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Más allá de la duda (1956) - Película completa en español
Más allá de la duda (1956) - Película completa en español
Más allá de la duda (1956) - Película completa en español

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Transcript
00:00:00Oh
00:00:20Masaya de la Duda
00:00:30Oh
00:01:00Oh
00:01:30Oh
00:01:53The Clark is the only
00:02:00Thompson's anotado tantos no tienes un gran concepto del fiscal al contrario
00:02:08Es un hombre muy ya
00:02:11Entonces porque le estás atacando siempre en tu editoria porque creo que aspira a ocupar el sidón de gobernador a base de conseguir penas
00:02:18de muerte
00:02:20Estoy luchando contra la pena capital por eso he querido que presenciadas esa ejecución
00:02:25Después de haber visto una
00:02:30Le conoces en persona no acaba de entrar
00:02:37Bueno
00:02:39Debo acercarme a saludar a Austin Spencer quiere más complicaciones no más que las que me creará en la editorial de mañana
00:02:46Me acompaño gracias no le de todo en el periódico
00:02:49Oh
00:02:55Hola Rudy
00:02:57De presento Tom Garrett nuestro fiscal del distrito roentgens como estas vengando no te sientas un momento gracias
00:03:04Quieres tomar algo no ahora
00:03:07Me gustó mucho su novela señor Garrett enhorabuena gracias supongo que te sentirás orgulloso
00:03:13no especialmente
00:03:15porque lo dices
00:03:19Ah
00:03:23Peters cometió un asesinato y no te horroriza verle enviado a la silla electa
00:03:28Yo me he limitado presentar ciertos hechos ante el jurado y él ha decidido considerar a Peters culpable
00:03:34legalmente debía ser ejecutado
00:03:36No se encontraron testigos ni testimonio alguno que estableciera su culpabilidad tan sólo pruebas accidentales que tú manejaste
00:03:45No querrás decir que Peters era inocente tal vez lo fuese el jurado no opinó así en Roy he asistido a suficientes
00:03:51juicios como para saber que un fiscal hábil persuasivo como tú puede hacer creer a un jurado que algo es un hecho cuando no lo es
00:03:58especialmente si el abogado defensor no es tan competente como lo eres tú crees que debería haber ignorado
00:04:03Esos pruebas en absoluto simplemente opinó que el estado no puede quitarle la vida a un hombre en tal caso de hecho no sé
00:04:09si debería quitársela en ningún
00:04:11Sabes que hay seis estados en este país que no tienen pena capital pero este estado si la tiene
00:04:17y yo tengo la obligación de defender la ley de este estado me alegra verte oísto ha sido un placer
00:04:24y lo mismo digo
00:04:29Parece muy amable porque no yo siempre le he tratado justamente o simplemente no estoy de acuerdo con la pena de muerte
00:04:35Asumamos los austin ese argumento lleva siglos discutiendo si dudo mucho que tuvo el señor thompson podáis solucionarlo la solución existe pero no
00:04:43basta con hablar de ellos bueno tengo que volver a la oficina joe
00:04:48Te llevo algún sitio he quedado aquí con sus
00:04:51por lo visto lo vuestro va en serio
00:04:54alguna objeción
00:04:55si la tuviera no te habría permitido dejar el periódico para escribir esa novela que tiene que ver una cosa con otra
00:05:02Mi hija tiene gustos muy caros no creo que hubieras progresado tanto con el sueldo que yo te pagaba
00:05:11Hola
00:05:18Es que no llego a besarle en la frente tampoco lo has intentado podéis presidir de mí nos las arreglaremos hasta luego
00:05:31Y
00:05:35Gracias que quieres
00:05:51Gracias
00:05:54Bueno que te gustaría
00:05:57No me apetece mucho ir a bailar ir a bailar a las 5 de la tarde
00:06:02te llevaré
00:06:04Prefiero ir ahora de acuerdo donde no conozco tu apartamento
00:06:11No estás yendo muy lejos
00:06:13Territorio estoy dispuesta a fiesgarme
00:06:16It all began the day I looked at you
00:06:22You were just like
00:06:26El mes que viene serás mi esposa
00:06:30Deja que suene no contesta voy a casa a cambiar
00:06:34Espera voy a llevarme un coger en taxi no te preocupes un momento por favor a qué hora te reconozco
00:06:41a las 8
00:06:45Y díle a ella que estás comprometido
00:06:54Diga
00:06:57
00:07:06Funciona y todo gracias
00:07:08No podía imaginarme el resto de mi vida viéndote buscando cerillas es precioso y tú también
00:07:16me alegro de que por fin hayáis fijado una fecha
00:07:22Me temo que tendremos que posponerlo sus
00:07:25Ah
00:07:26Esa llamada que tenido en mi apartamento era de mi editor
00:07:29está entusiasmado no podía imaginar el éxito que hemos tenido
00:07:33y eso que tiene que ver con que estés casado quiere un nuevo libro enseguida así que tendré que encerrarme y escribirlo
00:07:40quizá te sorprendas pero hay muchos escritores de éxito casados yo no soy un escritor famoso todavía
00:07:47escribir un libro no demuestra nada por eso el segundo es tan importante
00:07:51Tendré que concentrarme en él tú lo entiendes verdad usted desde luego no puedes permitirte un fracaso
00:07:57te pido que lo comprendas usa y lo comprendo muy bien jamás te forzaría a hacer algo que tú evidentemente no quieres hacer
00:08:09Susan sí
00:08:11Cariño te quiero mucho y deseo que nuestro matrimonio empiece bien
00:08:16Por eso debo acabar el libro primero no puedo escribir si estoy distraído y casado contigo no estaría permanentemente
00:08:25Quieres decir que si estuvieras casado conmigo te sería imposible escribir
00:08:29si eso imagino
00:08:31aunque tendré que acostumbrarme a ello susan lo único que te pido es que nos retrasemos sólo un poco
00:08:37terminaré el libro y
00:08:39empezaremos juntos y no otra cosa en la mente que nosotros mismos
00:08:43Escribe de prisa
00:08:46He estado pensando sobre lo que has dicho en el club
00:08:50sobre la pena de muerte que comprometes con mi hija y no se te ocurra otra cosa que pensar en la pena capital no en serio
00:08:56Austin
00:08:57no he podido quitarme lo de la cabeza
00:09:00y que opinas sobre ello estás de acuerdo conmigo no estoy seguro pero la idea de que un hombre inocente sea ejecutado
00:09:08me horroriza
00:09:09no es mal tema para escribir un libro inventarse una historia ficticia no demostraría nada
00:09:15Solo un hecho real podría probar que estoy en lo cierto
00:09:19Como?
00:09:22Utilizando a alguien cuya inocencia sea comprobable haciendo que se le juzgue y condene por un asesinato que no ha cometido
00:09:30Para eso habría que confundir primero a la policía
00:09:34en una gran ciudad como esta los homicidios son frecuentes y a veces la policía se siente perdida
00:09:41Sin ninguna pista sin sospechosos ningún punto de partida
00:09:45En estas circunstancias un hombre inocente podría crear a su alrededor pruebas que le hicieran culpable y sería detenido
00:09:53juzgado y condenado
00:09:56Esto es imposible de llevar a cabo
00:10:00Este es un caso perfecto para hacer posible lo que tú crees imposible aquí lo tienes
00:10:06Una bailarina ha sido estrangulada con una media en un barranco a las afueras de la ciudad
00:10:13Aparentemente la policía no tiene ninguna pista
00:10:16¿Crees que podríamos encontrar a una persona inocente que aceptara ser detenida juzgada y sentenciada por esto?
00:10:22¿Tú no?
00:10:25No lo sé
00:10:27Pero admito que si lo consiguieramos el resultado sería una bomba ¿Quién se prestaría hacer de conejo de indias?
00:10:34¿Tú?
00:10:35¿Yo?
00:10:37¿Por qué no?
00:10:38Se necesita alguien con imaginación, cierta ingenuidad, alguien a quien se le pudiera tomar como una víctima inconsciente de las circunstancias
00:10:48Es una idea tan descabellada, tal vez por eso me atraiga más
00:10:54¿Y qué dices de los riesgos?
00:10:56Ninguno, créeme, al final serías absuelto después de condenarte a la silla eléctrica desde luego
00:11:03Eso último es lo que más me preocupa
00:11:05Y ahí intervendría yo
00:11:07Una vez que fueras condenado y sentenciado yo revelaría los detalles de nuestro plan
00:11:12Tengo cierto prestigio en esta ciudad, serías absuelto automáticamente
00:11:17Haces que todo parezca muy sencillo
00:11:19Sería muy sencillo
00:11:20Todo el mundo sabe que llevo años intentando influir para que cambie la ley sobre la pena de muerte
00:11:25Claro que seríamos criticados por la forma de hacerlo pero eso no me preocuparía si consiguieramos algo
00:11:30¿Y cómo saber que la policía no tiene un sospechoso?
00:11:32Eso es fácil
00:11:43Charlie Miller
00:11:45¿Diga, señor?
00:11:47Un momento
00:11:52Sí, el caso Patty Gray
00:11:56Lo lleva el Teniente Kennedy
00:11:59Es un caso interesante
00:12:02¿Puedo obtener información de lo que se sabe realmente?
00:12:05Supongo que sí, pero Kennedy querrá mantenerlo confidencialmente
00:12:08Es lógico, lo respetaremos
00:12:11Pero quiero saber paso a paso lo que están haciendo
00:12:13Sí, señor
00:12:17Si no tiene ningún sospechoso, les daremos uno
00:12:20Tenemos 50 sospechosos
00:12:22Es un club muy frecuentado
00:12:24El portero no pudo identificar a todos
00:12:26¿Alguno probable?
00:12:28El panorama es muy confuso
00:12:30Solo algunas descripciones que estamos comprobando
00:12:34Lo único cierto es que la chica vivía sola en una pensión
00:12:38Hay algo extraño en eso
00:12:40¿Por qué?
00:12:42Verás, después de describir el cadáver fuimos a su habitación
00:12:44Era evidente que había sido saqueada
00:12:46No encontramos nada
00:12:48Ni cartas, ni papeles, ni una agenda
00:12:50Ni huellas, nada
00:12:53Las chicas del club están aquí
00:12:56Que pase Joan Williams primero
00:12:58Señorita Williams
00:13:05Siéntese, por favor
00:13:12Según esta información
00:13:14Vivió usted un tiempo con Patty Gray
00:13:16¿Es eso cierto?
00:13:18Muy poco tiempo
00:13:20¿Eran buenas amigas?
00:13:23¿Entonces por qué se fue a vivir con ella?
00:13:25Cuando llegué a la ciudad para trabajar en el club
00:13:27Hace unas semanas
00:13:29No tenía ningún sitio donde estar
00:13:31Patty me ofreció vivir con ella
00:13:33Si le pagaba 15 dólares a la semana
00:13:37Creo que necesitaba dinero
00:13:39Unos días antes de que ella fuera asesinada
00:13:41Usted se fue de esa casa
00:13:43¿Por qué?
00:13:45¿Discutieron por algo?
00:13:47¿Qué va?
00:13:49Una noche llegó a casa y me dijo que me fuera
00:13:51Sin ninguna razón
00:13:53No dice que necesitaba dinero
00:13:55Eso era lo que yo creía
00:13:57Se lo pregunté extrañada
00:13:59Pero ella se rió y me dijo que ya no necesitaba
00:14:01Mis cochinos dólares
00:14:03Sabe
00:14:05Que aquella noche había conseguido mucho dinero
00:14:07Le dijo
00:14:09¿Cómo lo había conseguido?
00:14:11Nada, no dijo nada
00:14:13Simplemente que me fuera
00:14:15¿Sabe algo que pueda ayudarnos a descubrir
00:14:17Quien la mató?
00:14:20No puedo ayudarles
00:14:22Solo llevo aquí un par de semanas
00:14:24Este es mi primer trabajo
00:14:26Gracias por haber venido
00:14:36Que pasen las otras dos chicas
00:14:40¿Qué es lo que quiere de nosotras?
00:14:42Bueno, me gustaría haceros unas cuantas preguntas
00:14:44¿De madrugada precisamente?
00:14:46Son las tres menos cortas
00:14:48Somos artistas, necesitamos dormir
00:14:50Tenemos que cuidarnos
00:14:52Bonita profesión
00:14:54Muchas gracias
00:14:56¿Nos invita a desayunar?
00:14:58Sí, un poco de café
00:15:00¿Cómo, sin bollos?
00:15:02Sin bollos
00:15:06Podría cortarse con un cuchillo
00:15:08Vosotras compartíais el caberino con Patty Gray
00:15:10¿Qué clase de chica era?
00:15:12Para mí normal
00:15:14¿Normal? Era una serpiente
00:15:17¿Una serpiente, una tripa o una tramposa?
00:15:19¿Qué sabéis de su vida privada?
00:15:21Nadie sabía mucho sobre ella
00:15:23Nunca hubiera ganado un concurso de popularidad
00:15:27Si nadie sabía nada sobre su vida privada
00:15:29¿Por qué era tan impopular?
00:15:31Muy sencillo, era de esas personas
00:15:33Que cuando las conoces un poco no te gustan
00:15:35Y si las conoces del todo no te desprecias
00:15:39Queremos averiguar quien mató a Patty Gray
00:15:41¿Vais a colaborar con nosotros?
00:15:44¿Pero a qué esperas?
00:15:46Díselo, no soporto seguir aquí con este café
00:15:48¿Decir qué?
00:15:50Ni siquiera puedo verle la cara
00:15:52¿A quién?
00:15:54Al hombre que fue a buscar a Patty aquella noche
00:15:56¿Fue a buscarle a un hombre?
00:15:58Sí, aquella noche salimos del club a la vez
00:16:00Había un hombre esperándola en un coche
00:16:02Se fueron juntos
00:16:04¿Cómo era él?
00:16:08Pues era de constitución normal
00:16:10Llevaba un abrigo de paño
00:16:12Sombrero marrón
00:16:14Y fumaba en vivo
00:16:16¿Le viste la cara?
00:16:18No, se fueron muy deprisa
00:16:20¿Cómo era el coche que conducía?
00:16:22Oscuro
00:16:24Era un sedan nuevo, sí
00:16:26No sé qué modelo
00:16:28¿Viste la matrícula?
00:16:30¿Para qué?
00:16:32Han pasado seis días
00:16:34Y aparentemente la policía no sabe más que al principio
00:16:36Solo una vaga descripción del hombre que la recogió aquella noche
00:16:38¿Crees que con eso adelantarán algo?
00:16:41Lo dudo
00:16:43Eso no basta para iniciar una investigación
00:16:49Bien, Tom, yo ya estoy preparado
00:16:51¿Qué me dices de ti?
00:16:53Es fácil convertirme en el hombre del abrigo gris
00:16:55Y del sombrero marrón
00:16:57Hasta mi coche es oscuro y último modelo
00:16:59Siempre debemos tener presente
00:17:01Que cualquier prueba que dejemos
00:17:03Tiene que ser algo que muy bien pudiera ocurrirle
00:17:05A un hombre inocente, aunque le haga sospechoso
00:17:07¿Qué hacemos con Susan?
00:17:09¿Crees que debe saberlo?
00:17:11Será mejor que no
00:17:13Si te detienen seguro que la policía la interrogará
00:17:15Bajo presión podría hablar, ¿no crees?
00:17:17Esto va a ser horrible para ella
00:17:19Ella te quiere, Tom
00:17:21Nunca creería que tú lo hiciste
00:17:23Quiero creerte
00:17:25La conozco bien, intentará colaborar
00:17:27Procura que no colabore demasiado
00:17:29Si empiezo a luchar por mí
00:17:31A lo mejor ni me condenan, tenlo en cuenta
00:17:33Bien
00:17:35¿Cuál es el primer paso?
00:17:38¿Qué te parece una noche de diversión?
00:17:46¿No compartían camerino con Patty Gray
00:17:48Dos de estas chicas?
00:17:50Sí, esta, Terri Long
00:17:52Y esta rubia, Dolly Moore
00:17:54¿Cómo lo sabes?
00:17:56Charlie Miller me lo dijo
00:18:02¿Me permiten, señores?
00:18:04Lo que quieras
00:18:07Sombrero
00:18:23¿Qué opinas sobre esta chica por lo que dijo Charlie?
00:18:25No es un genio
00:18:27Pero tampoco creas que es estúpida
00:18:37Los artistas no se relacionan con los clientes
00:18:57Pero comen en el bar
00:18:59Pero comen en el bar
00:19:09El whisky con suelo
00:19:17El whisky con suelo
00:19:29¿Qué piensas?
00:19:31¿Qué piensas?
00:19:33¿Qué piensas?
00:19:35¿Qué piensas?
00:19:59Maldito borracho
00:20:11¿Se está divirtiendo, verdad?
00:20:13Señorita, por favor
00:20:15Sólo quería ayudarla
00:20:17¿A quién, a usted o a mí?
00:20:24Quisiera compensarla por el daño causado
00:20:26It's the least I can do.
00:20:30I don't have a lot of money right now.
00:20:33What a waste.
00:20:36I'm sorry.
00:20:39Can we get in touch?
00:20:42Don't you think I've had enough?
00:20:44I'm sorry I've caused you so much trouble.
00:20:49It's a charm.
00:20:52Trash.
00:20:55The gray mezclilla suits you very well.
00:20:58Yes, it's fine.
00:21:00I'll keep it.
00:21:02How much is it?
00:21:03Thirty-nine dollars.
00:21:04I'll take it with me.
00:21:08Here.
00:21:11I'll give you the change now.
00:21:18What do you think?
00:21:21Wait.
00:21:22I'll jump in the picture through the mirror.
00:21:24Good idea.
00:21:29It'll look good from here.
00:21:38Miss Moore's dressing room, please.
00:21:40Number two.
00:21:49Come on, girls.
00:21:50To the stage.
00:21:53Hi.
00:21:54Wait.
00:21:55I'll be right back.
00:21:56I'm looking for Adonio.
00:22:04You again?
00:22:05Get lost.
00:22:08Hey, I don't mean to bother you,
00:22:10but I told you I wanted to pay you for the dress I ruined.
00:22:17So if you tell me how much it cost you...
00:22:20Well, I don't remember, but it was quite expensive, of course.
00:22:24Of course.
00:22:26Do you think a hundred dollars is enough?
00:22:30Well, of course.
00:22:31It probably cost more, but I'm not as ambitious as others.
00:22:36I'm sorry.
00:22:37I lost my temper last night, but...
00:22:39I get really tired from acting.
00:22:42I understand.
00:22:44To show you I don't hold a grudge against you,
00:22:46shall we have dinner together?
00:22:48Well, although normally I don't...
00:22:51I understand.
00:22:52Have you been to the Continental?
00:22:55Yes.
00:22:56I've heard it's a very classy place.
00:22:59It's very nice.
00:23:00Shall we go tomorrow?
00:23:02Would you like that?
00:23:03Yes.
00:23:04You're a good person.
00:23:06You too, Lonnie.
00:23:08See you tomorrow after the show.
00:23:12Good night.
00:23:14See you tomorrow.
00:23:18Cheers.
00:23:29Hello, darling.
00:23:30Hello.
00:23:33What a lovely dress.
00:23:34You're beautiful.
00:23:35Oh, you've been rejecting me.
00:23:37I wanted you to see what you're missing.
00:23:40What would you like to drink?
00:23:42Serve me a jerez.
00:23:46How's your day?
00:23:48Oh, not bad.
00:23:50But it requires a lot of research.
00:23:53You need to distract yourself a bit.
00:23:55What do you want to do after dinner?
00:23:58You know what I want.
00:24:01But I have no choice but to keep working.
00:24:03You asked me to write in a hurry, remember?
00:24:05Oh, I wish you'd finished already.
00:24:07What else would I want?
00:24:09Don't you think I have more fun than you do?
00:24:11You think so, Dad?
00:24:12The truth is, I don't want to think that she's having fun.
00:24:20Hello.
00:24:22Hello.
00:24:23Can I wait for Dolly here?
00:24:25If you're in a hurry, I'm ready.
00:24:28Thank you for the offer.
00:24:29You're welcome.
00:24:31A cigarette?
00:24:32No, thanks.
00:24:35What's this?
00:24:36Makeup for the body.
00:24:40Do you all use the same?
00:24:42No, why?
00:24:44Just out of curiosity.
00:24:46Did Patty Gray use it, too?
00:24:47Yes.
00:24:48Did you know Patty?
00:24:49No, it just caught my attention.
00:24:52Her hair color wasn't the same as Dolly's.
00:24:55How do you know it wasn't?
00:24:58By the pictures in the newspapers.
00:25:00A lot of publicity, I think.
00:25:15Do you want to help me, darling?
00:25:17Of course.
00:25:18It's harder for her to put it on than to take it off.
00:25:20That's true.
00:25:23Hello, Dolly.
00:25:24Are you having a lot of fun?
00:25:26I was having fun on my way here.
00:25:28Leave that to me.
00:25:29It's none of your business.
00:25:35Do you like it?
00:25:37A young successful author named Tom Garrett
00:25:40has recently been seen in several places with a dazzling blonde.
00:25:44He was seen at the Continental the other night.
00:25:46We wonder what Susan Spencer thinks of all this.
00:25:50Is this your research job?
00:25:52I haven't done anything to offend you, believe me.
00:25:55Oh, no.
00:25:56It's very natural that you're celebrating your marriage
00:25:59with a dazzling blonde.
00:26:01Have you had a lot of fun?
00:26:02I'm trying to write a book.
00:26:04About women?
00:26:06It's related to part of the job.
00:26:08Oh, Tom.
00:26:09I'm not a spoiled brat, and I think I'm reasonably modern.
00:26:13If you want to affirm your ego by running around, have fun.
00:26:17But don't fool me.
00:26:19Susan, I had to do it.
00:26:21Very well.
00:26:22Give me one reason.
00:26:25Now I can't explain it to you, but you'll understand later.
00:26:29Trust me.
00:26:32You stayed on page four three weeks ago, and you're still on it.
00:26:37It's not that you're slow at writing.
00:26:39It's that you don't write.
00:26:40All this will end soon.
00:26:41Believe me, please.
00:26:42I've already reached the end.
00:26:44It's obvious that you feel better without me.
00:26:47So I'm going to make it easy for you, Tom.
00:26:49You didn't want a postponement?
00:26:50Well, don't worry, because you already have it.
00:26:55I was very upset.
00:26:57So it wasn't a simple goal?
00:26:59No.
00:27:00What can I do?
00:27:01We're engaged, Renata.
00:27:03It's true.
00:27:04But I don't want to risk your happiness, nor yours.
00:27:08Nor do I.
00:27:09I think everything will be fine when I know the truth.
00:27:24Are you sure you found her here?
00:27:26I'm sure.
00:27:28It was in all the newspapers.
00:27:35They found her body down there.
00:27:44I hope the police find it.
00:27:46It's a sentimental memory.
00:27:54Will the date come out of the newspaper?
00:27:56Taking a close look, yes.
00:28:08Let's see.
00:28:09They must find it down there.
00:28:11When do we start with the car prints?
00:28:13After the dinner I have with Dali.
00:28:15Has he seen you with the coat and the hat?
00:28:17Tonight he'll see me.
00:28:24Let's go.
00:28:30That's it.
00:28:32Very good.
00:28:40Thank you for the dinner.
00:28:41It's a shame I don't have more time.
00:28:43Later?
00:28:44Good night.
00:28:45We can go for a walk.
00:28:46That's a good idea.
00:28:47No need to talk.
00:28:48We'll be late.
00:28:49I'll pick you up at the exit.
00:28:51Goodbye, Tania.
00:28:52Goodbye.
00:28:53Do you want some candy?
00:29:18Come on, Terry.
00:29:19What are you doing there?
00:29:20What are you waiting for?
00:29:23What do you know about that guy?
00:29:25He's the best I've known for a long time.
00:29:29I think you shouldn't trust him so much.
00:29:33Yeah.
00:29:34And give you the opportunity.
00:29:36Seriously.
00:29:37You should be more careful.
00:29:38Remember about Tania.
00:29:39Come on.
00:29:45Have you noticed how he dresses?
00:29:47He wears a gray coat, a brown hat.
00:29:51And what do you think about his car?
00:29:54You're the idiot.
00:29:55That guy has a lot of class.
00:29:57If he has a lot of class, what does he do with you?
00:30:00What's wrong with me?
00:30:01I didn't mean to say that, Dolly.
00:30:03No?
00:30:04Oh, dear.
00:30:05Try to understand.
00:30:06A guy with those manners and money.
00:30:09I don't understand what he's looking for in the low end.
00:30:12Why are you so...
00:30:13Here are the two spirits you gave me.
00:30:15I don't want to owe you anything.
00:30:17It will be possible.
00:30:22He told me to go for a ride in the car.
00:30:24Yeah.
00:30:25Remember the last ride he gave Patty.
00:30:28I guess I don't lose anything by insuring myself.
00:30:39But if you try to take advantage of yourself, I'll send you to the hospital.
00:30:42I'll call that lieutenant to come.
00:30:45I'll call that lieutenant to come.
00:30:59The police will look for Patty Gray's fingerprints in the car.
00:31:02But since we don't have them, not finding any other will make them suspicious.
00:31:07At least they'll have something to think about.
00:31:15I bought this make-up for the body.
00:31:18Here's the ticket to the con.
00:31:20Save it for the photographs.
00:31:35Ready?
00:31:36One second.
00:31:39Now.
00:31:44Now.
00:31:49I'm going to put a lot on.
00:31:53That way, part of it will stay on the seams.
00:32:08Ready?
00:32:09Almost.
00:32:15Look.
00:32:20Very good.
00:32:23This detail is very important.
00:32:25I hope it's the right size.
00:32:36There it is.
00:32:37There it is.
00:32:43Well, it's finished.
00:32:48Oh, Austin.
00:32:49Take the make-up, the rag and the gloves when you leave.
00:32:53They shouldn't find them here.
00:32:55All right.
00:33:01Tom.
00:33:02Are you sure you want to continue with this?
00:33:08We've come a long way.
00:33:10I couldn't back out even if I wanted to.
00:33:22Listen, Lieutenant.
00:33:23If he's a good guy, I don't want him to get mad at me.
00:33:27We'll be as discreet as possible.
00:33:30You act normally and don't be afraid.
00:33:33We'll watch you all night.
00:33:37All right.
00:33:38All right.
00:33:39All right.
00:33:40All right.
00:33:41All right.
00:33:42All right.
00:33:43All right.
00:33:44All right.
00:33:45All right.
00:33:46All right.
00:33:47All right.
00:33:48All right.
00:33:49All right.
00:33:50All right.
00:33:51All right.
00:33:52All right.
00:33:53All right.
00:33:54All right.
00:33:55All right.
00:33:56All right.
00:33:57All right.
00:33:58All right.
00:33:59All right.
00:34:00All right.
00:34:01All right.
00:34:02All right.
00:34:03All right.
00:34:04All right.
00:34:05All right.
00:34:06Go back to sleep, okay?
00:34:08I'm sorry.
00:34:09You looked pretty drunk last night.
00:34:12So you got it.
00:34:13Why are you still here?
00:34:15I found a lovely view.
00:34:17Are you happy?
00:34:19Yeah.
00:34:20I'm happy.
00:34:21Let's go back.
00:34:23Hmhm.
00:34:24Are you in a rush?
00:34:26I'm … just tired.
00:34:30Don't worry.
00:34:31You'll see I'm in great flavour.
00:34:36Enough! Let me go!
00:34:40That's enough.
00:34:42What do you want, Lieutenant Kennedy of Homicides?
00:34:47You've been asking me questions for four hours now.
00:34:50We're investigating a murder, Mr. Garrett.
00:34:53I've told you I've never met that girl.
00:34:55I don't know anything about her.
00:34:58What did you do on Friday night, the 9th?
00:35:03It's been three weeks.
00:35:05It's not that long.
00:35:07Do you remember what you did that night?
00:35:10I'm the one who's asking, Mr. Garrett.
00:35:13I can't remember what I did.
00:35:16Try it.
00:35:26I think I went to the movies.
00:35:28What time?
00:35:30I saw the last bus going to La Sorte.
00:35:34Then I went to bed.
00:35:36What does that have to do with anything?
00:35:38Were you alone?
00:35:40Yes.
00:35:41Can you prove it?
00:35:43How can I prove I was alone?
00:35:46You'll have to take my word for it.
00:35:50Thank you, Mr. Garrett.
00:35:52Wait outside.
00:35:54Have you finished with Dollymore?
00:35:56Yes, he's leaving.
00:36:05Be careful with this case.
00:36:07Why?
00:36:08Garrett is Spencer's future son-in-law.
00:36:11And he's been fighting capital punishment for a long time.
00:36:14If people started to believe it was a revenge against Spencer...
00:36:19This case could be the most important in my life if I know how to handle it.
00:36:28And I will know.
00:36:38Would you like some coffee?
00:36:40Thank you. I'll be on my way.
00:36:43Would you like some coffee?
00:36:45Thank you. I'll be on my way.
00:36:48Take him downstairs. He's going to be...
00:36:53That's right, Mr. Garrett.
00:36:54Why?
00:36:56Suspect of murder.
00:36:59Because I'm wearing a gray coat and I'm driving a black car...
00:37:03A dancer thinks she can suspect me and that's why she imprisons me for murder.
00:37:07There's a lot more.
00:37:09What else could there be?
00:37:10I'm not going to judge the case here.
00:37:12I'll do it in court.
00:37:16Let's go.
00:37:21You know as well as I do that Tom has nothing to do with this case.
00:37:24You must influence the police to discover the real murderer.
00:37:28No newspaper can do that.
00:37:30When a case is opened, you can't take part.
00:37:33We only report.
00:37:34I can't understand your attitude.
00:37:36It's very simple.
00:37:37I don't want to prejudge this case.
00:37:39That's why it's in court.
00:37:42Do you have his record?
00:37:43Yes.
00:37:44He went to college for a while.
00:37:47For lack of money, he left it.
00:37:49He worked for a Chicago newspaper before doing it for Spencer.
00:37:53He wrote a novel. It was very successful.
00:37:56There's nothing that can help us.
00:38:01You're going to have to go talk to Spencer and his daughter.
00:38:04I...
00:38:05Yes?
00:38:06Well, I know Susan Spencer.
00:38:08We went out together.
00:38:12And what happened?
00:38:13Nothing special.
00:38:14She's not interested.
00:38:17And you?
00:38:19Are you still interested?
00:38:22She'll understand that you're doing your job.
00:38:27Of course.
00:38:32I know it's unpleasant for everyone, but...
00:38:35I ask that you help us clarify.
00:38:38Did you have any reason to suspect a relationship between Garrett and Patty Gray?
00:38:42None at all.
00:38:43I didn't know anything.
00:38:45You can think that I try to protect Tom, but I have no reason for it.
00:38:49Is he your fiancé?
00:38:50We broke up before this happened.
00:38:52Can I know the reason?
00:38:54Well...
00:38:55It has nothing to do with the case.
00:38:57I realized he wasn't the man for me.
00:38:59What reason could he have to commit such a crime?
00:39:02Thompson believes that Garrett had a clandestine relationship with that girl.
00:39:07He wanted to end it, and since she resisted, he strangled her.
00:39:10That's ridiculous.
00:39:12I admit to being disillusioned for personal reasons, but...
00:39:16Tom is not a murderer.
00:39:18I must tell you that a golden lighter with the inscription,
00:39:21For Tom, by Susan,
00:39:23has been found where the girl's body was discovered.
00:39:28What do you tell me about the lighter?
00:39:33I'll give it to you.
00:39:35We need help.
00:39:37Neither Susan nor I have any information that can verify Tom Garrett's guilt.
00:39:46I didn't want to bother you.
00:39:48I'm sorry, Susan.
00:39:50Goodbye.
00:39:54A murder, after all, can be committed by anyone.
00:39:58Rich or poor.
00:39:59Happy or unhappy.
00:40:00Famous or unknown.
00:40:02And I will prove to you that Tom Garrett,
00:40:04famous writer,
00:40:06is, in fact, a murderer.
00:40:08That man you have in front of you,
00:40:10of intellectual appearance,
00:40:12has been led by brutal impulses
00:40:14that have led him to commit deliberately and premeditatedly
00:40:17a particularly depraved murder.
00:40:19So I will prove it as the law requires.
00:40:22Without any doubt.
00:40:24Shortly before he died, Patty Gray told him to leave the room she shared with you,
00:40:29and you have testified that she had an important sum of money.
00:40:32Is that correct?
00:40:34Yes, sir.
00:40:35He took the money out of his pocket and put it in front of my nose.
00:40:39How much money would you say it was?
00:40:43I don't know that for sure,
00:40:45but it must have been two or three thousand dollars.
00:40:49Did she tell you how she got it?
00:40:51No.
00:40:52I asked him, but all he said was,
00:40:54you wouldn't like to know.
00:40:56I told him I would like to, but he didn't tell me.
00:41:02Here you go, darling.
00:41:04Things haven't gone too badly today.
00:41:06Especially when I said that the coat Tom wears
00:41:09doesn't serve to identify him.
00:41:11It's a model used by thousands of men.
00:41:13And those two dancers haven't helped Tom too much either.
00:41:17I insisted that the description that Terry had given
00:41:19of the man who picked up Patty Gray that night
00:41:21could correspond to many men.
00:41:23I hope to be successful.
00:41:24I think you've hit the nail on the head.
00:41:26Every night they broadcast a summary of the trial.
00:41:30Let's see.
00:41:38Following the testimony of Terry Larue,
00:41:40the last person who saw Patty Gray alive,
00:41:43the district attorney, Thompson,
00:41:45called a technician from the police laboratory,
00:41:47John Higgins.
00:41:48Answer me.
00:41:50How do you expose all traces of the interior and exterior of the body?
00:41:54I think that's almost impossible.
00:41:56In other words, such a meticulous cleaning
00:41:59could comply with the desire to erase some traces
00:42:02rather than an aversion to cleaning.
00:42:04Is that correct?
00:42:05I protest, Your Honor.
00:42:06This is unacceptable.
00:42:08The prosecutor is trying to draw a conclusion from the witness.
00:42:11I withdraw the question, Your Honor.
00:42:14This is a conclusion that the jury will have to reach.
00:42:21Thompson is very good at making small details seem important.
00:42:25Later, Thompson called the district attorney Dolly Moore.
00:42:29The police laboratory has testified that
00:42:31remains of make-up have been found
00:42:33in the seams of the car upholstery of the accused.
00:42:37This make-up has been identified.
00:42:39It is of the brand Foster No. 9.
00:42:42Do you know what make-up brand Ms. Gray used?
00:42:45Foster No. 9.
00:42:47Do you know if she used other brands?
00:42:50Never, Your Honor.
00:42:54The accused did not seem very concerned about this testimony.
00:42:58And he has maintained the same calm that he has been showing
00:43:01since the trial began.
00:43:04We have offered you the summary of today's session
00:43:07of the trial on the Garry case.
00:43:11I get the impression that Thompson has not advanced much
00:43:14with the testimony of the make-up.
00:43:16Yes, I'm worried.
00:43:19After his testimony, I am surprised that he has not rushed it.
00:43:23He must have kept something in his sleeve.
00:43:26When did you give this lighter to the accused, Ms. Spencer?
00:43:29On May 7th.
00:43:30Good.
00:43:31Only two days before the murder of Patty Haye.
00:43:36How much did it cost you?
00:43:38$275.
00:43:40Do you remember when was the last time you saw the lighter
00:43:43in the hands of the accused?
00:43:48No, I don't remember.
00:43:52I don't know how he got there.
00:43:54I only know that I lost it.
00:43:56Someone would find it and take it to that place.
00:43:59Patty Gray used the same make-up whose particles have been found
00:44:02in the upholstery of her car.
00:44:04Was she in her car at some point?
00:44:07No, I don't know.
00:44:08I don't remember.
00:44:09I don't know.
00:44:10I don't remember.
00:44:11I don't remember.
00:44:12I don't remember.
00:44:13I don't remember.
00:44:14I don't remember.
00:44:15I don't remember.
00:44:16I don't remember.
00:44:17Was she in her car at some point?
00:44:18Never.
00:44:19I had never seen her in my life.
00:44:21Dolly Moore, however, has been in it many times.
00:44:23She is an artist and uses make-up for the body.
00:44:26I suppose the remains of make-up belong to her.
00:44:29That explains everything.
00:44:32Good.
00:44:33It has also been said that the man who was seen with Patty Gray
00:44:36on the night of the murder was smoking a pipe.
00:44:38Does he smoke or has he ever smoked a pipe?
00:44:42In my life I have smoked a pipe.
00:44:44Never.
00:44:45Do you want us to believe that he lost the lighter
00:44:47between the time when Miss Spencer gave it to him
00:44:51and Patty Gray was murdered?
00:44:53In the space of two days?
00:44:54It's the truth.
00:44:55Is it true that Susan Spencer and you committed
00:44:57two days before Patty Gray's death?
00:44:59I don't see that it has to do with one thing or another.
00:45:03It may be related.
00:45:05If, for example, he had to get rid of Patty Gray
00:45:08to fulfill his commitment to Miss Spencer.
00:45:10Your Honor, I strongly object.
00:45:13All right, Mr. Wilson.
00:45:15I withdraw the question.
00:45:17Mr. Garrett, did you inform the insurance company
00:45:20of the loss of such a valuable lighter
00:45:22that now claims to have lost it innocently?
00:45:29No, I didn't.
00:45:34Please, the transcript from yesterday.
00:45:36Mr. Garrett,
00:45:39yesterday, when trying to explain
00:45:41the reason for the absence of fingerprints on your car,
00:45:45he testified, literally,
00:45:49I don't understand what's so strange about that.
00:45:52I admit that I'm a car maniac
00:45:54and I constantly clean it.
00:45:56That's what he said.
00:45:58It's true.
00:45:59Mr. Garrett, if you are so remorseful,
00:46:03how do you explain then that an average woman,
00:46:06an average woman,
00:46:08was found in the glove compartment of your car?
00:46:11Some time ago, a friend of mine
00:46:13did a race in an average woman.
00:46:15She took it off and put it in the glove compartment.
00:46:18Who was she?
00:46:21I don't remember.
00:46:23I think it was someone I met at a party
00:46:25and I took her home.
00:46:27I really didn't know her.
00:46:29You have stated that you have never smoked in a pipe.
00:46:31Exactly.
00:46:32Surely you may have forgotten.
00:46:34If I had ever smoked in a pipe, I would remember.
00:46:36Do you think so?
00:46:38Perhaps not,
00:46:39as you don't remember what you did the night of the murder.
00:46:42I've already told you what I did.
00:46:44I went to see a movie.
00:46:45Oh, of course.
00:46:46You went to the movies.
00:46:47Alone, of course.
00:46:48That's right.
00:46:51Is there a pipe smoker among the jury members, please?
00:46:56Be so kind as to fill and light the pipe
00:46:59in front of all of us.
00:47:14One moment, please.
00:47:15May I?
00:47:20We know that the man who was last seen with Patty Gray
00:47:23the night she was murdered,
00:47:24smoked in a pipe.
00:47:26Look at the brown circular spot
00:47:28on the back of this box of matches
00:47:30of our jury member.
00:47:32You will realize that in this box of matches
00:47:34found by the police in the accused's garage
00:47:37after his arrest,
00:47:38there are the same spots.
00:47:42And you say you've never smoked in a pipe, Mr. Garrett?
00:47:46I've already told you.
00:47:48However, sometimes I receive visitors.
00:47:50Some of them smoke in a pipe.
00:47:52That may explain the spot on the box of matches.
00:47:56I doubt it, Mr. Garrett.
00:47:57I doubt it very much.
00:48:00Ms. Joan Williams has stated
00:48:02that Patty Gray had a considerable amount of money
00:48:05two days before she was murdered.
00:48:07Perhaps up to $3,000.
00:48:09Do you have any idea how she got that money?
00:48:12How can I know?
00:48:13I've told you a thousand times
00:48:14that I don't know anything about Patty Gray.
00:48:16But the investigation we've done of your bank account
00:48:19indicates that two days before she died,
00:48:23you withdrew $3,000 from your bank account.
00:48:28Did you give it to Patty Gray?
00:48:32Of course not.
00:48:33Why did you withdraw the money?
00:48:36I'll tell you, even if it doesn't come to that.
00:48:39I withdrew the money to buy a commitment ring.
00:48:42How do you explain that three days later
00:48:44you went back to depositing $2,800?
00:48:47Did you buy a $200 commitment ring?
00:48:50I didn't buy any ring
00:48:52because my commitment was postponed.
00:48:57You didn't withdraw that money to give it to Patty Gray,
00:49:00and after killing her and registering her room,
00:49:02you entered what was still left of it?
00:49:04That is absolutely false.
00:49:06It was a miserable coincidence.
00:49:08Another coincidence, Mr. Garrett.
00:49:11That is your explanation of all the evidence in this case.
00:49:14Well, let's see another coincidence.
00:49:19Apart from Patty Gray and Dolly Moore,
00:49:21can you tell us what other female artists
00:49:23have recently been in your car?
00:49:25Patty Gray has never been in my car.
00:49:27I told her I didn't know her.
00:49:29Yes, you told her, that's true.
00:49:31Apart from Dolly Moore,
00:49:32what other female artists have been in your car?
00:49:35There have been no others.
00:49:37With the permission of this court,
00:49:39I would like to call Miss Moore again, Your Honor.
00:49:42You may do so.
00:49:45Miss Moore.
00:49:47Miss Moore.
00:49:53Do you realize, Miss Moore,
00:49:55that you are still under oath?
00:49:57Yes, Your Honor.
00:49:58Miss Moore, the defendant has stated
00:50:00that the makeup particles
00:50:02that were found in your car
00:50:04must belong to you.
00:50:06That's a lie.
00:50:07I always remove my makeup
00:50:09before leaving the club, you know?
00:50:11Right.
00:50:13Tell me, did Patty Gray do the same?
00:50:16No, she was very lazy.
00:50:18She always waited to get home to wash herself.
00:50:21Maybe the makeup was removed.
00:50:24Thank you, Miss Moore.
00:50:29Tonight, this early morning,
00:50:31they have come to a conclusion.
00:50:33Although there was no indication
00:50:35of when they would issue their verdict,
00:50:37almost all followers of this trial
00:50:39agree that this morning
00:50:41their decision will be known.
00:50:44The hearing usually begins at 10 a.m.,
00:50:46but this morning, before 9 a.m.,
00:50:48spectators and members of the press
00:50:50have begun to gather in the courtroom.
00:50:54Tom Garrett's trial has attracted
00:50:56more and more attention.
00:51:09At the time of his detection,
00:51:11Tom Garrett was preparing his second novel.
00:51:24Thus, Tom Garrett's fate
00:51:26depends only on the heart and mind
00:51:28of 12 jurors.
00:51:34Hi, Jonathan.
00:51:35Hi, don't get up.
00:51:37Are you still here?
00:51:38Yes.
00:51:40Relax.
00:51:41You are not being judged.
00:51:43Worrying is useless.
00:51:45I've been deliberating for almost two days.
00:51:47I'm nervous.
00:51:49Me too, but I can't do anything.
00:51:51Neither can you.
00:51:52Calm down.
00:51:55What's the matter, Jonathan?
00:51:57I've never seen you like this.
00:51:59You've had enough.
00:52:01Come on, something else worries you.
00:52:04What is it?
00:52:07I didn't want to tell you now,
00:52:09but you'll find out sooner or later.
00:52:12Something terrible has happened.
00:52:14Austin Spencer died in a car accident.
00:52:20That's impossible.
00:52:22I was also impressed.
00:52:24But he has to be alive.
00:52:26I hope so, but we must face it.
00:52:29He can't be dead.
00:52:31It all depends on him.
00:52:32I don't understand.
00:52:33Austin is the only one who knows
00:52:35who killed that girl.
00:52:36Don't you see?
00:52:37What are you talking about?
00:52:38He was involved in everything from the beginning.
00:52:40We planned all the tests together.
00:52:42They had already killed that girl.
00:52:44The lighter, the make-up, the stockings, everything.
00:52:47It was part of a plan we had.
00:52:49And in view of this extraordinary revelation by Mr. Garrett,
00:52:52I respectfully request that the case be reopened
00:52:55to present new evidence.
00:52:58Your Honor,
00:53:00we are in the midst of a frenetic effort
00:53:02by a desperate man.
00:53:04It is highly significant
00:53:06that the defendant now expose the fantastic story
00:53:09of a well-prepared plan
00:53:11after the death of Mr. Spencer.
00:53:13Reopening the case, according to Mr. Wilson's request,
00:53:16would be like a mockery of our judicial process.
00:53:19The State strongly opposes this motion.
00:53:22I think as the District Attorney, Mr. Wilson.
00:53:25However, the court is deeply aware
00:53:28that the life of a man is at stake.
00:53:31I will give the defense the opportunity
00:53:34to present tangible evidence that corroborates its motion.
00:53:38The verdict of the jury will be held
00:53:40until the review of this case tomorrow.
00:53:45He says the photographs have to be here, but where?
00:53:48I'm sure it was in the safe.
00:53:50He told me he saw how your father put them.
00:53:53But maybe Austin took them to the office.
00:53:56Let's look at his desk first.
00:54:17Stand up.
00:54:19The hearing begins.
00:54:23Sit down.
00:54:29The defense has indicated to this court
00:54:32that it cannot present any testimony
00:54:35that could be considered a new trial.
00:54:39The reopening motion is denied.
00:54:43Let the jury come in.
00:54:54Do you have a verdict?
00:54:56We do, Your Honor.
00:54:58What is your verdict?
00:55:01We consider the defendant guilty of first-degree murder.
00:55:24Tom, I have to know the truth.
00:55:27I don't want any more lies.
00:55:29I'm not lying, Susan.
00:55:31There were photographs.
00:55:33We had the dates and places where we took them.
00:55:36Who came up with that idea?
00:55:38I think he mentioned it first,
00:55:40and then he started to give them to me.
00:55:43I don't know.
00:55:45I don't know.
00:55:47I don't know.
00:55:49I don't know.
00:55:51He started to give them to me.
00:55:55You don't believe me?
00:55:57I don't know what you believe.
00:56:01Do you think I could have killed that girl?
00:56:04No, I've never thought about it.
00:56:07But maybe because I can't accept the idea
00:56:10that someone so close to me did something like that.
00:56:14I've never done anything, so I don't doubt it.
00:56:17There were photographs.
00:56:19You know I'm honest.
00:56:22Yes, I know.
00:56:41Now I understand.
00:56:43Dad acted strangely when they arrested Tom.
00:56:47He appreciated him a lot,
00:56:49but he didn't seem too surprised or worried,
00:56:54as he should have been.
00:56:56It seemed as if he had confidence,
00:56:59as if he knew something.
00:57:02If Tom tells the truth,
00:57:05that would explain everything.
00:57:07Maybe.
00:57:09But if it's true and there were photographs,
00:57:12why don't they show up?
00:57:14Have you registered the house and the office?
00:57:16Dad would never have destroyed them.
00:57:19Unless...
00:57:22Unless I took them in the car when the accident happened.
00:57:26There were photographs, all right,
00:57:28but they're unrecognizable.
00:57:35The lab couldn't determine what was in them,
00:57:38but the negatives must be there.
00:57:40Dad always used one of those Instamatic cameras.
00:57:43There are no negatives.
00:57:45I'm sure that's not enough.
00:57:47They're just remains of photographs.
00:57:49But now we know he's telling the truth.
00:57:51They could be anything.
00:57:53Tom only insisted that there were photographs,
00:57:56but he couldn't imagine they were in the...
00:57:59Officially, the situation doesn't change.
00:58:02We have no proof in favor of that argument.
00:58:05If you love someone, you must believe in him.
00:58:09I understand, Susan,
00:58:11but these carbonized photographs don't prove Carl's innocence.
00:58:14Yes, for me, and I want to defend him.
00:58:16I have to go see him, Bob.
00:58:18I'm afraid you can't.
00:58:20He's been transferred to the state prison.
00:58:22He's only an hour away.
00:58:24A detainee awaiting... execution.
00:58:28He can't be visited the first week.
00:58:44No.
00:58:46No.
00:59:05Your article about the denial of Mr. Carl's appeal...
00:59:07has been very brazen.
00:59:09What can I say?
00:59:11The petition has been denied.
00:59:13I want him to talk about it much more. I want the newspaper to express itself widely.
00:59:18Publishers, polls, anything that raises a public opinion in favor of Mr. Garrett.
00:59:23Miss Spencer, your father told us to treat this case like any other.
00:59:28He would not have liked us to be party members.
00:59:30Now I am responsible. It is not that I intend to direct it, I would not think of it.
00:59:35My father appointed a board in his will to do it,
00:59:38but the Albacea is in Europe and will not return until some time.
00:59:42In the meantime, the will is not effective.
00:59:45Everything is temporarily in my hands.
00:59:47I will assume that responsibility, but I insist that you do what I say.
00:59:59This is a publishing house. Not even Spencer himself would have gone so far.
01:00:03And this is the girl he was interested in?
01:00:05I still am.
01:00:06After this?
01:00:08Do you have any doubts about the guilt of Garrett?
01:00:12None at all. I have never had it, nor has the jury.
01:00:17Now I do doubt.
01:00:18I have already read those interviews with the jurors, and the petitions and telegrams in favor of Garrett.
01:00:24That girl has used the newspaper to manipulate people's emotions.
01:00:28She has even managed to move you.
01:00:32Maybe she can also move the governor.
01:00:35I know you've been following this case very closely.
01:00:38I'm not willing to let myself be influenced by anyone.
01:00:42Everything related to this case must be based on evidence, not on what people feel.
01:00:46Yes, very well.
01:00:48But maybe you are hanging politically.
01:00:51You could end up becoming famous for your poison.
01:00:55It is irreversible.
01:00:57If now I have been pushed back by public opinion, I am dead.
01:01:01Only wounded.
01:01:03You will know if the governor grants the pardon.
01:01:08There is still a week to go before the execution.
01:01:11I want to know more about Patty Gray.
01:01:15Her last job in Kansas.
01:01:17Start there and get to her first job if necessary.
01:01:20Why?
01:01:22If we find a possible relationship between Garrett and Patty Gray in the past,
01:01:26the governor will not be able to pardon her despite that artificial emotion that Susan Spencer is creating.
01:01:31She is spying on a dead horse.
01:01:34Nothing will have died in this case until Garrett is executed.
01:01:38Get to work.
01:01:44I've tried everything.
01:01:46I even talked to the governor.
01:01:49He can't do anything.
01:01:52He would like to, but...
01:01:54He says he can't do anything without proof that justifies his intervention in the case.
01:02:00I even tried to postpone the date of the execution,
01:02:03but he can't do it without Thompson's approval.
01:02:09Thompson...
01:02:11I wouldn't move a finger to help me.
01:02:17Maybe Susan can do something through the newspaper.
01:02:21I'm afraid not.
01:02:23Her father's albacea has just returned from Europe.
01:02:26Now he's in charge.
01:02:30Tomorrow night.
01:02:34What time?
01:02:37Eleven.
01:03:01Are you a little far from your territory?
01:03:04Yes, a little.
01:03:06Do you remember a girl named Patty Gray?
01:03:09I know so many.
01:03:11I can't remember all the names.
01:03:13She worked for you some time ago.
01:03:16What was her physique like?
01:03:21Ah, yes, this one.
01:03:24Six or seven years ago.
01:03:26She was great.
01:03:28She could have done anything.
01:03:30What did she do?
01:03:32She was a waitress.
01:03:34But with a body like yours, she was wasting her time.
01:03:37I gave her a chance.
01:03:39It worked very well.
01:03:41The men came to see her like crazy.
01:03:44Yes, Patty Gray.
01:03:46Was this your first show?
01:03:48Yes, I launched it.
01:03:51I even changed her name.
01:03:53Wasn't her real name Patty Gray?
01:03:55Are you kidding?
01:03:57Do you know what her name was?
01:03:59Emma Blucher.
01:04:01What do you think?
01:04:03A queen named Emma Blucher.
01:04:05Did she have a family?
01:04:07No, I think she went after everyone.
01:04:09She didn't give up.
01:04:13She had a hard time mixing with Robinson.
01:04:16Robinson? Who was he?
01:04:18He played the drums in a band.
01:04:21Emma treated him like everyone else,
01:04:23but he was too much for her.
01:04:26He made her suffer a lot.
01:04:28How?
01:04:30He used to mistreat her.
01:04:32Sometimes for no reason.
01:04:34Just out of habit.
01:04:36She left here just to get rid of him.
01:04:40Emma took off with all the money.
01:04:44Mike was furious.
01:04:46He said he would find her no matter what.
01:04:48Rum with Coca-Cola.
01:04:50Just Coca-Cola.
01:04:52And did he find her?
01:04:54I don't know.
01:04:56I never heard from them again.
01:05:02Is this Robinson?
01:05:08No.
01:05:10Mike was blond.
01:05:12Small, thin, but strong.
01:05:14Have you ever seen this man?
01:05:16No, never.
01:05:18Why do you ask?
01:05:20I'm curious about Patty's life.
01:05:23Is she in trouble?
01:05:25No.
01:05:27Not even being Emma Blucher.
01:05:30If Thompson approves it, he will.
01:05:32After all, we have the first suspect with a motive.
01:05:35That doesn't mean they'll release Thompson.
01:05:37But we'll have time to clarify the matter.
01:05:39Thompson has started an investigation on Robinson.
01:05:41I called him 50 years ago.
01:05:43I never thought he would support me and trust you.
01:05:47I know I don't deserve it.
01:05:49I must thank you very much.
01:05:51Forget it.
01:06:01Yes?
01:06:02Are you alone, Bob?
01:06:04No, Roy.
01:06:05Susan Spencer is here.
01:06:16What's going on?
01:06:18Mike Robinson died four years ago in Chicago.
01:06:24I'm sorry, ma'am.
01:06:33Excuse me, Mr. Thompson.
01:06:35Mr. Wilson wants to see you.
01:06:37Excuse me for introducing myself.
01:06:39Alan.
01:06:40Oh, Susan.
01:06:41I'm glad to see you here.
01:06:43This is Alan Kirk, Austin Spencer's albacea.
01:06:45He has something for you.
01:06:47Mr. Spencer's personal and professional matters were quite numerous.
01:06:52After opening the different deposit chambers,
01:06:55we found this envelope.
01:06:58It's for you.
01:07:18This document has been written for me
01:07:20so that it can be given to you
01:07:22in the event that Tom Garrett is sentenced
01:07:24for the death of Patty Gray after my death.
01:07:27This is the oath.
01:07:33Is there any doubt that this is Austin Spencer's letter?
01:07:41Absolutely not.
01:07:43It's his.
01:07:47It's his.
01:07:56Well, here's everything.
01:07:58Dates, places, explanations.
01:08:01A written and photographic follow-up of everything they did.
01:08:06Garrett has told the truth.
01:08:09Thompson has sent a note to the governor
01:08:11to have you indulged immediately.
01:08:13Trying to keep the guy.
01:08:15No, no, I'm sure he's honest.
01:08:17He even made us meet in this office
01:08:19so that I could tell you.
01:08:21Very generous.
01:08:23Oh, don't be rude.
01:08:24Don't be rude?
01:08:25If Thompson had gone out with her,
01:08:27I would have been executed.
01:08:29You know that.
01:08:30But it's all over. You should be happy.
01:08:32I told her from the beginning that I didn't even know that girl.
01:08:36If Thompson hadn't tried to create a reputation
01:08:39at the cost of my death,
01:08:41I would have admitted his mistake a long time ago.
01:08:44Instead of trying to find out who killed Emma,
01:08:47he made me go through all this.
01:08:49I have nothing to thank him for.
01:08:52How do you know her real name was Emma?
01:08:57I read it in the newspaper.
01:09:00The newspapers haven't published it.
01:09:04Well, I must have heard someone say it.
01:09:08You killed that girl, didn't you?
01:09:15You did, didn't you?
01:09:22It happened a long time ago.
01:09:26I was very young.
01:09:28I had to marry her.
01:09:30Then I found out that it was all a trap.
01:09:35We never lived together.
01:09:37I gave her all the money I could
01:09:39and she promised to go to Mexico and get a divorce.
01:09:42I never saw her again or heard from her
01:09:46until she showed up when my book was published.
01:09:50I found out that she hadn't gotten a divorce.
01:09:53And all you could think of was killing her?
01:09:56No, not at first.
01:09:58It didn't even cross my mind.
01:10:00Then your father started talking to me about the death penalty.
01:10:05Without realizing it, he showed me how to get rid of her,
01:10:08without any risk.
01:10:10You and I had our whole lives ahead of us.
01:10:13And that's what I was trying to save.
01:10:15And I did it.
01:10:18I thought you were innocent.
01:10:20You would have fought anyway
01:10:22if you had known why I did it.
01:10:26I don't know what I would have done.
01:10:31Darling...
01:10:34I know everything you've been through for me.
01:10:38Please, let me go.
01:10:41I can't think. Let me go.
01:11:08I called the prison, but you had already left.
01:11:11I wanted to tell you
01:11:13that the governor will give a press conference at 9.
01:11:16He will officially announce the pardon.
01:11:19In an hour, everything will be over.
01:11:23How did he react?
01:11:26I'm glad you're here.
01:11:29You've been a great help.
01:11:32You've been a great help.
01:11:34I'm glad you're here.
01:11:36You've done a lot for me.
01:11:38I've only tried to help.
01:11:42Why?
01:11:44Because of what you've done for me.
01:11:47You know how I feel about you.
01:11:51If I were accused of a crime,
01:11:54and you thought I was guilty,
01:11:57that I wasn't the person you thought I was,
01:12:01would you still help me?
01:12:03How could I love you and not do everything I could?
01:12:07Anything.
01:12:09Even if you were sure
01:12:11that I had killed someone.
01:12:14What's going on? Why are you talking like that?
01:12:17You've helped only the man you love.
01:12:19It should be a very happy moment for you.
01:12:21The man I saw in prison wasn't the one I loved.
01:12:24It was a stranger, someone I didn't know.
01:12:28What happened in prison?
01:12:30If it happened, tell me.
01:12:32No, please.
01:12:33He'll be free in half an hour.
01:12:35If he's forgiven, he won't be tried again.
01:12:38If you know anything, you must speak.
01:13:02I'm sorry.
01:13:21State Prison.
01:13:23I can't. I can't.
01:13:26I can't. I can't.
01:13:28I can't.
01:13:43A smile, Governor.
01:13:45Are you going to write again, Mr. Garrett?
01:13:48I suppose so. That's what I live off of.
01:13:51Governor, please. How is Miss Spencer?
01:13:55Hello? Yes. Who is this?
01:14:01Just a moment. Is this for you, Governor?
01:14:04Yes.
01:14:09Are you sure?
01:14:16Are you with Miss Spencer?
01:14:19I understand. Thank you.
01:14:33Mr. Garrett has been taken back to his cell.
01:14:36He has not been forgiven.
01:14:38Guards, take Garrett to prison.
01:14:48© BF-WATCH TV 2021

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