• yesterday
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Transcript
00:00It's in the address that Jovenna sent me.
00:21Diego, I'm not your baby.
00:23I know, Fran.
00:25And I'm not supporting Alicia to harass you
00:28because I hate your friendship with Miguel Ignacio.
00:31I know you, Fran.
00:33You wouldn't be capable of such lowliness.
00:36Of course not.
00:38I wouldn't do something like that to you.
00:40Seriously, you don't know what's wrong with me?
00:44No, everything's fine, right?
00:46I thought you knew me.
00:48What else?
00:49But, but, but, Maca, we're celebrating, right?
00:51Maca, but don't...
00:55Have you thought about the name?
00:58Yes, I think I have it.
01:00Yes? Let's see.
01:01It's going to be called...
01:03Restaurant...
01:05La Carcel del Sabor.
01:08La Carcel del Sabor.
01:10What do you think?
01:11I like it.
01:12Hey, why are you like that? What happened?
01:16What happened to Miss Macarena?
01:20Let's go to my room.
01:21No one's going to bother us there, okay?
01:23Let's go.
01:29I want you to answer me with your common sense,
01:31with your intuition.
01:33I don't think it's profitable.
01:35The location of the building is not very good.
01:38I don't think it's profitable.
01:40I don't think it's profitable.
01:42I don't think it's profitable.
01:44I don't think it's profitable.
01:45And the modality of use that is intended to be given to the building
01:48is already bringing problems in Europe and the United States.
01:53Damn!
01:55I see that you have done your homework.
01:57I congratulate you, nephew.
01:59I think exactly the same as you.
02:04Because she imagined that it was going to be beautiful.
02:09That they were going to say how much they loved each other.
02:12That they were going to hug each other.
02:14And in their arms.
02:17With the moonlight.
02:20Wrapped in beautiful music.
02:23Because the sky is soft.
02:32I love you, blonde.
02:37I love you, Joel González.
02:42I love you.
02:51Then they look each other in the eye.
02:54And without saying a word, they swear eternal love.
02:59Having as the only witness a starry night.
03:05Beautiful.
03:06Very beautiful.
03:07Very beautiful.
03:08But that only happens in her head.
03:11Because you know what he does to her?
03:12What does he do?
03:13You don't know what he does.
03:15What does he do?
03:17You're not going to believe me.
03:19But tell me, what happened?
03:20No, because it's ...
03:21It's very outrageous.
03:22But he talks.
03:23He took her a cloth.
03:24What?
03:25What?
03:28Oh, no.
03:32Oh, excuse me, excuse me.
03:34We were just passing by and I went down the hall
03:38and we heard the story of the movie
03:40that made her cry so much, La Macarena.
03:44Oh.
03:45Poor thing.
03:46How horrible.
03:47Tell me.
03:49He was going to a hostel.
03:51But not just any hostel.
03:53A horrendous one.
03:55A horrible one.
03:56With a plastic pool.
03:58A plastic jar to fill the jacuzzi.
04:01With flowers.
04:03And a dance.
04:04A striptease.
04:05With costumes.
04:06Horrible.
04:07And, of course, this girl gets up and wants to leave.
04:11And he doesn't understand.
04:12He doesn't understand why.
04:13But what a terrible thing.
04:15What movie is that not to see it ever?
04:17Is it on streaming?
04:20No.
04:21No, no, no.
04:22It won't go well because it's a horrible scare.
04:24Oh, my God.
04:25Men are basic.
04:26They only think about that.
04:30Girls.
04:32What happened?
04:33The girl passed me.
04:38Oh, my God.
04:41Poor thing.
04:42Oh, my God.
04:43But who is the defection?
04:45That bad man who did something so horrible to you?
04:50Oh.
04:51What?
04:52What?
04:53Oh.
04:54What?
04:55Oh, my God.
04:56Oh.
04:57Oh, my God.
04:58Oh, my God.
04:59Oh, my God.
05:00Oh, my God.
05:01Oh, my God.
05:02Oh, my God.
05:03Oh, my God.
05:04Oh, my God.
05:05Oh, my God.
05:06Oh, my God.
05:07Oh, my God.
05:08Oh, my God.
05:09Oh.
05:10Oh.
05:11Oh.
05:12Oh.
05:13Oh.
05:14Oh.
05:15Oh.
05:16Oh.
05:17Oh.
05:18Oh.
05:19Oh.
05:20Oh.
05:21Oh.
05:22Oh.
05:23Oh.
05:24Oh.
05:25Oh.
05:26Oh.
05:27I don't listen much, but so many shows for a movie?
05:28To that little blonde ridiculous, she loves to get attention.
05:29And what are you doing there?
05:30Eh, don't be offended, Juana, but Tito, before he left, told me to always keep an eye on you.
05:39Ridiculous!
05:41Who doesn't owe anything, doesn't fear anything.
05:43I don't owe anything, and I don't fear anything, so go gossip somewhere else, okay?
05:47Ah, no, that comment did offend me.
05:49Ah, are you going to tell me that you don't know the lives of all the neighbors?
05:52Yes, but not because I'm gossipy, but because I'm the watchman, which is different.
05:57Who is right now in the Maldini house?
05:59Ah, Mrs. Franchesca, Mr. Diego and Coquis.
06:02And who is in the next door house?
06:04Nobody, because Mr. Miguel Ignacio left the corporation and Greta went to the gym.
06:09They look in love, don't they?
06:14Do you think they will get married?
06:18How does it look like you don't know Mr. Miguel Ignacio?
06:23You do?
06:26Tell me more.
06:29No, my lips are sealed.
06:32Ah, then I'm not going to tell you why the pasta was crying.
06:46What's up, Antonia?
06:47Let's see, let's see.
06:48No, but look, you see?
06:50How are we going to put that in?
06:51That's why, that's why.
06:54Juan, do you join us?
06:56We just need one more to form a couple.
07:01No, no, no, I prefer to play alone.
07:03And why?
07:04Well, because here Gaspar is Montse, Joel is piñata and you are butter.
07:11Butter? Are you telling me butter?
07:15Don't be stingy, don't be stingy.
07:17I want butter, but you are a candelejon.
07:26Speak.
07:28Just as we had agreed to inform you that the Susodicha is already in the New Lomas
07:33and is now in the house with Sale around.
07:36How long ago did he arrive?
07:38About 20 minutes ago.
07:40Why don't you tell me?
07:42Oh, I just wanted to give you a complete report.
07:44I don't want the Susodicha to go to the other side and then, how is it?
07:49Well thought out.
07:50Thanks for the information.
07:56What?
07:57Don't play dumb, what was that mysterious call?
08:01Oh, nothing, nothing, they are some replacements that are confirming me, yes, yes.
08:05A turbine for the turbo, yes, yes.
08:07What replacement?
08:09I'm saying, see what I'm saying, no.
08:11You're very sly to lie, Joelito.
08:15Me? I'm not lying, I'm not lying.
08:18Come here, here's your sponge, come, come here, come here.
08:24I understand why Teresa gets jealous of Joel.
08:27Just a little sponge.
08:28Let's see, let's see, I didn't lie, but I did omit.
08:34I'm with Macarena.
08:36What?
08:37I mean, I'm and I'm not, I don't know, something happened and I don't know if they are.
08:40Joel, Joel, Joel, listen to me.
08:42I think you have to start at the beginning.
08:44That's fine, that's fine.
08:46It all started one afternoon, I was on the motorcycle taxi.
08:50And I saw that a girl was pooping, peeing, and garbage was falling, right?
08:54No, no, no, no.
08:55She got dirty, so I didn't know who she was, how she was, or anything, because she was very dirty.
08:59You started at the beginning.
09:01You told me at the beginning, right?
09:02So I took her to her house.
09:04Well, oh my God.
09:06Well, I went once, and the truth is nothing to see.
09:09I mean, I wouldn't go back, never in the life.
09:11Well, I also went with Tito, and it is as you describe it, and it even caught fire.
09:16I spent my honeymoon.
09:18But in his course in Loxapampa, it's something else.
09:23And in his course in Lima, well, I went to set up a trap for my cousin Juana.
09:28Yes, then you brought her to the house.
09:30Oh, Ter, she lives with a condition.
09:32Condition, girl, not even eight quarters.
09:34Let's not deviate from the subject.
09:36My girl, so you came back to the Caribbean to meet Joel again.
09:41Cousin, since he was born, we knew, well, nothing, nature did not bless him.
09:46And the truth is, he has followed that path.
09:48Because the girls have gone wrong.
09:50And girl who gets involved with him, girl who ends up hurting.
09:53That's the truth.
09:55Oh well.
09:56This.
09:57And we, envious of the loneliness of the maca.
10:00Oh, I don't.
10:01No, me neither, really.
10:03I mean, at first we all agreed to give a lesson to our men, but I miss Tito.
10:11And I miss my Gilgirito.
10:13I don't miss Gaspar.
10:15I think it was enough punishment.
10:18No, we can't leave the maca alone in this.
10:22Oh, girls, thank you very much.
10:24But my problems with Joel should not affect their relationship.
10:27But of course, because they are going to support Joel.
10:31I better go.
10:32No, you are not leaving.
10:33No, no, no, no, no, no, no, no.
10:34You stay here with us.
10:38Female circle.
10:41So when I was going to Tabaco and Chanel, I find her in the corner.
10:46And it was magical, it was like being in a movie.
10:49So we hugged, we told each other everything we thought, what we felt, we kissed.
10:54And when we wanted to scream the four winds, we went to tell the house.
10:58And it turns out that you were fighting with your orange socks.
11:01So we decided not to say anything.
11:06Don't say anything.
11:09But I don't understand how everything went to hell.
11:11I don't know, I don't understand either.
11:13Something had to have been done.
11:14Margarida is not that crazy.
11:16I swear I don't know what I did.
11:17I didn't do anything.
11:18All I did was to celebrate our love.
11:19Quote it in Hotel Cielo 3.
11:21Did you take her to Hotel Cielo?
11:23Joel, Joel.
11:25That hotel is not the culmination of the story you just told us.
11:28No, Gaspar, especially that hotel is not for whores.
11:32God.
11:33It can't be, man.
11:34Of course.
11:35Look, Joelita.
11:38Will you allow me to give you some advice?
11:40Be careful, Gil, be careful.
11:45I think Macarena had another idea for the celebration of his love.
11:52Sorry to contradict you, Mr. Gil, but what better way to celebrate love than going to the hotel?
12:00Of course.
12:01No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no.
12:03I agree with Mr. Gil.
12:05Hey, don't be a snitch anymore.
12:06I'm a snitch.
12:07The thing is, Teresa taught me to know the heart of a woman.
12:10That happens.
12:11Look, today you declare, today you kiss, and today you think of taking her to a hostel like that
12:22just for an occasional love encounter?
12:27What?
12:29Did I screw it up?
12:56Look at that.
12:57I thought you had taken care of this stain.
12:59Why do I have to take care of that?
13:01Oh, because you take care of everything.
13:03If you have left me without any authority in this house.
13:05Nice time to resent.
13:07But look how this is.
13:09It looks like it's going to end up the size of the wall.
13:11Look at it.
13:13Look at it well.
13:15What's going on?
13:17I don't know.
13:18I don't know.
13:19I don't know.
13:20I don't know.
13:21I don't know.
13:22I don't know.
13:23I don't know.
13:25What's going on?
13:30All that's missing now is the light in the whole house.
13:55Did you think this stain of moisture and salt was harmless?
13:59While no one noticed, this stain affected the wiring, causing the short circuit you saw.
14:05Master, to protect your reputation, build with Andean Ultra cement, anti-salt and anti-moisture.
14:13Andean Ultra cement.
14:21Hi, Jimmy. How did you do it?
14:24Easy, man. With guardaditos.
14:26The virtual access of the BSP to automatic savings for my motorcycle.
14:30You can do it too.
14:31Enter the BSP app and start saving.
14:34Talk, little hand.
14:35A little kiss.
14:36Andean Ultra cement.
14:42I'm glad I got my job back.
14:45I'm going to work a lot and take care of my job so that no one complains about me.
14:52Salvador is so cute with his details.
15:00Flowers for Yoli Flores.
15:02Have a wonderful day.
15:06Thank you, Alba.
15:07I also have a very beautiful day.
15:13I want to tell you that without you...
15:17At this moment, Macarena must already be in her house.
15:21Although she shouldn't want to know anything about me.
15:30What happened?
15:31What's going on?
15:32Macarena, are you here?
15:33No, I didn't come to this house.
15:36I want to talk to Macarena, not with you.
15:38Leave her alone.
15:39I'm going to her house. I'd better go.
15:41No, Vasca, no.
15:42You stay here with us.
15:44Joel, Joel.
15:46Hey, please.
15:48Get out of the door.
15:50Please, Yoli.
15:52No, no, no.
16:00She, your uncle, caught me.
16:02Oh, Yoli.
16:04No, you behave like a servant at the table.
16:12What was it?
16:15It was already.
16:24Better.
16:25That way there's more space in the house.
16:27I can even stay in Joel's room.
16:32Oh.
16:33What is Mr. Miguel Ignacio doing in the houses?
16:36Everything on wheels, Antonio.
16:38I have neutralized your worst enemy.
16:40Yes, nothing to worry about.
16:43I would have seen the face he put when he found me here.
16:46It's a shame I didn't record it.
16:49Yes, of course I'll keep you up to date.
16:52Yes.
16:53A kiss for you too, dear.
17:00Coffee, Reinao.
17:03Come in.
17:05Mr. Miguel Ignacio, I bring you your coffee.
17:08And who are you?
17:09Hernan, Hernancito de Cariño.
17:12Do you know me? I work here.
17:15Yes?
17:16Yes.
17:17Get out of here, get out of here.
17:18I leave the coffee there.
17:19Get out.
17:26Oh, yes.
17:27Oh, yes.
17:30Oh, yes.
17:32Hernancito.
17:37Oh, yes.
17:38And by chance, it looks like what Miss Zapayal prepared.
17:42Oh, yes.
17:44I don't really like jamonada, but the lunch.
17:47The lunch is good.
17:48Yes, it's good.
17:49The lunch is good.
17:53What happened?
17:55They threw me out of the house.
17:58How so?
17:59I was with Aunt Tere and Lorena.
18:02They were with Maca and ...
18:04Macarena threw you out of the house? With what right?
18:07No, no, no, it was Aunt Tere, but everyone supported her.
18:10Oh, the women and their support network.
18:13Support network.
18:15Things that one learns when he is married and has a 17-year-old daughter.
18:21Things are getting worse.
18:23I think I already made it worse.
18:26Don't blame yourself, Joelito.
18:28Yes, it was a cluster of things.
18:32I miss my little turtle.
18:35And I miss Tere.
18:37The truth is, I also miss Lorena, but ...
18:40What can we do? We are not going to steal from them.
18:44We should start by putting pride aside.
18:49It's true.
18:50Pride is not a good advisor when it comes to love.
18:54Hey, Gaspar, get up already. Don't be a snob.
18:56What snob?
18:57You're talking about what? Don't be a snob, Mr. Gil.
19:00I'm talking about love.
19:11Don Diego.
19:12Don't tell me that you too, Mrs. Francesca, have been thrown out of the house.
19:16Also?
19:17What do you mean, also?
19:18Because in the house, González, all married women have thrown their men out on the street.
19:23And why is that?
19:24I don't know.
19:25But even Joel, who had not been thrown out so well, has just been thrown out.
19:29But does that snob have a wife?
19:31No, but for me, they have thrown him out for sorority.
19:36Speak well, hey.
19:37Sorority.
19:38That's why.
19:39It's just that the pregnant woman seems to have seen a romantic movie where the girl falls in love with a prince.
19:46But there was no prince, so she fell in love with a toad.
19:49And where has the toad taken her to celebrate her love?
19:52To a hotel.
19:54And what's wrong with that?
19:55I don't know, there's the thing.
19:57There it is.
19:58But it's just that the girl seems to want her celebration with violins, with flowers,
20:02while the toad was just thinking about, as Joel says, chiquitín.
20:08Chiquitín.
20:13My love.
20:14How funny are the couple of poor people.
20:18They fight for nimities.
20:21Now that their lives are so dirty.
20:24Men against women, what little imagination.
20:30My love.
20:31Nonsense.
20:33Hello, Cuchi.
20:35Hello, Diaguirre.
20:36Hello, my love.
20:37Even outside you can hear his laughter.
20:39Diego's nonsense.
20:42Tell us.
20:43What is it?
20:45That some girls in the neighborhood have agreed to complain about some nonsense.
20:51What nonsense?
20:58What's up?
21:00What's up?
21:01Well, then my mom told me that Macarena was expecting a beautiful celebration,
21:06with candles, in the moonlight, but Joel screwed it all up.
21:10Why?
21:12What do you mean why?
21:15Hello.
21:19Everything okay? Are you fighting?
21:21Almost.
21:22Almost? But no, what did I do?
21:24I was telling her what happened to Macarena, but I don't know.
21:27What happened to Macarena?
21:28Nonsense, don't be scared.
21:30Nonsense?
21:31But tell me, judge, to know.
21:33Nothing, that Macarena and Joel finally decided to declare their love.
21:37Oh, how cute, how happy.
21:39Weren't they best friends?
21:41Oh, that's what they said, but a while ago we all knew that they love each other.
21:44Yes, but Joel screwed it all up.
21:47Why?
21:48That's what I don't understand.
21:54And go train, insensitive.
21:56But why do you get like that? I understood a little.
21:59You laughed.
22:00What? I just smiled.
22:04It's the same, I was making fun of Macarena's pain.
22:06When?
22:07I didn't think you'd act like Valentino.
22:09What?
22:11That hurt me.
22:12Now laugh.
22:14I just smiled.
22:15Mati, let's take another chance, love.
22:17I don't think so.
22:18You know I'm Joel, and it's easier to make me cry.
22:20I don't care.
22:23We're happier than ever.
22:24You don't know what happened to us.
22:27I told you I'm a crybaby.
22:31I'm a crybaby.
22:34I'm a crybaby.
22:36I'm a crybaby.
22:39I'm a crybaby.
22:41I'm a crybaby.
22:45Can I say something?
22:46Are you going to say something to solve the problem without fighting?
22:49Yes.
22:50Then don't say anything.
22:51Because now we are actions and not words.
22:53And I know what we're going to do.
22:55I'm scared to ask you.
22:57I know what we're going to do.
22:58It's obvious.
22:59But the obvious thing for you is not the obvious thing for everyone, Tere.
23:02Look, she's very interesting, very cool, very smart with her comments.
23:06It's forbidden to think in this house, right?
23:08Did the one who married Tito talk?
23:10Do you want to fight?
23:11Well, let's fight.
23:12Well, but we're not going to fight among ourselves.
23:15Tell us, Tere.
23:16What do you want us to do?
23:18Let's manifest ourselves publicly.
23:20Through social media?
23:21No, a public act.
23:24Oh, Valentino is an insensitive.
23:26I fought with Salvador.
23:27Miquel didn't understand.
23:28Miquel?
23:29Did this girl tell the elf?
23:31That dwarf?
23:32Girl, do you want a little more?
23:34I miss him.
23:35But please.
23:36This girl needs guidance.
23:39We are giving her the wrong example.
23:42Couple relationships are not solved by separating.
23:46Then how is it solved?
23:48In chapter 553 of The Rose of Guadalupe.
23:52All the problems with Tito started with his little teeth.
23:55Lellana's little teeth.
23:57Can I say something?
23:58Are you going to say something, Ecuánime?
23:59That makes us give up?
24:00Well, I'm not saying anything.
24:02Very well.
24:03So let's take our protest to the next level.
24:08Women united, never defeated.
24:11All for one and one for all.
24:14Yeah!
24:20How long are we going to be like this?
24:25I miss Tere a lot.
24:27More pineapple.
24:28Just when I was about to be with Maca.
24:31The whole thing is gone.
24:34If you consider yourself a pineapple,
24:36it is because you have not assumed your responsibility.
24:40You screwed up, Pejo.
24:41You screwed up.
24:43What were you supposed to do?
24:44What?
24:45Maybe make a serenade or something.
24:47That would have been nice.
24:49But you left the girl cold, putting her in that cloth.
24:52No, no, no.
24:53Nothing of putting her in the cloth.
24:55I mean, that was fine.
24:56There was just a preamble missing.
24:58Oh yeah?
25:02What are you doing here?
25:03Did something happen to my Mapi?
25:04What? No, sir.
25:05So that was not my extreme, was it?
25:06And I kicked you?
25:07No, no, Tito.
25:08Your wife is fine.
25:09But Yuli and Mapi got upset with us.
25:12And we don't know why.
25:13Although we have an idea of where the thing is going.
25:16You explain it to him.
25:19And I'm leaving.
25:20Where are you going, grandfather?
25:21To make friends with my turtle.
25:32Miguel Ignacio de las Casas.
25:36Koki Reyes.
25:39The Mucamo A1 with criminal warrant.
25:46Shall we play a poker game?
25:48Whenever you want.
25:50Better cut it for the exit.
25:52See you in the park.
25:56Kuchi.
25:58I'm leaving.
25:59But you just moved.
26:01Don't get me involved.
26:08But how sensitive are women with this sorority?
26:12You were the wife of the Charo, weren't you?
26:14She was an expert in that kind of talk.
26:17I sympathize with you.
26:18Did they vote for you too?
26:20No way.
26:21You'll see that when I tell Francesca,
26:23we're going to kick ass together with laughter.
26:28The war of the sexes.
26:30The war of the sexes.
26:32The war of the sexes.
26:34The war of the sexes.
26:35The war of the sexes.
26:36The war of the sexes, they say.
26:39Women united against their cavernous husbands.
26:45Can you think of anything more stupid?
26:51What's wrong?
26:52Don't you laugh?
27:00Sensitive men.
27:02Dirty and disrespectful.
27:04Don't make them toxic.
27:06Sensitive men.
27:08Dirty and disrespectful.
27:10Don't make them toxic.
27:12That's it.
27:13Don't make them toxic.
27:15Don't make them toxic.
27:17That's it.
27:18We've shown our worth.
27:20Equality.
27:21Equality.
27:22Equality.
27:23Hello, Francesca.
27:25Koki.
27:26Get that parasite out of my property.
27:29I'll get it out.
27:30That's not how you talk to an uncle.
27:31The lady doesn't want me to be at her house.
27:33Put a finger up and you'll see what I do to you.
27:35Sensitive men.
27:37Dirty and disrespectful.
27:39I subscribe to every word.
27:41Let me join you.
27:43I'm sorry, Mrs. Francesca, but you can't.
27:45Why can't I?
27:47Because you forgave the unfaithful.
27:49The bad man.
27:51The animal tracker.
27:52The little thing.
27:54Oh, Teresa, I understand.
27:56It's true that I forgave him, but it took me a long time.
27:59He still disappointed us, Mrs. Francesca.
28:01You're an influential person.
28:03You have to set an example.
28:05You're right.
28:07Sensitive men.
28:09Dirty and disrespectful.
28:12Why is this German woman still here?
28:15Frank, what did those people tell you?
28:17Only the truth.
28:21Frank didn't laugh.
28:23Empathy.
28:24Empathy.
28:25Empathy.
28:26Empathy.
28:27Empathy.
28:28Silence!
28:31Now all of you go home to cook!
28:36Attack!
28:48Witches!
29:00But I love it.
29:02We cry of sadness and joy.
29:05But I'm yours and you're mine.
29:11Who has everything under control?
29:13Your aunt Maka, who trusts Huggies Dermaker.
29:17The softest diaper to protect your skin.
29:19The only one with vitamin E.
29:21Ultra soft and thin.
29:23With protection up to 12 hours.
29:25Baby, know the softest diaper for your skin.
29:30The softest diaper for your skin.
29:39It's not just a fragrance.
29:41It's the new collection of fragrances by Ancci.
29:43They smell luxurious, like a perfume.
29:48Sensitive men!
29:50Dirty and disrespectful!
29:52No to toxic gases!
29:54Sensitive men!
29:56Dirty and disrespectful!
29:58No to toxic gases!
30:00No, no, no!
30:02We demand respect!
30:04We are a lady!
30:05Equality!
30:06Equality!
30:07We are a princess!
30:08Equality!
30:09Equality!
30:10We won't deny it!
30:11Respect!
30:12Play!
30:28Play!
30:29Play!
30:30Play!
30:31Play!
30:32Play!
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33:51Oh, Pepa, don't screw it up, Pepa, hurry up, please.
33:54I'm going to do it.
33:58How cute.
34:01So cute.
34:04Barbie.
34:05What?
34:07Now.
34:09Well.
34:21Yes.
34:25In the end, love always wins.
34:27Yes, Fran.
34:29Too bad I found out too late.
34:34What an embarrassing moment.
34:40Ruby, I...
34:43Don't say anything.
34:51What?
34:56What kind of ignobiny is this?
34:58Go home, take him with you.
34:59No, no, I'm staying with you.
35:00Go home.
35:01No, no, no, Ruby.
35:02Go, Juan.
35:03Maca, Maca, Macarena.
35:15Juan González.
35:17You don't learn from the lessons life gives you, do you?
35:20First, my little girl, open your eyes and shut up.
35:23The same will happen with Macarena.
35:25You'll see, you piece of beast.
35:27Come in, come in.
35:29Step by step.
35:30All right?
35:34Where's Gladys?
35:35Because I don't see her with you.
35:38Don't worry, poor thing.
35:45Yes, he and I are in love.
35:47You've been made voodoo on those islands of hell.
35:49No, they haven't done anything to me.
35:51I love him.
35:52By my own free will.
35:53Then you're leaving the house.
35:55Throw her to me, just throw her to his arms.
35:59Don't worry, Francesca.
36:01I've never been happier than in Joel's arms.
36:05And now how do we get my mother to disinherit you a second time?
36:08You know you're going to kill her when she finds out you're dating this...
36:11With your son-in-law's brother.
36:14Do you see what you achieve by taking away my authority in this house?
36:17And now what's next?
36:18That you're going to bring Joel Gonzalez to live here in the house too?
36:21Huh?
36:22Because if that's the case, if that's the case,
36:24I have nothing to do here!
36:26Diego, Diego, Diego, Diego, please.
36:31Francesca, I don't want to cause problems.
36:35And that's why you're with Joel Gonzalez?
36:39You can't control your heart.
36:41That little phrase of yours is the cause of so many mistakes.
36:45But I love him.
36:49Then if you love him,
36:53improve him, cultivate him.
36:56That man cannot continue to live only from his sympathy and charisma.
37:00If you're going to be with him, help him grow.
37:07Thank you, Francesca.
37:09Thank you, Francesca.
37:27And?
37:29It boils my head.
37:32What kind of social claim nightmare am I living?
37:36Diego, Diego, Diego.
37:37You have to control yourself. Macarena is an adult.
37:39Please.
37:40If my mother listened to you, she would kill herself laughing.
37:44It looks like Mrs. Antonia has never respected you, right?
37:47Mrs. Antonia, my mother, is going to die.
37:50And she's going to resurrect just to come and make life impossible for that swine.
37:56But all this is happening
37:58because of the airs of benevolence that blow
38:01since Francesca Maldini decided to become a better person.
38:07And that's making you crazy?
38:15You already made it clear that this is not my house.
38:18And that you can do and undo things as you please.
38:24Right now you are in your benevolent stage.
38:27But tomorrow, later, what's next?
38:30Your vengeful stage? What?
38:32I think it wasn't a good idea for you to forgive me.
39:03FUNERAL
39:25Hey!
39:26Fucking bitch!
39:33Today I was born again
39:35You will forever be my universe
39:40I want to wake up by your side
39:43Take you by the hand and not let you go
39:49You are the light that illuminates my days
39:53And I want you to always be mine
39:58There is love, love
40:01My life has come, now everything has changed
40:07There is love, love
40:10You have touched my strength and my heart
40:18What? And just like that Ratatouille stayed so calm?
40:21No, he didn't stay so calm but
40:24he had to accept it because of Francesca's pressure.
40:27What are you saying, Loni?
40:29No, Loni is wise.
40:31We have our connection, we have our camotes,
40:34we have our little things.
40:36We love our style.
40:46What happened? Did you fall asleep?
40:48No, no, Joel.
40:51Well, rest now.
40:54I'll see you tomorrow.
40:57I love you.
41:00I love you too.
41:15I always accepted Joel as he was.
41:20Without thinking for a moment about wanting to change him.
41:28Wanting to change him, no.
41:32Helping him flourish.
41:34Helping him flourish.
41:55Hello!
41:57Miss Zapaial,
41:59what are you doing here so early?
42:01I'm sorry to bother you, but I was hanging my clothes on the rope and the wind took one of my handkerchiefs.
42:09Oh yeah?
42:10Yes.
42:12What a naughty wind, isn't it?
42:15Oh yes, the fact is that it flew to your second-floor window.
42:23The handkerchief went through my window?
42:25Yes.
42:27What a nonsense!
42:31Yes, could you go and see it?
42:37Sure, of course.
42:51One moment.
43:32Don't worry.
43:40Today is my lucky day.
43:48Knife!
43:55What are you doing here?
44:01Knife!
44:32I'm sorry.
44:45The napkins are here.
44:48The blankets too.
44:51Glasses, there they are.
44:54Flowers.
44:58Flowers?
44:59Jimmy!
45:01We forgot the flowers.
45:03I took care of them, but I forgot to pick them up.
45:05I'm going to the car.
45:06I'm going, I'm going.
45:12What else?
45:14Pots?
45:15Toilets?
45:32Maca.
45:35Hi Joel.
45:45Joel, I...
45:46Maca, I'm sorry.
45:50Please forgive me.
45:51I know it wasn't the place for a princess.
45:54Don't misunderstand me.
45:58It's not that I don't want to.
46:01It's quite the opposite, but...
46:06But I want everything to turn out well.
46:11Me too.
46:23Me too.
46:43Did you have breakfast?
46:47No.
46:49Do you have something on your mind?
46:53Salchipapas.
46:55Salchipapas?
46:57One salchi and me the potatoes.
47:01Oh, well.
47:06No.
47:14I'll say that again.
47:15What are you doing here?
47:17Oh, don't you remember me?
47:19I'm Juana Zapallaga.
47:22What are you doing here so early in my boyfriend's house?
47:25So early?
47:28It's already dawn.
47:30What a shame.
47:32Time flew by.
47:33What?
47:35Yes.
47:37Ms. Zapallaga.
47:39Excuse me.
47:41I can't find your handkerchief anywhere.
47:44Don't worry, don't worry.
47:47What a shame.
47:49What a shame.
47:51I'd better go.
47:52I'm sorry, I'm sorry, I'm sorry.
47:54I'm sorry, I'm sorry, I'm sorry.
47:56See you later.
48:00What?
48:03I don't know.
48:04You tell me.
48:14Let's see.
48:15Now what explanation do you give your girlfriend,
48:19Mr. of the houses?
48:26Can you explain to me what that girl was doing so early in the house?
48:30I don't know, it's the neighbor.
48:32She's kind of crazy.
48:33She came saying that a handkerchief had flown out of her house.
48:37Do you realize?
48:38It must have been a hurricane.
48:42I thought the same.
48:45Of course.
48:46Did you have breakfast?
48:47I see you brought your things.
48:49One moment.
48:51Not so fast.
48:56What's wrong?
48:58That's what I want to see.
49:13What's wrong?
49:14What are you looking for?
49:16Cheap perfume.
49:20Very cheap.
49:23Please.
49:24Don't think that girl and I ...
49:27Don't distract me.
49:31But you won't find anything.
49:32I already told you it was just a few seconds.
49:38It's true.
49:40It doesn't smell like anything.
49:42If that girl had rubbed herself in this armchair,
49:44I would have left everything impregnated with her horrible perfume.
49:50Forgive me, Cuchi.
49:52Okay, I forgive you.
49:54Only if you promise that you will never distrust your Cuchi again.
50:02I promise, promise, promise.
50:12What is this?
50:25Hey, is all this really necessary?
50:27Yes, you'll see.
50:29Besides, it fits perfectly with the theme of the restaurant.
50:32I don't know, it seems very exaggerated to me.
50:34No, no, it's not.
50:35It's just that I don't know what to do.
50:38I don't know, it seems very exaggerated to me.
50:40No, no, everything is going to be perfect.
50:41We have to do it well from the beginning.
50:44And ... there it is.
50:46Let's see.
50:49I think it's something we have to talk about.
50:51Talk.
50:55But if you don't like me for something,
50:57please tell me.
50:59Okay?
51:01Oh, I want to play.
51:03I'm so excited.
51:04I'm hungry.
51:05I'm hungry.
51:06What are you going to do, dad?
51:07Where are you going?
51:08You're all going back.
51:10We are going to the inauguration of Jimmy Laleza's restaurant.
51:14How cool.
51:15There is a clause that says
51:18that if the rates have dropped more than 30%,
51:21the manager in question will have to resign.
51:24I'm crossing my fingers.
51:27Nothing would make you happier, right?
51:30It's divine justice.
51:32I want to see his face when they vote for him.
51:35And I'm just going to say
51:37Ha!

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