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El Ángel de Aurora Capítulo 99 Completo HD
El Ángel de Aurora Capítulo 99 Completo HD
El Ángel de Aurora Capítulo 99 Completo HD
El Ángel de Aurora Capítulo 99 Completo HD
Transcript
00:00Find us again
00:14Do you think I'm guilty of everything they've accused me of,
00:17even though I've tried day and night to prove the opposite?
00:23Find us again
00:29Elvia just told me.
00:32What did Elvia tell you?
00:35She told me that you're innocent and that she's going to investigate something for you.
00:40Will you explain what she's going to investigate?
00:44I ordered them to investigate Cubantino's father,
00:49and also to investigate Tete.
00:53And Edgar's mother?
00:57I think they're both involved in dirty business,
01:02and I also think that murderer was watching you.
01:09Find us again
01:13Don't listen to that woman, Pintas. Don't be stubborn.
01:16Now it turns out that you're very worried about good Pintas, aren't you?
01:21No, no, no.
01:24You're a damn traitor, just like that one-way.
01:28Come on, Pintas, I already explained it to you, didn't I?
01:30Listen to me very well.
01:32If you want to get away with it,
01:35I can send you to the judge.
01:39And it's going to be the same or worse than Wabi.
01:48But, bastard, I'm going to give you another chance.
01:52And if you apply, you're going to have a lot of money.
01:58That's why I say that throwing you near the house of the angel is very dangerous, isn't it?
02:04You can't understand me.
02:09But they're making me such a big love for my son.
02:16Because even though now I walk around in heels,
02:19he's always going to be an angel of the neighborhood.
02:25See?
02:26What I wanted was to give him a scare so that my kid would run away with his mommy.
02:34And that way Yesabel would listen to my messages.
02:39Well, you have to get a lot of money out of those people, Pintas.
02:43You're the only progenitor of the little angel, aren't you?
02:47But things were better, dog.
02:56I met the beautiful Aurora.
03:00And she got very nervous.
03:05Well, you see, she can't forget me.
03:08Because Pintas is Pintas.
03:12She must have told Yesabel that she felt my presence.
03:19And now, that wise old bitch answers me.
03:26Because she answers me.
03:31Let her know that Pintas is not playing.
03:48Let her know that Pintas is not playing.
04:12Oh, sorry, excuse me, excuse me, excuse me.
04:17My sister already knows that you are going to investigate Tete Bautista.
04:20And that you are also going to do it with Juventino Macias.
04:23You never asked me to investigate Juventino.
04:25Well, I'm asking you right now.
04:28Well, if I ask you.
04:31Excuse me again, sorry, sorry.
04:33Oh, forgive me, sister.
04:35I won't do it again.
04:37All right?
04:39Yes.
04:41You're very worried about your mom, aren't you?
04:45Linette and I have a very bad feeling.
04:48She had never disappeared for so long.
04:50You'll see it's nothing to see.
04:52I don't know her very well, but according to Linette,
04:55she shoots Yesabel.
04:58And for that you have to have a devilish character.
05:02I'm glad the relationship with your mom has improved.
05:06You look so different.
05:08It hasn't been easy.
05:10She and I have a very complicated past together.
05:14But I know that now her intentions are good.
05:18I've thought about it and I want you to marry me.
05:26Edgar, I don't know what to say.
05:30I have to clarify what I feel.
05:33I don't want to get married just because I'm expecting a baby,
05:36but for the right reasons.
05:39What are they?
05:41Love.
05:43I want to feel sure that you're the man
05:46I want to spend the rest of my life with.
05:59I want to thank you all for being here.
06:02Today I share with you a happiness
06:07that has given me back to my soul the light and hope.
06:13The return of my son, Angel Gabriel.
06:26Well, a lost child is like looking for the light
06:30in the deepest cave.
06:33You know there's an exit
06:36and hope leads you to continue.
06:39Son, you were alone in the darkness
06:44and despite the distance,
06:47fate returned you to my side.
06:50Mother.
06:56This man you see here next to me
07:00is Angel Gabriel Campero.
07:03He's my beloved son.
07:06He's my pride and I love him.
07:09I love you.
07:18I would like my family to come and share with me.
07:22Mr. Pascual Santos, Anita, please.
07:26You are also my family.
07:28Thanks to Mr. Pascual and his loving wife Victoria,
07:32my son always had a home full of love.
07:46I also want to thank the man
07:49who put all his effort to find my son.
07:53Antonia Morreta, please.
08:06I want to mention something very important
08:08because thanks to Elena Morreta,
08:12Angel came as a gift from God to work at our company.
08:18I have a good relationship with Angel Santos.
08:20I have a job for you.
08:31If your doubts are about Julio Cesar,
08:33I can tell you that you're getting your hopes up for free.
08:36That man loves Aurora.
08:40Hey, we're talking about almost nothing.
08:45This is my way of telling you
08:46that I'm not interested in talking about that with you.
08:48End of story.
08:50The body of a 50-year-old woman
08:54was found on the side of the free road to Cuernavaca.
08:58Among her belongings was a gun
09:00and an ID with the name of Pina Bautista Muñoz.
09:04No, no, no.
09:05Better known as T.T.
09:07It's not her. It can't be her.
09:18I can only thank you for the privilege
09:23and the opportunity to be part of this moment.
09:27Angel, you're like a son to me.
09:40Julio, Julio, Julio, wait.
09:42I'm not done yet.
09:46Ladies and gentlemen, I'd like to introduce
09:50the other Angel in my life.
09:53Mr. Julio Cesar Ray Williams.
10:07Julio Cesar was there for me in my most difficult moments.
10:11He wiped my tears when I was defeated and discouraged.
10:18I wouldn't be here if it weren't for your support.
10:23Thank you, Julio. Thank you.
10:40No, no, no, my mom, no!
10:43I can't be your friend.
10:45I can't be. Why, God? Why, Mom?
10:48Edgar, I don't know what to say. I'm so sorry.
10:52Why, Mom?
10:57Who did this to you?
11:00Tell me, who did this to you?
11:06Mom.
11:11Julio, everything I said is true.
11:14Please don't go.
11:17Are you staying by my side right now,
11:19which is so important to me?
11:21Aurora, I...
11:22I left your mention until the end
11:24because your presence is very special to me.
11:28Stay.
11:30Stay and share what you helped me build.
11:34What we dreamed of together.
11:37I appreciate it, but I can't stay.
11:41I'm no longer part of this family.
11:43Of course you are.
11:45And you always will be.
12:02Well, I also want to thank
12:07each and every one of those who helped me
12:11in different ways during all this time.
12:16Thanks to that support, our association,
12:19Wings for Childhood,
12:22fulfilled its mission.
12:27Our mission is not over.
12:30We are aware of the reality of thousands of Mexican families
12:34who have been cruelly separated.
12:37Today, I promise to help them more than ever.
12:42You are not alone.
12:44Wings for Childhood is taking flight with you.
12:48And we will not rest until every mother
12:51reunites with her child.
13:08What am I going to do, Cassandra?
13:11My mother was the only thing I had.
13:15Maybe it's a mistake, Edgar.
13:17Then even the police are wrong.
13:19We must not lose hope.
13:20No, no, no. What are you doing?
13:22What?
13:23No, no, no. He has to be your son.
13:24Why fight?
13:25What's wrong with you?
13:26I warned him.
13:27I told him not to get close to Isabel.
13:32It was her.
13:34Who?
13:35I'm sure it was her.
13:36Isabel.
13:37Isabel killed my mother.
13:39Don't say that, Edgar.
13:41You don't know what happened.
13:47Mom!
13:55Could you give me a picture, please?
13:57Of course.
14:02Thank you very much.
14:08Thank you for your words.
14:10What you said to my dad, Anita,
14:13to Mom Victoria means a lot to me.
14:16You don't have to thank me for anything, son.
14:19I am very grateful to them.
14:22Very.
14:23They deserve all the recognition in the world.
14:27And I am very proud of what you have achieved with this association.
14:30There is no doubt that you have a great heart.
14:33My love, I want you to continue with this great work.
14:38Yes?
14:39Yes, yes, it would be a great honor.
14:41Yes?
14:42Yes, count on it.
14:45Aurora, congratulations.
14:50Thank you for coming.
14:52To you, son.
14:53To you for staying.
14:54It means a lot to me.
14:56Come on.
14:57Angel.
14:59Aurora.
15:00What's going on?
15:01I just read it in the news.
15:03What?
15:04They found Edgar's mother dead.
15:06How?
15:07Oh, she was so beautiful, my God.
15:09No, what horrible times we are living.
15:12Look, what else did the news say, Sam?
15:14Who was he, how was he?
15:15That's all.
15:16They still have no suspects.
15:17My God, poor Edgar.
15:20He must be devastated.
15:30My God.
16:01My God.
16:02My God.
16:30My God.
16:31My God.
16:32My God.
16:33My God.
16:34My God.
16:35My God.
16:36My God.
16:37My God.
16:38My God.
16:39My God.
16:40My God.
16:41My God.
16:42My God.
16:43My God.
16:44My God.
16:45My God.
16:46My God.
16:47My God.
16:48My God.
16:49My God.
16:50My God.
16:51My God.
16:52My God.
16:53My God.
16:54My God.
16:55My God.
16:56My God.
16:57My God.
16:58My God.
16:59My God.
17:00My God.
17:01My God.
17:02My God.
17:03My God.
17:04Ngh.
17:05And just in case, Mrs. Isabel, your little sister, is in charge, who is more of a whore than pretty.
17:16No, she is pretty, but I say that many dead people are in charge of her.
17:22They paint her as if she were the devil.
17:24She is the devil.
17:26It seems to me that she is envious.
17:28Oh no, for God's sake, she is not envious at all.
17:30It's a joke, Esperanza.
17:33Yes, you know that I love you.
17:36Hey, and you don't go to Vila Bocota with what they have said to Quiles and Glorio, huh?
17:40No.
17:41Very well.
17:43You know I don't like to get into people's lives.
17:46Life is very short and you and I are already more there than here.
17:51Oh, how dare you, huh?
17:53I remind you that I am younger than you and for several years.
17:57Of course, Esperanza.
17:59You are a young maiden.
18:03And I want you to marry me.
18:11Hey, did you think about what Mrs. Isabel said about returning to the company?
18:15Well, maybe if I take her word for it, look.
18:19Well, it would be fine, right?
18:20I mean, we could continue with the vendimia on weekends.
18:24Yes.
18:25I was also thinking about the housing program and it would be very cool to have a house of your own, right?
18:31It would be really cool.
18:33Well, we'll have to ask the owner of your clients here.
18:36Daddy, can you come here for a minute, please?
18:39Daddy!
18:41Hey, what do you think if I tell you that I want to return to work at the corporation?
18:46I thought about it.
18:48I'm going to enter high school and then I can take care of myself.
18:53I agree that you return to work.
18:56I mean, anyway, I'm going to ask Mrs. Aurora's permission to pick you up every day to school, cutie.
19:03No, no, don't start, don't start. I'm old.
19:08Pepe, are you asking for my hand?
19:11No.
19:12No?
19:13Your hand, your feet, your head, your everything, everything, everything.
19:19Barajéamela más despacio porque yo soy una mujer decente.
19:23No, de eso no queda ninguna duda.
19:26Y yo estoy dispuesto a cortejarte y a tratarte como una dama.
19:31Lo agradezco.
19:33Pero no quiero darte alas porque para mí el amor ya pasó.
19:37No digas eso.
19:39Te lo pido.
19:41Dale una oportunidad a Pepe la hierba.
19:45Está bien.
19:47Me parece bien.
19:49Pero si quieres pedir mi mano, tienes que hacerlo de manera oficial y con ganas.
19:56Como lo hacían antes.
19:58Está bien que quieras sentirte joven, Esperanza, pero ¿qué?
20:01¿Quieres que vaya yo al panteón a pedirle permiso a tu papá?
20:07Lechuga, arroz, frijolitos. Creo que ya está todo, ¿eh?
20:10Aquí.
20:11Ahí nos vamos.
20:12Con cuidado.
20:13Cuida, ¿sí?
20:14Dale.
20:18Ahora sí ya quedó todo para empezar, bien tempranito.
20:22¿Ya terminaste la tarea, papito?
20:24Para que me ayudes con la otra bolsa que tiene las servilletas, los cubiertos, los chables y todo eso.
20:29Pues ya casi acabo, pero ya te ayudo.
20:32Gracias.
20:37No, no tienes que ir al panteón, pero puedes ir con Aquiles y Glorio, que son como mis hijos.
20:44Organice una ceremonia donde hagamos oficial nuestro compromiso.
20:47¿Te parece?
20:50Yo creo que podría hacer eso, no sé.
20:52Buenas.
20:53Ustedes dispensen, pero pues ¿pa' qué dejan la puerta abierta, no?
20:56Don Primero.
20:58Pa' servirle a usted y a Dios.
21:00Usted no.
21:01Vengo a comer con Esperanza.
21:03¡Achis, echis, los mariachis!
21:05¿Y a quién le pidió permiso?
21:07Chale, yo no tengo que pedirle permiso a nadie.
21:09Yo soy un hombre viudo y sin ataduras.
21:12¿Cómo? Usted está casado.
21:14¿Cómo?
21:15¿Estás casado, José Abundió?
21:17Barbaján, mentiroso.
21:19Me ilusionaste, me engañaste y me decepcionaste.
21:22¡Falsario!
21:23¡Palmiro!
21:29Ándale, mijito, ya vámonos.
21:31Así.
21:32Vámonos, córrele.
21:42¿Carlos?
21:47¿Me vas a ayudar o no?
21:48Sí.
21:49Ahí voy.
22:06Isabel.
22:08¿Qué?
22:09Mataron a Tete.
22:11Sí, ya sé.
22:13Es que no lo puedo creer.
22:14Necesito hablar contigo a solas.
22:17¿Y qué quieres ahora, Patricia?
22:22Por Dios, no seas ridícula.
22:23Deben ser todo.
22:24Hay cosas que se pueden caer entre ustedes dos
22:26y me pueden dar igual.
22:28Me voy.
22:29No, no, te vas, te quedas.
22:31¿Qué quieres?
22:34El Pintas quiere que vaya a verlo.
22:37Al parecer, se consiguió un nuevo cuchitril donde vivís.
22:41Pues, ve a verlo.
22:43Pídale la dirección y ve.
22:45No, no, no voy a ir.
22:46A ver qué tal, que me quiera hacer daño.
22:49Quiere dinero y se lo vamos a dar,
22:51pero hay que negociar algunas cosas.
22:54Ve y cuando termines de hablar con él me llamas.
22:57Y me cuentas.
22:59¿Me vas a dejar sola con él?
23:01Ya, lárgate.
23:12Necesito que seas honesta.
23:17¿Qué quiere él saber?
23:20¿Dijiste tú?
23:22¿Tú mataste a Teté?
23:26Sí.
23:36Mamá, necesito que me acompañes con Edgar.
23:38Mamá, ¿a dónde vas?
23:41Igual y se enteró de la muerte de la mamá de Edgar.
23:44Sí, puede ser.
23:45Angel, estoy muy preocupada por mi hermano.
23:48Quiero que esto no va a recaer.
23:50Te puedo acompañar a verlo, si quieres.
23:53Gracias.
23:54Sí, qué lindo, gracias.
23:55Alguien, hijo, ven.
23:56Ven con nosotros un momento, por favor.
23:58¿Isa?
23:59Hola.
24:00¿Qué hace contigo? Voy a verlo.
24:01Sí, ve, ve, ve. Aquí te veo.
24:12Gracias.
24:13Gracias.
24:18Yo no puedo creer la noticia de que encontraron el cuerpo de esa señora Teté.
24:23¿La conocías?
24:24Sí.
24:26No, no debería contártelo, pero la estábamos investigando.
24:30¿Con qué motivo?
24:33Mira, no puedo revelar mucho, pero era una mujer que tenía varios negocios turbios.
24:38Dime una cosa, ¿tú crees que la hayan matado por eso?
24:43No lo sé.
24:44Lo que sí te puedo decir es que no había mucha cooperación de su parte.
24:48La verdad, no creí que estuviera en peligro, pero tú sabes.
24:51Nunca sabes con ese tipo de personas.
24:54¿Y por parte de quién la estabas investigando?
24:59Mejor cambiemos de tema.
25:01Cuéntame qué has pensado sobre Aurora.
25:04Cuéntame qué has pensado sobre Aurora.
25:12Si amas a alguien, debes dejarlo ir.
25:17Si yo fuera tú, no le dejaría el camino libre a mi rival.
25:23A ver, yo ya te había dicho que Teté iba a ser un problema gordo para nosotros.
25:29Descubrió algunos de nuestros secretos y yo tenía que garantizar que se los llevara a la tumba.
25:34No puede ser que seas tan cínica.
25:37Deleon, el mundo no está hecho para los corazones de pollo.
25:41No soy ingenuo.
25:43Una cosa es ser astuto y no dejar que la gente inferior gane, y otra muy diferente es ser un psicópata.
25:49Ni un psicópata, soy tu madre.
25:52Tienes que estar de mi lado.
25:54Estás actuando con el hígado, no con el cerebro.
25:56¡Piensa!
25:57Equivocas.
25:59Esa mujer sola nos iba a hacer mucho daño.
26:02Por eso lo más inteligente era jalar un gatillo y estar seguro de que nunca iba a abrir su boca.
26:06¿Y qué vas a hacer?
26:07¿Cuándo venga la policía y quiera hablar contigo, qué vas a hacer?
26:09¿Qué les vas a decir?
26:10¡Verdad, por Dios!
26:11¿Tú sabes cuántos enemigos tenía ella?
26:13Pudo haber sido cualquiera.
26:15Estás muy mal.
26:17Estás loca.
26:18Le cobré lo que me hizo.
26:20Y lo que te hizo a ti.
26:22Deberías darme las gracias.
26:24Loca tu tía.
26:26Tu tía y su colección de hombres.
26:27No vaya a ser que un día de estos uno de ellos, por un arranque de celos, saque una pistola y...
26:36Yo no fui.
26:38¡Ya!
26:40¡Basta!
26:41O vas a terminar en la cárcel, mamá.
26:42¿Se sigue haciendo estupidez así?
26:44¿Sabes qué?
26:45Tú sí mereces estar ahí.
26:46A mí no me vas a arrastrar a tus porquerías.
26:48A mí no me vas a arrastrar a tus...
26:50Eres un malagradecido de mi alma.
26:57¿Sabes? Yo siempre he creído que Aurora y tú son el uno para el otro.
27:01Yo también. Fíjate lo curioso.
27:04Mira, igual no te das cuenta, pero en la manera en que ella te ve, como habla de ti, eso es amor.
27:12Tú sabes cómo amo a esa mujer. La amo.
27:15Es lo que más amo en el mundo.
27:16Y le daría lo que fuera porque ella estuviera aquí a mi lado en este momento.
27:21Te entiendo perfectamente.
27:26Lo dices porque tú también estás enamorada, me imagino.
27:29Mira, lo de Antonio no es un capricho.
27:33Además, mira, siento que necesita alguien así como yo para ser feliz.
27:37No solamente lo quiero para mí, también me quiero para él.
27:41¡Wow! Qué profunda.
27:44¿Quieres otro?
27:46O bien, ya sabes, siempre podemos ahogar nuestras penas.
27:52No sé, a lo mejor voy a terminar dándose de natas individuas.
27:58Pero vale la pena, ¿no?
28:00Sí.
28:01Voy a terminar dándose de natas individuas.
28:06Pero bueno, ya que estamos más en confianza,
28:11dame una cosa, ¿me vas a decir quién te contrató para investigar a la mamá de Edgar?
28:18Voy a saber quién me lo pidió.
28:23Hija.
28:27Elena, estamos discutiendo un tema que es bastante delicado.
28:31Edgar solamente tenía a su mamá.
28:34Y aunque no trabaja aquí, a mí me gustaría que lo apoyemos en todo lo que necesite.
28:39Estoy de acuerdo, pero también le correspondería a Demian hacer algo, ¿no?
28:44Son amigos desde hace mucho.
28:46Bueno, no tenían una amistad.
28:48Su relación era de jefe y empleado.
28:50Yo creo que por eso es importante que seamos nosotros quienes apoyemos a Edgar.
28:54Yo sé lo que se siente perder a una madre.
28:57Oh, mi niño.
28:59Hay también otra cosa que les quiero compartir.
29:03Peté fue a la casa y me dijo que me tenía que decir algo sobre el Pintas y Jezabel.
29:08Juventino Macías y Jezabel.
29:12¿Qué te dijo?
29:14No me pudo decir nada. Llegó Jezabel, se enfrentó a ella.
29:17Dejó de importunar a mi hermana con el tema del Pintas.
29:20Le dijo que no me molestara ahí.
29:22Y dio a entender que aparentemente Edgar conocía al Pintas.
29:26Bueno, pues Edgar, tu hijo, está enterado de todo esto.
29:29¿Edgar también lo conoce?
29:31Por supuesto que no.
29:33Por supuesto que sí.
29:35Después llegó en la gente bien, le entregó a Jezabel el resultado de la prueba esta, del lápiz de avión.
29:40No todo está muy raro.
29:42He estado tratando de hablar con Edgar, pero no contesta su teléfono.
29:45Quiero ir a buscarlo para ver cómo está con todo lo de su mamá.
29:49Brenna, ¿también quiere ir igual? ¿Yo las puedo acompañar?
29:51No, no, no, no. No se arriesguen, Laura, por favor.
29:53Ya habrá tiempo de darle el beso a mi hija. Las cosas no están bien, por favor.
29:57Sí.
29:59Además de Brenna, usted es uno más odioso que tengo en mi vida.
30:03Yo no sé qué haría si me hiciera pasar algo.
30:09¿Oíste?
30:11Entonces.
30:18Perdóname.
30:20Perdóname, lo hago por tu bien.
30:21No te voy a dejar solo.
30:23Eso no me importa.
30:25Es que, al menos, me preocupa.
30:27Entonces, ¿qué cosa te preocupa?
30:29Que tus malditas acciones tienen consecuencias, eso me preocupa.
30:31Y quizá no son inmediatas, pero ¿qué crees?
30:33Son certeras, ¿sí?
30:35Y cada mentira que has contado tiene una verdad, mamá.
30:38Y yo te aconsejo que tengas mucho cuidado, porque eso te va a llevar a la ruina, si no tienes miedo.
30:42Ok, a ver.
30:44Ya, tengo un plan.
30:46¿Tú sabes lo que va a decir la policía sobre Teté?
30:48¿Qué se te ocurre?
30:50No sé.
30:52Es que va a hacer un ajuste de cuentas.
30:54Que se lo buscó por ser una meretriz.
30:57Por lidiar con lo más detestable de la sociedad.
31:00¿Ahí está?
31:02¿Qué más?
31:04¡Yezabel!
31:06¡Yezabel!
31:08¡Yezabel, por favor, ya!
31:10¡Yezabel, ¿dónde estás?
31:12¡Ábreme!
31:14¡Yezabel, ábreme!
31:15¡Edgar!
31:17¡Edgar, ya, por favor!
31:19¡Tú la mataste!
31:21¡Tú la mataste, maldita!
31:25¿Qué te pasa?
31:27¡Ya, ya!
31:29¡Suéltala!
31:31¡Edgar, no fue mi mamá!
31:33¡No fue mi mamá!
31:35¡No fue mi mamá!
31:37¡Edgar, no hagas eso!
31:39¡No te vayas a arrepentir!
31:41¡Por favor!
31:42Te voy a demandar por agresiones.
31:44Llama a seguridad.
31:46¡Seguridad!
31:48¡No te vayas a arrepentir!
31:50¿Y tú?
31:52¿Tú eres igualito que ella?
31:54Relájate.
31:56¡No, ya, por favor!
31:58¡Relájate!
32:00¡Ya, Edgar, ya!
32:02¡No puede ser que le perdones todo lo que ha hecho!
32:04¡Relájate!
32:06No tienes pruebas de que ella haya matado a tu mamá.
32:08No tienes pruebas, Edgar.
32:10Y tampoco tenemos pruebas de que tu mamá me mandó matar a mí.
32:12¡Por favor!
32:14¡Vamos a hablar!
32:16¡Me duele mucho!
32:18¿Qué tienes?
32:20¡Me duele mucho!
32:22¿Qué pasa?
32:24¡No me duele!
32:26¿Estás bien?
32:28¿Qué pasó?
32:30¡Ven, ven!
32:32¿Qué está pasando?
32:34¡Ven, siéntate!
32:36¡No quiero perderlo, por favor!
32:38¡Llama al doctor!
32:40¡Me duele mucho!
32:42¡Por favor!
32:45¿Qué fue lo que pasó, Isabel?
32:48¡Está loco!
32:50¡Está en crisis por la muerte de su mamá y me vino a querer a Orkady!
32:54¡Me quiso matar!
32:58¡Yo no hice nada! ¡Me quiso matar!
33:09¡Ya, hombre!
33:11¡Vale!
33:13¿Cómo te atreves a anhelar que fue ella?
33:16Todo lo que toca lo destruye.
33:18Ya te lo dije, Edgar. No tienes pruebas.
33:21¡Sé inteligente!
33:23Te voy a pedir que te largues por el cariño que te tengo, Edgar.
33:26Porque le tengo que hablar a la policía y van a venir...
33:28¡Ándale, ándale! ¡Háblale!
33:30¡Háblale a la policía para que se enteren que fue ella!
33:32¿Qué no entiendes?
33:34Lo único que alimenta a Isabel es el odio que siente por todos, especialmente por tu tía Aurora.
33:38¡Cállate! ¡Cállate el hocico!
33:40El dinero es dinero.
33:42¿Qué te pasa, Edgar?
33:44¿Quién eres, carajo?
33:46Que no se te olvide.
33:48Tú fuiste la persona que buscó a Alpintas para mandarlo a matar a mi primo, ¿eh, Edgar?
33:53Sí, yo tengo pruebas de eso.
33:55Y ¿sabes qué? Con esas pruebas te pudres en la cárcel, amigo.
33:57No, no, señor.
33:59¡Tú eres el que se va a ir al infierno junto con tu madre!
34:01Esa mujer a la que tanto defiendes y amas.
34:03¿Sabes cómo te ve?
34:05¡Cállate, Edgar!
34:07Te ve como un juguete al que le quieres sacar la más ventaja.
34:08You don't understand.
34:09Shut up, Edgar.
34:10I know because she told me many times.
34:13Your mother is a woman who doesn't know how to love.
34:16She can't.
34:17She doesn't know love.
34:18And she doesn't love you.
34:19She's only using you.
34:20Do you understand?
34:21Well, do you know what your mom did?
34:23Your mom abandoned you.
34:25She abandoned you when you were a child.
34:27Edgar, you're not worth it.
34:29You're an idiot.
34:30You're not good for anything.
34:31Yes.
34:32The only good thing you do is make money for women.
34:36And you learned that from your mom.
34:39What?
34:43What?
34:52I still don't understand why Isabel was so interested in Edgar's mother.
34:58Although, thinking about it, Edgar and Isabel were lovers for a long time.
35:05How do you know?
35:09My son was in a relationship with Isabel for a while.
35:12And he found out about their relationship.
35:14She and Edgar.
35:16But...
35:17How old is your son?
35:18Twenty-something?
35:19Twenty-something.
35:20Yes, yes.
35:21And I couldn't help him from being in a relationship with Isabel.
35:25Look, I think Edgar's mother couldn't stop her son from being with Isabel either.
35:31No.
35:34Besides, Mrs. Bautista blamed her for Edgar's suicide attempt.
35:39Did you know that?
35:41That's why Isabel had a special interest in watching her.
35:45She was sure that Mrs. Bautista and Juventino Macías had some connection.
35:53Stop laughing.
35:56Their business is going to go to hell, Edgar.
35:59If you know that.
36:00They're going to go bankrupt because your mother was a criminal.
36:03And you know that very well.
36:04So look.
36:06Shut up.
36:07Shut up.
36:08What do you think?
36:09That I'm afraid of you and Isabel?
36:10Shut up.
36:11Yes, sir.
36:12I'm going to rest him until they pay for everything they've done.
36:15Excuse me.
36:16You're not going to do anything if I don't order you.
36:18That's clear.
36:19Did you understand me?
36:20Leave me alone.
36:21Don't talk to me again.
36:22Leave me alone.
36:23Leave me alone.
36:24You're not going to have peace.
36:27Remember me.
36:29Sooner or later, you're going to look for me.
36:31But so that I can help you get rid of Miss Isabel.
36:41How do you feel?
36:43Does the pain continue?
36:44No, thank God, no.
36:47Cassandra, anyway, we have to take you to the infirmary.
36:50No, we better take her to the hospital.
36:52It's delicate.
36:53Cassandra, are you better?
36:55Let's go, please.
36:56Edgar, please.
36:58You can't take her.
36:59Let's take her to the doctor.
37:00Calm down.
37:01We have to take her to the hospital.
37:02You're not going to tell me what I have to do.
37:04Cassandra is going with me and period.
37:06Don't you realize you're affecting her?
37:08Let her go.
37:09I don't want anyone to touch her.
37:11Don't you realize?
37:12The Camperos are a cursed family.
37:14They all have their hands covered in blood.
37:17My mother's.
37:18Edgar, you're affecting Cassandra and your baby.
37:22You have no idea how much trouble you got yourself in
37:25when you married Demian, right?
37:27And you...
37:29You should have stayed without knowing who your real family was.
37:33Really.
37:34Let's go, Cassandra, please.
37:37Calm down.
37:42Well, the truth is, no matter how much I think about it,
37:45I don't like it.
37:46No.
37:47I just can't find the relationship
37:49that Edgar's mother and Pintas could have.
37:54Look, we see faces, we don't know about business.
37:57Actually, I don't know what Mrs. Isabel's plans are.
38:00I don't know.
38:01I don't know if I should report her.
38:03I don't know.
38:04I don't know.
38:05Tell me one thing.
38:08Are you going to keep investigating her?
38:10I don't know.
38:11I have to talk to her.
38:13Look, Julio, I'm going to tell you something.
38:16Despite everything they say, I don't think Isabel is that bad.
38:21In fact, I think...
38:22I'm going to tell you.
38:23I think she's a victim of a story that both Aurora and her
38:26lived when they were very young.
38:29Yes, maybe.
38:31But it still doesn't make sense that the lady...
38:35What's her name?
38:36Teté.
38:37Teté.
38:38And that Pintas has something to do with it.
38:42I don't know.
38:43But, well, I don't know.
38:44Maybe we should stop talking about my job.
38:46What else?
38:47What if we dance?
38:49What do you think?
38:50Young.
38:52Why not?
38:53Why not?
38:55Cheers.
38:56Cheers.
39:00Everything is fine.
39:01Fortunately, you don't have any care injuries.
39:06Excuse me.
39:07Thank you, doctor.
39:10Please, can you explain to us what happened?
39:13Why did she get like this, Edgar?
39:15I'm very sorry that it happened like this.
39:16I just ask you not to make judgments that are not...
39:20Well, it's inevitable not to judge.
39:23Let's see, you know that Edgar and I were very close,
39:27but that's over.
39:29It ended a long time ago.
39:30Yes, yes, yes, but this is out of proportion.
39:32Screams were heard everywhere.
39:35I mean, Edgar was out of his mind.
39:37Because his mother died.
39:38It's normal.
39:39No, but it wasn't just because of that, Isabel.
39:41He was accusing you of his mother's death.
39:48Please, forgive me for getting like this with you.
39:51It's just that, understand me,
39:52I don't want you near any of them, please.
39:55Let's see, Edgar, for the sake of our son,
39:56you can't risk being put in jail or killed.
40:02Understand me.
40:04I don't know what to do.
40:06What happened to me is poisoning my soul, understand me.
40:08I know Isabel killed my mom.
40:11I know she was mean, I said it with my heart.
40:13Please.
40:19Oh Edgar, until you have no proof, you can't do anything.
40:23I'm going to apologize, never.
40:26Never.
40:28Oh, oh, oh.
40:30Hey, take me to a doctor,
40:31leave me at home so I can rest,
40:33while you take care of everything about your mother,
40:36because the baby and I can't take it anymore.
40:39Calm down, calm down, please.
40:41You're right.
40:44You're right, I have to focus on you,
40:47the only family I have left.
40:52It hurts, it hurts.
40:53What?
40:54Oh, it hurts.
40:55What's wrong? Let's go, let's go, let's go.
40:57You don't know how sorry I feel for Edgar.
41:00The pain he's feeling must be so brutal that he's blind.
41:03You and I, unfortunately, know what it's like to lose a mother.
41:08But I don't know, something tells me that between Edgar and Yesabel
41:12there is something else, that they were just friends.
41:15But accusing her of killing her mother is very strong.
41:18I don't think Yesabel or Demian will be calm about that.
41:22Yes, Edgar has changed a lot.
41:25When I met him, he was more like his bodyguard than his friend.
41:29And I think he dared to do everything.
41:31And I think if he dared to do all this, it's because
41:34something is wrong with Demian.
41:40Edgar is looking for a culprit and it just so happens that he found me.
41:45I can't accept that his mother is involved in business with very bad people
41:50and that what happened was one of the famous accounts adjustments.
41:54Yes, yes, yes, yes, yes, but what we don't understand is why he attacked you.
41:58Because Tete blamed me for Edgar's suicide attempt.
42:02You hadn't told Antonio yet?
42:04Oh, well, there's more.
42:07And Tete looked for me. In fact, you were present when he did it, right?
42:11Yes, I was, but that time Tete wanted to talk to me.
42:14Well, because he insisted that I was the culprit
42:18and that no matter how much I explained to him that his son and I had already finished
42:22and we had nothing to do with each other, he didn't want to understand.
42:24And I'm sure he told Edgar and now he thinks I killed him.
42:29I don't know what to think.
42:32In fact, do you see how I swallow?
42:35Well, I didn't go, it was Tete.
42:38She made that lipstick in revenge.
42:41She told me when you found her in the hospital, do you remember?
42:44Yes, but Garcia, you already knew the danger she represented.
42:49Why didn't you report her?
42:51Because she threatened to kill Demian.
42:52Imagine, and then she told me she was going to go after your son, that she was going to kill him.
43:22To be continued

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