The sad story of Andersen's little match girl; the fate of Balthazar, Bresson's donkey; the impossible love affair betwe | dG1fZW5zcmJBWnViQkE
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Short filmTranscript
00:00In January 2014, the German composer, Helmut Lachenmann,
00:06traveled to Buenos Aires to write an opera in the Teatro Colón.
00:10The opera was called La Vendedora de Fósforos.
00:13This film is a diary of that editing.
00:15What do I do then?
00:16You don't do anything.
00:17There is an orchestra that plays a crazy music.
00:20Who pays for this? Me?
00:22Walter, you told me you were going to take care of our daughter,
00:24I have to go to work with the old woman.
00:25Did the man pay for it? No.
00:26There is a donkey.
00:27There is a girl named Cleo.
00:29There is a state theater that employs almost all the characters in the story.
00:34How do we get the money for this?
00:36There are two nice characters who work for that theater
00:39and who could be working anywhere else.
00:42La Vendedora de Fósforos.
00:44There are gremial problems within the orchestra.
00:46There are gremial leaders who speak in the name of the orchestra.
00:49There are even public officials
00:53who act as public officials.
00:57There are parishes outside the orchestra.
01:01There are many pianos.
01:03There is a German guerrilla from the 1970s.
01:06And there are other characters who walk around like they are ambulances
01:09and who spread the story.
01:11Helmut Lachenburg himself.
01:16The Argentine pianist Margarita Fernández.
01:22A character played by Walter Iaco.
01:26With the opera.
01:27And another character.
01:28Celestial music.
01:29I.
01:30Played by María Villar.
01:32Hello.
01:33Who have called
01:34La Vendedora de Fósforos.
01:35Alone. A girl alone.
01:36Marí.
01:56La Vendedora de Fósforos