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Trauma Movie Team Interview

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Transcript
00:00The first film was a little tough to handle all the actors.
00:04It was very tough.
00:05It was tough.
00:06It was actually very tough.
00:07If you say it's tough, people will think it's wrong.
00:09No, no.
00:13This story is a problem that has been talked about for more than 20 years in all the families.
00:23If we write something in the script, no matter what mistake it is, it will come out well.
00:29Whether it's the first film or the second film, it will give an output.
00:33I believe in that.
00:39You would have made a mistake in the beginning.
00:40Are you correcting that now?
00:41Yes, a lot.
00:42I think we should keep changing every 3-4 years.
00:45We should also keep changing with the current trend.
00:47If we keep following the same strategy, we can't sustain for so long.
00:54Who was the biggest challenge for you?
00:56I had a lot of trouble getting this role.
00:58Don't say that.
00:59No one.
01:00Everyone worked really well.
01:02If they ask you to do something, just do it.
01:04Just do it.
01:05That's it.
01:09I didn't get a lot of emotional content this year.
01:12But in this film, I got the scope to perform a lot.
01:16I think women will definitely relate to this film.
01:19The reason I signed this film is because I was very connected to this story as a woman.
01:26RANJITH KANNAN
01:30Hello to all the viewers of One India Tamizh.
01:32I'm your host, Ranjith Kannan.
01:34In this special show, we have the drama team with us.
01:38We have the director and the heroine with us.
01:42Let's ask them about the film.
01:44Hello to all three of you.
01:46Hello.
01:47How are you?
01:48Very good.
01:49I'm seeing you both for the first time.
01:50Vivek bro is already familiar with you.
01:52So, a big hello to you.
01:54Hello again.
01:55Hello again.
01:56We can talk about a lot of things.
01:58I'll start with a small segment.
02:01Can we start with a segment?
02:03It'll be refreshing for you too.
02:05A small game segment.
02:07I'll start with Dad.
02:09I'll show the film to him.
02:11You shouldn't see it.
02:12I shouldn't see it?
02:13No, you shouldn't see it. Wait.
02:15Do I have to close my eyes?
02:17I'll tell you when I show it to you.
02:19You two turn around.
02:22I'll show it to the camera.
02:24This is the film.
02:26Can I turn around?
02:28Yes, you can.
02:30Your time starts now.
02:47How old is it?
02:49Padayappa.
02:51Wow!
02:53She got it right.
02:55Great.
02:57She asked the question so fast.
02:59She asked a great question.
03:01I gave it to the heroine.
03:03I think you'll get caught.
03:05Sir, you turn this way.
03:13Wait, I'll show it to the camera.
03:15I didn't see it.
03:17Okay, ready. Start.
03:19New film.
03:21Released in 2000.
03:23Rajiv sir's film.
03:25Vijay.
03:29Wait a minute.
03:37Don't confuse him.
03:39You're a big star.
03:41He would have done it manually.
03:43You're opening it.
03:45I'll give you.
03:47Surya sir.
03:49Vikram sir.
03:51Karthik sir.
03:53Jeeva brother.
03:55It's difficult to guess this film.
03:57Vijay sir's film.
03:59Directors or actors?
04:01Vijay sir.
04:03This is his film.
04:05No.
04:07SR's film.
04:11Ravi Krishna.
04:13Correct.
04:15S.A. Santhosh Sagar's film.
04:19Vijayanthini's film.
04:21I don't remember the name of the film.
04:25I don't remember the name of the film.
04:31Sukran.
04:33Right.
04:35Good effort.
04:37You opened it when I said cameo.
04:39You said you're a big star.
04:41I don't know if it's Sukran.
04:43It's the last one.
04:45Turn it around.
04:51Old films?
04:53Big actors?
04:55Moderate actors?
04:57Vijay Karthik.
04:59A lot of actors.
05:01SR's film.
05:03A lot of actors?
05:05Prabhu sir.
05:07Surya sir.
05:09Rajinikanth sir.
05:13Satyavai sir.
05:23You opened it when I said cameo.
05:25How can I not say that?
05:27That's the game.
05:29You should have said yes.
05:35Who should I give it to?
05:37Give it to me.
05:39I'll give it to Thirupu.
05:41He'll give it to you.
05:49Old films?
05:51Big actors?
05:53Rajini sir.
05:55Vijay Khan sir.
05:57Old films?
05:5980s? 90s?
06:01Vijay sir.
06:03Sethupathi sir.
06:05Surya sir.
06:07Karthik sir.
06:09Karthik sir.
06:11Karthik sir.
06:1330 seconds over.
06:19That's the time.
06:25Yadini Mohini.
06:29Pollathavan.
06:31Sullaan.
06:39Heroine.
06:47Sullaan time?
06:49Yes, that time.
06:51Padikathavan.
06:53Priya Mani's film?
06:55Bhupati Paniyam sir's film?
06:57That's a long time ago.
06:59No, not that.
07:01That time?
07:03Almost.
07:05Bhupati Paniyam sir's film?
07:07Comedy?
07:09No.
07:11Padikathavan?
07:17Padikathavan.
07:19A small clue?
07:21A song.
07:23I don't know.
07:25It's a great melody.
07:27Melody?
07:29About flowers.
07:31It's not just that song.
07:33It's a folk song.
07:35Dreams?
07:37No.
07:39Dreams?
07:41I don't know the movie.
07:43It's a huge hit.
07:45Shall I give you a clue?
07:47It starts with the name of a village.
07:49A village?
07:51His name and the name of the village come together.
07:53Yes.
07:55Saravanan from Pudukottai.
07:59I forgot that movie.
08:01It's a folk song.
08:05It's a folk song.
08:07It's a folk song.
08:09Saravanan from Pudukottai.
08:11Before leaving Pudukottai,
08:13he sings that song.
08:15Nice.
08:17It's refreshing.
08:19Let's talk about the movie.
08:21I think we can start with you.
08:23When you choose a story,
08:25you don't choose it without a reason.
08:27Something must have impressed you.
08:29Why did you choose this drama story?
08:35This story is a problem that
08:37all families have been talking about for 20 years.
08:43The family members behind the problem
08:45are suffering from mental illness.
08:47They can't get out of it.
08:49They go through so much.
08:53Why is it so difficult?
08:55There are so many alternative solutions.
08:57If you go towards that,
08:59you can get out of it.
09:01That's the plot.
09:03In that,
09:05with the messages he heard,
09:07he mixed his imagination
09:09and made a popular film.
09:11The main plot is
09:13that all the families
09:15will be affected.
09:17My character is completely different
09:19from other films.
09:21It's not a comedy.
09:23There are a lot of emotions.
09:25There are a lot of places to perform.
09:27There are intense dialogues.
09:29There are silent moments.
09:31Since there are a lot of these,
09:33I liked it.
09:35There are a lot of stories in the anthology.
09:39This is a kind of screenplay.
09:41This is an interesting factor for me.
09:43So, there are two or three stories?
09:45There are two or three stories.
09:47All the characters are connected to each other.
09:49But they don't know.
09:51The audience doesn't know.
09:53At some point, it's revealed.
09:55What is the general connection between them?
09:57That's the drama of the film.
10:01Chandini, I want to tell you something.
10:03I don't know if you'll accept it.
10:05Can we accept Chandini's second innings?
10:09Will you accept it?
10:11Of course.
10:13We've been watching you for a long time.
10:15Let's talk about your next film next year.
10:17It's a big one.
10:19You're in a big line-up.
10:21How do you feel about it?
10:23I'm very happy.
10:25I've been in cinema for many years.
10:27This year is a memorable year.
10:29The 15th year is an unforgettable year for me.
10:33The beginning of the year
10:35is a proper line-up.
10:37There are many films coming up.
10:39I've been listening to the story.
10:41It's a good start.
10:43I'm happy to be in a good position.
10:47You look like you were in Sidhu Plus 2.
10:49How do you maintain that?
10:53I was in school.
10:55I came early.
10:57We didn't know much about grooming.
10:59I've learnt some things now.
11:01Diet, healthy diet...
11:03What's your character in this film?
11:07It's a very emotional content.
11:11It's a film with a scope to perform well.
11:17I didn't get a lot of emotional content this year.
11:21But I got a scope to perform well in this film.
11:25I felt that women would relate to it.
11:27The reason I signed for this film
11:29is because I connected with the story as a woman.
11:33They handled a sensitive issue beautifully.
11:35So, I'm confident that
11:37it will reach women.
11:41The dialogues are very short.
11:43I have to emote in a lot of expressions.
11:49It's our first combination.
11:51I'm very happy about that.
11:53I keep telling him about the line-up.
11:57I'm very happy about the success.
12:01It's a hit project.
12:03It's a big thing.
12:05I felt this moment in 2017-18.
12:09Vikram Vedha, Mayadhamma...
12:11It kept coming.
12:13I'm very happy about it.
12:17I'm sure the audience will feel the same.
12:19It's been a long time since I saw you like this.
12:21It's good to see you.
12:23I had seven back-to-back releases in 2018.
12:25This is my first back-to-back.
12:27Back-to-back...
12:29I wish you success.
12:31Thank you so much.
12:33If a director writes a story,
12:35there will definitely be an impact.
12:37It's something that happened in his life.
12:39Or it's something that happened after he saw it.
12:43Why did you choose this film?
12:47We started as a pilot.
12:51We shot Purnima and Prathu as a pilot.
12:53When we saw the film,
12:55we decided to develop it.
12:57It's a love story.
13:03We decided to make it anthology.
13:07We shot the pilot movie and stopped it.
13:09We decided to make it a movie.
13:11We worked on it and screenplayed it.
13:15If it's a love story,
13:17it shouldn't be a pattern.
13:19It should be a content.
13:21I wanted to tell something.
13:23That's why I planned it.
13:25I work in a corporate.
13:29I travel a lot.
13:31My house is in Pattabiram.
13:33That's my working place.
13:35I travel a lot from there.
13:39Fertility centers are huge.
13:43I gathered a lot of information.
13:47I wanted to tell a story about
13:49how to handle an artist.
13:51I gave a solution.
13:53That's the drama.
13:55Was it difficult to handle all the actors in the first film?
13:57It was very tough.
14:03I was scared.
14:05I didn't know how to handle an artist.
14:09You know how I am in short films.
14:13It was tough to handle a big artist.
14:15I didn't know how to handle it.
14:17I was scared.
14:19Even Marimuthu sir has done it.
14:21The director has also done two films.
14:27I was scared to handle it.
14:29But everyone was comfortable.
14:31They did more than what I asked for.
14:35It was surprising.
14:41When I chose a character,
14:43I didn't want to use dialogues.
14:51I wanted to project it in a different way.
14:55They worked happily.
14:57Especially when I was watching the film,
15:01I felt it a lot while shooting.
15:05The team worked a lot.
15:07When you watch it in a theatre,
15:09you enjoy it a lot.
15:11You'll see Chandini, Purnima, Prathu, Marimuthu sir.
15:19They worked comfortably.
15:21Who was the biggest challenge for you?
15:27No one.
15:29Everyone worked well.
15:31They asked you to do something.
15:33I couldn't get a job.
15:35I felt like I brought a lot of struggle.
15:37I didn't want to affect everyone in the night time shoot.
15:39I regretted it now.
15:45I work in the carpet during the night.
15:47I work during the day.
15:53I was worried about my comfort zone.
15:59They supported me as a team.
16:01I couldn't have done it without their support.
16:03I couldn't have done it without their support.
16:05They could have told me to do it tomorrow.
16:09It would have gone somewhere.
16:11The budget and production would have gone.
16:15They gave me a lot of comfort.
16:17I have to thank them for that.
16:23I have to thank them for that.
16:25I can't say it successfully.
16:27Was it mostly night shoot?
16:29It was mostly night shoot.
16:31He needed it for the story.
16:33The biggest reason was that he worked in the morning.
16:35So, it was mostly night shoot.
16:37When I was doing the script,
16:39I had to do certain things in the night.
16:43I shot daily during the holidays.
16:49When I was doing the script, I did it like that.
16:51I needed it.
16:55There's a thrill, a crime, a mystery.
16:57The script helped me a lot.
16:59It helped me a lot visually.
17:01It was because of that act.
17:05When people see something,
17:07they want it to be colourful.
17:09If it's three stories,
17:11we match it with three colour tones.
17:15When you watch a film,
17:17the next story will be the intro.
17:19But you don't know it.
17:21You travel with the story.
17:23It will easily connect with the audience.
17:25It will be a new experience for you.
17:27Only at the end of the day,
17:29you'll know if it's a connection.
17:31Is the story happening on the same day?
17:33No.
17:35You don't know that.
17:37It's a period.
17:41It's not a single day.
17:43Their subject is different.
17:45It goes on for three to six months.
17:47But you don't know it when you watch it.
17:49You travel with it.
17:51Only at the end of the day,
17:53you'll know if it's a connection.
17:55It will be surprising.
17:57It will be suspenseful.
17:59Even if you watch the film,
18:01you can enjoy it in the theater.
18:05When an artist approaches you,
18:07what do you expect?
18:09Do you just look at the script?
18:11Or do you look at the team?
18:13The story.
18:15The screenplay.
18:17The screenplay is more important
18:19than the story.
18:21That's all you need.
18:23If you write something in return,
18:25no matter what mistake you make,
18:27it will come out well.
18:29Whether it's the first film or something else,
18:31it will give you an output.
18:33I believe that.
18:35But when you have nothing,
18:37that's when you have a problem.
18:39He has a screenplay
18:41in an anthology pattern.
18:45I don't know how he does it.
18:47He has written the story in detail.
18:49If he had written it,
18:51he would have shot it.
18:53I don't think there's a mistake there.
18:55Do all directors follow this?
18:57Do they compromise in the script?
18:59That's their problem.
19:01I have a script.
19:03I believe in it.
19:05I read the script.
19:07If they have a problem executing it,
19:09it could be because they didn't work well.
19:11Or it could be because they didn't work well.
19:13Or it could be because they were nervous.
19:15You can't guess right away.
19:17That's how it is for everyone.
19:19It will get better.
19:21What is your story selection based on?
19:25First thing is content.
19:29I try not to repeat my roles.
19:31I look at what I can give
19:33with less scenes than the screen time.
19:37I don't want to repeat the same roles.
19:39I want to be picky
19:41and try different things.
19:43I try to see things clearly.
19:47Have you changed since the start?
19:51Have you corrected your mistakes?
19:53Definitely.
19:55I think we should keep changing
19:57every 3-4 years.
19:59If we follow the same strategy,
20:01we can't sustain for so long.
20:03Every 2-3 years,
20:05I reflect on my mistakes
20:07and try to correct them.
20:09Some things work out
20:11and some don't.
20:13But we have to try.
20:15Every year, I keep reflecting
20:17on what I could have done better.
20:19What could I have done better?
20:21How could I have pitched better?
20:23I think about all that.
20:25I think you're the senior
20:27in the industry.
20:29I think it's both of us.
20:31Both of us have completed 15 years.
20:35So, can you divide it into 5 years?
20:37The industry is changing.
20:39The film industry is changing.
20:41The films people watch are also changing.
20:43What do you think people want now?
20:45What do they expect?
20:47Can you give them the content they need?
20:49I think people want simple films.
20:51Close to reality.
20:53For example, a rubber band film
20:55or a bottle rada.
20:57I think people want live, simple films.
21:01I think we've reached that trend.
21:03People used to watch humorous thrillers.
21:09Horror films used to be a trend.
21:11Now, we have realistic films.
21:13At the same time, I think people like
21:15relatable characters.
21:17What do you think?
21:21There are a variety of audiences.
21:27We can't pick a particular genre
21:29and make people like it.
21:31But generally,
21:33all films should hold them.
21:37It can be fun,
21:39or extreme fantasy,
21:41or a local commercial,
21:43or an elite commercial,
21:45or a film without a star value,
21:47or a clean slate,
21:49or a rugged film,
21:51or a story related film,
21:53or a family story,
21:55or a fun movie.
21:57Everything will work.
21:59The audience should connect with the scene.
22:03We can't say if they've gone through life.
22:07Not all films and audiences will connect.
22:11The screenplay has to work
22:13so that the audience can connect
22:15with the scene.
22:21When I saw the trailer,
22:23I thought there was a gap.
22:25Will the audience connect now?
22:27I'm sure they will.
22:33You know about fertility.
22:35There's a difference between then and now.
22:37Now, more people are
22:39resisting it.
22:41They will connect.
22:43We didn't bring that alone.
22:45Anthology has a love pattern.
22:47The audience will easily connect.
22:51There will be suspense in the trailer.
22:53They will definitely enjoy it.
22:57Who has played the main character?
22:59Namo Narayanan sir.
23:03His role is very important.
23:05Nilayal Ravi sir has almost done it.
23:07Saivam Ravi sir is a small character.
23:13Dilip sir has done it.
23:15Sanjay has done it.
23:17Ananth has done it.
23:19Prathu has introduced the hero.
23:21Poornima has done it.
23:27Each character has its own importance.
23:33The film will be released on the 21st.
23:35Congratulations to the team.

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