Ding Gru
  • 2 days ago
Nina De Azúcar Capítulo 24 Completo HD
Nina De Azúcar Capítulo 24 Completo HD
Nina De Azúcar Capítulo 24 Completo HD
Nina De Azúcar Capítulo 24 Completo HD
Transcript
00:00Well, that's what it looks like.
00:01No, no, look, I had an excellent childhood, everything spectacular.
00:05Teenagers, very loved, I mean, the girls came, they threw themselves at me, I stopped, stopped, stopped.
00:09And as an adult, you already know me, I'm the most coveted.
00:12Yes, but you are talking to me about passion.
00:14I'm talking to you about something else.
00:15Yes, about love. No, it's not my house, I'm not interested.
00:18You know what? Why don't you get your head on a new date for the wedding,
00:22your new dress and the new living room.
00:24Because the one we had on loan is no longer available.
00:30Sorry.
00:31Sorry, girl.
00:32Sorry, but I'm very distracted because I'm thinking what song I'm going to sing for the Pasteles festival.
00:38And in Ignacio de la Torre.
00:40In Ignacio de la Torre? But you are not well, what happened?
00:43It's my dad.
00:48What?
01:01There is no case, little angel. The wax does not respond.
01:05Mr. Leandro, Ms. Globo is a very busy person.
01:10In fact, I had to suspend my dance classes due to your work commitments.
01:14I understand, but I think I exceeded the information I gave you about a delicate issue.
01:18So much so that I don't want to talk to you?
01:20I don't know, people in general don't talk much with me.
01:23I think you're a little sensitive, Mr. Leandro.
01:26Look, angel, I appreciate your words, but I feel like I was very abrupt.
01:32Maybe like with the leather, as Valentina says.
01:35I make too big jumps.
01:37Because I think you're taking risks, Mr. Leandro.
01:40I like that point of view.
01:42But here it has to do with the intimacy of someone else.
01:44I wish I could tell you.
01:46Sorry.
01:49Ignacio.
01:50Take it easy, sir.
01:51No, park and take care of him.
01:53Me?
01:54Yes, park.
01:56Okay.
02:01Look, if he's angry, you'll know how to handle it.
02:03But with a lot of tact, please.
02:09Good morning, Mr. Ignacio.
02:11Greetings, angel.
02:13Yes, Mr. Leandro is very busy doing some procedures.
02:18How are you?
02:20What a nice day, right?
02:22One question, are you angry?
02:24Why would I be angry?
02:25No, well, I see that the world is upside down.
02:28And well, you know how that is.
02:30It's not like everyone stops angry.
02:32In fact, Mrs. Ema, my mother-in-law, says it's because of Mercury retrograde.
02:37The truth is that I'm fine, angel.
02:39Thank you very much for your concern.
02:41You're welcome.
02:42Sometimes I feel like I'm serving the community.
02:45Now that you say it, I'm here at Leandro's house.
02:48And I wanted to ask you a question about a safe.
02:51I'm sorry, Mr. Ignacio.
02:52I don't handle that issue.
02:53Yes, I assumed it, calm down.
02:56I rather wanted to give you an order.
02:59Sure, of course, whatever you say, Mr. Ignacio.
03:02What's more, the least Mr. Leandro wants is for you to get angry.
03:06I mean, I don't want you to get angry.
03:10Thank you both.
03:16Mr. Ignacio is impeccable.
03:18Of excellent humor.
03:21So Sheila hasn't said anything.
03:23Sheila?
03:26You mean the issue of the mermaid and you involve Mr. Ignacio?
03:30I'm sorry, angel.
03:32I must keep the truth.
03:34But when I say it, there will be signs.
03:40What happened, Valentina? What happened to you?
03:42I can't, I can't, I can't concentrate, I can't think.
03:45Why?
03:46I can't concentrate.
03:48You know what, Bruno? Stay with her.
03:50Don't leave her alone, call me anything.
03:52Come, Valentina, come, come here.
03:54Sit down, sit down.
03:55I'm shaking, you see?
03:56Now, calm down, relax and breathe.
03:58I'm going to win, Bruno.
03:59Inhale.
04:01And exhale.
04:02Inhale.
04:03Slower.
04:07Good afternoon, how are you, how are you?
04:10Look, we're doing a survey.
04:13Do you usually go to my networks?
04:15Listen to my podcast?
04:17I've heard of him, yes.
04:19Well, now it doesn't seem like it, right?
04:21But I'm the famous Emma the witch.
04:27Well, excuse me.
04:28It's just that my mom loves to talk to the clientele.
04:32Come here, Mom.
04:33Well, excuse me.
04:34Come, thank you very much.
04:35Keep going, keep going.
04:36Mom.
04:37Yes.
04:38What are you doing?
04:39Well, you said it, socializing with the clientele.
04:42You make them nervous, which is different.
04:44Oh, but what do you want?
04:46If they like it, daughter.
04:48Oh, Mom, no.
04:49You're not going to turn around about the same thing, please.
04:52Look, don't even dream about it.
04:53I'm going to find out who my admirer is.
04:56A generous person who gave you and Dayana a gift.
05:00No, no, no.
05:01It's a person who wanted to get closer to me
05:03through the gift she gave my friend.
05:05Mrs. Emma.
05:06I've been thinking and I already have two possible candidates.
05:09Oh no, Guille, you too with that?
05:11Let him tell me.
05:12Tell me, tell me, tell me, tell me.
05:14Look, I've been thinking about the blacksmith.
05:16Yes.
05:17That big one, you know, the one who has a big hand.
05:19Oh, yes.
05:20That's why I'm going to lend him the microphone.
05:23And you also know who, Mrs. Emma?
05:25The man who sells you the newspapers.
05:27Because for some reason he lends you that magazine every day, right?
05:29How does he lend you the magazines?
05:31No, well, he, he ...
05:34He didn't know he was lending me the magazine, right?
05:39When I go, I'm going to pay you.
05:41Of course, I'm going to pay you.
05:45Oh, my holy virgin.
05:47Why is this girl crying?
05:49Hey, Grandma, don't lie to me.
05:51Hey, don't you value honesty?
05:53Yes, we value it, Grandma.
05:54But you have to save the girl.
05:56Let's see, rather.
05:57Since you're here, please, could you get me this?
05:59Yes, my daughter, my daughter.
06:00I'll do it, but please take her to the bathroom.
06:02Well, because the bathroom is flooding here.
06:04Yes, yes, calm down, don't worry.
06:05I'm going to sweeten it.
06:08Calm down, calm down, breathe.
06:15I don't understand anything.
06:16I don't understand, I can't study.
06:18Valentina, doing this is going to be much worse.
06:20But it's that you don't understand that I can't.
06:22I don't get the information.
06:25Now, are you more relaxed?
06:27I don't know what's wrong with me.
06:29I can't concentrate.
06:30I can't study.
06:31I feel like I'm going to pull.
06:32You are very pressured, Valentina.
06:33That's the story of my life.
06:35Well, change it.
06:36Change it.
06:37As if it were so simple.
06:38Of course, since you don't have any more aspirations in life.
06:44Sorry.
06:46Sorry, sorry.
06:47I really didn't mean to say that.
06:48No, no.
06:49No, no, don't offend me.
06:50Don't offend me.
06:52Maybe in a way you're right.
06:56Eh, Valentina.
06:58If it helps you to calm down with me, do it.
07:00And if you want me to help you read something, I can do it too.
07:03But that's not going to solve your problem.
07:05You need to relax.
07:06How about we go get some air?
07:10Why don't you leave me alone?
07:13Just because I pay you?
07:15No.
07:17Because I want to do it.
07:20And do you do that with everyone?
07:23With everyone I care about?
07:26With them, yes.
07:32Mom, I'm going out, okay?
07:34Can you bring me my wallet?
07:35Uh-huh.
07:36Fly free, little girl.
07:37Mommy has arrived at her temple of peace.
07:41To my new home.
07:45Bye, mom.
07:46Bye.
07:47Goodbye.
07:50I can't stand being here anymore.
07:52Really, Valentina.
07:53The screams.
07:54But that's a scandal.
07:56She's just like her dad.
07:57No, and I also need space.
07:59I don't know where to put my watches.
08:01I know, honey.
08:02Have you tried meditating?
08:05Meditation doesn't buy you space.
08:07And it doesn't make you a dad.
08:11I'm sorry.
08:16That's it.
08:18I don't think I'll be able to be at peace
08:21if I don't tell my daughter that I'm her father.
08:30Oh, no, thank you.
08:32The waitress is not hungry.
08:34I'm very sad and I don't feel like eating.
08:36I understand.
08:37But thank you anyway.
08:41Um, look.
08:44Well, the question is why Mr. Montes would lie to you about something like this.
08:47Because he's telling you the truth, right?
08:54Get out, get out.
08:56I haven't forgiven you since the last time you spied on me.
09:01You don't learn from a young age.
09:03I don't know, Nina.
09:04But forgiving my father is hard.
09:07But not knowing anything about him is worse.
09:09Believe me.
09:10Oh, no, no, no, no.
09:11I understand you.
09:13I really understand you.
09:17I wouldn't forgive my biological father either.
09:20But luckily I've had Angel as a dad.
09:23At least you had someone.
09:25Oh, yes.
09:26Um...
09:27I have no one.
09:28I understand you.
09:30But look.
09:31Look at it as an area of opportunity.
09:33Right?
09:34What do you think if now that it appears, you give it a chance?
09:43And I've already got everything you asked me, Nina.
09:45Carlitos is waiting outside.
09:47Oh, I'm going, I'll take care of it.
09:48Rather...
09:49What?
09:51Ah, ok, ok, ok.
09:56I don't know why, but...
09:58But I'm going to hug you.
09:59Oh, no.
10:00I love you.
10:01I love you.
10:02I love you.
10:04I love you.
10:15Serve yourself, Cecita.
10:19Do you know I have a secret admirer?
10:22He gave me a beautiful dress.
10:24Me and Dayana.
10:26Oh, yes?
10:27And who is that admirer?
10:30I don't know.
10:31But he gave me his nickname in a broadcast.
10:34Arroba Perdado Truco.
10:37I understand.
10:39Give me a second.
10:40I have to send an audio to a representative.
10:42Yes, yes, yes.
10:47Ramiro.
10:48There is a liar who has made Emma believe that he has given the dress to her and Dayana.
10:53How do we proceed?
10:58Wait.
11:02Did you bring this for yourself?
11:07Thank you, Anita.
11:08Excuse me.
11:27I'll wait for you in the park with that cap so that no one recognizes us.
11:31It's time to relive what is ours, Ramiro.
11:33What?
11:56A party is a party, woman.
11:58Error, error.
11:59Because it is in the field.
12:01If I were in a salon, I could go with a long-tailed dress.
12:05Why not, mommy?
12:06Because it is in the field.
12:07And in the field, what is there, love?
12:09There are cows.
12:10And the cows poop.
12:12Imagine me with a designer dress dragging the silk tail of India through the grass.
12:18No, mom.
12:19You have a party in a farmhouse and there are no cows there.
12:22Oh, yes?
12:23And who told you that there are no cows?
12:24Oh, no.
12:25Oh, what an excuse this boy.
12:26Look at your son.
12:28Ramiro, there is a liar who has made Emma believe that he has given her and Diana the dress.
12:34How do we proceed?
12:38Okay.
12:40Don't tell her anything.
12:41Yes?
12:42Let's be careful.
12:43I don't like to be cheated.
12:45Who is cheating who?
12:47I'm not talking about cheating.
12:49Oh, no?
12:50I just heard you.
12:51No, I heard the doorbell.
12:52No, come here.
12:53Come here.
12:54No, I'm going to open.
12:55Come here.
12:57Who are you going to cheat?
12:58That's how you talk to your little son.
13:02Oh, no.
13:03Don't make fun of me, my love.
13:05My baby jaguar.
13:06Don't make fun of me.
13:07That's how you talk to him?
13:08No.
13:09Forgive me.
13:10I know you are unable to cheat.
13:11Relax.
13:12Excuse me.
13:13I'll make you a mate.
13:15Son, this is for you.
13:19Can you make me a mate too?
13:21Oh, God.
13:26I'll wait for you in the park with that hat so that no one recognizes us.
13:30It's time for us to meet.
13:32Alessandra.
13:39Your stepmother is the worst.
13:41I've never burned her hair.
13:43She's not my stepmother.
13:44Oh, no?
13:45Then why don't you deny that I've burned her hair?
13:47Because now you feel like she's part of your family.
13:49So you defend her?
13:50Alemala wants war.
13:52Yes.
13:53She'll have a lot of war.
13:55Shh.
13:56The enemy is coming.
13:58Lean, I think you arrived in a very bad moment.
14:00No, no, no, no, no.
14:02Just arrived.
14:04To receive a warning.
14:06Ladies, I don't understand you.
14:08What warning?
14:09Tell your ex.
14:10The hairy one.
14:12That she's digging her own grave.
14:21I have no idea what happened.
14:22What has Alessandra done now?
14:23Lean, I don't want to talk about your ex.
14:25As you understand, the mermaid is very embarrassed.
14:28And I just want to talk about me.
14:30Yes.
14:31And I am very relieved that you have finally appeared.
14:35I feel that I was very abrupt with the news that I have given you.
14:40Well, yes.
14:41A little bit, yes.
14:42But I have thought about it.
14:44And I think you can help me with something very personal.
14:50Me?
14:51Yes.
14:52Yes, you.
14:54Because, let's see, let's say I'm a strong woman.
15:03Turned.
15:07Brilliant and intelligent.
15:10But.
15:13There is something that I cannot do alone.
15:16And it is to face Don Ignacio.
15:19And I was wondering if you wanted to accompany me.
15:45We have already taken a thousand turns.
15:46What if we have a coffee?
15:49I feel better.
15:50I think we can go home and continue studying.
15:52A coffee, I ask you.
15:53A coffee, a breath.
15:54Only as friends.
15:55Something informal.
15:56What do you say?
16:00OK.
16:01I think it's better to be with you all day today.
16:08Thank you, Garay.
16:12Bruno, leave him, leave him, leave him, leave him.
16:15Joaquín.
16:17Valentina.
16:19Ulala.
16:49What?
16:50What?
16:51What?
16:52What?
16:53What?
16:54What?
16:55What?
16:56What?
16:57What?
16:58What?
16:59What?
17:00What?
17:01What?
17:02What?
17:03What?
17:04What?
17:05What?
17:06What?
17:07What?
17:08What?
17:09What?
17:10What?
17:11What?
17:12What?
17:13What?
17:14What?
17:15What?
17:16What?
17:17What?
17:18What?
17:19What?
17:20What?
17:21What?
17:22What?
17:23What?
17:24What?
17:25What?
17:26What?
17:27What?
17:28What?
17:29What?
17:30What?
17:31What?
17:32What?
17:33What?
17:34What?
17:35What?
17:36What?
17:37What?
17:38What?
17:39What?
17:40What?
17:41What?
17:42What?
17:43What?
17:44What?
17:45What?
17:46What?
17:47What?
17:48What?
17:49What?
17:50What?
18:00Hello, hello.
18:02I'd like to think this idea was yours and not Cesar's.
18:07I swear I do not understand anything.
18:10I thought you would explain to me.
18:12Oh, please, I deserve all this.
18:15I would send you flowers, don't I send you flowers?
18:17No, I don't know. I don't know what this is.
18:19What do you mean you don't know?
18:20No, I don't know. I just followed the instructions you sent me.
18:22Oh, yes, the instructions, of course.
18:26Nina!
18:27Nina! Clearly, of course.
18:29Look, they're her desserts. It was just her idea.
18:33Well, but...
18:35Listen to me.
18:37We can thank you.
18:39Why?
18:40Because you did all this so nicely.
18:43We're not going to leave you like this, are we?
18:47What are you doing?
18:49Nothing.
18:50Nothing?
19:13No.
19:43Thank you very much for coming.
19:57Daughter!
19:58What's wrong?
19:59What's wrong?
20:00Why are you coming like this?
20:01I want to be alone.
20:02What?
20:03Have you been crying?
20:05Oh my God, this man again.
20:07What?
20:08Has he moved in?
20:09This time it wasn't my idea.
20:11It was mine.
20:12You?
20:13You?
20:14I told him to come.
20:16Can I talk to him alone?
20:24Are you okay? Do you need anything?
20:26I want to talk about...
20:29The cake festival.
20:31I don't want to talk to him as a political authority.
20:33I understand. You want to talk to him as Alessandra's husband.
20:36No, neither.
20:38Then, Nina?
20:41I want to talk to him as a father.
20:47I know everything.
20:50Everything about my paternity.
20:54The insistence of these politicians is incredible.
20:57And all for a cake festival.
21:01I give you my word, I didn't expect something like this.
21:04Me neither.
21:07I'm surprised you took it so calmly.
21:10I've thought about it.
21:12Nina, first let me explain myself.
21:15I...
21:16One moment.
21:21Oh, my ring.
21:22I lost my ring and it was very important.
21:25It's illegal.
21:26My aunt from the royalty.
21:28Oh no, your grandmother lost the ring.
21:30The one from the tigress, right?
21:36We're not alone, okay?
21:39Okay.
21:40Let's talk somewhere else.
21:43I understand.
21:44You know it, but she doesn't.
21:46Exactly.
21:47Follow my lead.
21:48I'll follow you.
21:49We have to look for the ring.
21:50We have to look for the ring, right?
21:51Where did it fall?
21:52Let's look for the ring.
21:59Hello?
22:00Mr. Leanne agreed to accompany me.
22:02Yes, he's here with me.
22:04See you at my house.
22:05Don't worry.
22:06Stay calm.
22:07If Ignacio is there, we won't take long.
22:09Let's go, okay?
22:10Angel!
22:13I love a fire.
22:15You think?
22:16I love it too.
22:18A fire.
22:19I feel, I feel...
22:22Were you looking for me, Mr. Leandro?
22:23Yes.
22:24Angel, prepare the car.
22:25We're leaving.
22:26Destination, sir?
22:28The truth.
22:29The truth, Antito.
22:31I don't understand, sir.
22:32Where?
22:33We're going to your house, Angel.
22:34My house, sir?
22:36Sorry, I don't understand.
22:38You only trust.
22:41The new Leandro
22:43was born to do good.
22:46Whatever you say, sir.
22:49Please.
22:50My wallet and my cell phone.
23:03I love you.
23:21Lemon delight.
23:22Your favorite dessert.
23:23The first one my mom taught me.
23:25Yes?
23:26I'll help you.
23:27Here.
23:32Excuse me.
23:33I'm going to get the sugar
23:34because I need it for the coffee.
23:35And Nina without sugar is not Nina.
23:41I knew you were there.
23:42No, no, no.
23:43It was Ms. Emma's fault.
23:44No, no.
23:45Of course not.
23:46Enough, enough.
23:47Stop using Guille.
23:54I'm the victim.
23:55I'm always the victim.
23:56I'm always the victim.
24:02I don't feel comfortable, Ale.
24:04It doesn't bother me to be here at all.
24:06No, no.
24:07Yes, it shows.
24:08I loved the kiss.
24:11But you like cakes more, I see.
24:13I loved it.
24:14Can I try some?
24:15Let's see.
24:16No.
24:17It hurts my eyelashes.
24:19That's terrible.
24:22Look, Ale.
24:23I want to do things right.
24:25I want to marry Nina.
24:27I want to have children.
24:29I want to marry Nina.
24:31I want to finish the season at the club in peace.
24:34I want to go to Europe.
24:36I want to get along with the Europeans.
24:38I have dreams.
24:39I would like to be nominated for the Golden Ball.
24:42Play in a World Cup.
24:44Obviously be the face of a fashion house.
24:47Dreams.
24:49And this, the truth is, is not helping me.
24:52But Nina insists, insists.
24:55I know she wants the best for both of us, but...
24:57When you love me, I am irresistible.
24:59And you don't want to hurt Nina.
25:00I understand that perfectly.
25:04No?
25:07I would like us not to see each other again.
25:10No?
25:12This seems like a nice ending.
25:14That's it, let's leave it here.
25:24Eat quietly, eat quietly.
25:26Are you coming with me?
25:29Come on.
25:32I guess you missed me when we finished.
25:36Paris helped me forget you.
25:39I can't be jealous of Paris.
25:41It's a good competition.
25:45And a great motivation.
25:47I started taking painting classes.
25:50Very good.
25:53I thought of calling you.
25:55So you could come with me.
25:58It wouldn't be a bad idea.
26:00Sorry, sorry.
26:01What's wrong?
26:03There's a strange movement.
26:06The boy is dangerous?
26:08I don't see anyone else.
26:10That's what it's about.
26:12That I see what the others don't.
26:15Let's see, that's it.
26:16Let's go back to where we were.
26:17And look, I have to take one last exam.
26:19And then I could go with you.
26:21That's a great idea.
26:23Exams stress you too much.
26:26I could take you to Provence.
26:28We're not going, we're not going, we're not going.
26:30What's wrong, Bruno?
26:31It's confidence, princess, confidence.
26:33I'll call you when I'm done.
26:38The mermaid never thought of meeting her father.
26:40Ignacio is good people.
26:42Mr. Ignacio is Miss Sheila's father?
26:44Oh, Angel.
26:45The stars have many secrets.
26:47Sorry, it's not my thing.
26:50But I couldn't help but listen and be surprised.
26:52You know I respect you, Sheila.
26:54We trust your discretion, Angel.
26:56Mr. Leandro, the truth is that lately it's hard for me to understand.
26:59But are we going to my house?
27:01Don't worry.
27:02I know I have a more intellectual profile,
27:04deeper, but I'll put it in plain.
27:06Nina is with Ignacio in your house,
27:08managing the meeting between father and daughter.
27:10Nina? My daughter?
27:14She is always willing to give her heart to those who need it.
27:19I'm sorry.
27:27Bruno!
27:28Dad!
27:31My son, Bruno.
27:32Nina and Bruno, my two pride.
27:36Sirena, what are you doing?
27:41What are you doing, Sheila?
27:46What's up, Sheila?
27:47My love, each one to his car.
27:49With you it's not the thing, Foxy.
27:50Don't worry.
27:51I'm going to meet my dad again.
27:54Your dad? In the end he appeared.
27:55Yes, and with everything.
27:56It's Ignacio de la Torre.
27:58What?
27:59Oh, give me vibes, please.
28:00Vibes, vibes.
28:01Oh, yes, sir.
28:02Calm down.
28:03For God's sake.
28:18No, no, no.
28:28I swear I had dreamed of this moment,
28:31but I never imagined
28:35it would be like this.
28:37So magical.
28:40The most beautiful things come from the hands of surprises.
28:44And speaking of that,
28:46does your wife know?
28:47Yes, yes.
28:48She is aware.
28:50She is supporting me.
28:52I think she should apologize.
28:57Grandma,
28:58here is not your ring of the tigress.
28:59No, no, no.
29:00This is important, little girl.
29:02Look,
29:04looking and looking
29:05that I find out in the networks.
29:07I don't know,
29:08but we're not going to talk about your secret admirer.
29:10No, no.
29:12No, no, little girl.
29:13About your future husband
29:15and his current wife.
29:18My number one enemy.
29:20That German.
29:22She has been caught
29:23and a fraud
29:24with the jaguar Moran in a park.
29:26What are you saying?
29:27What did you say?
29:28No, grandma.
29:29No, no, no.
29:30They are virals.
29:31Memes.
29:32Memes.
29:33The networks lie.
29:36Moran and de la Torre
29:37very close
29:38and on a picnic in a park.
29:41Oh, look.
29:42How romantic, right?
29:43They wore hats
29:44so as not to be discovered.
29:45Oh, how nice.
29:46Oh, yes.
29:48Now,
29:49from the cancellation
29:50of the wedding
29:51with Nina Garay,
29:52what are these two figures hiding?
29:55There are photos.
29:59Alessandra and Ramiro?
30:11I can't live without you.
30:14Take me with you
30:15because it's the only thing I want.
30:19They say there are no coincidences.
30:24Everything is written
30:25and you know it.
30:28And that love comes.
30:31We are watching
30:32Nina de Azúcar
30:34thanks to
30:36New Liquid Ariel
30:37400 milliliters.
30:39Find it
30:40from 9 soles.
30:43Switch
30:44to the fastest mobile network
30:45in Peru.
30:48Atrevia
30:49Pet lovers like you.
30:53Celebrate
30:54this 2025
30:55with Totus.
31:01We called
31:02for them to come fix it
31:03and they left us hanging.
31:04Well, Grandma,
31:05they haven't changed to Claro yet.
31:06Don't they know
31:07that Claro
31:08has the best
31:09customer service?
31:15Hire Fibra Optica
31:16and get 1,000 megabits
31:17of speed
31:18with Claro TV+,
31:19at 67 soles
31:2050 a month.
31:22What are you waiting for?
31:23Switch to 0800-00200
31:24or to Claro.pe.
31:28If the most anticipated
31:29week of the year is over,
31:30use your VALES at Ripple
31:31until December 31st
31:32for every 100 soles you buy.
31:33Exchange a VALE
31:34of 50 or 40 soles
31:35in thousands of brands.
31:36Look at your VALES
31:37at usatuvale.ripple.com
31:38or at usatuvale.ripple.com.pe
32:08Thank you to Pantene.
32:11Big Vaporub.
32:38Minas de Pasión
32:40This Tuesday
32:41at 4 and 15
32:43in America.
33:08Los Mirros
33:11Amaranta
33:15Clavito y su Chela
33:18y muchos más.
33:27Risas y sorpresas
33:28con la mejor fiesta
33:29de año nuevo
33:30en tu casa.
33:31Aquí hay alguien
33:32que necesita un levante.
33:33A mí, a mí, por favor.
33:34Sería un levantamiento
33:35de cadáver.
33:37Este martes 31
33:38desde las 9 y 50
33:39de la noche
33:40en Redentonazo
33:41de Año Nuevo
33:42y por América.
33:45Este miércoles
33:46de Año Nuevo.
33:47¿Y dónde están las rubias?
33:48Dos agentes
33:49del FBI
33:50que les va pésimo.
33:51Son así la burla
33:52del departamento.
33:53Se van a mandar
33:54con una tremenda misión
33:55porque tienen que cuidar
33:56a dos hermanas
33:57que son rubias
33:58de Pampanandes
33:59y recontrafichas.
34:00Van a hacer de todo,
34:01incluso disfrazarse
34:02de ellas.
34:03Oye, ¿qué te pasó?
34:04¿Tienes algún problema?
34:06¿Y dónde están las rubias?
34:08Este miércoles
34:09primero de enero
34:10a las 7 y 30
34:11de la noche
34:12en América.
34:15Recomendamos ver
34:16este programa
34:17en compañía
34:18de un adulto.
34:20¿Te gustaría ser parte
34:21de un rodaje profesional?
34:29Vive junto a nosotros
34:30esta gran experiencia.
34:32Inscríbete en el taller
34:33de actuación para la cámara
34:34desde el Barrio Producciones.
34:41¡Ay, amorcito!
34:42Te envié un video
34:43de una receta.
34:44¡Sí!
34:45La descargué al toque.
34:46Eso es tener
34:47la red móvil
34:48más rápida del Perú.
34:49Cámbiate la red móvil
34:50más rápida del Perú
34:51al 0800 00200
34:52o en claro.pe.
35:01Ah, bueno, Ina,
35:02no te preocupes, ¿sí?
35:03Andá nomás.
35:04Yo me quedo conversando
35:05con Ignacio.
35:06Sí.
35:11Es momento
35:12de que vivan
35:13su amor.
35:16Alessandra,
35:17apenas escuches este mensaje
35:18me llamas.
35:19Gracias.
35:23Señor Ignacio,
35:25usted ama mucho
35:26a Alessandra, ¿verdad?
35:28Bueno, es mi esposa
35:29y...
35:31resulta un poco
35:32complicado hablar esto
35:33contigo, pero...
35:35ahora que...
35:37estamos agarrando
35:38más confianza
35:40y mis sentimientos
35:41te impactan a ti...
35:42A ver, yo lo que quiero
35:43es que usted no se anguste,
35:44señor Ignacio.
35:46Mire, a veces el amor
35:47no sale como pensamos
35:49y a veces no es recíproco.
35:50¿Usted me entiende?
35:52Sí, ¿lo dice por mí
35:53o por ti?
35:54No, lo digo en general.
35:56Aquí lo más importante
35:57es...
35:58soltar
36:00y avanzar.
36:02¿Sí?
36:15¿Qué hacen ustedes acá?
36:17No quería predisponerlo
36:18ni asustarlo.
36:19Llegó el momento,
36:20querido amigo.
36:22Ajá.
36:23Yo estoy muy emocionado
36:24con esto.
36:25Yo también, papá.
36:28¿Papá?
36:29Necesito que me expliques
36:30por qué me abandonaste.
36:31¿Por qué me abandonaste?
36:43Ale, por favor,
36:44necesito que muevas tus contactos.
36:45Sí.
36:46No quiero que este chisme crezca.
36:47Por favor.
36:48En Europa me quieren
36:49casado y limpio de pecados.
36:50Hazte fama.
36:55Ramiro Morán,
36:56nos estás hundiendo, campeón.
36:58Me están llamando de Europa.
36:59Se cae tu imagen,
37:00se cae la transferencia.
37:01¿Me escuchas?
37:02Te quiero lejos
37:03de los escándalos.
37:04Lejos.
37:05Eres una bebé
37:06de un futbolista.
37:08Mi manager me quiere matar.
37:10¿Qué hacemos?
37:15Hola.
37:16En este momento
37:17no estoy para reclamos.
37:18Ahora sí.
37:20Perdón, ¿sí?
37:21¿Tú sabías que tu marido
37:22tiene una hija?
37:23Sí, claro.
37:24Yo lo sé todo.
37:25Ah, entonces me imagino
37:26que sabes quién es.
37:27Por desgracia.
37:28Ah.
37:31¿Y puedo saber
37:32por qué no me contaste?
37:33Secreto profesional.
37:35Mamá,
37:36ya nadie tiene
37:37secretos profesionales.
37:38O sea, hello.
37:39¿Las redes sociales te suenan?
37:40Sí, me suenan
37:41porque soy parte de ellas
37:42y si me sigues fastidiando
37:43me voy a ver obligada
37:44a postear fotos
37:45de cuando era niñita
37:46teniendo brackets y colitas.
37:47¿Ok?
37:48Chao.
37:49Atrévete.
37:51Listo.
37:52¿Se puede terminar
37:53todo este acting
37:54de que me cuidas?
37:55¿Acting?
37:56¿Acting?
37:57No, no.
37:58Estoy intuyendo peligro.
38:00¿Qué?
38:01No, este es mi trabajo
38:02y el mozo con el que estábamos
38:03era peligroso.
38:04Se veía muy raro.
38:05Muy raro.
38:06Peligroso, sí.
38:07Ya, permiso que me voy a cambiar.
38:09¿O también me vas a seguir ahí?
38:12No.
38:13¿Por qué no me preguntas
38:14por Joaquín?
38:15Así, directo.
38:16¿Joaquín?
38:17Joaquín.
38:18A mí no me importa Joaquín.
38:19No me importa Joaquín.
38:20Ah.
38:21No te das cuenta
38:22de lo que yo siento
38:24cuando te miro.
38:28Joaquín.
38:29Joaquín.
38:31Dale, Alexandra, por favor,
38:32decime qué pasa.
38:33¿Ignacio se enteró?
38:34¿Quiere revancha?
38:35¿Va a revisar mis impuestos?
38:36¿Me declaraciones juradas?
38:37Ah.
38:38¿Tienes algo que esconder?
38:39No, jamás, jamás, jamás.
38:40Pero para saber.
38:41Si no, así me pongo el día.
38:42Ya te vas a enterar.
38:43No, no me hagas esto.
38:44El jabón tiene espíritu curioso.
38:45Girl!
38:51Espera, espera, espera.
38:52Que estoy contando.
38:53Un ratito.
38:54Ah.
38:55¿Qué pasa?
38:56Un ratito.
38:57Está bien.
38:58Bien.
38:59Listo.
39:00Gracias, gracias.
39:01Nos vemos.
39:02Gracias a ustedes.
39:03Gracias.
39:04De mañana, sí.
39:05Hasta luego.
39:06Bueno.
39:07Mi, mi pedido.
39:08Ah.
39:09¿Es cierto?
39:10Perdón.
39:11Te estabas olvidando.
39:12El pedido de hoy, sí.
39:13Muchas gracias.
39:14Gracias.
39:15Nos vemos pronto.
39:16Ángel, por Dios,
39:17¿qué puede ser tan urgente
39:18que estamos en plena tensión?
39:19Perdón, perdón, perdón.
39:20No, no, no.
39:21No.
39:22No me estás hablando
39:23sin algo interesante
39:24en esta jaula.
39:25Lo cuento, doña Emma,
39:26pero no puede publicarlo
39:27en redes esta vez.
39:28Pero, entonces,
39:29¿cuál es la gracia?
39:30No.
39:31O lo promete
39:32o no cuento nada.
39:33Prometido.
39:34Prometido.
39:35El señor Ignacio De la Torre
39:36está en la casa
39:37hablando de su paternidad.
39:38¿Qué?
39:39No.
39:40¿Qué?
39:41¿Hay chimecito?
39:42No.
39:43The time has come.
39:45The time has come, my friend.
39:47Finally, you're together again.
39:50The mermaid, your daughter, and her father.
39:54I mean, you.
39:55Let's see.
39:56I think I'm not getting this right.
39:58I thought this conversation was between you and me.
40:00The mermaid doesn't want any more intermediaries.
40:02I want you to tell me what happened
40:04with our relationship.
40:07I'm sorry.
40:08I'm sorry.
40:09I'm sorry.
40:10I'm sorry.
40:12I'm sorry, miss, but I think it's a mistake.
40:14Am I a mistake?
40:15No, you're not a mistake.
40:17That's what I meant.
40:19Serial abandoner.
40:20What?
40:21That's what you are.
40:22No.
40:23Yes.
40:24No.
40:25You're a serial abandoner.
40:26What?
40:27No, no, no.
40:28Mr. Ignacio.
40:29Nina.
40:30Nina.
40:31No, no.
40:32Nina.
40:33Ignacio, no.
40:34Nina.
40:35Mermaid.
40:36No, Nina.
40:37What a disappointment.
40:38Serial abandoner.
40:40Me too.
40:42Leandro.
40:45He should never have come.
40:46Don't say that.
40:47Men never apologize.
40:50What happened?
40:51Mr. Ignacio didn't recognize him as his father.
40:54Sheila?
40:55Excuse me, but have you seen Sheila?
40:57Miss Sheila is very bad, Mr. Leandro.
41:00Nina went after her.
41:01Let's go get her, Angel.
41:03A good soldier never abandons a mission.
41:06Let's go.
41:10Hey.
41:11That Leandro has changed his look and hairstyle to look younger.
41:15Or am I the one who has to change glasses?
41:31Wow.
41:32I see you have good technique.
41:33I don't know, maybe I can help you with what you need, right?
41:38Hello.
41:39Armada.
41:40The popcorn.
41:41The popcorn is in the back.
41:42Yes.
41:43There, in the back.
42:08Everything changes all of a sudden.
42:17Here, look.
42:18You dropped this.
42:19Can I help you?
42:20Please.
42:22Thank you for returning it to me.
42:23Can you close it for me?
42:24Of course.
42:25Shouldn't you be teaching me?
42:27And don't you owe me respect?
42:28Oh, Bruno, enough.
42:30Enough, really.
42:31Enough of acting like an offended boy.
42:33It's okay.
42:34We agreed to have coffee and my ex showed up, which is not my fault.
42:37And of course, you didn't like him.
42:39Because he's a handsome boy.
42:40He's a cult boy.
42:41He's a boy with Parisian vibes.
42:44He's a boring boy, maybe.
42:46Oh, of course.
42:47And since you're the king of fun.
42:49Well, painting in Paris or boxing, which do you prefer?
42:52I knew it.
42:54You had heard me.
42:56Are you jealous?
42:58Bruno is jealous.
42:59He's jealous.
43:00He's jealous.
43:01Bruno is jealous.
43:02He's jealous.
43:03I have a reputation to take care of.
43:05Please.
43:06Then box.
43:08I also need to release the tensions.
43:11Me too.
43:12What?
43:13What happened?
43:14Has the news made you a little tense
43:17that the daughter of my mother's husband
43:19is your little mermaid?
43:21Your shiny woman, very glow.
43:24And not you?
43:27Hey, maybe they're going to share a room.
43:29Can you imagine?
43:31Excuse me.
43:33That was a lot of motivation.
43:35And well, maybe what I need is not boxing,
43:39but a little kiss.
43:41Oh yeah?
43:43Take it from your ex.
43:45Up the guard.
43:46Come on.
43:47Come on.
43:48Come on.
43:49Come on.
43:50Come on.
43:51Come on.
43:52Come on.
43:53Come on.
43:54Come on.
43:55The air I always breathe.
44:20Can you tell me what's going on?
44:22What's going on?
44:23Mirta, I swear I have nothing to do with this.
44:26That's your favorite phrase, right?
44:28Mirta, please.
44:30Nina called me, she told me she wanted to talk to me as a father.
44:33So I thought she had already found out the whole truth.
44:36And suddenly Leandro appears with this girl.
44:40Very picturesque, voluptuous.
44:41Sheila.
44:42The tropical mermaid.
44:43That girl.
44:44She told me she was my daughter.
44:45I wanted to explain the truth to them.
44:47And suddenly they got upset with me, they left and ...
44:51Thank God.
44:53And so it will be.
44:54What?
44:57What are you asking me, Mirta?
44:58Do you want me to go on with this lie?
45:00That girl is not my daughter and you know it better than anyone.
45:03I'm very sorry.
45:05For you and for her.
45:07But my daughter is first.
45:08So shut up.
45:09You are not going to say a word until after the wedding as we have agreed, Ignacio.
45:14Because I swear that if you do, for all my ancestors, which are many,
45:18that Nina will never want to know about you.
45:20Never.
45:21Mirta, are you threatening me?
45:23With all my desire.
45:25And I don't care how you're going to get out of this.
45:27Look for them as a good politician you are.
45:29But with the truth, no.
45:48I'm sorry for you.
45:51Because you are no longer.
45:55I feel.
45:57To be a pet lover is to understand everything with just one look.
46:01And take care of them like me.
46:03With Atrevia Trio Cats.
46:04Atrevia Trio Cats protects them against internal and external parasites.
46:09Atrevia. Pet lovers like you.
46:18Check it on your ticket.
46:49Contraburrido.
46:50Es espectacular.
46:51Aquí la banda del Chiiiio.
46:54De lunes a viernes, inmediatamente después de la edición central de América Noticias.
46:58Por América.
47:01Gracias a Sabital.
47:05El reventonazo de año nuevo te espera con La Única Tropical.
47:09Y La Bella Luz.
47:12Y juntos sigamos.
47:13Feliz año nuevo.
47:18Recibe el año nuevo con Daniela Derkurt.
47:22Armonía 10.
47:26Los Mirros.
47:29Amaranta.
47:33Clavito y su chela.
47:36Y muchos más.
47:39¿Sabes cuál es mi cábala?
47:40¿Cuál?
47:41A las dos de la noche iré a visitar a mis hijos.
47:43Espero que mi esposa no se entere.
47:45Risas y sorpresas con la mejor fiesta de año nuevo en tu casa.
47:49¡Aquí hay alguien!
47:50¡Necesito un levante!
47:51¡A mí, a mí, por favor!
47:52Sería un levantamiento de cadáver.
47:55Este martes 31 desde las 9 y 50 de la noche.
47:58El reventonazo de año nuevo.
48:00Y por América.
48:03Este primero de enero.
48:04Sí, acepto.
48:06Ella juraba que esa noche por fin pasaba a la fila de las casadas.
48:10Necesito un tiempo para mí.
48:12Pero la pasaron a la fila de las solteronas.
48:16Y lo peor que por culpa de otra.
48:19Regé a la maldita.
48:21Imagínate lo que es empezar de cero a los 34.
48:24Bueno, casi 35.
48:26Olvídate ya, tu flaco te dejó.
48:28Ya fue. Bye, bye.
48:29Pásen el huevo, la ruda, el cuero.
48:31Un superelenco.
48:33¿Agarraste el ramo?
48:34No, se me pasó.
48:35Lo que a ti se te está pasando es el tren.
48:37En una exitosa película peruana.
48:41¿Estás pensando en los huevos del gallo?
48:43Te dejó tu marido.
48:44¡Arranca!
48:47No me digas solterona.
48:49Este miércoles de año nuevo a las 9 y 30 de la noche.
48:53En América.
48:56Recomendamos ver este programa en compañía de un adulto.
49:00¡Y la sorpresa, mis emalóveres!
49:05Si han leído bien, una dulce recompensa.
49:09Quienes me ayuden a descubrir el verdadero nombre de
49:12arroba verdadotruco, se ganarán un pastel de naranja.
49:17Especialidad de la pastelería Nina de Azúcar.
49:23No, no, no.
49:25No, no, no.
49:27No, no, no.
49:30Bueno, aguardo sus datos.
49:33Y no lo olviden.
49:35Emma y las naranjas están de moda.
49:46Buenas, caballero.
49:48¿No desea pasar a la pastelería?
49:51Mire, mire, lo que guste es cortesía de la casa.
49:54O digamos, un canje.
49:58Bueno, yo sé que usted es periodista.
50:01Y yo una influencer famosa.
50:04Mucho asegurado.
50:06Gracias, pero estoy esperando a alguien.
50:11Comprendo la cita.
50:13Pero no está siendo nada ilegal aquí en el barrio, ¿no?
50:17Por supuesto.
50:19Se trata de un informante.
50:21Ok, ok.
50:23Bueno, pero por las dudas, usted y yo nunca hemos hablado.
50:28Boquita cerrada.
50:38Gracias por contactarme.
50:40Como verás, no hablo de más.
50:42Así que espero que tú también me hayas guardado la primicia.
50:45Tengo palabra. Espero que tú también.
50:48Por supuesto. Es un trato.
50:51Anda. Te escucho.
50:57Ignacio de la Torre.
50:59El político famoso ese.
51:01Tiene una hija no reconocida.
51:05No.
51:07¡Qué gran noticia!
51:10¿Cómo se llama?
51:16Sheila.
51:18La sirena tropical es su hija no reconocida.
51:29¿Aló?
51:30Mi, para mi casa ya, por favor. Tenemos que hablar.
51:32Ante tremendo embrollo.
51:34Y que haya cerca de que es usted hija de Ignacio de la Torre.
51:37La sirena no da más declaraciones. Gracias.
51:40¿No me has preguntado por la hija de Ignacio?
51:42¿Verdad, Sheila?
51:43¿Pero qué delirios tiene esa mujer?
51:45Explotará la verdadera bomba.
51:48Como andas inventándome hijas,
51:50¿no te has enterado del rumor de que Alessandra tiene un romance con el jaguar Morán?
51:55Dulcifica tus noches con Niña de Azúcar.
51:59Pero todo este quilombo que armaste es por tu culpa.
52:01¿Y el besazo que se dieron en el parque también es mi culpa?
52:04¿El besazo?
52:06Jueves 9 y 40 de la noche, por América.
52:11¡Rechaza Colombia otra vez, Perú!