Carohive
  • last year
GLOW Season
Transcript
00:00Please give a warm FanTan welcome to Carol Jennings.
00:13Ladies and gentlemen, as the great Don Arden once said, get out of my office.
00:22You haven't lived until you play FanTan.
00:29It's like being wet without a wetting rain.
00:34Though you've climbed the heights with your name up in lights.
00:39Until you play the FanTan, it don't mean a thing.
00:45Television's just a passing fantasy.
00:49And movie fame is but an empty thrill.
00:54Though you're on top of the heap, you are nothing but a creep.
01:00Until you play the FanTan at the bottom of the bill.
01:05Oh, you may be the darling of the critics and star in Noel Coward's last play.
01:14On the stage you're a hit, but you are still ill-adept.
01:20Until you play the FanTan, the dirty, drafty FanTan.
01:25The FanTan Hotel south of the Flamingo Watch.
01:41Should we maybe talk a little too?
01:43I do still think of you as a person, not just a body.
01:47I'm so fucking sick of talking to you. You have no idea.
01:58Nice digs. It's like an opulent dorm room.
02:02Yeah, the gold bathroom is particularly subtle.
02:06That is a pile of cloves, not Sheila in the corner, right?
02:10Right.
02:12And that's the phone you use to talk to me?
02:15And this is where you sit? Which wall do you stare at?
02:20That one. Sometimes that.
02:24It's going to be a rude awakening coming home.
02:28Am I finally going to get to see this infamous apartment of yours?
02:34Ruth?
02:35What?
02:36Are you going to kick your illegal sublet out of the East Hollywood Palace?
02:41Actually, I wanted to talk to you about that.
02:43When I get back, maybe we should look for a place.
02:46Together?
02:48Yeah. I know it's early, but...
02:51I mean, it's pretty early.
02:53Is it? We talk every night and...
02:56Yeah, maybe it could work.
03:00Let's get up. Let's go do something.
03:03Come on, show me Vegas.
03:08What is that?
03:12I'm okay.
03:14The fuck?
03:15Ignore it.
03:19Don't fuck me to the song.
03:21I can't help it.
03:25Stop. Stop. No. No. No.
03:29Damn it. Jerry!
03:36Hi. It's a little early.
03:39A little loud. I'll turn it down.
03:42What's going on with you?
03:44Just starting my day.
03:49Was he cheating on her?
03:51I heard he got a big job, but I don't know. He left really fast.
03:54Really?
03:55Yeah.
03:56Come on, girls. Back to your rooms.
03:58Yes, Miss Hannigan.
04:01Hey.
04:02Hi, Sam.
04:03Hey, there he is.
04:05How you doing, Russell?
04:06I'm just here to see this one. You working out?
04:09Hey, there's that cameraman's eye, huh?
04:11You gonna do some sightseeing?
04:13Yeah, I'm gonna get something to eat.
04:15Maybe you should take him to that steak place. Boss him around.
04:24Let's just... Don't sweat.
04:26Okay, okay.
04:27Didn't want to maybe shower?
04:30That would defeat the purpose of sweating, wouldn't it?
04:33Business is good. The show's doing great.
04:35We're sold out for the next two weeks, and if we can keep this up,
04:37then the three of us stand to make a lot of money here.
04:39That's good to know.
04:40Maybe I can push the money into a pile the shape of my son,
04:43whose childhood I'm missing.
04:45Okay, well, I don't really know what to say to that.
04:47Hi, honey. Wow.
04:49Don't mind me. I know you have a new cabinet meeting.
04:53Um, so, Kurt has been doing us a favor while he's in town,
04:57but we need a ref for the rest of the run.
05:00I have a list of available boxing refs,
05:04including a guy who's reffing bouts over at Caesars,
05:08but he's expensive, if anyone cares.
05:10Man, Keith really fucked us, leaving without notice like that.
05:13Fucked us? What about Cherry?
05:15Why can't Sam do it? He already knows the show.
05:17That's a great idea!
05:19Sam! We can both be in the show, huh?
05:23What the fuck is happening?
05:25Uh, Mr. Howard? Yes.
05:27If I could have two minutes of your time? Sure.
05:29I'm not just your waiter. My name is Steve Mills.
05:31I traffic... in magic.
05:34Oh, my God! He traffics in magic!
05:38Here. I want you to select a card.
05:41Say, stomp, whenever you'd like.
05:43Stomp!
05:44Take the card, show your friends,
05:48and return the card to me.
05:50Okay.
05:51Remember the card. Got it.
05:53Now watch.
05:55That's it! The card is no longer in the deck.
05:58It's gone.
05:59What?
06:00Now, pick a piece of fruit.
06:03The orange!
06:04All right.
06:05The orange it is.
06:14Come on!
06:19Is that your card?
06:20It is! It's the king of spades!
06:22Oh, my God! That is amazing!
06:25Wow!
06:26Can I have some more coffee, please?
06:28Yeah.
06:32Um, I would really love to be a part of your glow show,
06:35uh, Mr. Howard.
06:37I can do magic before the show, during the show,
06:39whatever you'd like.
06:41It's on a string.
06:43Okay.
06:47Careful!
06:48My card.
06:50Thank you so much.
06:53We'll let you know if we need any other food.
06:56Um, Bash.
06:58Hey, Bash.
06:59So we need a ref, not a magician.
07:02Whatever it is you're thinking.
07:04Stop.
07:05Stop it! You stop!
07:07No, no.
07:08Oh, God.
07:10I'm a voodoo priestess.
07:11It's my goddamn magic.
07:12Someone else is gonna be doing the magic.
07:14Well, do you know any magic tricks?
07:17No.
07:18But I'm sure David Copperfield over there can teach me.
07:21Jesus fucking Christ.
07:23Okay, what the hell is going on?
07:24It would be pretty cool to have some actual magic in the ring.
07:27I mean, Steve could make one of us disappear
07:29and the other person wrestles like an invisible person.
07:32Just watch me and Kurt.
07:33We're doing the routine?
07:34Yeah.
07:38Ah!
07:39Oh!
07:41Oh!
07:43Then when we go for the splash,
07:46Then when we go for the splash, Steve can do his thing.
07:49Ah!
07:50Ah!
07:51Then you disappear.
07:53I don't know where you are.
07:54Seriously?
07:55Where is he?
07:56Is he here?
07:57Where are you?
07:58Come on, black magic.
07:59What about there, huh?
08:00Where are you?
08:01Feel the breeze?
08:03Okay, your breath smells.
08:05Get out of the ring.
08:06Seriously, huh?
08:07Yeah, get out.
08:08Are you fucking kidding me?
08:09Come on.
08:10It'll spice up the match.
08:11I mean, you gotta admit,
08:12it's been a little bit stale for the past week.
08:14Cherry, I'm not blaming you or anything.
08:16I'm just saying.
08:17Okay, okay, look.
08:18Hey, Cherry, you're struggling.
08:21Maybe bash adding this stunt of the week
08:23is a blessing in disguise.
08:24Let Carmen throw herself around the ring,
08:26you go off to the spa,
08:27come back at the end of the show and take a bow.
08:29And then next week, we're back to normal.
08:31Heh.
08:32Okay.
08:33Y'all want me to disappear so bad?
08:35Fine.
08:40She's single now?
08:44Are you sure this is how you want to spend
08:46your only day in Vegas?
08:48Are you kidding?
08:49Vegas pawn shops are the best.
08:50Gambling gone wrong.
08:52Oh, my God.
08:54This place is so depressing.
08:57Are those dentures?
08:59Gambling gone very wrong.
09:00Okay, and they have cameras.
09:02Oh, there you go.
09:03Okay, goodbye.
09:14You in the market for a watch?
09:26Oh, no.
09:27I do have a watch,
09:28but I really shouldn't keep it.
09:30It's not mine.
09:31You stole it.
09:32What?
09:33No.
09:34It's a loan, and I should give it back.
09:36I'm here with my boyfriend.
09:38Oh, you want to look at some rings, then.
09:40Who doesn't love rings?
09:44Oh, human engagement rings.
09:47No, I'm good.
09:48Come on.
09:49Here, I can do that one for 500.
09:51I don't...
09:53Okay, fine, sure.
09:56Wow.
09:58It's pretty.
10:00Yeah, this is a little more old-fashioned.
10:02Oh, wow.
10:03Square setting.
10:04If you like yellow stones.
10:06Oh, wow.
10:08They are pretty.
10:09Yeah.
10:10I mean, these, I would say these are the top two.
10:13You're engaged to six people?
10:14I left you alone for, like, two minutes.
10:17What do you think?
10:19Fantana has a chapel.
10:21I didn't know that.
10:22This is a beautiful girl.
10:24If you don't buy her a ring, someone else will.
10:26Oh, no.
10:27No, he does not need to buy me anything.
10:30In fact, I would like to buy my wonderful boyfriend this camera.
10:33Oh, excellent.
10:34That's a great idea.
10:35No, no, no, no, no.
10:36No, this is too much.
10:37It's a Nikon.
10:38No, I was just looking.
10:39Well, I want to get it for you.
10:41No.
10:42That's crazy.
10:43What if we break up and I'm stuck with this expensive camera?
10:46Are you imagining we're going to break up?
10:48No, I'm not.
10:50No, no.
10:51I just mean that it's just...
10:52Well, how much is it?
10:54$375.
10:55Oh, that is a good price.
10:58God damn it.
11:00Great.
11:02Do you take checks?
11:04Sure.
11:06Perfect.
11:09Then get the key for the boat and row me out over the lake.
11:13I want to see the sunrise.
11:16Is that prudent?
11:20One would think that you were afraid of your reputation.
11:24Why not?
11:25I don't want to see...
11:26Hey, hey, hey, little match girl.
11:27What the fuck are you doing?
11:29I quit that stupid acting class and I'm teaching myself.
11:32Well, can you teach yourself in your room?
11:34Why don't you try and get some work done in here?
11:36I told Ruth I'd stay out.
11:38Russell's visiting.
11:40Fucking Russell.
11:43Hey.
11:45You want to read something a little newer?
11:49These towns, they're all the same.
11:52Screen doors flapping on empty houses.
11:55What do you mean?
11:58I've seen mothers whoring their children.
12:00Horses running blind with their eyes shot out.
12:03It ain't no world out there for a decent man.
12:07You tell me why I shouldn't put a bullet through my skull
12:10and get the rest I so dearly seek.
12:13I need you.
12:14Yeah, and what's that going to get me?
12:16That need's not worth much when the sun goes down.
12:27Why doesn't she respond?
12:29Huh?
12:31That's his daughter, right?
12:34Yeah, but he doesn't know that yet.
12:36Yeah, but she does.
12:37How old is she?
12:3918, 19.
12:41How long has she known that he's her father?
12:45I don't fucking know.
12:47These are your questions after reading that scene?
12:50I mean, she's mysterious.
12:55No, I like mysterious.
12:58The man has a lot of great lines,
13:01and she just, like, listens and asks a lot of questions.
13:06All right, you know what?
13:07Just give me this.
13:09Read-through is adjourned.
13:11I mean, Jesus Christ, one acting class,
13:13and all of a sudden she's Sally fucking Field.
13:16I mean, this is why I can't let people read things
13:18before they're done.
13:23Do you think I could be an actor?
13:28Like this?
13:30Well, I don't think Miss Julie ever howled at the moon, so...
13:36Hey, I don't know what to tell you.
13:38It works great for a wrestling show.
13:40Now, could you get the fuck out?
13:41Because I have some notes to work through.
13:49This way.
13:59Whoa!
14:00Are you kidding me?
14:01Juggling eggs?
14:04Here we go.
14:05Her name's Debbie Egan.
14:06Just call the number on the back,
14:07and she'll iron out all the details.
14:09I fucking love a drag show, and they love me.
14:12Oh, you would think that.
14:14Oh, please, I held Chandelier's eyelashes for her
14:16while she blowjobbed us in Ballyam.
14:18Oh.
14:21I'll pass.
14:22You have to calm down.
14:23Maybe you'll do Diana Ross.
14:25You better not do Diana Ross.
14:26Come on, Cherry.
14:27Hey, thanks so much for letting us have the room this weekend.
14:29I hope it hasn't been too much trouble.
14:31That's fine.
14:32Sam took me in.
14:33He did?
14:34Well, I hope it wasn't too crowded with all the hookers.
14:37Actually, we read one of the scenes from his screenplay.
14:45Ready for dinner?
14:46Actually, let's go to Icons.
14:49I think it'll be fun.
14:52What is Icons?
14:54♪♪
15:04It's Friday night, ladies and gentlemen.
15:07That's Judd Melkin on the piano.
15:12It's hot in here.
15:13I'm sweating.
15:14Oh, this is my, my goodness, my third show of the evening,
15:19which means, well, you get to take me out back and shoot me.
15:23Harold Arlen will thank you.
15:27Switch seats with me for a second.
15:29Switch.
15:30Why?
15:31You feel all four walls from your seat?
15:32Uh-huh.
15:33No, it's intimate.
15:34It's intimate.
15:35Oh, but it's just really wonderful to see all of you here.
15:38Great.
15:39We're at a drag show.
15:42Right?
15:43Right here, ladies and gentlemen.
15:44Nice camera.
15:45Thanks.
15:46It's got this TTL with the flash thing.
15:49Welcome to the gorgeous Bantan Hotel and Casino.
15:53Right.
15:54Who clapped?
15:55Is this your husband?
15:56Sir, you told her this was the strip, didn't you?
16:00Well, I hate to break it to you, ma'am, it's about $200 east.
16:05So, happy anniversary.
16:08Did you ask him to read it?
16:11He asked you?
16:13Was it just the two of you?
16:16Where's everyone from?
16:18Everyone from out of town?
16:20This is so odd.
16:21Ladies.
16:22Ask him if he can read it too.
16:24Ladies.
16:25I did.
16:26Ladies.
16:27Guys.
16:29Hi.
16:31Only Cher can talk through my show.
16:34And she has.
16:36I'm so sorry.
16:37You know what?
16:38Let's go over here for a second.
16:40A follow spot is supposed to follow, Bev.
16:44Ah, there we go.
16:46All right.
16:48Let's go over here.
16:50Hmm.
16:51One man and a murder of women.
16:54You a Mormon?
16:57Ladies, where are your boyfriends?
17:01Your husbands, huh?
17:03Mine's at home with his secretary.
17:07Listen, I have heard about you, the wrestler divorcee.
17:12Couldn't find a boy to take my bags up all week.
17:16I think there's a nice couple from Tulsa still waiting for their car.
17:23No, really, sir.
17:26What is your story?
17:28Are you a cult leader?
17:30I'm here for the weekend.
17:32Visiting my girlfriend.
17:34Oh, the chatter box.
17:36Your boyfriend is only here for the weekend and you brought him to my show?
17:42Dear, go fuck this poor man.
17:46That is what he is here for.
17:50Go on.
17:51Get out.
17:52Scram.
17:53I'm serious.
17:54I am banishing you.
17:56Banishing you.
17:58Bev, light their way.
18:00I want to hear that elevator.
18:02Dang.
18:04And finally, the most interesting person in the room.
18:10Who let Bob Mackie read Jack London?
18:14Where you from?
18:17Where are you from?
18:19Sheila, be nice.
18:22I escaped from a chemical plant in Texas.
18:26But this is real.
18:28This is deep.
18:32How long have you been a wolf?
18:36How long have you been Barbra Streisand?
18:39Longer than she has.
18:41Since I was a pup.
18:43When I was her, I could sing.
18:46As me, not so much.
18:53Well, this has been fun.
18:55All right, who wants to hear a song?
18:58Yes.
18:59Okay.
19:00He doesn't let anyone read his stuff.
19:02Maybe sometimes he does.
19:03Well, yes, but Sheila, she's barely an actress.
19:06I mean, she took one class.
19:08You wanted him to ask you.
19:11Yes, Sam and I are collaborators.
19:14Well, I don't know.
19:15Tell him he hurt your feelings.
19:17I can't tell him that.
19:18I wonder if he thought I'd be too critical,
19:19if I'd be ahead of it, push too much on a first draft.
19:22Or if in the reading he wanted a flatter tone,
19:25an undecorated read easier to hear.
19:27Drinks?
19:28Nothing.
19:29Jim Beam on the racks.
19:31You're ordering a drink?
19:32For this conversation?
19:33Yeah.
19:35Sorry.
19:37I sound like a crazy actress, don't I?
19:39Yeah, you do.
19:42I'm not supposed to agree.
19:44Look, I got a pretty good handle on who you are,
19:46but this weekend you've been fucking nuts.
19:50Excuse me?
19:51I'm here two hours, and you want to move in together.
19:54You try on all these rings.
19:55You buy me this really expensive camera
19:57that you know I cannot afford.
19:59Oh, my God, it was a gift.
20:01And you're obsessed with Sam.
20:02I'm not obsessed with Sam.
20:05Whatever, it's a stupid screenplay.
20:06Yeah, you are.
20:07And I don't want to move in together.
20:08I was kidding.
20:09Well, my Portuguese grandfather says
20:11there's truth in every joke.
20:12Well, my Protestant grandfather never said anything.
20:15He died of hypertension.
20:16So, cheers to our dead grandfathers.
20:18My grandfather's not dead.
20:20I told you that.
20:21I'm sorry.
20:22I don't remember every moment from our phone calls.
20:25Then why are we talking every night?
20:27Hey, sorry to interrupt.
20:29Are you a photographer?
20:38Over by the stairs might be a nicer photo.
20:41We want it right here, right where we met.
20:43Yeah, the best three weeks of my life.
20:46Even with that foot infection.
20:53Oh, my God.
20:58You are loud.
20:59You are late.
21:00You said no to drag.
21:01What is going on?
21:02Are you quitting?
21:03Because if you are, as a producer,
21:04I need two weeks notice,
21:05and Bash will replace you with a sword swallower.
21:08So...
21:12Come in.
21:14I will be just a minute.
21:16Um, just make yourself comfortable.
21:23He's juggling.
21:28The new match felt great tonight.
21:30I'm going to be so sore tomorrow,
21:32but the crowd ate it up.
21:34Yeah.
21:36What?
21:39I don't know how you can do the same show night after night.
21:42I'm bored.
21:43And I've only been here a week.
21:45What are you talking about?
21:46We just changed a whole match.
21:48That's bullshit.
21:49There's no storylines.
21:50No drama.
21:51Well, thanks, I guess.
21:53Look, I'm proud of you.
21:56You're better now than half the guys I work with.
21:59Plus, you're creative.
22:00I've got a mind for this.
22:03You should come on the road with me.
22:05Do some real wrestling.
22:07I think you're ready.
22:09I can't leave Glo.
22:11The girls depend on me.
22:12You can do so much more than this.
22:15Where are you off to next?
22:17Phoenix.
22:19Then Sacramento.
22:20Bring me back a t-shirt?
22:22Always do.
22:24Okay, stop moving.
22:26It's tight.
22:27Oh, I know.
22:29Oh.
22:30I've never really known if I was a soprano or an alto,
22:33because I can sing really high, but I've also got low notes.
22:36Oh, I'm an alto when I rap, for sure.
22:38Maybe you're a mezzo.
22:39I'm a mezzo.
22:41Oh, look at him.
22:45Honey, wake up.
22:47Sorry, babe.
22:48I just had meetings all day with the acrobats and jugglers
22:52and baby tiger wrangler.
22:55I want you to meet Bobby Barnes.
22:57We all just went to his show downstairs,
22:59and it was so incredible.
23:01Oh.
23:02I'm going to get a champagne.
23:04He's going to teach me how to sing.
23:06I'm going to get a champagne.
23:08I'm going to get a champagne.
23:10He's going to teach me how to sing.
23:14Are you sure I'm not interrupting?
23:15Do you need to sleep?
23:16No, no, no, please, please, sit down.
23:19They beat those tigers.
23:21They do?
23:22Yeah.
23:23I'm not surprised everyone's trying to get an audience
23:25with the Howard Foods prints.
23:27My son loves your baked beans.
23:29Hey.
23:30He eats them right out of the can.
23:31I'll have him send over a case.
23:33Oh, thanks.
23:34So, you're a singer?
23:35Yeah, and I've got a good show, if I may say so myself.
23:39I've been here 10 years, 11 in June.
23:44I hope you don't mind one last pitch from a desperate performer.
23:46Please, any friend of Rhonda's.
23:48All right, downstairs, they're turning people away,
23:52and yet I can't get a bigger room.
23:55Huh.
23:56And there's not a hotel out that window that hasn't,
23:58pardon my language, fucked me with a four-wall deal.
24:01I pay to play, and I'm cheap, Mr. Howard,
24:04but I have made money for lots of loathsome people
24:07who would let me die on the street
24:08if it weren't for the butts in the seats,
24:10and now I'd like to make money for you.
24:13Oh.
24:14Yeah, you are, by all accounts, non-loathsome.
24:17You care about your performers, and you pay them well.
24:20Word travels.
24:22You really should come and see my show.
24:24Yeah, I definitely will.
24:25Well, come to the light show.
24:26We'll have a drink after.
24:27Oh, it might have to be the early show.
24:29I mean, tonight, notwithstanding,
24:30my wife and I typically like to go to bed pretty early, so...
24:32Yeah.
24:33So do my wife and I.
24:36Excuse me?
24:39I'm sorry, I didn't mean to...
24:42I do have a son.
24:44He's seven.
24:45Uh-huh.
24:46His mother was a very dear friend.
24:47I couldn't resist putting a little spread together.
24:49Wow, this is wonderful.
24:51Didn't you see something?
24:52Yeah.
24:53Ah!
24:54Cheers.
24:55To new friends.
24:56Cheers.
24:57Cheers.
24:58Cheers.
25:03I wake up...
25:06I think about Keith.
25:08So, I just try to keep moving.
25:15After he lost the baby...
25:19I was so scared.
25:20Oh.
25:21But he said that it didn't matter.
25:24He said that we were enough.
25:27Look, I love Randy, but sometimes I go,
25:30God, sometimes I think about how much easier it would be.
25:34You don't have to whisper.
25:42If I never had a baby!
25:46If I never had a baby!
25:51A clean slate.
25:53I don't want a clean slate.
25:56I want...
25:57I want Keith.
25:59I love being married to him.
26:01Sure, we all do.
26:02But I had a baby to put something between my husband and the door.
26:06And guess what?
26:07Husbands will step over anything.
26:11You want to go in the hot tub?
26:13Yes, I do.
26:14Yay!
26:15No, I don't.
26:16No.
26:17I'm too high to leave the room.
26:18Plus, Jerry?
26:20I can't really go downstairs.
26:22Why?
26:23I fuck both valets.
26:24The flamingo entrance and the paradise.
26:26The ugly night bartender and the Baccarat dealer whose table faces the elevator.
26:30Oh.
26:31My.
26:32God.
26:33I left a juggler in my room.
26:35Shit, girl.
26:36You was getting old.
26:41Wait, what?
26:42Do you need to go get him?
26:44No, no, no.
26:45He'll leave when he's hungry.
26:47Good point.
26:49Damn, that many?
26:51Cherry, you want to hear my fake flute?
26:54Yes.
27:02I get them three months.
27:04To live?
27:05Yeah.
27:10I couldn't really afford that camera.
27:13I don't think you'd return something to a pawn shop.
27:19You're not crazy.
27:20I was being a dick.
27:21It's not your fault.
27:22It's the distance.
27:23And then that puts so much pressure on the visit.
27:26And this place can make you a little crazy.
27:30It's one more month.
27:32We can do one more month, right?
27:34And if it's making us crazy, let's not talk every night.
27:36Let's talk every other night.
27:38I don't want to hold you back.
27:39You're not holding me back.
27:41Hey.
27:49Should we go upstairs?
27:51Yeah.
27:52Barbra Streisand seemed really serious.
28:03Yes.
28:07Say yes.
28:11Life keeps happening every day.
28:16Say yes.
28:18When opportunity comes your way
28:21You can't start wondering what to say
28:25You'll never win if you never play
28:29Say yes.
28:31There's mink and marigold right outside
28:35And long white Cadillacs you can ride
28:38Nothing's gained if there's nothing tried
28:42Say yes.
28:45Don't say why
28:47Say why not
28:51What lies beyond what is
28:54He's not
28:57So what?
29:00Say yes
29:04Yes, I can
29:05Yes, I will
29:07Yes, I'll take a sip
29:09Yes, I'll touch
29:10Yes, of course
29:12Yes, I'll nice
29:13Yes, I'll happily
29:15Thank you very much
29:17Yes, oh yes
29:28Yes.
29:33There's lots of chaff
29:35But there's lots of wheat
29:37Say yes.
29:39You might get mugged as you walk the street
29:43But on the other hand you might reach
29:46That handsome stranger you've longed to meet
29:49Say yes.
29:56Yes, I'll look
29:57Yes, I'll walk
29:59Yes, I'd love to do such and such
30:02Yes, I'll try
30:04Yes, I'll dare
30:05Yes, I'll fly
30:08Yes, I'll share
30:12And yes, I am
30:15And yes, I'll be
30:18And yes, I'll go
30:24Oh, yes
30:36Yes.
30:42Well?
30:51No.
30:54No, I don't think this is a Bash Howard production.
30:59Oh.
31:06You know my wife?
31:08I think she'd be interested in finding out
31:10I think she'd be interested in voice lessons though
31:13You remember her?
31:15That'd be wonderful
31:38Baltimore
31:41I'm from Baltimore
31:58I loved your show
32:10How long has it been since you washed that?
32:40Where in Baltimore?
34:11Baltimore
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