Un nuevo ingreso empezó rápidamente a provocar conflictos en el reality del 13, junto con otros enfrentamientos y confesiones que se dieron en el quinto capítulo de "Palabra de honor".
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00:00:00SILENCIO Y ESCUCHEN
00:00:30If you hear this sound, you will have to change to Franco's or Civil's tenants.
00:00:49In those days, Mr. Teletón had galugas all over Oaxaca.
00:00:53And what happened?
00:00:55Years passed.
00:00:56Is your brother saying it was the wrong hand?
00:00:59Whose?
00:01:00Of Blue Mary.
00:01:01Why? She's not to be confused, but she said you were like a pololo like her?
00:01:05No, I don't know.
00:01:07Besides, I want to tell you something else that I like about your little show.
00:01:14If it was so bad, why are you sending me messages now that you know?
00:01:20And dance! And dance!
00:01:27Recruits!
00:01:36Good afternoon recruits, how are you?
00:01:38Good afternoon!
00:01:41We have come with Sergio to make a big announcement.
00:01:46The fires open in the process of eliminating this first week in honor.
00:01:57THE FIRST COMPETITION
00:02:16Three, two, one, let's go!
00:02:18THE FIRST INDIVIDUAL COMPETITION
00:02:24The first individual competition begins.
00:02:38There she is, Oriana Ancesta, the third tire.
00:02:41And we have the winner of the first individual competition.
00:02:45In words of honor.
00:02:48THE SECOND INDIVIDUAL COMPETITION
00:03:19Good morning!
00:03:23Sorry, good morning everyone, but I have to ask, what is that?
00:03:27I don't know either.
00:03:28What is this zoo, my God?
00:03:30Was there a competition?
00:03:31Yes.
00:03:33And you lost?
00:03:34Get us out of here.
00:03:35I'm penultimate and he's last.
00:03:37Do we deserve to get them out today or not?
00:03:39Yes!
00:03:40It's the audience!
00:03:43And you, why are you still not so clean?
00:03:46Listen to your mother.
00:03:50You're all wrong.
00:03:52Listen, you're all wrong.
00:03:53The only one who's right is you.
00:03:56Don't laugh at me.
00:03:58Don't laugh at me, I'm serious.
00:04:00Talk to me.
00:04:01No, no, no.
00:04:03First.
00:04:07This is going to be a kiss competition.
00:04:10You decide who gives the kiss and who receives it.
00:04:14Angela is painting her lips.
00:04:16It's going to be 15 kisses.
00:04:18And when you're ready, we'll start with the 15 kisses.
00:04:22Look, look!
00:04:34I think she's painting her lips.
00:04:40The party's starting!
00:04:44The party's starting!
00:04:55Hey, someone's coming!
00:05:04Honey!
00:05:06The groom!
00:05:10Can you come here, please?
00:05:13I'm going to leave this picture in the gallery.
00:05:19No!
00:05:21Take your place.
00:05:22I'm the one who's going to leave it here.
00:05:24I'm going to take your place.
00:05:26Put the picture.
00:05:27Why do I have to put his picture here?
00:05:28Well, because I'm the groom.
00:05:29Because yours is there.
00:05:30No, put it right.
00:05:33Put it next to yours so you can see it.
00:05:35You take your place.
00:05:36Finish talking.
00:05:37You'd better not talk to me because they'll give you two days.
00:05:39Shut up.
00:05:40They'll give you two days when they know you.
00:05:41You better shut up.
00:05:42Look for my mouth so you can find it quickly.
00:05:46Hello, how are you?
00:05:47Good evening, everyone.
00:05:48Welcome to the fifth episode of this heroic adventure
00:05:51known as Word of Honor, Loyalty or Betrayal.
00:05:54Today we'll see how a new participant enters the reformatory.
00:05:58We'll also witness the recruits' physical condition
00:06:02and something even more delicate.
00:06:03Will they be able to work as a team?
00:06:05Well, we'll see that in a little while.
00:06:08About nightlife, it seems impossible to achieve discipline in the participants.
00:06:13But Comandante Rattia assures that she will be able to print rigor
00:06:17and, of course, a lot of order in each of them.
00:06:20And about the nightlife and nightlife,
00:06:23let's see how the welcome party of each of the recruits lives.
00:06:31Now each of the couples will have to play for their permanence.
00:06:36And that's why now we're going to play the penance.
00:06:40And the couple that wants to stay at this party
00:06:43will have to challenge one of the winning couples.
00:06:47Who wants to go first?
00:06:49Okay, Dach, Cata, please tell me which couple you want to challenge.
00:06:55Look, Marcianeke with Anaís.
00:07:01If both of them do the penance, both couples stay.
00:07:05Please, Marcianeke, Anaís.
00:07:08Cata, please choose a penance grenade.
00:07:11Choose the number one grenade and challenge Marcianeke with Anaís.
00:07:16Let's read the penance.
00:07:18In the number one grenade.
00:07:21The penance says more or less like this.
00:07:24Drinks on the spot.
00:07:26What is this about?
00:07:28You will have to choose one.
00:07:30And the one who drinks a shot of beer faster will win.
00:07:34No, no, no!
00:07:39Okay, who's going? Marcianeke versus Dach.
00:07:44The one who wins, wins.
00:07:46Three, two, one, let's go!
00:07:56Drink it, drink it.
00:07:58Both couples stay.
00:08:01Cata and Dach, welcome to the party. Marcianeke and Anaís stay.
00:08:08Who will you challenge?
00:08:13Falon or Diana?
00:08:14Falon and Uriana are the winners.
00:08:17Do you know why? Because you know I don't do these things.
00:08:21Uriana and Falon.
00:08:23Let's do it.
00:08:27Antonella, please.
00:08:30The one who looks the most.
00:08:31That one, the one who looks the most.
00:08:34What does that say?
00:08:37Hands on the dough.
00:08:39I'm going to explain it to you right away.
00:08:41You can choose someone from the couple.
00:08:44You are the same as someone from the couple.
00:08:46And you will have to recognize three men only with your hands.
00:08:51And I'm going to put them in front of you.
00:08:54Do you want to play?
00:08:56Who wants to play?
00:08:57No, I don't want to play.
00:08:59I'm going to sacrifice myself.
00:09:02For the couple of Uriana and Falon.
00:09:05I'm going to sacrifice myself.
00:09:06She's going to sacrifice herself and she's going to play.
00:09:08Three men.
00:09:13Falon, you can start playing.
00:09:21Ah, Enrico.
00:09:34She's nervous, she's nervous.
00:09:37Take advantage of your silly face.
00:09:38As if you didn't know who you were playing with.
00:09:40Of course, take advantage of it.
00:09:42I'm going to play with my mouth.
00:09:50He knows, he knows, he knows.
00:09:51He knows what he's going to do.
00:09:56It's been like half an hour.
00:09:58Yes, yes, take advantage of it.
00:10:00Okay, Falon.
00:10:01I don't have it clear yet.
00:10:03I don't have it clear.
00:10:04Thank you, Uriana.
00:10:06Are you sure?
00:10:07It's Fabio.
00:10:08Fabio.
00:10:09It's Fabio.
00:10:11Very good.
00:10:15Falon, please stretch your hands.
00:10:18Your arms.
00:10:20Fabio, Fabio.
00:10:24It's easy, it's easy.
00:10:26Really?
00:10:28Touch this.
00:10:29Don't discriminate because it's a cookie.
00:10:32Don't discriminate because it's a cookie.
00:10:34This, this, look, look.
00:10:38Josue, Josue.
00:10:41Spectacular.
00:10:45Fabio, please, Fabio.
00:10:47No, but why me?
00:10:48Let her do it.
00:10:49No, because, because...
00:10:50Give it all, give it all.
00:10:52Please, Fabio.
00:10:53Come on, come on, come on.
00:10:57Are you ready, Fabio?
00:10:58Ready.
00:10:59Let's go.
00:11:00In a moment.
00:11:06Watch your chest.
00:11:07Careful, don't touch your hands.
00:11:09Don't touch his hair.
00:11:11Careful.
00:11:13There.
00:11:16This is, this is...
00:11:17The red one, damn it.
00:11:23Fabio, you can stretch your arms.
00:11:25Are they women?
00:11:26Yes.
00:11:27We don't know.
00:11:28Careful with what you touch.
00:11:29We don't know.
00:11:32Go ahead, go ahead.
00:11:34There, there.
00:11:39Don't worry, I'm not going to bite you.
00:11:41This is Galita.
00:11:45I have a question.
00:11:46How did you get up just by touching Galita's back?
00:11:49By her shoulders.
00:11:50When she touched them.
00:11:51I didn't touch them, but I saw them well.
00:11:54How observant, Fabio.
00:11:56She's a woman.
00:11:57Yes.
00:12:08I forgot the last name.
00:12:09Urbe, Urbe.
00:12:11Damn, it's grey, it's grey.
00:12:14I know by the sleeves.
00:12:16Yes, damn, it's you.
00:12:17Do you want a kiss or what?
00:12:20Kiss, kiss, kiss, kiss, kiss.
00:12:24Let's go, Jo.
00:12:35I'm shaking a lot.
00:12:36Who is?
00:12:37Who is?
00:12:39I don't know.
00:12:40You don't know?
00:12:41You didn't say the last name.
00:12:42Urbe, Urbe.
00:12:43It's a Basque last name, but it's not Basque.
00:12:45Urtubia.
00:12:46Urtubia, damn.
00:12:47Very good.
00:12:49I ask you one thing.
00:12:50Learn my name.
00:12:51One thing.
00:12:52Hey, Natu.
00:12:55Did you change to Jo for Fabio?
00:12:57To Jo for Fab?
00:12:58To Jo for Fab.
00:12:59Yes.
00:13:00We have an open relationship.
00:13:01We have an open relationship.
00:13:02Does it bother you, love?
00:13:03No, of course not.
00:13:05Very good.
00:13:07You know what?
00:13:08Both couples stay in the party.
00:13:12Go over there.
00:13:13Who are the next volunteers?
00:13:15Caño and Lefa, you have to tell me which couple you are going to challenge.
00:13:19Her name is Julie.
00:13:21And his name is Vico.
00:13:23No, Mel.
00:13:24Mel.
00:13:25No, Caño.
00:13:27They are confused.
00:13:30I have Mel's water on me.
00:13:31Mel says, hold me, Mel.
00:13:32Okay.
00:13:33I'm going to say something to my boyfriend.
00:13:34He says, hold me.
00:13:35Do it like this.
00:13:37Andres or Sergio, choose a grenade.
00:13:42I like black.
00:13:43You like black?
00:13:44Okay.
00:13:45Grenade number four.
00:13:46This is called hot race.
00:13:50One of you two has to participate in this penance.
00:13:53And one of you two also has to participate in this...
00:13:55Of course.
00:13:56No.
00:13:57I already bit my dog today.
00:13:58It's my turn.
00:13:59Okay.
00:14:00Very good.
00:14:01Applause for Mel.
00:14:02In representation of the group.
00:14:04What you have to do is run in underwear, touch the wall.
00:14:11Now.
00:14:12Now.
00:14:16Everything to stay in the first party.
00:14:18The first party.
00:14:19Very good.
00:14:21Run, my love.
00:14:22Run.
00:14:26Come on, Andres.
00:14:29Koala.
00:14:30Koala.
00:14:33Don't cry.
00:14:34Don't cry.
00:14:35Don't cry.
00:14:36Don't cry.
00:14:37Don't cry.
00:14:38Don't cry.
00:14:41I love you.
00:14:43Come on.
00:14:46Receive him.
00:14:47Receive him.
00:14:48My love.
00:14:49My love.
00:14:52Stay in the party.
00:14:59Next.
00:15:00Who stays?
00:15:01Viko and Angela.
00:15:04Very good.
00:15:05Very good.
00:15:06Thank you very much.
00:15:07The couples must submit to the next penance, which is called...
00:15:11Mortal Lips.
00:15:17This is going to be a kiss competition.
00:15:20You decide who gives the kiss and who receives it.
00:15:23You.
00:15:24Who is going to give the kiss and who receives it?
00:15:25He gives me the kisses.
00:15:26Okay.
00:15:27Gala receives.
00:15:28Very good.
00:15:29You.
00:15:30Who is going to give the kiss and who receives it?
00:15:32You decide.
00:15:35You are a representative.
00:15:36I don't do anything without my representative.
00:15:39She gives me the kisses.
00:15:40She gives me the kisses.
00:15:42We have the lipsticks.
00:15:43The person who is going to give the kiss.
00:15:45Gala.
00:15:46The person who is going to give the kiss.
00:15:47I don't want to.
00:15:48I don't want to.
00:15:50Then you are going to be the only couple who are going to leave the party.
00:15:53No, no, no.
00:15:54Stop.
00:15:55Neither.
00:15:56No, I don't know what.
00:15:57I don't want to kiss another woman.
00:16:00She kisses him on the arms.
00:16:02Julie.
00:16:03Yes.
00:16:04You can take her out.
00:16:05You can take her out.
00:16:13Angela is painting her lips.
00:16:15There are going to be 15 kisses.
00:16:17Where can I go?
00:16:18We are going to count.
00:16:19Let's see if they help me.
00:16:20She is telling me that it's cold or hot.
00:16:21If I tell her it's cold, she can't.
00:16:22If I tell her it's hot, she is getting closer to the ban.
00:16:25Ah, okay, perfect.
00:16:26She can't.
00:16:27Okay, let's start.
00:16:30One, two, three.
00:16:34One, two, three.
00:16:47Okay, Mico, please, step forward.
00:16:50Julie.
00:16:52This is for you, Julie.
00:16:54Let's take this out so she can see it and we can comment on it together.
00:16:57Julie, come on.
00:17:00Okay.
00:17:01Come on, Angela.
00:17:02Whenever you want.
00:17:03We'll start with the 15 kisses.
00:17:05I'll do the same.
00:17:08One, two, three, four, five, six, seven, eight, nine, ten.
00:17:18Don't be afraid, don't be afraid.
00:17:23Julie knows it's a game.
00:17:26I'm getting goosebumps.
00:17:28I'm getting goosebumps.
00:17:48She's going to kill her.
00:17:50She's always like that.
00:17:51Come on, come on, come on.
00:17:52It's hot.
00:17:53She's getting goosebumps.
00:17:59The bar.
00:18:00No, wait, wait, wait, wait.
00:18:02Do you want to see the bar?
00:18:03Do you want to see the bar?
00:18:06Nothing gets close to the face.
00:18:08Nothing gets close to the face.
00:18:10The last one, the last one.
00:18:12Ah, yes, the wedding.
00:18:14Spectacular.
00:18:17My friends, you're all staying at the party.
00:18:24I'm going to kill him.
00:18:25See you, guys.
00:18:26Take care.
00:18:32I put a little star in a photo.
00:18:34A little star in a photo.
00:18:36You're the best, girl.
00:18:38Why don't you make a scene?
00:18:40Why don't you make a scene?
00:18:42Now you understand me.
00:18:44Ah, yes, that's it.
00:18:47Nothing happens.
00:18:48There's no connection with the night.
00:18:54They touched you well, I think.
00:18:56Yes, they touched me well.
00:18:59Part by part.
00:19:00Well, my second one, I already knew who it was.
00:19:03And sometimes you're going to have to eat the real one.
00:19:06Another one.
00:19:09No, I eat them both.
00:19:10They touch me like an activity.
00:19:12Sure, that's what they do.
00:19:13Well, I'm a forward, bro.
00:19:15They touch you at the wedding.
00:19:16They touch you at the wedding.
00:19:23He's a forward.
00:19:29Poor Miss is having a terrible time.
00:19:32Terrible.
00:19:34And Vico is super light.
00:19:36He's light.
00:19:37But I think Miss was more nervous because she was there.
00:19:41Obviously.
00:19:42Do you want one?
00:19:47Ah!
00:20:08There! Turn around!
00:20:11I don't know how you're going to eat them.
00:20:13Who?
00:20:14Us.
00:20:15Look.
00:20:16All of them.
00:20:17All of them.
00:20:18Like real peacocks.
00:20:19Of course.
00:20:20Real peacocks.
00:20:21It's over.
00:20:22Throwing the pheromone there.
00:20:26Listen to me.
00:20:27I can't say the same.
00:20:28Yes, you can.
00:20:29But you have to try.
00:20:30Listen to me for a second.
00:20:31I'm going to like José Rubio.
00:20:32Okay.
00:20:33The antithesis is yours.
00:20:34Okay.
00:20:36Rubio with green eyes and another one, a caveman.
00:20:39Nobody.
00:20:42She kissed the one I liked.
00:20:43And we went.
00:20:44And look at us.
00:20:45She ate the one who was my boyfriend.
00:20:46Well, they're hand in hand.
00:20:48And we eat hand in hand.
00:20:49But it's the competition.
00:20:50I don't care.
00:20:51That's how it is.
00:20:52How are you having fun?
00:20:53The tymbales.
00:20:54No, sir.
00:20:55No, sir.
00:20:56No, sir.
00:20:57No, sir.
00:20:58No, sir.
00:20:59No, sir.
00:21:00No, sir.
00:21:01No, sir.
00:21:02No, sir.
00:21:03I'm going to be the godmother of this wedding.
00:21:05You're going to my wedding.
00:21:07Besides, Paco adores you.
00:21:10I swear.
00:21:12Give me your hand.
00:21:14That's it.
00:21:19Save me, God.
00:21:24I'm going to join you.
00:21:27I'm going to join you.
00:21:33I'm going to join you.
00:21:35One minute. We have one minute.
00:21:37I think so.
00:21:38We have one minute.
00:21:43No, no. All of them.
00:21:47Cañonler, we have one minute.
00:21:49It's now or never.
00:21:51He arrived at the lock-up.
00:21:53Bring everything you have from your bed.
00:21:55Okay.
00:21:56You already took care of this one.
00:21:58The dojo, this one.
00:21:59Okay. And this one?
00:22:00The cata.
00:22:01There I go.
00:22:07I'm going to sleep here.
00:22:09I was going to sleep here.
00:22:10Hey, it's over for everyone.
00:22:12Oh, for everyone?
00:22:14Sergio, let's close the door.
00:22:16Hey, if you put a cardboard on that, it's going to close.
00:22:20Let's close the door.
00:22:22Let's close the door.
00:22:26Trust me.
00:22:27No, no, no.
00:22:28A true ruffian.
00:22:30That's it.
00:22:31Wait.
00:22:32Yes, it was.
00:22:33Wait.
00:22:34Hey, look.
00:22:35If I put that, we'll close it.
00:22:37And we'll leave it together.
00:22:40In case of emergency.
00:22:41Imagine an earthquake.
00:22:43You were right.
00:22:44And they forget us here.
00:22:46Hey, miss. Where was miss?
00:22:48Miss and Vico are not here.
00:22:49Careful, Julie is here.
00:22:50Okay.
00:22:51Oh.
00:22:52Julie.
00:22:53Don't worry.
00:22:54But where is Vico and where is miss?
00:22:57This is his daughter.
00:23:00What a bitch, my friend.
00:23:02Girl, I think we should go look for him.
00:23:04You're a ruffian.
00:23:05You're a ruffian.
00:23:06I'll tell you the kisses.
00:23:08I'll tell you.
00:23:09If it's 16, it's over.
00:23:11I'm going to cross the fence.
00:23:13I don't care.
00:23:14Look what happened.
00:23:15I'm going to see where he is.
00:23:16Then we're with the ex.
00:23:17It's not enough.
00:23:18Then we fight for some of your kisses.
00:23:20Then he got a little star.
00:23:22I mean, how can you say that?
00:23:24What?
00:23:25Yes, I see.
00:23:30They're going to expand.
00:23:32No.
00:23:33Come on, man.
00:23:34You're taking a shit.
00:23:35No.
00:23:36Come on.
00:23:37Come on, man.
00:23:38You're taking a shit.
00:23:39No.
00:23:40Yes.
00:23:41No.
00:23:42No.
00:23:43No.
00:23:44And you?
00:23:45Yes.
00:23:46The winner.
00:23:47The winner.
00:23:48The winner.
00:23:49Come on.
00:23:50Come on.
00:23:51I'm going to take a shit.
00:23:53Did you see how poisonous it is?
00:23:55Yesterday I said it.
00:23:56That one.
00:23:57That one.
00:23:58See?
00:24:07I'm so grateful.
00:24:08Now you don't close everything.
00:24:12For the sluts.
00:24:13Who closed it?
00:24:14André.
00:24:15What a loser.
00:24:17But it was worth it.
00:24:20Look who's coming, Miss Callenita.
00:24:23A miss makes the loser.
00:24:28I'm serious, I'm not meditating.
00:24:30If she has more than 15 kisses, I think she's going to do something.
00:24:33You better go inside.
00:24:34Take care of your makeup, your makeup bag.
00:24:37My hair, I'd better tie it up.
00:24:40And if you're going to puke, don't come with you.
00:24:50Come, come, come.
00:24:52Julie is always like this.
00:24:54It was, with me it was the first...
00:24:57Ah, it's normal, it's not a role.
00:24:59But you're not acting, this was real.
00:25:02Ah, because later she wanted to make it happen as she wanted.
00:25:04I'll tell you something, thank that island of temptation for what she did.
00:25:09I loved it.
00:25:10Just like they say macabeo, you don't hear that.
00:25:12That people are very shitty.
00:25:13When they say macabeo, they say everything.
00:25:15Macabeo means abandoned by everything.
00:25:18Ah, I got it wrong.
00:25:19No, no, no.
00:25:20No, but still, I get it wrong, no, my love.
00:25:23Tell me, my love, tell me.
00:25:24You are going to make me look like a...
00:25:26And it's not that bad.
00:25:27Look, you with your hair like that in your face.
00:25:29And it's not that bad.
00:25:30I'm going to go out, my brother.
00:25:32You're going to go out soon, man.
00:25:33I'm going to get free.
00:25:35You're going to be free soon.
00:25:36I'm going to get free.
00:25:37You're going to be free soon.
00:25:38I'm going to get free, brother.
00:25:40You're going to get free.
00:25:42I'm going to go out, man.
00:25:45We're talking with the lawyer.
00:25:47He says he'll come to you later.
00:25:50Come on, calm down.
00:25:51Give him a kiss, my little girl.
00:25:52I'm going to make him get drunk so he can get me out of here later.
00:25:54Give him a kiss.
00:25:55It looks like you're in the module.
00:25:57We have to go to bed.
00:25:59I don't want to, brother. I don't want to.
00:26:00I don't want to say goodbye.
00:26:02I don't want to.
00:26:03I don't want to.
00:26:04It's over.
00:26:05It's over, brother.
00:26:06It's over.
00:26:07It's over.
00:26:08It's over.
00:26:09It's over.
00:26:11The good thing is that the guys are happy
00:26:13because Cañules is going to sleep in the...
00:26:15Oh, not again.
00:26:21I recommend you go to the other side.
00:26:23Why?
00:26:24To avoid my snoring.
00:26:25And you, if it's like that?
00:26:26Yes, yes.
00:26:27What's the difference?
00:26:28No, I think you'll hear less.
00:26:29But one thing is that it reaches your ear directly
00:26:31and another thing is that it reaches you instantly.
00:26:33What's wrong with her?
00:26:34No, but I'm putting it on so that my nostrils open.
00:26:38So that you don't snore.
00:26:39To avoid snoring less.
00:26:41Good.
00:26:43MADRID, SPAIN
00:26:50When we're like this, we're so funny,
00:26:52and we all laugh.
00:26:53No, but we don't give a damn about what we have.
00:26:55Our relationship?
00:26:56But don't even ask.
00:26:57It's not crazy.
00:27:00I'm going to move in with you from here
00:27:01and you'll move in with me from here.
00:27:02There's no way.
00:27:03There's no, no way
00:27:05that we'll corrupt our relationship
00:27:07or that we'll break up.
00:27:08We'll fight more, less, more, less.
00:27:10The more stupid it is to go crazy,
00:27:12Some crazy people, I don't know, but it's impossible.
00:27:15You're not going anywhere.
00:27:22Tell me, are you afraid?
00:27:24No, I'm not.
00:27:25We've solved worse things.
00:27:29We can't sleep together.
00:27:31I'm going to sleep with Hugo for a while, then we'll separate.
00:27:33Ok, I'm going to put this on.
00:27:36Oscar and Galleta have to do the plan today.
00:27:39Let me, let me.
00:27:41Prison Break.
00:27:44A night escape.
00:27:46Yes.
00:27:47We have to see how to do it.
00:27:49Let me make it bigger.
00:27:51I came here with all the tattoos, with the map.
00:27:54This guy has the map.
00:27:57I cover your backs.
00:27:59Today, Oscar and Galleta are going to give me the big blow.
00:28:01They're going to tear it from here.
00:28:06We are the Oscar and Galleta,
00:28:08because we are the most flirty, the most neighborhood.
00:28:11How do you say that word in Spain?
00:28:13Barrio de Abajera.
00:28:14Because before, here in Chile, for example,
00:28:17there were criminal gangs called, I don't know,
00:28:21Los Carepelotas, Los Carejarros.
00:28:23Do you get it?
00:28:25So they gave us the Oscar and Galleta.
00:28:29And did you like it?
00:28:31Their kisses.
00:28:32They were like, oh, kisses and that's it.
00:28:35But if you wanted.
00:28:37So you're not going to marry him?
00:28:39No.
00:28:40It's not for that.
00:28:42No.
00:28:43It's just that I like them very silly.
00:28:46I'm going upstairs.
00:28:47I have Galleta waiting for me.
00:28:49A relative is over there.
00:28:54First kiss, then.
00:28:56Come on, man.
00:28:58Come on, come on, come on.
00:29:00I'm going upstairs.
00:29:01Bye, man.
00:29:02Bye, brother.
00:29:04How crazy.
00:29:06It's all the time, right?
00:29:08And they last so long.
00:29:10Imagine that Gala, Oriana, and the other Yuli
00:29:13get up here in the morning.
00:29:17Those girls, how will they be without makeup?
00:29:19Imagine Oriana is brunette.
00:29:22Crazy.
00:29:23I have no idea.
00:29:24It's all a lie.
00:29:26They pose like that.
00:29:28It's because we've never seen them without makeup.
00:29:31But you've never seen them before an hour?
00:29:34No, no, no.
00:29:35I saw pictures before the surgery.
00:29:38And it was another person.
00:29:43And Gala doesn't understand that he doesn't have to get in the way of the horses.
00:29:48Because he trusts them.
00:29:49Because he trusts them.
00:29:50And he falls in love with the horse again.
00:29:52Because he fell in love?
00:29:53No, he always likes to eat the horse as a snack, as fresh.
00:29:56Who is Josue?
00:29:57Because Josue came to Chile to look for fame.
00:30:00No, look, he came to look for fame.
00:30:02And obviously he will also be close to beautiful girls.
00:30:05And with Oriana.
00:30:07You can't be with Oriana because she's with Fabio.
00:30:09And Yuli is with all of them.
00:30:12With the bald guy and the other one.
00:30:15And Gala is available.
00:30:18You see?
00:30:19That's why.
00:30:20I love you.
00:30:24Girl, I'm not sleepy at all.
00:30:26You're sleepy.
00:30:28And now, who am I going to talk to?
00:30:36Goodbye, have a good rest.
00:30:43I love you.
00:30:45I love you so much.
00:30:47What about me?
00:30:49Dangerous.
00:30:51Lacking.
00:30:54That's my last name.
00:30:55I'm a very good person.
00:30:56Even if I do bad things.
00:30:59I have a good heart.
00:31:00What's your nickname?
00:31:02My nickname is another one.
00:31:03The bad one, the sexy one.
00:31:05Those are things you don't have to say to yourself.
00:31:08Two days ago I met you and that's it.
00:31:11You're contradicting yourself.
00:31:12A moment ago I was saying that I was going to sleep next to a stranger.
00:31:19I'm going to bed.
00:31:20No, I don't feel good at all.
00:31:22Not yesterday and not today.
00:31:25I don't like your way of thinking.
00:31:28I'm not having a good time.
00:31:30Good night.
00:31:48Sleep.
00:31:51Sleep.
00:31:55Sleep.
00:31:58Sleep.
00:32:12Can I tell you something?
00:32:13Yes, tell me.
00:32:14What are you going to do today?
00:32:16What's going to happen?
00:32:17I don't know.
00:32:20Don't scream.
00:32:23That's why you and I couldn't be friends.
00:32:25Because you were too loud.
00:32:32I'm going to rest.
00:32:34I'm going to rest.
00:32:46Like Armand Jaleo.
00:32:48In La Cana.
00:32:49In La Cana?
00:32:50Don't be quiet.
00:32:52But look, Gala.
00:32:53You look like the cat woman.
00:32:55You're a cat.
00:33:02Like Moses' Ark.
00:33:05I want to exhibit you your guilt.
00:33:07Open up.
00:33:17Open up.
00:33:20You look ridiculous.
00:33:22Catwoman.
00:33:25Possessed woman.
00:33:27But look at you.
00:33:33Diana is awake at 5 in the morning doing her make-up.
00:33:35I'm going to ask her something.
00:33:36She's been doing her make-up since she won the lottery.
00:33:39It's not true, idiot.
00:33:40I woke up because of him.
00:33:42Because he snored a lot.
00:33:47They're talking a lot.
00:33:48Who cares if we're here or there?
00:33:50What snoring?
00:33:51What are they talking about?
00:33:52I don't know what it is.
00:33:53I don't know what they're doing on the island.
00:33:55In a resort.
00:33:56Alone.
00:33:57No, but I'm going to do my make-up.
00:33:59But you didn't have the level.
00:34:00You didn't have the volume up there.
00:34:02Like the...
00:34:03Like Can You Laugh.
00:34:04Can You Laugh.
00:34:12Are you jealous?
00:34:13No.
00:34:14No, I'm not.
00:34:16Your phone unlocks without your face.
00:34:18Did you understand that?
00:34:19No.
00:34:20That too.
00:34:21Maybe I'm crazy.
00:34:22Maybe I need his password.
00:34:24Not his phone.
00:34:27Luli, aren't you nervous about this situation?
00:34:29A lot.
00:34:30I'm nervous about everything.
00:34:31Because I'm very jealous.
00:34:32What a beautiful couple.
00:34:34Let's see.
00:34:35Her phone unlocks with my face.
00:34:37Divine.
00:34:38What?
00:34:39Wait, wait.
00:34:40Sorry.
00:34:41I had never heard that before.
00:34:44I just wanted to know.
00:34:45I told him to give me his number.
00:34:47Because I want to check his account.
00:34:49To see if he has something hidden.
00:34:51But a lot of people thought it was true yesterday.
00:34:53Of course.
00:34:55The face...
00:34:56Yes, but Biko's fear face too.
00:34:59Of course.
00:35:01That wasn't fake.
00:35:02That wasn't fake.
00:35:12We have to get up.
00:35:32Come on, come on, come on.
00:35:36Come on, come on.
00:35:47Good morning.
00:35:50Good morning.
00:35:53Come on, come on.
00:36:03Hey!
00:36:06That's it!
00:36:12Good morning!
00:36:16Sorry.
00:36:17Good morning everyone.
00:36:18But I have to ask.
00:36:19What is that?
00:36:20I don't know.
00:36:21What is this zoo?
00:36:22My God.
00:36:23There was a competition.
00:36:25And you lost.
00:36:26Get out of here.
00:36:27I was second to last.
00:36:28And he was last.
00:36:29Do you deserve to be out today or not?
00:36:32It's the audience!
00:36:35Well, please open the door.
00:36:37A round of applause for the guys.
00:36:41Music!
00:36:42But dancing!
00:36:49Hey, but no one is ready.
00:36:51We are.
00:36:52Sorry, I'm going to learn to shower with cold water.
00:36:54The camera...
00:36:55Look, Falo, what's going on?
00:36:57They talk all the time and don't let the person sleep.
00:36:59Since very early.
00:37:00We're going to fix all those problems,
00:37:02but first we're going to say goodbye to our audience.
00:37:08Thank you, guys!
00:37:14Who is not ready?
00:37:15Because in 15 minutes the commander is going to come
00:37:17and you know that they challenge me.
00:37:19As I have been told,
00:37:20that they open until three in the morning,
00:37:22putting on makeup.
00:37:23I'm going to tell you one thing.
00:37:24Less laughter,
00:37:25because they are really a bunch of pesados.
00:37:28Why?
00:37:29A bunch of people.
00:37:30I have gotten up,
00:37:31apart because I wake up with his Felix snores, right?
00:37:34Here people shower, dry their hair,
00:37:36talk, scream, everything.
00:37:38I mean, without any kind of consideration.
00:37:40No.
00:37:41I was delegating the same thing to Falo.
00:37:42Yes.
00:37:43Yes, obviously.
00:37:44Do you agree?
00:37:45Do you agree?
00:37:47No, no, no, don't laugh.
00:37:48If Falo and Oriana...
00:37:50Lies!
00:37:51If Falo and Oriana agree,
00:37:53they are fish!
00:37:54They are fish.
00:37:56We have a complaint.
00:37:57Tell me, son.
00:37:58In the morning we go down to have a coffee
00:38:00and all the trays with the food...
00:38:02What, man?
00:38:03We can even make the action a little bit...
00:38:06It's true.
00:38:07Sorry, sorry, it was me, I bit.
00:38:09Sorry.
00:38:10We didn't know because there were several trays.
00:38:12I'm sorry.
00:38:13I'm sorry.
00:38:14I'm sorry.
00:38:15I'm sorry.
00:38:16I'm sorry.
00:38:17I'm sorry.
00:38:18I'm sorry.
00:38:19I'm sorry.
00:38:20I'm sorry.
00:38:21I'm sorry.
00:38:22I'm sorry.
00:38:23I'm sorry.
00:38:24I'm sorry.
00:38:25I'm sorry.
00:38:26I'm sorry.
00:38:27I'm sorry.
00:38:28I'm sorry.
00:38:29I'm sorry.
00:38:30There were several trays where
00:38:31we didn't tell anyone.
00:38:32I'm sorry.
00:38:37What is happening here?
00:38:38Where is he?
00:38:39I don't know, dude.
00:38:40Ah, it was water.
00:38:41It was water?
00:38:44I thought you were breastfeeding a baby.
00:38:45It was water.
00:38:48You have 5 minutes left.
00:38:50He drank water, I'm telling you.
00:38:54One minute to go, Chiquillo!
00:38:56Peru, hurry up!
00:39:05Everyone in front of their beds, Chiquillo!
00:39:0930 seconds to go!
00:39:13In front of your beds, please.
00:39:20Good morning.
00:39:21Good morning.
00:39:22Just a few details.
00:39:26Good morning, recruits!
00:39:29Good morning.
00:39:30Hey, you again, giving the time.
00:39:32Isn't it funny?
00:39:34If your classmates can, I don't know why you never make it.
00:39:38Decisive.
00:39:40You're going to pay me.
00:39:44Sorry.
00:39:45I know that this suit is not the best in the world.
00:39:48No, but...
00:39:49But you look just as good with this shirt.
00:39:53Fix your hair.
00:39:55Hey, don't touch me!
00:39:56How can you touch me?
00:39:58Don't touch me!
00:40:01We're three!
00:40:03Oriana Martoli.
00:40:05I thought we were friends.
00:40:06And who gave you the order to have breakfast?
00:40:08It's not breakfast.
00:40:09It's water.
00:40:10With tea.
00:40:11Oh, water with tea.
00:40:14And why aren't you ready yet?
00:40:17Listen to your teacher.
00:40:21Everything is wrong.
00:40:23Listen, everything is wrong.
00:40:24The only thing that's right is you.
00:40:28I'm not laughing.
00:40:30I'm not laughing.
00:40:31I'm serious.
00:40:32Talk to me.
00:40:33No, no, no.
00:40:34Put the microphone on first.
00:40:36I'm serious.
00:40:38Don't touch me.
00:40:41It's clear, right?
00:40:42Very clear, but talk to me.
00:40:44Cut it.
00:40:47Hey, are you Sergeant Fox?
00:40:48Why are you here so early?
00:40:50Look how everything is.
00:40:52Look at the graduate recruits.
00:40:54But does she have the bed made?
00:40:55She doesn't like anything either.
00:40:57What happens is that I arrived, I woke them up.
00:40:59Yes, or I fix it, or I'm ready.
00:41:03You had 15 minutes to get ready.
00:41:06And because some are enough and others are not enough.
00:41:09For me, it's what it is.
00:41:11With the grandfather, the last name, with the family.
00:41:14Don't you want to do valentines with your family?
00:41:17That's why I'm telling you, Felix.
00:41:19Now it's the same, you know.
00:41:21Yes, but tell me.
00:41:22You know I never do it with bad intentions.
00:41:27What's missing here?
00:41:28Good morning, my commander.
00:41:30Hey, but put on your clothes.
00:41:32How does it make me that I have to be seeing him like this?
00:41:35It's going to be terrible in the dungeon.
00:41:37Hey, there's a recruit missing here.
00:41:39What are you doing there?
00:41:40I'm from all over the world.
00:41:41Why are you walking like this?
00:41:42It's between ...
00:41:43How?
00:41:44Because you have your knees peeled.
00:41:45Hey, you're going to have to start talking in other terms.
00:41:48Recruit González has 30 seconds.
00:41:51Recruit González.
00:41:5230.
00:41:53Put on your shirt.
00:41:55Why aren't you ready yet if you're all ready?
00:41:58So for one, you're all going to pay me.
00:42:01No.
00:42:02Oh, come on.
00:42:03No, look.
00:42:09You told him you had to sit down.
00:42:10Oh no, kids, please.
00:42:13I want to know.
00:42:14First, I'm going to ask.
00:42:16Let's see if you have the honor and are loyal to yourselves and the rest.
00:42:21Yesterday, three people entered my bathroom.
00:42:24To your bathroom.
00:42:26Being that the first day I told them that my office is a prohibited place.
00:42:33Run, fuckers.
00:42:34Is there a bathroom here?
00:42:37Don't talk.
00:42:38Don't talk.
00:42:39Don't talk.
00:42:42I didn't send this to anyone.
00:42:45You were understanding anything else.
00:42:47We had sex.
00:42:50But I wasn't clear about the prohibitions.
00:42:54I need to know who those three people who came in are and come forward.
00:43:03Who else? There's only one.
00:43:04Who else?
00:43:05Korean.
00:43:06Korean.
00:43:07I don't know why the other person is missing balls.
00:43:13I'm scared.
00:43:15The band of knots.
00:43:17These are the new super powerful girls.
00:43:19Listen, make it clear that we'll talk later.
00:43:21In some way, you'll have to pay me.
00:43:23One second.
00:43:24Get out, get out, get out, quick.
00:43:25I'm going to use it.
00:43:26No, no, we don't use the bathroom.
00:43:27Don't be afraid, wait for me downstairs.
00:43:32He never said he couldn't come in.
00:43:34I didn't even know he didn't use the bathroom.
00:43:37Yes, he did.
00:43:39I was also informed that one of the four people who were in the dungeon
00:43:44left the dungeon at night.
00:43:47No, it wasn't at night, it was in the morning.
00:43:49I'll make it clear to you.
00:43:50I was the commander.
00:43:51Because I wanted to take my hair out because she had been in the cold shower for an hour.
00:43:54Wait for me downstairs.
00:43:55Felix.
00:43:57There was another recluse from the dungeon
00:44:00who was trying to prevent the door from closing.
00:44:04One step forward, who was it?
00:44:06And come here.
00:44:08But I have to say something.
00:44:09Because in case...
00:44:10You went?
00:44:11No, it's just...
00:44:12I want to say something important.
00:44:13Come here.
00:44:14That's it.
00:44:15I want to say that for the sake of my colleagues,
00:44:18in case of an earthquake, we had no way out of the facilities.
00:44:22In case of an earthquake, we had no way out of the facilities.
00:44:26That's a lie.
00:44:27The most important thing.
00:44:28But...
00:44:29Asshole.
00:44:30Nobody believes it.
00:44:32Go downstairs.
00:44:34Silence.
00:44:38Now I need you all to go downstairs
00:44:40and wait there to see what comes next.
00:44:48And you can also go out so you can see.
00:44:51My teammates don't help me at all.
00:44:53They punished you.
00:44:54No, you're the one who doesn't help me.
00:44:55You're breaking the rules.
00:44:56But don't be so hard.
00:45:01You can't take it for free.
00:45:02If you do something that is forbidden,
00:45:05you have to assume the consequences.
00:45:08You're going to do 20 burpees.
00:45:10Go downstairs and come back.
00:45:11Let's go.
00:45:14One.
00:45:17Two.
00:45:21That's it, girl.
00:45:22Let's go, let's go.
00:45:25This girl is serious.
00:45:28That's a frog.
00:45:29Nine.
00:45:31Let's go, let's go.
00:45:33Ten.
00:45:35Let's go.
00:45:38Three.
00:45:39Keep going.
00:45:41Thirteen.
00:45:44Fourteen.
00:45:45Don't laugh.
00:45:46The rest of you, be quiet.
00:45:51That's it.
00:45:52That's it.
00:45:53Form with the rest of the group.
00:45:56You all heard that my office is forbidden.
00:46:00No one can come in.
00:46:01Unless I tell them.
00:46:05Recruiter Calderola had two fouls.
00:46:08He entered my bathroom from the command center
00:46:10and entered the dungeon.
00:46:12So, fuck your duo.
00:46:14No way.
00:46:16Recruiter Bernal, you have to take a step forward.
00:46:20Let's go.
00:46:24Any misconduct will have consequences.
00:46:26You will be in charge of serving breakfast to your colleagues.
00:46:30Without polera.
00:46:31Follow her in the mud.
00:46:32Polera, polera.
00:46:33That's it, polera.
00:46:34Without polera.
00:46:36But this time, you will have to wash all the dishes.
00:46:41Fuck, what a mess.
00:46:43Of the day.
00:46:44Of the day.
00:46:46Be quiet.
00:46:47If only one person does it, they will do it for two days.
00:46:50And so on.
00:46:52Understood.
00:46:53Commander, I want to ask you the word.
00:46:55Kids, please.
00:46:56Yesterday I noticed that someone stole my cornet.
00:47:00Many years ago.
00:47:02And I want to know where it is.
00:47:06You have to ask him over here.
00:47:08Up there, it seems.
00:47:12I don't like it when someone takes my cornet.
00:47:14So I have to play it in the morning.
00:47:22Excuse me, my commander.
00:47:26Thank you very much.
00:47:29Did you know how to play the cornet?
00:47:32Hey, did you know how to play it?
00:47:35Thank you very much.
00:47:36I have recovered my cornet.
00:47:39See you later.
00:47:40And go have breakfast.
00:47:42Thank you, commander.
00:47:43Good morning, kids. Have a good time.
00:47:50Sergeant Fox.
00:47:51I didn't want to call your attention in front of all the recruits.
00:47:54But you can't forget the elements with which you enter the reformatory.
00:47:59Yes.
00:48:00Sorry.
00:48:01It will be the last time.
00:48:02What happens is that yesterday when I arrived, it was the first day and I forgot.
00:48:07But now I will never forget my elements.
00:48:10He will pay me 10 burpees.
00:48:13Please, pass me the cornet.
00:48:15Ten?
00:48:16Ten.
00:48:17Let him hear it.
00:48:19Right away, my commander.
00:48:21One.
00:48:24Two.
00:48:27Three.
00:48:30Four.
00:48:33Five.
00:48:36Nine.
00:48:38Ten.
00:48:42Very good, Sergeant Fox.
00:48:43Let it be the last time that you keep the cornet inside.
00:48:47I promise.
00:48:48Never separate me from the cornet.
00:48:52Follow me.
00:48:53Let's go.
00:48:58Yanchi.
00:48:59Here I am.
00:49:00Keep combing your hair.
00:49:01Listen, are you going to go have breakfast?
00:49:03Now, let's go, my woman.
00:49:04Yeah, but...
00:49:05But let her comb your hair.
00:49:06After she combs your hair.
00:49:09That poor woman is...
00:49:10Slaved.
00:49:11Slave of a make-up in a terrible room.
00:49:13Yes.
00:49:14But she is still desperate because I feel like she can't keep up with her time.
00:49:19Are you going to listen to me or not?
00:49:20That's how I like it.
00:49:22It's like the Peruvian Barbie.
00:49:32I started for a very critical period.
00:49:34My parents...
00:49:35I...
00:49:36Thanks to my parents, I am what I am.
00:49:38Thanks to my dad, I am what I am again.
00:49:41That's why today my life plan is to give them the best old age they can.
00:49:46And that's one of the reasons why I'm here.
00:49:50My dad, when I was hungry, he was always...
00:49:53I'm here because I'm giving you back the cornet.
00:49:56But it's not possible.
00:49:58Because there was a time when he talked to me and said,
00:50:00Hey son, how are you?
00:50:02Can you play?
00:50:03Do you have a cell phone?
00:50:05And that's how I started.
00:50:06But...
00:50:07But...
00:50:08But your dad is stronger than him.
00:50:09I'm giving him a good coin to keep him in the center of my life.
00:50:14When your husband passed away...
00:50:15I don't know that I talked to him.
00:50:17I was the first one to talk to him.
00:50:19And I told him...
00:50:20Because deep down I told him,
00:50:21Well, I have sisters.
00:50:23You are a...
00:50:26This woman doesn't know how to do it.
00:50:27Dad, dad, dad.
00:50:28If I were your dad,
00:50:29I would tell him,
00:50:30Fuck you.
00:50:31But when I told him all this,
00:50:33because deep down I see my sister reflected.
00:50:36She's the woman, you know?
00:50:38And he puts me like...
00:50:39You don't know who she is.
00:50:41Like there was...
00:50:42I said, I care about a race.
00:50:44I mean, whatever it is.
00:50:46Or whoever it is.
00:50:47And I told him,
00:50:48You're a fag.
00:50:52When I was 15 years old.
00:50:54We had a trial with my mom.
00:50:56And my mom said in the trial,
00:50:58I don't know what to do with this girl anymore.
00:51:00I can't...
00:51:01I don't have control over her anymore.
00:51:02Because I was acting like a whore when she arrived.
00:51:04Before, she cured me in a rage.
00:51:05She was unconscious.
00:51:06She cured me like that.
00:51:07And my mom went to bed.
00:51:08She was in depression.
00:51:10And they took away her custody.
00:51:11And I shit.
00:51:12They sent me to a home.
00:51:13As a girl.
00:51:14And I saw.
00:51:15And it was a horrible thing.
00:51:16Because they were just girls who didn't have a dad.
00:51:19I mean, I was there and I said,
00:51:20Why am I here?
00:51:21If I have family.
00:51:22You're just an ordinary girl, of course.
00:51:23Yes, because I have family.
00:51:24I don't have to be here.
00:51:26And I slept with a whole plate.
00:51:27I started to convulse.
00:51:29And they found me like this, convulsing in bed.
00:51:32And they sent me to the hospital.
00:51:35And from the hospital they took me to a rehabilitation center.
00:51:39We talked about those things with my mom.
00:51:41If I hadn't done it,
00:51:42not so many things like the ones I went through would have happened to me.
00:51:44I always thought she was like an enemy, you know?
00:51:47And that she didn't want to let me be.
00:51:49But in the end,
00:51:50the only thing my mom did was take care of me.
00:51:56I spoke to her husband.
00:51:57When everything that happened happened.
00:51:59Because I faked it, you know?
00:52:00And I sent him to jail.
00:52:01But those things,
00:52:02she never found out.
00:52:03So, it stays as bad as what I said.
00:52:06No, you defended her.
00:52:07But Carlota defended her.
00:52:10I'm super hurt with her.
00:52:11Because I've seen very ugly things.
00:52:13She's talked bad about me behind my back.
00:52:15But never in front of me.
00:52:16And that hurt me, man.
00:52:19She started to respond to comments
00:52:21that I didn't want to hear.
00:52:24She started to respond to comments from fans
00:52:26and she said that I had hit her.
00:52:30And I said, listen,
00:52:31if I hit someone,
00:52:32first of all, I'm in a reality show.
00:52:34And second,
00:52:35fuck me,
00:52:36he's three meters taller than me, man.
00:52:37And it's true that there were differences.
00:52:39But how can I hit you?
00:52:40What's up, Caragalleta?
00:52:42Here we are.
00:52:43Hey, Dad,
00:52:44I didn't know you were here.
00:52:45I heard you didn't sleep well.
00:52:46I didn't sleep well?
00:52:47What do you want me to say?
00:52:48How didn't you sleep well?
00:52:49Did you sleep well?
00:52:50The bed is really hard.
00:52:51The dungeon was a real dungeon.
00:52:53Look,
00:52:54you were the first one to fall asleep.
00:52:56The last one to wake up.
00:52:58You farted in an unusual way.
00:53:01Unusual.
00:53:02Sounds that I had never heard in my life.
00:53:05I can't believe you.
00:53:06Yes.
00:53:07You're discarding yourself
00:53:08because you had the fart zone, right?
00:53:10No.
00:53:11Yes.
00:53:12You had the fart orchestra.
00:53:13I'm going to tell you something.
00:53:14Yes.
00:53:15There's no gas in this body.
00:53:16Yes, yes, there is.
00:53:17No, I see that you're
00:53:19full of gas.
00:53:21Full of gas.
00:53:23I'm leaving
00:53:24so that you don't make more false slanders in my name.
00:53:26Good night.
00:53:34How are you? Good morning.
00:53:35Good morning.
00:53:36Are you going back to the kitchen?
00:53:37Or not?
00:53:38Ah, yes.
00:53:39Recruit Bernal.
00:53:42I'm going to do what I promised.
00:53:44I brought the barber
00:53:45to fix your hair.
00:53:49Great, thank you very much.
00:53:53While they cut my hair,
00:53:54could you give Gala a scrub
00:53:57so that she can finish cleaning the kitchen?
00:54:00It's a bit dirty.
00:54:01The floor is wet.
00:54:02But are you giving me an order?
00:54:04No, no, a piece of advice.
00:54:06Yes, I'll take care of it.
00:54:07You're giving me orders.
00:54:09I'm sorry, I'm sorry.
00:54:10Okay.
00:54:13Since you're here,
00:54:14if you don't do my beard,
00:54:16I'll cut it with a knife or something.
00:54:18No, it's not for you.
00:54:20I was just going to fix your hair.
00:54:23I haven't cut my hair in two and a half years.
00:54:27Okay, I'm going to go to the ranch.
00:54:30Okay.
00:54:33Look at the tables.
00:54:34They're all dirty.
00:54:35Move them to a place
00:54:37where they don't stay on the tables.
00:54:39Did you leave everything well washed?
00:54:41Yes.
00:54:42Okay.
00:54:47Are you putting on makeup again?
00:54:49I haven't finished putting on makeup.
00:54:51But you put on makeup all day.
00:54:52Do you see that I'm putting on makeup?
00:54:54No, just this time.
00:54:55What do you mean, just this time?
00:54:56It's just that I didn't put on makeup early.
00:54:58But do you think this is a beauty contest?
00:55:00Almost.
00:55:01Then you're going to have to get up
00:55:02at like three in the morning
00:55:03so that you can put on makeup.
00:55:05It's just that there's not even an alarm
00:55:06to know what time it is.
00:55:07Hurry up,
00:55:08because at any moment I'll make you come down
00:55:10and you can't be putting on makeup again.
00:55:11Okay.
00:55:12Ready, the barbershop is over.
00:55:14It's over.
00:55:16Next time, give us a little more time.
00:55:28Hi.
00:55:29Go get the people on the second floor,
00:55:31Sergeant Fox.
00:55:32Gather them outside, please.
00:55:34Hi.
00:55:35What's going on?
00:55:36Hey, kids, let's get together outside.
00:55:39Gather here, everyone.
00:55:41Come on, Mel.
00:55:42Come this way.
00:55:45Come on.
00:55:56What are these people doing here?
00:55:58I don't know.
00:55:59Do you think I'm going to take a shower?
00:56:01Hi.
00:56:02Hi.
00:56:03How are you?
00:56:05Gala, put those pants on.
00:56:06The underwear is on your back.
00:56:08Please.
00:56:10Hey, you two are late again.
00:56:13Did you see that I was going to take a shower
00:56:15and no one told me anything?
00:56:16Finish giving it now.
00:56:18I'm going to apologize for something I didn't do wrong.
00:56:22Caldirola and Bernal.
00:56:24Again, face the front.
00:56:26Face the front.
00:56:27Quick.
00:56:28What did you tell me in there?
00:56:29What were you going to do?
00:56:30What did I tell you?
00:56:31I was aware of my partner, who is very...
00:56:34That's it.
00:56:35She didn't do anything.
00:56:36She came to train alone.
00:56:37She left her up there.
00:56:39You know how it is.
00:56:41She already told you.
00:56:42She doesn't know.
00:56:43I've told her 200 times.
00:56:45As if she were a little girl.
00:56:46That's it.
00:56:47And what did you help me with in everything we had to do together?
00:56:50Keep quiet.
00:56:51You already have me up to the crown.
00:56:53I have to be telling you every day and every now and then.
00:56:55Don't yell at me either.
00:56:56I'm not yelling at you.
00:56:58I speak loudly.
00:57:00I didn't tell you to speak.
00:57:01Who told you that you had to go take a shower?
00:57:03Because I felt disgusting.
00:57:04I went to take a shower.
00:57:05But she was also out here?
00:57:06After having sex...
00:57:07Well, don't answer me.
00:57:08Don't answer me.
00:57:10And remember that this is a duo.
00:57:12Pay both.
00:57:13And now why am I going to pay?
00:57:14For showering?
00:57:15For arriving late.
00:57:16But if no one told me...
00:57:17Sargento Fox went to call her.
00:57:19Take your place.
00:57:20How long will it take?
00:57:21Finish talking.
00:57:22Take your place.
00:57:25I don't have to tell you when I'm coming.
00:57:28You have to always be attentive.
00:57:30We've been here for days and it's gotten worse.
00:57:33They come to reform.
00:57:35They don't come to a spa.
00:57:36They don't come to a resort.
00:57:40Rojas, take off your shirt, please.
00:57:44But here we have to stay all the same.
00:57:46Now, listen.
00:57:47Come here to pay with your arms.
00:57:50I'm not here to play.
00:57:51I'm not here to play.
00:57:53Go over there.
00:57:54I'm not here to play.
00:57:55Come here to pay with your arms.
00:57:56Come.
00:57:59I didn't hear anything.
00:58:00Three, four, five.
00:58:04Or nine, ten.
00:58:06Or nine, eight, seven, six, nine.
00:58:11Twenty, twenty-one.
00:58:14Do you still think this is a game?
00:58:16No, ma'am.
00:58:18What are you doing?
00:58:19Pay with your arms.
00:58:23Silence the rest.
00:58:25One, two, three, four, five.
00:58:31Fifteen, sixteen, seventeen, eighteen.
00:58:35With your head.
00:58:38Now, stand here.
00:58:43Now, we're going to start with this morning's training.
00:58:47The concept of value that we're going to work on today
00:58:50is the one that hasn't been applied in these days.
00:58:53The spirit of war or the spirit of body.
00:58:58This concept implies a strong sense of camaraderie and discipline.
00:59:04There must be clear communication and mutual respect,
00:59:07which is something that is sometimes lost here.
00:59:11Did you understand the value of working today?
00:59:14Yes, ma'am.
00:59:15So what?
00:59:16Yes, ma'am.
00:59:17I can't hear you.
00:59:18Yes, ma'am.
00:59:19Louder.
00:59:20Yes, ma'am.
00:59:21Perfect.
00:59:22Now, you're going to split into two squads.
00:59:27So, I'll explain this dynamic in which we're going to create a war cry.
00:59:32It's a chant to remember why you're here.
00:59:35Each battalion will choose four recruits.
00:59:39They will go through the training circuit
00:59:42and at the end they will find eight cantimploras.
00:59:45Each one will have a word that they will have to use
00:59:49within the war cry that they will have to perform.
00:59:57Positions.
00:59:58Positions.
01:00:01Let's start on the count of three.
01:00:03Three, two, one, go.
01:00:11The flag, Fabio.
01:00:12The flag.
01:00:17Agostini, your flag.
01:00:24You have to go with the flag.
01:00:27Why don't you have that body and this mind?
01:00:30Why can't they all go together?
01:00:32Why can't they all go together?
01:00:34The world would be so different.
01:00:38I'm going to do it.
01:00:39Yes.
01:00:40I told you.
01:00:42I have a triad on my knee.
01:00:49What is the position of the climb?
01:00:51My knee bothers me.
01:00:53We will have to make a change
01:00:55because in the false start the recruit Agostini was selected.
01:01:01Who is Agostini going to select?
01:01:03Oriana.
01:01:04Okay.
01:01:05Make a change with the recruit Marzoli.
01:01:09Give him the flag.
01:01:11Let's start on the count of three.
01:01:13Three, two, one, go.
01:01:23Agh!
01:01:26Agh!
01:01:29Go, Oriana!
01:01:35Do it well!
01:01:37Don't wait for anyone.
01:01:39Don't have compassion for Oriana.
01:01:43Agh!
01:01:48No, it's one.
01:01:50It's one.
01:01:52Give it back.
01:02:01Let's go, Ori!
01:02:02Give the flag to him.
01:02:14Give it to him.
01:02:22Agh!
01:02:27Good, good, good.
01:02:32Let's go, let's go!
01:02:37Dash.
01:02:38Dash.
01:02:39Dash.
01:02:40Dash.
01:02:44Dash.
01:02:45It's one.
01:02:46Dash.
01:02:47It's one.
01:02:48That's it!
01:02:53The hand.
01:02:54The hand.
01:02:55The hand.
01:02:56The hand.
01:02:57Go out.
01:02:58Go out.
01:02:59Go out.
01:03:05That's it, Martín.
01:03:06Go, go.
01:03:07Go.
01:03:08Be careful.
01:03:09Be careful with your face.
01:03:11It's the hand.
01:03:12It's the hand.
01:03:22The hand.
01:03:23The hand.
01:03:24The hand.
01:03:25The hand.
01:03:26The hand.
01:03:27The hand.
01:03:28The hand.
01:03:29The hand.
01:03:30The hand.
01:03:31The hand.
01:03:32But you have to hit it with the hand.
01:03:33Yes, you have to hit it with the hand.
01:03:34Let's go, Jesus!
01:03:35The hand, the hand.
01:03:36Oh, I'm going to do it alone.
01:03:37Go for the mayor.
01:03:38Hurry up.
01:03:39Oh, that's it.
01:03:40Come on, come on, come on.
01:03:41Good, good, good.
01:03:48It's the hand.
01:03:49The hand.
01:03:50The hand.
01:03:51Very good!
01:03:55That's it!
01:04:09That's it!
01:04:11Come on!
01:04:13Come on!
01:04:15That's it!
01:04:17That's it!
01:04:19Don't give up!
01:04:21That's it!
01:04:23That's it!
01:04:25Very good!
01:04:27Very good!
01:04:29Let's go!
01:04:35Very good!
01:04:37Let's go!
01:04:43I need to know
01:04:45what word each battalion got.
01:04:47Loyalty, strength,
01:04:49courage, and honor.
01:04:53The next battalion
01:04:55commitment,
01:04:57courage,
01:04:59unity, and discipline.
01:05:01Now that you have
01:05:03the four songs,
01:05:05you have five minutes
01:05:07to create this song.
01:05:11Loyalty, strength,
01:05:13courage,
01:05:15discipline,
01:05:17unity,
01:05:19and honor.
01:05:21Loyalty, strength,
01:05:23courage,
01:05:25and discipline.
01:05:27Loyalty, strength,
01:05:29courage,
01:05:31and unity.
01:05:33Loyalty, strength,
01:05:35courage,
01:05:37and unity.
01:05:41Loyalty, strength,
01:05:43in the circuit doing the chant.
01:05:46The leader sings it once and the rest of the group repeats it.
01:05:50But, as everything can't be easy,
01:05:52the first battalion will go and grab a bag
01:05:54of those who are here behind this circuit,
01:05:58put it on top and start the tour.
01:06:01Go get it.
01:06:06Come on, Bernal. Are you ready?
01:06:08Ready?
01:06:08Let's go!
01:06:09Now!
01:06:10Come on!
01:06:11Finish here.
01:06:13Come on, repeat!
01:06:14Come on!
01:06:15Slowly, slowly, slowly, slowly, slowly.
01:06:19Don't hurry.
01:06:20Raise your arms, Rojas!
01:06:34Slowly, slowly, slowly, slowly.
01:06:37Come on, Rojo!
01:06:38Come on!
01:06:39Come on!
01:06:40Bonus track, bonus track, bonus track.
01:06:42Let's sing while we do it.
01:06:44Loyalty, strength and courage.
01:06:47Loyalty, strength and courage.
01:06:50With that, we will win the word of honor.
01:06:55What a cry!
01:06:56Come on, come on!
01:06:59Grab the bags.
01:07:043, 2, 1.
01:07:06Ready.
01:07:07Slowly, slowly, sing!
01:07:09At the end, we will arrive.
01:07:14With discipline and unity.
01:07:20With courage and commitment.
01:07:25To win, you don't ask permission.
01:07:31Go on, go on!
01:07:32At the end, we will arrive.
01:07:35At the end, we will arrive.
01:07:38With discipline and unity.
01:07:41To win, you don't ask permission.
01:07:44That's as far as it goes!
01:07:45That's as far as it goes!
01:07:46That's as far as it goes!
01:07:47That's as far as it goes!
01:07:52I see that you learned very well the value that we learned today,
01:07:56which is the spirit of war or the spirit of the body,
01:07:59and so that this can also be used within the Reformatory.
01:08:03So I want to give you a round of applause.
01:08:08The only thing I'm going to ask is that you can leave the cocktails in the same place, please.
01:08:14Thank you very much.
01:08:26Is there someone?
01:08:27Yes, there are the guys.
01:08:29Excuse me.
01:08:34That's it.
01:08:41What happened to you?
01:08:42Ah, the knee, a little bent. No, that's a blow.
01:08:44And you, what's up, man?
01:08:46Still the arm from yesterday, the one that was there.
01:08:53It gives me a puncture. I'm operated on.
01:08:55I know. There it is. Cross ligament.
01:08:58Three ligaments.
01:08:59You can tell.
01:09:00The lateral, the internal, the posterior, the 15th and the 13th degree.
01:09:03And these three are for you.
01:09:04Welcome.
01:09:06Does it hurt a lot?
01:09:07It hurts a lot.
01:09:08The pain doesn't stop.
01:09:09And the tendonitis is really bad.
01:09:11Yes.
01:09:13Don't do more stupid things.
01:09:14Don't do more stupid things?
01:09:16No, no, don't do stupid things.
01:09:18No, I can't be a friend.
01:09:20Keep that for the competitions.
01:09:21I can't even run the straw.
01:09:22No.
01:09:27Please, look how you are dying.
01:09:29No.
01:09:30They have bathed your head, but not your ass.
01:09:32But I'm covered in dirt.
01:09:34We came to compete, we came to bathe here.
01:09:37Girls, girls, I don't know, you'll see.
01:09:40I don't wish you anything.
01:09:42Me neither, look.
01:09:43I, really, as I told you, we are a couple of dicks.
01:09:50You have grass in the...
01:09:51Pass me the straw.
01:09:52Look at him, look at him, look at him.
01:09:53The dirt on his back.
01:09:54This is the wedding of the year.
01:09:55This is the wedding of the year.
01:09:59What are you doing on your leg?
01:10:00To unload me, because it's from behind, what gives me the sprain.
01:10:03Oh, poor thing.
01:10:04I'm good at massages.
01:10:06Pass me the data.
01:10:08What?
01:10:09Data warning.
01:10:10Data warning.
01:10:11Data warning.
01:10:12Suggestion.
01:10:13If you want to unload my femoral, I thank you.
01:10:15But with pants?
01:10:16No.
01:10:17How are you going to put the cream on the pants?
01:10:18No, I can't.
01:10:19On the buttocks?
01:10:20On the buttocks.
01:10:21On the lumbar.
01:10:22Do you have cream?
01:10:23I have cream.
01:10:24What?
01:10:25Take it.
01:10:26What?
01:10:27Take it.
01:10:28What?
01:10:29What?
01:10:30Wait.
01:10:31What?
01:10:32In Spain we say that and it's not understood for anything else.
01:10:33In Chile they don't repeat it so constantly because it's prejudicial.
01:10:36Take off your clothes, but that's understood well.
01:10:38From the verb to take, you will take.
01:10:40From the verb to take.
01:10:41We will take.
01:10:42You.
01:10:43Let's go with the cream.
01:10:44You will take.
01:10:49Let's go, Fabio.
01:10:51Here goes the double arms.
01:10:52Double arms.
01:10:54All, all, Fabio.
01:10:55I'm the double arms.
01:10:59Let's see.
01:11:00We haven't seen each other because...
01:11:01Look, Fabio is what for us is Balón Larraguibel.
01:11:05No, wait, wait.
01:11:06Fabio, wait.
01:11:07Let's see who has a better ass.
01:11:08Let's see who has a better ass.
01:11:09Who?
01:11:10Balón.
01:11:11Balón.
01:11:12Balón.
01:11:13Balón.
01:11:14Balón.
01:11:15Balón.
01:11:16Balón.
01:11:17Balón.
01:11:18Balón.
01:11:19Balón.
01:11:20Balón.
01:11:21Balón.
01:11:22Balón.
01:11:23Balón.
01:11:24Ruba.
01:11:25Ruba.
01:11:26Ruba.
01:11:27Ruba.
01:11:30Show your ass, Fabio.
01:11:31We love you so much, but Fabio, in those leaders...
01:11:33Is bigger.
01:11:34She is bigger.
01:11:35Balón.
01:11:36Balón.
01:11:37Balón.
01:11:38Balón.
01:11:39Balón.
01:11:40Balón.
01:11:41This relaxes me a lot.
01:11:42I'm relaxed.
01:11:44Does it hurt there?
01:11:45No, no, no, it doesn't hurt.
01:11:47Are these your veins?
01:11:48Careful the piton.
01:11:51Like this, like this.
01:11:53Kneading bread, kneading bread.
01:11:55I like it like this.
01:11:57Like this?
01:12:01I'm watching you.
01:12:02I'm not doing anything.
01:12:03I'm not going to get that high.
01:12:05Why?
01:12:06Still.
01:12:07There, there, there.
01:12:08There, there, there.
01:12:09There, there.
01:12:10There, there.
01:12:11There, squeeze.
01:12:16You're not seeing this!
01:12:18You're going to step on me.
01:12:19You're going to step on me, Pitón.
01:12:20Ah, you see?
01:12:21It's like she's coming back to life.
01:12:27Treat her well, with love.
01:12:29I'm treating you with a lot of love.
01:12:31On the other side of the studio,
01:12:33Natalia is giving him a massage,
01:12:35cheek to cheek.
01:12:37Oh, Natalia, please.
01:12:39You're not seeing what I'm seeing.
01:12:41My legs are massaging.
01:12:47On the other side of the room,
01:12:50Why is she doing that?
01:12:51Something is escaping her.
01:12:54Agostini, one.
01:12:55Urtubia, zero.
01:13:00What is this?
01:13:11It was Princess Isis.
01:13:14Hey, someone is coming.
01:13:20Who is it?
01:13:26Love!
01:13:28Love!
01:13:30The boyfriend!
01:13:38Let's eat, little girl.
01:13:42Come on!
01:13:45Let's continue with what we're doing.
01:13:47I think we should keep going.
01:13:49No, we're done for today.
01:13:51Mom!
01:13:52Give me the agenda, Mom.
01:13:54Hi.
01:13:55Look, Cata.
01:13:58I'm shaking.
01:14:02What's missing?
01:14:03Hi, how are you?
01:14:09A lot of things.
01:14:10Hi, hi, hi.
01:14:11That was the sound.
01:14:12It's true.
01:14:15How are you?
01:14:17You look great.
01:14:18You look great.
01:14:19You look great.
01:14:21I already ate.
01:14:22Come on.
01:14:23That's it.
01:14:28Show me the house.
01:14:29I'm coming.
01:14:31I'm here to take care of your girlfriend.
01:14:34We can't do this for two days.
01:14:36I can imagine.
01:14:37If you can't do this for two days, I can.
01:14:40How are you?
01:14:41Good?
01:14:42Yes.
01:14:43I was just talking to Fallon.
01:14:45I'm competing with her.
01:14:46Yes, but she doesn't trust you.
01:14:49She doesn't trust you either.
01:14:50Did Fabio tell you anything?
01:14:51Yes, he's talking to Fabio.
01:14:52What did you talk about?
01:14:53He's been really nice.
01:14:54You know?
01:14:55Like, cordial.
01:14:56We talked a lot about you.
01:14:57He told me that as a friend,
01:14:59you're the best.
01:15:00You're the best.
01:15:01You're the best.
01:15:02You're the best.
01:15:03You're the best.
01:15:04You're the best.
01:15:05You're the best.
01:15:06You're the best.
01:15:07You're the best.
01:15:08He spoke up.
01:15:09Told me that as a friend,
01:15:10that I wasn't loyal.
01:15:11When Luis criticized me,
01:15:12I told him that he wasn't talking about you
01:15:13like that.
01:15:14Was talking about Austin.
01:15:15And he told me that,
01:15:16from the start,
01:15:17he didn't want to TwoToneBot.
01:15:19My mother and dog were there.
01:15:20But no one knew.
01:15:21No one knew.
01:15:22He told me that he was going to talk to you
01:15:24or something.
01:15:26Not now that Fabio's getting together
01:15:28with you.
01:15:30And, supposedly,
01:15:31he got upset with me.
01:15:33Why did he get upset?
01:15:34Because he's friends with Luis.
01:15:36I told him that they were also filling his head.
01:15:40Who is this? I don't know them.
01:15:42Who are they?
01:15:44This is Dash, nice.
01:15:46This is Felix, very nice.
01:15:48This is Malito, very nice.
01:15:50These are very nice, really.
01:15:52The ones I talk to the most are
01:15:54Gala, Vico, Julie,
01:15:56Angela, Mel,
01:15:58Andres,
01:16:00and Sergio.
01:16:02Is Falun in Falun mode or Falun mode?
01:16:04Right now, yes.
01:16:06Do you try not to make a lot of friends?
01:16:08No, I don't want to anymore.
01:16:10He shaved his head.
01:16:12I think he shaved his head.
01:16:14Yes, because they told him on the first day.
01:16:16And Julie's boyfriend.
01:16:18Did they shave it?
01:16:20No, they didn't shave it.
01:16:22No, you didn't.
01:16:24No, it's fine.
01:16:26What is this?
01:16:28The ones who come
01:16:30from last and penultimate
01:16:32They have to...
01:16:34But you can't come in.
01:16:36The ones who come last come here?
01:16:38Last and penultimate.
01:16:40No, I don't dare.
01:16:42I don't want to be punished.
01:16:44It's Brigida.
01:16:46The commander.
01:16:48What's your name?
01:16:50Cata.
01:16:52Yes, I've heard your name.
01:16:54It's for good or bad.
01:16:56For bad.
01:16:58I can imagine.
01:17:00No, no, no.
01:17:02It's for good or bad.
01:17:04It depends on how I like it.
01:17:06If I like it, it doesn't matter.
01:17:12Felix, your competition.
01:17:14What are you saying?
01:17:16Your competition.
01:17:18Yes, how are you?
01:17:20They told me,
01:17:22as I said in an activity
01:17:24that seemed to be a good lover,
01:17:26that he looks like Facu.
01:17:28He looks like Facu.
01:17:30He's tall.
01:17:32He's far away.
01:17:34He's far away.
01:17:36I can't.
01:17:40Nice to meet you.
01:17:42Nice to meet you.
01:17:50Maybe they should be talking.
01:17:52Because now they're going to make
01:17:54their new gang.
01:17:56They're going to make their new gang.
01:18:02I don't know if Vico will hook up with her.
01:18:04I don't know if Vico will hook up with her.
01:18:06That's right.
01:18:08I don't know if Vico will hook up with her.
01:18:10We know each other.
01:18:12Vico is a lover.
01:18:14If he's with them,
01:18:16he's going to be with her.
01:18:18He's going to be uncomfortable
01:18:20and that's going to cause
01:18:22the relationship to end.
01:18:24Vico is going to hook up with her.
01:18:26Hey, I told Yoli before coming in
01:18:28that she should be careful
01:18:30because she usually
01:18:32makes the couple fight.
01:18:34You told her.
01:18:36Before coming in.
01:18:38That's why we fought before.
01:18:40Recruits, come in.
01:18:44Come on.
01:18:46Come on.
01:18:48They sent me to look for you.
01:18:50Hurry up.
01:18:52You're late.
01:18:54I'm new. I got here an hour ago.
01:18:56I got here an hour ago.
01:18:58You can line up on the stairs.
01:19:00I'll give you my number.
01:19:02I like your hat.
01:19:06You're Peruvian, right?
01:19:08I've seen you somewhere.
01:19:10I don't know.
01:19:12I've seen you.
01:19:14I don't remember your name.
01:19:16I've seen you at events.
01:19:18One minute.
01:19:20Yes, of course.
01:19:22One minute.
01:19:24What's your name?
01:19:26My name is Arratia.
01:19:28You're motivated.
01:19:30Let's go.
01:19:32Arratia, Arratia.
01:19:34I like your hat.
01:19:36What's going on?
01:19:38Falun mode.
01:19:40Falun mode is when he's like this.
01:19:42When he answers wrong.
01:19:44You're going to meet him.
01:19:50Congratulations.
01:19:52For the first time in all these days,
01:19:54you were left alone.
01:20:00You've learned.
01:20:02Recruit González.
01:20:04Come here.
01:20:06I want to welcome you
01:20:08to Recruit González.
01:20:10I hope you can follow the rules
01:20:12of this military training
01:20:14and be a contribution to the rest of the battalion.
01:20:16Now I'm going to give you this medal
01:20:18that will accompany you
01:20:20all the time you'll be here
01:20:22and you can't take it off.
01:20:24Put it on me.
01:20:26Go stand there.
01:20:28No words?
01:20:30No.
01:20:32Recruit Agostini,
01:20:34can you come here, please?
01:20:36I'm going to leave this picture
01:20:38in the gallery of photos.
01:20:40No, González.
01:20:42Take your place.
01:20:44I'm the one who's not in the picture.
01:20:46Go take your place.
01:20:48Put the picture.
01:20:50Because I give it to you.
01:20:52No, put it well.
01:20:54Put it well.
01:20:56Recruit Agostini.
01:20:58Perfect.
01:21:00Take your place.
01:21:02You'd better not talk to me
01:21:04because you have two days.
01:21:06You have two days when I meet you.
01:21:08Look for my mouth,
01:21:10you'll find it fast.
01:21:12Now, who are the ones
01:21:14who serve the ranch today?
01:21:16Gala and Josué.
01:21:18Very good. Recruit Marzoli.
01:21:20He learned, but perfect.
01:21:22I wanted to show you
01:21:24that I'm very applied.
01:21:26Serve and then wash the trays.
01:21:28Please.
01:21:30Let them go.
01:21:32What do you do, Mora?
01:21:34Eat.
01:21:40Here's the problem.
01:21:42Here's the problem.
01:21:44Let's go, friends.
01:21:48Make the line.
01:21:50They asked me to serve.
01:21:52No, you have to make the line.
01:21:54Make the line.
01:21:56And explain it to them, Coriana.
01:21:58Explain it.
01:22:04No, Coriana.
01:22:06Honey, I'm going to sit with them.
01:22:08Sit there.
01:22:10Just like you saw me last night.
01:22:12Respect.
01:22:14You have to sit.
01:22:16You don't understand.
01:22:18Why do things change?
01:22:20You don't understand.
01:22:22They're fighting.
01:22:24They're fighting, Paco.
01:22:26Respect and serve first.
01:22:28Bye.
01:22:30Peace.
01:22:32We're four.
01:22:34We sit at the same table.
01:22:36You don't understand.
01:22:38I'm from Yuli.
01:22:40I'm from Oriana.
01:22:42I'm from Paraguay.
01:22:44What's the problem?
01:22:46I think
01:22:48it's disrespectful.
01:22:50No, it's not.
01:22:52It's disrespectful.
01:22:54He's going to sit now.
01:22:56Sergio, if you want to fight for free...
01:22:58I think it's stupid.
01:23:00No, it's for them to sit together.
01:23:02We always eat together.
01:23:04We don't fit.
01:23:06Bring the table here.
01:23:08Put the table here.
01:23:10Why are you so angry?
01:23:12What happened?
01:23:14I don't understand either.
01:23:18It's intense.
01:23:20You'll see.
01:23:22He's going to be nice to you.
01:23:24I was calm without him.
01:23:26Now it's the opportunity.
01:23:28Give me time.
01:23:32Did he cut your milk?
01:23:34Yes, a while ago.
01:23:36I thought there was a solution.
01:23:40He came to my house to talk.
01:23:42I told him not to.
01:23:44I told him to fuck off.
01:23:46He apologized.
01:23:48Why don't you stop?
01:23:50Stop.
01:23:56She's a beast.
01:24:00Why is she so rude?
01:24:02Why don't you turn on the switch?
01:24:04I was very good.
01:24:06And then they say it's Korean.
01:24:08But they don't turn it on.
01:24:10Calm down.
01:24:14I didn't expect him.
01:24:16He touches me.
01:24:18He's a nice guy.
01:24:20He's a fan.
01:24:22Why does he think it's me?
01:24:24Look who's coming.
01:24:26He talks bad about people.
01:24:28I didn't know him.
01:24:30I didn't know him.
01:24:32But he's a great guy.
01:24:54I wash the soap.
01:24:56Do you want to do it?
01:24:58You wash the soap.
01:25:00I'll clean it.
01:25:02I'm unbearable.
01:25:04It's complicated.
01:25:06What do you like more?
01:25:08Complicated or easy?
01:25:10Complicated.
01:25:12We're not going anywhere.
01:25:18You don't lend clothes to anyone.
01:25:20Has anyone ever helped you defend yourself?
01:25:22No.
01:25:24If a man was with you,
01:25:26he would have helped you.
01:25:28Why don't you do it?
01:25:30Because you don't want to throw yourself
01:25:32over people who don't love you.
01:25:34You'll always be the winner.
01:25:36I've never asked him for anything.
01:25:38If I were a winner,
01:25:40I'd still marry him.
01:25:42I know.
01:25:44I'm always the one who has to deal
01:25:46with all the social resentments
01:25:48and denigration.
01:25:50I'd do it myself.
01:25:52Please bring in Gonzalo Espazundo.
01:25:56Free friendship.
01:26:02Who does this text refer to?
01:26:04Fabio, I guess.
01:26:06I think he's upset
01:26:08that I have a good relationship
01:26:10with Luis, but we don't think alike.
01:26:12Was that what upset you, Fabio?
01:26:14It was a lot of things.
01:26:16I came here on horseback
01:26:18to pick up Pamela
01:26:20when she left the show.
01:26:22I started watching the episodes
01:26:24and Oriana said,
01:26:26don't go down, don't go down,
01:26:28and he listens to her.
01:26:30If I'm hostile,
01:26:32I'll go down to the theater
01:26:34and say, stop it, Fabio.
01:26:36You're lying to me.
01:26:38I was just going to fight her.
01:26:40And you said, it's good for you.
01:26:42Of course it's good for you.
01:26:44Pamela, Oriana, whoever.
01:26:46I admit that we're all the same.
01:26:50We're going to a cookie meeting.
01:26:52Cookies are very treacherous
01:26:54because they're Latin or European.
01:26:58No, cookies are Latin or European.
01:27:02No, no, no, no.
01:27:04Falon is right.
01:27:06What's the context?
01:27:08Because you were having lunch with Guillermo.
01:27:10Yes, because...
01:27:12No, Malito.
01:27:14Because you went down,
01:27:16because they gathered the table
01:27:18and said something to Oriana.
01:27:20No, no, no.
01:27:22Cookies don't explain anything to anyone.
01:27:40Welcome to Corte Marcial,
01:27:42a new solemn ceremony
01:27:44where, through the voices
01:27:46of each of the recruits,
01:27:48we'll find out who will be a new pair
01:27:50that will have to face
01:27:52a new process of elimination
01:27:54and settle in the risk zone.
01:27:56It doesn't matter if you're here or not.
01:27:58I'm here for my loyalty, that's all.
01:28:00I feel like there's been very little feeling,
01:28:02nothing personal, but that's the truth.
01:28:04You weren't able to look me in the eye
01:28:06and say, I don't consider you a friend,
01:28:08but you were able to speak very badly of me behind my back.
01:28:10I don't like my friends
01:28:12to be around toxic people,
01:28:14and I think that's you.
01:28:16I think I've already told you.
01:28:18Most people don't love you much.