Đẳng Cấp Qúy Cô 2 - Tap 8
Category
😹
FunTranscript
00:00Who To Choose
00:07Who To Choose
00:12Participating actors are
00:14Truong Ham as Hoa Thien Ty
00:16Trinh San as Phuong Diet Phi
00:19Muoc Tieu Nghiem as Kieu Nham Luong
00:21Bach Gia Dias as Giang Ngui Than
00:24Phuong Diet Uyen as Dich Kiet
00:26Kham Kiet as Tuong Kieu Kieu
00:28in the role of Tu Ha,
00:29Mai Quang My in the role of Thu Ngu Hie,
00:32Tu Khai Sinh in the role of Doan Khai,
00:34and director Truong Bac Duc.
00:58Love, oh-oh-oh-oh, enjoy the beautiful world, oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh
01:28Enjoy the beautiful love, enjoy the beautiful love
01:58Enjoy the beautiful love, enjoy the beautiful love
02:29Enjoy the beautiful love, enjoy the beautiful love
02:39Enjoy the beautiful love, enjoy the beautiful love
02:49Enjoy the beautiful love, enjoy the beautiful love
03:00Enjoy the beautiful love, enjoy the beautiful love
03:10Enjoy the beautiful love, enjoy the beautiful love
03:21Enjoy the beautiful love, enjoy the beautiful love
03:31If I find out that you're here because you don't care about...
03:35Whether it's fun or not is your business.
03:38What I want is success.
03:40The so-called fun that you talk about is your family's business.
03:43It has nothing to do with me.
03:47Deputy Ton Bach.
03:49Next, I want to talk to you.
03:53Tony.
03:55Call Mrs. Ly in here.
03:56Yes.
03:59Please.
04:10A year ago, because you played the game of poverty,
04:12you didn't let him and Phuong Diep Phi come together.
04:14But why is he now a manager?
04:16After all, what else are you hiding from me?
04:22Trieu Dinh.
04:23Now, you immediately let the person investigating the Qua Thi Group
04:25name him Qua Thien Te.
04:27Let's see what good things he has done in a year.
04:30Everything is big and small.
04:31Don't miss anything.
04:35You have the courage to let me act as your daughter.
04:37But you don't have the courage to see the real face of Qua Thien Te.
04:40Is that right?
04:42Now, you just need to do Ha Tu's design and work well.
04:45You don't have to worry about anything else.
04:48I don't believe in your simple thinking.
04:51Do you dare to say that Qua Thien Te has gone through everything
04:55that happened a year ago?
04:56Do you dare to say that he cooperated with us for no other purpose?
04:59Do you dare to say that he cooperated with us for no other purpose?
05:16If Phuong Diep Phi doesn't fulfill my request,
05:18please go home.
05:20I don't need you here.
05:22I will try to take the medicine.
05:24A year ago, Phuong Diep Phi only knew how to draw on paper
05:26and couldn't produce a product.
05:28How could she step on the stage in Europe?
05:30You are her manager.
05:32Why don't you draw for her?
05:38How about this?
05:39From now on,
05:41you will be in charge of her schedule.
05:43I will be in charge of training her to be the first designer.
05:51As for Vice President Bach Anh,
05:53at first, your family was the one who invested in Ha Tu.
05:56Your plan is not what I need at all.
06:00Is that all you can do?
06:04The plan you gave me
06:06can only list out
06:08the materials
06:10that I need.
06:11But clothes and materials are closely related.
06:14Ha Tu is a fashion brand.
06:15I think you should introduce more materials.
06:17That's your specialty.
06:18I don't need to know.
06:20What I need is your plans
06:21to change Ha Tu
06:24and help us to be more innovative.
06:26Currently, the global situation is environmental protection.
06:29The materials of Bach Gia Anh
06:30can apply the theme of environmental protection
06:32to Ha Tu's design.
06:34Advanced technology materials
06:35can make Ha Tu lead the latest trend.
06:39That's the plan I need.
06:41If Bach Gia Anh can only do the processing now,
06:45I'm sorry.
06:48I'm just looking for
06:50another partner.
06:52I understand.
06:54I'll make another plan.
06:56I won't ruin Bach Gia's reputation.
06:58Good.
06:59It seems that we have reached an agreement.
07:02There should be no problem.
07:11Who's standing there?
07:13Come in.
07:23Manager,
07:24I have something to do.
07:29I've said everything I need to say.
07:31Thank you, everyone.
07:46That's so cool, Mr. Te.
07:48They have followed your plan.
07:51They left all the chairs
07:53and stood so high.
07:55I thought they were so arrogant.
07:58I think they just want to show off.
08:00They are so afraid of me.
08:02They are so afraid of me.
08:04When I look at them,
08:05they don't dare to make a sound.
08:10These tricks
08:14are taught by people like me.
08:17Mr. Te,
08:18is there anything else?
08:20No.
08:24I want to be alone for a while.
08:27Okay.
08:50I love you.
09:21Mr. Te,
09:23I'm so sorry.
09:28Get in the car.
09:30Okay.
09:45I'll pay you all the medicine.
09:48Mr. Truong will give you some money.
09:50I hope you can go as far as you can.
09:53I don't want to see you anymore.
09:58Thank you for loving my daughter.
10:01I'm so sorry.
10:03It's not your fault.
10:05If you and her come from the same place,
10:08live in the same family,
10:10and don't have a mother like me,
10:13she will be the happiest girl in the world.
10:19Hoa Thien Te,
10:21this is the first time I talk to you
10:25and it's also the last time.
10:27Don't blame Viet Phi.
10:29He's right.
10:31You don't have money,
10:33don't have a place,
10:35how can you protect the one you love?
10:38These words are for you.
10:41It's really cruel
10:43and very unfair.
10:45But it's all reality.
10:47When you don't have a penny in your pocket,
10:50any love you have is useless.
10:54Don't humiliate yourself.
10:57Try to move forward.
11:17I love you.
11:48Talk about fate with me.
11:51Look down on my relatives.
11:54If you don't have money,
11:56you don't have the right to love.
11:58Very good.
12:00I will let you know
12:02the real fate of Hoa Thien Te.
12:04Let you taste the smell of being hit under the ground,
12:07being looked down on by others.
12:09What does it smell like?
12:18I love you, Viet Phi.
12:22Don't blame me.
12:25Blame yourself if you want to.
12:34Have you talked to Hoa Thien Te clearly?
12:36No need to say anything.
12:38Even though his purpose is to take revenge,
12:40he is very professional
12:42and he has a good intention.
12:44I just need to know that.
12:46I just need to do my job well.
12:48I won't ruin Viet Phi's future.
12:50I don't have time to deal with him anymore.
13:06To Ha.
13:07Yes?
13:08I have something to tell you.
13:10What is it?
13:12To Ha.
13:13Yes?
13:14Dat is in a meeting,
13:16but he forgot a very important document.
13:18But I can't go now.
13:19I have to wait for the president and Viet Phi to come back.
13:21Could you please give it to me?
13:24No problem.
13:26The address is in here.
13:28Okay, thank you.
13:42To Ha.
13:55Hey, To Ha.
13:59I told the general manager
14:01to take Ha Tu's plan
14:02to discuss the design with him.
14:04Tell Tieu Dinh to give me the document.
14:07Then, tell him to do his job
14:09and I can wait for you.
14:12Okay.
14:19To Ha.
14:20I just want to invite you to dinner
14:22and officially apologize to you.
14:24Is that okay?
14:32Come in.
14:43To Ha.
14:51These are the famous dishes here.
14:53The pork is transferred from Spain by air
14:56that has high collagen content,
14:57which is very good for the skin.
15:04It's very difficult to find a bar
15:07of your birth year.
15:08Is that favorable?
15:09Indispensable.
15:12I know you don't like to paint or use makeup, and you don't want me to waste my time.
15:30But last time, you were so busy with Viet Phi's fashion show that you worked all night and were stressed.
15:35You ate instant noodles when you were hungry.
15:37You told me it was a joke.
15:40Do you know how much it hurts me?
15:48I still think about how I can sit down and relax and have a meal.
15:53It's that simple.
15:57Because only in this way can you have enough energy to work.
16:03Isn't it?
16:11Are you still mad at me?
16:19You're not mad at me anymore?
16:28This morning, I went to the company early to apologize.
16:32I thought of all ways to trick you to come here.
16:35But if I'm still mad at you now, doesn't that mean I'm too narrow-minded?
16:47Is it good?
16:48It's good.
16:50I have two more gifts for you.
16:58Take the first one.
17:11What is this?
17:14You'll know when you open it.
17:32In the future, if you want to buy clothes, just tell me.
17:35Don't wear Viet Phi's clothes anymore.
17:37No one will laugh at you anymore.
17:41I don't feel that wearing Viet Phi's clothes is a waste of face.
17:46Viet Quyen's smile is enough.
17:48Now, even you don't understand me.
17:51Of course not.
17:53I don't mean that.
17:54I just want you to be like Viet Quyen,
17:56wearing the most beautiful and latest clothes.
17:59Wearing those clothes,
18:01will I become a princess?
18:05Tua Ha, don't be like that.
18:09Or let me return this shirt to you.
18:11No need.
18:18You should say sorry to me.
18:20I forgot.
18:22Your world and Viet Quyen's world are the same.
18:26So, you did that.
18:28I think it's natural.
18:31I'm sorry.
18:33I'm sorry.
18:35I'm sorry.
18:36I'm sorry.
18:38I don't deserve your shirt.
18:43Tua Ha.
19:06Tua Ha.
19:08Tua Ha.
19:09Don't go.
19:10Let me explain.
19:11It's not what you think.
19:12Listen to me.
19:13Let me explain first.
19:14Let's talk slowly.
19:15Tua Ha.
19:16Tua Ha.
19:17Boy, look at her.
19:30Don't go.
19:32I can stand up myself.
19:37Tua Ha.
19:43What do you want to do?
19:45Look.
19:47Look.
19:48I said I could do it.
19:55I remember I said
19:56I like men who know how to skate.
20:00So, I've been learning how to skate.
20:03Because
20:07I want to teach you first.
20:12Look.
20:14I said I could do it.
20:17Tonight, after you finish your work,
20:19let's go to the skate park.
20:20I'll teach you first.
20:22I don't need it.
20:24What if I fall?
20:27I'll be your support.
20:30You're so weak.
20:32You only have bones.
20:36You're so weak.
20:37You only have bones.
20:38You're so weak.
20:39You only have bones.
20:40You're so weak.
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24:58It's not good to do that.
25:01You shouldn't say that.
25:03I did something wrong.
25:05I know you didn't mean to do that.
25:07But I'm still mad at you.
25:10I'm sorry.
25:13Alright.
25:14Let's not say who's right and who's wrong anymore.
25:17Is that okay?
25:18Yes.
25:22Hey, right.
25:23Do you dare to tell me what else you like to do?
25:26So I can step into your world.
25:28I believe that
25:29as long as it's what you like,
25:30I will definitely like it.
25:35Me?
25:38I like...
25:39I like...
25:47being next to you like this.
25:50Making you worry about me.
25:52I also like
25:53I also like
25:54every time you look at me,
25:55you stand there
25:56laughing like a fool.
26:04One more thing.
26:08As long as you like it,
26:11I can stand there
26:15and look at you.
26:20Why only you
26:22can stand there and look at me?
26:29Because...
26:32Because you will be my soulmate.
26:36I told you already.
26:38My father forced me to go.
26:39But...
26:40There's also a saying that
26:41it's been a long time since you were in love.
26:43Look at you.
26:44You're beautiful
26:46and cute.
26:47I don't know when
26:50you will fall in love with me.
26:53Actually,
26:55you were so scared in the haunted house, right?
27:01It's okay.
27:02It's just a headache.
27:04You think I'm scared like that,
27:05but you still try to protect me.
27:07Today is the first time
27:08I have the feeling of being protected by a man.
27:10It's a very special feeling.
27:12Very peaceful.
27:13I asked you out today
27:14because you and Khang Kiet
27:16have fought with each other.
27:17You have to like me in the shortest time.
27:19So I deliberately chose the haunted house
27:21as a very scary place.
27:23So when you protect me,
27:25I have a feeling with you.
27:35It's so embarrassing.
27:40There's nothing to be embarrassed about.
27:42I'm most afraid of rich and weak girls.
27:45I can't say no.
27:46I can't say no.
27:47Do you know how scared I was that day?
27:51So what?
27:54Let's not mention her.
27:58My friend.
27:59Yes.
28:01When will we continue to practice?
28:03So let me think about it.
28:16Hello.
28:18Where's mom?
28:19Mom went to attend a morning party
28:20organized by the National Design Association once a year.
28:23Drink milk.
28:24Design Association?
28:26Why didn't you tell me?
28:27Because today is the first day
28:29you come to work,
28:30so everyone hopes
28:31you have enough spirit to go to work.
28:38Eat it.
28:40Here.
28:44I didn't like boiled eggs before,
28:46so today I deliberately
28:47cooked omelette
28:48to let you taste another flavor.
28:50Do you know how hard it is to fry an omelette?
28:52I fried more than 10 eggs in the fridge.
28:56Why did you do this?
28:57It's not easy.
28:59Because from now on,
29:00I will work with a fairy flower,
29:02so I want to make an offering to you.
29:05Just a fairy flower
29:06doesn't need to be so tense.
29:10You are my biological sister.
29:11Don't you understand how I feel?
29:13I'm sure you didn't sleep well last night.
29:15I can see that your eyes are bruised.
29:18Who said I made him lose his face?
29:20It's natural for him to feel uncomfortable.
29:23How can you say that?
29:24He bullied me,
29:25which means he bullied you.
29:26I really didn't expect him
29:27to have such a rich father.
29:29He used to speak very well.
29:31Now he has completely changed into another person.
29:35What has changed?
29:39People have to change.
29:41Why do you like to be so tense
29:43over such a small thing?
29:46It's about Phi.
29:47You must not forget that
29:49yesterday I heard my mother say
29:50what did the fairy flower do to you?
29:52What did he mean by doing that?
29:54I lost my memory,
29:55but he didn't.
29:56His condition is not exactly like yours.
29:58What do you really want to do?
30:02Don't you want to go to Hạ Tư to work?
30:04Or don't you want to stay in the field?
30:09I don't want to go to work.
30:19It's not that I'm after you.
30:23But I beg you not to care about me anymore.
30:26Don't care about what I eat.
30:29The more you do that,
30:30the more pressure I feel.
30:32I don't want you to lose yourself
30:34because of me.
30:39Eat slowly.
31:09I'm hungry.
31:30Why do you keep following me when I'm sleeping?
31:35Auntie Ngo,
31:36can you stop being so noisy?
31:39You make the audience feel like a mess.
31:42Put your feet up.
32:10What are you doing?
32:13Don't mess up my desk.
32:15What's so special about that?
32:25Do you know that
32:26I woke up early today
32:27to make omelette for my sister?
32:29Because I know she doesn't like boiled eggs.
32:31But she thinks I'm angry fairy flower.
32:33She yelled at me.
32:36She's a fairy flower.
32:38She thinks she has to work with me.
32:40How can I be in a good mood
32:42and have breakfast with you?
32:44But that's the omelette I made for her.
32:46I made it for her.
32:52Why did you open my closet?
32:54I used this closet before.
32:56It's a mess.
32:57So I wanted to see if it's still there.
32:59I'm using this closet.
33:00There's no mess in there.
33:02I just want to see if it's still there.
33:04I just want to see if it's still there.
33:06I told you it's not there.
33:09If it's not there, why don't you let me see?
33:11Are you kidding me?
33:12Get out of here.
33:13I told you it's not there.
33:14What's going on?
33:15What's going on?
33:16I left my wallet in here.
33:17He took my wallet.
33:18Khang took your wallet?
33:19That's right.
33:20Why don't you think I have an identity?
33:22I don't want your wallet even if it's gold.
33:24I'm a VIP guest here.
33:25Do you know that?
33:26And who is he?
33:27Why is he arguing with me over a wallet?
33:29Wait.
33:30Wait.
33:31Don't be so agitated.
33:33Khang can't take your stuff.
33:35If you want to open Khang's closet,
33:37I'll invite the manager to come.
33:39Tell him your wallet is out there.
33:41Let's go out and find it.
33:42This way.
33:43Nothing.
33:47What are you doing?
33:49It's okay to let people see the closet for a while.
33:51It's like you're stealing attention.
33:54Are you hiding precious things in here?
33:57How do you know I'm hiding precious things in here?
34:01You're crazy.
34:04You're crazy.
34:10Khoa Thien Tien?
34:15Hello?
34:16Long time no see.
34:17I'm Khoa Thien Tien.
34:19I know.
34:20What's up?
34:22I want to invite you to eat.
34:25Why?
34:26We used to be good friends.
34:28And I heard that when my mom and sister came to Ha Tu yesterday...
34:31I invited you to dinner for two reasons.
34:34First,
34:36I hurt you before.
34:40The other reason,
34:42when I was in the most painful state,
34:44you walked with me through a long journey.
34:48This is what Nhi Phi gave me.
34:50Give it back.
34:58I'm sorry.
35:02It's my fault.
35:05It has nothing to do with you.
35:17I couldn't apologize to you yesterday.
35:23But today,
35:27I don't know if you can give me this chance.
35:31I'm sorry.
35:41You promised him, didn't you?
35:43Why did you do that in the morning?
35:46You talk too much.
35:48It's just a dinner.
35:50I just want to see if he has any intention.
35:53I'm leaving.
36:01She is a classicist.
36:12She is a classicist in modern history.
36:17The designers of the most famous are
36:19Madalena Viones and Coco Chano.
36:26Her favorite artist is
36:28Gustav Klim.
36:32She is a luxury.
36:34She is a natural.
36:36She sells herself.
36:38But she has to carry the past of others.
37:01Hello.
37:11Hello.
37:13My name is Tieu Nhat.
37:15You may not know where your office is.
37:19This way, please.
37:31I got it.
37:33Mr. Te, the receptionist said Phuong Viet Phi has arrived.
37:40Okay.
37:43I hope everyone will perform well later.
37:52Okay, everyone, get ready.
37:57This way, please.
37:59Okay.
38:02This is your office.
38:07The manager has prepared a big desk for you.
38:12If you need anything else, you can tell me.
38:15And this is...
38:32Phuong Viet Phi.
38:34Welcome.
38:37Why did you do that?
38:41Don't you feel happy
38:44that our offices are so close to each other?
38:46Are you spying on me?
38:49I want to change my office.
38:52There is no empty office in the company.
38:56That's okay. I won't work anymore.
38:58Okay.
38:59You can leave right now.
39:01But your mother will be sad.
39:03Wait for the letter from the court
39:06to compensate for the breach of contract.
39:18Maybe I'm playing with you.
39:21Maybe I'm taking you out as a joke.
39:24With your temper, you can leave.
39:26I can't leave.
39:28But you know
39:31I will cause trouble for Chairman Huong.
39:34I will wait for you to put on a long face
39:38and return to this big galaxy.
39:47Are you done?
39:50Your decision is...
39:53Of course I won't leave.
39:54What are you afraid of?
39:59Congratulations.
40:01You haven't realized the reality yet.
40:03But now I won't let you rest.
40:06Come with me to the meeting.
40:08Everyone is waiting for your first designer.
40:25Sit down.
40:38Hello everyone.
40:40I'm a new designer.
40:42Everyone knows what you are and what your job is.
40:45You don't have to be a designer.
40:47You don't have to be a designer.
40:49You don't have to be a designer.
40:51You don't have to be a designer.
40:52You don't have to be a designer.
40:54You don't have to be a designer.
41:03They are all professional consultants invited by the CEO.
41:06They are all editors and writers of fashion magazines.
41:10Their time is precious.
41:12Just tell them
41:14the style and concept of your design
41:16in the designs for the 35th anniversary of the founding of Ha Tu.
41:19I'm so embarrassed.
41:21Today is my first day at work.
41:23I haven't prepared my design concept yet.
41:25So can you tell me
41:27your favorite designer
41:29or your favorite fashion style?
41:31I'm afraid I can't help you find the idea.
41:38I think
41:40each designer has a different style.
41:42I can't tell
41:44I only like a style
41:46or some element.
41:48I really like
41:50the work of Alexander McQueen.
41:53In his design,
41:55you can see a rich imagination
41:57design for the face
41:59to get rid of the normality in reality.
42:04What about Vio.net?
42:07Since this old brand was bought by Paris,
42:10they have changed to a new designer.
42:14The designs of Vio.net in the past few seasons
42:16I don't think they are bad.
42:18But from a business point of view,
42:20I think a new designer
42:22can't revive this brand.
42:24It's not just based on a few designs
42:26that can lead the French market.
42:28You are a designer
42:30who doesn't understand the current business situation of brands.
42:32Don't you think a designer
42:34just needs to sit in the drawing room on paper?
42:38I heard that
42:40the designer Phuong
42:42understands very clearly
42:44the designs of Coco Chanel, right?
42:46Coco Chanel?
42:48Don't you think
42:50wearing a pair of pearl necklace
42:52and reading her famous quotes
42:54can make her a genius designer?
42:56The most important value of fashion
42:58is the boldness and novelty
43:00that no one dares to try.
43:02It doesn't need to be so classic.
43:15It doesn't need to be so classic.
43:45It doesn't need to be so classic.
43:46It doesn't need to be so classic.
43:47It doesn't need to be so classic.
43:48It doesn't need to be so classic.
43:49It doesn't need to be so classic.
43:50It doesn't need to be so classic.
43:51It doesn't need to be so classic.
43:52It doesn't need to be so classic.
43:53It doesn't need to be so classic.
43:54It doesn't need to be so classic.
43:55It doesn't need to be so classic.
43:56It doesn't need to be so classic.
43:57It doesn't need to be so classic.
43:58It doesn't need to be so classic.
43:59It doesn't need to be so classic.
44:00It doesn't need to be so classic.
44:01It doesn't need to be so classic.
44:02It doesn't need to be so classic.
44:03It doesn't need to be so classic.
44:04It doesn't need to be so classic.
44:06It doesn't need to be so classic.
44:07It doesn't need to be so classic.
44:08It doesn't need to be so classic.
44:09It doesn't need to be so classic.
44:10It doesn't need to be so classic.
44:11It doesn't need to be so classic.
44:12It doesn't need to be so classic.
44:13It doesn't need to be so classic.
44:14It doesn't need to be so classic.
44:15It doesn't need to be so classic.
44:16It doesn't need to be so classic.
44:17It doesn't need to be so classic.
44:18It doesn't need to be so classic.
44:19It doesn't need to be so classic.
44:20It doesn't need to be so classic.
44:21It doesn't need to be so classic.
44:22It doesn't need to be so classic.
44:23It doesn't need to be so classic.
44:24It doesn't need to be so classic.
44:25It doesn't need to be so classic.
44:26It doesn't need to be so classic.
44:27It doesn't need to be so classic.
44:28It doesn't need to be so classic.
44:29It doesn't need to be so classic.
44:30It doesn't need to be so classic.
44:31It doesn't need to be so classic.
44:32It doesn't need to be so classic.
44:33It doesn't need to be so classic.
44:34It doesn't need to be so classic.
44:35It doesn't need to be so classic.
44:36It doesn't need to be so classic.
44:37It doesn't need to be so classic.
44:38It doesn't need to be so classic.
44:39It doesn't need to be so classic.
44:40It doesn't need to be so classic.
44:41It doesn't need to be so classic.
44:42It doesn't need to be so classic.
44:43It doesn't need to be so classic.
44:44It doesn't need to be so classic.
44:45It doesn't need to be so classic.
44:47It doesn't need to be so classic.
44:48It doesn't need to be so classic.
44:49It doesn't need to be so classic.
44:50It doesn't need to be so classic.
44:51It doesn't need to be so classic.
44:52It doesn't need to be so classic.
44:53It doesn't need to be so classic.
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44:55It doesn't need to be so classic.
44:56It doesn't need to be so classic.
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44:59It doesn't need to be so classic.
45:00It doesn't need to be so classic.
45:01It doesn't need to be so classic.
45:02It doesn't need to be so classic.
45:03It doesn't need to be so classic.
45:04It doesn't need to be so classic.
45:05It doesn't need to be so classic.
45:06It doesn't need to be so classic.
45:07It doesn't need to be so classic.
45:08It doesn't need to be so classic.
45:09It doesn't need to be so classic.
45:10It doesn't need to be so classic.
45:11It doesn't need to be so classic.
45:12It doesn't need to be so classic.
45:13It doesn't need to be so classic.
45:14It doesn't need to be so classic.
45:15It doesn't need to be so classic.
45:16It doesn't need to be so classic.
45:17It doesn't need to be so classic.
45:18It doesn't need to be so classic.
45:19It doesn't need to be so classic.
45:20It doesn't need to be so classic.
45:21It doesn't need to be so classic.
45:22It doesn't need to be so classic.
45:23It doesn't need to be so classic.
45:24It doesn't need to be so classic.
45:25It doesn't need to be so classic.
45:26It doesn't need to be so classic.