Jack Docherty talks about his new BBC Scotland show, The Chief with The Scotsman's Janet Christie.
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00:00Hello, this sounds like an audition now, this is what you do. My name is Jack Dougherty
00:04and I'm here to read for the part of Chief Commissioner Cameron Meikleson
00:07and I'm represented by a Kenobi equine.
00:11There you go. Hi, it's Jack here.
00:13Hi, and it's Janet here.
00:14There's Janet over there from the Scotsman, all the way from the Scotsman.
00:19You can't see her because she doesn't have her makeup on, but neither do I.
00:23The Chief is a spin-off, as we say in the game, in the business.
00:28So we just thought it would be fun to take his character out of Scotsquad
00:32and follow the kind of senior management team of the Scottish police force,
00:37but also go into his own personal life.
00:40So we get to meet his daughter, his daughter is a climate activist,
00:43and they're slightly estranged and they come together over the course of the series,
00:46and we get to meet his ex-wife, Barbara.
00:49So it's kind of the hook of the whole thing is that he's the Chief of Police,
00:53but his entire life he's policed.
00:55He's policed at work by his deputy,
00:58he's policed by the head of Diversity, Equity and Inclusion,
01:01he's policed by his daughter, who complains about everything,
01:03even if he's got a beer from Germany, she can't, you know, it's ridiculous.
01:07You've got to buy a local beer, all this kind of stuff.
01:10So that's the way into it.
01:12And so it's the character from Scotsquad, but it's a narrative,
01:16so it's a more traditional sitcom in that way, with a whole bunch of new characters.
01:20And he's sort of clinging on to power, you know,
01:23he's desperately trying to remain relevant, because, you know, he's turned 60,
01:27and how much longer has he got in the game?
01:30So it's all about him just being absolutely paranoid that they're coming to get him.
01:33And his deputy's a woman, and it's like, well,
01:35no-one a woman has been the Chief, so I'm going to be kicked out.
01:39So it's all that kind of stuff.
01:40Do you like wearing the uniform?
01:41Yeah, yeah, actually.
01:44There's a certain thing, see, I've done it there.
01:46You just did it.
01:48The director always goes, bearing,
01:50so as soon as you put the uniform on, you kind of have that.
01:54And you get a stride that just sort of comes naturally,
01:58and you just feel that, you know, everybody out my way.
02:01Stand aside, I'm coming through, I'm very important.
02:03Have you ever put it on when you're not filming?
02:07No, and there's a whole route I could go down there that I'm not going to do, obviously,
02:13as a sensitive man.
02:15No, I've never put it on.
02:17No, I've never put it on.
02:18Have I put it on at home?
02:20I wore it around the house a bit during COVID,
02:22because we were doing a little filming for BBC.
02:27I did some messages to the nation during COVID,
02:30and it was just filmed by my kids,
02:32because obviously we were bubbling together, or whatever the word was.
02:36So that's the only time.
02:38But you're not allowed to wear it.
02:39I can't wear it down the shop, because you're not allowed to, obviously.
02:42You can't go out dressed as a policeman.
02:43It's illegal.
02:44You'd get arrested.
02:45You would get arrested.
02:46So when we're filming as policemen, we have to have real police with us.
02:50How do they react to your portrayal of them?
02:53Worryingly, a lot of policemen go,
02:55who's your mole on the inside?
02:57Because the boss is just so lifelike.
03:00And I'm kind of going, are you sure you watch the show?
03:04To see the sort of stuff that he claims that we should be doing.
03:09No, the police really like the show and really like the character.
03:13He gets saluted quite a lot, slyly, at the airport.
03:16As I go through the airport, occasionally there's a little from the armed boys,
03:20which is good to have that.
03:22But yeah, it annoys my sister, because she's always...
03:24My sister's got the OBE, actually.
03:26This is apropos of nothing.
03:28So I went down with her to Holyrood.
03:29She was going from the Queen, before the Queen passed away.
03:32And all the police wanted a photograph with me.
03:36They were...
03:37And she was going, it's my one day in the limelight.
03:40Can you stop pulling focus?
03:42She stood there, holding up her OBE.
03:46And she was like, I'm not going to do it.
03:47I'm not going to do it.
03:48I'm not going to do it.
03:48I'm not going to do it.
03:49I'm not going to do it.
03:49I'm not going to do it.
03:50I'm not going to do it.
03:50I'm not going to do it.
03:51I'm not going to do it.
03:51I'm not going to do it.
03:51I'm not going to do it.
03:51I'm not going to do it.
03:51I'm not going to do it.
03:51I'm not going to do it.
03:52I'm not going to do it.
03:52I'm not going to do it.
03:52I'm not going to do it.
03:52I'm not going to do it.
03:52I'm not going to do it.
03:52I'm not going to do it.
03:52I'm not going to do it.