Nancy Pazos volvió a hablar con LAM pero puso como condición que sea el propio Ángel el encargado de entrevistarla. Entre risas y recuerdos, Nancy comparte detalles sobre su carrera, sus condiciones para entrevistas y las dinámicas detrás de cámaras en programas populares. Además, se mencionan tensiones pasadas con colegas y cómo ha evolucionado su trayectoria profesional.
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00:00He, when he says that he wants to return to Argentina from the beginning of the last century,
00:06is a non-industrialized Argentina, beyond the fact that women did not vote, but it does not matter.
00:12We are in another world, Nancy. Today there are other professions, there are other things to do,
00:16there are other job opportunities, there are other resources in the country.
00:19I mean, I don't know if Argentina is a good country to produce clothing.
00:23I mean, maybe we should produce other things.
00:25Yes, why do you make that face?
00:27Because I think...
00:28Why do you make that face?
00:29Because my opinion is a TikTok opinion.
00:33I mean, what I think, basically, is that in reality,
00:37when you take a country working in a certain way...
00:41Your only way of arguing is to underestimate the other.
00:43No, not at all.
00:44It's not about TikTok, in my opinion.
00:46I'll tell you again.
00:47I come from a family that works in the textile industry.
00:50Since I was born, I grew up between fabrics.
00:52Five years ago, there's something you can't argue about.
00:54Me too, me too.
00:56My children did it in the basement of the house.
00:58The other has a TikTok opinion.
01:00I'm not saying you have an opinion.
01:02But what I'm saying is...
01:03When you get up in the morning and read the newspaper above.
01:05No, no.
01:06Because it would be contemptuous.
01:07What I'm saying is...
01:08Why don't you do it?
01:09Because I don't have it from there.
01:10I've been thinking about these issues for 30 years.
01:12I know.
01:13You have to think about an integral country.
01:15And work is fundamental in a country.
01:18I agree that work is fundamental.
01:19But you have a competition with the world we live in today.
01:22No, no.
01:23We are in 2024.
01:24There are thoughts that will stay in time.
01:26I'll tell you one thing.
01:27Do you know what it is to stay in time?
01:29The globalizing culture.
01:30Today, all countries go...
01:32Trump himself is absolutely nationalist.
01:35Protectionist.
01:36He put many more protections than anything else.
01:38You are talking about Argentina in the 90s.
01:40You are late in the speech.
01:42I'm late for nothing.
01:44I think globalization is absolutely important.
01:48Absolutely.
01:49Globalization, girls.
01:50Today, China and the United States are sharing the world.
01:54Discussing who has more capacity to put their own products in the rest.
02:00They are.
02:01They are.
02:02They are.
02:03They are.
02:04Let's see, girls.
02:05Let's see, Monica.
02:06Let's see.
02:07Let's see, girls.
02:08Let's stop.
02:09Let's see.
02:10Now, Juan, there is one thing that is also real.
02:13And you will know this.
02:14There are many people who go to work and you want to put it in white.
02:18And you prefer not to put it in white to continue charging the plan.
02:21Because it is not enough.
02:22Because it is not enough.
02:23Because it is not enough.
02:24It is not enough for everyone.
02:25It is not enough for anyone.
02:26What is in white is not enough for him either.
02:28But precisely because it is not enough, right?
02:30That's why the same government tried in this last time to say ...
02:33But it is still something illegal.
02:35Let's see.
02:36It is as illegal as businessmen who do not pay taxes.
02:38Taxes.
02:39Of course.
02:40And who hire large studios to evade.
02:42Of course.
02:43So I say, a businessman who evades ...
02:44But we are talking about the social part now.
02:45Okay, we are talking about the social part.
02:46We are talking about the social part.
02:47And he is telling the poor.
02:49I have no evidence.
02:50Nancy, stop analyzing me.
02:51Guys.
02:52Stop analyzing me.
02:53Stop it.
02:54But I'm talking to Juan.
02:55Stop, stop, stop.
02:56I'm not telling you things ...
02:57Stop, stop, stop.
02:58You're not saying ...
02:59Wait a minute.
03:00Wait a minute.
03:01You're asking Juan.
03:02Juan, please answer him.
03:03Sure.
03:05Well, you have a lot of links with Nancy.
03:06Yes.
03:07Let's go to the note I gave to Nancy because I ask her about LAMS, about you, Janina,
03:11about Santilli, about Mayorana and also about the interiors of your program.
03:17Let's see the first part.
03:19Hello, Nancy.
03:20How are you?
03:21You should do that again.
03:22So much time.
03:23So much.
03:24Very good.
03:25How are you?
03:26Very good.
03:27You put it as a condition that I write the note for you.
03:28I didn't want to do the note with a humble screenwriter.
03:30No, no, no.
03:31Are you happy?
03:32I always receive it, but I had fun.
03:34I said, well, now that you're here, it didn't make any sense.
03:37Bye Marley.
03:38Greetings to Santiago.
03:39Bye Marley.
03:40Are you drunk, Nancy?
03:41No.
03:42Not yet.
03:43Not yet.
03:44Let's hear one thing.
03:45How are you?
03:46Good, very good.
03:47Good?
03:48Really?
03:49Yes.
03:50You didn't want to?
03:51No.
03:52They didn't call you?
03:53Today we had a mobile phone live here.
03:54I arrived late.
03:55You arrived late.
03:56Are you alone?
03:57Here at the party, yes.
03:58Are you with your boyfriend yet?
03:59The same as always?
04:00He's a babysitter today, taking care of more boys.
04:01When a walk through the mobile, floor?
04:02Hand in hand, yes, whenever you want.
04:03Hand in hand.
04:04Hand in hand.
04:05Hand in hand condition.
04:06Hand in hand, yes.
04:07Why?
04:08Not with the little angels?
04:09Or go or fuck her.
04:10So, since your obsession is already tremendous with me, let's do one thing, let's not talk
04:11to each other anymore.
04:13Because the truth is that you bored me.
04:14You bored me.
04:15But what bothers you?
04:16If you don't like what I tweet, don't read me.
04:17You tweet 20,000 nonsense per day and I don't read you or quote your tweets.
04:18Once I took a bad picture of you, you asked me not to upload it, I didn't upload it.
04:19What I do with Necky and Galouti is my problem with Necky and Galouti, Nancy.
04:20You have an obsession.
04:21And in any case, let me finish.
04:22When the show starts, if you don't like what I say, talk to the producer or notify the
04:23conductor.
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08:15Like Antonio Antonelli, because she's a catcher of what you have to do on Twitter, if you talk about TikTok, if you know, poor.
08:20She corrected the photos that went up, everything.
08:22I mean, she corrected the photos that went up, she corrected what I tweeted, she bothered me, what I...
08:27Manage it.
08:27She said, how boring that you are still here.
08:29Of course, because she doesn't want to assume her debacle, because she didn't last anything, because they ripped her off.
08:33I changed, I subsisted here and I grew a lot, because they give me the driving, and nobody puts conditions.
08:39When I drive, we have a good time.
08:41And I grew a lot.
08:42Well, she actually told you one.
08:44One loves you and the other...
08:45Of course.
08:46She talks about resentment, because you can assume.
08:48I don't want her to do it, and I understand that what she does is wonderful.
08:52I mean, you can not love someone and understand or recognize their talent.
08:56Although she is so resentful that hatred does not allow her to see.
09:00But well, there it is, as a panelist.
09:02But where did that hatred start?
09:03For with you, among you.
09:05I was her friend when we started the AM, right?
09:07Yes, yes, they started well.
09:09It was my birthday.
09:09You told me that you were going...
09:10I helped her a lot when she had...
09:12Because you were Santilli's partner.
09:14I was... I know Santilli from the time when we were both accountants.
09:18Then, at one point, she forgets, she writes me on Twitter, a private message,
09:24when I appear on social media and start working on TV,
09:27that we knew each other from the media, from her husband.
09:29Especially when you go to a party, an event.
09:31I had her from a lot of places.
09:33And she tells me,
09:34I'm as disruptive as you are and Santilli has me in the way.
09:37It was the time when she was fine with her husband, and she didn't want...
09:40How do you make Diego not get angry with the quilombos...
09:43She asked you for advice.
09:44I told her, Diego doesn't have to get angry, he's him, and I'm me.
09:48And you can see that she was kind of submissive there.
09:50Then she grabbed your train.
09:51At that moment, she liked what I was doing.
09:54She went to ten towns.
09:54No, at that moment, she liked what I was doing, she thought it was fun.
09:57But where did the break-up go?
09:58What's more, on Sundays at night, he called me.
10:00How did you fight?
10:01The AM.
10:02He started attacking everything.
10:03On Sundays at night, he called you?
10:04At night, yes.
10:05But you had started...
10:07You laugh because you know all that.
10:08I don't remember, I don't remember.
10:10What kind of call?
10:11To tell me everything that was happening to him.
10:13I never told him everything, I mean...
10:15The AM's Sundays were difficult.
10:17Yes, and on Sundays at night, he called me, and before starting the AM too,
10:22and he told me all his life.
10:23I...
10:23But...
10:24He has come to tell me many very last things.
10:26What do you intuit?
10:26I would tell her, it has nothing to do with the fact that I don't love her,
10:30with talking about that.
10:31What do you intuit?
10:31That it was like you were taking off and she was bothered?
10:34What happened?
10:36I was working with the AM, I started little,
10:39he told me that I had a future and that I was going to break it.
10:41I thought he was kind of like he loved me,
10:43because we had a good relationship.
10:45I didn't imagine that.
10:46You thought I was delirious?
10:47Yes, I perceived that.
10:47That I was delirious?
10:48No, but like you were throwing me one more to convince me to go.
10:52No, no, no, I trusted.
10:53Well, but the truth is that it was good and I learned from you.
10:55No, and Nancy was also a very good panelist,
10:57what happens is unbearable.
10:58She came in saying that she was going to stay with the AM mornings.
11:01She came in saying that she was going to stay with...
11:02No, she was going to stay with Telenoche, with Canal 13, with everything.
11:04No, but of course, something must have happened for her to distance herself like that.
11:08She still fought with Andrea, she fought with everyone.
11:10Ah, ok.
11:11Of course, there was a small fight.
11:12This was a small thing, she killed herself with everyone.
11:15Well, but she also knows that it gives her in the fabric.
11:17No, she doesn't get the bullets.
11:18Because in Georgina's I'm doing the same thing.
11:20Yes, but...
11:21It's very disruptive.
11:22No, in defense...
11:23No, in defense, for example, of Capristo or Debray,
11:26which for me are girls who don't get the bullets, and I say it well,
11:28because there are times when it seems that I don't, but I...
11:30She went every day to Lucas González, her head dried up.
11:34She went crazy and complained about everything.
11:37And then, when she went on vacation for the first time,
11:40when we weren't settled yet,
11:42every day she had to drive one.
11:44Well, the day that Analia threw that poison at Menem,
11:46they ended up screaming.
11:48Well, they had to go talk upstairs.
11:50But she too, there she wasn't.
11:51It was terrible.
11:52Why did she start?
11:54Because she told her that her husband was a whore.
11:55Yes.
11:56Nancy started, and the other one returned it to her.
11:58The other one threw Menem at her.
11:59Ah, but she told everyone about her husbands.
12:01No, no.
12:01What is the issue?
12:02And besides, Enrique Galotti, who was very sad.
12:04Yes, it was terrible.
12:06Enrique Galotti, the dictator.
12:07Her husband, her husband's problem.
12:09I mean, when you marry a guy, you don't marry what he did.
12:12You didn't get married.
12:13Besides, Enrique was Bartolomé's third or fourth management.
12:16The day she was going to drive.
12:17Enrique was panicking to stop there to drive.
12:21And that's where it went wrong?
12:22That's where it went wrong.
12:23Oh, no!
12:26It was very bad.
12:27It was, Bartolomé.
12:28It was like this.
12:29When you drove the first morning,
12:32you were allowed to take a guest that you were comfortable with.
12:36Comfortable.
12:36Alan was doing very well, he measured very well,
12:38but no one was a driver.
12:39The only driver there was, Grosso, was him.
12:41And I mean it.
12:42Andrea was the one who carried him behind you.
12:43She came with your BDB experience.
12:45They put her first, Andrea.
12:46Then they put me.
12:48Then Mariana.
12:49What a memory you have.
12:51Yes, I remember everything.
12:52And because they were doing everything.
12:53Yes, until that first week,
12:55we all measured more than Nancy.
12:57Nancy was hated.
12:58Oh, don't you regret it?
12:59It was compared.
13:00I can't tell you that we measured more
13:02because the production gave us more balls.
13:04No, but tell me that.
13:05In what context do you throw away the dictatorship?
13:08They let you invite someone.
13:10Tinelli.
13:11Tinelli comes, for example.
13:12Someone you want.
13:13I took Diego, then I took Nazarena Vélez,
13:16who was my friend, you see?
13:17And you're taking someone.
13:18Nazarena's note was great.
13:20She cried.
13:21She gave it all.
13:22Of course.
13:23I told her, you have to help me because I have to make a note.
13:25She came.
13:26I didn't know how to drive.
13:27Well, Bartolomé sits on the cell phone.
13:29There's Necky standing.
13:30Nancy Pazzo's first question.
13:32How do you get along with the dictatorship?
13:34Let's talk about what you did with the paper.
13:36With press paper.
13:38No!
13:39Necky, don't start!
13:41And I, in defense of Necky,
13:43I told him to shut up, we'll kill each other.
13:45The man was there.
13:46He was...
13:47He was colloquial.
13:48Poor Bartolomé.
13:49It was due to another thing.
13:51It was due to a note of color, my husband.
13:53It was due to what Necky told him.
13:55You are a coffee journalist.
13:56That was the other day.
13:57That was the other day with...
13:59I don't know if Carmela Bárbara or Mariana Abrey driving.
14:02Because Necky brought a whole speech.
14:03Because Necky...
14:04Of course, Necky is not quick to answer.
14:05Of course.
14:06It can be seen that the other day,
14:07between the husband and the two children,
14:08they told him that you are a newspaper reporter.
14:10He came the other day, studied.
14:11Or he told you to put on the shoes.
14:12And he threw everything at him.
14:13He did the same to me when I finished reading the paper.
14:15Do you know that you didn't have a series?
14:16Watch it from the first to the last.
14:18Yes, I'm going to watch the episodes.
14:20But still, as a viewer,
14:22you see it and it's hypnotic.
14:23It's funny.
14:24You have to suffer from it.
14:25Hypnotism is a joke.
14:26No, but...
14:27That's a joke.
14:28But you were in La Barbarosa
14:30and you kept watching the film.
14:32Hypnotism is when a sinister dress is not put on.
14:35One day I banked, I banked, I fought.
14:38One day I couldn't take it anymore.
14:39I didn't even want to answer him anymore
14:40because you suffer from it.
14:41One day you left.
14:42He made you leave.
14:43It was the day of the pajamas.
14:44Of course, you were like a madwoman with the pajamas
14:45at the 13th studio.
14:46One day I said, enough, I can take it.
14:47And what did Matilda say about the dress that I didn't hear?
14:49No, that it's hypnotic until you see what she put on
14:52and you kill her.
14:53Because she didn't like you?
14:54Because she didn't like you?
14:55What she had there with the belly up
14:57was like a thing, it was like...
14:59Didn't you like it?
15:00It was hot.
15:01No, but guys, what she had, the belly up,
15:03with a chupín, with platform sandals,
15:07it was a very sinister thing.
15:10Short, there, tied up, a little knot.
15:12She's prettier there than on the show.
15:14She looks better there.
15:16She's prettier there.
15:17She has to work at the Parque de la Costa.
15:19Still, on the show, it's untouchable
15:20because she's been there for years.
15:22She's been to several and she's still there.
15:25There you have it, Matilda.
15:26Look, look, look at the belly.
15:27With the shoe in the mouth, like this.
15:29But she's there, well, all those who think badly
15:31are happy because they don't understand.
15:35Happiness is not judged.
15:36Happiness is not judged.
15:38As long as she doesn't like it, it's fine.
15:40She's a fashion critic, they're asking her
15:42and she has to say she doesn't like it.
15:43Of course, it's fine.
15:44Don't ask her, she started on her own.
15:45She's happy, yes, she's happy and it's fine
15:47because she doesn't understand.
15:48And in her blindness, in her blindness,
15:50what would you have changed?
15:51What advice would you have given her?
15:52Everything, another look, another look.
15:53The belly in the air doesn't go.
15:54No, the belly in the air doesn't need it.
15:56The belly in the air doesn't...
15:57If she's going to wear that little sock,
15:58don't wear that swedish moccasin,
16:00put on a little boot.
16:01Skirt?
16:02And put on the same oversized jacket
16:05with the shoulder down,
16:06that you can also see the shoulders,
16:07and we all look divine.
16:08Are they swedish?
16:09They're swedish.
16:10They're like a swedish moccasin.
16:11No, they're like a swedish moccasin.
16:12Because in the cups, in the socks, they fly.
16:14It's a swedish moccasin.
16:15It's a swedish moccasin.
16:21Wait, wait.
16:25Matilda, she's beautiful with her face and hair.
16:27I like her.
16:28She's beautiful with her face and hair.
16:29She's a beautiful woman.
16:30And the neckline too.
16:31It's sexy.
16:32The guys look down on her.
16:33She has a neckline.
16:34She's a good girl.
16:35The dolls in the park
16:36look down on her.
16:37They look down on her.
16:38They look down on her.
16:39They look down on her.
16:40They look down on her.
16:41They look down on her.
16:42They look down on her.
16:43They look down on her.
16:44They look down on her.
16:45They look down on her.
16:46They look down on her.
16:47They look down on her.
16:48They look down on her.