Según recordó Salosny, el programa juvenil partió como una sección del programa “Extra Mujeres” de Gabriela Velasco
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00:00At the beginning we were talking about how nice it was Extra Jóvenes and that's why we're here, 35 years since the beginning of the show, Katy.
00:08Did you watch the show?
00:09He was a pilot, but he was a bit of a snob, and he liked Mr. Hector Humérez.
00:13And he started as an extra woman's tail, which was done by Gabriela Velasco.
00:17And we did half an hour of the show, and it was a success.
00:22And I was there for six years, live, every day.
00:25Six years?
00:26Six years. And then Felipe came with me for a year.
00:29People think we spent a lot of time with Felipe.
00:33But it was only a year with Felipe, and then I went to...
00:36On TV?
00:42Then I went to TV.
00:45Now, Felipe was a very important character that came out of an Extra Jóvenes section.
00:50Did you create the trunk of memories?
00:51No.
00:52No?
00:53It wasn't like that?
00:54I don't know.
00:56It was more or less like that.
00:58I did a show prior to Extra Jóvenes called Estudio Club, which was a video show.
01:03With Karin Janine.
01:04And then Extra Jóvenes came, which was one drunk woman's tail, and Estudio Club was the other one.
01:10And they called me and said, we want you to switch to Extra Jóvenes as an editor,
01:15and we'll give you color.
01:16And the assistant director of Estudio Club was Felipe Camilo Aguilar.
01:20We were on TV.
01:21And we had put everything on video to do a few things, because the animator had left.
01:25And we kept an eye on him.
01:28So we said to Felipe, do you want to be on TV?
01:32And we invented a section.
01:33First, the girl was from Ripley.
01:35Believe it or not, there were a lot of...
01:38But he came with a trunk.
01:40And he opened the trunk and took out the tape.
01:42And he started to make small sections, and then we said, it works, it works.
01:48The nice thing about that show was that we were going to work.
01:52Because we had such a great time.
01:55In fact, I was called several times from other channels and I didn't want to go.
01:59Because for me it was like my refuge, I was having a bad time.
02:03You were protected.
02:04And what convinced you, Katy?
02:05Because when you left, it hurt us a lot.
02:07What convinced me?
02:09Well, I don't know.
02:11I don't know.
02:12I don't know.
02:13I don't know.
02:14I don't know.
02:15What can you tell me?
02:17No, that's a hidden past.
02:19The project, the money.
02:21No, I can't tell you.
02:23No, because it's delicate.
02:24It's a moment, it's been so long.
02:26No, what happens is that I was hooked on Felipe.
02:31And Felipe, not so much.
02:35So it was a thing of contempt.
02:38I'm leaving.
02:39And that's why I left.
02:41For money, right?
02:42If they pay me a lot of money, they won't see you.
02:44And then, the next year, he left and I had him there again.
02:49And yes, it was heavy.
02:50A year later, he left.
02:51Remember.
02:52Yes, he left.
02:53He left.
02:54He left.
02:55He left.
02:56But Claudia!
03:01What a beautiful memory.
03:02What a beautiful memory.
03:04He left.
03:05The next year, he left.
03:06He left.
03:10How long!
03:11Don't give him this sensitivity.
03:14Claudia, forgive me.
03:16My God.
03:17When you were in Extra Jovenes, do you remember your first day?
03:19Yes.
03:20Of what?
03:24It was heavy because I did it very badly.
03:26Terrible, terrible.
03:27Katy left in glory and majesty.
03:30Everyone loved her.
03:31She was the best, the greatest thing in the universe.
03:34So, to replace Katy was super heavy for me.
03:38And I had never done television.
03:40I was 16 years old.
03:42I was 17.
03:44In fact, my dad had to sign the contract because he was younger.
03:48And I did the best I could, but it was very bad.
03:52You were 16 or 17?
03:54I mean, I just turned 17.
03:56They criticized you a lot.
03:57We had the meeting of guidelines after the show.
03:59And Felipe...
04:01Look, this is a suspicion.
04:03It's ugly to talk about a person who has already died.
04:05No.
04:06But I think Felipe said,
04:08This is going to be my show.
04:11And they criticize him until I'm 17.
04:14So, he made a pose at the meeting.
04:17And he said...
04:18Do you remember Marcelo? You were there too.
04:20Yes.
04:21And he said,
04:22No, I think he said she was going to cancel the show.
04:26I'm dying.
04:27But he was very honest.
04:30But you were there.
04:31I was there, present.
04:32He didn't say it behind your back?
04:34No, yes, in the face.
04:36He said,
04:37Cancel the show.
04:38I remember it doesn't have a rhythm.
04:41And I started to cry.
04:43Poor girl.
04:44I couldn't stop crying.
04:46But look,
04:47I thank him because he helped me so much.
04:50I said, I have to go.
04:52And the next day,
04:53I did it very well.
04:55And from then on, he never criticized me for cancelling the show.
04:59At least in my face.
05:00Yes, but with the years,
05:01you should know that if he said it in front of you,
05:03it was a great gesture.
05:05Because TV doesn't tell you these things.
05:07No, they don't.
05:08When they kicked me out of TVN 13.
05:10Oh, when they kicked you out of TVN 13.
05:12Yes, when they kicked me out of TVN 13.
05:13No, when they kicked me out of TVN 13.
05:14Don't say that, please.
05:16When they kicked me out of TVN 13,
05:17I got to TVN.
05:18I got to TVN for the first time.
05:20It was like getting out of the house on the beach and getting to something.
05:22Because it was a TVN.
05:24Bunker.
05:25Bunker, of course.
05:26A spaceship.
05:27In fact, there were three elevators.
05:28I've never seen so many elevators.
05:29A little empty now, but a spaceship.
05:31And a second, powerful floor.
05:34No one could get there.
05:35Suddenly, I get there,
05:36and the first thing I see is Felipe.
05:38He's coming out.
05:40I go down the window,
05:41I stop next to him,
05:42and I go down the window.
05:43Hello.
05:44Hello, how are you?
05:45When you're as famous as I am,
05:47you're going to have this car.
05:50That's my book.
05:52What did he say?
05:53Hey, Barça and Valor.
05:55It's a size.
05:56It's a size.
05:57It's a size.
05:58It's a size.
05:59Claudio was talking about TVN 17,
06:01and I remember that I bought the magazine.
06:04Maybe now I'm a teacher.
06:10Hey, I have a question for the three of you.
06:12Because this question is important.
06:14We all want to know.
06:15Don't get paranoid.
06:16And it's good for you to be clear.
06:17No, that's my past.
06:23A program like Extra Jóvenes,
06:24would it have a space on television today?
06:27Today?
06:28Yes.
06:29Of the same characteristics?
06:30Difficult.
06:31Many people wouldn't see it.
06:32You think not?
06:33No, because it was a very naive program.
06:35With Helmin.
06:36Super naive.
06:37Helmin, who hasn't seen it.
06:38Maybe Helmin smoking his...
06:40Of course.
06:41Many things would have to be modified.
06:43I think, right?
06:44I think there are several things about Extra Jóvenes
06:46that would not have any possibility here.
06:48One is the rhythm,
06:49which was very different.
06:50That is, the notes he made,
06:51do you remember Enrique Lizama?
06:53Ten minutes.
06:54Ten, twelve minutes each note.
06:55The rhythm is very different now.
06:56That's not just for Extra Jóvenes.
06:57Any program of that time
06:58could not be given now.
06:59For the rhythm.
07:00And the themes,
07:02the themes we took
07:03were things that occurred to us.
07:05It was because we were interested.
07:06It was very improvised.
07:07We had a poetry commentator.
07:08We had a theater commentator.
07:09Book commentator.
07:10Book.
07:11Of cinema.
07:13Now, we had an advantage
07:14and that is that no other channel
07:15had the idea of making youth programs.
07:17So we were the only one.
07:18No, and the other thing
07:19that supposedly,
07:20as it was a precarious channel,
07:22no one saw it,
07:23but in the end it became
07:24like a cult program,
07:25everyone saw it in Extra Jóvenes.
07:27Were the prisoners alive?
07:29The prisoners were alive.
07:31Many times.
07:32And many times.
07:33For the first time.
07:34I remember the first time
07:35that I interviewed them, of course,
07:36and that they came through the corridors.
07:38It was a revolution.
07:39The corridors were of sport.
07:41You got there fast.
07:42It was a corridor.
07:43It was a corridor.
07:44A great corridor.
07:45And the worst of the corridor
07:46was the channel.
07:47Hey, now there is a building.
07:48No, now there is a building.
07:50And it's Jorge's.
07:53And it's Jorge's.
07:55It was excellent.
07:56Claudia, do you think that...
07:57No, I see it...
07:58I mean, it's impossible.
07:59I have young children
08:01and my children never watch TV.
08:03Of course, well, that's another thing.
08:04There is zero possibility of watching TV
08:06and they watch content,
08:08more than programs or channels.
08:11They only watch content
08:12and they watch it through their cell phones.
08:14So, no, no.
08:15It's impossible.
08:16Not a single possibility.
08:17It's not the same.
08:18It's not...
08:19Are you proposing it on Channel 13?
08:21We are proposing it.