Nina De Azúcar Capítulo 67 Completo HD - 07-03 Nina De Azúcar Capítulo 67 Completo HD - 07-03 Nina De Azúcar Capítulo 67 Completo HD - 07-03 Nina De Azúcar Capítulo 67 Completo HD - 07-03 Nina De Azúcar Capítulo 67 Completo HD - 07-03
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Short filmTranscript
00:00I'm going to go to hell for what I did.
00:05No, you were fine.
00:06I feel like a liar from the beginning.
00:08I even believed when I said that the kitchen had caught fire.
00:11You were fine.
00:12I was running to look for you.
00:14And yes, it's good that we came here because I don't want a bad life in the house.
00:18Yes, yes, me neither.
00:19Let's go.
00:23This way, my love.
00:24Thank you, my love.
00:31How does everyone look at you, Moran?
00:34Well, they know me.
00:36What were they talking about?
00:37About you.
00:39Yes, we were just talking about how unlucky that the kitchen caught fire on the same day we invited you, right?
00:44Thank goodness we told you to have dinner early.
00:46Excuse me, miss.
00:48Excuse me.
00:50I hope you have the same taste for wine.
00:53Well, the baby doesn't drink, he's a minor.
00:55Yes, yes.
00:56Yes, yes.
00:57And daddy is in recovery.
00:58So, neither.
01:00I'll drink alone then.
01:01It doesn't bother them, of course.
01:05And the belly?
01:06How's it going?
01:07He's the one in charge.
01:09But uncomfortable.
01:10No, I like it.
01:11In fact, I recommend it to everyone.
01:13Gigi!
01:14You're here!
01:15Hi, did you wait for me?
01:16I thought we were alone.
01:18Well, but you see, if we are more, more fun.
01:21And I couldn't refuse the invitation of the ball player.
01:25And you are?
01:27Renata Salaverri.
01:29Renata Salaverri, nice to meet you.
01:31Nice to meet you.
01:32I am Guille, from the town.
01:34I am a very good friend of this beautiful marriage.
01:36And I am the king of the mother dough.
01:41Well, shall we order?
01:42Yes, yes.
01:43Can you wait for me a little bit? I'm going to the bathroom.
01:45Just a second.
01:46I'll go with you.
01:47I just felt like it too.
01:48Let's go.
01:49What a coincidence.
01:50With the permission of the lady.
01:54This girl is intense.
01:55Intense and dangerous, ball player.
01:57Be careful, because they are watching you.
01:59Yes, I already realized.
02:00That's why we took her out of the house.
02:02Yes, tell me.
02:03Do you know something, Mr. Puchoso?
02:04Yes, I know many things.
02:05He left the country on the same day of the attack.
02:08You're killing me.
02:10And that's not all.
02:12Come back tomorrow.
02:17We sigh to the rhythm of the dance.
02:19Uff, with the skin so irritated, more than one.
02:23I'm sure.
02:24Tell us your story.
02:27And it is that here, in Ritmo Romantica, your ballroom radio,
02:30we want to know everything.
02:32We want to find out and find out everything.
02:35That's why a person is with us who usually speaks to everyone equally.
02:41But today he has some beautiful and special words for that person.
02:47How are you, Mayor Montes?
02:50Hello everyone.
02:51Thank you all for receiving me.
02:56There is a message.
03:04Friend, you have to put Ritmo Romantica radio right now.
03:07Are you going to give me a prize or something?
03:09I don't know, but my account is reliable.
03:11I can't stop highlighting your action, Mr. Mayor.
03:15Tell me, Leandro, please.
03:17Because today I am here to talk about love.
03:21Emotion.
03:23Of the skin, of that magic of vibrating to the rhythm of another person.
03:32Of not giving up when your whole body beats for someone unique.
03:39Because out there, we all have someone unique for each of us.
03:46And I have been lucky enough to find her.
03:53Here in my hands, for those who are listening to us, I have the name of that person.
04:00So you who are listening to me on the other side,
04:03who do you think is the person Leandro Montes loves?
04:09I think we all prefer him to say it, right?
04:12I say it, I say it, yes.
04:14And with pride.
04:17Sheila.
04:19Sheila Globo.
04:22She is my love.
04:25She is the queen of my feelings.
04:31She is the only mermaid who has really managed to conquer me with her greatest charm.
04:39Her values and her passion.
04:44Mermaid, as we know you here in Ritmo Romantica,
04:49this ballad is for you and it goes with all the love in the world from Leandro Montes.
04:56Oh, friend.
04:57Another dream come true.
05:00To have your great love.
05:08You are as beautiful as the full moon.
05:13The one who suffered the most was my mother.
05:15She never had a relationship with Ignacio, her half-brother,
05:18and no matter how hard she tried to get involved and get me involved,
05:23Paloma never loved her.
05:24And she didn't recognize me as a granddaughter of her husband.
05:27I understand you.
05:29It's hard for her to deny you in front of the world.
05:31It's embarrassing for her.
05:34My father directly changed me for another son.
05:37But hey.
05:39Oh, Miguel.
05:41I know it's hard, but you always have to go hand in hand with the truth.
05:50Hernan Cornejo.
05:52Oh, he's from the board.
05:54Nina.
05:56Vera Nina.
05:58Well, but I can tell you.
06:00The message is on my cell phone.
06:01I think I could tell my husband.
06:04Sorry.
06:05I saw it there, I read it.
06:07He wants us to introduce ourselves.
06:09I don't like that man.
06:10Why?
06:13What coordinates.
06:15We have coincided in some events and he knows me, but I don't like him.
06:21It's a matter of skin, he will be.
06:23Mysterious.
06:24Just that you mention it, that's what I was going to say.
06:27It's mysterious.
06:28Oh, do you hear me?
06:29No.
06:30No, I meant.
06:32Well, what happens to you with him, yes.
06:35Why, Guillermo?
06:36Do you get along with everyone?
06:38No, no.
06:40But when you get along badly with someone, there is a reason, right?
06:44That's what I'm going to.
06:45Sure, but maybe I'm more intuitive than you.
06:48And I realize when someone doesn't have a good vibe with me.
06:52When someone does.
06:55Well, I'll answer him later.
06:57You don't answer him.
06:58Oh, my love.
06:59Don't worry.
07:01I know how to take care of myself.
07:04Although I love that you take care of me.
07:13Well, go ahead.
07:22Do you use a little water?
07:23No, thank you.
07:24I'm with Mate.
07:27Sir.
07:28Fruit.
07:29No, thank you. I'm helping.
07:31Excuse me.
07:32Thank you, thank you.
07:36How are you?
07:37Good, good, good.
07:38Oh, I was telling you the previous thing about Fornejo.
07:41He doesn't close me anything.
07:42No?
07:43And Renata less.
07:45Yesterday she reviewed Nina's birthday.
07:46Can you believe it?
07:47You do it too.
07:48Oh, I do it.
07:49Of course.
07:50I've seen you.
07:51You die of jealousy.
07:52But no, man.
07:53That was because.
07:54Nothing.
07:55I take care of her.
07:56Nothing else.
07:57You have a point.
07:58But.
07:59I think you have to relax too.
08:01So you can enjoy the beautiful things that also happen to her, right?
08:05That sounded very helpful to me.
08:07Very of someone you have around there.
08:10Who likes to meditate.
08:11Put a myth.
08:12All that stuff.
08:14Perfectly.
08:15Who are you referring to?
08:16And I know her very well.
08:17But we don't talk precisely about meditating.
08:18When we are together, you know?
08:19Oh no?
08:20And what are we talking about when we are together?
08:22We are together.
08:23We have a good time.
08:24When we are together.
08:25No, no.
08:26We are not together.
08:27When we are together.
08:28With whom?
08:29Don't speculate.
08:30Open up.
08:31With me.
08:32You are the fool.
08:33I'm with me.
08:34I can't believe it, right?
08:35Don't stop.
08:36Listen.
08:37We've known each other for so long, brother.
08:47You?
08:49Me.
08:55One day, the two of us will meet.
09:03If the Quilombo is going to build,
09:04you don't know.
09:05Oh!
09:06Oh, you are magic.
09:07You are already talking like Ramiro.
09:10Yes, Grandma.
09:12Right now I am imagining him
09:14freely
09:15walking with his exposed parts.
09:18Oh!
09:19Daughter!
09:20My little girl.
09:2121st century!
09:24I have a picture of me in my private social media.
09:29I have a picture of me at the edge of the pool
09:32with my yellow bikini.
09:34Grandma, what social media is that?
09:36What's your user? I don't follow you.
09:38Well, it's an alternative.
09:41Oh.
09:42I don't think I'm doing anything wrong, Ramiro.
09:45It's a job, honey.
09:47Yes, I know.
09:49I told you to do it.
09:51But I don't want to look like a stalker.
09:54You don't want to be toxic.
09:56Of course not.
09:58But Ramiro is mine.
09:59He's mine. He's mine.
10:02So get out.
10:05I can't allow it, Grandma.
10:07Besides, he's in Punto Caramelo.
10:09Well, look, little one.
10:11Naked he's not.
10:14So we have to calm down
10:16because my granddaughter is dancing reggaeton in here.
10:21And we have to be calm.
10:23Nothing bad is going to happen, little one.
10:25Do you see those beautiful cakes that are there?
10:28Yes, I made them.
10:30Oh, they're tempting.
10:33But you did it with your own hands.
10:37The rest, look at them from the outside, from the outside.
10:41But what if they buy it?
10:43Your cake already has a owner.
10:49Oh, Grandma, I'm going to say something
10:51that I don't think I'll ever say again in my life.
10:54I'm jealous.
10:56I had to say it.
10:58And I said it.
11:03No, you're not. You're not.
11:07Johan.
11:09I didn't know you were the photographer.
11:10Me neither.
11:11There are three of us.
11:13They changed my model last minute.
11:15Yes, yes, that's how it was.
11:17It's still a quiet photoshoot, right?
11:20Of underwear, but...
11:23Quiet?
11:25A photoshoot of underwear
11:28with an athlete
11:30has to be fire.
11:36We're trying to sell underwear.
11:38And for that, we have to sell the model.
11:42His strength, his power.
11:45All his secrets.
11:48Let's see, Renata, let's see.
11:50We came to take pictures, and pictures are pictures.
11:52So we could start like this.
11:54We kick his ass.
11:56Pictures and videos.
11:58Oh, and videos.
11:59We're going to record too.
12:01Didn't they tell you?
12:02Intense day, but nice, right?
12:04Destiny is challenging you, Jaguar.
12:07Don't you like challenges?
12:09Yes, yes, I like challenges.
12:11I love challenges.
12:12So, take off your coat.
12:14What?
12:15Okay?
12:16Yes, get ready.
12:17Get ready.
12:18We'll start in five.
12:19Guys, lights!
12:20Let's start!
12:21Those are the best hands.
12:24Come here, you.
12:25Come here.
12:27You're screwing me up, brother.
12:29You're screwing me up.
12:30Do you stay here all day?
12:31All day.
12:33Do you take care of me?
12:34I take care of you.
12:35You take care of me.
12:36I repeat, this is for you.
12:38This is for you.
12:39So you can dance it.
12:40So you can enjoy it until morning.
12:42This is like that.
12:43My kiss, your kiss.
12:53Oh, God.
12:57Oh, doll.
12:59You...
13:01You left for a gift?
13:04I brought a whole move.
13:08Oh, my God.
13:11Wait a minute.
13:12Your Alfarero match was very inspired
13:16because all the cement ran out with that vase.
13:19Oh, Sheila, please.
13:20Speak properly.
13:21It's not cement, it's clay.
13:24Oh, my sirens, you're learning.
13:26The siren loves these first moments of gossip.
13:30Besides,
13:32looking at it like this,
13:33I feel it's a clear example of...
13:37It's too much.
13:38Too much.
13:40Too much clay.
13:42But it's also too much time.
13:48Too much desire.
13:50Too much thinking.
13:52Oh, I think it's a very nice gesture.
13:54Yes, right?
13:55Besides, having sent it by distributor
13:57makes the secret stay alive.
14:00It's very romantic.
14:02In fact, we're going to bring this dream creation to life.
14:06Look how cute it is.
14:08Yes, good idea.
14:09I think it should be like this.
14:10Besides, all bald and bald
14:12makes it look like the funeral vases
14:14of the Egyptians who used to put the viscera of their dead.
14:17Oh, how bad you are.
14:20Have you seen?
14:21I just made it again, Sheila.
14:23Again.
14:24I'm not satisfied with anything.
14:26Oh, my God.
14:27Diane, you've failed.
14:29What's wrong with you?
14:30Yes, it's failed.
14:31Oh, no.
14:32A joke.
14:33A joke.
14:34Just a little.
14:36Oh, but don't treat yourself like that.
14:37Treat yourself nice.
14:39I know the past weighs.
14:41But every love story is a new beginning.
14:45Let yourself write a new beginning
14:47with this dream creation.
14:49Yes, it's a dream.
14:52Oh, thank you.
14:53You're right.
14:54You're a beautiful friend, really.
14:57And besides,
14:58I think Leandro has done very well
15:00in not letting you go.
15:02When love is strong,
15:04there is no tidal wave that can destroy it,
15:07or separate it.
15:10I love it.
15:11Oh, me too.
15:17We have nothing to start with.
15:19Or do we?
15:20The most important thing.
15:22You.
15:23Shall we start?
15:25It seems that Moran is eager to pose for me.
15:30I have a physiotherapy session later.
15:34Cesar!
15:35Do you need a babysitter?
15:36No, no, no.
15:37But he's my manager and he takes care of my image.
15:39Don't be stupid.
15:40Shh!
15:41Now you follow my orders.
15:44Okay.
15:45We have to get warm first.
15:48Both of us.
15:49You, so you don't get hurt.
15:51And I, to get everything I want.
15:56Shall I sit down?
15:58No.
15:59Dedicate a goal to me.
16:01With all your will.
16:02Do what you know how to do best.
16:04Johan!
16:12Let's start.
16:17Okay, that's it.
16:18That's it, give me more of that.
16:22That's it, Moran.
16:24Jump like a beast.
16:29You drive me crazy.
16:33You make me crazy.
16:37You drive me crazy.
16:44You like what you wear.
16:45What you wear.
16:46You admire your underwear.
16:53It gives you freedom.
16:54It makes you feel strong.
16:55Your body adjusts.
16:56You enjoy it.
16:58That's it.
16:59Come on.
17:00Enjoy it.
17:01Enjoy it more, Moran.
17:02Give me everything.
17:03That's it.
17:05That's it.
17:06You want to show your power.
17:07The strength you have.
17:08Come on, Moran.
17:11That's it.
17:13That's it.
17:14Give me everything, Jaguar.
17:23Look at me.
17:24Think of me as what you want to have.
17:26More morals.
17:27This thing that moves you.
17:28The ultimate fiber of your body.
17:30This thing that wouldn't let you stop.
17:57Now show me the glory.
17:59Stretch to the sky just to give it.
18:05That's it.
18:06Stretch more.
18:09Give it to me.
18:10Think of everything you have achieved.
18:26That's it.
18:44That's you, Moran.
18:47We were always the same.
18:48And nothing ever changes.
18:56I love you, Regina!
19:16Now the armchair.
19:18You've won.
19:20You're tired.
19:26That's it.
19:47Great.
19:48I love what you give me.
19:49I love everything that moves you.
19:53You have no idea what moves me.
19:56As I was saying,
19:57I know everything I know
19:58because of my grandma Nina.
20:01But you've improved all the recipes.
20:03Look, for example,
20:04the mousse that used to be strawberry
20:06is now dulce de leche.
20:10Jaguar's favorite.
20:14Jaguar effect.
20:15Please, Guille.
20:16Work.
20:19Mrs. Ema,
20:20we have to help Nina to calm down.
20:23Well, while my assistants are talking
20:26and the mousse is ready,
20:28we call this dessert
20:30Mousse Jaguar Nina.
20:32Because it has the best of both worlds.
20:34My passion for pastry
20:37and love for Ramiro's dulce de leche.
20:41Nina, they're looking for you.
20:43I didn't know they were recording.
20:44I'm coming.
20:46Done. I turned it off.
20:47I didn't know they were recording.
20:48Why are you always behind me?
20:50Because you and my daughter Ada
20:52need extreme care, you know?
20:53Ah!
20:54Daughter!
20:55I came because they're looking for you, sister.
20:57Oh yeah?
21:02It's Luis, Nina.
21:03And it looks like he's stealing breakfast.
21:05No, Guille.
21:06Luis has paid for breakfast.
21:07He bought it.
21:08What?
21:09Then...
21:11Is it the other man who's waiting for Nina?
21:20Nina!
21:22Be careful.
21:41Hello.
21:42Were you looking for me?
21:43That's right.
21:44I'm...
21:46Hernan Cornejo.
21:47How are you?
21:48Guille del Pueblo.
21:49To serve you.
21:50How are you?
21:51He's my friend.
21:52He's the baker.
21:53Ah, how nice.
21:54From the pastry shop.
21:55I don't like bread, unfortunately.
21:58They're all anti-bread.
22:00Well, welcome.
22:02Welcome to my pastry shop.
22:09Welcome to my pastry shop.
22:10Beautiful.
22:12The pastry shop, of course.
22:27I like them.
22:28I like them too.
22:30A lot.
22:32Cesar, come here.
22:33I'll give you a hand.
22:35Let's see what we have.
22:37Then it looks good.
22:38Now we have to continue.
22:40Get out.
22:41Can I?
22:42And you already know.
22:43Without a tie.
22:45What's up with her?
22:51You didn't kiss me?
22:52That's how I like it.
22:54More relaxed.
22:56More natural.
23:07Go on.
23:15Check the amount of advance of Sheila's contract.
23:19Add a non-exclusivity clause with the channel.
23:24And present Acuña Benitez's claim.
23:32I'm coming.
23:34I'm coming, I'm coming, I'm coming.
23:35I'm coming, I'm coming, I'm coming.
23:37I'm coming, I'm coming, I'm coming.
23:44Do you always open the door without knowing who it is?
23:46I'm a fortune teller.
23:48And there are things I don't tell you I don't.
23:51I like it.
23:53What else do you guess with me here? Tell me.
23:56That we're going to share it.
24:00Of course.
24:02As we couldn't last night, right?
24:05Not at all, sugar.
24:07Well, it's not like you went so far, right?
24:11Not at all, sugar. Another one.
24:14Are you challenging me?
24:17Are you afraid?
24:18No.
24:20I love it.
24:23Because we can go far.
24:26Very far.
24:35I love it.
24:45It's a secret that has passed from generation to generation.
24:49And it is the sa-sa-sa flavor of Ayinomoto.
24:52You too can enhance the flavor of all your meals with the sa-sa-sa flavor of Ayinomoto.
24:59Ay, amorcito, te envié un video de una receta.
25:02Sí, la descargué al toque.
25:04Eso es tener la red móvil más rápida del Perú.
25:06Cámbiate la red móvil más rápida del Perú
25:08al 0800-00200 o en claro.pe.
25:13Nina, ya falta poco para volver a clases.
25:16Sí, y ¿sabes?
25:17Es importante que lleves todo al cole,
25:19pero más importante es que llegues fuerte y sanito.
25:24Con Leche Gloria,
25:25tus hijos tendrán un buen día de clase.
25:27Con Leche Gloria,
25:28tus hijos tendrán los nutrientes y vitaminas
25:30para que no les falte nada.
25:43Es precioso.
25:45Delicado.
25:47Me encanta.
25:52Una pieza única.
25:58Ay.
26:04Hola, Di.
26:05Mirtis.
26:07Te estaba esperando.
26:09¿Ah, sí?
26:10¿Cómo estás?
26:11¿Qué hay entre turno y turno suspiras?
26:14Es que me pescaste, pues.
26:16Estaba hablando con el alfarero.
26:18Mira.
26:23Uy.
26:24¿No te gusta?
26:26No.
26:27Sí.
26:28Sí.
26:30Sí.
26:31Es un regalo particular, ¿no?
26:36Y también es una expresión grande de amor.
26:41Sí.
26:42Sobre todo grande.
26:43Grande.
26:44Exactamente.
26:46¿Y qué tal?
26:48¿Qué pasó?
26:49¿Cuándo se conocieron?
26:51No, no.
26:52No nos hemos conocido.
26:53Lo mandó con repartidor.
26:55En moto, pobrecito.
26:57¿Y después de todo esto no te dan ganas de ya conocerlo?
27:01Sí.
27:02Pero bueno, parece que él es indeciso como yo.
27:05Ah, bueno.
27:06Pero no como yo.
27:08¿Qué cosa?
27:09¿Qué cosa?
27:11¿Vas a ver anoche?
27:14Ay, ya sé que ya te lo dije, pero me encanta esta nueva Mirtisulta en plaza.
27:18Ay, me entusiasma.
27:19Me entusiasma muchísimo conocer anoche.
27:21No sabes.
27:22Me inyecta una especie de adrenalina y me ayuda a no pensar tanto en él.
27:26Ni lo menciones, por favor.
27:28Está bien salir en moto a tomar helados porque son dos ex que se quieren y todo,
27:32pero ya fue, ¿no?
27:34La vida sigue.
27:35Sí.
27:36Sí.
27:37Exactamente.
27:38Y justamente por eso he venido que me hagas un cambio radical de look.
27:43¿Otro?
27:44Sí.
27:45Necesito algo totalmente distinto.
27:47Algo fuerte.
27:48Algo furioso.
27:49Algo que se vea completamente diferente.
27:53¿Algo furioso?
27:54Uh-huh.
27:55Ya.
27:56¿Tienes un ejemplo?
27:57Ah, sí.
28:04¡Wow!
28:06Me encanta la nueva Mirtis.
28:08¿Qué tal?
28:09Dame tu cabeza.
28:11¿Me va a quedar bien?
28:12¡Hermoso!
28:13¡Te va a quedar hermoso!
28:14¡Ven casa!
28:20Renata es extraña.
28:22Cuando apareció aquí parecía que tenía toda la intención de querer quedarse como presidenta de los hoteles
28:28y luego sale con esto.
28:30Sus movimientos hablan claramente de una jugada.
28:32Yo que tú no la pierdo de vista.
28:34Sí.
28:36Oye, me dijo Ramiro por mensaje que fuiste a ayudar a Nina.
28:40Sí.
28:41Desconfías de Renata.
28:42Sí.
28:43Y ya, me conoces.
28:45Me gusta la justicia.
28:47Muchas gracias por ayudar a Nina en esta nueva etapa de empresaria.
28:51Ay, Ignacio, por favor.
28:52Sí, ella es una empresaria.
28:54No es acaso la pastelera de su propio negocio.
28:57Sí, pero esto es a otra escala.
28:59No, no le va a costar nada adaptarse.
29:01Mira, a ver.
29:02En poco tiempo se enamoró del futbolista.
29:05Escribió un libro.
29:06Se casó.
29:07Viajó a Europa.
29:08Y va a ser mamá.
29:10¿Tú crees que no puede con esto?
29:12Por supuesto que sí.
29:13Ah, bueno, y además salió de un curso.
29:15Sí.
29:16Bueno, ¿y de qué debería preocuparme?
29:19De su corazón.
29:20No entiendo.
29:22Esa Renata, que es una zorra.
29:24Quiere los hoteles, por supuesto que sí.
29:26Pero no se los va a llevar hasta que no tenga el combo completo.
29:30¿Cuál sería el combo completo?
29:32La herencia de Nina que hizo un marido.
29:35No, pero espera.
29:37¿Dices que Renata va a ir detrás de Morán?
29:39La ambición, el poder y la lujuria se van a llevar.
29:43La ambición, el poder y la lujuria se van súper bien juntas
29:47y se vuelven una obsesión.
29:52Perdón.
29:59Te perdono y te aplaudo.
30:02Somos buenos amigos, ¿sabes?
30:05Sí, y no me da pena decirlo.
30:08Me inscribí en esta aplicación de citas.
30:11Muy bien, delatador. Bien por ti.
30:14Estamos en esa etapa de la vida en la que hay que, pues,
30:17permitirse algunos gustos.
30:20Sí, y me gusta que prediques con el ejemplo.
30:30¿Más café?
30:31Más.
30:42¿Qué?
30:49¡Alesandro! ¡Qué pequeño!
30:51Revisa celulares. Eso no está bien. Los celulares son privados.
30:54¿Y los amigos no esconden secretos?
30:56¿Acaso tú me cuentas todo?
30:57Por supuesto.
30:58Bueno, yo no, pues.
30:59¿Ya? Yo no.
31:00Bueno, más me escondés, más voy a averiguar.
31:02Por favor, deja de ser tan infantil
31:04y encárgate de mantener a Raya a la fiera de Renata.
31:07¿Ok?
31:08¿Yo?
31:09Sí, yo no estoy diciendo nada, hermano.
31:10¿Cómo que no estás diciendo nada?
31:11Es ella que me busca y no para de buscarme.
31:13Y vos tenés la culpa de aportarme a esta publicidad de calzoncillos.
31:16Soy el jabón más santo del planeta.
31:28Pelotero, dime.
31:30Decime qué hace ese tipo ahí.
31:31Está conversando con tu esposa.
31:35No cortes.
31:37Avisá que nos vamos.
31:38¿Qué?
31:39No, no podemos.
31:40¿Cuánto falta? ¿Qué van a hacer, editar la foto también?
31:42No, y no sé.
31:43Pero la orden la da quien pone la plata, ¿no sabes?
31:47¿De qué hablan?
31:49Estaba tratando de escuchar la conversación, pero justo entró tu llamada.
31:52Te necesito de espía, panadero.
31:54¿Estás muy cerca?
31:57Cerca, sí.
31:59Pero no tanto.
32:00Hay una mesa de por medio.
32:01Las mesas de la pastelería que son re chiquitas.
32:04Tranquilo.
32:06Tranquilo, pelotero.
32:07Aquí estoy yo.
32:08Yo me encargo.
32:09Tenés que ser mis ojos, panadero.
32:10¿Es muy fachero como la foto?
32:12No lo sé.
32:13No lo sé.
32:14Pero visto a través de tus ojos.
32:15Únicamente de tus ojos.
32:16Porque yo solo tengo ojos para Eva.
32:18¿Eh?
32:20Ah, sí.
32:21Es muy guapo.
32:22Pero no tanto como tú.
32:23Obvio.
32:25Gracias.
32:26Te quiero.
32:27Yo también.
32:28No.
32:29No, yo no.
32:30Bueno, pelotero.
32:32Yo me encargo de Nina.
32:33Yo la cuido, ¿ok?
32:35Yo te cuento cualquier cosa, compadre.
32:37Compadre.
32:38Nunca hablamos que ibas a ser padrino.
32:40Bueno, pero lo dimos por asentado, ¿no?
32:42Yo te voy informando cualquier cosita, ¿ya?
32:44Cambio y fuera.
32:49Nina está con un tipo que no me gusta nada.
32:52¿Qué tipo?
32:53No sé.
32:54Un chabón que está metido en esto de la cadena de hoteles.
32:56Un tal Cornejo.
32:57No sé por qué, pero me da mala espina, boludo.
32:59¿Viste?
33:00El Cornejo.
33:01Bien, muchachos.
33:02Las tomas están quedando geniales.
33:05Sí.
33:07A ver.
33:18¿Sabes?
33:19El mundo de la hotelería es fascinante.
33:21Estoy seguro que te va a encantar.
33:23Además hay que tener presente que tú ya eres una repostera de altísimo nivel.
33:28¿Has escuchado de mí?
33:31No.
33:33Bueno, tal vez has escuchado porque estoy casada con el Jaguar Morán, el futbolista.
33:37¿Quién?
33:40Todo ayuda, evidentemente.
33:42Pero no tienes que ser modesta.
33:43No conmigo.
33:44Tienes un libro, tienes una repostería que te pertenece.
33:47Tus colegas hablan muy bien de ti.
33:49Seguramente quieres expandirte.
33:51Sí, por supuesto.
33:52¿No?
33:53Cafecito.
33:54Gracias, Guille.
33:55Gracias, no quiero interrumpir.
33:56Gracias.
33:57Gracias.
34:01¿No tienes que hornear más adentro?
34:04Ahoritita no.
34:06¿Y los panes ya están todos listos?
34:08Sí, los acabo de despachar.
34:11Una consulta.
34:12¿Oí sobre un postre maravilloso que se llama Delicia de Limón?
34:16Sí, perfecto.
34:18Sí hay.
34:19Es nuestro postre de bandera.
34:20Así que, por favor, ¿puedes traerle una tajadita?
34:23Sí, por supuesto, niña.
34:25Si tú me lo pides, enseguida.
34:27Gracias.
34:29Te va a encantar.
34:30Estoy seguro que sí.
34:31He oído maravillas.
34:32Y, en fin, como te decía, estoy completamente a tu disposición.
34:38Además, es un placer conversar contigo ya de por sí.
34:44Gracias.
34:50¿A su pedido?
34:52Gracias.
34:53Tu Delicia de Limón.
34:54Y si me permites darte un consejito de la casa,
34:56es mucho más rica si le das un buen bocado.
35:00Grande, de esos que te dejan sin palabras.
35:03¿Ya?
35:04¿Esto está bien?
35:06Hazme caso.
35:12¿Qué tal?
35:13Delicioso.
35:14Extraordinario.
35:15Es maravilloso.
35:18¿Me disculpas un momento, por favor?
35:20Por supuesto que sí.
35:21Yo me quedo con esta maravilla.
35:22Gracias.
35:27¿Es ese Ramiro Benida?
35:29Tu marido haciendo un vivo.
35:30Sí, mira.
35:32Gente, sí.
35:33Aunque no lo crean, en el medio de mi recuperación,
35:35la marca de ropa interior, Claudio Cain,
35:39me convocó para ser su nueva figura embajador de sus calzoncillos
35:44de manera internacional.
35:46Así que les voy a mostrar un poquito,
35:48tanto o no, ya van a ir viendo la campaña.
35:50Tampoco me va a sacar la bata,
35:52pero ya van a ir viendo un poquito más.
35:54¿Cómo se va a quitar la bata?
35:56Yo diría que ya se la sacó.
35:58Y más bien ahora se la ha puesto.
36:16¿Por qué César no quiere mostrar?
36:18¿Qué oculta?
36:19Nina, el pelotero está trabajando.
36:21Déjalo.
36:22¿Tú trabajas desnudo?
36:24¿Tú trabajas desnudo?
36:26¿Y tú?
36:29No, no, no.
36:30No, niña.
36:31Nadie debería trabajar desnudo.
36:32Es que no está desnudo.
36:34Está en calzoncillo.
36:35O sea, es igual que usar un short de fútbol.
36:38Así, pero más chiquito.
36:39Igual.
36:40De shortcito chiquito eso no tiene nada.
36:43Y está todo al aire.
36:45¿Todo bien?
36:46Sí.
36:48Sí, todo bien.
36:51No me quiere más.
36:53No me quiere más.
36:54Nina, niña.
36:55Ese pelotero te ama.
36:56Pero ama.
36:57Está en calzoncillo.
36:58Eres su vida.
37:00Las hormonas son las hormonas.
37:15Generación en generación.
37:17Y es el sa-sa-sa sabor de Ajinomoto.
37:21Tú también puedes realzar el sabor de todas tus comidas con el sa-sa-sa sabor de Ajinomoto.
37:39¿Café?
37:40Claro.
37:41Sí.
37:42Con un poquito de leche creo que cae perfecto, ¿no?
37:44Dale.
37:45Te traigo.
37:46No, no, no.
37:47No te vayas.
37:49¿Qué pasa?
37:50La cocina está cerquita.
37:51No me voy a perder.
37:56¿O tienes miedo de quedarte solito?
37:58No.
38:00Solo que quiero ser contigo.
38:14¿Desayunamos?
38:16Sí.
38:22¿Y qué cuenta la ciudad que nunca duerme?
38:25¿Nueva York?
38:27Es soñada.
38:29¿Nunca has ido?
38:31No.
38:33Cuando despegó mi carrera no tuve tiempo de viajar.
38:37La verías.
38:39Viajar es hermoso.
38:41Te conecta.
38:43Te conoces.
38:44Conoce gente.
38:49¿Conociste gente allá?
38:51Mucha.
38:53Pero la mayoría por trabajo.
38:56Conocí el caso de un señor que decía que su restaurante era el que más queso le ponía a la pizza.
39:01Y mi cliente se ofendió y decidió demandarlo.
39:04¿Y él la ganó?
39:07Comió siempre ganas.
39:09Baja baraja.
39:10Felicitaciones, doctora Montes.
39:14Gracias.
39:19Mira, si tienes que trabajar o responder mensajes, no te preocupes.
39:22Podemos dejar esto para otro día, ¿sí?
39:24¡Ey, tranquila!
39:26Quiero estar contigo.
39:30Yo también quiero estar contigo.
39:33Me haces sentir libre.
39:37Y con ganas...
39:39de hacer lo que nos dé la gana.
39:42Exacto.
39:43Me encanta eso.
39:46Así como ahora tengo ganas de esto.
39:51¿Qué?
39:52Reservé dos pasajes a Las Vegas.
39:54Dos días, dos noches, dos personas.
39:57Tú y yo. You and me.
39:59Que vamos.
40:03¿Sí?
40:05Vamos.
40:44Angel.
40:47Mirta.
40:51¿Qué coincidencia?
40:54Mucha, ¿no?
40:57Este café no es tan concurrido.
41:00Sí, cierto.
41:02No, no, no.
41:04No, no, no.
41:06No, no, no.
41:08No, no, no.
41:10No, no, no.
41:11Sí, cierto.
41:13Justo lo elegí porque...
41:15por eso.
41:17¿Ah, sí?
41:19Yo también.
41:21Es mucho más tranquilo.
41:24¿Qué tal cambio de look, Mirta?
41:28Estás hermosa.
41:30Bueno, siempre fuiste hermosa.
41:33Gracias.
41:36No te digo para...
41:38que tomes asiento porque...
41:41estoy esperando a alguien.
41:42No, no, no.
41:44No te preocupes.
41:45Yo también estoy esperando a alguien.
41:47¿Ah, sí?
41:49Sí.
41:50¿Y ya llegó?
41:53No sé.
41:56La persona no me dijo con qué ropa iba a estar y...
42:00es la primera vez que nos vamos a encontrar.
42:05Ok.
42:08¿Me permites un momento?
42:09Sí, claro, perdón.
42:26Buen día.
42:39Y no este mundo sin fin.
42:44Eres un monario, serés...
42:48He venido a advertirte sobre Renata Salaverde.
42:52¿Qué con ella?
42:53Un nuevo jugador entró a este juego.
42:55Mira esto.
42:56Aquí dentro debe haber algo muy grande.
42:58Y no está dispuesto a perder.
43:00Además, no solo está detrás de tu fortuna,
43:03sino también de tu marido.
43:05Ese Renata Salaverde le va a traer un montón de problemas.
43:08Mina de Azúcar se acerca al final.
43:12No lo vas a poder creer.
43:13Lunes, inmediatamente después de Al Fondo y Sitio por América.