Dhyan Sreenivasan Interview: In this exclusive interview, Dhyan Sreenivasan shares insights into his friendship with Shafi Parambil and discusses his potential role in Basil Joseph's upcoming movie. This engaging conversation reveals personal anecdotes and professional aspirations. Join us to learn more about Dhyan's journey in the film industry and what fans can expect next. Don't miss out on these fascinating details! രാജുവേട്ടൻ എന്റത്രയും പടങ്ങൾ ചെയ്യുന്നില്ല | Dhyan Sreenivasan Interview | Divya Pillai
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NewsTranscript
00:00The revolutionary star of the Malayalam digital industry
00:05The only one mega one dancer in the universe
00:09Mega one?
00:12Prithviraj's next film is scripted, right? What a power!
00:15Sadhmi Koindra Karunakiriyamma, Bhothi Padiyan Prasad, Ruhi Arulikki, Namara Prasad
00:19What's the time?
00:19What what?
00:20I told a story to my ex-girlfriend
00:22She told me not to make a film
00:24I haven't told her since then
00:27There's no one like you
00:31This year's 14th film
00:33Is it?
00:34It's been 12 months
00:36It's the 11th month
00:38How do you manage all this?
00:39I manage everything
00:40Because I don't have a manager or a date
00:42Rajuettan doesn't have one
00:43Rajuettan doesn't make that many films
00:47Rajuettan doesn't release a lot of movies
00:49Rajuettan doesn't have the brains to do that
00:50I don't have that
00:52I morphed the character of Moshe Belgrade
00:56I made it into a story
00:58Decent people read and watch
01:00But no one comments
01:02So I replied
01:06So decent
01:07When Vijay started his part
01:09How would Dhyan be if he started his part in Kerala?
01:12Like this
01:18Sometimes I win
01:21I think about the state of the country
01:23A wonderful actor
01:25An all-rounder
01:27To make so many films
01:29They don't know me
01:30But my father knows
01:32My brother knows
01:34I know he's born
01:36But I expect him to grow up
01:38Do you call Shakthimaan?
01:40I just pray that he does it properly
01:43Look at me
01:45Look at the next generation
01:47I'll go to the pond
01:51Hi, fellow viewers
01:53Welcome to our show Untold With Ajin
01:55Today we have with us
01:57Untold With Ajin
01:59Untold Stories
02:01Untold With Ajin
02:03Today we have with us Untold Stories
02:05The revolutionary star in the Malayalam digital industry
02:07The revolutionary star in the Malayalam digital industry
02:09He knows how to promote running movies
02:11He knows how to promote running movies
02:13He knows the contents of running movies
02:15Megavan
02:18In Malayalam cinema
02:20The only one Megavan
02:22The only one Megavan
02:24The only one Megavan
02:26Dyan Srinivasan
02:34Can't you script the next film for me?
02:36Can't you script the next film for me?
02:38What an over-the-top dialogue
02:40I only have the intro
02:42Megavan
02:44Megavan
02:46Atleast you could have caught that thing
02:49Yes
02:50The conversation was a little more like this
02:53This man needs a lot of interest to do an interview
02:56But we have a lot of time
02:57So we have to work on the interview
02:59What?
03:00We have to work on the interview
03:02We have to work here
03:04Hindi
03:05We have to work on the interview
03:09That's what I meant
03:10We have to work
03:12Along with interview star Dhyan Srinivasan
03:14We have Bhagat Manohar, Arun Shiva and Divya Pillai
03:17So welcome to all four
03:19Thank you
03:20What was the biggest change in your life after you met Dhyan Srinivasan?
03:28Tell him
03:29You should have told me at this time
03:31You should have told me at this time
03:35Should I tell?
03:36Yes
03:39I wanted to direct a film
03:42Siddique sir was not able to produce it
03:46So I went through a lot of difficulties
03:50Finally I told this story to a close friend
03:53I told him that I wanted to give him satisfaction
03:56He told me not to make a film
03:59I haven't made a film since then
04:04That was the beginning of my struggle
04:06That was the beginning of your struggle
04:08There was no one like you
04:11That's right
04:13I haven't given up
04:14I haven't given up on any film
04:15That's not a problem
04:20What should I say?
04:21Just say the good things
04:23I am the old partner
04:24This is the new partner
04:28I have to say the reply to that
04:30Because that film was a success
04:33Yes, it was a success
04:34It was a good film
04:36If I was asked to act in that film
04:40I would have definitely acted
04:44But I was asked to give my opinion
04:49I was asked to give my opinion
04:51I gave my opinion with a lot of self-respect
04:53I told him not to do it
04:56If someone else had called me to act
04:59I would have definitely bought a good movie
05:01I would have definitely bought a good movie
05:02But because it was his first movie
05:04But because it was his first movie
05:06I had to say that
05:08I had to say that
05:10I had to take a big step
05:12When you take such a big step
05:17Not just me
05:18It was good for me
05:20I tried to learn more about myself
05:22I tried to learn more about myself
05:23It made a lot of changes in my life
05:25I have a lot of good things
05:29If I had walked away
05:30If I had walked away
05:31I would have become a bad film director
05:33I would have become a bad film director
05:34I have been expecting that for a long time
05:39Tell us about Dhyan Suresh's moment in life
05:44We have done two films together
05:46We have done two films together
05:47I think
05:48I think
05:49Dhyan
05:50Dhyan
05:51He is very open
05:53He is very open
05:54You can see a good friend in him
05:56Whenever we meet
05:57I feel like
05:58Wherever we stop our friendship
06:00We restart it from there
06:04We are busy
06:05We are busy
06:06We are not in touch
06:08We are not in touch
06:09But
06:10I feel like
06:11Wherever we stop
06:12There we pick up our friendship
06:14And we go forward
06:15It's always good and special to see
06:18Did you change anything in Dhyan's life?
06:20Did you change anything in Dhyan's life?
06:21Tell me
06:24I am saying this because both of them said it
06:26When we see some people
06:28We feel happy
06:30Some people say happy faces
06:32When I see Divya
06:34No matter how sad she is
06:36I have seen her smile
06:38Even when she is sad
06:40She smiles like a plastic
06:42She smiles like a plastic
06:46He is taking it the other way
06:48He is smiling now
06:50Everyone has their ups and downs
06:52Everyone has their ups and downs
06:54There were ups and downs
06:56But even then
06:58I have seen Bhagat and Divya
07:00Because we share a common bond
07:02Because we share a common bond
07:04It's not always new
07:06We don't need a new start
07:08We don't need a new start
07:10It's a default relationship
07:12It's a default relationship
07:14When I saw her
07:16She told me some personal things
07:18We talked about some personal things
07:20When I came, she asked
07:22We talked about some personal things
07:24Even in this short span of time
07:26We started coming back
07:28It's not like we have seen her before
07:30She is there
07:32Some people
07:34After a long time
07:36How was our relationship with her?
07:38How was our relationship with her?
07:40In my life
07:42I have people with me every day
07:44I have people with me every day
07:46When I see them
07:48I don't feel like I didn't see them yesterday
07:50I don't feel like I didn't see them yesterday
07:52I don't feel like I didn't see them yesterday
07:54I don't have to say this
07:56I don't have to say this
08:06When I talk about them
08:08When I talk about them
08:10As actors
08:12As actors
08:14As celebrities
08:16As celebrities
08:18They are popular actors
08:20They bring them up
08:24In my case
08:26In my case
08:28Even Divyana or Varathakumar
08:30Even Divyana or Varathakumar
08:32I can tell with my face
08:34I can tell with my face
08:36every time she sits down
08:38I notice every time she sits down
08:40and she explains something
08:42I notice every time she sits down
08:44and she explains something
08:46She was at a very low point in her life.
08:50But, her professionalism and the things she does in her work without showing any tantrums or mood swings surprised me in a way.
09:04As a friend, when she told me about me, I didn't go and tell her.
09:07But still, there are so many people who are happy and lucky.
09:13They know that these are things that ultimately bring hope and hope that everything will be fine when the time comes.
09:22Because, we all have problems in our lives.
09:25You might have a problem, I might have a problem, I might have a problem, etc.
09:31So, I feel that it is a great thing to be able to welcome someone who is opposite to us with a smile on their face and to talk to them with a smile on their face.
09:48So, these two people are very positive to me.
09:53That's why I have a great friendship with them and I have a personal love for both of them.
10:00This year, it is the 14th film.
10:02Is it?
10:03Yes.
10:03So, I was like...
10:05It's been 12 months, right?
10:09So, last month, Vijay Devaraj's 12th film and Allu Arjun's 22nd film are being announced.
10:19So, I was like...
10:20They have Dhyan Chettan's filmography.
10:22I was like, he is such a big shot.
10:24Did you like it?
10:25Yes.
10:26Did you like it?
10:27So, people ask me, how is Dhyan Chettan's filmography?
10:31How is Dhyan Chettan's filmography in a day?
10:34Many people would like to know.
10:37The biggest difference is, many people have asked me,
10:40I have to dub so many films, I have to promote so many films, I have to sit for so many films, I have to coordinate so many films correctly.
10:46Because none of this is over.
10:47If one thing changes here and there, if the dates change, everything will clash.
10:50That's my problem.
10:51Because everything is neck to neck.
10:52I have to give 5 days here and 10 days there.
10:54If one thing changes, everything will clash.
10:56So, I was like, who is going to manage this?
10:59I said, I will manage it myself.
11:00Because I don't have a manager or anyone to give dates.
11:03Raju doesn't have one.
11:04What?
11:05Raju doesn't have one.
11:06Raju doesn't do as many films as I do.
11:09Not even once.
11:10So, Raju doesn't have a weekly release.
11:13Raju doesn't have the intelligence to do that.
11:15I don't have that.
11:18So, in that way...
11:19See, if we don't manage this correctly, it's like a sinking ship.
11:25I am in the parallel industry.
11:27Parallel.
11:29Parallel industry.
11:32I have thought that it is because we coordinate this correctly and say it.
11:37It is because we communicate these things correctly that we are able to get the dates right.
11:46So, if we or I cause a delay, it is not difficult for them.
11:51It is difficult for me.
11:54So, I am very professional.
11:56In fact, if there is a delay, if there is a shift delay, I will be the one to intervene.
12:01I will be the one to speed it up.
12:03I will be the one to do whatever it takes.
12:04We will be able to do all that.
12:05It will be decided that it is a suicide.
12:07That's not the reason.
12:08Only then, we can go to the next film.
12:10So, when I started doing this, it became a habit.
12:14It became a habit.
12:16I was told that I had made a lot of money.
12:19I didn't have the luxury of experiencing money.
12:23I didn't go out or travel anywhere.
12:26Because I had to shoot every day.
12:29I had to take a break and go somewhere.
12:32I didn't travel or go anywhere with my family.
12:36Not here.
12:37For the past 3-4 years, I had to shoot every day.
12:42But when I didn't have a shoot, I would stay at home for 2 days.
12:46I wasn't tensed.
12:47I didn't have any restlessness or insecurity.
12:53But every day, it was like going to work.
12:58We wouldn't go to work.
13:00It was like an office job.
13:02It was very mechanical.
13:03I couldn't stop it.
13:05Even if I stayed at home for a few days, I couldn't handle it.
13:10I used to ask my mother,
13:11when will you shoot?
13:12Yes.
13:13I used to ask my mother.
13:15If I didn't have a shoot, I would ask her.
13:18The thing is, in the upcoming films,
13:21we all have to play good characters.
13:25It's everyone's wish.
13:26Whether they are good writers or not,
13:28we can only approach them and do what we can.
13:33As actors, we don't have a choice.
13:35We can make a project.
13:38I do have a project.
13:40But we can only do it when we get a call.
13:43We handpick what we get and filter it.
13:47That's what we do.
13:48When someone tells a story like this,
13:51we feel that it has a relevance.
13:53Or when someone tells a story like this,
13:56we feel that it has a social significance.
14:03That's why we commit to it.
14:06When we reach the next stage,
14:08we have to shoot well.
14:10As I said earlier,
14:11it's been a year and a half for us.
14:13Some issues came up.
14:14He handled it.
14:15It's only after a year and a half
14:17that we release the film.
14:19In any stage, the film may fail.
14:23The film may go through many stages.
14:26It doesn't have to go the way we want it to.
14:29We have to face many issues.
14:32Every film has its own fate.
14:35We have to handle the success and failure.
14:39When all these come to mind,
14:41if we take them as baggage,
14:43we won't be able to work every day.
14:46At a time, we work on a film.
14:48We move on to the next film.
14:50As actors, we feel like we are practicing.
14:55It shouldn't affect us.
14:58We just have to keep working.
15:02If we know that we are in the industry,
15:05and that we are alive,
15:07only then will we get work.
15:09We are present civil.
15:10If Divya takes a gap in Tamil or Telugu,
15:13the news here will be,
15:15Divya is not looking at Malayalam.
15:17Divya is not doing it.
15:18Divya has become choosy.
15:20They will say things like that.
15:22There won't be a talk in the industry
15:24that she won't do it.
15:26People will automatically say,
15:28let Bhagat do it.
15:30She is not here.
15:31She is here.
15:32There are so many actors here.
15:36If you ask me if there is a film
15:38that can accommodate so many actors,
15:40there is not a film that can accommodate
15:42so many actors.
15:43The number of films is decreasing
15:45compared to the last decade.
15:47It has become limited.
15:49Some films are stuck in a group.
15:51We should approach the films
15:53that are coming to us
15:55with a professional approach.
15:58We shouldn't think about the fate of the film.
16:01Of course, we should like it.
16:03We should do something with it.
16:05That's how we liked it.
16:07Everyone liked Arun's film.
16:09The film had an initial idea.
16:11That's how we got the idea.
16:13What kind of films are they?
16:15What is the area that they address?
16:18It's about social media.
16:20We have Facebook, Instagram,
16:22Telegram, etc.
16:24What can I say?
16:26There used to be a swimming pool.
16:28There used to be a swimming pool.
16:30But it has changed.
16:32Now, everything is on mobile.
16:34But when we came to mobile,
16:36what happened was that
16:38we lost a part of it.
16:40We lost a part of it.
16:42We lost a part of it.
16:44We lost a part of it.
16:46I have been following this page
16:48for about a year.
16:50I have been following this page
16:52for about a year.
16:54When I looked at the page,
16:56I saw a girl.
16:58I can't say her name.
17:00She had a problem.
17:02She was a student at St. Douglas College.
17:04She had a mental problem.
17:06She spoke to me.
17:08She is a friend of my wife.
17:10She spoke to me.
17:12She had some fear issues.
17:14Her family was in a mess.
17:16When she spoke to me,
17:18she told me about the page.
17:20I went to the page.
17:22There are many pages.
17:24There are many pages.
17:26There are many pages.
17:28When I opened the page,
17:30there were more than 60,000 followers.
17:32There were more than 60,000 followers.
17:34When I opened the page,
17:36I saw that there were
17:38good artists,
17:40actors,
17:42and good stories.
17:44and good stories.
17:46and good stories.
17:48Adult stories.
17:50There are many comments.
17:52There are many comments.
17:54Decent people read and watch.
17:56But no one comments.
17:58But still...
18:00Decent people read and watch.
18:02About 300,000...
18:04Very decent.
18:06About 300,000 likes.
18:08At least 10,000-200,000 comments.
18:10In these comments,
18:12in response to some comments,
18:14there are some negative comments.
18:16In response to some comments,
18:18there are some negative comments.
18:20In response to some comments,
18:22I gave a reply.
18:26So decent.
18:28I gave a reply.
18:30I gave a reply.
18:32I gave a reply.
18:34I gave a reply.
18:36I asked them to come to Inbox.
18:38This is on Instagram?
18:40No, Facebook.
18:42When I went to the page,
18:44they made some deals with me.
18:46The amount is...
18:48Online brothel.
18:50They are talking about
18:52the amount of 25 lakhs.
18:54I met them and
18:56talked to them.
18:58I understood.
19:00In Kerala,
19:02many people buy pages
19:04at a high price.
19:06They create a page
19:08and get 10,000-5000 followers.
19:10They create a page and get 10,000-5000 followers.
19:12If you want to stay in the followers,
19:14you need to talk about stories.
19:16So, they said,
19:18a page with 10,000 followers
19:20can attract up to 500,000 followers.
19:22Some people can get
19:24more followers.
19:26Their possibilities are
19:28their business.
19:30Many families are affected by this.
19:32For example,
19:34girls who go on tours
19:36get their photos.
19:38Maybe the girl's name is not there.
19:40But what do they do?
19:42For example, Minoo,
19:44who studies psychology.
19:46This is a story.
19:48But the story is very attractive.
19:50They say it is the first part
19:52and the second part.
19:54People are starting to get attracted to it.
19:56They are buying it.
19:58It is a big business.
20:00This is an open book.
20:02When a wife and husband
20:04are affected by this,
20:06to find a husband without his wife's knowledge,
20:08they come to this.
20:10The problems caused by this
20:12are related to the climax of the film.
20:14It is a small film.
20:16But,
20:18it has a good climax
20:20that can be told to the society.
20:22The climax is very suspenseful.
20:24It has a good climax.
20:26What was the intensity
20:28in your mind
20:30when you heard this story?
20:32Intensity?
20:34We don't know about this.
20:36What we read
20:38and what we hear
20:40in the papers.
20:42So,
20:44it is something
20:46that we know about.
20:48When it becomes a film,
20:50we don't think
20:52that we should give
20:54an awareness.
20:56But still,
20:58like I said earlier,
21:00the girl that Arun knows,
21:02or the two people
21:04that I know personally,
21:06when MMS clips
21:08were released,
21:10their videos
21:12were about
21:14ending the marriage.
21:16Are they your relatives?
21:18No, I mean
21:20some toxic relatives,
21:22ex-boyfriends,
21:24small incidents like this.
21:26Two days before the marriage,
21:28such clips were leaked.
21:30It may not even be an original clip.
21:32It may only be the time of the girl.
21:34It was a trending topic
21:36at that time.
21:38Two or three days before the marriage,
21:40at that exact time,
21:42such clips were leaked.
21:44It may not even be the girl.
21:46So,
21:48there are people
21:50who are
21:52like this.
21:54Sometimes,
21:56it may be an actress,
21:58or it may be someone
22:00who has followed her for a long time.
22:02So,
22:04when she gets an idea,
22:06she takes a photo of her
22:08on Instagram,
22:10edits it,
22:12photoshops it,
22:14and posts it on social media.
22:16There are people
22:18who find happiness through this.
22:20I have heard many stories
22:22from many people.
22:24I can relate to this.
22:26There are many girls
22:28like me,
22:30whom we know.
22:32So,
22:34the most important thing
22:36is that,
22:38when a situation like this happens to Divya,
22:40she does not inform her wife.
22:42She can report it to a cyber
22:44and make it look like a case.
22:46But,
22:48she does not do anything.
22:50She does not share it with her wife.
22:52So,
22:54without her wife's knowledge,
22:56she tackles it
22:58and cracks it.
23:00Otherwise,
23:02it is a part of the film.
23:04But, it happens stage by stage.
23:06Because,
23:08it can be uploaded
23:10from any country.
23:12This member may be from America,
23:14or from Kerala.
23:16It can be done from anywhere in Kerala.
23:18Their identity is not real.
23:20It is all fake IDs.
23:22So,
23:24how can a commoner find this?
23:26Or,
23:28how can a person who does not have
23:30a lot of resources
23:32crack it
23:34for his wife?
23:36If it is not that element,
23:38then,
23:40it is a part of sex trafficking.
23:42So,
23:44it is my brother's role.
23:46He kidnaps her and
23:48searches for her.
23:50So,
23:52he keeps a suspense.
23:54Who is this?
23:56Who is this?
23:58What is next?
24:00How will this happen?
24:02What will happen to this person?
24:04So,
24:06in the end,
24:08it is a surprise
24:10or an element.
24:12We see his revenge.
24:14He does it in the same way.
24:16Because,
24:18it is not just about finding it.
24:20We have to react to it.
24:22So,
24:24this film is a payback.
24:26In your life,
24:28all the important points
24:30like Vinny Srinivasan,
24:32Dhyan Srinivasan,
24:34Malarwadi,
24:36did you know Dhyan Srinivasan
24:38when he was in Malarwadi?
24:40No.
24:42What about when he was in Tattam?
24:44Yes.
24:46Another thing,
24:48I saw a dream.
24:50A big audio launch
24:52in Chennai.
24:54Dhyan Srinivasan will give an
24:56entry like Dhanush.
24:58Everyone is waiting for Dhyan Srinivasan
25:00for his speech.
25:02I saw a dream.
25:04Can you believe this much?
25:06It is a kind of
25:08suspicion.
25:10When Vijay starts a song,
25:12Dhyan Srinivasan starts a song in Kerala.
25:14How will it be?
25:16Did you think like that?
25:18Yes.
25:20How will it be
25:22if a truthful person
25:24leaves cinema and
25:26comes to politics?
25:28Nothing.
25:32Maybe I will win.
25:34But I am thinking about
25:36the state of this country.
25:42First,
25:44cinema and politics there
25:46are very connected.
25:48First, in Tamil Nadu.
25:52Let it be Karnataka.
25:54Let it be Karnataka after
25:56Annadurai. Karnataka and MGR.
25:58MGR and Karnataka
26:00are close friends.
26:02Both of them
26:04wrote for Karnataka.
26:06They are friends.
26:08Karnataka brought MGR to politics.
26:10Their politics and cinema
26:12are very interconnected.
26:14After the split between
26:16Annadurai and Karnataka,
26:18MGR started.
26:20MGR became
26:22the CM
26:24from Janapriyanayanayakan.
26:28After MGR's death,
26:30Jalalitha took over.
26:32Jalalitha was
26:34a superstar.
26:36So,
26:38there is a long history.
26:40Their politics and cinema
26:42are very connected.
26:44Stalin was
26:46the son of Karnataka.
26:48Stalin's son is now
26:50the CM.
26:52So, they are the people
26:54who are most connected
26:56with cinema.
26:58Cinema and politics
27:00are almost the same for
27:02Tamil people.
27:04MGR's audience
27:06and voters
27:08are made through cinema.
27:10Jalalitha's worship
27:12was reflected in cinema.
27:14After Jalalitha's
27:16death,
27:18they lost their face.
27:22After Jalalitha,
27:24there was no one.
27:26So, DMK took over
27:28and Stalin became the CM.
27:30There was an opposition.
27:34When Jalalitha was dying,
27:36the opposition was Vijayakanth.
27:38Vijayakanth was very popular
27:40at that time.
27:42Even now,
27:44there was a possibility
27:46that Jalalitha would win.
27:52When Vijayakanth came,
27:54there was a change
27:56in the mass
27:58he created.
28:00There was a change
28:02in the mass
28:04he created.
28:06There was a change
28:08in the mass
28:10he created.
28:12There were changes
28:14from Karnataka to MGR.
28:16There were changes
28:18from Karnataka to MGR.
28:20There were changes
28:22from Karnataka to MGR.
28:24There were changes
28:26from Karnataka to MGR.
28:28But, they couldn't
28:30channelize
28:32the change.
28:34But, they couldn't channelize
28:36the change.
28:38But, when Vijay came,
28:40he said in his speech
28:42that his career was at its peak.
28:44that his career was at its peak.
28:46He left all that
28:48and came to this.
28:50He was so dedicated.
28:56He had a mindset
28:58to serve the people.
29:00He had a mindset to serve the people.
29:02He had a mindset to serve the people.
29:04The love he had for the people
29:06that he returned
29:08is what he returned.
29:10the love he had for the people
29:12that he returned
29:14is what he returned.
29:16It was a decision
29:18It was a decision
29:20to leave your career
29:22to come to this
29:24and be dedicated.
29:26to leave your career
29:28to come to this
29:30That is the proof of the existence of Manad and Samvelanam.
29:35For a long time, there has been a monopoly on DMK and ADMK.
29:40When a third person comes, everyone wants to know what he will do when he comes.
29:48What can we expect from him when such a person comes?
29:51His age, he is just 50.
29:57If there is a future, what can he do?
30:01He must have come with a vision, a plan.
30:07He is not the same Vijay you see in the movies.
30:09I am an Ajith fan.
30:14But when I see his speech, his decision,
30:19or the years of planning behind it, or when he was at the peak of his career,
30:29he left all this and took this decision.
30:32He doesn't need all this.
30:33He can do cinema, have money at home, settle down,
30:37and stay like this during his retirement.
30:39If he wants, he can do some movies for a while and live happily.
30:45But when it comes to politics,
30:47he doesn't have the heart or the mind to take such a big decision.
30:53Earlier, we said that our cinema and politics are different.
30:58We have a few actors like Parumukesh uncle and Ganesh brother.
31:03Even if they are there, they have a national tradition in the family.
31:08Cinema and politics are not interconnected.
31:14In their case, it is not like that.
31:16If a person like Vijay comes to them,
31:19there will definitely be an impact in some way or the other.
31:23If people like us come to cinema and politics,
31:26it won't be expensive here.
31:28I have a friend, Shafi, who is a good friend.
31:33How is the company with him?
31:35Shafi is definitely a good friend.
31:38We have friends in all parties.
31:41There is no nationality in it.
31:43When I went to Palakkad for a program,
31:47or when I called him, he was always talking to me.
31:50There are a lot of leaders that we like.
31:55Personally, Shafi is one of the people we like.
31:59When we look at the future of Kerala,
32:05we want to see the future of Kerala as ministers.
32:09When the next set of youngsters come,
32:13I personally want to see them in a big position.
32:18Shafi is one of the leaders of the next generation.
32:22What are the upcoming films?
32:26The next film is called Saipallavi Naga Chaitanya.
32:31The one with the sea?
32:33Yes, the one with the sea.
32:36There is another film called Ballakonda Sai Srinivasan.
32:44It is a remake of Tamil Garuda.
32:48It is a character played by Sivadha.
32:50I told Sivadha that I have been offered this character.
32:55Sivadha plays that character very well.
32:57I was very happy with that character.
33:01After Mangal Parvam,
33:05I felt that she had a feminine power.
33:13I felt that when I saw the film.
33:17That is my next film.
33:21I am doing a character in Netflix's first South Indian series.
33:25Netflix Originals.
33:29It is a series by Sandeep Kishan.
33:33I am doing a character in that.
33:35Did you get any Tamil offers?
33:37Yes, I got a couple of offers.
33:39What did you do?
33:41I did a few things here and there.
33:45I only spoke in Tamil.
33:49Do they know that you are a wonderful actor?
33:55They don't know me.
33:57My father knows me.
33:59My brother knows me.
34:01They know that I was born like this.
34:03They are expecting me to grow up.
34:05I will go there.
34:07Do you call Shakthimaan at the base?
34:09Who?
34:11I just pray that he does it properly.
34:15Do you have any other superhero films?
34:17If you need any help, I will do it for you.
34:19If you have any directional doubts.
34:21I have a question.
34:23Simbu used to say that
34:25when I go to a set,
34:27I know that this is how it is going to be shot.
34:29I know that this is not right.
34:31Then I give suggestions.
34:33Some people like it, some people don't like it.
34:35When you give suggestions,
34:37do people like it?
34:39It depends on the way we say it,
34:41the situation we are in,
34:43whether the director is welcoming us or not.
34:47It also depends on
34:49what we have to say and
34:51what we have to ask.
34:55In some places,
34:57we need help.
34:59There are people who discuss with us.
35:01In their films,
35:03they may not have an open discussion.
35:05If we don't have
35:07an interaction,
35:09on the first day,
35:11when we reach the set,
35:13we may not be able to act
35:15like a director.
35:17Naturally,
35:19there will be changes.
35:21We have to bear those changes
35:23and do our job.
35:25That's what I usually do.
35:27In some sets,
35:29Arun is like a friend to us.
35:31We don't have the freedom
35:33to say anything to Arun.
35:35We don't have to do that in all sets.
35:37In such sets,
35:39we are the only ones.
35:41As you said,
35:43this is in the middle of November.
35:45There is still a month and a half to go.
35:47Yes, there is.
35:49The 14th is
35:51the 20th and 21st.
35:53Which month is this?
35:55There are 4-5 weeks, right?
35:57Yes, there are.
35:59We have to keep it for 2-3 weeks.
36:01As you said,
36:03we are lucky to have Arun.
36:05He is very active
36:07and I like him a lot.
36:11Next time,
36:13I will make sure that
36:15I don't mess it up.
36:19What about the direction of Fantasic?
36:21I am thinking of starting a new company.
36:25Dance Innocent Films?
36:27Yes, something like that.
36:29It would be great if
36:31we could get a name for it online.
36:33We could name a production company
36:35and make a name for it.
36:37Like Friday Films.
36:39There are already Friday Films, right?
36:41No, there are all kinds of Friday Films.
36:45As you said,
36:47I wish you all the best.
36:49Be fully active.
36:51I wish you all the best.
36:53Thank you for the time being.