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Short filmTranscript
00:00I said, Fernanda, how are you? Because we all know who we are.
00:03I was the one who introduced myself, and I also introduced a lot of people to a very kind woman.
00:12Some vehicles have reported the use of artificial intelligence to improve some dialogues,
00:18both in Brutalista and in Emilia Pérez.
00:21I wanted to ask you what you think of the use and...
00:24No, that's not true. Here, everyone invents something new to try to destroy the film.
00:30The only aspect that could have been used by techniques, reverbs and such,
00:36is in the same that they use for all singers, which is in the music.
00:40It is obvious that I am not a singer, I have not studied music,
00:43and they had to record my voice and my songs 400 million times
00:49until they got the tones that the music director, who are French and very strict,
00:58and who are very perfectionists...
01:00I always had some very big discussions and I told them,
01:04leave the song that we have done the first of all, right?
01:08And they said, yes, but it is that the mi and the vibrato and the I don't know what and I don't know how many...
01:14But it is that my mother will not find out if there is a vibrato more or a vibrato less.
01:20I explain myself, but my voice of little hands...
01:22If you want, I'll do it right now.
01:24No one has touched it, you know?
01:26Because I know, if there is something that I really like, it is to do dubbing.
01:30I explain myself, then...
01:32Answer that question, I suppose.
01:34No one has touched me, my voice,
01:36and I will not allow anyone to say even a single thing
01:41about a voice that I have worked on for two years
01:45to find it in my own body,
01:48to incorporate it into a character,
01:51on one side and on the other.
01:52So be careful with what you say.
01:54Emilia Pérez is bringing a great impact in your career.
01:59I wanted to ask you about this impact, both in your career and for other trans artists.
02:03The most beautiful thing that has happened to me with this film
02:06is that now I do not need to do video self-tests or casting tests for other directors,
02:12but they constantly call me to offer me characters in their films,
02:17and that seems wonderful to me.
02:18I really like that they recognize my work,
02:20but I am neither a different person now than I was before,
02:24nor am I a better actress now, nor a worse actress before.
02:27I explain myself.
02:28And in that aspect, they have not changed me, let's say, personally.
02:33I am in a balance that I think I have to maintain
02:37so that I do not move from what is the reality of my existence or that of the human being.
02:43And then it is obvious that I have a very big responsibility,
02:47not because I represent a group,
02:51because I have been democratically elected, because no one has done it.
02:54I can help many families
02:56so that their daughters or their children do not see them as strange creatures,
03:00but as people who have or deserve all the love they can give them.
03:05In the film you play both Emilia and Manitas,
03:08who are very complex characters.
03:09I wanted to ask how you built this duality
03:12and what was the most difficult in the construction of each of them.
03:15For me, Emilia Pérez and Manitas have been as if I gave them all my soul,
03:22and I have practically always seen them as a kind of possession,
03:25in which it was very difficult for me to get out
03:27and I had to do an exorcism to take them out of my own life,
03:32because I had gotten too involved in the character.
03:36He is a very dark character, in which I gave him a whole darkness
03:40that I had also pursued for some issues of my own,
03:45I left it in Manitas and Emilia Pérez returned it to me in a wonderful light.
03:51It has been a feedback, let's say,
03:54or a catharsis that I have had with Manitas and Emilia.
03:59I don't know if you are following the great passionate fan of the Brazilians,
04:03I'm still here, who is winning some awards in the same category as Emilia Pérez.
04:07How are you receiving this Brazilian fan of this other film?
04:11How do you receive the fans from other countries,
04:14such as Mexico and France, which have a more direct relationship with Emilia Pérez?
04:17Look, the reality is that everyone,
04:19the professional world as well as the general public in all countries,
04:24receives the film in a wonderful way,
04:28as it deserves, and that's why there are the nominations,
04:31and that's why it is praised by the critics.
04:34And there are other people who don't have to like it,
04:36because they don't have to like the same thing as everyone else.
04:39I love Brazil, I come dressed as a Brazilian,
04:45I love many things from here to where you can't imagine,
04:51from the caipiraña that I serve to all my friends every time they come to my house,
04:55going through the tribalistas,
04:57going through the fact that I am from Real Madrid, a football lover,
05:00and for me Brazil is football.
05:03I have seen wonderful films that have been made here,
05:05I wish Fernanda Torres the best, I know her personally,
05:09to the film of I am here too,
05:11I think that one thing does not take away the other,
05:15obviously Fernanda, I know her,
05:17I can't imagine her saying anything bad about Emilia Pérez,
05:20or saying no like I do about her,
05:22but there is a group of people who probably work in certain departments,
05:26who join a social group,
05:29and we know what social group it is,
05:31that hates the film simply because the protagonist is Carla Sofía Gascon,
05:35and represents something that they hate.
05:38And as Emily Curtis said a while ago in an interview with her daughter,
05:43they hate my daughter simply for existing.
05:47And the same thing happens to me.
05:49You talked about Fernanda Torres,
05:51she said that you were very welcoming with her,
05:53in all this campaign, that there is a rush,
05:55that you have to participate in a lot of things,
05:57how was this exchange with her?
05:59Well, I met her in Hollywood,
06:01in a place that almost caught fire the next two days,
06:06with the fires of Hollywood.
06:08We were at a party, I don't remember which magazine,
06:12where we were all,
06:14I was talking to Nicole Kidman,
06:16and I saw Fernanda and I said,
06:17Hey Fernanda, how are you?
06:19Because obviously we all know who we are.
06:21And I also introduced her to many people,
06:24a very kind woman,
06:26I think she is a wonderful actress,
06:28there is no doubt about that,
06:30very respectful,
06:32that she was having a great time there,
06:35and that she wished her the best in the world.
06:38You know what I want?
06:39That we work together.
06:41That would be wonderful.
06:43And that we make Pelé 2.