heart center.
01:15:28Nor I.
01:15:30Never much cared for the heart center.
01:15:32Nor I.
01:15:34Never much cared for the heart center.
01:15:36Nor I.
01:15:38Never much cared for the heart center.
01:15:40Nor I.
01:15:42Never much cared for the heart center.
01:15:44Nor I.
01:15:46Never much cared for the heart center.
01:15:48Nor I.
01:15:50Never much cared for the heart center.
01:15:52Nor I.
01:15:54Never much cared for the heart center.
01:15:56Nor I.
01:15:58Never much cared for the heart center.
01:16:00Nor I.
01:16:02Never much cared for the heart center.
01:16:04Nor I.
01:16:06Never much cared for the heart center.
01:16:08Nor I.
01:16:10Never much cared for the heart center.
01:16:12Nor I.
01:16:14Never much cared for the heart center.
01:16:16Nor I.
01:16:18Never much cared for the heart center.
01:16:20Nor I.
01:16:22Never much cared for the heart center.
01:16:24Nor I.
01:16:26Never much cared for the heart center.
01:16:28Nor I.
01:16:30Never much cared for the heart center.
01:16:32Nor I.
01:16:34Never much cared for the heart center.
01:16:36Nor I.
01:16:38Never much cared for the heart center.
01:16:40Nor I.
01:16:42Never much cared for the heart center.
01:16:44Nor I.
01:16:46Never much cared for the heart center.
01:16:48Nor I.
01:16:50Never much cared for the heart center.
01:16:52Nor I.
01:16:54Never much cared for the heart center.
01:16:56Nor I.
01:16:58Never much cared for the heart center.
01:17:00Nor I.
01:17:02Never much cared for the heart center.
01:17:04Nor I.
01:17:06Never much cared for the heart center.
01:17:08Nor I.
01:17:10Never much cared for the heart center.
01:17:12Nor I.
01:17:14Never much cared for the heart center.
01:17:16Nor I.
01:17:18Never much cared for the heart center.
01:17:20Nor I.
01:17:22Never much cared for the heart center.
01:17:24Nor I.
01:17:26Never much cared for the heart center.
01:17:28Nor I.
01:17:30Never much cared for the heart center.
01:17:32Nor I.
01:17:34Never much cared for the heart center.
01:17:36Nor I.
01:17:38Never much cared for the heart center.
01:17:40Nor I.
01:17:42Never much cared for the heart center.
01:17:44Nor I.
01:17:46Never much cared for the heart center.
01:17:48Nor I.
01:17:50Never much cared for the heart center.
01:17:52Nor I.
01:17:54Never much cared for the heart center.
01:17:56Nor I.
01:17:58Never much cared for the heart center.
01:18:00Nor I.
01:18:02Never much cared for the heart center.
01:18:04Nor I.
01:18:06Never much cared for the heart center.
01:18:08Nor I.
01:18:10Never much cared for the heart center.
01:18:12Nor I.
01:18:14Never much cared for the heart center.
01:18:16Nor I.
01:18:18Never much cared for the heart center.
01:18:20Nor I.
01:18:22Never much cared for the heart center.
01:18:24Nor I.
01:18:26Never much cared for the heart center.
01:18:28Nor I.
01:18:30Never much cared for the heart center.
01:18:32Nor I.
01:18:34Never much cared for the heart center.
01:18:36Nor I.
01:18:38Never much cared for the heart center.
01:18:40Nor I.
01:18:42Never much cared for the heart center.
01:18:44Nor I.
01:18:46Never much cared for the heart center.
01:18:48Nor I.
01:18:50Never much cared for the heart center.
01:18:52Nor I.
01:18:54Never much cared for the heart center.
01:18:56Nor I.
01:18:58Never much cared for the heart center.
01:19:00Nor I.
01:19:02Never much cared for the heart center.
01:19:04Nor I.
01:19:06Never much cared for the heart center.
01:19:08Nor I.
01:19:10Never much cared for the heart center.
01:19:12Nor I.
01:19:14Never much cared for the heart center.
01:19:16Nor I.
01:19:18Never much cared for the heart center.
01:19:20Nor I.
01:19:22Never much cared for the heart center.
01:19:24Nor I.
01:19:26Never much cared for the heart center.
01:19:28Nor I.
01:19:30Never much cared for the heart center.
01:19:32Nor I.
01:19:34Never much cared for the heart center.
01:19:36Nor I.
01:19:38Never much cared for the heart center.
01:19:40Nor I.
01:19:42Never much cared for the heart center.
01:19:44Nor I.
01:19:46Never much cared for the heart center.
01:19:48Nor I.
01:19:50Never much cared for the heart center.
01:19:52Nor I.
01:19:54Never much cared for the heart center.
01:19:56Nor I.
01:19:58Never much cared for the heart center.
01:20:00Nor I.
01:20:02Never much cared for the heart center.
01:20:04Nor I.
01:20:06Never much cared for the heart center.
01:20:08Nor I.
01:20:10Never much cared for the heart center.
01:20:12Nor I.
01:20:14Never much cared for the heart center.
01:20:16Nor I.
01:20:18Never much cared for the heart center.
01:20:20Nor I.
01:20:22Never much cared for the heart center.