Al Fondo Hay Sitio Temporada 11 Capitulo 170 Completo HD
Al Fondo Hay Sitio Temporada 11 Capitulo 170 Completo HD
Al Fondo Hay Sitio Temporada 11 Capitulo 170 Completo HD
Al Fondo Hay Sitio Temporada 11 Capitulo 170 Completo HD
Al Fondo Hay Sitio Temporada 11 Capitulo 170 Completo HD
Al Fondo Hay Sitio Temporada 11 Capitulo 170 Completo HD
Al Fondo Hay Sitio Temporada 11 Capitulo 170 Completo HD
Al Fondo Hay Sitio Temporada 11 Capitulo 170 Completo HD
Al Fondo Hay Sitio Temporada 11 Capitulo 170 Completo HD
Al Fondo Hay Sitio Temporada 11 Capitulo 170 Completo HD
Al Fondo Hay Sitio Temporada 11 Capitulo 170 Completo HD
Category
🎥
Short filmTranscript
00:00The number is...
00:02Two!
00:04Two!
00:06I won! I won!
00:08Yeah!
00:10Yes! We bought a great 75-inch TV!
00:14For the envious!
00:16Four kakas!
00:18Where is Nachute going?
00:20If he doesn't have a car,
00:22why doesn't he ask for a taxi?
00:24If he doesn't have a car,
00:26why doesn't he ask for a taxi?
00:32Wait a minute.
00:34I know that guy.
00:36Put the dishes so they can have a soup.
00:38Where is everyone?
00:40Over there in the living room,
00:42with the new toy.
00:48What program are you watching that has you like this?
00:50I don't know how to handle the program.
00:52Sit down, grandma.
00:54I think it's time you tell Macarena the truth.
00:56No, no, no. That's impossible.
00:58You're going to run out of money!
01:00And what do you want me to tell her?
01:02That I only buy her paintings that no one else likes?
01:04She's going to think she has no talent.
01:06It's worse than being deceived, Joel.
01:08Tell her the truth. Suddenly she worries and improves, right?
01:10My daddy is no longer listening well
01:12and I think he needs one of those devices.
01:14Oh, I understand.
01:16One of those headphones, one of those little devices.
01:18And surely they are very expensive.
01:20Maybe you have an alternative
01:22with which you can help me.
01:26What's going on here?
01:30Hey, everyone, go to sleep!
01:36What's going on?
01:38Shh, Elvirito, don't make noise.
01:42What are you doing watching television at this hour?
01:46The rose of Guadalupe at dawn is very interesting.
01:48It's been ten days since we heard anything about the González family.
01:52Don't tell me you miss them.
01:54Not at all.
01:56But it seems strange to me that they don't come to facilitate
01:58for some girls.
02:00It also seems strange to me,
02:02but it is seen that they are at home because there are some lights.
02:04No one is going to work?
02:06Let me listen.
02:08Later.
02:10Chuchu!
02:12Ah!
02:14Ah!
02:16Santa Maria la mató!
02:28Move, move!
02:30Psst!
02:32Love!
02:34Oh, the TV.
02:36There's no one.
02:38There's no one, my love.
02:40No, not here.
02:42Let's go to the room to see something currucaditos.
02:44Hey, I'll go in, my love.
02:46Let's take him.
02:48Let's go.
02:54Oh, my love.
02:56Elvirito!
02:58Oh, the kiss, how romantic.
03:00I knew it.
03:02Who are you?
03:04Oh, my God!
03:06You've been on the TV for a while.
03:08Let us enjoy, please.
03:10You don't have anyone to enjoy with.
03:12Hey, how not?
03:14Come on, González.
03:16What a great TV.
03:18Yes, I know, I haven't seen it in 3D yet.
03:20Good, beautiful and cheap?
03:22No, D, not B.
03:24Ah, good, beautiful and cheap.
03:26Oh, how funny you are, my love.
03:28Put on your glasses.
03:30Let the adventure begin.
03:32Oh, wow.
03:34Hey, what?
03:36What was it?
03:38What?
03:40Oh, my God!
03:42Oh, my God!
03:44This is amazing, González.
03:46Yes, I told you, I told you.
03:48Even you look more beautiful.
03:50What do you mean, even?
03:52Come here, come here.
03:54Turn around, turn around.
03:56Turn around, turn around.
04:02Aurelita.
04:04I'll take this before they get too excited.
04:06No, no, please.
04:08Let's go for a second.
04:10Please, those screams.
04:12I love you so much more than the first day.
04:14I love you so much more than the first day.
04:16Don't let her go, don't let her go.
04:18Oh, kiss her.
04:20Juanacha.
04:22Juanacha, what are you doing here?
04:24I came to watch TV.
04:26Shh.
04:30Oh, my God.
04:34How is this going to be?
04:36They ran her over.
04:40Oh, no.
04:42No, no, no.
04:44No, no, no.
04:46No, no, no.
04:48No, no, no.
04:50No, no, no.
04:52No, no, no.
04:54No, no, no.
05:10One more thing.
05:22♪
05:32♪
05:52♪
06:22♪
06:52♪
07:12This is life!
07:13Ha, ha!
07:15Mmm!
07:16You know,
07:18I never thought I'd find such a good partner to have dinner with.
07:22It's almost better than having dinner with my buddy.
07:23Ha, ha, ha!
07:24Let's see.
07:25I'm going to change channels.
07:28There it is.
07:30Having dinner with this image is so good.
07:35Oops!
07:36I'm sorry, sweetheart. Nature's call.
07:39But don't worry, I'm just going to get it, okay?
07:41I'll be right back.
07:49Ha!
07:52Ha, ha!
07:59I thought it was weird that she wasn't down there.
08:02But she got up in a big hurry.
08:04Ha!
08:06What can laziness do?
08:09Hey, cutie.
08:11Will you be with me in this?
08:12Of course, as always.
08:15Let's cut the root problem.
08:18¿Vamos a escribir en la pizarrita un horario bien pensado y democrático
08:22para ver quién se queda a la tele qué días y a qué horas?
08:26Estoy pensando en algo más drástico.
08:36¡A ver! ¡No!
08:37¡No puede ser! ¡No puede ser!
08:39¡No puede ser! ¡No puede ser!
08:41¡Sonía! ¡González!
08:44¿Es el abuelo?
08:45¿Es el mi papito?
08:46Sí, es el abuelo.
08:47¿Qué pasó?
08:48¡No moríese atrepado al techo!
08:50¿Ah? ¿Qué? ¿Qué cosa?
08:52¡Ay! ¡No, no me toque!
08:56¡Fran! ¡Fran!
08:58¡Tienes que ver esto!
09:03¡El viejo motoso se volvió loco!
09:10¡Cállense!
09:13¿O se ponen de acuerdo?
09:15¿O voy a acabar con este motivo de disputa para siempre?
09:21¡Ruji!
09:22¡Olinda! ¿Qué estás haciendo?
09:24¡Ustedes no pueden destruir algo tan grande y maravilloso!
09:27¡Papá!
09:28¡Si lanzas ese televisor, mi criatura divina quedará catatónico!
09:32¡Abuelo! ¡Por favor, no juegues con eso!
09:34¡Abuelinda! ¿Qué pasó?
09:36¿No le diste su pastilla para que no choché?
09:38¡Olé!
09:39¡No insultes a tu abuelo!
09:41¿Qué les pasa?
09:42¡Antes la pasábamos bonito!
09:44¡Reunidos, todos juntos en familia!
09:46¡Disfrutando lo que veíamos de esta pantalla!
09:49¡Este televisor llegó para juntarnos!
09:52¡No para separarnos!
09:55¡Ustedes parecen opas!
09:57¡Encerrados en su cuarto, siempre!
10:01¡Esto lo tenemos que disfrutar todos juntos!
10:05¡Reunidos!
10:06¡La tele está ahí!
10:08¡Sí!
10:09¡Sólo tenemos que reunirnos para disfrutarla!
10:13¡Juntémonos más, pues!
10:15¡Papito!
10:17A ver, yo tomo la palabra.
10:19Y yo estoy segura que todos ustedes comparten lo mismo que yo.
10:22Mira, papá, sé que hemos cometido un grave error.
10:26Pero de ahora en adelante, la televisión será motivo de unir a la familia.
10:31Sí, sí, sí.
10:33¡Si ustedes me dan su palabra de que no van a volverse a pelear!
10:38¡Sí, sí! ¡Lo juramos!
10:40¡Lo juramos!
10:41¡Lo juramos por el Rey León y por Cipan!
10:43¡Lo juramos, Aguil! ¡Sí, lo juramos!
10:45¡Entonces vamos a dar tres hurras por esta familia que unida recapacita!
10:52¡Eso, eso!
10:55¡Hip!
10:56¡Ra!
10:57¡Hip!
10:58¡Ra!
10:59¡Hipipipirim!
11:00¡Ra!
11:30¡Hip!
11:31¡Hip!
11:32¡Hip!
11:33¡Hip!
11:34¡Hip!
11:35¡Hip!
11:36¡Hip!
11:37¡Hip!
11:38¡Hip!
11:39¡Hip!
11:40¡Hip!
11:41¡Hip!
11:42¡Hip!
11:43¡Hip!
11:44¡Hip!
11:45¡Hip!
11:46¡Hip!
11:47¡Hip!
11:48¡Hip!
11:49¡Hip!
11:50¡Hip!
11:51¡Hip!
11:52¡Hip!
11:53¡Hip!
11:54¡Hip!
11:55¡Hip!
11:56¡Hip!
11:57¡Hip!
11:58¡Hip!
12:00¡Hip!
12:02¡Hip!
12:18¡Hip!
12:19¡Hip!
12:23¡Hip!
12:26¡Hip!
12:27I'm going to put a little bit of water in the pot, and then I'm going to put the lid on it, and then I'm going to put the lid on it, and then I'm going to put the lid on it, and then I'm going to put the lid on it, and then I'm going to put the lid on it, and then I'm going to put the lid on it, and then I'm going to put the lid on it, and then I'm going to put the lid on it, and then I'm going to put the lid on it, and then I'm going to put the lid on it, and then I'm going to put the lid on it, and then I'm going to put the lid on it, and then I'm going to put the lid on it, and then I'm going to put the lid on it, and then I'm going to put the lid on it, and then I'm going to put the lid on it, and then I'm going to put the lid on it, and then I'm going
12:57to put the lid on it, and then I'm going to put the lid on it, and then I'm going to
13:25We shouldn't have put the price on the paper.
13:28No, no, Helguerito, we shouldn't have.
13:30It's a shame, it's a shame.
13:33TV 4K 75 inches! Present!
13:37TV 4K 75 inches! Present!
13:41TV 4K 75 inches! Present!
13:55TV 4K 75 inches! Present!
13:59TV 4K 75 inches! Present!
14:03TV 4K 75 inches! Present!
14:07TV 4K 75 inches! Present!
14:09Change that face, Papito.
14:11I can't. I feel like I messed it all up.
14:16But it'll pass.
14:18Look, don't be surprised if they don't talk to you for a week, but it'll pass.
14:23They were fighting among themselves.
14:26I felt like I had to make a drastic decision.
14:30And I'm the one who listens to you.
14:36Poor Tortolita.
14:39She used to see her Guadalupe rose in third dimension every day.
14:46Now I'll have to see how I can buy her a new TV.
14:51Oh, Papito, don't think about that.
14:54Let's be the united family we've always been, okay?
14:59Look.
15:02I brought you a gift.
15:04A gift?
15:06Is it my birthday?
15:08No, but it's something you need.
15:12Socks!
15:14Thank you, little girl.
15:16No, no, they're not socks.
15:22I have to get my money's worth back.
15:25I don't.
15:29Are you selling them?
15:31No, I'm giving them away.
15:33No one will buy them.
15:35You're a bad rat.
15:37They're not for sale. This is art.
15:52So that's what it was.
15:54You're the one who bought all of Macarena's shows, right?
16:14Hello?
16:15Jimmy González.
16:18Open it, Papito.
16:20But it's not my birthday, little girl.
16:24Or is it?
16:26What day is it today?
16:28No, no, no, you still have to put on your socks.
16:30This is a gift for another reason.
16:43And what is this?
16:46This is...
16:48a hearing aid for the deaf.
16:51But I'm not deaf, little girl.
16:55Here, take it.
16:57Papito, you're not listening like you used to.
16:59Look at what just happened to my mother-in-law.
17:01That was a misunderstanding.
17:04Dad, saying she wanted to give you a picture of her, Calata,
17:08is not just a misunderstanding.
17:10If I put this on,
17:13I'll look older than I am.
17:16Don't you see?
17:18Papito, that's not an excuse. This is for your own good.
17:21What's going on?
17:31Bring art, bring his painting.
17:34Where are you going?
17:36No, no, no. The police is coming. Listen to me.
17:38The police is coming?
17:39What are you talking about?
17:40Why do you have Macarena's paintings here?
17:42What paintings? I wanted them.
17:44Don't you see?
17:45No, no, no. Let's clear this up.
17:47They're not the originals.
17:48Everything here is hand-painted.
17:50Hand-painted?
17:51Who do you think I am?
17:52What?
17:53Who do you think I am?
17:54Wait a minute. How did you get these paintings?
17:56What?
17:57I don't know, but I got them.
18:00You got them?
18:01Yeah.
18:03I know.
18:04What?
18:05I just understood everything.
18:07The French buyer, right?
18:10The French buyer?
18:11Yeah.
18:12I said something was wrong with that guy.
18:15Who is he?
18:16Who?
18:17Your friend.
18:18Who?
18:19He's probably a relative of yours, because that's how you operate.
18:22Who helped you?
18:23Who?
18:24Tell me names. Who helped you?
18:25What? I don't know.
18:26Of course you know the name.
18:27Stop guessing.
18:28Well, thinking about his physical context, his tone of voice, his height.
18:34What? Who?
18:36It was Tito, right?
18:37Tito?
18:38Who Tito?
18:39You know exactly who Tito we're talking about.
18:41Why do you sell paintings?
18:42To resell them at a higher price.
18:43What are you talking about?
18:44If you want to get money out of these paintings.
18:46The thief thinks you're taking advantage of Macarena.
18:48You're taking advantage of Macarena.
18:50The thief thinks everyone is in his condition.
18:52I would never take advantage of Macarena.
18:54Why do you sell paintings here?
18:56Tell me.
18:57Why do you sell them?
18:58Tell me.
18:59I don't know.
19:02Yes, I'm Jimmy González.
19:04Who do I have the pleasure of talking to?
19:07Hello?
19:09Hello?
19:12Oh, they hung up.
19:14I'm sure they wanted to sell me something.
19:16How annoying they are.
19:18Oh.
19:19Oh.
19:20Oh.
19:21Oh.
19:22Oh.
19:23Oh.
19:24Oh.
19:25Oh.
19:26Oh.
19:27Oh.
19:28Oh.
19:29Oh.
19:30Oh.
19:31Oh.
19:32Oh.
19:33Oh.
19:34Oh.
19:35Oh.
19:37Can you imagine?
19:39We hit the streets
19:41and hear someone say something like this?
19:43Can you notice?
19:45They think I'm doing this?
19:47I've told you
19:49enough people can think what they please
19:52And you too?
19:54I don't like this technology.
19:57What if they explode my ears?
20:01No, Gilberto.
20:03Stay out of this.
20:05Acepta y agradece.
20:07Mira, de lo pruebas.
20:08Y si no funciona, lo dejas.
20:10Hazle caso.
20:12Además, se lo debes a la familia.
20:15¿Cómo así?
20:16Por haber roto el televisor de 15 mil soles.
20:20Qué lindo ves.
20:21Será pues.
20:22Vamos a ponértelo así.
20:25A ver, es como aquí.
20:27Ay, ya.
20:31A ver, dime, ¿por qué vendes estos cuadros en la calle
20:33como si fueras un amulante?
20:35Dime.
20:37Porque me quedé aguja, ya.
20:38Me gasté toda mi plata, ya, ya, ya.
20:40Ya lo dije.
20:41Ahora quiero recuperar mi billete.
20:43Y por eso estoy que lo remato con el dolor de mi corazón.
20:45Ya está.
20:46Ya, pues sí.
20:47Porque está muy por debajo del valor original.
20:50Y mi segunda pregunta es,
20:52¿por qué has comprado todos estos cuadros
20:54si están tan caros para tu bolsillo?
20:59Habla.
21:01Lo hice por ayudar a la rubia.
21:02Ay, Dios.
21:04Y ha necesitado un empujoncito su carrera.
21:08¿En serio?
21:10¿En serio, pe, qué más?
21:13Pues me sorprende, Joel.
21:15Solo un buen samaritano podría invertir tanta pasta
21:17en algo que no entiende.
21:20¿Sabes?
21:21Tampoco ha vendido nada, ¿no?
21:22Ninguno, de lo que veo.
21:23No, no, no. Ya, ya, ya.
21:24Pasará por acá algún entendido, pe.
21:27Pues aquí tienes al entendido.
21:29O es el de acá, tú no eres un estafador,
21:30o tú no sabes nada de nada.
21:31¿Cómo que no?
21:32Yo sé perfectamente sobre el negocio de marchante.
21:34¿Ah, sí?
21:35Bueno, por acá no ha pasado ningún marchante.
21:37Y si de marchar se trata,
21:38yo he sido parte del escolta de mi colegio,
21:39no más te digo.
21:40Espera, espera, un momento.
21:40¿De qué estás hablando?
21:41Estoy hablando de marchante de arte.
21:42Es aquel que se dedica a vender cuadros.
21:44Y a veces vender cuadros
21:45puede estardar toda una vida.
21:47Años.
21:47Buah, que tiene una paciencia horrible.
21:49Habla bien. ¿Años?
21:49Años, sí. Años. Décadas.
21:52Centenios.
21:53¿Ah, sí?
21:53Una locura.
21:54Bueno, como te digo, es tu día de suerte.
21:58Aquí tienes...
22:00500 soles contantes y sonantes.
22:05500 soles.
22:06¿500 soles?
22:08¿O tú crees que yo estoy arrancado o qué cosa?
22:10¿Cuánto, cuánto?
22:12500 soles.
22:13Sí, sí, sí.
22:14Es gracioso.
22:16Ya, ya, ya, tráepala, tráepala, tráepala, tráepala, tráepala.
22:18500 soles.
22:18Ya, chapa, chapa, chapa uno.
22:19Chapa que te guste.
22:20¿Cómo que uno?
22:20¿Todo?
22:21O todo. No seas malo, pego.
22:22Me ha costado 20 veces más esto, pe.
22:23¿Qué tenés?
22:24Mira, para un momento.
22:25Esta es la mejor oferta que vas a recibir para dar un parque.
22:27Además, Macarena podría venir y verte.
22:29Piénsalo.
22:31Analízalo.
22:33Bueno, ya, ya, ya. Está bien, está bien. Te acepto.
22:34Pero, con una condición.
22:35¿Qué?
22:36Macarena no se puede enterar que no has visto Belén o sus cuadros en un parque.
22:39Ya.
22:40Ya está.
22:41No hay problema. Te lo juro por los reyes de España.
22:48¿Tienes una bolsita?
22:49¿Ah, quieres bolsita tuya?
22:50Sí.
22:51Bueno, también te voy a vender la bolsita.
22:52No te cases.
22:53Sí, eso le más.
22:55Sí, nomás yo.
22:59¿Eh?
23:00¿Qué tal, papito?
23:01¿Cómo me escuchas?
23:03Peor que antes.
23:05Parece que te hubiera atorado un payar en la oreja.
23:08¿Qué cosa?
23:09A ver.
23:10Ah, faltaba prender.
23:12Ahora sí, papito.
23:13¡Ay!
23:14¿No se escucha el grito?
23:15¿Cómo me escuchas?
23:16Por favor, olindita.
23:17No grites así.
23:19Pareces el claxon de un camión.
23:21Perdón.
23:22Pensé que no me oías.
23:24Te oigo demasiado bien.
23:27Hasta oigo
23:30la respiración
23:32y el corazón de ambas.
23:37Gracias por el regalito.
23:42Pero, por favor,
23:43no hablen tan fuerte.
23:46Ya, papito.
23:47En realidad, estamos hablando como siempre.
23:49Solo que capaz estabas tan sordo
23:51que lo sientes muy alto.
23:52Sí, eso debe ser, jilguerito.
23:54Poco a poco ya te vas a ir acostumbrando.
23:56Paciencia, nomás.
23:58¿Eh?
23:59¿Ya ves?
24:00¿Viste que sí funcionó?
24:01Sí, ni siquiera se nota.
24:02¡Qué guapo!
24:03¡Ey!
24:05¡Qué tal galán!
24:07¡Me encanta!
24:20¡Ah!
24:24500 soles por esta basura.
24:27O sea, por esa bella macarena.
24:40500 soles es nada, ¿no?
24:43Esas obras valían oro.
24:47No importa.
24:49Todo sea por la maca.
24:54Professor Locatelli.
24:55Compañeros todos.
24:56My arduous investigation concludes
24:58that the growth of MIPEs is due to...
25:02What's wrong, bro? What's wrong?
25:04Look, man.
25:05I'm just going to tell you that in this life
25:06sometimes you win
25:07and sometimes you lose.
25:08And don't cry.
25:09Just leave it there, please.
25:11Man, don't you want to hear my position?
25:13No, no. Pass, pass.
25:14I'd better go to work
25:15to forget about the bad investment I made.
25:16Bad investment?
25:17I told you not to ask.
25:19I brush my teeth and I'm leaving.
25:21Bye, bro.
25:28Hello?
25:32If you want to sell me something,
25:33I'm not interested.
25:35Jimmy González.
25:36Administration studies.
25:40Ah, you're from the institute.
25:43Is there a problem?
25:46Hello?
25:47Hello?
25:49Hello?
25:52He hung up.
25:55That's weird.
25:58It's the same number he called me.
26:02I'll call him back.
26:07Sorry.
26:10Hello?
26:11They've been calling me from this number
26:13and I want to know what the problem is.
26:17I don't know.
26:25I know you're there.
26:27I can hear you breathing.
26:41Hi, Mom.
26:42Did you get the videos I sent you?
26:44Yes, honey.
26:45Right away.
26:47Change to the fastest mobile network in Peru.
26:49Call 0800 00200.
27:03What's that noise?
27:08It must be a cat.
27:12Michi, Michi, Michi, Michi!
27:17Michi, Michi, Michi, Michi!
27:19It doesn't come from here.
27:26Where did that animal go?
27:42Hey, Felix!
27:44Mr. Gilberto, how are you?
27:46From the winery.
27:48I can hear you snoring.
27:50Don't be shameless.
27:53Mr. Gilberto, how are you?
27:55How did you hear me from the winery?
27:57You're going too far.
27:58I was that bad girl.
28:00Hey, don't yell at me.
28:02Adults must be respected.
28:06And if I catch your attention,
28:08it's because you deserve it.
28:10Mr. Gilberto, I'm talking to you as usual.
28:12I would never raise my voice at you.
28:14Then it must be the device that gave me the baby.
28:19You have to speak to me slowly.
28:23Congratulations.
28:28Don't be stupid.
28:30I mean, you have to lower your volume.
28:32Oh, yeah.
28:34Express yourself well, Mr. Gilberto.
28:36It's really cool.
28:38And can the radio be tuned to M or M?
28:40I don't know.
28:41I'll have to ask the baby.
28:43Well, I'm going back to the winery.
28:46And be careful to sleep.
28:50You can't sleep in working hours.
28:53It's true, Mr. Gilberto.
28:55Be careful.
28:57The more you sleep, the more you talk.
29:00I'm listening to you.
29:02Mr. Gilberto.
29:12Well, sir.
29:14What I wanted to show in this wonderful painting
29:17is the mix.
29:19The mix between the masculine and the feminine.
29:21What do you say?
29:23That you love it.
29:25Oh, sir.
29:27What a pleasure.
29:29Thank you very much.
29:31He wants to take it.
29:33Oh, I'm dying.
29:35Of course, I'll pack it for him.
29:37Wait a minute.
29:39Let's see, this painting is moving a lot.
29:41A little comfortable.
29:43I thought you were talking to someone.
29:46Yes, I was talking to my painting.
29:48With the painting?
29:50Yes, with the painting.
29:52And what did he tell you?
29:55No, no one was interested in buying it.
29:57But not just this one, but none.
29:59Only Joel's caught my attention.
30:01And why don't you keep painting it?
30:03Because he doesn't want to anymore.
30:05Because he got tired, he got bored, my poor friend.
30:07Don't get discouraged.
30:09I've told you many times, be patient.
30:11Believe me, I've always told you.
30:13Besides, I'm sure the clients will come
30:15and they will buy it from you sooner or later.
30:17What do I always tell you?
30:19Whatever is negative, let the positive come in.
30:22That's it, up.
30:24It's true, yes.
30:26I can't get discouraged.
30:28I have to move on.
30:30Positive, that's it.
30:32And you, what are you doing here?
30:34I had to take care of the paintings.
30:36Yes, well, I came to spend a little time
30:38to see how everything was.
30:39Besides, I'm running a business nearby
30:41and I thought, well, I'll pass.
30:43Besides, I've been walking around the city
30:45up and down and my mouth is dry.
30:47And I would like you to give me a glass of water,
30:49if you can.
30:51Oh, yes, of course.
30:53I thank you. Thank you, Maca.
30:55Hey, Sabin.
30:57Yes?
30:59Would you like to have lunch?
31:01Macarena, I would love to, but
31:03this business will take me time
31:05and I don't think I can come to...
31:07Well...
31:09Let's see...
31:25This greedy fellow fell asleep again!
31:27What a greedy fellow!
31:37Felix is not even here!
31:44Holy Cross of Quinoa!
31:47Where does this infernal noise come from?
31:58Oh!
32:10He finally stopped!
32:13But where did that abomination come from?
32:20What a nice weight loss, huh?
32:22Mr. Gil, I don't recommend you come in.
32:25I got an epic in there.
32:27What did you do to get me into this mess?
32:30Don't be so grumpy!
32:32I have a little more respect for this house.
32:36We don't have to listen to your whining
32:39while you make your deposit.
32:41Whining?
32:43Yes, Maximum.
32:45There were some slight moans and a few splashes
32:47and a few pedals.
32:49Let it be the last time!
32:50David!
32:56Poor Mr. Gil.
32:58His mind is getting worse and worse.
33:01I heard you, Carmelejón!
33:15Mips, or micro and small businesses,
33:18have proven to be one of the main sources of employment
33:21and progress in different sectors of the population.
33:24However, their success rates are not guaranteed.
33:39Hey!
33:41Felix!
33:43Do you know who left this note in my motorcycle?
33:46It must have been when I went to do my rounds
33:49because I never sleep.
33:51Why? What does it say?
33:53Look.
34:01Hold on.
34:08Zero, two, twenty-three, thirty-six.
34:15No, it's not.
34:19Patience.
34:30Zero, two, thirty-six.
34:35It's not either.
34:45Zero, two, thirty-six.
35:05Hi, Xavi.
35:07Maca.
35:09Oh, my heart.
35:11I've been looking for my wallet like crazy and I can't find it.
35:13Please tell me you left it in the atelier.
35:16I'll look for it.
35:24Xavi, here it is.
35:28Thank God.
35:30Can I pick it up later at your house?
35:33I can't right now. I have to move on with what I told you.
35:36Don't worry, I'll take it.
35:38But you have to take care of the sample, right?
35:41Xavi, there's no one here.
35:43Macarena, but what if he comes?
35:46Don't bother me. I'll give you one.
35:49What's your address?
35:57What are you doing here?
35:59Tito called me that the water was coming out of the bathroom upstairs.
36:02So I came and I got Joto.
36:04And he did it very well.
36:06What's wrong with you? Remember that he is no longer your subordinate.
36:08What do I tell you, Teresito?
36:09Amelia!
36:11What are you doing?
36:13For God's sake, what are those screams?
36:15It seems that you would have seen Mrs. Nelly Canata. What do you have?
36:17I was receiving some strange calls in the morning.
36:21And now they left me this in the motorcycle taxi.
36:23They are extorting her.
36:25No, I knew it.
36:27I knew that one day something dangerous was going to happen to us,
36:30that she is in our country.
36:32Oh no.
36:40Is the order for table 2 ready?
36:42Anything else, boss?
36:44Dad, they are claiming me.
36:46Well, tell them to wait. The good thing is to make them wait.
36:48In addition, today they took out the lottery because I am in charge of the kitchen.
36:52And if you hurry me, I also hurry you.
36:54For when the suitor of your sister?
36:56Dad, I already told you that I will not ask Anastasia to introduce a family member or a friend to Alessia.
37:00Don't be so boring.
37:02Alessia also deserves a partner who is GCU.
37:05Alessia already knows what she does. Leave her alone.
37:07In peace? Peace is what I will never have with you.
37:10Because I am the only one who does not do what you ask.
37:13Is it a lot to ask?
37:15Is it a lot to ask that my genes, that my heirs,
37:17that my descendants do not have more marrachentos genes?
37:20Excuse me, dad.
37:25No, no, calm down, calm down.
37:28Wait, man, calm down. This must be a joke.
37:30Yes, it's okay, it's okay.
37:32Yes, surely they want to grab you from Sonsos, Jimmy.
37:34I thought it was something more interesting, really.
37:35No, no, no, no.
37:37The danger is real.
37:39I tell you as a security professional and also as a lawyer.
37:43These facts prove that we are facing a crime
37:46punished by Article 200 of the Penal Code, Grandma.
37:49And what does that mean?
37:51That means that Jimmy is free.
37:54Oh, no, no.
37:56God, but why didn't we know that if we are the messiest in the New Loma?
37:59Yes, surely you are confused.
38:01The note must be for the Maldini. You have to put it under the door.
38:02Yes, yes, yes.
38:04No, Tito, Jimmy González says very clearly.
38:06You are going to pay.
38:08Listen to me, listen to me.
38:10The extortion has changed its objective.
38:12They no longer attack only the most powerful,
38:14but now they attack emerging entrepreneurs.
38:18Of course.
38:20They know that people like us, the authorities do not listen to them.
38:23We are miserable.
38:25We are miserable just like the authorities
38:27who do not punish criminals as they should be.
38:29Please, let's not talk about extortion now.
38:30I'm not going to make my daddy listen
38:32and he's had enough problems, okay?
38:34It's true.
38:36How is that, that Jimmy is being extorted?
38:39What? Extortion?
38:41No.
38:43Dad, are you sure?
38:45Your device is not working well.
38:47Please, I just heard it.
38:49No, no.
38:51I'm going to rest, Dad.
38:53Where are you going?
38:55I'm going to sleep.
38:57Your device, Grandpa.
38:58Come here, come to the house.
39:00Yes, it's true.
39:02Calm down, Grandpa.
39:04But how close are you?
39:06I already told you that I don't even have a nap.
39:08I'm sleepy.
39:10Now, Grandpa, but no, look, rest for a while.
39:12Put your head down and rest.
39:14Nothing happens.
39:16They won't be hiding anything from me, right?
39:18No, Dad, how do you think?
39:20We are not hiding anything from you.
39:22Now, rest for a while.
39:24For the sake of purity.
39:25I've been running all night.
39:27That's it, let's see.
39:29But it's never too much.
39:31A little while.
39:33The bed.
39:35There it is, you see?
39:37I've already told you.
39:39I don't have a nap.
39:40I don't know.
39:52These damn and bald.
39:54They will be very powerful,
39:56but they mess up and dirty worse than us.
39:59Hello, Juana.
40:01Hello, Miss Alicia.
40:03How are you?
40:05He went shopping, as you saw.
40:07Yes, yes, yes.
40:08I took advantage of it and I went for a while
40:10that there were some discounts.
40:12Come, I'll show you.
40:14Look.
40:16This cream was with the 30.
40:18I got 200 soles.
40:20200 soles for a cream?
40:22No, but it's worth every penny, I swear.
40:24And this perfume was half the price.
40:28I got 500.
40:30And 500 soles?
40:32Dollars.
40:34So I bought two.
40:36How good, how good.
40:38Do you like it?
40:40Oh, no.
40:42No, no, no, no.
40:44This is the cherry on the cake.
40:47It's a dress.
40:49The truth is that a long time ago
40:51I had already taken it off my eye.
40:53Unfortunately, this had no discount
40:55and it cost me my life.
40:57It's from a very exclusive designer.
40:59Look.
41:01What do you think?
41:03I have an event in January
41:05and I plan to use it there.
41:06Oh, I don't doubt it.
41:08It must look beautiful on you.
41:10No, it's that this style looks beautiful on anyone.
41:12Do you like it cute or not?
41:17The truth is that no, no, no.
41:19It's not very my style.
41:21I prefer to use bright colors.
41:23Oh, sorry, miss.
41:25I don't mean to be ugly.
41:27On the contrary, it's very cute.
41:29Worthy of a queen like you.
41:31Oh, Juanita, thank you.
41:33Oh, I'm dying for this.
41:36No, no, no.
41:38They're going to take me any minute to ask for money.
41:40It's very unfair to the public sector.
41:42Look, tell them you have a general uncle
41:44and that we have another victim.
41:46The robbers are well known.
41:48Surely they have studied us.
41:50First it was Jimmy and now we are still.
41:52Oh, no, no, no.
41:54They are going to steal my microphone.
41:56They are going to burn my tape.
41:58Oh, I'm going to get out of here.
42:00I'm going to leave.
42:01No, no, no.
42:03No, no.
42:04Calm down! Calm down!
42:09Breathe! Calm down!
42:11First, we have to listen to what they ask.
42:14But calmly, please.
42:15Don't let anyone get desperate!
42:24Wait, it's not Lola!
42:28I'm telling you that we aren't going to see each other until the end.
42:30I don't want to put her in danger.
42:32Oh, no, no.
42:33Felix, go bring your things.
42:35Things are as they are. They can't stay outside.
42:36Thank you, Tito, for thinking of this little guy.
42:38Don't worry.
42:39Go, go, go.
42:41Hurry, hurry.
42:42What happened?
42:43Oh, my God.
42:46Oh, my God.
42:47What happened?
42:48What happened?
42:49What happened?
42:51Oh, my God.
42:52What happened?
42:53What happened?
42:54What happened?
42:55What happened?
42:56What happened?
42:57What happened?
42:58What happened?
42:59Please, Macarena.
43:00They're my paintings.
43:03I don't understand.
43:04Why doesn't the French collector have them?
43:09What's going on, Xavi?
43:10Let me explain.
43:11Look, Macarena, they were sold,
43:12but I was the one who bought them,
43:14to be honest.
43:15Franchesca, they're extorting Jimmy.
43:19How do you know that?
43:20Because Joel and Tito came looking for Coqui
43:22to tell them.
43:23Don't make us call the police.
43:25Blessed be the page when we extort him.
43:27Blessed.
43:28Right now, all of our operators are busy.
43:32Please call tomorrow, or rather, the day after tomorrow.
43:35This is crap!
43:40Caimán, do you have the information?
43:44I owe you one, but you owe me several.
43:48What if Mr. Diego is the one calling you?
43:52I thought about it, but I don't think so.
43:55He already achieved his goal.
43:57I'll leave you two alone.