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ನಟ ವಿರಾಟ್ ರಾಯಲ್ ಸಿನಿಮಾದ ಪ್ರಮೋಶನಲ್ಲಿ ಫಿಲ್ಮಿ ಬೀಟ್ ಜೊತೆ ಮಾತನಾಡಿದ್ದಾರೆ
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Transcript
00:00Sir, Royal's movies are not important in my life.
00:03Today, Royal's movies are important in my life.
00:09She thinks of me as an industrial hero.
00:11I don't see her as an industrial hero.
00:14Give me two kisses.
00:15Lip to lip.
00:17Royal has only one frame.
00:19We have to make her the hero of every movie.
00:27Such a big house.
00:29Rajkumar sir's son.
00:31We don't have to put in so much effort.
00:34We don't have to pay so much for a ticket to a movie.
00:38Even if it costs Rs. 1,000, I'll do my job.
00:46Hello, you're watching FilmBeat. I'm Eshwan.
00:48We're in the Royal promotion.
00:51I've spoken to almost everyone in the team.
00:53No one has a balance.
00:55We can say he's the Royal hero.
00:57Let's talk to Virat.
00:58Hi, Virat. How are you?
01:00I'm super, sir. How are you?
01:01I'm good. Thank you so much.
01:03My husband listens to your songs.
01:05I've heard it before.
01:06But I want to hear it again.
01:08Tongue, tongue, tongue, tongue.
01:11The songs you've released on Instagram keep coming.
01:14I don't know if you've done it or not.
01:17It keeps going.
01:19How do you feel when your songs reach the cinema?
01:24I feel I'm blessed, sir.
01:26Songs are like an invitation to a movie.
01:29They invite you.
01:30Like a lady in front of a hotel,
01:32you go and stand in a bunk bed.
01:34They invite you in.
01:35They make it presentable.
01:36You see, you get attracted to that hotel.
01:39So, our movie's songs are like an invitation.
01:43People have already accepted the songs.
01:45And they're doing a lot of reels.
01:47And moreover, our industry artists
01:51are doing a lot of reels with love
01:52and supporting us collaboratively.
01:54So, I feel when a song hits,
01:57it gives a 100% push to a movie.
02:01So, I feel I'm very lucky to get such good songs
02:05in a Royal movie.
02:07Superb.
02:08So, you get these songs.
02:09And then, when you become a hero,
02:12you perform.
02:13But to prove that you're a dancer,
02:15you need a wonderful song.
02:17So, in your first film,
02:19you had Sheela and Susheela.
02:21So, there's a next-level performance in this.
02:24I remember you as a dancer.
02:26I remember you as an actor.
02:28How is the hard work in every film?
02:31I mean, the dance-wise.
02:33Do you have any other expectations?
02:36I mean,
02:37Appu sir used to tell me something.
02:40For example, Kisthu was happening.
02:44It was being edited.
02:46Deepesh Kumar sir was the editor.
02:48The PRK building was downstairs.
02:51So, when Appu sir comes there,
02:53he usually gets it.
02:54Then I asked Appu sir,
02:56in every film,
02:57the dance steps you do,
02:59if you break yours,
03:00it will go to another level.
03:02How is this possible?
03:03He said,
03:04Chinna, in our film,
03:05the audience gives a lot of money
03:07and buys tickets.
03:08That money shouldn't go to waste.
03:10I'll work on that.
03:12So, somewhere,
03:14a son of a rich family,
03:16Rajkumar sir's son,
03:18he has to put in so much effort.
03:20We don't know anything about him.
03:22Because,
03:23we came from nothing.
03:25So, how much more effort should we put in?
03:28He has to put in so much effort
03:30to prove himself.
03:31How much more effort should we put in?
03:33So, somewhere,
03:34when I go to my comfort level,
03:36I listen to him.
03:37Then,
03:38it's like,
03:39I need to charge up.
03:41Yeah,
03:42it's a big inspiration.
03:44And,
03:45your journey starts with a serial.
03:47The serial becomes a success.
03:49So, you go to Maniamma.
03:51A fan base is created.
03:53There are a lot of female fans.
03:55After that,
03:56you make a film.
03:57You prove yourself in the film.
03:59But,
04:00Kiss.
04:01Then,
04:02Royal Cinema.
04:03There's a small gap.
04:04What does Virat do in this gap?
04:06I'm telling this to everyone.
04:08The gap,
04:09I had taken it.
04:10The gap was there.
04:11See,
04:12the serial became a hit.
04:14The first film became a hit.
04:16After that,
04:17I wanted to make a few films.
04:19But,
04:20I was busy with current affairs.
04:22So,
04:23if you don't have a background,
04:25you get a lot of offers.
04:27You have to find the best film
04:29and pick the best one.
04:31In case you don't like it,
04:33you have to wait.
04:34Or,
04:35you have to accept it.
04:37But,
04:38for me,
04:39when I came to the film industry,
04:41I wanted to prove myself.
04:43So,
04:44every day,
04:45I feel like,
04:46it's a new day.
04:47But,
04:48the first day,
04:49I'm going with the same mindset.
04:51So,
04:52I feel,
04:53I have to do something good.
04:55So,
04:56there were some delays.
04:58When I missed some projects.
05:00Then,
05:01COVID happened.
05:02After that,
05:03Royal came to me.
05:04From Jayanabogan sir.
05:06So,
05:07after that,
05:08Royal.
05:09After that,
05:10how many scripts did you ask for?
05:12And,
05:13how many did you say you couldn't do?
05:15See,
05:16that happens in every career.
05:18I don't want to glorify that.
05:20I got a few scripts.
05:21I left a few.
05:22But,
05:23all the stories were good.
05:25But,
05:26you didn't get a love story, right?
05:28No,
05:29I got all kinds.
05:30But,
05:31all the stories were good.
05:33And,
05:34all the directors considered it.
05:36I'm not that great to reject a script.
05:38But,
05:39the director had a vision of my character.
05:41When he told me the story,
05:43I imagined myself as the audience.
05:45I should be the one to tell the story.
05:47I thought,
05:48I could give it 100%.
05:50But,
05:51I didn't accept it for money.
05:53I compromised and cheated.
05:55I did it for money.
05:57When I give 100%,
05:59I can go to any extent to prove this character.
06:01Then,
06:02I accept the movie.
06:03Other than that,
06:04all the scripts were wonderful.
06:05There is no good story or bad story.
06:07But,
06:08how we narrate,
06:09it matters.
06:10Yes.
06:11In the press meet,
06:12Dhanukar sir said,
06:13Jayanabhaugan sir is giving us a good hero
06:16from his production.
06:18He is giving us a good son from his production.
06:21If the producer has so much confidence in a new guy,
06:24how will it work?
06:26How will it work?
06:27What kind of...
06:28Sir,
06:29Jayanabhaugan sir has been watching since Kiss time.
06:32Kiss movie distributors are Jayanabhaugan sir.
06:35I feel,
06:36they have seen me as a good son.
06:39Thanks to Chamundi Amma,
06:41they have given me a good movie.
06:43I have done it.
06:44Let's see how people will take it.
06:46Okay.
06:47If we talk about the song,
06:49you have danced with so many people.
06:52You have danced with so many stars.
06:55You have danced with your friends.
06:58Especially,
06:59your first heroine Shrilila.
07:01You have danced with her.
07:03I have heard so much about you on TV.
07:06I don't know if you have got the same question.
07:09You both have launched the industry through Kiss.
07:12There are so many back-to-back movies.
07:15There is a slow movement of Virat.
07:18I have seen so many comments like this.
07:21What is your answer to such comments?
07:24Sir,
07:25everyone has the right to speak.
07:27Freedom of expression.
07:29Everyone speaks.
07:31Everyone has their own perspective.
07:34I might have spoken at a good age.
07:37But,
07:38I don't sit idle after a movie hits.
07:41I don't think about anything other than the movie.
07:45I don't have an option B.
07:47I have only one option.
07:49I have to become an actor or an actor.
07:52There are situations where
07:54you have to accept your mindset.
07:58And,
07:59I have said this before.
08:01We have to choose the best scripts for us.
08:04Otherwise,
08:05we have to give up a lot.
08:07We have to give up a lot.
08:09Before that,
08:10we have to do some scripts.
08:12Because,
08:13I feel,
08:14what you give to people
08:16is more important than how much you give to them.
08:20So,
08:21we have to do the best we can.
08:24So,
08:25there is no other option.
08:27100 percent,
08:28Royal Mulga,
08:29the person who spoke to me,
08:31saw that and said,
08:33Virat,
08:34you made a good movie.
08:36Definitely,
08:37we made this movie with an honest effort.
08:40Not just me,
08:41the entire team did.
08:43So,
08:44it came out well.
08:46So,
08:47how is your friendship now?
08:49It's more like,
08:50it's not like a cinema industry friendship.
08:53Because,
08:54we started our careers at a young age.
08:57And,
08:58we both debuted from the same movie.
09:00She was 17,
09:01I was 22.
09:02When we started our careers.
09:04So,
09:05we used to fight like Tom and Jerry.
09:08It's not like an industry friendship.
09:11It's not like that.
09:12It's not a cold war.
09:13It's a direct war.
09:14So,
09:15it was fun.
09:17It was almost like a college student's mentality.
09:21It's like Tom and Jerry.
09:24Even now.
09:25Because,
09:26she doesn't see me as an industrial hero.
09:29I don't see her as an industrial hero.
09:32It's still a college genuine friendship.
09:35When a song comes,
09:36she says,
09:37Virat,
09:38see my dance.
09:39Then,
09:40Nandu comes and says,
09:41wait.
09:42It's like that.
09:43And,
09:44recently,
09:45there was a song,
09:46a Skanda movie.
09:47I told her,
09:48it was wonderful.
09:49Even for Namdi Vaga,
09:50Tang Tang,
09:51Leelamere,
09:52all the songs,
09:53she only told,
09:54Virat,
09:55your song is good.
09:56We'll do a reel.
09:57She only asked.
09:58But,
09:59that was a little,
10:00she was shooting in London at that time.
10:03After finishing all that,
10:05we shot it.
10:06It's wonderful.
10:07It came out well.
10:08You should see it.
10:09So,
10:10that friendship,
10:11somewhere,
10:12there is still innocence in that friendship.
10:13Can we see that couple on the screen?
10:17How can I say?
10:19Because,
10:20it's a hit combo.
10:21One thing,
10:22I always believe,
10:23in a movie,
10:24we don't have to plan anything in a movie.
10:27Every movie,
10:28takes what is needed for that movie.
10:30We don't do anything in a movie.
10:33When we start making a movie honestly,
10:36what is needed for that movie,
10:37which characters are needed,
10:38that movie itself is picked.
10:40So,
10:41when a movie is made honestly,
10:42that movie,
10:43who is needed,
10:44how the movie should go,
10:45everything is planned by the movie.
10:47So,
10:48let's see.
10:49You said,
10:50one should hit,
10:51and another should act.
10:52In the industry.
10:53When Jayendra Bogindra,
10:54when I saw him years ago,
10:56he was producing thousands of movies.
10:59So,
11:00now it's your turn.
11:01Now,
11:02you are planning with Suri sir.
11:03So,
11:04when that production was still going on,
11:06he gave so many good movies.
11:09Now,
11:10it's starting again.
11:11Yes,
11:12that production gave a star.
11:14Now,
11:15another star is getting ready.
11:17Sir,
11:18it's all in the hands of our people.
11:20One more thing is,
11:21as a lifelong Jayendra Bogindra sir,
11:24I should be thankful and grateful.
11:27Because,
11:28I am nothing, sir.
11:30For them.
11:31No background.
11:32I am also just one actor in the industry.
11:35Holding hands like that,
11:36I brought him like my own son.
11:38Announcing back-to-back movies,
11:40doing it.
11:41And Royal,
11:42you can see one frame.
11:43We didn't do it like any other movie.
11:46I mean,
11:47one by one,
11:48I mean,
11:49one by one,
11:50even if it's a set,
11:51or,
11:52whatever the director asked,
11:54we didn't say no.
11:55We gave everything that was needed for this movie.
11:58And you can see that in the frame.
11:59You can see that richness in the frame.
12:01So,
12:02we did the movie royally.
12:03This movie,
12:04first,
12:05our producers should win.
12:06Along with that,
12:07our team should win.
12:08So,
12:09if it's a movie,
12:10we will go forward with confidence.
12:12Yes.
12:13Then,
12:14Dhinikar sir,
12:15the director.
12:16Okay.
12:17So,
12:18he does a lot of movies.
12:19His first movie was,
12:20Prem Oruge.
12:21So,
12:22along with that,
12:23he did a new phase.
12:24So,
12:25this is your second movie,
12:26for him.
12:27So,
12:28how was the combo?
12:29When he said he would direct,
12:30what came to your mind first?
12:33So,
12:34for any actor,
12:35when Dhinikar Thukdeep sir directs,
12:37of course,
12:38happiness comes.
12:39Because,
12:40in Kannada,
12:41one of the best directors in Kannada,
12:43Dhinikar sir is also one of them.
12:45So,
12:46when he asked me to direct,
12:47obviously,
12:48I felt I'm very lucky,
12:49and thankful to our producers.
12:51Because,
12:52the way he saw Virat in Kiss,
12:55and how he played a teenage lover boy in Kiss,
12:58in that Virat,
12:59you don't see 1% in this movie.
13:01It's a completely different character,
13:03and a different,
13:05and a,
13:06not even behavior,
13:08sitting style,
13:09standing style,
13:10look,
13:11appearance,
13:12everything is changed.
13:13So,
13:14for this character,
13:15Dhinikar sir did most,
13:16usually,
13:17family,
13:18mass cinemas.
13:19So,
13:20for this story,
13:21he portrayed me completely differently.
13:24You'll see,
13:25that's why it's 24th.
13:26Super,
13:27super.
13:28And,
13:29you said,
13:30there's a change from there.
13:31So,
13:32when you came and told the story,
13:33did you feel,
13:34you need to make some changes?
13:35Or,
13:36you need to give input?
13:37It would have been nice if you did this.
13:38Sir,
13:39in cinemas,
13:40actors should be like a white paper.
13:42Like a drama director.
13:43Whatever they come up with,
13:44we need to come and follow.
13:46Now,
13:47for this movie,
13:48when I met Dhinikar sir,
13:49I was in my six pack.
13:51Fully in,
13:52six pack,
13:53I was in.
13:54Then,
13:55I met the writer team,
13:56and the direction team,
13:57and Dhinikar sir,
13:58called me that evening.
13:59He called me,
14:00Virat,
14:01you came,
14:02you saw,
14:03everything is expected.
14:04You shaved your moustache,
14:05you went to school,
14:06you're going to school,
14:07you should put on,
14:08you should put on,
14:09he said.
14:10At that time,
14:11pure muscle mass,
14:1210-15 kgs should be put on.
14:13So,
14:14we did that.
14:15And,
14:16complete commercial,
14:17mass hero,
14:18how to say,
14:19everything is,
14:20perfectly planned,
14:21and portrayed on screen.
14:22Everything was neatly planned.
14:24Because,
14:25I believe,
14:26the director is the only person,
14:28he sat,
14:29he stood,
14:30he slept,
14:31he travelled with the character.
14:32My character should look like this,
14:33my hero should look like this,
14:34my hero should look like this.
14:36So,
14:37if we achieve this,
14:38that much happiness,
14:39there's nothing else.
14:40Yes.
14:41And,
14:42the promotion,
14:43you're doing it very well.
14:44So,
14:45Bangalore to Mysore journey,
14:46it's all done.
14:47So,
14:48a lot of things will be shared,
14:49among your directors.
14:50So,
14:51in Mysore,
14:52a,
14:53before hero,
14:54after hero,
14:55a small role,
14:56in my life,
14:57in Mysore,
14:58can you remember anything?
14:59Sir,
15:00before hero,
15:01after hero,
15:02now,
15:03in our house,
15:04we have a feel of before hero,
15:05after hero.
15:06In the village also,
15:07it's the same.
15:08Now,
15:09people talk,
15:10they talk with love.
15:11But,
15:12before,
15:13it was a small family,
15:14now it's a big family.
15:15That's it.
15:16That love,
15:17that warmth,
15:18in Mysore,
15:19in the entire Karnataka,
15:20wherever I go,
15:21there's so much love.
15:22How are your friends in Mysore?
15:23Sir,
15:24my friends don't treat me like a hero.
15:25They grow up from a kid.
15:26No,
15:27back then,
15:28they were scared,
15:29now they're scared.
15:30Back then,
15:31they run,
15:32now they run.
15:33So,
15:34my best friends,
15:35my childhood friends,
15:36or my college classmates,
15:37they're very nice.
15:38They treat me like a little hero.
15:39But,
15:40when we meet,
15:41there are different topics.
15:42And,
15:43I'm a hero,
15:44or he's a politician,
15:45or he's an engineer,
15:46or a doctor,
15:47there's no treatment like that.
15:48How are normal friends?
15:49When they make a mistake,
15:50they're scared,
15:51they're scared.
15:52They're all there.
15:53The boy,
15:54the girl,
15:55they're all there.
15:56But,
15:57I'm a hero.
15:58I'm a hero.
15:59I'm a hero.
16:00I'm a hero.
16:01I'm a hero.
16:02I'm a hero.
16:03I'm a hero.
16:04I'm a hero.
16:05I'm a hero.
16:06I'm a hero.
16:07I'm a hero.
16:08I'm a hero.
16:09I'm a hero.
16:10I'm a hero.
16:11I'm a hero.
16:12I'm a hero.
16:13I'm a hero.
16:14I'm a hero.
16:15I'm a hero.
16:16I'm a hero.
16:17I'm a hero.
16:18I'm a hero.
16:19I'm a hero.
16:20I'm a hero.
16:21I'm a hero.
16:22I'm a hero.
16:23I'm a hero.
16:24I'm a hero.
16:25I'm a hero.
16:26I'm a hero.
16:27I'm a hero.
16:28I'm a hero.
16:29I'm a hero.
16:30I'm a hero.
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16:32I'm a hero.
16:33I'm a hero.
16:34I'm a hero.
16:35I'm a hero.
16:36I'm a hero.
16:37I'm a hero.
16:38I'm a hero.
16:39I'm a hero.
16:40I'm a hero.
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16:42I'm a hero.
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16:57I'm a hero.
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16:59I'm a hero.
17:00I'm a hero.
17:01I'm a hero.
17:02I'm a hero.
17:03I'm a hero.
17:04I'm a hero.
17:05I'm a hero.
17:06I'm a hero.
17:07I'm a hero.
17:08I'm a hero.
17:09I'm a hero.
17:10I'm a hero.
17:11I'm a hero.
17:12I'm a hero.
17:13I'm a hero.
17:14I'm a hero.
17:15I'm a hero.
17:16I'm a hero.
17:17I'm a hero.
17:18I'm a hero.
17:19I'm a hero.
17:20I'm a hero.
17:21I'm a hero.
17:22I'm a hero.
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25:13I'm a hero.

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