Combo Film
  • last week
Link Amazon: https://amzn.to/3ZBVEEk
Transcript
00:00:30Oh, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry,
00:01:00I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry
00:01:30Hiya Tim. Tim, we're getting something great, something with a real switcheroo. Yeah, we
00:01:44got a real bubble on it. All right, make me bubble. Make him bubble. Well, you know the
00:01:49story. Yeah, I know the story. We'll pick it up where the black wasp has grabbed the
00:01:54girl. She's a pretty smart kiddo. She knows what's coming and she struggles. Wait a minute,
00:02:01Joe. What's the matter? Before she struggles, the wasp gives her the business. Yeah? About
00:02:06the plans, remember? Yeah. He asked her for the plans of Twilight's new rocket ship and
00:02:10she turns him down. That's right. He's about to give her the sting of his breath. Sting
00:02:14of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death.
00:02:15Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death.
00:02:16Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death.
00:02:17Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death.
00:02:18Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death.
00:02:19Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death.
00:02:20Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death.
00:02:21Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death.
00:02:22Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death.
00:02:23Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death.
00:02:24Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death.
00:02:25Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death.
00:02:26Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death.
00:02:27Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death.
00:02:28Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death.
00:02:29Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death.
00:02:30Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death.
00:02:31Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death.
00:02:32Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. St
00:03:02ing of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. As
00:03:14Tim, what do you say? Is that a great twist or not? Oh, it's great fellas. I'll buy it.
00:03:22you can have it. Am
00:03:29I crazy certainly what if I wait a minute you got to be crazy in this business to
00:03:33make any money. Then Mr Moody's crazy or certainly is crazy everybody's crazy.
00:03:44It's what else you've got only your character for next month's magazine I couldn't
00:03:48sleep when thinking about it next time you can't sleep try counting sheep I will.
00:03:58My suggestion is to throw this in the wastebasket in that case we'll take the
00:04:01basket up the movie he might fool you and like it just a minute Jones I'm still
00:04:06general manager of the plant Hilton Payne remember brother how could I ever forget
00:04:10it and Mr Moody can't approve something he doesn't say no and furthermore I don't
00:04:16approve of anyone who steps on my toes you wouldn't like
00:04:19a spot for
00:04:19a pinch hitter what's the scope of betting tied he says no I say yes but you boys
00:04:24need
00:04:25a referee now honey don't you bother your pretty little head about the tales Jones
00:04:29and I will settle this between us. Maybe I could decide I think I know father's
00:04:34likes and dislikes as well as you do. And I've decided it's top thanks
00:04:41well Betty I guess your decision just about covers everything.
00:04:49You know it's funny what jealousy can do to a guy's judgment. I can understand
00:04:53that. Father thinks I'm going to marry him. You know you have the most beautiful
00:05:00eyes. Tim. Father isn't
00:05:04a well man and the most beautiful. He he depends on me and the most beautiful
00:05:10man Tim stop I'm serious yes I know and well I think that we should do something
00:05:17about it yes yes we will but you still have the most beautiful and most beautiful
00:05:22and I've decided to and the more that I have decided that I'm going to get
00:05:26a doctor.
00:05:34I. Was
00:05:41well to where Mr Austin morning Mr Moody yes yes where's Mr what you should be
00:05:47here any moment Mr Moody any minute the minute he comes yes Mr Moody.
00:05:54Good morning Miss Wilson go right in Mr Austin Mr Moody's waiting for you.
00:06:05Good morning and a good morning I'll be glad to see you. I tell you start toiling
00:06:11here's the morning news right on the dot. What happened to pick up the guy that
00:06:14jam he was in yesterday yeah he made it all right just the cops were close to don't
00:06:18tell me I want to read it later. Say how come his nibs are scared of the comments
00:06:24if I could make
00:06:24a million bucks with him like he did I'd I'd die laughing. Why don't you send one
00:06:30and see what happens a very funny idea the girl that worked before I forgot just
00:06:35once the comics went inside and boom she was outside that makes
00:06:39a difference. Why I like you Henry you're
00:06:45honest don't try to impress me like everyone else Hilton for instance he's just
00:06:51waiting for me to retire I thought you approved of him but he was going to marry
00:06:55Betty he's
00:06:56a man they think she wants to marry I'm not going to interfere. Made
00:07:00a mistake in my own marriage. Who am I to tell her what to do I like Betty I hope
00:07:06she'll be happy and never want for anything she won't at least financially. Then
00:07:11you're going to give Hilton the business yes but not the way he expects. He's
00:07:17a lucky young man I hope he appreciates it Henry the art of appreciation is lost in
00:07:21this world of dog eat dog everybody is out for something I know
00:07:27a bunch of cutthroats. Good
00:07:34morning Marjorie Good morning I'll take. Good morning with
00:07:41a good morning Henry how wonderful he brightens up my whole day.
00:07:45But. Dr Calaway it's good to see you it's
00:07:49a pleasure Miss Moody this is Dr Swatsky of Prague this box you would the V.
00:07:53Calaway Oh sorry with
00:07:55a week how do you do how do you do if you gentlemen wait here and then I'll go in
00:07:59and prepare dead.
00:08:00Dead. Dead
00:08:14dead in your eyes can mean only one thing you've got an idea I have and it's
00:08:18a good one I was afraid of that well what is it you take your medicine No why not
00:08:23because my medicine does you more good than it does me.
00:08:30Now. Open.
00:08:42Now do you feel better very much better. Hello Dr Calaway. I hope you have better
00:08:49luck this time I'm sure we will I'm fortunate having Dr Swatsky with me on the case
00:08:53Dr Swatsky Swatsky yes. This is very very interesting Calaway my dear colleague I
00:09:01haven't seen one like this recently Wait a minute there's nothing wrong with me Mr
00:09:06Moody is
00:09:06a man you want Moody Yes Mr Moody This is a very intriguing example of the paranoid
00:09:12type Yes it's already the four points so she ended up five go ahead or let me go.
00:09:20But Hilton told me to sell both of them yesterday.
00:09:26Were you calling me R.P. No I'm not calling you I'd like to forget you.
00:09:36Now Daddy don't get upset but what Dr Calaway think if he saw you this way Dr
00:09:40Calaway Yes we're very lucky he's got a famous specialist from Prague specialist
00:09:46specialist from Prague specialist medicines what good do they do Betty I know you're
00:09:50trying to help me but it just won't work all your doctor's specialist medicines
00:09:54none of them do any good please dad try it just once more this time you'll win I'll
00:10:01bet. All right but if you lose this will be the last time it's
00:10:06a bit.
00:10:06It's. Dr Calaway father will see you now.
00:10:17But Dr Spock it yet no oh thank you very much thank you. Thank you thank you very
00:10:23much. Hello. Dr Spock
00:10:29a Mr R.P. Moody R.P. Moody How do you do how do you do Mr Moody
00:10:35Melancholia Mary Boone does Dr Calaway the pleasure is all mine you're welcome to
00:10:40it. In going over your case with Dr Calaway we have found
00:10:47that sanity runs in your family right now I doubt it. Now I also found out that
00:10:53you're
00:10:53a successful businessman. Don't you feel sometimes that you're all alone
00:11:00now please please don't get up and quiet please. Now at times you have the feeling
00:11:06as though you're in total darkness answering please yes many times go good by going
00:11:12somewhere now tell me please when when those things do occur when I turn out the
00:11:18light and go to bed when you turn out the lights and go no no no no no. When you
00:11:24laugh when you laugh is it
00:11:26a high pitched laughter like. Or is it is it perhaps a hysterical one like.
00:11:33It has a slow start and then builds up or is it a fool fool whole hearted laughter
00:11:39deep like. I never laugh you never laugh. That you don't mean that I do
00:11:46mean I haven't smiled let alone laughed in twenty years Dr Calaway that I cannot
00:11:52believe an acute case of melancholia. I don't know the diagnosis as we have left
00:11:58behind my dear colleague the reasons for it the etiology the prognosis of it that's
00:12:03what what I cannot understand. The facial muscles the facial the facial muscles
00:12:10that is correct that is correct and we please lean back. Like this the facial
00:12:16muscles. That's strange strange very strange very very
00:12:21strange. Now that's correct now let's see the facial muscles in the reactions
00:12:28let's see another. Observe Dr Calaway absolutely normal reaction.
00:12:35Now let's see this I said that please sit back. Everything's absolute you know
00:12:43better know that he's going too far and I'm not Mr.
00:12:46Moody Mr Moody Mr Moody now please please try to think if you can.
00:12:54Twenty years ago twenty years ago remember your daughter was just
00:13:01a little baby what happens to you then what happened twenty years ago is no concern of
00:13:06yours I've had about all I can stand for today Dr Calaway. Unless I have
00:13:12a full cooperation we're getting no place fast. This is only an idea a clue
00:13:19perhaps a parallel to jump from what is the doctor's thoughts. My dear young lady.
00:13:26In seventeen eighty three Philip of Spain was suffering from melancholia so
00:13:31married but that it threatened his life. After a search a singer was found whose
00:13:37voice had the therapeutic effect. Now the singer provided the tonic and the king
00:13:45imagine the king was healed brilliant a masterly analysis thank you thank you very
00:13:50much now the cure it is simple all we have to do is make Mr Moody laugh I could
00:13:56have told you that without a fee the whole world needs laughter laughter is
00:14:00a medicine and you can't take an overdose it's good for what ails you falling hair
00:14:04falling arches bunions by the whole world's crying for say why don't we pop up
00:14:09and go into business it is
00:14:10a very refreshing point of view probably must be somebody who can make him laugh I
00:14:14doubt it. Tim I've got the beginning of an idea and I've got the end of it.
00:14:28If the king of Spain was cured by one singer then we'll hire the best talent that
00:14:32money can buy they should be able to do something for dad.
00:14:41Ready Fisher and his band. George McCay.
00:14:47Daddy.
00:14:51Darby and Darnell is a believer in the one on the hard part.
00:14:56Julie Reyes and his truck and airbag.
00:15:04Alphonse Berger and Doris Dwayne.
00:15:26Where's. Huskins took the day off to get married Sir I'm his brother who brought
00:15:31that beast in here I did sir he's not a beast he's my dog I'm allergic to dogs and
00:15:37I think I'm going to be allergic you get him out of here so listen if you want any
00:15:41help you better take what's available and with me it's love me love my dog besides
00:15:46he's a fine dog I'm crazy about him the greatest trick dog that ever lived but he
00:15:53won't do easy tricks only big tricks and the bigger the tricks the better he'll do
00:15:58him did you get that build up I gave you. I told him you won't do easy tricks only
00:16:03big tricks come on let's show some class ready Santa boy up my boy set up up come
00:16:10on set up. Too easy. Lay down dead dog.
00:16:18When I say dead dog you lay down. Well you don't have to lay down I'm going to
00:16:23get out he's dead standing up. Look over here I'll show you look right here right
00:16:27here look over here come on boy come on right here look did you see that trick he
00:16:33moved I hope he didn't strain his shoulder that's all take it easy working a little
00:16:38too fast slow up a little take your time go ahead lay down with it lay down with
00:16:43it. I think the suit is too big for you look at that look. Maybe he's expecting
00:16:48months why don't you stop suffering and lay down. Lay down.
00:16:56You won't believe it when I first got that dog he couldn't do nothing. One and
00:17:01bark come on bark.
00:17:07That was me would you like to see him do one more trick this is the last trick of
00:17:12course to be
00:17:13a flash. Flash me
00:17:16a flash come on boy look at that speed he's burning up today.
00:17:24He couldn't go any further it's
00:17:25a little uphill over here. Now the dog is going to jump he's raring to go look can
00:17:31you make it one two three go there he goes there he goes. He's
00:17:37a little out of wind now take your time when I give me
00:17:40a rub down so I can do it again try to get this time sneak up on it and fall on
00:17:43the other side go ahead. Go there he goes there he goes boom well anyway this is
00:17:51the way it looks after he jumps like that there it is oh he's got great that I'm
00:17:55telling you there's no limit to his tricks look at him running around here look at
00:18:00that there he goes to fly boom and besides the dog is
00:18:04a great music lover oh he loves high class music but let me tell you of all the
00:18:09music he's ever heard he likes my music the best he'd rather hear me play one
00:18:14song on this harmonica than eat forty or fifty steaks and this is his favorite
00:18:18song played by his master.
00:18:31How we might this is the moment when we should observe our patient at the closer
00:18:35range yes at the closer.
00:18:50Doctor Doctor what happened contradictory symptoms got the most contradictory.
00:18:55Tell me please what is his next move. But first breakfast that is very good very
00:19:02good.
00:19:06Thank. You took the day off to Mary Hopkins Oh.
00:19:12What are you doing here well I'm waiting for a lot of all to come back.
00:19:21Here are your three minute exit now. You like him that young or.
00:19:28Or would you prefer him on the older side.
00:19:31I gag all one good in Kansas City. Who this man I try to take my job it's just
00:19:37for today picnic always only up for the day. For the day what is he going to do
00:19:42it today he's here to entertain Oh entertain your father well I think if you give
00:19:46me a chance to drop my hat I can entertain your father but I'm not going to
00:19:50entertain your father.
00:19:51Hey.
00:20:21Oh. Hey. Hey.
00:20:29Oh. Oh.
00:20:35Oh that was very I think it might be
00:20:37a very good idea to think so.
00:20:52What's the meaning of this now everything's going to be all right how can it be
00:20:56all right with a house full of hoodlums. I don't like surprises what are you doing
00:21:01here I. Mr Jones is just helping helping out well help me out and tell me who you
00:21:06are helping well. You aren't we can't select the entertainment for the entertainment
00:21:12for the employees anniversary party where when did you get that idea well that we
00:21:17recently. Yeah that's fine it's not a bad idea well let's start selecting I've got
00:21:22a place of business to go to Mr Moody Mr Moody one more question you ask me later
00:21:27please I have something to look at.
00:21:35Crying. Every night I'm alone I keep crying.
00:21:42I keep crying. For I seem to be lost in a crazy dream and I'm hopelessly dressed in
00:21:54a lull.
00:22:01Crying. Every night by the phone I keep crying.
00:22:09I'm just groping around in a hazy dream.
00:22:15For there's no use in dreaming alone.
00:22:23The harder I try to forget all our moments the more the tears come to my eyes.
00:22:38Foolish I know but I can't help but feeling that the whole silly thing wasn't wise.
00:22:50I'm lonely. Every morning I wake and I'm lonely.
00:23:01As the days pass me by I go drifting along just like a ship that drifts along at sea.
00:23:15Hey Robin! Hey Robin!
00:23:17Robin I was standing out there and I heard you sing a song.
00:23:19I was singing crying.
00:23:20You said you weren't crying.
00:23:21That's right.
00:23:22Well Robin I laughed. I got fooled last night.
00:23:25I was crying last night too Robin.
00:23:27I was going to cry.
00:23:30Robin look at me cry.
00:23:32I cry because I was a ship.
00:23:34I cried.
00:23:38Robin, Robin you said you were a ship.
00:23:41I cried.
00:23:46Robin I don't know what you're doing to me.
00:23:50Now you can take a bath Mike.
00:23:51Oh I can. What kind of a bath?
00:23:53A bubble bath.
00:23:54Very good. A bubble bath.
00:23:57Robin this is a terrible way to make a living.
00:23:59Robin I cried every night.
00:24:01I cried.
00:24:03Hey I don't want to set the world on fire.
00:24:06Don't worry you won't with that face.
00:24:08I don't want to set the world on fire.
00:24:11Take it away.
00:24:13Hey Mike. Mike. Mike. Mike.
00:24:25Boy am I put out.
00:24:30Look.
00:24:35Do it folks.
00:24:40Do it.
00:25:11The doctor is making a lion into a sheep.
00:25:13The lamb doctor.
00:25:14The lamb, the sheep, the mutton. What's the difference?
00:25:16It is so beautifully symptomatic of father fixation.
00:25:19Now I ask you. Where is the mutton?
00:25:21All right. Don't answer. Don't answer.
00:25:23I'm going to ask Mr. Moody myself.
00:25:24I've asked him already once and I'm going to ask him again.
00:25:26Watch me.
00:25:28Very good. Very good entertainment.
00:25:30But please my employees.
00:25:31Yes. Yes. Yes. Mr. Moody.
00:25:33There's one more thing I want to ask you.
00:25:35What is it?
00:25:36Very good entertainment.
00:25:37But please my employees.
00:25:38Yes. Yes. Yes. Mr. Moody.
00:25:40There's one more thing I want to ask you.
00:25:41Dr. Oplotsky please. I'm occupied.
00:25:43Mr. Moody my name is Dr. Vzbatsky with the V.
00:26:02Well.
00:26:04I'll attend to that sir.
00:26:05Doris.
00:26:07You can't wear a bathing suit.
00:26:08I'll have to put some more clothes on you.
00:26:35How do you like this?
00:26:52Beautiful.
00:26:53The dress.
00:27:06And this for an afternoon dress.
00:27:32No pins.
00:27:33No pins.
00:27:34No pins.
00:28:04The bride.
00:29:04Rumba buena con el tiki-tiki-ta tiki-tiki-ta tiki-tiki-tiki-ta.
00:29:12Rumba buena con el tiki-tiki-ta tiki-tiki-ta tiki-tiki-tiki-ta.
00:29:30Rumba buena con el tiki-tiki-ta tiki-tiki-ta tiki-tiki-ta tiki-tiki-ta.
00:29:40Rumba buena con el tiki-tiki-ta tiki-tiki-ta tiki-tiki-ta.
00:29:50Rumba buena con el tiki-tiki-ta tiki-tiki-ta tiki-tiki-ta.
00:30:00Rumba buena con el tiki-tiki-ta tiki-tiki-ta tiki-tiki-ta.
00:30:10Rumba buena con el tiki-tiki-ta tiki-tiki-ta tiki-tiki-ta.
00:30:20Rumba buena con el tiki-tiki-ta tiki-tiki-ta tiki-tiki-ta.
00:30:30Rumba buena con el tiki-tiki-ta tiki-tiki-ta tiki-tiki-ta.
00:30:40Rumba buena con el tiki-tiki-ta tiki-tiki-ta tiki-tiki-ta.
00:30:50Rumba buena con el tiki-tiki-ta tiki-tiki-ta tiki-tiki-ta.
00:31:00Rumba buena con el tiki-tiki-ta tiki-tiki-ta tiki-tiki-ta.
00:31:10Rumba buena con el tiki-tiki-ta tiki-tiki-ta tiki-tiki-ta.
00:31:20Rumba buena con el tiki-tiki-ta tiki-tiki-ta tiki-tiki-ta.
00:31:30Rumba buena con el tiki-tiki-ta tiki-tiki-ta tiki-tiki-ta.
00:31:40Say, he's bouncing out of it. Anything can happen.
00:31:43Oh, you think so?
00:31:44I know it.
00:31:46Gee, thanks, Tim. I was beginning to doubt my own impulses.
00:31:49Never do that. I like your impulses.
00:32:00Say, he's bouncing out of it. Anything can happen.
00:32:05Oh, you think so?
00:32:07I know it.
00:32:09Gee, thanks, Tim. I was beginning to doubt my own impulses.
00:32:14Never do that. I like your impulses.
00:32:19Never do that.
00:32:21Gee, thanks, Tim. I was beginning to doubt my own impulses.
00:32:27Never do that.
00:32:57Never do that.
00:33:19I just remembered.
00:33:22The anniversary of the Moody Comics was three months ago.
00:33:25Betty!
00:33:27Well, he was bound to find out sooner or later. Don't worry about it.
00:33:30I'm not. I was thinking about something the doctor said.
00:33:33What?
00:33:34He was digging in the past.
00:33:36Oh, and the old man didn't like it, huh?
00:33:38Well, there must be souvenirs or keepsakes or something around the house.
00:33:43Not in the house.
00:33:45Wait a minute.
00:33:47There's a confidential file in the office. No one ever touches it.
00:33:51I've got it.
00:33:53I'm going to rob the joint.
00:33:55In broad daylight?
00:33:56No, tonight.
00:34:05Here you are, Ralph. Start raffling.
00:34:08Hardly worthy of my talents. This is going to be very easy.
00:34:16I broke my knife. Maybe I should have brought a tool kit.
00:34:20You should find what you want in here.
00:34:25Lighter, file, powder.
00:34:28Let's blast.
00:34:29Blast this time of night?
00:34:31Might wake up the watchman.
00:34:32Don't worry about that.
00:34:34This building would have to fall down before we could wake up Ansel.
00:34:37Ansel?
00:34:39The watchman.
00:34:41Dear old Ansel.
00:34:42There's only one trouble with this thing. It won't open.
00:34:45Oh, why didn't you say so in the first place?
00:34:48Marvelous, darling. Marvelous.
00:34:52What's that?
00:34:53Just Ansel, remember?
00:34:55Oh, yeah, Ansel. When may we expect him?
00:34:58Just three more doors.
00:35:02Two more.
00:35:05Perhaps you better go through this. After all, it's your past.
00:35:08Not afraid of old skeletons, are you?
00:35:10Skeletons don't worry me.
00:35:13It's mother and daddy when they were first married.
00:35:16Mother's kind of pretty, isn't she?
00:35:18You know, put a modern dress on her and it could be you.
00:35:21Yeah.
00:35:22Am I crazy?
00:35:24Why, your father's laughing.
00:35:26Yeah.
00:35:28It's too bad he can't laugh like that now.
00:35:31He's awfully happy.
00:35:36Uh-oh.
00:35:38Uh-oh.
00:35:52Good evening, Ansel.
00:35:57Who are you?
00:35:58I was expecting Ansel.
00:36:00I wasn't expecting anybody.
00:36:02What's your name?
00:36:04Betty Moody.
00:36:06Betty Moody.
00:36:09Betty Moody.
00:36:11Oh, yes, sir.
00:36:13Your name is on my list, Miss Moody.
00:36:16Yes, well, I'm glad my name's on your list.
00:36:19Well, good night.
00:36:22Good night, Miss Moody.
00:36:24Good night.
00:36:37All the time I thought you knew, Ansel.
00:36:41Tim, isn't it terrible the way people have violent tempers when they're young?
00:36:45Oh, that's all right, darling. I'll forgive you.
00:36:47Mother refers to it as artistic temperament.
00:36:51Blank, blank, blank stubbornness.
00:36:54And three years later, they're of the same opinion.
00:36:58Apparently, they haven't changed a bit.
00:37:02Tim, that could never happen to us, could it?
00:37:06Not in a million years, darling.
00:37:12I'm afraid we're gonna have conners again.
00:37:14Back in your cave.
00:37:21Why, Betty.
00:37:24I saw a light in the office as I was driving by and I thought I'd come up and investigate.
00:37:29And now that you've investigated?
00:37:31I am perfectly satisfied with what I've found.
00:37:34What have you found?
00:37:35You.
00:37:37Just when I was getting the silly idea that I'd lost you.
00:37:40You have.
00:37:41Betty, be sensible.
00:37:43You're not going to let a ridiculous infatuation for a fellow like Jones upset your whole future.
00:37:48Just a minute, bub. You're going too far.
00:37:50Where'd you come from?
00:37:51In there.
00:37:52What are you doing here?
00:37:54Looking after Miss Moody's future, starting now.
00:37:57And I'd say you've got a great start going through Mr. Moody's private papers.
00:38:00Milton, I think you'd better leave.
00:38:01I'm going to.
00:38:02And when I go, I'll walk out, not sneak out.
00:38:04Sneak out.
00:38:05Isn't that clear?
00:38:06Perfectly clear.
00:38:08I'm not forgetting this, Jones. We'll settle this later.
00:38:12Good morning, R.P.
00:38:19Where'd you get that, Hilton?
00:38:21Well, it was this way.
00:38:22I know. You ran into a door.
00:38:24Yes.
00:38:25No, I was driving by the office last night. I saw a light through the window.
00:38:29I came up to investigate and I found one of your employees going through your private papers.
00:38:34Going through my papers?
00:38:35Yes. Naturally, I took exception and that's how I got the black eye.
00:38:40Who was it?
00:38:41Timothy Jones.
00:38:42Jones? Why, that's good for nothing.
00:38:44How do you do, Mr. Moody?
00:38:45Not now, Swatsky.
00:38:47Good morning, Dr. Swatsky.
00:38:48Oh, the paranoid type.
00:38:50Now, look, Dr. Swatsky, I know, but the last time I saw you, I told you that Mr. Moody was the gentleman that you should have talked to.
00:38:57I know, but I'm awfully busy.
00:38:59You see, in criminal times...
00:39:01I know, but I'm not the one you know.
00:39:05Strange character, isn't he?
00:39:08Monk, we'll run through it a couple times before we try it on Tim.
00:39:11Ah, the story begins a way out west.
00:39:15What am I going to be?
00:39:16You're going to be Monk the Killer.
00:39:20I'm not afraid of you.
00:39:22Besides, you've got Little Rallo and Bill Phelps, the two boy rangers, trapped in the cabin.
00:39:25Monk, you move out. Be ready to make a run for the door.
00:39:30I'll get the chalk.
00:39:31I'll get the mail, sir.
00:39:34This is the cabin?
00:39:35Uh-huh.
00:39:37What's that?
00:39:38Little cabin.
00:39:40Oh, remember now, we are the two boy rangers.
00:39:45And you've pre-solidified.
00:39:52The most powerful youth in all the land.
00:40:00Ah, it's a matter of minutes before the killer bashes down the door.
00:40:02Yes, send Phelps to seize the mail, sir.
00:40:04Uh-huh.
00:40:11Okay, Monk.
00:40:16On the floor, on the floor.
00:40:18Rope!
00:40:19We've got the killer, quick, the rope.
00:40:21You mean the rope?
00:40:22The rope, the rope.
00:40:23The rope, the rope.
00:40:24I got him.
00:40:25That's the rope.
00:40:26There we are.
00:40:29I'm tearing fast, Phelps.
00:40:31Hey, what's more, the boy rangers come through with victory, right?
00:40:39They'll keep coming, they'll come till the end of time.
00:40:41They'll all of us come.
00:40:42The boy rangers will all of us come.
00:40:44Hey, how can you be standing there and in the sack, too?
00:40:49Well, it ain't me.
00:40:50Well, who's in the sack?
00:40:51Yeah, who's in the sack?
00:40:53I don't know.
00:40:57You scoundrel.
00:40:58Oh, Mr. Moody.
00:40:59You scoundrel.
00:41:00You're through, you're finished.
00:41:01Yeah, yeah.
00:41:02Get out and stay out.
00:41:03Yeah, I know I'm throwing them out.
00:41:04Send my mail to the club, will you, boys?
00:41:06Bye.
00:41:07Bye.
00:41:08Get out of here, both of you.
00:41:12A boy ranger never fails.
00:41:13He always goes through.
00:41:21Dad.
00:41:23Dad, what happened?
00:41:24Everything, everything bad, mainly Jones.
00:41:26Now, wait a minute, Dad.
00:41:27He was going to sneak behind my back and pry through my private office.
00:41:29I kicked him out.
00:41:30Tim was with me last night.
00:41:32We both poked through your office.
00:41:33Betty.
00:41:34Dad, we were only trying to help you.
00:41:36That's another thing I will not stand for.
00:41:38I will not allow anybody to pry into my private life.
00:41:40Well, this time you're going to stand for it.
00:41:42It's my life, too.
00:41:43And up until now, you've run it.
00:41:44Run it?
00:41:45I've been an indulgent father.
00:41:46Right.
00:41:47You've indulged yourself for 20 years.
00:41:48Made me miserable and sorry for you.
00:41:50Now I know why Mother and you...
00:41:52Your mother has nothing to do with this.
00:41:53Leave her out of it.
00:41:54I'm not going to leave her out of it.
00:41:55She's my mother, and I'm glad I found out she's a person instead of a rumor.
00:41:59And...
00:42:01And another thing.
00:42:02Whether you like Tim or not, I love him.
00:42:26And from the air, and from the turn,
00:42:28The enemy is thickly colored.
00:42:31The machine gunner is tired,
00:42:33The machine gunner is young.
00:42:36Oh, Tachanka, yes, yes, Tachanka, yes,
00:42:38Our city is beautiful.
00:42:40Kudarmyskaya, Tachanka,
00:42:43All four wheels.
00:42:45Oh, Tachanka, yes, yes, Tachanka, yes,
00:42:48Our city is beautiful.
00:42:50Kudarmyskaya, Tachanka,
00:42:53All four wheels.
00:43:00Oh, behind the Volga and the Don,
00:43:02The golden steppe rushed,
00:43:05The machine gunner is tired,
00:43:07The machine gunner is young.
00:43:11And it was unbearably carried
00:43:13With the mane of a red horse.
00:43:16The mane of the wind, the mane of the smoke,
00:43:18The mane of the storm and fire.
00:43:21Oh, Tachanka, yes, yes, Tachanka, yes,
00:43:23Our city is beautiful.
00:43:25Kudarmyskaya, Tachanka,
00:43:28All four wheels.
00:43:36Kudarmyskaya, Tachanka,
00:43:38All four wheels.
00:43:50Give me another, will you, Murph?
00:43:57Okay.
00:43:58Make it two.
00:44:00Aye, beautiful.
00:44:02You look almost happy.
00:44:03I am, since you came into the joint.
00:44:06I'm sorry about what happened, Tim.
00:44:08I came as soon as I left Dad.
00:44:10Glad you're leaving.
00:44:11Alone.
00:44:12I wish we were alone.
00:44:15What would you do?
00:44:17This?
00:44:20Don't you worry, baby.
00:44:22We'll get along.
00:44:23After all, I've still got that comic strip running.
00:44:26You know, as far as your dad's concerned, he's through with me.
00:44:30But I'm not through with him.
00:44:32Neither am I.
00:44:34Then we've got unfinished business.
00:44:37If we could only find Mother.
00:44:41You know, Tim, Henry might be able to help.
00:44:44Henry?
00:44:45Yeah.
00:44:46He's been shaving Dad for the last 30 years.
00:44:49He knows him better than anyone.
00:44:52Hey, Murph.
00:44:53Give me a phone, will you?
00:44:57Got the number?
00:44:58Yeah.
00:45:02Um, first of all...
00:45:10Hello, Henry.
00:45:11Oh, hello.
00:45:12Hello, Henry.
00:45:13Say, they didn't have saloons like this when I was your age.
00:45:16Stop it, Henry.
00:45:17Oh, so that's what they call them now.
00:45:19What do you have?
00:45:20Lemonade.
00:45:22Lemonade?
00:45:23I get what you mean, but what's in it?
00:45:26Lemons, sugar, and water.
00:45:28Lemons, sugar, water.
00:45:31Henry, I thought you might be able to tell us something about Mother.
00:45:35Where can we find her?
00:45:36Well, she spends her winters in California,
00:45:39the summer season in Connecticut, and the play season here.
00:45:43Then she should be here now.
00:45:45Well, if she is, she's at the Tower Hotel.
00:45:47Tower Hotel?
00:45:48She's a writer, you know, under the name of Lacey Thornton.
00:45:58Excited, darling?
00:45:59Oh, I'm not excited.
00:46:01I just realized what this means.
00:46:03You see, I've never seen my mother.
00:46:06Now that you're going to see her, you wonder what she's like.
00:46:09Yeah, whether she'll like you and me.
00:46:15Well, there's only one way to find out.
00:46:26Do come right in.
00:46:31Oh, it's such a relief to be with young people.
00:46:34You know, usually, I'm interviewed by these horribly business-like people
00:46:37who insist upon pinning you down to places and dates and...
00:46:40Oh, I'm sorry, Mr. Jones.
00:46:43He's going to be your son.
00:46:45That is, I'm going to marry him and I'm your daughter.
00:46:49Why, how delightful.
00:46:50Oh, I love romance.
00:46:52In fact...
00:46:54A daughter?
00:46:55Betty?
00:46:57Oh, it just doesn't seem possible.
00:47:02Little Betty, grown into such a beautiful young lady
00:47:06and about to marry such a beautiful young man.
00:47:09Oh, it's...
00:47:11Beautiful period.
00:47:12Oh, oh, oh, do sit down.
00:47:20I wrote your story once.
00:47:22Let me see.
00:47:23It was the book before the last.
00:47:25No, the one next to that.
00:47:27Mother, Dad has been...
00:47:30Well, he hasn't been well and I thought maybe that we could help him.
00:47:34Oh, poor Phineas.
00:47:36He was always hard to understand.
00:47:39But he has done well in business, hasn't he?
00:47:42Haven't you heard?
00:47:43Oh, I've been away for months and months.
00:47:46Oh, ever so long.
00:47:48I used to do all my work in Europe and, oh, it's so stimulating.
00:47:53Mother, Dad...
00:47:55Dad is quite ill.
00:47:57No, is he?
00:48:02What are you doing here?
00:48:04You're just the guy I'm looking for.
00:48:06I'm here to do you a favor.
00:48:08Here, grab a chair and hang on.
00:48:11You know what I'm going to do?
00:48:12I'm going to double your production and triple your income.
00:48:15You know, you know the way things are now.
00:48:17The American working man's got to have something besides an automobile
00:48:20and a house and a lot.
00:48:22He's got to be made happy and he's got to be kept happy.
00:48:25Give music to make him happy.
00:48:27The American working man loves music.
00:48:29You can tell that by the way he jumps when the whistle blows.
00:48:32Do I assure you?
00:48:33Just give him that music and just make his day a big, long, beautiful song.
00:48:38The sky's the limit.
00:48:39Give him that old razzmatazz.
00:48:42Okay, boys, let him have it.
00:48:55Oh, give me that razzmatazz.
00:49:09I'm getting tired of jazz.
00:49:12I'm a pretty slick fella from North Dakota.
00:49:15I've even seen a little bit of Minnesota.
00:49:18Oh, give me that tee-yock-a-too.
00:49:20And let me holler wahoo.
00:49:24Now people think I'm in a rut, but that's because they're off their nut.
00:49:27Oh, give me that razzmatazz.
00:49:54Hmm.
00:50:14Oh!
00:50:23Oh!
00:50:39I don't think we're going to make it.
00:50:40Shake!
00:50:41Oh!
00:50:42Give me that razzmatazz.
00:50:48Hey, how'd you like it?
00:50:49Get that hardware and those spare parts out of here.
00:50:52Absolutely no, soul.
00:50:55Miss Wilson.
00:50:56Yes, sir.
00:50:57Miss Wilson, get me a ticket on a train to California.
00:50:59Make it the cheap.
00:51:00No, get it on the super cheap.
00:51:01I've had all I can stand of this.
00:51:03I'm getting out of here.
00:51:08So, Ponyus, if only he hadn't gone completely sour on cartoons.
00:51:14Cartoons?
00:51:16What about cartoons?
00:51:17Why, uh, he was laughing at one the last time we were together.
00:51:21Or, uh, next to the last time.
00:51:24We had gone to a cafe, oh, a modest little place,
00:51:27to celebrate the night before his 35th birthday.
00:51:31That was the night he had the baby.
00:51:34He had the baby?
00:51:36You mean me?
00:51:38No, darling, a brainchild.
00:51:40He drew it on the wall of the cafe.
00:51:43Poor Phineas.
00:51:45His one ambition was to be an artist.
00:51:48Being artistic myself, I realized he could never be a great artist.
00:51:52And there's nothing worse than a poor artist, is there?
00:51:55No, nothing could be worse.
00:51:57That's just what I told Phineas.
00:52:00It was dreadful.
00:52:01He created quite a scene.
00:52:04Poor Phineas.
00:52:05I never realized what that cartoon meant to him.
00:52:08I can.
00:52:10Maybe that cartoon was an idea and you shattered it.
00:52:13You took everything away.
00:52:14Oh, uh, no, I didn't.
00:52:15I drew it on the wall of the cafe.
00:52:17Maybe it might revive something, give him a new life.
00:52:21Tim, wouldn't it be wonderful if it would?
00:52:25Oh, but that was 20 years ago.
00:52:27It surely wouldn't be there now.
00:52:29Could you remember where the cafe was?
00:52:31Well, I don't know.
00:52:33But it would be fun to try, wouldn't it?
00:52:35That's a chance we'll have to take.
00:52:37I love to go places.
00:52:39I remember once in London, where the Earl of Cath was down.
00:52:43Mother, is this your idea of a nice, cozy little place?
00:52:46I'm positive this is where it was.
00:52:49Or is it?
00:52:51Good evening, sir.
00:52:53A table for three, please.
00:52:55Just a moment, sir.
00:56:02Here.
00:56:04Good evening.
00:56:05This way, please.
00:56:07I think our table was right over there.
00:56:10Those people are...
00:56:16As I remember it, Phineas was sitting there.
00:56:19You see, we wanted to be secluded.
00:56:22That's exactly what I was hoping for when we came in here.
00:56:25Pardon, madame.
00:56:27Your table is over there.
00:56:29Oh, but we don't want to be over there.
00:56:32We want to be over here.
00:56:34Perhaps we could sit over there.
00:56:41Madame, if you could...
00:56:43Pierre, don't go yet.
00:56:46If you could remember approximately where it was.
00:56:48Yes, I remember.
00:56:50I remember it was that wall.
00:56:52Fine.
00:56:53Was it near the corner?
00:56:54Yes, it...
00:56:55Yes, it was in that corner.
00:56:57Now we're getting somewhere.
00:56:59Gasson.
00:57:00Oui, madame.
00:57:01Qu'est-ce que vous voulez?
00:57:02Je veux un fou.
00:57:03Un fou, s'il vous plaît.
00:57:04S'il vous plaît.
00:57:05Oh, adieu, madame.
00:57:06Comment?
00:57:07Je veux un fou, s'il vous plaît.
00:57:09Je veux un fou.
00:57:28What are you doing there, young man?
00:57:30Oh, excuse me, Curly.
00:57:31Monsieur?
00:57:32If you insist on annoying our guest, I'll have to ask you to leave.
00:57:35Pardon, Junior.
00:57:37Junior, huh?
00:57:43Darling, didn't I teach you not to flirt with strange ladies?
00:57:46Oh, but you can meet some lovely people that way.
00:57:48Mother, would you say the picture would be about here?
00:57:52Yes, it would be right there.
00:57:54Only over there.
00:58:07What?
00:58:14What?
00:58:24Pierre!
00:58:25How do you like that? No picture?
00:58:27No picture.
00:58:28No picture.
00:58:29Sorry, Gus.
00:58:30Pierre.
00:58:34Eddie, you're all wrong.
00:58:35Look, the little man wasn't there.
00:58:37Madame, madame.
00:58:38But why an egg?
00:58:40I ordered roast beef medium.
00:58:42Madame, F is an egg.
00:58:44F is beef.
00:58:45You ordered F and not F.
00:58:47Why didn't you say that in the first place?
00:58:49Madame.
00:58:50Oh, he doesn't understand French.
00:58:53Probably born in Brooklyn.
00:58:56Well, I know it here someplace.
00:58:59Then it's very simple.
00:59:00All we have to do is take all the paper off the wall.
00:59:02Oh, not all the paper.
00:59:04Just the part of the picture.
00:59:06See, we couldn't do that.
00:59:09Now, supposing the picture were here.
00:59:16The picture isn't there.
00:59:17All you have to do is put the piece back.
00:59:19The baby.
00:59:21There it is.
00:59:22Right where I said it would be.
00:59:25Would you mind bringing our check?
00:59:27Mind?
00:59:28It will be a pleasure.
00:59:55I don't think Phineas would recognize his own work.
00:59:58But you've got to draw it so that he will.
01:00:08I never pay bills.
01:00:09I just sign my name.
01:00:10I was afraid of something like this.
01:00:12I'll have to see the manager.
01:00:14That's a good idea.
01:00:15I hate to complain.
01:00:16But I think he ought to know how you enjoy it.
01:00:19Gentlemen, observe that the original cartoon
01:00:22has its lines up, up, and up.
01:00:25That means that the creator of it was in the up mood.
01:00:28In other words, to say, happy.
01:00:30That's good logic.
01:00:31Thank you very much.
01:00:34How's that, Hattie?
01:00:35I really can't say, Timothy,
01:00:36but it does look a little like quack quack.
01:00:39Don't you think?
01:00:40Could be.
01:00:41Keep it up, Tim.
01:00:42You're doing swell.
01:00:43Oh, I'm sorry.
01:00:44I'm sorry.
01:00:45I'm sorry.
01:00:46I'm sorry.
01:00:47Keep it up, Tim.
01:00:48You're doing swell.
01:00:51Oh, that isn't it.
01:00:52Tim, take a look at mine, will you?
01:00:54Yeah.
01:00:56Gentlemen, of course, I'm not an artist.
01:00:58But from the medical point of view,
01:01:00if Mr. Timothy will trade his nose
01:01:02with this gentleman's ears.
01:01:04Oh, no, no.
01:01:05He couldn't do that.
01:01:06But why?
01:01:07Because I like his nose much better.
01:01:09Thank you, Hattie.
01:01:12Mr. Timothy.
01:01:13Yes?
01:01:14Remember that laughter that you wanted to put in bottles?
01:01:17Yes.
01:01:18Do you think that has commercial possibility?
01:01:20Oh, definitely.
01:01:21Definitely.
01:01:24How's that, Hattie?
01:01:25Timothy, I just know that is not quack quack.
01:01:29No?
01:01:30That's baby.
01:01:31All right, let's go home.
01:01:33Let's put baby to bed.
01:01:34That's it.
01:01:35Congratulations to you, Mr. Timothy.
01:01:37Congratulations.
01:02:14Mark T, we've got to hurry.
01:02:34The cab's waiting.
01:02:35I don't want you to miss this train.
01:02:37I don't intend to.
01:02:38Ah, this is perfect for you.
01:02:40California relaxation in the sun.
01:02:42Say, by the way, Hilton.
01:02:44Betty happens to need anything.
01:02:46Now you look out for her, won't you?
01:02:48Of course, R.P.
01:02:49You leave everything to me.
01:02:50You just get out in that sun.
01:02:52Stop harping on that sun business, will you?
01:02:54I don't tan.
01:02:55I burn.
01:02:56I know that.
01:02:57But as I was saying, count on me.
01:02:59Forget the fern.
01:03:00I've forgotten it already.
01:03:01R.P., we've got to go.
01:03:02The cab's waiting.
01:03:03If you've forgotten anything, I'll send it to you.
01:03:05Say, who's taking this trip?
01:03:06You or me?
01:03:08But you know I haven't seen Phineas for years,
01:03:10and it gives me a funny feeling.
01:03:12Or am I beginning to be afraid?
01:03:14You don't have to be afraid.
01:03:15We're doing all we can.
01:03:16If he growls at you, you just growl right back, Mother.
01:03:22Oh, uh, are you taking a trip?
01:03:24Those are Father's bags.
01:03:25Yes, he's off to California.
01:03:26If you'll excuse me, there's a cab waiting.
01:03:28Oh, but he can't do that to us.
01:03:30Not after all the trouble we've gone to.
01:03:34Uh, you just explain it to him, Mother.
01:03:38Oh, Phineas.
01:03:40Why, Betty.
01:03:41Phineas, dear, how wonderful you look after all these years.
01:03:45Why, it seems just like yesterday, and we were so happy.
01:03:48And you were so foolish.
01:03:50I was not foolish.
01:03:51Now, Phineas, if you're going to be stubborn,
01:03:53I'll have to growl at you.
01:03:54And remember, you didn't like it before.
01:03:57So don't be silly and do it all over again.
01:03:59I am not silly.
01:04:00Then why are you taking a trip?
01:04:02You took a trip.
01:04:03A long one.
01:04:04Oh, but I like trips.
01:04:06Trips are so nice.
01:04:07But you can't.
01:04:08Not that we've just found each other.
01:04:10Oh, Hattie, my little flutter brain.
01:04:13If you'll excuse me, R.P., we've got to get going.
01:04:15The train won't wait.
01:04:16Hilton, can't you see I'm busy?
01:04:18Young man, just explain to them that he'll be a few moments late.
01:04:23Oh, Phineas, I want you to meet two of the nicest young people.
01:04:26Hattie, I don't want to meet any more people.
01:04:28I've met enough people today, forever.
01:04:30That's such a sweet thought, Phineas.
01:04:32But we'll be all alone, or almost.
01:04:34And we'll see the picture together.
01:04:35Picture?
01:04:36Yes, it'll be like old times, Phineas, darling.
01:04:40But I don't want to see any picture, now or any other time, and that's fine.
01:04:43Father, you sit right down.
01:04:45Phineas, you'd better do as she says.
01:04:48I guess you're right.
01:04:49Chip off the old block.
01:04:56Now, I know that I'm the paranoid type.
01:04:58I know that, and we've been all through that.
01:05:00But my name is not Dr. Moody.
01:05:02Now, look!
01:05:03Now, look!
01:05:04I'm not the paranoid type.
01:05:09I'm not.
01:05:39I'm not.
01:06:06What do you know? Eleanor's back.
01:06:10Who's Eleanor?
01:06:14How am I doing now, Pete?
01:06:16Great! You're my baby!
01:06:25That's all I wanted to hear.
01:06:33Bye now.
01:06:39Bye now.
01:07:09THE END