Ding Gru
  • 2 days ago
Amor Amargo Capitulo 62 Completo HD
Amor Amargo Capitulo 62 Completo HD
Amor Amargo Capitulo 62 Completo HD
Amor Amargo Capitulo 63 Completo HD
Amor Amargo Capitulo 64 Completo HD
Amor Amargo Capitulo 62 Completo HD
Amor Amargo Capitulo 62 Completo HD
Amor Amargo Capitulo 62 Completo HD
Transcript
00:00:00You're not alone.
00:00:04Do you want to go?
00:00:06Do you want to?
00:00:18Yeah.
00:00:31You blame me for what happened to us, Leonor.
00:00:35But you forget a part of the story.
00:00:38What story are you talking about?
00:00:40That you cheated on me with a...
00:00:43Lady Nobody?
00:00:45That you...
00:00:47You never loved me.
00:00:50You married me...
00:00:52For convenience.
00:01:01Because you didn't want to be alone.
00:01:04But all you've done is mistreat me.
00:01:06Get the worst out of me.
00:01:13Be careful with what you do, Leonor.
00:01:16I'm sick.
00:01:18But I can still defend myself.
00:01:22Let me go.
00:01:24Please.
00:01:30Please.
00:01:43Are you okay, boss?
00:01:48The curse is being fulfilled.
00:01:51There's the damn Maximus.
00:01:56I'm alone.
00:01:58No, no, no, boss.
00:02:00You'll never be alone.
00:02:03As long as I live...
00:02:05I'll take care of you.
00:02:08I'll do whatever you need.
00:02:11You're not alone.
00:02:13Look for Eva.
00:02:15Let her help you with the farm workers.
00:02:18She can't be out there getting us into more trouble.
00:02:23That's right, boss.
00:02:25The car is ready.
00:02:27Let's go.
00:02:36There are things I still don't understand, Pablo.
00:02:40Things I'd like to know more about.
00:02:45Miss Vera...
00:02:48You're making me nervous.
00:02:51I know.
00:02:53Don't you realize you're alone in front of my uncle?
00:02:58The moment you're no longer useful to him, he'll get rid of you.
00:03:03I've been trying to do things right, but...
00:03:07But, yeah.
00:03:09I've been thinking a lot about the things you're telling me.
00:03:13There's nothing infallible.
00:03:15There's always the possibility of making a mistake.
00:03:17You're good.
00:03:19I know you're doing this for money, for necessity.
00:03:24And...
00:03:26Where are you going with all this, miss?
00:03:29You know where I'm going.
00:03:31You're not sure, but you like to play dumb.
00:03:35I'm the one who can give you the support you need.
00:03:39So you don't feel so alone.
00:03:41Oh, miss Vera.
00:03:45I think we're going to have to take a walk
00:03:50where we can talk in peace.
00:03:53Do you want us to strengthen our relationship
00:03:57so you can be sure you're not alone?
00:04:00Do you agree?
00:04:02I agree.
00:04:09Thank you for everything you've done for me.
00:04:11For believing in me.
00:04:13I really thought I was going to die in that place.
00:04:16I would never have allowed you to stay there.
00:04:20You're the most special thing I have, Eva.
00:04:23I love you.
00:04:26I love you too.
00:04:34I'm so angry about what my grandmother did to Eva.
00:04:38And I don't know what I'm going to do to calm down.
00:04:41Anger is not good, Gaby.
00:04:43Yes, your grandmother did it.
00:04:45But in the end, the family does so many things that you don't understand.
00:04:50Get that anger out, Gaby.
00:04:52Don't let it inside you.
00:04:54That can become poison.
00:04:57I'm so angry about everything that's happening to you.
00:05:03The last thing I would do is go back to that house.
00:05:08You don't have to do it.
00:05:10Look, there is a time to burn the ships, Gabriela.
00:05:15You know what it is to burn the ships, my daughter.
00:05:18Look, when the ships are burned, there is no way to return.
00:05:25Burn them.
00:05:29You know you always, always count on us, Gaby.
00:05:35My daughter.
00:05:41I'm going to make you mine, Gabriela.
00:05:45I like you for my son's mother.
00:05:49No matter what it costs.
00:05:52I'm going to make you mine.
00:05:56I'm going to make you mine.
00:06:10Look, these will take away the pain.
00:06:15They are very good.
00:06:20You know, Enrique is the real devil of this town.
00:06:26I found out a lot of things while I lived next to him,
00:06:29terrible things.
00:06:31What things are you talking about?
00:06:34Crimes.
00:06:36He was sick for that Mrs. Beatriz San Jose
00:06:39and now he's sick for his daughter, for Gabriela.
00:06:43And you think he had something to do with the murder?
00:06:47And you think he had something to do with Beatriz San Jose's death
00:06:50and Andres' father?
00:06:53Of course, he had reasons to kill them.
00:06:56Just as he gave the order to kill Tomas,
00:06:59but by mistake they killed the guy who worked with him.
00:07:04Lucia, I know what I'm going to tell you is very risky,
00:07:09but you can't stay with that.
00:07:13You have to talk to the authorities.
00:07:16With Joaquin.
00:07:26Pablo, Pablo, Pablo, calm down.
00:07:30Why don't we go to a quieter place
00:07:33where we can be more comfortable?
00:07:35They can see us here, don't you think?
00:07:37Let's go slowly, Pablo.
00:07:40You kiss so well.
00:07:42I hadn't noticed, but you're handsome.
00:07:47Well, tell me why you want to kill your uncle.
00:07:51Aren't you tired of him?
00:07:53Of his treatment?
00:07:54Of his abuses?
00:07:57Pablo, you don't have to hide anything from me.
00:08:01We're going to destroy him.
00:08:03We're going to use everything you know against him.
00:08:08Why don't you tell me what happened with Jaime and Beatriz?
00:08:16Look at it as a business, Pablo.
00:08:18You're going to win.
00:08:21If my uncle goes to jail, I would be in charge of everything.
00:08:24And you would be on my side.
00:08:27No?
00:08:30No, no.
00:08:32I'm not going to risk accusing Mr. Enrique head-on.
00:08:37That would be like condemning me to death.
00:08:40And who said we were going to do it?
00:08:42There are a lot of people who want to see him down.
00:08:46I need you to take your cell phone from Julio.
00:08:51I have a plan.
00:08:53And if it goes well, we'll end up with my uncle very soon.
00:09:00Are you going to do it for me?
00:09:04Yes?
00:09:11Have you spoken to anyone from the production plant
00:09:13to know if they will be able to meet our requests?
00:09:16Yes, yes, yes.
00:09:17They said they could meet.
00:09:19But the truth is that the cocoa is arriving slowly
00:09:21and the stupid Kike is not helping.
00:09:24That's why I'm getting suppliers in the neighboring towns.
00:09:27They have enough cocoa to provide us
00:09:29in case Enrique's stupid doesn't want to comply.
00:09:33But there is a little issue.
00:09:35I doubt my beautiful aunt wants to let us buy other people.
00:09:40But in that case they would be boycotting us.
00:09:43Of course, because they want you to lose the money you invested.
00:09:46They want to make us look like we don't comply
00:09:48because if we get into a fight with them,
00:09:50we are clearly not going to be advantageous.
00:09:58Come in.
00:10:02Yes, bring Eva's news.
00:10:04I'm willing to listen.
00:10:05Otherwise, I want it out of my sight, okay?
00:10:08Go.
00:10:09I want us to talk about the factory.
00:10:11Maybe you haven't noticed,
00:10:13but there is an opportunity to save her
00:10:15and Nula is taking advantage of it.
00:10:17You were warned about the situation at the factory.
00:10:20You decided to invest your money here,
00:10:24so don't get me into your business
00:10:27or even want to show off like El Salvador.
00:10:31Get out of my office, okay?
00:10:33Your hatred will lead her to sink.
00:10:36And it will end up sinking the factory.
00:10:38It's my problem.
00:10:40Who asked you to rescue her?
00:10:42The love I feel for Gabriela.
00:10:55Miriam.
00:10:59Hey, Miriam, wait.
00:11:05I need to talk to you.
00:11:10Miriam.
00:11:11What do you want?
00:11:13I need you to listen to me.
00:11:15Tomas, after what happened,
00:11:17I don't have the courage to listen to you.
00:11:19Well, please, one minute.
00:11:21Don't you realize that my family is like this
00:11:23because of your father, your brother, you?
00:11:26We're not going to start with the guilt.
00:11:28If we start blaming each other,
00:11:29we're going to end up in a worse war.
00:11:32At this point, what needs to be solved
00:11:34is that the plan we proposed to save the factory
00:11:36is being boycotted.
00:11:38I only do what my grandmother asks of me, okay?
00:11:41Because thanks to the fact that Gabriela left the factory,
00:11:43we are having problems with you.
00:11:46Well, let everything come down.
00:11:49If all you want is to see me lose, I'll lose.
00:11:51But in the end, you're going to be the ones who lose the most.
00:11:53And do you know who's going to win?
00:11:54Who?
00:11:55Enrique Olivares.
00:11:56Because even if it seems like he's helping them,
00:11:58he's not helping them.
00:11:59Let's see, don't get me into
00:12:00the things you have in your head.
00:12:03I can't believe you're not seeing
00:12:05the damage they're doing to the factory and to yourselves.
00:12:08In the end, you're the ones who are going to lose everything.
00:12:11Well, I don't think your intention is to help us.
00:12:14Just like I don't think what you're doing with Eva
00:12:17is for her own good.
00:12:18Do you think it's okay for her to be in that psychiatric hospital?
00:12:21No.
00:12:22I don't think so.
00:12:23But it's very clear that since she's been with your brother,
00:12:26she's become more repetitive with my grandfather's issue.
00:12:29And I get to think, of course,
00:12:31they're using her to attack Grandma.
00:12:34They're putting those ideas in her head to take advantage of her.
00:12:39I hope one day you realize.
00:12:48I hope one day you realize.
00:12:54Understand one thing, welcome.
00:12:57I'm not going to leave my boss alone in this.
00:13:00Israel, let Eva make her own life.
00:13:04Don't look for her.
00:13:06Don't help her ruin her life, please.
00:13:16What did they tell you?
00:13:18They're not going to agree.
00:13:20Leonor is blinded by hatred.
00:13:21She doesn't see that she's going to end up sinking
00:13:23just because she doesn't give up.
00:13:25And what I find incredible is that Miriam thinks the same.
00:13:28Well, why don't we buy cocoa in the nearby towns?
00:13:30No.
00:13:31We can't do that.
00:13:32Why?
00:13:33They're not going to process it, they're not going to fulfill it.
00:13:35All they care about is that I lose that money.
00:13:37They want to take me to the brink
00:13:38thinking that with that they will be able to get rid of me.
00:13:40And no.
00:13:41Let's see, we knew this could happen.
00:13:43I want you to be calm.
00:13:44It's something I hadn't told you.
00:13:45The moment we acquired the debt,
00:13:47I told the broker to secure the investment.
00:13:49So everything is fine.
00:13:55I wasn't expecting less from you.
00:13:57Thank you for your loyalty and your friendship.
00:14:00If Leonor wants to risk the capital of San Jose de Tadacosta,
00:14:05I can't do much to stop her.
00:14:16I love you.
00:14:19I love you.
00:14:20I love you.
00:14:29Leonor.
00:14:31Do you know what the process is for the cocoa to arrive at the factory?
00:14:34How can I not know?
00:14:37But it's clear to you that if the agreement is not fulfilled,
00:14:40Tomas will end up suing us.
00:14:43Those lawsuits take time to become effective.
00:14:48So don't let that idiot intimidate you.
00:14:51Why didn't you tell me that the cocoa would not arrive on time, Enrique?
00:14:55I told you.
00:14:57They just didn't listen to me.
00:15:01I've done everything to make sure that the deadlines are met.
00:15:04But Mr. Jiménez wants it to be on time.
00:15:06And that's not possible.
00:15:08I'm sorry for him.
00:15:10And you please stop worrying.
00:15:12Everything is fine.
00:15:13As long as I'm on your side, you'll never have problems.
00:15:39I gave you my life and then you betrayed me.
00:15:44I'm going to find out the truth.
00:15:46We're going to miss you a lot.
00:15:48I'm going to miss you, Grandpa.
00:15:50Dad, you taught us to love the sea.
00:15:52Together we will move forward.
00:15:54To love where love leaves its mark.
00:15:57To love where love leaves its mark.
00:16:00To love where love leaves its mark.
00:16:03To love where love leaves its mark.
00:16:06To love where love leaves its mark.
00:16:36When I arrived, he was already married.
00:16:38And he had already finished the ceremony.
00:16:40And look for consolation in another.
00:16:42Will Alejandra lose forever?
00:16:44I already know that you are a married woman.
00:16:46And well married.
00:16:47You don't have to remind me.
00:16:48Monday to Friday at 2.30 pm.
00:16:50For the stars.
00:16:52That Chilpayate is yours, right?
00:16:54What do you think?
00:16:55That maybe it's yours?
00:16:56Agent, I come to turn myself in for having kidnapped my own son.
00:17:00And you resist.
00:17:03The best for all parties is that I interrupt my pregnancy.
00:17:05And if you're not here in half an hour,
00:17:06I'm going straight to a clinic where I do it legally.
00:17:09Sunday, February 9, a great finale.
00:17:108.30 pm.
00:17:12They are already in the Super Bowl.
00:17:14The best team of the American Conference.
00:17:17Facing the champion of the nation.
00:17:21L.A. Heads seeks revenge against Mahomes,
00:17:23who seeks to consecrate himself with the tri-championship.
00:17:26Philadelphia against Kansas City.
00:17:28Sunday, February 9.
00:17:30At 5, for 5.
00:17:32If your plans don't go as you dreamed.
00:17:34When did you take this picture with Mariano?
00:17:37You have to cancel it.
00:17:39Life will give you a second chance.
00:17:42I've seen everything in this life.
00:17:45And you?
00:17:46I met someone.
00:17:48Marry whoever you can.
00:17:49This Sunday, 6.30 pm.
00:17:52This will be the worst time to start the diet.
00:17:55What did you bring?
00:17:56Saquitos de tripa.
00:17:58What?
00:17:59I became vegan.
00:18:00Now you look low, my Charlie.
00:18:03Hashtag, a taquito all day.
00:18:05Hashtag, it gives you health and joy.
00:18:07My dear inheritance, we know how to make you laugh.
00:18:10This Thursday at the end of the Noti.
00:18:13I gave you my life and then you betrayed me.
00:18:17I'm going to find out the truth.
00:18:19We're going to miss you a lot.
00:18:21I'm going to miss you, Grandpa.
00:18:23Dad, you taught us to love the sea.
00:18:25Together we will move forward.
00:18:27Love where love leaves its nets.
00:18:29Starts February 10, 8.30 pm.
00:18:32More than 25 years ago, the Pérez Soler killed his father.
00:18:36And they threw us out on the street.
00:18:37That bastard's son is going to pay dearly.
00:18:40I lied to you.
00:18:41My father made many mistakes.
00:18:43And it's time to face them.
00:18:45Beyond hatred, today I dare to love you.
00:18:47And would you dare?
00:18:48Starts Monday, February 24, 6.30 pm.
00:18:51For the stars.
00:18:52VIX arrives, a more successful series.
00:18:55Intimate Enemy.
00:18:56That woman is dangerous.
00:18:58With Fernanda Castillo and Raúl Méndez.
00:19:00Don't speak for the good, don't speak for the bad.
00:19:03All episodes in one place.
00:19:05VIX.
00:19:06Intimate Enemy.
00:19:07Available completely without commercials.
00:19:31For the stars.
00:19:32In the first hours of the day you will have all the information in the news.
00:19:36What matters in Mexico and also beyond our borders.
00:19:40In a space for the stories that must be known quickly and clearly.
00:19:45I'm Carlos Hurtado and I'll wait for you in the news on Friday at 5.50 pm.
00:19:49For the stars.
00:19:52Nora can't stand seeing little Esperanza knowing that she is the product of a rape.
00:19:57And decides to end her life.
00:19:59Over the years, Nora's rapist will reappear.
00:20:02Demanding to meet his daughter, leaving only one thing.
00:20:06Stolen happiness.
00:20:08La Rosa de Guadalupe.
00:20:10Premiere episode.
00:20:28Tuesday, Thursday and Friday at 11.30 pm.
00:20:31For the stars.
00:20:57Facing the national champion.
00:21:01L.A. Hurts seeks revenge against Mahomes.
00:21:03Who seeks to consecrate himself with the tri-championship.
00:21:06Philadelphia against Kansas City.
00:21:08Sunday, February 9 at 5.00 pm.
00:21:12Wake up and know the most relevant information every morning.
00:21:16With the analysis of each news.
00:21:22Sport, climate and entertainment.
00:21:24We have the keys to start the day well and well informed.
00:21:27Wake up Monday to Friday, 7 to 9 in the morning.
00:21:30With the stars.
00:21:33I gave you my life and then you betrayed me.
00:21:37I'm going to find out the truth.
00:21:39We're going to miss you a lot.
00:21:41I'm going to miss you, Grandpa.
00:21:43Dad, you taught us to love the sea.
00:21:45Together we will move forward.
00:21:47Love where love leaves its nets.
00:21:50Starts February 10, 8.30 pm.
00:21:52In the first hours of the day you will have all the information in the news.
00:21:56What matters in Mexico and also beyond our borders.
00:22:00In a space with the stories that must be known quickly and clearly.
00:22:05I'm Carlos Hurtado and I'll wait for you in the news this Friday at 5.50 pm.
00:22:09For the stars.
00:22:12You need to make a decision.
00:22:14It's not fair for anyone that your heart is divided.
00:22:18I have an opportunity to be happy with you.
00:22:21I can tell you I didn't forget you.
00:22:23You and I love her with all our hearts.
00:22:26And yes, both you and I would give our lives for her.
00:22:29Grand Finale, this Sunday, 8.30 pm.
00:22:52After all that in love, it's no longer worth anything.
00:23:04Amigocha, who do you think is here?
00:23:06Who?
00:23:07Come in, come in.
00:23:09Hi, Gabriela.
00:23:10Ernesto.
00:23:11How are you?
00:23:12Fine. And you?
00:23:15Great.
00:23:16I promised you to come to Todos Los Santos and meet the workshop.
00:23:19And here I am. It's amazing. I love it.
00:23:22Welcome.
00:23:29Let's see, Magdalena. There's something you need to know.
00:23:31Enrique Olivares can be my uncle, yes.
00:23:34But I know who he is.
00:23:35And I know what I want from him.
00:23:38And what do you want from him?
00:23:40His money.
00:23:41He's an obsessive.
00:23:43And because of his obsessions, he can be losing everything.
00:23:45And I don't care about that.
00:23:47Do we have to stop him or not?
00:23:49I approached him because I thought he could give me protection, care.
00:23:53Oh, little thing. You're very wrong.
00:23:56Oh, yes, I know.
00:23:57I'm usually like that, but don't believe me. It has helped me.
00:24:02With your uncle, I found myself in someone more than protecting me.
00:24:07It seems that he has his eyes on me.
00:24:09Let's see. Listen to me.
00:24:12Fine.
00:24:13Are you going to tell Tomás that you are being blackmailed?
00:24:17Because that can't wait any longer.
00:24:20But they're going to put me in jail.
00:24:22They're going to look for Julio.
00:24:23He has the messages I sent him.
00:24:26I swear I did send him some messages telling him that I wanted him to take care of Jaime.
00:24:32To take care of him?
00:24:33I mean, to kill him?
00:24:35Well, if we get literal, yes.
00:24:39Well, those messages are safe.
00:24:47Today we are going to take a tour of the town that I'm sure will...
00:24:52No, no, Candela. I don't feel good to record.
00:24:55Juan Pedro, you haven't been feeling well all the time we've been recording.
00:24:59And look at that neck. I'm going to fix it.
00:25:02Come on.
00:25:05What happened? Who did you see?
00:25:06That's my mom.
00:25:10Whose car is that?
00:25:13So, Magdalena, you have to know.
00:25:15The evidence that may be against you is here on this cell phone that someone took from Julio.
00:25:23He won't be able to prove it.
00:25:25Oh, don't tell me you did that for me.
00:25:27Yes.
00:25:28Oh, how beautiful, how beautiful you are.
00:25:29Yes, I am.
00:25:30But how did you do it?
00:25:31How did you do it?
00:25:42Shh, shh, shh, shh.
00:25:43Calm down, calm down.
00:25:44Rest, rest.
00:25:55Well, I'm going to have these evidence until you do your part.
00:25:59And listen to me carefully.
00:26:01You're going to say at home that Julio was blackmailing you because my uncle Enrique sent him.
00:26:07Okay? Repeat after me. Julio.
00:26:09Julio.
00:26:10Was blackmailing me.
00:26:11Was blackmailing me.
00:26:13Because Enrique sent him.
00:26:14Because Enrique sent him.
00:26:15Uh-huh. And that my uncle Enrique was the one who ordered Jaime to be killed.
00:26:20Which is not a lie.
00:26:21He killed him.
00:26:22Hey, concentrate.
00:26:25I need you to be clear about what you're going to say.
00:26:28Enrique Olivares had every reason to end Jaime's life.
00:26:33Do you know why?
00:26:34Because he was crazy about Beatriz.
00:26:37And he realized that Jaime had returned to the town.
00:26:41But how do you know ...
00:26:42Ash!
00:26:43That doesn't matter.
00:26:44That's what you're going to say.
00:26:46Uh-huh.
00:26:47And when they ask me, how do I know what I'm saying?
00:26:50Oh, I don't know, you investigated it.
00:26:52Angelina, open your mind.
00:26:54Okay?
00:26:55Everyone in town knew about Beatriz's sick love.
00:26:59The night of her death, Beatriz and Jaime went to the house.
00:27:03And he hit my uncle.
00:27:05We all saw that.
00:27:06Even the police have that information.
00:27:08Yes, yes, yes, yes.
00:27:10Oh, how difficult it is to tie all these cases.
00:27:11Oh, concentrate.
00:27:12Don't get distracted.
00:27:13You're going to say that.
00:27:14Yes.
00:27:15With whom did you investigate it?
00:27:16Well, with the people.
00:27:17And that led you to realize that Julio worked for my uncle.
00:27:20You heard them talk, plan things, that they wanted to blame you.
00:27:23That they investigated you because they knew your relationship with Jaime was wrong.
00:27:27But you didn't know anyone in this town.
00:27:30Well, they had recommended Julio to me.
00:27:32Shh!
00:27:33The only proof of your relationship with Julio is this.
00:27:36And he won't be able to prove it.
00:27:38I want you to say that one day you found me crying.
00:27:41And you comforted me because my uncle had hit me.
00:27:43Just like he hit the woman he lived with.
00:27:46Angel.
00:27:47At that moment I confessed to you what I had heard.
00:27:49Yes?
00:27:50And I was afraid to say it.
00:27:51Because that's why I tried to get close to Tomas.
00:27:53Now I want Tomas to get close to me to get that information.
00:27:56Did you understand?
00:27:58Oh, friend.
00:27:59Can we rehearse it?
00:28:01So how did you meet Julio?
00:28:03Oh, no.
00:28:05One more time.
00:28:07Well, here there is only one part of the artisans who work in the workshop.
00:28:11If I had known you would come, I would have told them all to meet you.
00:28:15No, don't worry.
00:28:17The concert was amazing.
00:28:18I loved meeting them.
00:28:20Really, if I came to Todos los Santos, it was because I had to leave the city.
00:28:24And here it seemed perfect to make a stop.
00:28:28Is something wrong?
00:28:32I'm sorry.
00:28:33I didn't mean to be impolite.
00:28:35No, no, no.
00:28:36Don't worry.
00:28:37Nothing happens.
00:28:38Yes, it happens to me, but then I'll tell you.
00:28:41For now I'm going to go to a little house that I rented and I'm going to rest a little.
00:28:44And please don't feel pressured with my presence here.
00:28:47There is a calendar that we proposed to you and I will respect it.
00:28:50With you?
00:28:51With you, for sure.
00:28:53Can I come in?
00:28:54Of course.
00:28:55Well, I was leaving.
00:28:56Good day.
00:28:57Good day.
00:28:58Good day.
00:28:59Good day.
00:29:03Oh, I don't know.
00:29:04But I really like that man.
00:29:06I think he's the little angel that we all need.
00:29:09Let's go.
00:29:11Let's go.
00:29:12An angel that we're all missing.
00:29:14Do you know why?
00:29:16I don't know, but it feels good to have him here, right?
00:29:18Yes, he's a special person.
00:29:20And he wants to help us.
00:29:22And who doesn't want to help you, Gabriela?
00:29:25Let's go.
00:29:42Who are you looking for, Israel?
00:29:44Did you lose someone on my property?
00:29:46Answer me!
00:29:47Answer me!
00:29:51Well, yes, we lost something.
00:29:55Where do you have Eva?
00:29:57Tell her to come out!
00:29:59Or we'll come for her.
00:30:01Don't look for her here because she's not here.
00:30:03Oh, please.
00:30:04I know you have her hidden.
00:30:06Or let me in to see that she's not here.
00:30:10I saw you!
00:30:11I saw you, Tomas, at the psychiatric hospital
00:30:14the day Eva escaped.
00:30:16What's going on?
00:30:17You're a bastard.
00:30:20All you do is meddle in the life of St. Joseph
00:30:23and you come and complicate everything.
00:30:25Get out.
00:30:27I don't want you prowling around here.
00:30:29Get out.
00:30:30You think I'm afraid of you?
00:30:33Tell me where Eva is.
00:30:37Where did you put her?
00:30:39Where did you put her?
00:30:41And don't get in trouble with me
00:30:43because you're going to find me.
00:30:45You don't know what I'm capable of.
00:30:48Get out.
00:30:56What you damn Jimenez
00:30:59have done to the St. Joseph family
00:31:02will not be paid for.
00:31:05It's all a matter of time, Tomas.
00:31:08And time...
00:31:10I'm telling you, you bastard.
00:31:16I never thought they'd be so organized.
00:31:19Well, yes, we have.
00:31:22Step by step.
00:31:24I can imagine.
00:31:26And why, if there are other alternatives,
00:31:28have they decided to do it, as they say, with their nails?
00:31:31What?
00:31:32We have done it with the talent of these women,
00:31:35supporting each other.
00:31:37In this team, everyone contributes their knowledge
00:31:40and we move forward together.
00:31:42Yes.
00:31:45What are you here for, Enrique?
00:31:47To see you.
00:31:50Well, I'm always worried about you.
00:31:52I want to protect you.
00:31:54Don't you realize that?
00:31:59So I found Vera.
00:32:01Poor woman, beaten and humiliated by her uncle.
00:32:04She asked me for help.
00:32:06We started talking.
00:32:07She told me, I told her, we both told each other.
00:32:10Mom!
00:32:11Sweetie.
00:32:12Who are you talking to?
00:32:14You scared me.
00:32:16Hey, I saw you in Vera's car.
00:32:20Huh?
00:32:22My new best friend.
00:32:24Oh, I love that.
00:32:26Mom, can you explain to me what you're doing with that woman?
00:32:30She's Enrique Olivares' niece.
00:32:32You know who that man is.
00:32:34Yes, I do.
00:32:36Poor woman.
00:32:37He's a martyr.
00:32:39He's a very dangerous man.
00:32:41So dangerous that he could be behind the murder
00:32:44of Jaime and Beatriz.
00:32:45Mom, what are you saying?
00:32:47Please don't get into trouble.
00:32:49The people in this town are very delicate.
00:32:51And what you're saying is very serious.
00:32:54I know.
00:32:55Do you remember the internal work I've been doing
00:32:58to be a better person?
00:33:00Well, it worked.
00:33:01It changed my life.
00:33:02It filled it with light.
00:33:03Oh, Mom, please.
00:33:05It's true, sweetie.
00:33:07Not just because of my conversation with Vera
00:33:09and you and that Enrique Olivares is responsible
00:33:12for the death of Jaime and Beatriz.
00:33:17Why are you bothering yourself?
00:33:19I just want to help you.
00:33:21This workshop is so small and with this kind of people,
00:33:24I don't think it's going to be your dream, right?
00:33:26It's not my dream.
00:33:27It's my dream.
00:33:28I've been doing it from the beginning
00:33:29and I'll keep doing it forever.
00:33:32And you know what?
00:33:33Today I treasure it much more because I have peace here.
00:33:36This place is not polluted by you or my grandmother.
00:33:40Or by your mother.
00:33:43Because she's here.
00:33:45And I don't try to impose myself.
00:33:48But I think you have talent for better things.
00:33:51I can make this bigger.
00:33:54Let's do it.
00:33:55A big business, a big emporium.
00:33:57If you want it.
00:33:58I don't want it.
00:34:00Is that clear?
00:34:01Yes.
00:34:02Okay, okay.
00:34:03I don't want to pressure you or misinterpret me.
00:34:08Because I admire you.
00:34:10And this workshop lets me see how strong and brave you are.
00:34:14Although I don't know where you inherited
00:34:16that desire to support women like those out there.
00:34:19For whom no one gives a fifth.
00:34:21What?
00:34:22Women are not worth a dollar or a million dollars.
00:34:26The fact that a woman has problems
00:34:28doesn't mean she's inferior to anyone.
00:34:31So I'm going to ask you to never ever
00:34:35refer to yourself as a woman again.
00:34:38Do you understand?
00:34:40Yes.
00:34:41Sorry, I didn't know how to express myself.
00:34:43I'm sorry.
00:34:45I just want to praise the work you do
00:34:47and the beauty of your workshop.
00:34:49Sorry.
00:34:51Why did you really come?
00:34:53Did my grandmother send you?
00:34:54No, no, no, not at all.
00:34:56And I understand that you want to get away from everything.
00:34:59I just wanted you to notice that you're not alone.
00:35:02That I like your company, I like talking to you.
00:35:05What?
00:35:06You can be a weirdo.
00:35:07Or maybe you don't want to do it
00:35:09to avoid gossip from this town, I don't understand.
00:35:11What gossip?
00:35:12That I'm a married man.
00:35:14Ah.
00:35:15But that's going to stop being very soon.
00:35:17I'm going to divorce Lucia and I want to be a man again.
00:35:20I want to be a free man again.
00:35:28Tell me what I have to do
00:35:30to make up for the help you're giving me.
00:35:33What you have to do is get well.
00:35:37Lucia understands that we don't always have to pay
00:35:40for what life gives us.
00:35:42Sometimes we just have to receive.
00:35:46They say that we get used to being mistreated.
00:35:50To pay even for the air we breathe.
00:35:54But that's not right.
00:35:57I want you to recover
00:35:59so that we can see what's next, okay?
00:36:03Yes, sir.
00:36:12I know it's strange that you're going to divorce me.
00:36:15But, well, that relationship with Lucia
00:36:17was already very worn out and it was very bad.
00:36:20Anyway, I don't want to go into details right now,
00:36:23but I did want you to be the first to know.
00:36:26Ah.
00:36:27Do you mind if I invite you to dinner somewhere
00:36:29and we talk?
00:36:32I have things to solve.
00:36:35Well, that's fine.
00:36:37Don't worry, I understand you.
00:36:39If you like, I can come for you tomorrow.
00:36:41I invite you to dinner and you don't answer me right now.
00:36:44Think about it.
00:36:45We'll be two wonderful friends talking about their lives.
00:36:50You'll soon find out about my divorce.
00:36:52So you can come to town with me without any problems.
00:36:57I'll always take care of your reputation.
00:37:05Don't worry.
00:37:11Let's eat tomorrow.
00:37:14May I come in?
00:37:15Go ahead.
00:37:19Have a good day, Mr. Olivares.
00:37:27Come with him, Grandma.
00:37:28Tell him to leave.
00:37:31What did he want?
00:37:32What did he tell you?
00:37:33Do me a favor.
00:37:34He wants us to go out to dinner
00:37:36as if we were friends.
00:37:39You obviously said no.
00:37:41He doesn't trust me at all.
00:37:43It's strange that he came all the way here.
00:37:45We should keep him.
00:37:47He told me he was going to divorce Lucia.
00:37:50God bless him!
00:37:51He was going to leave that woman alone.
00:37:53Poor thing.
00:37:54After how he treated her at the funeral.
00:37:57The best thing that can happen to Lucia
00:37:59is to divorce him.
00:38:00Yes, I agree.
00:38:02But you know what?
00:38:03The intention with which he told me was totally different.
00:38:06What?
00:38:07That he was going to divorce Lucia.
00:38:09Now I understand Francisco's words perfectly.
00:38:13Enrique is obsessed with me.
00:38:15And not like a father, like my grandmother told me.
00:38:18He's a dirty old man.
00:38:20He's not old enough to be your father.
00:38:22He can be your grandfather.
00:38:24I hate that guy.
00:38:39They killed his father and threw us out on the street.
00:38:42That bastard's son is going to pay dearly.
00:38:45I lied to you.
00:38:46My father made a lot of mistakes.
00:38:48It's time to face them.
00:38:49Beyond hatred, today I dare to love you.
00:38:52Would you dare?
00:38:53Starts Monday, February 24th, 6.30 p.m.
00:38:56On Las Estrellas.
00:39:09Did you sell my bike?
00:39:10No way.
00:39:11We know how to make you laugh with Renta Congelada.
00:39:15Saturday on Las Estrellas.
00:39:17If you hate me so much, leave.
00:39:18I don't want to know anything else about you either.
00:39:21We're here, Guille.
00:39:23I'm sorry, father-in-law,
00:39:24but I still have to get Anuar out of this house.
00:39:27You're not going to play with Camila.
00:39:28Or I swear you'll regret it.
00:39:30I don't know what I have to do,
00:39:32but this is not going to be my end.
00:39:35Mondays to Fridays, 9.30 p.m.
00:39:39With the most relevant information every morning.
00:39:41With the analysis of each news.
00:39:47Sports, climate and entertainment.
00:39:49We have the keys to start the day well and well informed.
00:39:52Wake up Monday to Friday, 7 to 9 in the morning
00:39:55with Las Estrellas.
00:39:57They are already in the Super Bowl.
00:39:59The best team in the American Conference.
00:40:02Facing the national champion.
00:40:06L.A. Hurts is looking for revenge against Mahomes.
00:40:08Who is looking to consecrate himself with the tri-championship.
00:40:11Philadelphia against Kansas City.
00:40:13Sunday, February 9.
00:40:15At five o'clock.
00:40:17If you're drowning in a glass of water.
00:40:21He always has the solution.
00:40:23Beto. Which Beto?
00:40:24Beto, you know.
00:40:25Healthy mind.
00:40:27You have a privileged intelligence.
00:40:32We know how to make you laugh with El Chavo.
00:40:34Mondays to Fridays with Las Estrellas.
00:40:38You have to make a decision.
00:40:39That's not fair.
00:40:41For anyone that your heart is divided.
00:40:43I have an opportunity to be happy with you.
00:40:46Can I tell you not to forget?
00:40:48You and I love her with all our soul.
00:40:51And I know that both you and I would give our lives for her.
00:40:54Grand Finale. This Sunday, 8.30 at night.
00:40:57This will be the worst time to start the diet.
00:41:00What did you bring?
00:41:01Saquitos de tripa.
00:41:03What? I became vegan.
00:41:04Now you look low, my Charlie.
00:41:06You're fasting.
00:41:07Don't eat tamalote.
00:41:08Hashtag, a taquito all day.
00:41:10Hashtag, it gives you health and joy.
00:41:12In Mi Querida Herencia, we know how to make you laugh.
00:41:15This Thursday at the end of the noti.
00:41:17In the war, in love, and with the rumis, everything is worth it.
00:41:21This is music for my ears.
00:41:23The whole house is a pig party.
00:41:25His name is Federico.
00:41:26Are they pedaling your bike?
00:41:28Ana, did you break my bike?
00:41:30Asshole.
00:41:31We know how to make you laugh with Renta Congelada.
00:41:35Sábado por las Estrellas.
00:41:37Rafael gets disillusioned.
00:41:39Did you manage to stop the wedding?
00:41:40I'm so sorry, Rafael.
00:41:42When I arrived, he was already married and finished the ceremony.
00:41:45And he looks for consolation in another.
00:41:47Will Alejandra lose forever?
00:41:49I know you're a married woman.
00:41:51And well married.
00:41:52You don't have to remind me.
00:41:53Monday to Friday at 2.30 on Las Estrellas.
00:42:05Do you remember our anniversary?
00:42:06I thought it was Friday.
00:42:07Today is Friday.
00:42:08I also bought you a necklace of pearls.
00:42:10And how much did it cost me?
00:42:11Very expensive.
00:42:12In Simón Díez, we know how to make you laugh.
00:42:14This Tuesday at the end of the noti.
00:42:16Por las Estrellas.
00:42:17Wake up and know the most relevant information every morning.
00:42:21With the analysis of each news.
00:42:27Sport, climate and entertainment.
00:42:29We have the keys to start the day well and well informed.
00:42:32Wake up.
00:42:33Monday to Friday, 7 to 9 in the morning.
00:42:35With Las Estrellas.
00:43:03That son of a bitch was born.
00:43:05He's going to pay dearly.
00:43:06He deceived you.
00:43:07My father made many mistakes.
00:43:09And it's time to face them.
00:43:10Beyond hatred.
00:43:11Today I dare to love you.
00:43:13And would you dare?
00:43:14Starts Monday, February 24.
00:43:156.30 in the afternoon.
00:43:16Por las Estrellas.
00:43:33La Rosa de Guadalupe.
00:43:35Premiere.
00:43:37Get in touch with the hottest sports results.
00:43:44Exclusive interviews.
00:43:49Analysis and opinions.
00:43:51Sport contact.
00:43:52Tuesday, Thursday and Friday.
00:43:5411.30 at night.
00:43:55With Las Estrellas.
00:43:57If you're drowning in a glass of water.
00:43:59He always has the solution.
00:44:06You have a privileged intelligence.
00:44:10We know how to make you laugh.
00:44:12With El Chavo.
00:44:13Monday to Friday.
00:44:14With Las Estrellas.
00:44:16The sea forges the character.
00:44:18Women can do whatever we propose.
00:44:20And we're going to be the first fishermen.
00:44:22And we're going to prove it to everyone.
00:44:24Let's go fishing.
00:44:25That woman is incredible.
00:44:27Amar.
00:44:28Donde el amor deje sus redes.
00:44:30Inicia 10 de Febrero.
00:44:318.30 de la noche.
00:44:57Llena tus mañanas de energía.
00:44:59A las 9.
00:45:00Juegos, consejos, moda y ejercicio solo en hoy.
00:45:03Que buen momento de lucir sus canas.
00:45:05Y al terminar, notas, reportajes, cocina y todo sobre los famosos en Cuéntamelo Ya.
00:45:11Lo bonito es que ya encuentras en cualquier parte del mundo un mariachi.
00:45:14De lunes a viernes.
00:45:15Con Las Estrellas.
00:45:19Cumplimos dos años juntos con Las Noticias en Punto.
00:45:22Dos años en el punto de la conversación.
00:45:24Conectándote con los personajes que marcan la actualidad.
00:45:28Siempre donde sucede la noticia.
00:45:30En Punto.
00:45:31Comprometidos contigo cada noche.
00:45:37No se pierdan las últimas semanas de amor amargo.
00:45:40Disfrútenla.
00:45:44Tengo que hablar con Tomás y decirle lo que está pasando.
00:45:47Tengo que recuperar mi vida porque vivir esto ha sido un infierno.
00:45:51Ay, vivir esto ha sido un infierno.
00:45:53Si es tu verdad, defiéndela.
00:45:54Y ojalá esta historia con Jaime termine ahí.
00:45:57No.
00:45:58No, no, no va a terminar ahí.
00:45:59Ahí empieza.
00:46:00Porque una vez que limpie mi nombre de cualquier sospecha,
00:46:03voy a luchar por mis derechos.
00:46:05Soy la viuda.
00:46:06Tengo derechos que no se están respetando.
00:46:10Entonces, en otra vera, pobre mujer golpeada y humillada por su tía.
00:46:21¿Qué pasó?
00:46:24Pues ya ves que mi mamá nunca va a cambiar.
00:46:27Cuidado.
00:46:28¿Ya ves que dicen que las hijas son el reflejo de las mamás?
00:46:31¿Perdón?
00:46:35Juan Pedro, ¿qué quieres decir?
00:46:37Nada.
00:46:38Ey, ¿qué pasa?
00:46:46Eva, hasta que no tengamos claro qué vas a hacer,
00:46:48lo mejor es que no te expongas.
00:46:50El hombre que trabaja con tu abuela...
00:46:52¿Israel?
00:46:54Estaba merodeando por mi casa.
00:46:56Sospechan que estás con nosotros.
00:46:58Y si logran encontrarte,
00:47:00van a usar la fuerza para llevarte de regreso a tu casa.
00:47:03Pues que vengan por mí.
00:47:04Bonita, ey, por favor.
00:47:06Ya te demostraron que si te quieren llevar al psiquiátrico,
00:47:09son capaces de casi casarte como si fueses un animal.
00:47:13Pues es que no soy un animal para que me estén casando.
00:47:16Yo no quiero estar encerrada.
00:47:17No, no, tranquila.
00:47:18No te estoy diciendo que lo hagas.
00:47:20Hay que ser prudente, sí.
00:47:21Yo creo en ti.
00:47:22Andrés cree en ti.
00:47:24Y yo también creo en ti.
00:47:26Todos creemos en ti,
00:47:28pero hay que manejar esto de otra manera.
00:47:31¿De qué manera?
00:47:33Te voy a hacer una propuesta, a ver qué piensas.
00:47:36Pero quiero que entiendas que es la propuesta
00:47:38de un amigo que quiere que estés bien, ¿ok?
00:47:40¿Qué?
00:47:41¿Qué propuesta?
00:47:43No.
00:47:44Todo lo que hicimos no sirve de nada.
00:47:46No hay una imagen donde te veas alegre, espontáneo.
00:47:50No puedes hablar de la felicidad con esos ojos tristes.
00:47:53Perdón, Candela.
00:47:54Es que lo que pasó entre mi mamá y Miriam
00:47:57me dejó un poco daño.
00:47:59Estás aprendiendo inglés.
00:48:01Ay, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no.
00:48:05No, no, no, no, no, no, no, no, no, no, no, no, no, no, no.
00:48:08No, no, no, no, no, no, no, no, no, no, no, no, no, no, no.
00:48:12Ay, cuando te conocí no decías que estabas down.
00:48:16Se te oye muy tierno.
00:48:18Bueno, por ti se me ha pegado.
00:48:21Esas cosas a mí ya le chocan, no sabes.
00:48:26¿Qué pasa?
00:48:27¿Te molesta que te hable de esos temas?
00:48:29No, no, no me molesta,
00:48:31pero tú sabes lo que siento por ti y sigue aquí.
00:48:36Prefiero que no hablemos de ella.
00:48:38Candela...
00:48:39Dime.
00:48:40No te molestes, pero también siento algo muy...
00:48:46¿Cómo podría decirlo?
00:48:49Algo...
00:48:51No sé, diferente por ti.
00:48:55Diferente...
00:48:59Dímelo, ¿algo como qué?
00:49:02Sí, siento algo...
00:49:05importante.
00:49:06Bonito por ti.
00:49:09Qué bueno que me lo digas.
00:49:12Pero como es bonito,
00:49:13no quiero que me conviertas en tu salvadora.
00:49:17Tampoco que me pidas mi hombro para que llores.
00:49:21Yo quiero...
00:49:25Olvídalo.
00:49:27¿Qué quieres?
00:49:28No, pues un abrazo.
00:49:31Venga.
00:49:36No.
00:49:44Nos vemos después.
00:49:56Pues la tienen allá en la casa de tu más patrona.
00:50:00Por supuesto que no me dejaron entrar,
00:50:02pero yo estoy completamente seguro
00:50:04de que está allí.
00:50:06Ese...
00:50:08desgraciado está metido en todo.
00:50:11Adonde mire está el infeliz ese.
00:50:14Es como la maleza, señora.
00:50:16¿Qué dices?
00:50:18Ese hombre es como la mala hierba,
00:50:20se va metiendo en todos lados
00:50:22y no se arranca de raíz.
00:50:26Israel, yo te pedí algo y no has cumplido.
00:50:29Enrique está investigando la muerte
00:50:31de Jaime y de Beatriz
00:50:33y tú no has hecho nada.
00:50:37Señora Leonor,
00:50:40eso está más claro que el agua,
00:50:43pero nadie lo acepta.
00:50:45Jaime Jiménez se aventó ese barranco
00:50:47con la señora Beatriz por venganza.
00:50:51Pues si usted misma lo ha dicho.
00:50:54Esa versión ya no me convence.
00:50:56Me la vendiste y la quiero creer,
00:50:58pero cada día me cuesta más trabajo
00:51:00aceptarla.
00:51:02La policía dijo claramente
00:51:03que fue un asesinato.
00:51:05¿Y qué quieres que haga yo?
00:51:07He estado engañándome a mí misma
00:51:09y ya no puedo.
00:51:11Pues si fue un asesinato,
00:51:12ya no fue.
00:51:14Quédese tranquila.
00:51:17Yo sé que le preocupa
00:51:18que usted tenga que ver
00:51:19en ese accidente,
00:51:21pero yo se lo voy a decir una
00:51:23y yo otra vez.
00:51:26Yo no los maté.
00:51:28Entonces,
00:51:30¿quién empujó
00:51:31ese carro al vacío?
00:51:33¿Quién?
00:51:35Esa...
00:51:37Es la versión
00:51:39de la policía, patrona.
00:51:43Pero,
00:51:45conociendo a los Jiménez,
00:51:47quizá
00:51:49Jaime le pagó
00:51:50a alguien para que lo hiciera.
00:51:52Sí,
00:51:53sí,
00:51:54eso debe haber sido.
00:51:56Jaime pagó
00:51:57para que alguien
00:51:58empujara el carro al vacío
00:52:01y morir con la mujer que amaba.
00:52:03Israel,
00:52:05si descubro
00:52:06que me estás mintiendo,
00:52:09voy a acabar contigo.
00:52:12¿Está claro?
00:52:20Sí.
00:52:25¿Provechito?
00:52:32¿Qué pasa?
00:52:34¿Qué?
00:52:35Pues te veo, ¿qué no puedo?
00:52:38No sé si con verme recuerdes
00:52:40que ya es hora
00:52:41de que me gires el dinero
00:52:42que me corresponde...
00:52:43Por tu mesada.
00:52:45A mí no me trates
00:52:46como una niña estúpida.
00:52:48Si te nombraron al Basea,
00:52:50no debe ser de a gratis.
00:52:52Algo te debe estar pagando
00:52:53por hacerlo.
00:52:56Y si aceptaste el cargo,
00:52:57cumple.
00:52:59¿Pero cómo vas, hijita?
00:53:00A mí no me truenes
00:53:01los dedos, Magdalena.
00:53:03Esas faltas de respeto
00:53:04no te las voy a permitir.
00:53:06Lo voy a hacer cuantas veces
00:53:07sea necesario.
00:53:08Y tú no tienes poder
00:53:09sobre mí.
00:53:10Yo no te tengo miedo.
00:53:13Mira cómo se escucha
00:53:14de precioso
00:53:15mi dinero, brujita.
00:53:16Mira, chatita.
00:53:18No te busques
00:53:19que hable con Tomás
00:53:20y que termine
00:53:21con esta pantomima.
00:53:22¿Y qué le vas a decir?
00:53:24¿Lo que tu mente macabra
00:53:25siempre se anda inventando
00:53:26de mí?
00:53:27¡Díselo!
00:53:28¡Ya no te tengo miedo!
00:53:29¡Habla!
00:53:31¿Qué les pasa?
00:53:32¿Qué son estos gritos?
00:53:34Que la señora
00:53:35tiene algo que decirte.
00:53:37Así como yo
00:53:38también tengo que decirte
00:53:39varias cosas.
00:53:41Adelanta, Dolores.
00:53:42No tienes por qué
00:53:43callarte más.
00:53:44Habla.
00:53:46Pero ten por seguro
00:53:47que yo también
00:53:48lo voy a hacer.
00:53:55Pero, ¿por qué?
00:53:57Tú me dijiste
00:53:58que ya todo estaba bien.
00:54:00Además,
00:54:01ya estás junto con Eva.
00:54:02¿Por qué se tienen que ir?
00:54:04Simón, no te pongas así.
00:54:06Escucha, Eva
00:54:07está mal.
00:54:08Tiene miedo.
00:54:09Le pasó algo muy malo
00:54:10y su familia
00:54:11en este momento soy yo.
00:54:12Tengo que protegerla.
00:54:14Si nos quedamos aquí
00:54:15puede ser peligroso.
00:54:17Pero
00:54:19ella tiene
00:54:20hermanas y abuelas.
00:54:21Sí, ya sé
00:54:22que las tiene,
00:54:23pero estar con ellas
00:54:24en este momento
00:54:25no es lo mejor.
00:54:26Nos iremos temporalmente.
00:54:28Bueno, pero
00:54:29si se van,
00:54:30¿a dónde irán?
00:54:31¿Quién será mi padrino?
00:54:33Tú.
00:54:34Tú siempre me prometiste
00:54:35que ibas a estar conmigo.
00:54:36¡Siempre!
00:54:37Y siempre
00:54:38voy a ser tu padrino.
00:54:39Eso no va a cambiar.
00:54:41Nos vamos a ir por un tiempo.
00:54:42No es definitivo.
00:54:43Ya te dije.
00:54:44Pues no me gusta la idea,
00:54:45padrino,
00:54:47porque yo conozco gente
00:54:48que dice eso
00:54:50y dicen,
00:54:51me voy
00:54:52y no me tardo.
00:54:53Pero mentira,
00:54:54nunca vuelves.
00:54:55No te voy a hacer
00:54:56como esa gente,
00:54:57te lo prometo,
00:54:58no voy a ser como esa gente.
00:54:59No,
00:55:00es más,
00:55:01no me busques.
00:55:02Aquí,
00:55:03en este momento
00:55:04te digo adiós.
00:55:06Si me marcas,
00:55:07te juro
00:55:08que voy a romper los cables
00:55:09para que nunca más
00:55:10llames.
00:55:11Simón.
00:55:14¿Ibal?
00:55:16Abuela,
00:55:17te voy a dejar en paz.
00:55:19No me busques,
00:55:20no me persigas.
00:55:22No voy a volver a la casa.
00:55:25No quiero regresar.
00:55:27Hija, por favor.
00:55:28No me digas hija.
00:55:30Mi mamá murió.
00:55:32No quiero volver a la casa.
00:55:34No quiero regresar.
00:55:36Hija, por favor.
00:55:37No me digas hija.
00:55:39Mi mamá murió.
00:55:41No quiero volver a la casa.
00:55:42Mi mamá murió.
00:55:44Estoy segura que ella
00:55:45jamás nos hubiera tratado
00:55:46como tú lo has hecho.
00:55:48Déjame tranquila,
00:55:49yo me voy a olvidar de todo.
00:55:51Ven a la casa,
00:55:52hablamos.
00:55:53Me voy
00:55:54a ir para siempre
00:55:55a este pueblo.
00:55:57Porque después
00:55:58de lo que me hiciste
00:55:59yo no quiero volver
00:56:00a verte nunca
00:56:01en mi vida.
00:56:03Ya no te tengo miedo.
00:56:05No me digas eso.
00:56:07Todo lo que he hecho
00:56:08lo he hecho para...
00:56:09No me digas nada.
00:56:10No quiero escucharte.
00:56:12Es lo que siento
00:56:14y yo no puedo mentir
00:56:16aunque a ti no te gusta
00:56:17escuchar la verdad.
00:56:30Patrona,
00:56:32si quiere puedo reunir
00:56:33algunos trabajadores
00:56:34y ir por ella.
00:56:39¿Conmeter a tu nieta
00:56:40a un psiquiátrico
00:56:41estás logrando que esto
00:56:42se haga más grande,
00:56:43¿no crees?
00:56:45No insistas, León.
00:56:48Lo de Eva
00:56:49no tiene importancia.
00:56:52Perdón,
00:56:54lo estaba pensando
00:56:55pero creo que no,
00:56:56no, no, Israel.
00:56:58Eva aprendió la lección.
00:57:00Mire,
00:57:01yo no me quiero meter
00:57:02en sus asuntos
00:57:03ni en cómo educa
00:57:04a las señoritas,
00:57:06pero Eva es menor de edad
00:57:09y está con esa gente.
00:57:11Ya verás,
00:57:13volverá arrepentida a la casa.
00:57:16Es cuestión de tiempo
00:57:18y mientras no se meta conmigo
00:57:20le haga lo que le parezca.
00:57:28No pueden estar
00:57:29todo el tiempo discutiendo.
00:57:30¿Qué les pasa?
00:57:31¿Qué pasa con ustedes dos?
00:57:33Esta mujer
00:57:34dice que yo mandé
00:57:35matar a Jaime
00:57:36¿y sabes por qué?
00:57:37Porque seguro
00:57:38anda coludida
00:57:39con el bandido
00:57:40ese que trajiste
00:57:41aquí a la casa.
00:57:43Julio,
00:57:45todo para culparme
00:57:46de algo que yo no hice
00:57:47para extorsionarme.
00:57:49¿Pero cómo te atreves?
00:57:51Tú y él tenían una relación.
00:57:53Vamos a aclarar esto
00:57:54de una vez.
00:57:56¿Qué es lo que está pasando,
00:57:57Dolores?
00:57:58Magdalena y Julio
00:57:59se entienden.
00:58:00¡Mentirosa!
00:58:02Tú quieres acabar conmigo
00:58:04pero no tienes pruebas.
00:58:06Si te pones así
00:58:07es porque algo hay.
00:58:08Hay gente que te vio
00:58:09hablando con Julio
00:58:11antes de que Tomás
00:58:12lo trajera a esta casa.
00:58:14No puedes acusarme
00:58:15diciendo que alguien dijo
00:58:16que alguien me vio.
00:58:18Di nombres, dilo.
00:58:19¿Quiénes son?
00:58:20En su momento
00:58:21lo voy a decir
00:58:22pero estoy segura
00:58:23que tu relación
00:58:24con ese tipo
00:58:25tiene que ver
00:58:26con la muerte de mí, Jaime.
00:58:27Embustera.
00:58:29Qué bonito atacar
00:58:30sin tener pruebas, ¿no?
00:58:32Pero yo sí las tengo, Tomás.
00:58:34Sé algo
00:58:35que te va a cambiar
00:58:36la idea sobre esta mujer.
00:58:38Va de santa.
00:58:40Pero ella...
00:58:41¡Cállate, Magdalena!
00:58:43Tú empezaste una guerra
00:58:44teniendo mucha cola
00:58:45que te pisen.
00:58:47Ahora te vas a tener
00:58:48que aguantar.
00:58:50Esta mujer
00:58:52es la culpable
00:58:53de que tu mamá esté muerta.
00:58:56Su esposo fue el que
00:58:57entró a tu casa
00:58:58hace años a robar
00:58:59y mató a tu madre.
00:59:02De cierta manera
00:59:03tú también eres la asesina.
00:59:08¡No!
00:59:17Eres mi nieta.
00:59:19Mi sangre.
00:59:21Jamás
00:59:22haría nada
00:59:23que te dañara.
00:59:25Háblale a Vera.
00:59:26Permítele ayudarte.
00:59:28Y ayúdala tú también
00:59:29a librarse de ese monstruo
00:59:30que es Enrique Olivares.
00:59:32Vas a ser mío, Tomás.
00:59:35Y de nadie más.
00:59:36Te quieren alejar del pueblo.
00:59:37Te quieren alejar de mí.
00:59:39Así que tenemos
00:59:40que saber la verdad.
01:00:03Román Martínez Peralta
01:00:04se le sentencia
01:00:05a una pena
01:00:06de 15 años de prisión
01:00:08por el delito
01:00:09de abuso sexual
01:00:10en contra de la joven
01:00:12Nora Alcaraz Soto.
01:00:15Deberían de dejarlo
01:00:16toda su vida en prisión
01:00:17por lo que le hizo
01:00:18a nuestra hija.
01:00:34¡No!
01:00:40¡No!
01:00:46¡No!
01:01:04¡No!
01:01:21No, espera.
01:01:22¿Qué?
01:01:24¿Acaso no quieres
01:01:25que estemos juntos?
01:01:26No lo sé.
01:01:28Te amo,
01:01:29pero no estoy segura
01:01:30de estar lista.
01:01:32Tranquila.
01:01:33Eso es lo de menos.
01:01:36Yo te voy diciendo
01:01:37qué es lo que tienes que hacer.
01:01:39Solo déjate llevar.
01:01:41No, suéltame.
01:01:42¡Ahora te aguantas!
01:01:44Me tienes muy prendido
01:01:45y no me voy a quedar
01:01:46con las ganas.
01:01:47¡Cállate!
01:01:48¡Cállate!
01:01:49¡Cállate!
01:01:50¡Cállate!
01:01:52¡Cállate!
01:01:53¡Cállate!
01:01:54¡Cállate!
01:01:55¡Cállate!
01:02:00¡No!
01:02:01¡No, por favor, no!
01:02:02¡Por favor, por favor!
01:02:03Tranquila, tranquila.
01:02:04Tranquila, tranquila.
01:02:05Fue un sueño.
01:02:06Fue solo un sueño.
01:02:07Solo es un sueño.
01:02:08Tranquila.
01:02:09Respira.
01:02:11Respira.
01:02:12Siempre es tan maldito
01:02:13el pesadillo.
01:02:16Nunca voy a olvidar
01:02:17lo que Román me hizo.
01:02:21Yo confiaba en él.
01:02:24Yo lo amaba.
01:02:27Y él no le importó nada.
01:02:30Abusó de mí.
01:02:32A pesar de que le supliqué
01:02:35que no lo hiciera.
01:02:37Le supliqué.
01:02:39Hay personas
01:02:41que saben esconder su maldad.
01:02:44Y por eso tú no eres responsable
01:02:45de lo que él te hizo.
01:02:48¿Responsable o no?
01:02:51Mi vida ha acabado.
01:02:56Y este bebé que viene
01:02:59me lo recordará
01:03:00siempre.
01:03:02No, no lo veas así.
01:03:05Este bebé te puede traer
01:03:06muchísimas alegrías
01:03:08si tratas de olvidar
01:03:09la manera en la que fue concebida.
01:03:12No.
01:03:14Todo ha acabado para mí.
01:03:17Todo, Paulina.
01:03:21Todo.
01:03:30¿Todo bien?
01:03:33Tengo reflujo.
01:03:35Ya no puedo comer más.
01:03:37Pero debes hacer el esfuerzo
01:03:38para que estés sana.
01:03:40Voy por tu antíacido.
01:03:49No tendrías que tomar nada
01:03:50si no te hubieras embarazado.
01:03:53Lo sé.
01:03:55Pero no lo harías.
01:03:57Lo sé.
01:03:59Pero te juro
01:04:00que yo no quería
01:04:01que esto pasara.
01:04:02La verdad no te creo.
01:04:04Nos ocultaste
01:04:05que estabas saliendo
01:04:06con un hombre mayor
01:04:07y estas son las consecuencias.
01:04:09¡Ya basta, papá!
01:04:11Bastante estás sufriendo, Nora,
01:04:12como para que encima
01:04:13le reproches.
01:04:15Mejor ponte tú a pensar
01:04:16por qué mi hermana
01:04:17tuvo que ocultarte
01:04:18que tenía una relación.
01:04:20Porque tu hermana
01:04:21es una tonta, por eso.
01:04:22¡No!
01:04:23Es porque no podemos
01:04:24confiar en ti.
01:04:25¡No confiar en ti!