જાણીતા લેખક અને વક્તા કાજલ ઓઝા વૈદ્ય દ્વારા લેખિત અને અભિનીત ગુજરાતી ફિલ્મ 'તારો થયો'ની સ્ટાર કાસ્ટ સાથે ઈટીવી ભારતે ખાસ સંવાદ કર્યો હતો.
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00:00A new film is coming out, Taro Thayo.
00:03The central theme of the film is love.
00:06And if Hiten Kumar is in love,
00:08the chemistry will be amazing.
00:10First of all, Hiten Kumar ji, welcome to ETB Bharat.
00:14And you have brought a film about love again.
00:19So, what is new in Taro Thayo?
00:22Till now, there have been many films
00:24in which we talk about what happens when love happens.
00:28Whether it is in literature, cinema or in a play.
00:31Whether a girl meets a boy or a boy meets a girl,
00:33and they fall in love.
00:35And they go through hurdles.
00:37And somehow they convince each other
00:39and go back to happiness or sorrow.
00:41This story is not just about love.
00:43It is a story of after love.
00:45And it is not about a certain age.
00:48There are four couples in this.
00:50One who is newly married.
00:52But to understand what marriage is,
00:54four to five years of your life will pass.
00:56You are not tied to marriage.
00:58So, you have to understand what marriage is.
01:00To understand marriage,
01:01you have to spend your entire life.
01:03Because many times,
01:04you have to get acquainted with
01:06your person's likes and dislikes.
01:08In that journey,
01:10how can you maintain the relationship between them?
01:13We talk about this with every generation.
01:16It is not about falling in love.
01:18It is about how to tell love
01:20after falling in love.
01:21This is the story of Taro Thayo.
01:23Hiten Kumar ji,
01:24In Taro Thayo,
01:25the heroine,
01:26the writer,
01:27the speaker,
01:28Kajal Ojha Vaid,
01:30how did you feel about acting with her?
01:33How did you feel about doing
01:35on-screen romance or love with her?
01:40As an actress,
01:41maybe the world does not know,
01:43but I have known her for 40 years.
01:45In the beginning of our film,
01:47we did a great job together.
01:50I was working with Parag Shritek and Rang Bhoomi.
01:54I got busy with my own field.
01:57As a writer,
01:58she has such a big name.
02:00As a speaker,
02:01she has such a big name.
02:02She is the only writer in our language.
02:04From the point of view of women,
02:06when a man says something,
02:07it reaches us in a wonderful way.
02:10Normally,
02:11when we write or speak in literature
02:13for a man or a woman,
02:15there is a greater emphasis on women.
02:18There is no difference between a man and a woman.
02:20There is no difference between a man and a woman.
02:23There is a great emphasis on this.
02:25A woman has justified this very well.
02:27When she comes with a film like this,
02:29she has not only dedicated herself to the story of a woman,
02:32but also dedicated herself to the story of a man.
02:35A man is also so sensitive.
02:37A man can also be so soft-hearted.
02:39We never underline this.
02:42She has brought a very beautiful story.
02:44I felt comfortable as an actress,
02:46because I knew the preparation for her role.
02:49I felt comfortable as an actor,
02:51because I knew the preparation for her role.
02:53I was involved in the character.
02:55It was good,
02:57because it was her character.
02:59It was very close to performing for her.
03:02It was a very good experience.
03:04There was no discrepancy in any small matter.
03:07People think that I am so headstrong,
03:09Kajal is so headstrong.
03:11How did we work together?
03:13You asked the entire set,
03:15the entire unit,
03:17that there was a small argument one day.
03:19We had so much trust in each other.
03:21She had trust that she would justify my lines.
03:24She had trust that she would give suggestions.
03:27My experience is so vast,
03:29that it is always said,
03:31I am doing what you say.
03:33If people praise me tomorrow,
03:36the entire credit goes to Hiten.
03:38It is not like that.
03:40It was a wonderful experience to work with her.
03:43In this film, you have said,
03:45that you will get a new Ramla.
03:47You will get Ramla again.
03:49The character of Ramla,
03:51is still alive in you.
03:53Love is always alive.
03:55There is no end to love.
03:57Ramla is a symbol for that.
03:59Roganiswami had an industry before Chhannu.
04:02When the industry came to a halt,
04:04the reason for that was,
04:06long conversations.
04:08A lot of comedy.
04:10A lot of pratik.
04:12Unfortunately,
04:14the industry came to a halt at the age of 40.
04:16The industry came to a halt.
04:18The industry came to a halt for 2-4 years.
04:20Since God has given me a chance,
04:22I have been trying to maintain purity,
04:24so that when I talk to my daughters,
04:26I will tell them,
04:28even the smallest details of love.
04:30I will keep it so pure,
04:32that I can watch it with my family.
04:34Because of that,
04:36I have played so many roles.
04:38Even today,
04:40when I leave the city,
04:42more and more people,
04:44love me as Ramla.
04:46At any age,
04:487 or 7.5 years old.
04:50The purity of that character,
04:52I just said 2 days ago,
04:54is the standard of today's generation.
04:56Based on which,
04:58Hindi film Vibhav was made.
05:00That standard,
05:02I think,
05:04Vibhav is the reverse version
05:06of Mahiyar.
05:08In Mahiyar,
05:10there is a tragedy with a boy.
05:12Here, they have converted it
05:14to be a tragedy with a girl.
05:16So, what will happen?
05:18Based on the reasons
05:20for people's love for those characters,
05:22based on that principle,
05:24I have said that
05:26the story of today's generation
05:28is the standard of today's generation.
05:30We have said about this film,
05:32that you have to believe in this film
05:34and live with it.
05:36You will live with this film for 3 hours.
05:38What is it like
05:40when a person lives with his love?
05:42It is a very basic thing.
05:44In the beginning of life,
05:46when we meet our partner,
05:48the excitement of meeting him
05:50is very high.
05:52When you meet him,
05:54you give him everything
05:56to make him happy.
05:58We forget that
06:00it is very important
06:02to live with each other.
06:04After giving him everything
06:06for years,
06:08you realise that
06:10you have given a lot of time
06:12to the person for whom
06:14you have started this race.
06:16If you look back,
06:18you will see that
06:20the weather has changed.
06:22The film was made for that.
06:24Kedar and Mitali,
06:26as a couple, as a person,
06:28why should the audience
06:30watch the film?
06:32Because Kedar and Mitali
06:34are stuck in each other's house.
06:36When a person starts his life,
06:38till the time he does not
06:40get tired of his child,
06:42there is time for both of them.
06:44But when a generation is formed,
06:46you all get separated.
06:48And you go so far
06:50that you do so much
06:52for the one you love.
06:54You live as a father
06:56and you live as a mother.
06:58But you yourself
07:00have started the race.
07:02You have started the journey
07:04with the man and woman
07:06in your heart.
07:08How much did you live with them?
07:10This is a question
07:12that people ask
07:14when they watch the film.
07:16You will change inside,
07:18but when you reach home,
07:20you realise that
07:22you have become yours.
07:24There is another definition.
07:26I am in your love.
07:28This is very simple and very common.
07:30Everyone keeps saying I love you,
07:32I love you, I love you.
07:34When you say I love you,
07:36do you love me?
07:38Do you love me?
07:40It is an expectation.
07:42When you become yours,
07:44there is no expectation.
07:46I am yours.
07:48Do whatever you want.
07:50I am yours.
07:52This event is always for the woman.
07:54What can a man do?
07:56It is for her.
07:58It is not only for that generation.
08:00The newly married,
08:0222-23 year old,
08:04what is marriage?
08:06What is love?
08:08It is a story of four layers.
08:10It is a story of four lives.
08:12It is a story of four lives.
08:14And this music
08:16which is the expression of love,
08:18will the audience
08:20accept it?
08:22And then the audience will say
08:24that I have also become yours.
08:26I have become yours.
08:28I am yours.