સપ્તક સંગીત મહોત્સવનો અગિયારમાં દિવસના આરંભમાં કથક, બાદ ભક્તિ ગાન અને અંતે સંતુરના સૂર થકી સપ્તકની 11મી રાત રસપ્રધાન બની રહી હતી.
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00:00Bhakti Sangeet
00:30Jai Teerth Mevandi ji.
00:33First of all, your singing of Bhakti in the 2nd Satra was excellent.
00:40So, which Gharana is this and what were its words?
00:44The performance I did today, the first raga was Shuddha Kalyan.
00:51Shuddha Kalyan is a very important raga in our music.
00:56So, I tried to sing it today.
01:00The words were,
01:02Tum bina kaun khabare ya leta
01:04And in Shuddha Kalyan, Dhrut was
01:07Mandar baje bhajore
01:09So, the next word was Raag Sohini.
01:13I sang in Raag Sohini.
01:15And that bandish was made by Pandit Kumar Gandharva.
01:22He had made it himself.
01:25And the next bhajan I sang was called Abhang.
01:29Marathi Abhang.
01:31Bharat Ratna Pandit Bhimsen ji called it the Abhang of Ajramar.
01:38Whatever it is, be it classical music or any other bhajan,
01:44I think it should be dedicated to God.
01:49You belong to Kirana Gharana.
01:53And you are interested in Bhakti music.
01:55So, how interested are the youth in Bhakti music?
02:01I am from the Kirana Gharana tradition,
02:04Abdul Karim Khan Sahib.
02:06After him, there were so many great artists,
02:08Bhimsen ji, Gangubai Hangal, Firas Dastur ji,
02:11Manek Kurma, Prabha Hatre,
02:13and many others.
02:14Ustad Amir Khan Sahib.
02:16So,
02:19Bhakti music,
02:22I belong to the village of Karnataka.
02:26In Karnataka, Bhakti music has a strong influence.
02:30Even before that.
02:32My mother used to sing Bhakti music at home.
02:37So, I am interested in Bhakti music.
02:40And it is connected to spirituality and music.
02:44So,
02:46whether it is in Kannada language,
02:48or in Marathi, or in Hindi bhajan,
02:50that is why I got that influence.
02:53The rest of the young generation is still learning.
02:56They are doing very well.
02:58They are practising, singing and playing.
03:00So,
03:02they are interested in Bhakti music.
03:05You see,
03:07whether it is YouTube or any other media,
03:09the interest in Bhakti music,
03:12the young generation gets to listen to it a lot.
03:16There is another thing.
03:19The new generation,
03:21they do more music on YouTube.
03:23They also use Bhakti music.
03:26But the guru-disciple tradition,
03:29has it been influenced by YouTube or technology?
03:35What do you think?
03:38Look, the guru-disciple tradition,
03:41which was there earlier,
03:43is not that much.
03:44It is decreasing.
03:45Because,
03:46the social media,
03:49people do not have time.
03:51The young generation is learning,
03:52they do not have time.
03:53The young generation stays on mobile.
03:56They stay on uploading.
03:58They have Facebook and Instagram.
03:59Whatever has come,
04:01the mind has strayed a little.
04:04But not everything.
04:06There are some very good students,
04:08young students,
04:09who come in front of the guru,
04:11respect the guru,
04:13stay at the feet of the guru,
04:15and learn.
04:16There are such children.
04:17In Kolkata, Delhi, Karnataka,
04:20everywhere.
04:21But,
04:22it is not the same as it was earlier.
04:24People are a little,
04:27those who go through the media,
04:30they have to go as time goes.
04:33But there are,
04:34those who do it are very good.
04:35Jaitir ji,
04:36you are connected to Saptak,
04:38you also come to Gujarat.
04:39So, what is your experience?
04:41Look,
04:42I have been coming for many years,
04:44in Saptak,
04:45in Ahmedabad,
04:46in Baroda,
04:47I have been to many places.
04:50But, especially,
04:51in Saptak,
04:52which I have been coming for years,
04:54Manju didi,
04:55has called me many times,
04:56has given me to sing.
04:58So,
04:59I always feel very good here.
05:01Because,
05:02the audience,
05:03the audience is so good here.
05:04And,
05:05for 12-13 days,
05:06I was speaking there.
05:07For 12-13 days,
05:08listening to all the artists,
05:09supporting them,
05:10praising them,
05:11sitting in front of them.
05:13And,
05:14each and every audience,
05:16is knowledgeable here.
05:18And,
05:19especially,
05:20I saw Young Generation.
05:21Young Generation is very good here.
05:23I got to see them.
05:26So,
05:27Saptak,
05:28is a very big,
05:29good stage.
05:30Whoever performs here,
05:32sings,
05:33plays instruments,
05:34they keep watching us
05:35singing in Saptak.
05:36This is how it has become.
05:37So,
05:38this was Jaitirth,
05:39Pandit Jaitirth,
05:40who said that
05:41Young Generation also comes here,
05:42they are connected,
05:43they are connected to Bhakti music.
05:44And, this is
05:45the speciality of Saptak.
05:47With Cameraman Mukesh Jodia,
05:48Parijit Dev,
05:49ETV Bharat, Ahmedabad.
06:03Music
06:08Music
06:13Music
06:18Music
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