Amor Amargo Capitulo 73 en HD Completo
Amor Amargo Capitulo 73 en HD Completo
Amor Amargo Capitulo 73 en HD Completo
Amor Amargo Capitulo 73 en HD Completo
Amor Amargo Capitulo 73 en HD Completo
Amor Amargo Capitulo 73 en HD Completo
Amor Amargo Capitulo 73 en HD Completo
Amor Amargo Capitulo 73 en HD Completo
Amor Amargo Capitulo 73 en HD Completo
Amor Amargo Capitulo 73 en HD Completo
Amor Amargo Capitulo 73 en HD Completo
Category
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Short filmTranscript
00:00Sometimes women like me are capricious and temperamental.
00:05We don't understand the word no.
00:30Da da dee da dee da dee da dee.
00:34Pa ra pi ra ti la ti pa ra...
00:36Ahem.
00:37Hi, son. How's it going?
00:39Good, mom.
00:40Good, mom. And you?
00:41What's that food for?
00:43To take to the office.
00:45Isn't that a lot of food?
00:47No.
00:48Well, I mean, I'm taking it to share with...
00:52With...
00:54Okay, mom. We need to talk.
01:00There are no lies between you and me.
01:05No secrets, right?
01:06No.
01:07No?
01:08I always tell you everything.
01:12And to be honest, mom,
01:15I'm your son.
01:18And...
01:20I'm no one to judge you
01:23or disapprove of you.
01:26You can do whatever you want.
01:28Is that clear?
01:30Yes, son.
01:45I know I haven't given you the best impression,
01:48but this one you see here,
01:49this one that looks so hesitant, so out of place...
01:52What do you want?
01:53Guillermo, where do you want to go? Tell me.
01:55I just sent your email with all the work you asked for,
01:58point by point.
02:00But I also sent a series of projections
02:02of what could be a new model
02:04of distribution of craftsmanship in stores
02:06for next year.
02:14I'm glad you're making the effort to do it right.
02:17It's not an effort.
02:18Actually, I'm a guy who studied,
02:21who prepared,
02:22a guy who dreamed of being successful.
02:27My aunt always told me I was useless,
02:30good for nothing,
02:33that I wasn't enough, that I wasn't worth it.
02:38Not just her,
02:40my wife,
02:41my friends.
02:47Even my father.
02:49Even my own mother told me things that...
02:54were engraved on me.
02:57Guillermo, I'm sorry for what you're telling me,
03:01but I'm glad you're believing in yourself.
03:03I need this job, Tomas.
03:07I need to start over,
03:09to believe in myself again.
03:13That's why I'm here.
03:15That's why I'm here.
03:18And I know that despite everything I've done wrong,
03:20you're going to trust me,
03:23and you don't know how grateful I am.
03:29I do feel something special for him, son.
03:33It hasn't been long,
03:35but suddenly I started to feel this.
03:39Look,
03:40I know I said I didn't want to take food
03:43to the office,
03:44especially
03:46that I wouldn't fall in love again.
03:48And here I am.
03:49But those two decisions seem like nonsense to me, Mom.
03:54I do like to take food to eat in the truck.
03:57Well, in the truck.
04:00And...
04:02I also said I wouldn't fall in love again, and look.
04:05So you already solved your situation with Miriam?
04:07Oh, Mom.
04:09There's nothing to solve there.
04:10Or well, there is something, but we don't want to see it,
04:14or we're not accepting it.
04:16Are you with Candela?
04:19You kissed your co-worker.
04:25Mom, look at yourself.
04:27I mean, if you look at yourself in a mirror,
04:30you shine.
04:32You look beautiful, you look beautiful, yes.
04:36And if the reason you're like this
04:38is what you feel for this man,
04:42go ahead.
04:49I love you, Mom.
04:50I love you, honey.
04:56Come in, please, Ofelia.
05:01This was my daughter's office.
05:04And then it was Gabriela's.
05:06But since you don't want to know anything about the factory or me,
05:11you can use it.
05:15And I want you to know that I share your pain.
05:20Who better than you to take care of it?
05:24It's me.
05:25Sorry.
05:27Sorry.
05:30Hello?
05:31Yes, who is this?
05:33Hello?
05:34Yes, who is this?
05:36Ma'am, I'm Catalina, Enrique Olivares' niece.
05:41My uncle asked me to call you and tell you that he has problems in Todos Los Santos
05:45and that he needs your help.
05:47Please come to town because he needs to talk to you.
05:51Miss, could I call you back later?
05:59Problems?
06:00No, no.
06:01Nothing important.
06:03People from the bank always offer you insurance.
06:12My dear children!
06:14I'm so happy to see you!
06:17Hello, Doctor.
06:18Catalina, I'm so glad to see you.
06:20I was talking to Eulalia,
06:23a woman from the hospital who knows Lorenzo very well.
06:26She told me that he used to keep all the papers that seemed important to him.
06:33And I suspect that he has a document that I urgently need.
06:48Miriam?
06:52I know you told me to call you,
06:54but I preferred to come to see you.
06:57How are you, sir?
06:59Very well. Tell me about yourself.
07:02I'm fine.
07:04It's just that I still don't have an answer to your concerns.
07:09I mean, I know what's coming and there's no answer.
07:14Well, there is, but you already know it.
07:16The staff is leaving.
07:18We are running out of people and there is no money flow.
07:21What if we look for a solution together?
07:24Sounds interesting.
07:26Of course. Right now?
07:28Yes, please.
07:30Yes, come in.
07:32Would you like a cup of coffee?
07:35Lately, I've tried not to meddle where I'm not called,
07:40but sometimes I remember the moment my beautiful aunt said in a meeting
07:45that she wanted your father dead.
07:47I know you'll never recognize it, but she said it.
07:51I heard her.
07:53If she did it, I don't know.
08:04Tomas was not looking for the worst moment of the factory to execute it.
08:08We knew from the beginning what we were getting into,
08:11we knew the situation they were going through and the risks we were running.
08:16Uh-huh.
08:18So, what do you want us to do?
08:26We agreed that you were going to tutor me.
08:29Tell me, Emilio.
08:31Emilio, what do you want us to do?
08:34A joint proposal.
08:36A proposal?
08:38Hey, we don't have anything safe to make a proposal.
08:42We can start working on it.
08:45From what perspectives?
08:47To make a series of them,
08:49ranging from not paying and going to court,
08:52to small payment agreements, debt recognition, refinancing.
08:56There are many.
08:58Yes, there are many, because I don't understand anything,
09:03I'm not an expert on these issues and I have no experience.
09:08I can help you.
09:15Leonor, do you have proof that Enrique is involved in Beatriz's death?
09:26No, but I suspect.
09:33You knew his obsession for my daughter.
09:36Yes, but in the end he ended up getting married.
09:41I knew that poor woman.
09:45He looked for her just to have a child.
09:47Much younger than him.
09:50A young belly, a sick mind.
09:54I remember that he was very excited to have a child.
10:00Did he have it?
10:02No.
10:04With the abuse that woman gave him, how was he going to get pregnant?
10:07In other words, she denounced him for abuse.
10:10Yes, and I supported her.
10:13No woman has to bear the abuse of a man and you know it.
10:18Yes.
10:20On top of that, he has the fire in Tomás' offices.
10:24Leonor, with this Enrique is in jail.
10:29What worries you so much?
10:31I don't want to give him a single cent.
10:33I don't want him to ever get out of jail.
10:36I don't want him to pay like Máximo did.
10:39But I don't want him to suffer day by day until the end of his days.
10:52Thank you very much for everything you taught me.
10:55And if you need more time to understand the proposals well,
10:59you know I'll be there for you.
11:02Hey, just one more thing.
11:05Why are you doing all this?
11:09The decision doesn't just come from me.
11:12It's also from Tomás.
11:39Go ahead, go have a taco.
11:41Don't forget that you're on duty.
11:43Thank you for everything.
11:45Be careful.
11:52Alicia, how are you?
11:54Do you need anything? Sit down.
11:58Yes, I was looking for you.
12:00It's just that...
12:02I was at the orphanage.
12:04Oh, really?
12:06And tell me, did something happen?
12:08Well, they asked me to get a DNA test.
12:13A DNA test?
12:15Why?
12:17Well, it's just that...
12:20I'm looking for my son.
12:24They have to send that test.
12:26I don't know where, to see if they can help me.
12:29Lucia told me they asked you for a DNA test.
12:33Maybe you can tell me where you're going to do it.
12:46What happened, friend?
12:48Friend?
12:50What happened?
12:58Oh, my God!
13:03Oh, my God.
13:05Come, my friend, be careful.
13:07Sit down, sit down.
13:09Oh, friend, I'm so excited.
13:11I want to be a godmother.
13:13Tell me yes, what are we going to do with mothers?
13:15Of course yes.
13:17What's wrong with you?
13:19I'm happy.
13:21Do you know what that means?
13:23That you're going to be a mom and I'm going to be an aunt.
13:25This is going to be a new life for Tomás and for me.
13:28It's just that I've never been with this news.
13:31Now I'm sure your grandmother's heart will soften.
13:35There is hope for everyone.
13:37And finally we are going to leave the past behind.
13:47Look, here we can do the test.
13:51If you want, we can do it together.
13:54Yes, of course, I would love to.
13:59Alicia, can I ask you a question?
14:03As many as you want.
14:07Well, how long ago that ...
14:10About your son, how ...
14:13That they took my son?
14:2035 years.
14:24It's been a long time.
14:28Yes.
14:31A long time.
14:36I would like to see Enrique.
14:39I wanted to see my dead son.
14:43But Paulo, in the middle of everything, he regretted doing it.
14:51Do you think I can see him?
14:53Yes, yes.
14:55Yes.
14:57Of course.
15:07Friend, we have to make a huge party.
15:09One of those where the smoke comes out and you see if it's a boy or a girl or twins.
15:12Friends, if they are twins ...
15:14How?
15:16I can't, don't ask me.
15:18Calm down, please.
15:20Don't ask me that.
15:22And I'm so excited.
15:23No, don't ask her that.
15:25Friends, yes, and that the boy is the model.
15:27Or the model.
15:29Or our models.
15:32Let me know when you see Tomas.
15:34I want to record him and see what face he puts on.
15:36Yes, right?
15:38What face do I put on?
15:40Of nothing, my love.
15:42When I tell you that I love you a lot.
15:44But a lot, a lot, a lot, a lot.
15:46A lot?
15:48A lot.
15:50Let's see my face.
15:51I love you.
16:21I love you.
16:51I love you.
17:17What do you want?
17:19What are you doing here?
17:21Get out.
17:24Your presence has never pleased me. Get out.
17:27Yes, I know.
17:29And although I can leave, I'm not going to.
17:33I'm not afraid to look you in the eye, Enrique.
17:36Get out of here, man.
17:38Guard!
17:40Get this crap out of here.
17:43Guard!
17:45Enrique!
17:47Get this thing out of here!
17:48Scream, scream, scream, scream all you want.
17:51Because you don't intimidate me anymore.
17:54Why did you come?
18:00Do you think this is my end?
18:04Do you think I'm going to be here forever?
18:09Did you come to make fun of me?
18:12Well, you're wrong.
18:14I'm going to get out of here
18:15and one by one I'm going to make you pay
18:18for everything you've done to me.
18:21You don't know how long I've lived hating you
18:25and hating me for not moving away from you in time.
18:30You don't know what my life has been
18:32since you forced Paulo to marry me
18:35and you forced him to kick me out of town
18:37without even thinking about it.
18:39It's just that you never wanted to listen to me.
18:42Nor did you understand that you were looking too high
18:44when you were about to become my woman.
18:47You went from being, I don't know,
18:49a piece of meat to a woman.
18:53A simple woman.
18:55To those of us who believe in love,
18:57they call us delusional
18:59or they call us crazy.
19:02To you, madness blinded you,
19:04just like it blinded me, Enrique.
19:07I not only risked my life,
19:10but also my son's.
19:12Your son?
19:14My son.
19:17Your son.
19:19Did you know he's alive?
19:23Did you know that the son you had killed 35 years ago
19:28to have the way free is alive?
19:41Did you know that the son you had killed
19:43to have the way free is alive?
20:01Hello?
20:03My uncle asked me to tell you
20:05that he's in jail and he wants you to visit him.
20:08He only trusts you.
20:09Are you listening to me, ma'am?
20:11Hello?
20:13Hello?
20:15I'm listening to you.
20:17You already gave me the message Enrique gave me.
20:19Anything else?
20:21No, nothing else.
20:30Give me that cell phone.
20:32Give it to me.
20:34Why?
20:36To see who I was calling, right?
20:37I told you not to get involved.
20:39You're stupid!
20:41Don't you realize you're getting yourself in trouble?
20:43Stop threatening me.
20:45I'm not going to become a traitor, Vera.
20:47I never agreed with what my uncle did,
20:49but that doesn't mean I'm going to turn my back on him
20:52and you're not going to tell me what to do.
20:54What happened, honey?
20:56Oh, no.
20:58Your savior has arrived.
21:00Look, Catalina, we talked last night.
21:02What you're doing is not right, so you'll see.
21:04What? Are you threatening her, Vera?
21:05What are you going to do to her when she gets home?
21:08Mr. Nobody, stay out of this.
21:10I'm not Mr. Nobody. My name is Gilberto Santos.
21:12No, Gil, don't listen to her.
21:14It's not worth it.
21:16Leave Gil alone, Vera.
21:18You're going to defend him.
21:20You're very wrong.
21:22You would have chosen the right place where you had to be.
21:30You spent your whole life following Beatriz San Jose
21:32and you despised the one who really loved you.
21:34And look at yourself, Enrique, look at yourself.
21:36Look at yourself, look where you are.
21:38Shut up.
21:40Poor thing.
21:42I'm not going to shut up
21:44because you have no right to shut me up.
21:46I was expecting to see you like this,
21:48behind bars.
21:50I knew that one day you were going to face justice.
21:53Shut up.
21:55I won't let you talk to me like that.
21:57Shut up.
21:59Shut up!
22:00Shut up!
22:02It's good for you to hear me
22:04because I don't feel anything for you anymore.
22:07No hate,
22:09no contempt, nothing.
22:12And now that you're sunk, Enrique,
22:15I just want you to know that I forgive you.
22:18Oh, you forgive me?
22:20Yes, I only have my forgiveness for you.
22:22Don't touch me
22:24because only God,
22:26life,
22:28or the universe,
22:30can forgive me.
22:32He's giving me the best gift of all.
22:35To know that somewhere
22:37my son is alive.
22:39Your son?
22:41Yes.
22:43But how can I kill your son?
22:45How can you believe your husband, Pablo?
22:47He only confirmed
22:49what my heart told me,
22:51but it was very hard for me to believe.
22:55It's beautiful
22:57to know
22:58that this mother's heart
23:00wasn't wrong.
23:03It's beautiful to know
23:05that God did hear my pleas.
23:08I forgive you, Enrique.
23:10Yes, because I want to walk lightly
23:12to fly as far as I can
23:14to find my son
23:16and hug him.
23:18And if one day I find him,
23:21don't worry
23:23because I'll never tell him
23:25who his father is.
23:28And the kind of monster you are.
23:34And you won't be ashamed
23:36to tell him who gave birth to him.
23:39I'll never tell him
23:41that you ordered his death.
23:45I forgive you, Enrique.
23:49Poor thing.
23:51He hurts you.
23:53I forgive you.
23:58I forgive you.
24:12Ahhh!
24:14Hey, what's wrong, Simona Alejandro?
24:16Why are you so angry?
24:19It's just that
24:21I feel sad
24:23because my magic doesn't work.
24:25Don't say that
24:26because you're not going to believe me.
24:28You said it before.
24:30Why are you saying it now?
24:32Let's just say
24:34that I think I'm happy
24:36but in reality I feel very sad.
24:38And I don't know,
24:40now my magic isn't working.
24:43Well, look,
24:45I'm here so you can tell me
24:47why you're like this.
24:49It's just that Toñito
24:51is ready to leave the orphanage.
24:53And it makes me very sad
24:54because I'm going to be alone
24:56and there won't be anyone with me.
24:59Could it be
25:01that you're pressuring yourself?
25:05Simón,
25:08sadness is also part of life.
25:11And I think you shouldn't hide it.
25:15You should feel it.
25:18How can you think that?
25:20Being sad is horrible.
25:21Look, there are times
25:23when sadness comes into our lives
25:25to do that,
25:27to feel it.
25:29It happened to me
25:31when my mom died
25:33and then when my dad died.
25:36Hey,
25:38you and I think
25:40that you don't have a mom
25:42and a dad
25:44like me.
25:46So I say
25:48that's why we're so close.
25:50Did you notice something else?
25:52Let me see.
25:54What were you doing just now?
25:56You were imagining
25:58that you weren't sad anymore
26:00and all of a sudden
26:02your godfather came
26:04to invite you to ride a bike.
26:06So it worked.
26:12Come on,
26:14you're not sad anymore.
26:16You're not sad anymore.
26:17You're not sad anymore.
26:24I wanted to toast with you,
26:26but if you don't want to,
26:28it's fine.
26:30Toast?
26:32Because I'm in jail?
26:34Yes.
26:36I won.
26:38I unmasked you.
26:40Checkmate.
26:42I must admit
26:44that you moved your pieces
26:45but it's not a checkmate.
26:47It's not a checkmate yet
26:49because I'm going to do it.
26:52I don't see how.
26:54A magician never reveals his secrets,
26:56remember?
26:58Oh, Udini.
27:00To your health.
27:02Leonor,
27:04I just want to know why.
27:06Tell me why you betrayed me.
27:08We were a team, remember?
27:10You, me,
27:12against Jaime, Tomas, the Jimenez.
27:13Yes.
27:15That's how it was
27:17until you decided to manipulate me
27:19to make you my factory
27:21and my granddaughter.
27:23What nonsense are you talking about?
27:25About your dirty intentions
27:27of wanting to conquer my granddaughter.
27:29Oh, you disgust me, Enrique.
27:31You are a pathetic and miserable being.
27:34Nobody touches my granddaughter.
27:37Your granddaughter?
27:39And what about your family?
27:41You decided your family,
27:43not me, ungrateful.
27:45No one would have cared
27:47for Gabriela better than I did.
27:49No one would have loved her as much
27:51as I would have loved her.
27:53Shut up. Shut up.
27:55Shut up.
27:57I am the one who will not rest
27:59until I have killed you
28:01like that in a cell
28:03when a judge dictates a life sentence.
28:05For God's sake,
28:07do you think these damn bars will contain me?
28:08No.
28:10Nobody will be able to finish me.
28:12Nobody will finish me.
28:14Not you, not the miserable Tomas.
28:16You lost.
28:18I lost.
28:20Accept it.
28:22I have not lost.
28:24And I warn you,
28:26from prison or from hell,
28:28I'm going to get rid of you.
28:30I'm going to leave you in the damn ruin.
28:33I don't know how.
28:35Oh, yes.
28:36Through your little niece Vera.
28:38That little bitch
28:40is nothing more than a cockroach.
28:42And I'm going to crush her like this.
28:44She has no idea
28:46that I'm going to destroy her
28:48like I'm destroying you.
28:50Okay.
28:52Very well.
28:54Let's see what you do
28:56when I get those payments.
28:58I'm going to erase that smile from your face.
29:00Yes?
29:02And I swear,
29:03I swear to you
29:05that if this is the last thing I do,
29:08I swear I'm going to destroy you.
29:10I'm going to leave you in the ruin.
29:13I want to see you do it.
29:25Very well.
29:27Cheers.
29:34Cheers while you're alive.
29:43Get all this out of my way.
29:45Yes, ma'am.
29:47Yes, ma'am, yes.
29:49I'm going.
30:01Oh, look.
30:03Answer her, Cata.
30:05Don't be afraid of her.
30:07Come here.
30:10What's going on, Vera?
30:12You can pick up your things now.
30:14Who's not with me, Caterina,
30:16is against me.
30:18And you're against me.
30:20I'm not interested in talking to you
30:22or making you understand anything.
30:24I want you far away from this house, do you understand?
30:26And if you don't come right now,
30:28the garbage is going to take all your crap.
30:31Hey.
30:33Don't worry, don't worry, Caterina.
30:35I'm with you.
30:37I'm going to pick up your things,
30:39I'll take you to the inn,
30:41and Mrs. Gloria will help you.
30:43Don't get like this.
30:45No, no, I don't like to see you like this.
30:47It hurts me that my own sister does this to me.
30:50Yes, I understand you.
30:52But look, think that it's the best for you.
30:54You don't need your uncle or your sister.
30:57I'm here with you.
30:59When I was a child, they abandoned me.
31:01And here I am with you.
31:03I'm with you.
31:11Marta, it's delicious.
31:14I've never eaten like this in my life,
31:16in all my life.
31:18Oh, you're so exaggerated.
31:20I just put chicken broth on it to tie it up.
31:23And it tied up.
31:27Or maybe you're very hungry.
31:29Or maybe you're a chef and you don't know it.
31:31It could be the company.
31:33Because they say that everything is enjoyed
31:35more with the right people.
31:37Really?
31:39How do you turn around to make a compliment?
31:41You're funny, huh?
31:43Oh, yes, yes.
31:45Now you think I'm funny, right?
31:47But when you kicked me out of the factory,
31:49you didn't seem to be laughing.
31:51Hey, well...
31:53They almost lynched me.
31:55Well, yes, what did you want?
31:57You didn't pay us our salaries,
31:58did you?
32:00No, no, but I almost had a heart attack.
32:02I even had to climb out the window
32:04so they wouldn't leave me like Santo Cristo.
32:06Do you remember how fat I was?
32:08Oh, you looked like Spider-Man.
32:10I know.
32:12I couldn't move in two days.
32:14I was all scratched from the back.
32:16Yeah, but it's good that everything was resolved
32:18and that you're okay.
32:22And that I can see you smile.
32:23You almost don't.
32:25And you have a beautiful smile.
32:29Anything else?
32:32That I like you.
32:35And that you make me the best person.
32:44Of course you can stay here.
32:46I don't have a lot of rooms left,
32:48but I have a place to put you.
32:50And more importantly,
32:51that you're Gil's girlfriend.
32:53To me, Gil is like my son.
32:55Thank you, Mrs. Gloria.
32:57Don't tell me you too.
32:59Oh, yes, what happens is
33:01that I had problems with Vera.
33:03Away from that woman,
33:05you'll be safer.
33:07Don't worry, Catalina.
33:09You'll have a good space here.
33:11What a horror.
33:13What planet will be against us
33:15that is turning us into displaced people?
33:17Come, Catalina,
33:18don't let the vibe of someone
33:20who doesn't see anything good in life affect you.
33:22Oh, come here.
33:42Oh, but what have you eaten?
33:49Since you're dying for my sister,
33:51why don't you take care of what you're doing?
33:54I'm not going to let her go against me.
33:56Take care of yourself, Vera.
33:58Because people like you or your uncle end up bad.
34:00Shut up! Shut up!
34:02Don't call me stupid!
34:04You're not going to give me sermons, got it?
34:06Shut up and get out!
34:09And I won't kill you
34:11because you don't deserve that.
34:19What are you telling me, Dr. Hernández Calvillo?
34:22We're not going to be jumping around anymore.
34:26Lorenzo has all the important things
34:29that he considered could be in danger
34:32in his house.
34:35In fact,
34:37I think there must be the material
34:39that is missing in the clinic.
34:41I don't know.
34:43I don't know.
34:45I don't know.
34:46I don't know what is missing in the clinic.
34:48And I have to go in there
34:50and look for it among his things.
34:52If someone finds out
34:54that you went in there without permission,
34:56you can get into a lot of trouble.
34:58That man is so abandoned
35:00that I don't think anyone will notice.
35:05Would you go with me?
35:13You're very mysterious.
35:14What do you want to talk to me about?
35:16Or do you just want to walk around town like this?
35:18Well, I was doing a little time
35:20and I wanted to walk like this.
35:22Hand in hand.
35:24Uh-huh.
35:26But the time has come for me to tell you something.
35:28What? What's wrong?
35:30I know what we're going to do with the ring,
35:32but it's going to be a surprise.
35:34Let's go to the car and I'll tell you.
35:36Just to tell you
35:38that everything is beautiful in your life,
35:40Tomás.
35:41Tomás.
35:45Yes?
35:47Yes.
35:51What?
35:53I'm not to blame for this woman's obsession.
35:55And I don't want her to cause more trouble between us.
35:57She won't do it anymore.
35:59Come on, let's not waste time.
36:01Let's go.
36:12If only...
36:14you acted
36:17and realized the love I feel for you.
36:21But no.
36:23You leave me in the dark.
36:28If you knew how desperate it is
36:31every second that passes
36:33and you don't answer me.
36:37Damn you.
36:42And well,
36:44all that's left is for Tomás
36:46to approve this,
36:48but all your proposals are already in there.
36:51I appreciate it.
36:54Hey,
36:56I mean, if I can add something,
36:58I swear that to attract foreign investors
37:01we could include a video.
37:03Yes, of course.
37:05I don't know, a presentation
37:07that makes them feel
37:09what is the essence of all saints.
37:11Of the factory,
37:13of their people,
37:15of the people who sow,
37:17who process the cocoa
37:19and who make it with so much love.
37:21Because you know it,
37:23what they are putting on their table
37:25is not a simple cocoa.
37:27It's love,
37:29it's dedication and it's passion.
37:31You are absolutely right.
37:33You are absolutely right, of course.
37:35Of course.
37:37Because what the investors are looking for
37:39is that their money means
37:41not only that it continues to generate.
37:43Yes, no.
37:45They are looking for something else.
37:47Miriam,
37:49without fear of making a mistake,
37:51I can tell you that
37:53you are everything this factory needed.
38:00How I wish my grandmother would think like that,
38:03but she never,
38:05she never considered me
38:06I have always loved this factory a lot.
38:10Look, I understand that my sister
38:12had to go to the front
38:14because she is the oldest, right?
38:16She is the one who had to represent
38:18the company.
38:21I don't want to offend anyone,
38:23but the fight between Gabriela and your grandmother
38:25is the best thing that could happen to this place.
38:29Because now you are the one who is at the front.
38:36Yes.
38:46I would have liked to cry
38:48in other circumstances.
38:50No, no.
38:54Thank you for allowing me to be part of this,
38:56for opening you.
38:58I know I'm going to sound a little daring,
39:01but I would love to be able to
39:03invite you to dinner someday.
39:04You know,
39:06like to get to know each other better,
39:08like,
39:10you know.
39:12Like co-workers.
39:15Yes,
39:17that's exactly what I wanted to say.
39:19Well,
39:21no one has invited me to go out for a long time,
39:23so I accept.
39:25To get to know my colleague better, right?
39:28Well, there's not much to know about your colleague.
39:30I'm a little bored.
39:31I bring you your sugar-free Coca-Cola.
39:33Thank you, honey.
39:35Doctor.
39:37I don't know what to tell you.
39:39My things, if you're going to make them public.
39:43Doctor, don't bother.
39:45On the contrary,
39:47it's better if you tell us.
39:49You can't go into a house like that
39:51without knowing what to expect.
39:53Dirt and disorder.
39:55But most likely,
39:57the file I'm looking for is there.
39:58Claudio,
40:00you retired as a doctor,
40:02but once they gave you
40:04your doctorate in honoris causa
40:06as a private detective.
40:08Thank God you're with me, right?
40:10Thank God I'm with you, Delirio.
40:12Your grandmother has little faith in me.
40:14But she loves you.
40:16She worries about you.
40:18Come on.
40:20Tell me, how can I help?
40:22I'm very curious.
40:24Tell me.
40:26Tell me, Claudio, tell me.
40:28Come on, tell me.
40:30Tell me.
40:33Well, if you want,
40:35we can go to the retirement home right now.
40:37And that way you'll know the place
40:39and you'll know the people who run it.
40:42Do you think that place is for me?
40:44Well, I don't know, but...
40:47If you really want to give a little love...
40:51But I feel so empty
40:53that I don't know if I have love to give.
40:55I think the one who needs love is me.
40:58Well,
41:00maybe the best way to receive is to give.
41:03Haven't you thought about that?
41:05I don't know.
41:07In this life they say so many things
41:10that I'm already...
41:12Oh, calm down.
41:14I'm on the verge.
41:16It's better to give than to receive.
41:18Lies.
41:20What's going to be better?
41:22That the ideal is to let go and trust
41:23or to lie.
41:25Letting go is very difficult.
41:27I can't let go of what I've been.
41:30That the one who wakes up early, God helps him,
41:32is a lie.
41:34That God squeezes, but doesn't choke,
41:36is a lie.
41:38And I can't trust when everything goes wrong.
41:40Well, if you don't feel safe,
41:42it's better not to go
41:44because it can get you out of shape.
41:46Although for me,
41:48working at the retirement home
41:50is making me see life in a different way.
41:51Mom,
41:53there are great men with money,
41:55but what they need is a lot of love,
41:57more than money.
41:59Of course you go, mom.
42:01If you are a being full of love,
42:04maybe that's what you lack.
42:06Recognize that you are full of love
42:09and that you are ready to share it with the neighbor.
42:12Huh?
42:14My daughter doesn't know what to make me do.
42:16As if I were a brat with no place in the world.
42:19Let's do one thing.
42:21Come with me and if you don't like it, it's okay.
42:24Don't come back.
42:26You are going, right?
42:28Yes?
42:52This will be the way to bury the past
42:56and give way to a new life,
42:59a new story.
43:01Yes.
43:03A new story.
43:05To give shade to those who need it.
43:08That's right.
43:10Because
43:12I'm not talking about this tree, precisely.
43:15What? I don't understand.
43:16I'm talking about a new life,
43:19a new hope,
43:21of a being that deserves to have a world without bitterness.
43:25A new story for us, love.
43:28And
43:32for this baby that is coming.
43:36We are going to be parents.
43:46We are going to be parents.