Stallone impressions, giggle fits, and one flub so good it had audiences Screaming with laughter. These bloopers prove scary and funny go hand-in-hand.
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00:00Stallone impressions, giggle fits, and one flub so good it had audiences screaming with
00:05laughter.
00:06These bloopers prove scary and funny go hand in hand.
00:101996's Scream spawned an ongoing franchise featuring self-aware teenagers with an SAT
00:15level vocabulary who openly discuss horror movie tropes while actively experiencing them.
00:20On screen Scream characters are clever, precocious, and self-referential, but behind the scenes
00:26the actors are just as clumsy as the rest of us.
00:29In the climax of Scream, the two killers, Billy Loomis, played by Skeet Ulrich, and
00:33Stu Mocker, played by Matthew Lillard, are covered in corn syrup to simulate blood.
00:38After receiving a taunting call from Sidney, played by Nev Campbell, Billy angrily throws
00:42the phone and marches off to find her.
00:44The sticky substance covering Ulrich's hands affected his aim, and the phone hit Lillard
00:48in the back of the head.
00:49Instead of breaking character, Lillard reacted to the unexpected smack by shouting,
00:53Boy, f**k, f**k, hit me with the phone, d**k.
00:58Halloween Kills also has plenty of hilarious behind-the-scenes moments, although, unlike
01:02Lillard's ad-lib, they weren't clever enough to end up in the film.
01:06Anthony Michael Hall appears in the sequel as an adult Tommy Doyle, the kid Laurie Strode
01:10babysits in the first Halloween movie.
01:12In one of the film's bloopers, the actor drives up to a gas station, and gets out of
01:16the car without putting it in park.
01:18Excuse me, I need 12 f**king.
01:22The clip cuts to another take, where Hall hops out of the vehicle only to laugh hysterically
01:26when the car begins to roll backwards.
01:28Excuse me, I need some f**k.
01:31Can you knock it out of gear?
01:34F**k, I did it again.
01:36Jeez, where's Mr. Vernon when you need him?
01:39Like Michael Myers, another horror villain who always elicited a strong reaction is Pinhead,
01:44the go-to guy for BDSM and torture since the first Hellraiser in 1987.
01:48British actor Doug Bradley has portrayed the leather-clad sadomasochist in 8 of the 10
01:53films in the franchise.
01:54But even experienced horror actors can get a nasty case of the giggles.
01:58In a behind-the-scenes clip from Hellraiser, Deader, Pinhead stands with his back to the
02:02camera, preparing to instill fear in his next victim with a dramatic turn and hostile stare.
02:08But things don't go as planned.
02:10Bradley spins around, but instead of supplying the camera with a menacing stare, he does
02:15this.
02:16Sorry.
02:17Cut!
02:18Warm Bodies is a bit of a lighter watch than Hellraiser.
02:25The film is about a self-aware zombie, R, played by Nicholas Holt, and his struggle
02:30between his need to feed on humans and his desire to experience human emotions.
02:34In one behind-the-scenes clip, Holt sneaks up behind a man standing on a counter, pulling
02:39his legs out from under him, and drags him onto the floor.
02:41From there, Holt is supposed to begin eating the poor guy, but the actor decided to take
02:46the scene in a very different direction.
02:47With his victim on the floor beneath him, Holt lassoes an invisible rope in the air
02:51and shrieks.
02:52Scream like a pig, boy!
02:58Quoting Deliverance isn't always a crowd-pleaser, but the crew of Warm Bodies reacted to the
03:02reference with approving laughter.
03:04Anthony Hopkins' famous portrayal of Hannibal Lecter does not usually conjure up laughs.
03:08The on-screen serial killer is more known for having a special way with words than human
03:12flesh.
03:13But while filming The Silence of the Lambs, a blood-soaked Hopkins showed off his ability
03:16to embody other characters.
03:18Hopkins, mouth covered in blood, stares into the camera and does this.
03:30There is no explanation as to why Hopkins suddenly decided to break character and become
03:34a southpaw, but it was probably a welcomed break from the intensity of a face-chomping