مدي 1 تي في : مع الفنانة التشكيلية نادية الشلاوي - 02/12/2024
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00:00Welcome to a new episode of your daily and artistic patchwork show.
00:20I'm happy to be here with you as always to give you some news and updates about the art scene.
00:26So, get ready and let's start.
00:33Hello again. I suggest you to get ready and discover who is our guest today.
01:26Hello again. I suggest you to get ready and discover who is our guest today.
01:56Hello again. I suggest you to get ready and discover who is our guest today.
02:22Thank you very much for the invitation and for your interest in Moroccan art and creativity.
02:28Thank you Nadia. It's a pleasure to have you here.
02:30Welcome to your home, Nadia. Are you more of an artist or a designer?
02:37No, I'm more of a designer.
02:39I started my dream of becoming a designer when I was a kid.
02:50I wanted to reach the Moroccan women who love fashion and art.
03:01I wanted to reach the Moroccan women who love fashion and art.
03:06I see that you are very focused on paintings and paintings.
03:12I see that you have a well-known name in the field.
03:16I see that you have a well-known name in the field.
03:24In the beginning, people who knew me in my art were very interested in women.
03:30In the beginning, people who knew me in my art were very interested in women.
03:32Even in my paintings, there were women's faces.
03:36There was a Kaaba shape and a special color for it.
03:41It was a blue-red color.
03:47My grandmother, my grandmother-in-law, was a tailor.
03:55I was a tailor.
03:56The colors and the atmosphere of the tailor's style were chosen by the tailor.
04:05I lived in that style.
04:06She told me that the face that was painted with those colors was a tailor's style.
04:12I worked with the tailor in the machine style and the hand style.
04:17The face was made on wood or leather.
04:22It was made on this face.
04:23Yes, it was made on this face.
04:24So, it came from your grandmother.
04:26No, the face was painted by me.
04:29But I went to that field of the fourth style.
04:36From there, I started to work with the Moroccan handicrafts.
04:41God bless you.
04:42And our traditional handicrafts.
04:44What are the trips that inspired you?
04:48A lot.
04:49A lot.
04:50A lot.
04:51A lot.
04:52A lot.
04:53A lot.
04:54A lot.
04:55A lot.
04:56A lot.
04:57A lot.
04:58A lot.
04:59A lot.
05:00A lot.
05:02There are a lot of important trips.
05:04There is a lot of inspiration.
05:07Through these exhibitions, the previous ones, and even my creativity,
05:12there is a lot of inspiration coming from the international trips.
05:17When you see something, it is not good to see it and get used to it.
05:23But when you see something and get inspired by it,
05:25And do it your way.
05:27This is what I like about our traditional handicrafts.
05:32It is very beautiful, very important.
05:35It is recognized internationally.
05:37This is the contemporary vision that they have.
05:42And what we have here, either designers or artists,
05:46to increase it.
05:48This is what is important to make this Moroccan art more advanced.
05:54At the beginning of our interview, you said that you are a hard worker,
05:58committed.
05:59Nadia, what do you call a professional turn or a professional reconversion?
06:05In parallel.
06:08In parallel.
06:09So you have a traditional job, as we know, in the office, etc.
06:13I have a traditional job.
06:15I am a math teacher in my village.
06:18I am an autodidact in art.
06:20I studied math.
06:21I went to the field of insurance.
06:25I have been an insurance agent since 2001 until today.
06:29I have never neglected my job because it is a job that I do from my heart.
06:34And I like it.
06:35Because no one asked me why I did art and got to know it.
06:39And went international.
06:41Why didn't I keep my job?
06:45I could never keep it.
06:48I work with passion.
06:50With passion.
06:51With passion.
06:52Exactly.
06:53And art, and they complement each other.
06:55Art, when I get tired of my job or something,
07:00I go into art.
07:01To exteriorize.
07:03To exteriorize.
07:04When I leave art, I go back to my job.
07:09So you create a balance in your life between work and the professional side,
07:13and between art and the artistic side.
07:16Exactly.
07:17I don't need them.
07:19So, why Jodor?
07:21Why the exhibition, the collection and the event Racine?
07:25Racine.
07:26Jodor, the name of the exhibition is not a simple name for me.
07:32Because it honors my father's spirit,
07:36whom we lost this year, in the first year.
07:39May God rest his soul.
07:40And when you experience something like this,
07:43when you lose your father or someone close to you,
07:46you get stuck.
07:47You get stuck.
07:48When you stop, you start to wonder.
07:51You start to wonder.
07:52You start to go back to the basics.
07:56The origins.
07:57You go back to the origins and the values you were brought up with.
08:00So, what do you do?
08:02Do you leave it?
08:03Or do you live with it?
08:06It's not important.
08:07It's not important.
08:08When you stop, you get stuck.
08:10You get stuck on the basics.
08:12So, going back to the basics is the name of Racine Eden Jodor.
08:18Was the date important?
08:20The 26th of November?
08:22No.
08:23I didn't want to continue my father's death on the 31st of January.
08:29May God rest his soul.
08:30You didn't want to do it before the 12th of November.
08:32I wanted to do it before the 12th of November.
08:33OK.
08:34Who were the guests?
08:35We saw some beautiful people.
08:37Famous people.
08:38Related people.
08:39Beautiful people.
08:40You told us about the people who came.
08:42And they were so many.
08:43Was it quantity or quality?
08:45They said the number was a bit much.
08:49Thank God, many people are dear to me.
08:53The artists.
08:54The art lovers.
08:57And thank God, people love them.
09:00This is a special feature.
09:06Thank God for that.
09:07The parents were satisfied.
09:09So, there were many people.
09:11My goal was to show people how to understand my subject
09:19and to help them reach the inner journey
09:22through the painting, the design of the bag and the collaborations.
09:28My goal was to stop and start the inner journey
09:35and try to reach the basics.
09:38Nadia, did you have time to talk to the guests?
09:43I know that this is a special occasion.
09:45It's like a wedding or a birthday.
09:47Everything Nadia says, I want to congratulate you.
09:51What did you do?
09:52Did you stop for five minutes to talk to them
09:55and share your thoughts and feedback?
09:58Yes.
09:59It was a bit difficult.
10:00As you said, there were more famous people than others.
10:03But everyone was important to me.
10:05So, I had to give time to each one of them.
10:08There were Moroccan artists who were famous in the field.
10:12So, I had to deal with everything.
10:15Of course.
10:16I had to laugh with everything.
10:17I tried.
10:18Maybe I couldn't continue what I said
10:20because I had to leave with someone else.
10:22But I tried.
10:23I gave a speech to welcome everyone
10:28and thank my mother who was present.
10:31She is my role model and role model.
10:34Wow.
10:35Nadia, I feel that family, parents,
10:40are very important things in your life,
10:47not only in your artistic life.
10:49Yes.
10:50Don't make me cry.
10:51Don't make me cry.
10:52I have a question for you.
10:53Congratulations, Fami.
10:54Congratulations to everyone who sticks to these principles
10:58and cooperates to last in our time.
11:00They might be successful for a month or a year.
11:03But if we have the support of the family,
11:06we can succeed and stay in a very good level
11:12for the rest of our lives.
11:13Do you agree with me?
11:14Yes, I agree with you.
11:15This is the advice of my father in Leymouth.
11:19He gave me this advice
11:21and it made me stop and think about what happened.
11:27Congratulations to you.
11:30Thank you for your smile and positive messages.
11:33I would like to ask you how did you adapt to this place,
11:38which is a concept store, a gallery called Eight
11:41in the city of Beirut.
11:43How did you adapt your universe and your art
11:47to this place?
11:49It is indeed the concept store of a friend of mine,
11:54whom I thank a lot, Nadia Charaibi.
11:57In the concept store,
11:59she provides lighting for Moroccan artists.
12:04What I did in the gallery, in the concept store,
12:09was an exhibition of my own.
12:11I told her, I want to show you everything.
12:14I want to do everything.
12:15God is great.
12:18I want to do my universe in a different way.
12:20I told her, it would be difficult for you
12:22to challenge the artist.
12:24I am not selfish.
12:26I was just looking.
12:27You were confused.
12:28I was confused.
12:29I was confused.
12:30I was confused.
12:31You understood what you were doing.
12:33I was working hand in hand.
12:35I was working on this exhibition hand in hand.
12:40Thank God, it was a success.
12:41It was easy.
12:42God blessed me.
12:43Great.
12:44Did you know that the collection is called SS25?
12:46No.
12:47What is SS25?
12:50Spring, Summer.
12:52Spring, Summer 2025.
12:54I worked with the International,
12:59especially with an agency in Paris.
13:01I was looking at their fashion calendar.
13:05I was already late.
13:07Normally, I would show the collection of spring, summer,
13:13until the end of September, beginning of October.
13:15I was a little late in November.
13:17In fashion, we are always 6 or 9 months ahead of time.
13:23Do we have to be 2 or 3 seasons ahead of time?
13:28No.
13:29For example, we are in November.
13:32Let's say we are in winter now.
13:34We are in winter.
13:35Winter means summer.
13:36I released the spring, summer collection.
13:39Of 2025.
13:40Of 2025.
13:41When I show it,
13:42normally I show it to my friends and loved ones.
13:46Normally, I show them the spring, summer models in October.
13:51They come to the stores and buy the concepts.
13:56But they say their purchases.
13:58They say their purchases.
13:59When I deliver them in January,
14:00in January, they will be in stock.
14:02No.
14:03When I deliver them in January,
14:04the sales start in winter.
14:06But in March?
14:07But in March, they put it.
14:08In March, we put the collection back
14:15in the spring of 2025-2026.
14:18Okay.
14:19Do you understand?
14:20Yes.
14:21Nadia, tell us about your style, your creations,
14:24your works,
14:25as well as your fashion creations.
14:30Exactly.
14:31As I told you,
14:32I was known for my feminine face.
14:36And this exhibition is the one where this change took place.
14:41As I told you,
14:42this is the change that happened to me this year.
14:46So my work was affected.
14:48And I moved from that sad face
14:52to the fashion work.
14:54I was known for my style.
14:55Okay.
14:56The face remained the same.
14:57I erased it.
14:58And the eye remained.
14:59Okay.
15:00Why did I leave the eye?
15:01Because it is the inner voyage.
15:03It is the inner voyage.
15:04So it is a memory voyage.
15:09Okay.
15:10As they say.
15:11As they say.
15:12Because you see everything.
15:15So it is a voyage from the inside to the future.
15:20And when people came to the exhibition,
15:23when they saw the paintings,
15:24they said,
15:25we only see the face.
15:26And we only see the body.
15:27So this was important to me,
15:28to keep my identity.
15:30As the colors changed,
15:32the collection remained the same.
15:35I was known for this face on the bag.
15:38Now, the style changed.
15:41I erased the face.
15:43And I went for the deformity,
15:46the geometry.
15:47Yes, the geometry.
15:48And the colors changed.
15:50They are not light colors.
15:52They are colors for the collection,
15:54as I told you,
15:55spring and summer.
15:56So the change took place in the artistic work
15:59and in the fashion.
16:01In general, the style is more abstract.
16:04A bit of cubism.
16:05No, exactly.
16:06From cubism to abstract.
16:08But why, Aziz,
16:09the geometric shapes?
16:11Why?
16:12The geometric shapes,
16:13they are organized,
16:14organized,
16:15hidden,
16:16hidden.
16:17Everything is organized.
16:18Millimeters.
16:19Everything is organized.
16:20Everything is organized.
16:21Maybe they are not organized,
16:22and you are not organized either.
16:23Maybe.
16:24Maybe.
16:25I am organized in my own way.
16:28When you work,
16:30do you use a pen?
16:31Do you draw?
16:32Do you have a specific style?
16:34Maybe it is the influence I had
16:37of mathematics.
16:38Ah,
16:39and what is the answer?
16:41Since I was a child,
16:43for example,
16:44in the summer,
16:45it was my game,
16:46the math exercises.
16:48That's what you played with?
16:49Yes.
16:50Mashallah.
16:51So maybe this is the influence,
16:53and there is a big relationship
16:55between art and sports.
16:57Of course.
16:58Elis, what are your inspirations?
17:00Picasso,
17:01or...
17:02Ah,
17:03you know Picasso,
17:04impossible.
17:05Yes,
17:06these are the most important
17:08and prominent artists
17:10who inspired Nadia Shalhoub.
17:12Yes.
17:13Nice.
17:14Dali,
17:15what about her?
17:16Dali too,
17:17but for me,
17:20Ch'aibia,
17:21her colors are amazing.
17:23Beautiful.
17:24Right,
17:25why the colors?
17:26How can a collection
17:28have so many colors?
17:30You have blue,
17:31you have red,
17:32you have orange,
17:33you have everything that is flashy.
17:35It was always the colors
17:37that I had since I was a child.
17:39The clothes I wore
17:40were always
17:41except for this exhibition
17:43where I changed the color,
17:45but it was always
17:47my love for colors.
17:49The red was the most,
17:51and this one,
17:5221 years,
17:53the blue,
17:54the blue that is very well-known.
17:56What is your favorite season?
17:58Spring.
17:59Spring.
18:01Vegetables,
18:02everything.
18:03Spring is nice.
18:04Why?
18:05Because of the passage.
18:06That's what's important to me,
18:07that joy.
18:09The joy that comes
18:10in winter
18:11when the sun rises.
18:12That's the joy
18:13of the spring season.
18:14That's what's beautiful.
18:15Nadia,
18:16stay with us
18:17as we move on
18:18to the cinema section
18:19where we discover
18:20the trailer,
18:21the trailer for
18:22a very famous
18:23series
18:24that is
18:25coming back
18:26in December.
18:27This series
18:28is
18:29Squid Game 2
18:30coming back
18:31to Netflix.
18:32Let's watch
18:33a short clip
18:34of the trailer
18:35and we'll be back.
18:37Do you shoot people
18:38here or in the games?
18:39Or do you kidnap them
18:40on subway tracks?
18:41It doesn't change anything.
18:44Player 456,
18:46what do you expect from me?
18:48Let me return to the game.
18:54We're not here
18:55to hurt you.
18:58We're here
18:59to give you
19:00a new chance.
19:02Don't move!
19:07It's stupid.
19:13Mom?
19:14We're only doing
19:15one more game,
19:16just one more.
19:19But I don't understand
19:20why you're back.
19:24No!
19:28I'm trying to put an end
19:29to these games.
19:30They're the ones
19:31we have to fight
19:32at all costs.
19:43Player 456,
19:45welcome
19:46to your new game.
19:53The second part
19:54of Squid Game
19:55is coming back
19:56to Netflix
19:57starting on December 26th.
19:58After the producers
19:59announced
20:00that the second part
20:01will be released
20:02in January,
20:03they couldn't wait
20:04so they decided
20:05to release it
20:06with the celebration
20:07of the New Year
20:08to welcome
20:09and celebrate.
20:10We're going to discover
20:11this second part
20:12and the surprises
20:13that await us
20:14in Squid Game 2.
20:16Squid Game,
20:17as you can see
20:18in its mask,
20:19has a geometric shape.
20:21Nadia,
20:22I want to ask you
20:23about your favorite material
20:24or your favorite materials.
20:25I have an idea.
20:26I don't know
20:27if you like it or not.
20:28Leather.
20:31Leather.
20:32For you,
20:33leather,
20:34real leather,
20:35is important
20:36and necessary
20:37in your work.
20:38Yes,
20:39the touch
20:40of it is beautiful.
20:41And even
20:42the needle
20:43that is used a lot,
20:44the crochet,
20:45but leather
20:46in general,
20:47its texture
20:48is beautiful.
20:49I'm talking
20:50about the bag.
20:51I really liked it.
20:52The leather
20:53is very similar.
20:54It's aesthetic.
20:55Impossible.
20:56Yes.
20:57Everything is natural.
20:58Aesthetic,
20:59but maybe
21:00it's not the same quality.
21:02The leather
21:03is similar
21:04but the colors
21:05are very rich
21:06in the leather.
21:07But today,
21:08thank God,
21:09in Morocco,
21:10the tanghine
21:11that they make,
21:12they make
21:13extraordinary colors.
21:14Magnificent.
21:15Where did you get
21:16your leather from?
21:17Unfortunately,
21:18I don't know
21:19where I got it from,
21:20but it's a recycled leather
21:21because there is
21:22that part
21:23that is ethical
21:24for me.
21:25It's important
21:26and you can't find
21:27that color
21:28or texture
21:29that we have
21:30in Morocco
21:31where there are
21:32leathers
21:33that have
21:34a print,
21:35an impression
21:36that you can't find
21:37or that we use.
21:38And what we don't know
21:39is that leather
21:40lasts a long time
21:41in the skin.
21:42It ages.
21:43It ages
21:44for a long time.
21:45It's neither old
21:46nor new.
21:47It doesn't age
21:48for a long time.
21:49No,
21:50on the contrary.
21:51It doesn't age.
21:52It ages well.
21:53What do we know
21:54about free leather?
21:55It's luxurious
21:56and it smells good.
21:57Luxurious and it smells good.
21:58What kind of material is it?
21:59On the contrary,
22:00isn't it
22:01your favorite
22:02that doesn't
22:03make you hungry?
22:04Plastic.
22:05It's like that,
22:06Mika.
22:07It's plastic
22:08that doesn't
22:09make you hungry.
22:10No,
22:11it can't be.
22:12No,
22:13no.
22:14It doesn't
22:15stay in the kitchen
22:16and it doesn't
22:17open.
22:18It's more like
22:19a chicken.
22:20I don't know, Mika.
22:21You have a lot of
22:22aesthetics
22:23and you have a lot
22:24of great artists
22:25who used plastic.
22:26Yes.
22:27But maybe you prefer
22:28wood or other materials.
22:29I prefer wood.
22:30Of course.
22:31You work a lot
22:32outside Morocco.
22:33What can we find
22:34about your works
22:35and creations
22:36abroad?
22:37Where abroad?
22:38Thank God,
22:39I worked a lot
22:40in this field
22:41to get to know
22:42the international
22:43and international
22:44world.
22:45As for my works,
22:46today,
22:47thank God,
22:48I'm represented
22:49like this.
22:50I have three galleries.
22:51One in
22:52Riquivir,
22:53in Alsace,
22:54in France.
22:55One in Madrid.
22:56And one gallery
22:57in Italy,
22:58in Turin.
22:59So,
23:00I'm with them
23:01for 2025
23:02projects,
23:03inshallah,
23:04in
23:05Morocco
23:06and
23:07in
23:08Morocco
23:09and
23:10in
23:11Morocco
23:12and
23:14by 2025.
23:17And for
23:18my accommodation,
23:20I worked in
23:22Paris
23:23with
23:24stories
23:25and Concept Store,
23:27I was abroad
23:28and I'm
23:29at an agency
23:30in
23:32Austria
23:33for
23:34the
23:35owned
23:36countries
23:37Thank you
23:38very much
23:39for the
23:40cooperation.
23:41Thank you
23:42We can see on Instagram and social media that there is a strange tendency.
23:48What do you think, Nadia Shalawi, about the residents who are going to be young again?
23:51I don't know.
23:53They used to live in Qaddaqa, then they moved to Qaddaqa, and now they are in Qaddaqa.
23:59Is that right?
24:01I don't know. What's your phone number?
24:03Akkar.
24:05I don't feel anything in my head.
24:08Why? Why? Why?
24:11You can imagine.
24:13Fashion is really like a small bag,
24:19and you can take the weight of fashion and keep it in it.
24:22We are now 30 or 40 years old, but we still have the mini bag, the baby.
24:29We call it the baby.
24:31And now there is the XXL bag, which is back in fashion.
24:35Yes, it's back in fashion.
24:37As a big part, you can put everything in it.
24:39And as a small part.
24:41So it's not a trend anymore.
24:43No, it's not.
24:45And it's commercial.
24:47It's very commercial.
24:49And do you find them expensive?
24:51Because of their service.
24:53No, no, no.
24:55It's not even big.
24:57No, it's difficult.
24:59Even when it comes to wallets or wallets,
25:01their service is more difficult than the service of a big bag.
25:03Why is their service difficult?
25:05Because of the details.
25:07There are no details in a big bag.
25:09There are no details in a big bag.
25:11Wow.
25:13There are people who carry small things
25:15and they think that this small bag
25:17will be cheaper than the big one.
25:19So they buy it.
25:21Yes, fashion has its secrets.
25:23Yes, it has its secrets.
25:25It's difficult for us to understand everything.
25:27Nadia, God bless you.
25:31One last word.
25:33One last word.
25:35Moroccan women,
25:37when you go to Libya,
25:39you go to the end of your dreams.
25:41When you can, you get there.
25:43Well said.
25:45We want to reach that.
25:47We want to reach that.
25:49Well said, Nadia Chalawi.
25:51And God willing, we welcome you anytime.
25:53Thank you very much.
25:55We have reached the end of today's episode.
25:57Thank you to the technical and artistic team
25:59and thank you for joining us.
26:01And now, patchwork.
26:07Patchwork.