જાણીતા લેખક અને વક્તા કાજલ ઓઝા વૈદ્ય દ્વારા લેખિત અને અભિનીત ગુજરાતી ફિલ્મ 'તારો થયો'ની સ્ટાર કાસ્ટ સાથે ઈટીવી ભારતે ખાસ સંવાદ કર્યો હતો.
Category
🗞
NewsTranscript
00:00A new film is coming out, Taro Thayo.
00:03The central theme of the film is love.
00:06And if Hiten Kumar is in love,
00:08the chemistry will be amazing.
00:10First of all, Hiten Kumar ji, welcome to ETB Bharat.
00:14And you have brought a film about love again.
00:19So, what is new in Taro Thayo?
00:22Till now, there have been many films
00:24in which we talk about what happens when love happens.
00:28Whether it is in literature, cinema or in a play.
00:31Whether a girl meets a boy or a boy meets a girl,
00:33and they fall in love.
00:35And they go through hurdles.
00:37And somehow they convince each other
00:39and go back to happiness or sorrow.
00:41This story is not just about love.
00:43It is a story of after love.
00:45And it is not about a certain age.
00:48There are four couples in this.
00:50One who is newly married.
00:52But to understand what marriage is,
00:54four to five years of your life will pass.
00:56You are not tied to marriage.
00:58So, you have to understand what marriage is.
01:00To understand marriage,
01:01you have to spend your entire life.
01:03Because many times,
01:04you have to get acquainted with
01:06your person's likes and dislikes.
01:08In that journey,
01:10how can you maintain the relationship between them?
01:13We talk about this with every generation.
01:16It is not about falling in love.
01:18It is about how to tell love
01:20after falling in love.
01:21This is the story of Taro Thayo.
01:23Hiten Kumar ji,
01:24In Taro Thayo,
01:25the heroine,
01:26the writer,
01:27the speaker,
01:28Kajal Ojha Vaid,
01:30how did you feel about acting with her?
01:33How did you feel about doing
01:35on-screen romance or love with her?
01:40As an actress,
01:41maybe the world does not know,
01:43but I have known her for 40 years.
01:45In the beginning of our film,
01:47we did a great job together.
01:50I was working with Parag Shritek and Rang Bhoomi.
01:54I got busy with my own field.
01:57As a writer,
01:58she has such a big name.
02:00As a speaker,
02:01she has such a big name.
02:02She is the only writer in our language.
02:04From the point of view of women,
02:06when a man says something,
02:07it reaches us in a wonderful way.
02:10Normally,
02:11when we write or speak in literature
02:13for a man or a woman,
02:15there is a greater emphasis on women.
02:18There is no mention of mother or father.
02:20There is no mention of father or man.
02:23There is a great emphasis on this.
02:25A woman has justified this very well.
02:27When she comes with a film like this,
02:29it is not just about women.
02:32Men also do the same.
02:34Men are so sensitive.
02:36Men can be so soft-hearted.
02:39We never underline this.
02:42She has brought a very beautiful story.
02:44I felt comfortable as an actress
02:46I felt comfortable as an actress
02:48because I knew her preparations for her role in Rang Bhoomi.
02:53I felt good about being an invert.
02:55because she was playing a role.
02:59It was very close to perform for her.
03:02It was a very good experience.
03:04There was no disagreement in any small matter.
03:07People might think that I am so headstrong.
03:09Kajal is so headstrong.
03:11I have been working with them.
03:13But when you ask a whole set, a whole unit,
03:16that one day there was a small argument,
03:18we had so much trust in each other.
03:20They also had trust that this person will justify my written line.
03:24They also had trust that where should I give a suggestion.
03:26So, my experience is so vast that
03:29they always say,
03:31Hiten, I am doing what you say.
03:33If people wake me up tomorrow and make a joke,
03:36the entire credit goes to Hiten.
03:38It's not like that.
03:39We both had a wonderful experience working together.
03:43In this film, you have said that you will get a new Ramla.
03:49The character of Ramla is still alive and kicking inside you.
03:54Love is always alive.
03:56There is no end to love.
03:58Ramla is a symbol for that.
04:00Roganiswami Chhannu,
04:01earlier an industry used to say that
04:03when the industry was about to shut down,
04:05the reason for that was two-way communication.
04:08Two-way communication, comedy,
04:10a very strong symbol.
04:12Unfortunately, 7-8 years ago,
04:15the industry was about to shut down.
04:17The industry shut down after 2-4 years.
04:20Since God has given me a chance,
04:22I have been trying to maintain purity,
04:24so that when I tell my daughters and mothers,
04:27even the smallest details of love,
04:30I will keep it so pure that I can see it with my family.
04:33And because of that,
04:35I have played so many roles,
04:37from Mahiyar to Palavde.
04:39Even today, if you leave the city,
04:42more and more people love me as Ramla.
04:45At any age, whether it is a 7-year-old or a 70-year-old.
04:49The purity of that character was there.
04:52Just two days ago, I said that
04:54Mahiyar is my Mahiyar of today.
04:57Based on which, the Hindi film Vibhav was made.
04:59I feel that Mahiyar was the first film
05:02from which Rajshri had taken rights.
05:04And in 4 languages, as it is,
05:06Vibhav is the reverse version of Mahiyar.
05:09In Mahiyar, there is a tragedy with a boy.
05:13Here, they have converted it to a tragedy with a girl.
05:16So, what will happen?
05:18For that time, for the characters,
05:21for the reasons that people wanted,
05:23for that element, I said that
05:25the story of today, at this age,
05:27is Mahiyar of today.
05:29We have said about this film that
05:31there is no instruction in this film.
05:33You have to accept it and live with it.
05:35You will live with it for 3 hours in this film.
05:37So, what is it that a person
05:39lives with his love?
05:42See, it is a very basic thing, brother.
05:45In the beginning of life,
05:47when we meet our partner,
05:49the excitement of meeting him is very high.
05:51After meeting him,
05:53whatever you give him to make him happy,
05:55you have to give him everything
05:57so that he remains very happy.
05:59We forget that to live with him,
06:01you have to live with your partner.
06:04After giving him everything for years,
06:07you realize that
06:09the person for whom I started this race,
06:11how much time have I given to that person?
06:13If you see,
06:15the weather has changed,
06:17whether he will be able to live or not,
06:19that is why this film was made for him.
06:23Kedar and Mitali,
06:25as a lover, as a person,
06:27as a companion,
06:29should be seen in the same way.
06:31Because this Kedar, this Mitali,
06:33is stuck somewhere in everyone's house.
06:35When a person starts his life,
06:37until he does not have
06:39a generation of his own children,
06:41there is time for both of them.
06:43But when a generation is formed,
06:45you all get separated.
06:47And while separating,
06:49you go so far,
06:51for whom you have done so much.
06:53You live as a father,
06:55you live in other religions,
06:57you live as a mother,
06:59but you yourself,
07:01from where you started,
07:03the person in your heart,
07:05that man and that woman,
07:07with whom you started your journey,
07:09how much did you live with them?
07:11This is a question,
07:13when people watch those
07:152 hours 15 minutes films,
07:17you will change inside,
07:19but when you reach home,
07:21you realize that
07:23and try to tell your partner,
07:25I am in your love.
07:27This is very simple and very common.
07:29Everyone keeps saying,
07:31I love you, I love you, I love you.
07:33The way you say I love you,
07:35do you love me?
07:37Do you love me?
07:39Do you love me?
07:41It is an expectation.
07:43I am yours.
07:45Do whatever you want.
07:47Whatever situation you bring,
07:49I am yours.
07:51There is no expectation.
07:53I am yours.
07:55I am yours.
07:57I am yours.
07:59I am yours.
08:01I am yours.
08:03I am yours.
08:05I am yours.
08:07I am yours.
08:09I am yours.
08:11I am yours.
08:13I am yours.
08:15I am yours.
08:17I am yours.
08:19I am yours.
08:21I am yours.
08:23I am yours.
08:25I am yours.
08:27I am yours.