SANDS FILMS MUSIC ROOM
Concert Settimana Musicale del Trecento
at St Mary's Church, Rotherhithe, October 19th, 2024.
Music from the Chantilly Codex (late 14th century)
Hé très doux rossignol Virelay Borlet
A l’arbre sec Ballade Suzoy
Sience n’a nul anemi Ballade Matheus de Sancte Johanne
De ce que fol pense Ballade Pierre des Molins
Armes, amours / O flour des flours Double Ballade Franciscus Andrieu
Playsance / Or tost à eux Virelai Pykini
Dès que buisson Ballade Grimace
De Fortune me doy pleindre Ballade Guillaume de Machaut
Fortune faulce parverse Rondeau Matheus de Sancte Johanne
De home vray Ballade Johannes de Meruco
A l’arme, à l’arme Virelay Grimace
Agnieska Chabowska voice
Amaya Pitharas voice
Ed Mos voice
Cristina Greco harp
Claire Piganiol harp
Claudia Caffagni lute
Paola Bonora flute traversiere
Robin Troman flute
Kees Boeke flute, vielle
Kate Moore vielle
Camila Corvalan vielle
Fred Thomas vielle
Maximilian Baillie vielle
&
Jill Feldman vocal coaching
Concert Settimana Musicale del Trecento
at St Mary's Church, Rotherhithe, October 19th, 2024.
Music from the Chantilly Codex (late 14th century)
Hé très doux rossignol Virelay Borlet
A l’arbre sec Ballade Suzoy
Sience n’a nul anemi Ballade Matheus de Sancte Johanne
De ce que fol pense Ballade Pierre des Molins
Armes, amours / O flour des flours Double Ballade Franciscus Andrieu
Playsance / Or tost à eux Virelai Pykini
Dès que buisson Ballade Grimace
De Fortune me doy pleindre Ballade Guillaume de Machaut
Fortune faulce parverse Rondeau Matheus de Sancte Johanne
De home vray Ballade Johannes de Meruco
A l’arme, à l’arme Virelay Grimace
Agnieska Chabowska voice
Amaya Pitharas voice
Ed Mos voice
Cristina Greco harp
Claire Piganiol harp
Claudia Caffagni lute
Paola Bonora flute traversiere
Robin Troman flute
Kees Boeke flute, vielle
Kate Moore vielle
Camila Corvalan vielle
Fred Thomas vielle
Maximilian Baillie vielle
&
Jill Feldman vocal coaching
Category
🎥
Short filmTranscript
00:00Good evening, and welcome to our little soiree of late medieval music, music which has the
00:20name Ars Subtilior.
00:23It is a very subtle art, and the composers that you will hear tonight are all stemmed
00:31all from a manuscript called the Chantilly Codex, and they're names that nobody probably
00:41is familiar with, but that doesn't say anything about the quality of the music and the interest
00:46it has.
00:50The poster that you've seen, the announcement of this program, sort of has my name in big
00:58letters all over it, but the reality is that this is not a solo endeavor, this is very
01:06much teamwork, and as such we have, as the Settimana Musicale del Trecento, as a yearly
01:18summer course since 2016, we have every year held courses studying this particular music,
01:28music from the 14th century.
01:33This year, which is the 8th year, we have been fortunate that we had the opportunity
01:40to do it right now, the last four days, in London, and that is in Sam's Music Room and
01:51Cinema, thanks to the incredible gift of hospitality of Olivier, who runs Sam's Music Room, and
02:07this is for us a fantastic occasion, because it's very hard to find venues where you can
02:13all day long practice, give courses, give lessons, so we are extremely grateful to him
02:23for this gift to our Settimana.
02:27The connection to Sam's was established by my great friend Fred Thomas, a great musician
02:36himself, who lives nearby, who for years has been a very good friend of Olivier, and so
02:45I also have to thank Fred for his incredible organizational input, and just also musical
02:56input, because he's part of the band that is playing tonight.
03:01So thank you Fred.
03:04In the third place, I have to thank Father Mark, who has also very generously given us
03:15the possibility to rehearse in this church, and also the possibility to, tonight, actually
03:24have the concert, so thank you very much to Father Mark for this.
03:32And of course, last but not least, to the team of teachers, who are Jill Feldman, my
03:40wife, who takes care of the vocal coaching, Claudia Raffani, who takes care of the lute
03:47playing and ensembles, and Claire Pigagnol, who takes care of the harp players, and also
03:58teaches the ensembles.
04:00We are a team that has been working together now for a long time, and Claire used to be
04:10long ago a student of mine in the medieval department in Drossingen, where Claudia Raffani
04:17was also teaching.
04:20I hope I've said enough, and thank you for coming to this concert, and I was asked to
04:33remind you that a donation would be very much appreciated by SANS, who, without asking
04:42for anything, put on all this work, and these shows, and what they do at the SANS music
04:50room and theatre.
04:52Thanks again for that, and have a nice evening.
10:34Canto del sol,
10:42All auld lang syne,
10:50O'er the plain and the low,
10:59Day and night we watch,
11:07As the sun goes down,
11:15And the moon comes up,
11:24Day and night we watch,
11:34As the sun goes down,
11:44And the moon comes up,
11:54And the moon comes up,
12:04Day and night we watch,
12:14As the sun goes down,
12:24Day and night we watch,
12:34As the sun goes down,
12:44Day and night we watch,
12:56As the sun goes down,
13:04Si, et i, quod,
13:13Quod abit,
13:20Quod er, quod,
13:30Quod abit,
13:38Quod abit,
13:46Quod er, quod,
13:55Quod abit,
14:03Quod abit.
14:10APPLAUSE
14:25ORCHESTRA PLAYS
14:42Si, et i, quod,
14:52Quod abit,
14:58Quod er, quod,
15:07Quod abit,
15:15Quod abit,
15:24Quod er, quod,
15:35Quod abit,
15:43Quod abit,
15:51Quod abit,
15:59Quod abit,
16:07Quod abit,
16:17Quod abit,
16:27Quod abit,
16:35Quod abit,
16:43Quod abit,
16:51Quod abit,
16:59Quod abit,
17:07Quod abit,
17:15Quod abit,
17:23Quod abit,
17:33Quod abit,
17:43Quod abit,
17:51Quod abit,
17:59Quod abit,
18:07Quod abit,
18:15Quod abit,
18:26APPLAUSE
18:45ORCHESTRA PLAYS
18:55ORCHESTRA PLAYS
19:25ORCHESTRA PLAYS
19:55ORCHESTRA PLAYS
20:15ORCHESTRA PLAYS
20:25ORCHESTRA PLAYS
20:55ORCHESTRA PLAYS
21:25ORCHESTRA PLAYS
21:55ORCHESTRA PLAYS
21:59ORCHESTRA PLAYS
22:03APPLAUSE
22:08ORCHESTRA PLAYS
22:12ORCHESTRA PLAYS
22:16ORCHESTRA PLAYS
22:20ORCHESTRA PLAYS
22:37ORCHESTRA PLAYS
22:41ORCHESTRA PLAYS
22:45ORCHESTRA PLAYS
22:49ORCHESTRA PLAYS
22:53ORCHESTRA PLAYS
22:57ORCHESTRA PLAYS
23:01ORCHESTRA PLAYS
23:05ORCHESTRA PLAYS
23:09ORCHESTRA PLAYS
23:13ORCHESTRA PLAYS
23:17ORCHESTRA PLAYS
23:21ORCHESTRA PLAYS
23:25ORCHESTRA PLAYS
23:29ORCHESTRA PLAYS
23:33ORCHESTRA PLAYS
23:37ORCHESTRA PLAYS
23:41ORCHESTRA PLAYS
23:45ORCHESTRA PLAYS
23:49ORCHESTRA PLAYS
23:53ORCHESTRA PLAYS
23:57ORCHESTRA PLAYS
24:01ORCHESTRA PLAYS
24:05ORCHESTRA PLAYS
24:09ORCHESTRA PLAYS
24:13ORCHESTRA PLAYS
24:17ORCHESTRA PLAYS
24:21ORCHESTRA PLAYS
24:25ORCHESTRA PLAYS
24:29ORCHESTRA PLAYS
24:33ORCHESTRA PLAYS
24:37ORCHESTRA PLAYS
24:41ORCHESTRA PLAYS
24:45ORCHESTRA PLAYS
24:49ORCHESTRA PLAYS
24:53ORCHESTRA PLAYS
24:57ORCHESTRA PLAYS
25:01ORCHESTRA PLAYS
25:05ORCHESTRA PLAYS
25:09ORCHESTRA PLAYS
25:13ORCHESTRA PLAYS
25:17ORCHESTRA PLAYS
25:21ORCHESTRA PLAYS
25:25me
25:55No, there's no sorrow, no, there's no pain, No, there's no sorrow, no, there's no pain,
26:02No, there's no sorrow, no, there's no pain, No, there's no sorrow, no, there's no pain,
26:08No, there's no sorrow, no, there's no pain, No, there's no sorrow, no, there's no pain,
26:15No, there's no sorrow, no, there's no pain, No, there's no sorrow, no, there's no pain,
26:22No, there's no sorrow, no, there's no pain, No, there's no sorrow, no, there's no pain,
26:27No, there's no sorrow, no, there's no pain, No, there's no sorrow, no, there's no pain,
26:32No, there's no sorrow, no, there's no pain, No, there's no sorrow, no, there's no pain,
26:37No, there's no sorrow, no, there's no pain, No, there's no sorrow, no, there's no pain,
26:43No, there's no sorrow, no, there's no pain, No, there's no sorrow, no, there's no pain,
26:49No, there's no sorrow, no, there's no pain, No, there's no sorrow, no, there's no pain,
26:54No, there's no sorrow, no, there's no pain, No, there's no sorrow, no, there's no pain,
26:59No, there's no sorrow, no, there's no pain, No, there's no sorrow, no, there's no pain,
27:04No, there's no sorrow, no, there's no pain, No, there's no sorrow, no, there's no pain,
27:09No, there's no sorrow, no, there's no pain, No, there's no sorrow, no, there's no pain,
27:14No, there's no sorrow, no, there's no pain, No, there's no sorrow, no, there's no pain,
27:19No, there's no sorrow, no, there's no pain, No, there's no sorrow, no, there's no pain,
27:24No, there's no sorrow, no, there's no pain, No, there's no sorrow, no, there's no pain,
27:29No, there's no sorrow, no, there's no pain, No, there's no sorrow, no, there's no pain,
27:34No, there's no sorrow, no, there's no pain, No, there's no sorrow, no, there's no pain,
27:39No, there's no sorrow, no, there's no pain, No, there's no sorrow, no, there's no pain,
27:44No, there's no sorrow, no, there's no pain, No, there's no sorrow, no, there's no pain,
27:49No, there's no sorrow, no, there's no pain, No, there's no sorrow, no, there's no pain,
27:54No, there's no sorrow, no, there's no pain, No, there's no sorrow, no, there's no pain,
27:59No, there's no sorrow, no, there's no pain, No, there's no sorrow, no, there's no pain,
28:04No, there's no sorrow, no, there's no pain,
28:09No, there's no sorrow, no, there's no pain,
28:14No, there's no sorrow, no, there's no pain,
28:19No, there's no sorrow, no, there's no pain,
28:24No, there's no sorrow, no, there's no pain,
28:29No, there's no sorrow, no, there's no pain,
28:34No, there's no sorrow, no, there's no pain,
28:39No, there's no sorrow, no, there's no pain,
28:44No, there's no sorrow, no, there's no pain,
28:49No, there's no sorrow, no, there's no pain,
28:59No, there's no sorrow, no, there's no pain
29:29No, there's no sorrow, no, there's no pain
29:34No, there's no sorrow, no, there's no pain
29:39No, there's no sorrow, no, there's no pain
29:44No, there's no sorrow, no, there's no pain
29:49No, there's no sorrow, no, there's no pain
29:54No, there's no sorrow, no, there's no pain
29:59No, there's no sorrow, no, there's no pain
30:04No, there's no sorrow, no, there's no pain
30:09No, there's no sorrow, no, there's no pain
30:14No, there's no sorrow, no, there's no pain
30:19No, there's no sorrow, no, there's no pain
30:24No, there's no sorrow, no, there's no pain
30:29No, there's no sorrow, no, there's no pain
30:34No, there's no sorrow, no, there's no pain
30:39No, there's no sorrow, no, there's no pain
30:45No, there's no sorrow...
31:23And your eyes,
31:28they are like
31:33the moon in the sky.
31:38And your eyes,
31:43they are like the moon in the sky.
31:48And your eyes,
31:53they are like the moon in the sky.
31:58And your eyes,
32:03they are like the moon in the sky.
32:08And your eyes,
32:13they are like the moon in the sky.
32:18And your eyes,
32:23they are like the moon in the sky.
32:28And your eyes,
32:33they are like the moon in the sky.
32:38And your eyes,
32:43they are like the moon in the sky.
33:08And your eyes,
33:15they are like the moon in the sky.
33:28E le lune, le lune,
33:34S'il te troppa d'illumine,
33:43D'illumine, d'illumine.
33:54Pau, pau, pau,
34:00Prene, prene, prene,
34:06La, la, la, la,
34:09S'il te troppa d'illumine,
34:19D'illumine, d'illumine.
34:23D'illumine, d'illumine.
34:40L'issicura non cresce,
34:49La, la, la,
34:53S'il te troppa d'illumine,
34:59D'illumine, d'illumine.
35:13D'amma ch'io,
35:16Ch'io mi spica
35:19E me la salia,
35:23E me venia,
35:30E me venia,
35:38La sole tui affine
35:50Viene pure
35:57Parfum d'illumine,
36:06D'illumine, d'illumine.
36:18Salve, salve,
36:25Salve, salve,
36:31Salve, salve,
36:37Salve, salve,
36:46D'illumine, d'illumine.
37:05Les affreches sont marées,
37:14Toutes les années
37:21L'année chelée
37:24S'occurrent une et deux,
37:29L'année tout s'est passé
37:39Toute l'épée
37:44L'année chelée
37:49L'année tout s'est passé
37:56Toute l'épée
38:14L'année tout s'est passé
38:44L'année chelée
38:49L'année tout s'est passé
38:54Toute l'épée
38:59L'année tout s'est passé
39:04Toute l'épée
39:09L'année chelée
39:14L'année tout s'est passé
39:19Toute l'épée
39:24L'année tout s'est passé
39:29Toute l'épée
39:34L'année chelée
39:39L'année tout s'est passé
39:44Toute l'épée
39:49L'année tout s'est passé
39:54Toute l'épée
39:59L'année chelée
40:04L'année tout s'est passé
40:09Toute l'épée
40:14L'année chelée
40:19L'année tout s'est passé
40:24Toute l'épée
40:29L'année chelée
40:34L'année tout s'est passé
40:39Toute l'épée
40:44L'année chelée
40:49L'année tout s'est passé
40:54Toute l'épée
40:59L'année chelée
41:04L'année tout s'est passé
41:09Toute l'épée
41:14L'année chelée
41:19L'année tout s'est passé
41:24Toute l'épée
41:29L'année chelée
41:34L'année tout s'est passé
41:39Toute l'épée
41:44L'année chelée
41:49L'année tout s'est passé
41:54Toute l'épée
41:59L'année chelée
42:04L'année tout s'est passé
42:09Toute l'épée
42:14L'année chelée
42:19L'année tout s'est passé
42:24Toute l'épée
42:29L'année chelée
42:34L'année tout s'est passé
42:39Toute l'épée
42:44L'année chelée
42:49L'année tout s'est passé
42:54Toute l'épée
43:00Applaudissements
43:22L'aube
43:27L'aube
43:32L'aube
43:37L'aube
43:42L'aube
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48:32L'aube
48:37L'aube
48:42L'aube
48:47L'aube
48:53applause
49:03piano plays softly
49:08piano plays softly
49:18piano plays softly
49:38piano plays softly
49:43piano plays softly
49:48piano plays softly
50:10piano plays softly
50:18I will do what I need to do.
50:22I'm more than nervous to say my final goodbyes.
50:27It's almost as if someone else is calling out to me.
50:33Seems to me that we could be living in a dream.
50:39I don't even know what to do.
50:44I can't help but wonder how I feel.
50:48I don't even know what to do.
50:53It's almost as if someone else is calling out to me.
50:59Seems to me that we could be living in a dream.
51:04I'm more than nervous to say my final goodbyes.
51:08It's almost as if someone else is calling out to me.
51:13Oh
51:43Oh
52:13You
52:25You