ニッポンの技で世界を修理 世界！職人ワゴン 2024年12月30日 お年寄りに優しい町役場に修理！
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#EnglishMovie #cdrama #drama #engsub #chinesedramaengsub #movieshortfull
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TVTranscript
00:00:00The World Craftsman Wagon
00:00:02Repairing the world's broken things with Japanese traditional techniques
00:00:07The craftsmen of various fields that Japan is proud of have gathered
00:00:13In order to save people who are in trouble without fixing what is important, they challenge repair
00:00:19Greece, Romania, Bulgaria
00:00:23They visit three countries
00:00:25However
00:00:28The request they were waiting for was the biggest problem in the history of the program
00:00:36The craftsmen have responded to various requests in Europe with history
00:00:44The craftsmen who had such requests were the Greeks
00:00:50I want you to fix this chair
00:00:52It's broken
00:00:54I got it when I got married
00:00:56It's an important chair
00:00:58The backrest is broken
00:01:01It's broken
00:01:04A big crack in the backrest
00:01:09The crack spreads the wound
00:01:11It doesn't matter when it breaks
00:01:15I'll fix it
00:01:17It's me
00:01:19The craftsman Nobuaki Minami responds to this request
00:01:25He is a wood specialist who works with his father and grandfather to handle wood
00:01:34In order to make it longer and easier to use, he can revive any furniture with the technology of mastering the properties of wood
00:01:44What did he take out?
00:01:48What is it?
00:01:52A commercially available glue?
00:01:59He fixes it with metal fittings
00:02:04He was expecting a beautiful craftsmanship, but the client is a little confused
00:02:11However, this is where the craftsman Nobuaki Minami's hard work begins
00:02:20He started drilling a hole in the newly repaired backrest
00:02:30What are you doing?
00:02:32Drilling a hole?
00:02:34There is a technique called chigiri in Japan
00:02:38I'll show you
00:02:41What is chigiri?
00:02:48The client is also worried
00:02:52Minami took out a piece of wood and started to cut it in a strange shape
00:02:59After fixing the hole in the backrest, he put a piece of bird-shaped wood in it
00:03:14He carefully cuts off the extra part with a saw
00:03:19He sanded the wood and applied varnish
00:03:32It's done
00:03:37This is an important chair that has been used by the couple since they got married
00:03:43Minami's chair
00:03:47Minami uses a traditional Japanese technique called chigiri-tsugi to fix it
00:03:54By putting a piece of bird-shaped wood in it, he can prevent the crack from spreading
00:04:00It is also an accent of the design, and it is a perfect success
00:04:08It's perfect! It's completely fixed!
00:04:11I think I can use it for a long time, so please take good care of it
00:04:15The couple's bond will not be broken
00:04:21The next client is from the western part of Spain
00:04:25The place where he was told to fix it is the Carvajal Palace
00:04:32This window frame...
00:04:37The blood is all over the place, and there is a strong wind
00:04:43What he wants to fix is the window frame of the palace, built in the 15th century
00:04:50The window frame
00:04:53It is a place that tourists often visit, so it was a challenge to fix the exterior
00:05:04But this is a world heritage site, so I can't change the exterior
00:05:12Can I fix it without changing the exterior?
00:05:17What was he seriously checking?
00:05:23Tatsuya Imai, a carpenter
00:05:28In the 33rd year of his career as a carpenter, he has been restoring things that were previously impossible to repair
00:05:37He has been doing miraculous repairs
00:05:46He has been restoring things that were previously impossible to repair
00:05:52Out of the four frames, these two were out of order
00:05:59Imai left these two, and added two more
00:06:10Then, he noticed something
00:06:15This is all made of wood, so I didn't use a single screw
00:06:22Imai says this is a technique called Shihodo Tsukihozo, which is also found in Japan
00:06:32What does Imai think of this?
00:06:35I think he has been restoring things in the same way
00:06:41He has been restoring things in the same way
00:06:46In order to meet the expectations of the old carpenters, they make the same thing and combine it
00:07:05They measure it many times, and then cut it
00:07:11It's a meticulous process
00:07:20And then, the assembly is complete
00:07:34It fits perfectly
00:07:38Next, they connect the new frame with the old frame
00:07:45Will they be able to combine them well?
00:08:04It fits perfectly
00:08:10The old window frame was worn out by the rain
00:08:19But its shape is still beautiful
00:08:24The appearance of a world heritage cannot be changed
00:08:28Imai, as the client requested, has restored it
00:08:42No matter where I look, I can't see the marks of restoration
00:08:46I think it's a restoration that protects the value as a national treasure
00:08:50Thank you
00:08:52Thank you
00:08:55The next client is from Greece
00:09:03He wants to restore the stairs at the entrance of the museum
00:09:10The construction was finished in the middle
00:09:14It's dangerous for a small child to climb and get off
00:09:20He wants to restore the stairs at the entrance of the museum
00:09:25The first step is about 40 cm
00:09:29It's dangerous for a small child to fall and get injured
00:09:33The restoration is done by a master craftsman, Okuno Masaharu
00:09:38He does his best to make it as good as possible
00:09:44He does his best to make it as good as possible
00:09:48He is a professional at the site to find out how to fix it
00:09:54Okuno is making mortar mixed with sand, cement and water
00:10:04He puts the mortar under the stairs
00:10:11He puts the mortar under the stairs
00:10:14He puts the mortar under the stairs
00:10:17There are beautiful stairs, but why?
00:10:23The stairs are too high
00:10:27It seems that a big child can go up, but a small child can't
00:10:33I think a small child can go up if I add one more step
00:10:37He puts the mortar on the stairs
00:10:44He puts the mortar on the stairs
00:10:54The stairs are already far away from the children
00:11:00The stairs are already far away from the children
00:11:06He dries the stairs for a while
00:11:10While waiting for it to dry, Okuno, a skilled craftsman, takes his children to the beach with some kind of net.
00:11:22It's not fun to finish the stairs with cement, so I'm going to use the stones from the beach.
00:11:35The stones are mixed with sand and cement.
00:11:42This is the finished mortar.
00:11:46And now, the work begins.
00:11:50He paints the mortar with the stones on top of the previous mortar.
00:11:57Now, the work begins.
00:12:00He paints the mortar with the stones on top of the previous mortar.
00:12:19Here's what's interesting.
00:12:22Glass balls.
00:12:25He's starting to pour it on top of the mortar.
00:12:31What are you doing?
00:12:34I found this at the store.
00:12:36It's pretty and cute.
00:12:44Oh?
00:12:45Okuno is doing something he doesn't understand.
00:12:50Take a look.
00:12:56He's painting the top of the mortar and hiding the glass balls.
00:13:04This is Okuno, a skilled craftsman who represents Japan.
00:13:10He checks that the mortar is dry.
00:13:16Next, he starts shaving the surface with a brush.
00:13:23This is the finishing touch.
00:13:28And now...
00:13:31The stones he picked up from the beach and the glass balls are floating beautifully.
00:13:38If you put the stones you want to shave into the cement, you can do it the same way.
00:13:48I'll try it next time.
00:13:51The stairs were too high and dangerous.
00:13:57A new step is added to make it safer.
00:14:02The surface is as beautiful as a beach in a movie theater.
00:14:10This first step is wonderful.
00:14:13Especially, the pattern of the stones is beautiful.
00:14:18It's wonderful.
00:14:19It's beautiful.
00:14:20It's amazing.
00:14:21It's beautiful.
00:14:22It's amazing.
00:14:24Now, even small children can climb easily.
00:14:30The next request is...
00:14:34The church in Romania.
00:14:37What do you want the craftsmen to fix?
00:14:40It's a bell-ringing candle.
00:14:47It's already rotten.
00:14:52This candle is exposed to the wind all year round.
00:14:55In winter, it's snowing.
00:14:57In summer, it's damp.
00:15:01As you can see, the wood used for reinforcement is rotten.
00:15:09The bell that signals the beginning of worship was exposed to danger.
00:15:17Imai Daiku and Kikuchi Miyadaiku.
00:15:20They are experts in woodworking.
00:15:23They will repair the candle.
00:15:32First, they start by breaking the base of the candle.
00:15:44What's left are four thick pillars.
00:15:50But...
00:15:54They drill a hole in the pillars.
00:15:59Then, they use a chisel.
00:16:07They have drilled about 10 cm.
00:16:12What are they going to use them for?
00:16:18Then, they cut the long pillars.
00:16:21After that...
00:16:28They fit the pillars into the hole.
00:16:38This is a traditional Japanese method called Nuki-Koho.
00:16:49It's said that it's much stronger than the chisel.
00:16:59In addition, they use a technique called Suji-Kai.
00:17:08Suji-Kai and Nuki-Koho.
00:17:11These two traditional Japanese techniques support the bell.
00:17:16But...
00:17:21You can see that there is a small gap.
00:17:25In fact, this gap is where the craftsman's traditional technique was hidden.
00:17:32In the gap that he made on purpose...
00:17:42He drills a small piece of wood.
00:17:50This is called Kusabi-Tsute.
00:17:53It's like a nail.
00:17:59It's easy to understand because it's a bird.
00:18:02He drills a Kusabi-Tsute on the top of the bird.
00:18:08He drills a Kusabi-Tsute to increase the strength of the wood.
00:18:15It's a Japanese traditional technique that protects historical buildings from earthquakes and other disasters.
00:18:27After drilling all the Kusabi-Tsutes, the repair is complete.
00:18:35It looks like it's going to break even now.
00:18:38Tsugi-Ki, which has been exhausted and has not fulfilled its role, is reinforced with the traditional Japanese Nuki-Koho.
00:18:51By drilling a hole in the pillar and passing the wood through it, it increases the strength and strengthens it further with Kusabi-Tsute.
00:19:02The technique used in the shrine was used in a church in Romania.
00:19:11That's amazing.
00:19:13The repair is complete.
00:19:16The Japanese tradition and the craftsman's technique are wonderful.
00:19:25And tonight, the four craftsmen will get on the wagon again.
00:19:35World Craftsman Wagon
00:19:44In order to save people all over the world, the Japanese craftsmen go on a journey of repair.
00:19:51World Craftsman Wagon Episode 8
00:19:53This time, we will visit three countries in Eastern Europe, Greece, Bulgaria, and Romania.
00:20:01From the islands of the Aegean Sea, which are colored by the blue sky and the sea, to the cold village of Yama-Ai,
00:20:08and to a new journey that continues to the traditional cityscape that has not changed since the Middle Ages.
00:20:14There were people who were in trouble because they could not repair their valuables.
00:20:20Make a miracle with Japanese techniques.
00:20:23Run, wagon! Good luck, craftsman!
00:20:28The four skilled craftsmen that Japan is proud of got on the wagon.
00:20:36The beginning of this journey, which will be the 8th, is Greece,
00:20:429,400 km from Japan, Greece, where the world of mythology and the beautiful sea spread.
00:20:50220 km south of Athens,
00:20:55It is a request from Palestine floating in the Mediterranean Sea.
00:20:59SOS from Kikouradesu Island, a tourist attraction with white and beautiful streets and popular sunsets.
00:21:21It's a real tourist attraction.
00:21:25It's beautiful. It's all white.
00:21:28Japan is all white. There are so many colors.
00:21:35What kind of request is it from a world tourist attraction?
00:21:57It's beautiful.
00:22:01We're here.
00:22:04We're here.
00:22:05It's a beautiful place.
00:22:07Let's look around the city.
00:22:10We will meet the client tomorrow.
00:22:13First, we will go to a certain place.
00:22:16Today, we will go to a famous store where the locals go.
00:22:21We will start working tomorrow.
00:22:23Hello.
00:22:25However, there is a request for repair here as well.
00:22:31We visited a restaurant, which is loved by the locals.
00:22:38Oil sardines from local sardines,
00:22:41Braised pork and beef,
00:22:47If you can enjoy the taste of home, it is a famous store in the local area.
00:22:54This is sardine. It's really good.
00:22:59It's really good.
00:23:02How does it taste?
00:23:05It's really good.
00:23:09We came here to repair from Japan.
00:23:12According to her,
00:23:15Can you repair the towel table?
00:23:20It's hard to use, so I'm trying to throw it away.
00:23:24But I have had it since I was in Sendai, so I have memories of it.
00:23:29The foot hits the table.
00:23:32It's a little far away.
00:23:39Do you want me to fix it?
00:23:40Of course.
00:23:44The next morning.
00:23:50Repairing the towel table.
00:23:52I'm going to fix the table.
00:23:55He started repairing the towel table early in the morning.
00:24:03He is Toshiyuki Kawahara, a furniture craftsman who participated in Wagon for the first time.
00:24:09His work has been popular for 20 years.
00:24:15However, he is not just a furniture craftsman.
00:24:20In fact, Kawahara has been training as a Miyadaiku for 18 to 13 years.
00:24:27He has been involved in the repair of various shrines, such as Heijo-kyo and Daigokuden.
00:24:34He wants to make various things with wood using his experience.
00:24:39Now, he is a furniture craftsman who knows all the architecture of shops and houses, mainly furniture.
00:24:49But it's his first time to touch the towel table.
00:24:54Then...
00:25:01What did you check by tapping?
00:25:03What did you check by tapping?
00:25:06I don't know what's stopping it.
00:25:14First, he disassembles the towel table.
00:25:22He disassembles it without hesitation.
00:25:26He disassembles it without hesitation.
00:25:44He completely disassembles the towel table.
00:25:49Does the wood itself feel strong?
00:25:52It's very solid.
00:25:55Did you notice?
00:25:58Kawahara, a furniture craftsman, came to repair it, but he didn't bring any new wood.
00:26:05He says he will remake it to a table that is easy to use with only the original wood used in the barrel.
00:26:12Then, he chooses four pieces of wood from the disassembled barrel.
00:26:32He puts a beautiful groove in one part of the wood.
00:26:36He puts a beautiful groove in one part of the wood.
00:26:39He puts a beautiful groove in one part of the wood.
00:26:50It fits perfectly.
00:26:55He puts all four pieces of wood in the shape of a table.
00:27:01It has a strange shape.
00:27:06Then, he puts four pieces of wood in the shape of a table.
00:27:18Then, he puts four pieces of wood in the shape of a table.
00:27:29He puts all four pieces of wood in the shape of a table.
00:27:36Okay
00:27:41After 3 hours of repair, the table is ready
00:27:47The table is ready to be displayed
00:27:51Amazing
00:27:53Thank you
00:27:57The table was hard to use
00:28:01But the furniture craftsmen made a surprising remake
00:28:06The table is ready
00:28:14The table is ready to be displayed
00:28:19Amazing
00:28:21Thank you
00:28:26The table was hard to use
00:28:29But the furniture craftsmen made a surprising remake
00:28:46I made this table with the image of Japanese Chabudai
00:28:52Chabudai
00:28:54Chabudai
00:28:56Yes, Kawahara remade the Japanese Chabudai that many people can eat facing each other
00:29:07It took only a few hours to repair
00:29:10Japanese craftsmen are amazing
00:29:14Thank you
00:29:16This shelf is also very convenient
00:29:19Under the shelf, there is a space to put things using the bottom of the barrel
00:29:28The board fits perfectly with Kawahara's technology
00:29:35The screws are also hidden by wooden lines
00:29:39It is a delicacy unique to Japanese craftsmen
00:29:43It's amazing that it's so easy to use
00:29:49Japanese Chabudai is the best
00:29:52Japanese Chabudai is the best
00:29:57Kawahara met other craftsmen and went to meet the client
00:30:03It's very windy
00:30:05Hello
00:30:09This is the client, Mr. Yanis
00:30:12Hello
00:30:16Welcome, Japanese craftsmen
00:30:20This is a town where people who live on the island come
00:30:27This is Paros Island
00:30:30It is cheaper than Santorini Island and Mykonos Island in the vicinity
00:30:38It is popular not only for tourists but also for immigrants and senior citizens
00:30:46There are more and more people using the town
00:30:53It's embarrassing, but it's not a kind facility for the elderly and children
00:31:02What is the problem?
00:31:08It's this slope
00:31:10There is a slope for a wheelchair and a baby car, but it is usually locked
00:31:21The person who came knocked and the staff inside opened the door
00:31:31The slope and the entrance are separate from the main entrance
00:31:38The slope is not slippery and there are few staff, so it is usually locked
00:31:47What kind of situation is it?
00:31:50Looking at the usual situation
00:32:07Shall we leave?
00:32:22Come in
00:32:26Hello
00:32:28There is a need for the person pushing to let go of his hand
00:32:32It's a pretty dangerous situation
00:32:37You may not be noticed
00:32:40When you let go of your hand, the ground is slanted in the middle of the slope, so it's scary
00:32:51This island has a lot of strong winds, so if you leave it open, all the documents inside will be blown away
00:32:58The strong wind from the sea blows here Paros Island
00:33:04You can't always leave the door open
00:33:08Can you make it a safe slope for the wheelchair user?
00:33:16It's pretty bumpy
00:33:20It's bumpy, but it's pretty slippery
00:33:23A safe slope that you can tell you're here
00:33:27What kind of answer will the craftsmen give?
00:33:34The next place to be guided is inside the building
00:33:44Then suddenly
00:33:47Do you understand the problem inside the building?
00:33:58At first glance, it looks like a room without any problems
00:34:04There are many doors, but there is only one window
00:34:13This building is over 100 years old
00:34:18There are many doors, but there is only one window
00:34:25Another window is in another room
00:34:31There is a building right next to it, so you can't use the window
00:34:39Since many people visit, it should be necessary to prevent infection
00:34:46But there is only one window
00:34:51One window is fine
00:34:55The air doesn't move at all
00:34:59Since it is a facility for the elderly, ventilation is very important
00:35:07Can you make this suffocating room a safe room for the elderly?
00:35:17The second thing to repair is a suffocating room with only one window
00:35:25There is also a problem unique to the world tour
00:35:32This white wall is the characteristic of the island
00:35:35I want to keep it clean all the time
00:35:38But graffiti is a problem now
00:35:43The root of the problem is graffiti, which is a problem all over Greece
00:35:50Athens, a capital with many precious relics, has also changed
00:35:58Unfortunately, graffiti has increased in Palestine
00:36:04There are also many victims of graffiti in this town, which can be called the face of the island
00:36:11The wall is still dirty
00:36:21The white wall is also the pride of this island
00:36:29Can't you make it?
00:36:33The craftsmen are surprised
00:36:37What is it?
00:36:41The second thing to repair is a suffocating room with only one window
00:36:59There are also many victims of graffiti in this town, which can be called the face of the island
00:37:06The wall is still dirty
00:37:16The white wall is also the pride of this island
00:37:21Can't you make it?
00:37:29The craftsmen are surprised
00:37:36The third thing to repair is the traditional white wall of the island
00:37:43It is a request to repair the wall that is not inferior to graffiti
00:37:50S.O.S. of the world tour
00:37:54How do Japanese craftsmen solve it?
00:38:00The first thing to repair is a slope that is not friendly to users
00:38:08The request is a safe slope that can be seen when you come
00:38:17The person who challenges this challenge is
00:38:21Toshimitsu Kikuchi, a craftsman from Miyadai
00:38:26He has been repairing historical buildings in Japan
00:38:34It's not just about fixing broken things, but it's about passing on what the predecessors made to the next generation
00:38:40That's the job of Miyadai
00:38:44Start repairing
00:38:56Kikuchi prepared a board for flooring
00:39:03It was originally uneven, and it was processed to make a flat floor by combining the boards
00:39:12It is said to make a slope using this
00:39:17However, Kikuchi
00:39:22If you do this, you can make a step
00:39:28By deliberately shifting and overlapping, you can create a step
00:39:33The floor has a non-slip effect when climbing
00:39:45Kikuchi is building a board with a familiar iron
00:39:48In fact, this way of sticking is a hint of ancient Japanese technology
00:40:01Yoroibari is a way of sticking boards like armor
00:40:06Because it is difficult to get wind and it is easy for rain to fall, it is often used as an outer wall of wooden buildings
00:40:15This technique has been used since the Edo period, and this time it was applied to prevent slipping of the slope
00:40:24And the last thing to do is
00:40:29The place where the stone steps meet
00:40:33Then
00:40:36Kikuchi is making a board
00:40:41Put a line on the board according to the curve of the stone
00:40:51I will scrape
00:40:55It's called lighting
00:40:58When you put a pillar on a natural stone or when you want to attach a board to the wall
00:41:03When the wall is bumpy, it is called lighting
00:41:08Lighting is a technique that Miyadaiku is good at processing and attaching so that the contact surface is closely attached
00:41:17It is used when putting a pillar on a natural stone
00:41:24It is said that the name was given because it fits perfectly so that the light does not enter
00:41:34I will scrape along the line without any error
00:41:47Perfectly
00:41:50The slope made with Yoroibari and lighting is completed
00:41:55Completed
00:41:59By adding a step, it is difficult to slip and the color is also familiar to the town
00:42:09However
00:42:14The important thing is the mechanism to let the building know that you have come
00:42:20To answer this problem
00:42:25I went back to the wood shop where I got the slope board
00:42:37What I was looking for was a hard wood
00:42:41If you hit it with a hard wood, it will make a sound
00:42:45The sound of wood is hard
00:42:53It seems that I found a hard wood that I was interested in
00:42:58What is the name of the material?
00:43:00It is an African wood
00:43:04Is it an African wood?
00:43:06It is called Africa
00:43:08This is a wood from Africa called Apa
00:43:12Although it is different from Japanese Keyaki
00:43:15Because it is similar in durability and wood grain
00:43:18It seems that it is often used as a substitute for Keyaki in Japan
00:43:23What to make using this
00:43:26The original shape of the old wood
00:43:31It was shaped like a voice
00:43:34I hit it and let it know the time of the time
00:43:39I thought I would make something similar
00:43:44A safe slope that you can see that you have come
00:43:48How to use it
00:43:52The original shape of wood called Kaipan in Zen temple in Japan
00:44:03It is a mechanism that makes a sound by carving the contents of a log and making a cavity and groove
00:44:14Using that principle, make a cavity in African Keyaki
00:44:19It is said to aim for the reverberation of sound
00:44:24It's a dull sound
00:44:29I don't think I'm doing anything
00:44:40A groove and a hole are made there
00:44:44A hole
00:44:50Digging a groove for reference of wood
00:44:58One piece of wood
00:45:03In a complicated shape
00:45:08I think this will probably resonate
00:45:11Then it will resonate at all
00:45:14I think it will resonate
00:45:18I think it will resonate
00:45:20I think it will resonate
00:45:24If you compare the sound
00:45:28I think it will resonate
00:45:40The next thing to do is to hit the bowl
00:45:57Make a sphere with only one
00:46:02Hit the sphere with a wooden stick
00:46:08I think it will resonate
00:46:11I think it will resonate
00:46:22Make a sphere with skill
00:46:32From wood
00:46:35A wonderful round bowl was born
00:46:42What kind of slope will Kikuchi make?
00:46:49It's finally time to reveal
00:46:53Oh!
00:47:00A dangerous slope that you have to get your hands off to knock
00:47:07It is difficult to slip due to Japanese armor and lighting
00:47:15And this device got a hint from the prototype of a wooden fish, Taipan
00:47:23How do you use it?
00:47:30There is a surprising function
00:47:41After this, the traditional wooden washing machine in Romania was repaired
00:47:46The biggest pinch in history
00:47:51It's the worst
00:48:09A dangerous slope that you have to get your hands off to knock
00:48:16It is difficult to slip due to Japanese armor and lighting
00:48:26And this device got a hint from the prototype of a wooden fish, Taipan
00:48:35How do you use it?
00:48:40After this, the traditional wooden washing machine in Romania was repaired
00:48:44How do you use it?
00:48:57What Kikuchi made is a mechanism that when you step on the board, the bowl goes down and rings the board that opened the cavity
00:49:09The hardness of the wood and the shape of the sound are reflected
00:49:16By placing it in front of the slope, the door will open when you climb up
00:49:26What is the sound you can hear inside?
00:49:29The sound is so loud that it can't be compared to the original knock
00:49:36With this, you can enter the building without waiting
00:49:46The sound is also quite loud
00:49:51It is difficult to use
00:49:54It's difficult
00:49:58You use your feet. It's a great idea
00:50:02I made it with a lot of thought
00:50:05It's definitely a safe slope. Thank you very much
00:50:11It was good
00:50:15The slope was repaired
00:50:20The next thing to repair is the traditional white wall
00:50:25It is a request to make a wall that does not lose to graffiti
00:50:33The white wall of this area was spread out to prevent strong UV rays in the ancient Greek era
00:50:43The material is shikkui, which is also used as a material for walls in Japan
00:50:54In order to protect such a traditional white wall, it is a request to repair a wall that does not lose to graffiti
00:51:04What is the challenge?
00:51:09The first to participate in Wagon
00:51:11Tomoharu Nakamura, a master craftsman
00:51:1522 years of craftsmanship
00:51:18Nakamura is also a teacher who teaches traditional techniques to professional craftsmen
00:51:24The master craftsman, Masaharu Okuno, who has made people around the world smile in the past
00:51:39He is a craftsman recognized by the master craftsman
00:51:44A wall that does not lose to graffiti
00:51:46How do you deal with this island-specific challenge?
00:51:52Start repairing immediately
00:51:56First, the beautiful white of shikkui
00:52:03I thought so
00:52:08The second to participate in Wagon
00:52:17Red on the traditional white wall
00:52:23What is this?
00:52:24This is a primer, but it's like a glue
00:52:29The paint was painted with a paint glue
00:52:33Next, the white wall material
00:52:35To make it easier to stick shikkui
00:52:41After preparing the whole with glue
00:52:45To the process of painting shikkui
00:52:48Then, Nakamura, who is preparing the tools, has a surprising statement
00:52:54Nakamura-san
00:52:57I was wondering if the tools would arrive
00:53:01I prepared about 20 and packed them
00:53:05But the tools did not arrive from Japan
00:53:08The tools did not arrive?
00:53:12Actually, when I arrived at the airport in Greece
00:53:17It's a shikkui
00:53:21I don't mind, but I can't work at the hotel
00:53:27I'm in trouble if it disappears
00:53:32It's a tool that can be said to be the life of a craftsman
00:53:37Unexpected trouble
00:53:40Therefore, I bought a tool that can be used in a local shop
00:53:46Did you prepare about 20?
00:53:48Yes
00:53:50Do you use it a lot in Japan?
00:53:53Yes, I use it
00:53:54It can be used as a material
00:53:56It can also be used as a finishing material
00:53:58The base, the middle, and the top can be changed
00:54:05Repairing is a different size
00:54:08He challenges with only these two types
00:54:12I don't know how much I can do
00:54:17I'll use what I have
00:54:22If you don't have a tool you like, cover it with your arm
00:54:26That's the Japanese craftsman
00:54:29Five people
00:54:36First, apply the shikkui as a base on the glue
00:54:46It's the first time he uses a Greek tool
00:54:49Will he be able to handle it well?
00:54:59He starts to work
00:55:06Then, after a few minutes
00:55:16I'm getting better
00:55:19He doesn't choose a brush
00:55:22There's no need to worry about a first-class craftsman
00:55:27Nakamura finishes applying the shikkui as a base
00:55:37When the base is dry, he applies the shikkui as a finishing material
00:55:45However
00:55:49There's something in it
00:55:56There's something in it
00:56:06I can't use this
00:56:13I can't use this
00:56:17Shikkui as a finishing material should have fine particles
00:56:22There's a lot of sand in the material
00:56:27In fact, this is fatal to Nakamura's wall
00:56:41He can't hide his dismay
00:56:47Then
00:56:50Nakamura stops working and goes somewhere
00:57:07He's asking for something
00:57:11What did the shop assistant bring?
00:57:15Ah, this is good
00:57:18Is this a ball?
00:57:20What is this?
00:57:22This net is fine, so I'm going to use it
00:57:31He's going to finish the rough shikkui with the old one
00:57:36It's not coming off
00:57:43He removes the fine sand
00:57:54It's gotten a lot finer
00:57:58He tries painting it on the wall
00:58:06He's painting it on the wall
00:58:16He looks satisfied
00:58:19He's painting it all over the wall
00:58:27I'm done painting
00:58:30After he's finished painting, he starts working on the wall
00:58:37And then
00:58:49He's rubbing the old one on the wall again
00:58:55What is this?
00:59:00Shikkui in Japan is quite difficult
00:59:04So I'm going to polish the shikkui
00:59:10Shikkui polishing is a technique that removes the roughness of the surface
00:59:16And creates a shiny wall
00:59:20It's said that you can overcome a wall that's as good as a graffiti
00:59:30He continues to rub for two hours
00:59:41Two more hours
00:59:44He changes from a brush to a towel to polish
00:59:52He continues to work until night
01:00:00The next morning
01:00:06He's surprised
01:00:11The last finishing touch is his own hand
01:00:17I think I can polish it with my hands
01:00:22Like an angel
01:00:25You can polish it with your hands
01:00:28It's so smooth
01:00:33But Nakamura's work isn't finished yet
01:00:45He's using a spoon
01:00:49He's bending it
01:00:58And then he starts working on the finished wall
01:01:06It's really amazing
01:01:08Nakamura hasn't received his favorite tool yet
01:01:12He's bending a spoon into a small pot
01:01:15He's sculpting a shikkui
01:01:21What kind of wall did he polish?
01:01:27The wall of a street yakuba that was in trouble with graffiti
01:01:36He's using Nakamura's hands to create a pure white shikkui
01:01:42He's using Nakamura's hands to create a pure white shikkui
01:01:52It's a symbol of peace
01:01:55It's a symbol of peace
01:01:57It's a symbol of peace
01:02:02It's a symbol of peace
01:02:05It's a symbol of peace
01:02:08It's a symbol of peace
01:02:15The wall has been reborn
01:02:17What's the reaction?
01:02:20It's a sign of friendship between Greece and Japan
01:02:24Thank you
01:02:29The wall is as good as graffiti
01:02:32But what's the secret?
01:02:35I'm going to make it smooth so it won't get dirty
01:02:41This is amazing
01:02:43The dirt will come off easily
01:02:53Nakamura polished the wall
01:02:57He made it shiny so it won't get dirty
01:03:01He made it shiny so it won't get dirty
01:03:10Not only is it beautiful, but the mirror-like surface
01:03:14Not only is it beautiful, but the mirror-like surface
01:03:20This is amazing
01:03:22This is amazing
01:03:25Thank you
01:03:27Thank you
01:03:29He finished repairing the wall as good as graffiti
01:03:35The only problem is the window
01:03:38The only problem is the window
01:03:43The challenger for this challenge is
01:03:46The challenger for this challenge is
01:03:47Tatsuya Imai, an architect
01:03:50In the 33rd year of the Daiku period,
01:03:54the items that had been considered impossible to repair
01:03:57were brought back one after another
01:03:59and miraculous repairs were carried out
01:04:01with a variety of ideas.
01:04:06And then,
01:04:07Imai called the client to his room
01:04:09and made this statement.
01:04:14There's something strange about this.
01:04:16Do you understand?
01:04:18What does this mean?
01:04:21That's right.
01:04:22Imai had already repaired
01:04:24something in this room
01:04:26to solve the problem.
01:04:30And here it is.
01:04:35Do you understand?
01:04:39He said there was a problem with the ventilation system,
01:04:42so he changed the bottom part
01:04:45to a window.
01:04:48In order to make a new window,
01:04:51he needed to make a big hole in the wall.
01:04:55So,
01:04:57what Daiku and Imai came up with
01:05:00was to use the door at the entrance.
01:05:11They processed the bottom part of the door
01:05:15and installed a window for ventilation
01:05:18that was inspired by the snow in Japan.
01:05:27By using a slide system,
01:05:29they were able to make fine adjustments
01:05:32even on rainy or windy days.
01:05:37This is a net.
01:05:39To prevent insects from getting in.
01:05:41This is a good idea.
01:05:45Wow.
01:05:47It's really wonderful.
01:05:51They also installed a window for ventilation
01:05:54at the other entrance.
01:05:57The air is coming in.
01:06:00I'm so happy.
01:06:05By making two small windows,
01:06:07the air circulates.
01:06:09This is a public facility.
01:06:11It's a well-considered space.
01:06:14With this,
01:06:15the air circulates,
01:06:18so everyone can live in peace.
01:06:22In addition,
01:06:23there is another role
01:06:25other than the circulation of air.
01:06:29The people in the wheelchair
01:06:31can hear the sound
01:06:33and see the movement of people.
01:06:36The people in the wheelchair
01:06:38can hear the sound
01:06:40and see the movement of people.
01:06:42They even thought of that.
01:06:46Thank you very much.
01:06:51I'm grateful
01:06:53that they made so many wonderful things.
01:06:57Thank you, everyone.