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00:00It's been about half a century, and this song is still engraved in people's memories.
00:09The curtain rises as usual.
00:14It's autumn.
00:15Autumn.
00:16It's that person.
00:17Chiyaki Naomi.
00:18Yes, Chiyaki Naomi.
00:19Her voice.
00:20The curtain goes up like this.
00:21Yes.
00:22There is that atmosphere.
00:24The sadness that is in my heart.
00:27She represented our voices.
00:30This is the fire, isn't it?
00:34It's variable.
00:36I think it's amazing that the message is embedded in people of all ages.
00:45Chiyaki Naomi, who has been popular with a wide range of generations since her debut 55th anniversary last year.
00:59The curtain rises as usual.
01:05There was an unknown struggle behind the birth of the famous song.
01:13I didn't want to sing it, but it was hard.
01:18It was similar to what happened in the past.
01:25After that, she released a song that changed her image and made the world say,
01:32Who was the one who did it?
01:38I felt a sense of fear on Chiyaki's stage.
01:41I thought she was a terrible person.
01:44As a singer, she went even higher.
01:49However, her sudden suspension of activities.
01:53She has not appeared in the media until now.
01:57She's been in silence.
02:00The work itself, Chiyaki Naomi.
02:04I think it meant that the project itself was over.
02:09From three perspectives.
02:11The truth hidden in Chiyaki Naomi's song.
02:39The curtain rises as usual.
02:43I sing a love song.
02:50Overwhelming singing ability and excellent expression.
02:54Chiyaki Naomi, who still fascinates many fans.
03:01The turning point of fate is.
03:07September 10, 1972.
03:11The day when her representative song, Kassai, was released.
03:17This song, which sings a singer who stands on the stage while thinking of his deceased lover.
03:23Only three months after its release.
03:25It won the record for the shortest time on the market.
03:31My perspective is.
03:37Akira Higashimoto, who served as the director of Kassai.
03:43From this song, I became deeply involved with Chiyaki.
03:47After that, I supported her singing activities for many years.
03:53In fact, this recording of Kassai.
03:56It is said that it was done in a very unusual way.
04:02How was the popular song, which fans still love, born?
04:09Another story approaching the other side of the birth of Kassai.
04:18I still have faith in Chiyaki.
04:21Akira Higashimoto, who took the command of the production of Kassai as a director.
04:30In fact, this song was a song of Chiyaki.
04:37Higashimoto still remembers the singing voice he heard on the recording.
04:44It was perfect.
04:46I thought it was amazing.
04:51However, the birth of Kassai did not go smoothly.
05:01In 1968, a rumor came into the ears of Higashimoto, who was a young director of a record company at that time.
05:13A singer who is comparable to Misora Hibari will make his debut.
05:20Immediately, he got a demo tape and listened to the singing voice.
05:28I thought it was amazing.
05:32What it is is the sense of rhythm and the nature of the birth.
05:39It is very good.
05:42Chiyaki Naomi is a new singer of the rumor.
05:51At the age of four, she went around the U.S. military camps all over the country with singing and tap dancing.
05:57At the age of five, she stood on the stage of the Japanese opera.
06:03At the age of 13, she worked as the predecessor of Yukio Hashi and the Komadori sisters and improved her singing ability.
06:14If I had met such a person at my place, I would have wanted to do it.
06:24At that time, Chiyaki already had another person in charge, so Higashimoto paid attention to her.
06:41The debut song in 1969, Ame ni Nureta Bojou, was a hit that sold about 170,000 copies.
06:53However, at that time, Chiyaki's catch copy was the fascinating Husky Boyin.
07:01It was a promotion that showed off her looks rather than her singing ability.
07:10In the 1970s, when female idols started to play an active role,
07:16Chiyaki also released a song that incorporated the idol route.
07:22She continued to hit the charts and became one of the most popular singers.
07:45However, popularity did not last long, and the sales of the record followed a decline.
07:57Chiyaki later talked about her feelings at the time.
08:04If I didn't hit the record, I wouldn't have been able to go to the company.
08:12I want to sing the song that I was asked to sell at the company.
08:20At that time, Chiyaki was whispered that if she didn't hit the hit in two consecutive songs, the singer would be over.
08:30Chiyaki was cornered.
08:35That's where Shiraha's arrow stood.
08:42She decided to compete with her original charm and wanted to make a song.
08:50I didn't care much about idols.
08:54I focused on the singer's singing ability.
08:59I didn't care about popularity.
09:03I thought it would be better to release a song that was the best way to make it.
09:10The song was written by Oni Yoshida, who brought out Chiyaki's charm in her debut song.
09:20I thought a lot about what would be good.
09:24I thought it would be nice to write a song that would make the singer herself the main character.
09:30I wrote a song about how a girl who made her debut in general came out of her hometown.
09:40After that, I wrote a song about a lover who broke up and died.
09:52The lyrics were based on the lyrics of the singer who stood on the stage while thinking about his ex-lover.
10:00Then, he received an unexpected reaction from a certain person.
10:07He is Taiji Nakamura, the hit maker at the time who wrote the song.
10:16I was told that I didn't have to kill anyone.
10:20I just had to break up.
10:23I was told that it wouldn't be a drama if I did that.
10:27I was told by Mr. Taiji that my acting was bad and that it was ridiculous.
10:34The lyrics of the song, called Kuroi Fuchidori, are reminiscent of the death of a person.
10:39Nakamura showed his toughness.
10:44Yoshida was still a rookie at the time, but he didn't give up a single step to the hit maker Nakamura.
10:55It was hard to persuade him.
10:57But gradually, he started to think that it was a good idea to break up.
11:05When the lyrics were completed, Nakamura put a lot of thought into it to make it a memorable melody.
11:19When I was at home, I got a call.
11:21I told him that I was going to play the guitar.
11:25He told me that he liked it more when I played the guitar.
11:35Finally, the song was completed and the recording began.
11:41However, this time, Chiaki said something unexpected.
11:48I didn't want to sing, and it was hard.
11:53It's a strange story, but it's similar to what happened in the past.
12:03When Chiaki was working at the front desk of Yukiho Hashi,
12:07she had received a letter from a man she had feelings for.
12:15The lyrics seemed to overlap with her real experience.
12:22After being persuaded, she decided to sing.
12:28She suddenly took action to surprise the people around her.
12:33I pulled the curtain so that no one could see me.
12:37I took off my socks and sang alone in the world.
12:43She put a black curtain on the glass window of the studio and created a space where she could concentrate and face the song.
12:53The recording began without anyone seeing Chiaki.
12:59Her singing voice was amazing.
13:05It wasn't a wave.
13:08The quality of her voice was good, and it was perfect.
13:17In fact, this song was originally called Makuga Aku.
13:23However, Higashimoto decided to add the title at the end.
13:32The image of Chiaki on stage.
13:36Suddenly, a word came down.
13:40I thought she was a person who was good at singing in a quiet and strong voice.
13:47I thought she was a person who was good at singing in a quiet and strong voice.
13:54In that sense, I thought the word Kassai was very good.
14:00Kassai.
14:03She stood on the stage as Rin, and the title was decided.
14:10Kassai sold well after its release and was nominated for the Japanese Record Award.
14:19However, the record title of this year was Koyanagi Rumiko's Seto no Hanayome.
14:28Everyone expected it to be difficult to win.
14:33I said,
14:36I said,
14:41I said,
14:47Kassai won the record title for the shortest time in history, just three months after its release.
14:59She didn't cry.
15:04But she was crying.
15:07She didn't sing as calmly as usual.
15:10I think that's natural.
15:13I think that's human.
15:16Kouhaku Utagassen was broadcast right after the award.
15:21Chiaki sang with all her heart.
15:27As usual, the curtain opens
15:33I sing a love song
15:39The message I received
15:45There was a black bird
15:54It was you who stopped me three years ago
16:00I left you alone
16:04I jumped into the train that started to move
16:14In this way, Kassai became a big hit with a total of 800,000 copies and became the representative song of Naomi Chiaki.
16:32Naomi Chiaki, who was at the top of the Japanese pop industry with a big hit of Kassai.
16:40However, after that,
16:44she began to feel lost about what song she really wanted to sing.
16:52At that time, there was a person who pushed her back.
16:59The second point of view is
17:02Kazuki Tomokawa
17:05Kazuki Tomokawa, the singer who provided the song to Naomi Chiaki at that time.
17:11The person who rushed to the night composed by Kazuki Tomokawa will open the heart of the singer Naomi Chiaki and give a shock to the tea room.
17:23What happened to Naomi Chiaki before she became a big hit as a singer after Kassai?
17:32Another story approaching the unknown days that pursued the ideal song
17:44Shinjuku Golden Street
17:46There is a shop where fans of Naomi Chiaki gather.
17:53There was a big bird.
18:02It was you who stopped three years ago.
18:09I'll leave it forever.
18:14There was a song that was still a talk among fans.
18:21Naomi Chiaki was a singer who rushed to the night on TV.
18:27The impact at that time was great.
18:30I liked both the voice and the impact of the face.
18:35I was really excited to sing with my soul.
18:41Naomi Chiaki broke the image of Naomi Chiaki.
18:47She broke the image of Naomi Chiaki as a singer and moved to another dimension.
18:53The person who rushed to the night released five years after Kassai
19:11Come on, come on.
19:14Come on.
19:17Who is Tsuruhito Under?
19:23The person who provided this song to Naomi Chiaki is singer-songwriter Tomokawa Kazuki.
19:33Who is Tsuruhito Under?
19:41I felt a sense of madness on the stage.
19:45I felt a sense of madness on the stage.
19:49At that time, I couldn't speak.
19:52I thought she was a great person.
19:55This song will change the image of singer Naomi Chiaki.
20:05What is the madness of her that Tomokawa saw?
20:11What is the madness of her that Tomokawa saw?
20:14Following Kassai Come on, Come on,
20:17Naomi Chiaki established her presence as a second-in-command of a dramatic song in the third part of the movie Night Flight.
20:27The next challenge was the world of Enka.
20:32As your love flows
20:45She steadily increased sales and changed the image of singer-songwriter of Enka.
20:53She steadily increased sales and changed the image of singer-songwriter of Enka.
21:00There is a person who saw the change in Naomi Chiaki.
21:04He is Toru Hasegawa, a sound staff of Naomi Chiaki.
21:10Nice to meet you.
21:13In terms of sales, Enka was booming in the local area.
21:21So I was doing Enka.
21:24However, she was not a singer who stuck to a specific genre.
21:32When she left for a concert,
21:37I remember her singing Enka in a loud voice.
21:48I wanted her to do her favorite music, not just Enka.
21:57One day, Hasegawa got a call from Naomi Chiaki's manager.
22:06I asked him if he knew Kazuki Tomokawa.
22:13Kazuki Tomokawa was a famous singer-songwriter at that time.
22:26Kazuki Tomokawa was a famous singer-songwriter at that time.
22:37Kazuki Tomokawa was a famous singer-songwriter at that time.
22:43Kazuki Tomokawa was moved by the appearance of Tomokawa singing at 11pm in the late night program.
22:56Tomokawa was taken to Hasegawa, a friend of Tomokawa.
23:03When he went to Tomokawa's office,
23:05Kazuki Tomokawa asked Tomokawa to write a new song.
23:15Tomokawa was a famous singer-songwriter at that time.
23:23Tomokawa was a famous singer-songwriter at that time.
23:27Tomokawa was surprised to hear that a famous singer-songwriter asked him to write a new song.
23:40Tomokawa asked me to write a new song.
23:48I knew I couldn't write a song about Tomokawa.
23:52I asked Tomokawa to write a new song about Tomokawa.
23:59Tomokawa asked me to write a new song about Tomokawa.
24:03I was surprised to hear that.
24:08I was surprised to hear that.
24:13At that time, Chiaki sang a song of Janis Joplin, a rock singer who symbolizes American counterculture.
24:24Chiaki sang a song of Janis Joplin, a rock singer who symbolizes American counterculture.
24:39Chiaki sang a song of Janis Joplin, a rock singer who symbolizes American counterculture.
24:45Tomokawa was surprised to hear that.
24:50I couldn't hold back my tears.
24:54I couldn't hold back my tears.
25:00I felt a kind of madness in Chiaki's performance.
25:04I don't think there is a madness in human expression.
25:11There is a difference between madness and not madness.
25:15It's a potential.
25:18I thought she was serious.
25:21I thought she was serious.
25:24I tried to sing a song that I couldn't sing, but Chiaki could sing.
25:30There is nothing but madness in Chiaki that can express the darkness of the heart that everyone has.
25:41Tomokawa wrote a song that seemed to release the emotions of the oppressed woman.
25:51Hasegawa took Tomokawa's song to her.
25:59I felt like I was about to sing.
26:04I didn't have to fix it at all.
26:06She looked serious at that time.
26:11On the day of the recording, it was common for Chiaki to record only the vocals.
26:20But at this time, she insisted on singing with the band.
26:26She kept singing until she was satisfied with the performance.
26:32This is the kind of person who rushes to the night.
26:40Chiaki was thinking of performing this song at the Kouhaku Uta Gassen that year.
26:49However, the program offered to sing Kassai again.
26:56However, Chiaki said...
27:02I have to rush to the night.
27:05I couldn't give up.
27:08I felt like I was going to do it.
27:14Chiaki went through the New Year.
27:18She sang Kouhaku Uta Gassen with a particular song.
27:26There is a person who rushes to the night.
27:34There is also a person who holds his shoulder.
27:44The day of the recording is scary.
27:49The night when the identity is revealed is also scary.
27:53The more the love burns, the more fragile it is.
28:03My heart is in deep darkness.
28:12Come on, come on, come on.
28:17Who are you?
28:36I felt like I was cut off.
28:40I felt like I was blown away.
28:43It's amazing, isn't it?
28:47When I heard the song, I lost my voice.
28:52I didn't think it was that amazing.
28:55Including the choreography.
28:58I felt like Chiaki was doing what she wanted to do.
29:02I was happy.
29:04Chiaki Naomi will continue to pursue the path of singing the song she really wants to sing as a singer.
29:21She will challenge various genres of music and release an album.
29:26In addition, she will challenge musicals.
29:30The third point of view is...
29:36Nobuo Kurata, who has worked on many of Chiaki's songs and has been on stage as a pianist in musicals.
29:48It is said that he could not hide his surprise at her dramatic performance in the musical.
29:55And later in the year, Kurata realized why Chiaki, who had stopped her activities, was still silent.
30:11Another story that approaches the reason why Chiaki Naomi is silent.
30:18知る人ぞ知る 代表作 舞台 レディー・デイ
30:31Chiaki's solo stage, which played Billie Holiday, a legendary jazz singer from the United States, was a big hit at the time.
30:41Nobuo Kurata, who was a pianist on this stage.
30:50The figure of her on the stage is still burning in my eyes.
30:58It's like she's Billie Holiday.
31:05There's no way she's Billie Holiday.
31:12It's been more than 30 years since Chiaki, who has shown such various activities, stopped her activities.
31:23I think it meant that the project itself, Chiaki Naomi, was over.
31:32Chiaki, who devoted everything to singing, showed up at the end.
31:41千秋百七十八年 千秋は結婚を機に表だった歌手活動を休止するが
31:52歌への情熱は衰えることはなかった
31:59一時は主婦業に専念しようと思ったんですけど やっぱり歌が捨てられなかったんですよね
32:10活載でディレクターを務めた東本は そんなチアキに再び楽曲制作を持ちかけた
32:21It's been a long time.
32:24We were talking about making an album.
32:28I said, I'm working hard on it now, but I'm interested in it.
32:32We had a common goal, which was to expand the music industry.
32:37I think she had the same goal. She wanted to sing various songs.
32:41So we said, let's do what we want to do together.
32:49That's how it came to be.
32:52At the same pace every year,
32:55Shanson, Jazz, and Portugal's Fado
33:00release albums incorporating foreign music.
33:21時の囁き 星屑 窓に撒き散らして
33:35後ろ髪引くような
33:44嗚呼 素振りは良し
33:56当時、アルバムで編曲を担当したのが倉田だった
34:04結構広いスタジオのブースの中に歌っていらして 一通り歌われるじゃないですか
34:10中ではみんなやった、撮れたと思っているわけですけど
34:15幸明さんはうーんみたいな感じでいらっしゃるんですよね
34:21誰も何をうーんっておっしゃっているのか意味がわからない
34:28本当に言葉の隅々までできる限りの表現をしたいと
34:36それが自分でこうしたいと思っていることに
34:41自分の歌がいつも追いついていないと 多分感じていらしたんだと思うんですよね
34:48さらに演技にも力を入れ
34:52ドラマや映画に多数出演
34:55役者としても評価されていく
34:57まあまあ、うちお説教聞きに来たんと違います
35:03そんな時、思いがけない話が舞い込む
35:10人種差別と戦い、薬物などの依存症に苦しみながら
35:16壮絶な人生を送ったビリー・ホリデイ
35:20その繁盛を描くミュージカル
35:23レディ・デイのオファーだった
35:26当時、ブロードウェイで人気を博していた作品
35:31この舞台のプロデューサーが千秋の歌や演技に目をつけたのだ
35:39長いセリフは覚えられないとしぶったが
35:44周囲の後押しを受けて出演を決意した
35:52ミュージカルレディ・デイは
35:55舞台にピアノマンを一人据えただけの一人芝居
36:02ピアノマンに指名されたのが
36:05アルバム制作に携わり
36:08千秋からの信頼も扱った倉田信夫
36:15倉田さんがピアノを弾いてくださらないんだったら
36:19千秋は歌わないって言うんですよねって言われてしまって
36:23困ったなと思ったんですけど
36:27でもそんなにおっしゃるならって言うんで
36:31さらに、楽曲の詩の翻訳を担当したのは
36:36これまでいくつも千秋の曲を書いてきた吉田大だった
36:43普段だったらね、知り込みして
36:46この世界は書けないですって言っちゃいそうなんですけれどもね
36:50受けなきゃいけないみたいなものが私の中でありまして
36:55すぐ受けちゃいました
36:58ビリー・ホリデーを千秋さんに表現させるような言葉を
37:02選ばなければいけないなと思って
37:06こうして、舞台の幕が開いた
37:14本当にびっくりしました
37:17ビリー・ホリデーの歌は聞いたことがあったんですけれど
37:20歌ってみたときにね
37:23この人の芸は本当に奥深いなと改めて感じました
37:31ほとんど表に出ていない
37:34当時の貴重な音源が残されている
37:38黒人がリンチを受け
37:41木に吊るされた虐殺を歌ったこの曲
37:50僕らの腕だよ
37:58奇妙な黒い身が触れる
38:07その身を風が揺するたび
38:16下がり落ちる血の涙
38:29歌うことの本質っていうのかしら
38:33自分がどうしてもこれを歌って
38:39人にこの気持ちをわかってほしいとか
38:42もうビリー・ホリデー降りてきてるとしか思えないような
38:47特に最終の場面とか
38:55ちょっと思い出すと涙出てきそうですね
38:59最後両手を広げられて
39:03そのまま天に昇っていっちゃうんじゃないかなっていうような感じだったですね
39:12そんなありえないこと
39:18私の愛
39:32拍手
40:02音楽
40:13音楽
40:23音楽
40:34音楽
40:47音楽
41:01音楽
41:14音楽
41:19音楽
41:29音楽
41:41音楽
41:54音楽
42:21もう多分出てこられることはないと思っているし
42:27逆に出てこないほうがいいんだなっていう風に思ってしまっているものがあるんで
42:36あえて出ていらして
42:39喝采を歌われなくてもいいなと
42:44ちょっと酷ですよねとか思ってしまう
42:50もういいんじゃないかなっていう
42:53音楽
43:15音楽
43:45音楽
43:50拍手
43:55音楽
44:14音楽
44:28音楽