default
Category
๐
NewsTranscript
00:00makeup and other stuff but thank you so much for all the cooperation and the
00:08other technicians like Venkat master Venkat master was like he was there
00:11throughout the film he's one big pillar in this film like Bobby and Venkat
00:17master they always used to sit together I'll be scared what they come up with
00:21they'll come up with some new idea and just throw it there so there's an
00:25amazing team VFX you get another sir Ruben Niranjan editors Avinash Kollada
00:32production is not they have done a fantastic job I think VFX is in a
00:35different level in this film be the snow leopard and like when people see
00:41they'll understand what's there in the film and I think I've mentioned all of
00:46them and in Thalaivan Thamman sir so yesterday I saw the film so there are
00:56three three points where I think the theatre will go blast three different
01:02points and he used the same music there in three points I I really loved all
01:08three places so he's nailed it in the music part and and producer Vamsi
01:17Garu like he was the first one to reach out to me when when this film was
01:20offered to me so and a producer coming up and asking like approaching a DP and
01:27he's done he's been a great support this has never happened I've never heard of
01:33this a producer calling a DP and saying can we have this colorist for this film
01:37so he called Jayla's colorist Andy to the film and so much of support from him
01:42and when it comes to sir the first point we got connected was you are talking
01:50about a Italian cinematographer Vittorio Storaro that was the first connection
01:54between us I was very shocked like sir's vast knowledge of classic films and
01:58everything so and he's someone who when I was little scared when I was shooting
02:08silhouettes of sir dark parts high contrast and he comes up to the monitor
02:11and says this looks very good high contrast and he talks all technical
02:15thing I was stunned and he's very close friends with my assistants Sherwin and
02:19Abbas he calls them bro he's so young inside and he he's there in their level
02:24in the mid-twenties like he's else with them so well and he is a genuine hard
02:33work like he's he's there on on time before time and he's a complete director
02:40sector he completely does what the actor director asks for we just have a special
02:50guest so I'm just interrupting your speech sir so legend productions Adhinethi
02:55and Alage Aha Unstoppable Ki the creative consultant Tejaswini Garu ki a
02:59very hearty welcome Andy we really look forward to your dynamic energy
03:05Tejaswini Garu a very hearty welcome to you I'll have to thank her as well
03:10because Tejaswini Garu was also a part in bringing me into this film so Bobby
03:18told me that so Balaiah sir's commitment to the film is like next level like
03:25there was once in one particular scene I'll finish off with this there is one
03:28particular scene where he was fighting with fire sticks and everything so we
03:33didn't I wanted something in frame I don't remember what exactly so I just
03:36stepped in I was shooting far away from him I just stepped into the frame and I
03:41couldn't open my eyes because there are full of fire stick full of smoke and so
03:44much of heat he didn't mind about it a bit and he was standing there with all
03:49his eyes open and another one scene where I was really surprised by his
03:53professionalism there is one shot in the film where we used real fire sparks to
03:58in the shot so he had a very tight close-up this much and it was a very
04:03powerful dialogue he was talking the dialogue the shot went on when the shot
04:09started the fire sparks started hitting his face so I've had that fire sparks on
04:14my hand once it hits you by unconscious you'll just react to it he didn't mind it
04:20he didn't blink his eyes and it constantly kept hitting on him I took
04:24my eyes off the viewfinder and was looking at him whether he'll stop or he
04:27never stopped he went with the shot and came back to the monitor and as he's
04:33walking to the monitor he's touching it so he felt the pain but he didn't show it
04:36off on screen and one thing I've noticed with you sir I have not shared it with
04:40you when we shoot when there's a gunfire scene if we shoot involuntarily
04:47our eye blinks your eye doesn't blink you don't blink I've never seen you
04:51blink and we've discussed this inside internally I didn't want to tell it
04:54there I want to tell it in some stage where I get so I'm telling you this
04:57those things that make