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00:01Tonight, we'll continue to learn about wisdom and courage
00:03as we continue to break through the unknown!
00:05Suri Urban Inoshishi
00:07Breaking through the danger lurking in the city special!
00:11First up!
00:13Suri Higayo, where money is stolen unknowingly!
00:16How do you protect yourself from the ever-increasing amount of money?
00:20The hint is in the first minute!
00:25What's wrong?
00:27This is the money I worked hard to save for this day!
00:31Please do something!
00:33Please calm down!
00:35Is it true that you stole 10,000 yen?
00:38Yes!
00:39Can you tell us the details of the incident?
00:42There's an idol group I know called Rouge Book.
00:45At the end of the event,
00:47I took a picture with Coco Oshino at the check-in counter.
00:51She was really cute.
00:53Here's 2,500 yen.
00:56When I tried to pay her...
01:00Huh?
01:01Huh? Why?
01:03I had 50,000 yen in my wallet, but I only had 40,000 yen.
01:07You didn't take everything?
01:09No.
01:10Is that even possible?
01:14I mean...
01:16You took out your wallet,
01:20and took 10,000 yen from it.
01:23And you put it back in your pocket.
01:26We'll find out.
01:28Then you can take it all.
01:30You can tell when you take out your wallet.
01:35The way a thief steals a wallet from his pocket
01:38is to break the cloth with a knife,
01:40cut it off,
01:41steal it with caution,
01:44or steal it with ketchup.
01:46But it's all about the wallet.
01:48But in this case,
01:50he steals 10,000 yen from his wallet.
01:53It's like magic.
01:55It's hard to say,
01:57but have you ever been mistaken?
01:59I'm sure you have.
02:00No way.
02:01Please believe me.
02:03What he's saying is true.
02:05Huh?
02:06Who?
02:17It's Dai.
02:18He's so cool.
02:19Actually,
02:20there have been more than 20 similar thefts at this event.
02:24More than 20?
02:25See?
02:26I knew it.
02:27I didn't expect to see you here.
02:29Who are you?
02:30I'm Udai.
02:31I'm a detective.
02:32I'm here on the headquarters' orders.
02:35Udai?
02:37You're the legendary Mosa?
02:39Mosa?
02:40Mosa?
02:41Mosa is the only one who can catch a thief.
02:44He's famous for his talent.
02:46Udai is one of them.
02:47He can hide his identity like a shadow
02:49and keep the crime scene under surveillance.
02:52People call him the Shadow Udai.
02:54He's so cool.
02:55He's so cool.
02:56So this case is so complicated
02:58that he's wearing a mask?
03:00Stealing is not magic.
03:02There must be a reason and a mechanism.
03:04Let's find out.
03:07Yes, sir.
03:09So he enters the crime scene.
03:11How did he steal 10,000 yen from his wallet?
03:16If you see a thief, report to the police immediately.
03:21A thief?
03:22A thief?
03:23He's the type of person who looks around.
03:27I see.
03:37A thief.
03:38A thief.
03:39A thief.
03:45I'm sure it's him.
03:48He took something.
03:53He was just looking for his friend.
03:56I'm starting to doubt everyone.
04:00He's the only one who can keep the crime scene under surveillance.
04:09Huh?
04:12He's here.
04:13He's suspicious.
04:15This is Udai.
04:16I found a suspicious man in a black suit in the center of the crime scene.
04:19Good morning.
04:26I see.
04:32Huh?
04:34At that moment!
04:36He's here.
04:38Huh?
04:44Check the navy hoodie.
04:46Yes, sir.
04:49He's not here.
04:50He's fast.
04:51Where did he go?
04:52He was stolen.
04:5410,000 yen from his wallet.
04:56I see.
04:57The theory is that he's the one who's the thief.
05:00Even if he catches the thief, he might lose all his money.
05:06So he needs to keep the evidence.
05:10I see.
05:11He's the culprit.
05:13But how did he get 10,000 yen from his wallet?
05:19Huh?
05:20I see.
05:21We're going to find out.
05:25How did he get 10,000 yen from his wallet without being noticed by the victim?
05:31Let me introduce him.
05:33Nice to meet you.
05:34Nice to meet you, too.
05:35Did you break through last time?
05:37I did, just in case.
05:38Just in case?
05:39He's a sweet guy.
05:40He's a sweet guy.
05:41I remember that.
05:42He's a sweet guy.
05:43I've been directed by Mr. Udai.
05:46I found Mr. Udai in a bright variety show very interesting.
05:51A bright variety show?
05:52He's an entertainer, though.
05:54This is Ms. Anna Yamada.
05:57Nice to meet you.
06:00You appeared in a drama called Kusanagi Bite.
06:05How was it?
06:07It was like that, but I had to do it well.
06:12You chose too many words.
06:14This is Mr. Taki and Ms. Mashun.
06:17Nice to meet you.
06:19This is a difficult question.
06:21Did he get 10,000 yen from his wallet without being noticed by the victim?
06:24Actually, he was more interested in idols.
06:27Idols?
06:28I'm sorry, but I'm saying something I don't understand.
06:31I don't understand, either.
06:33He took off his black hoodie and went back to dancing.
06:38I think you're wrong no matter how you look at it.
06:41He talked to him like,
06:43I dropped my money.
06:45He let him take out his wallet.
06:47He's a magician.
06:49He's doing something like a chameleon.
06:54When he gets excited in the chorus of a live performance,
06:57he does it with a lot of momentum.
06:59He does it with a lot of momentum.
07:01Everyone gets excited.
07:03That's amazing.
07:04It's a one-way street.
07:06How did he do it?
07:09Pay attention to the tip of your hand as I told you.
07:13Yes, sir.
07:17He's here.
07:21He's here.
07:22Target confirmed.
07:23He's doing everything.
07:37I'll raise my arm.
07:39He's here.
07:47He noticed.
07:53He disappeared.
07:54He disappeared.
07:55Where's Udai?
07:57He disappeared.
07:58He's a chameleon.
08:00Udai the shadow bird.
08:10I didn't know he was using such a shabby hand.
08:13What is it?
08:18Tweezers.
08:19Tweezers.
08:20If it's a tweezers,
08:21you can reduce the feeling of being touched to the limit.
08:24And this.
08:26You can cool it gently.
08:28Why?
08:29Is it a trick to keep the body temperature?
08:31It's a bad idea.
08:33That's right.
08:34The culprit used the tweezers skillfully from the wallet in the back pocket
08:39and took out only one of the five bills.
08:42And even if he touches the clothes,
08:44he must be careful not to be noticed by the body temperature.
08:46He must be careful not to be noticed by the body temperature.
08:50Wait.
08:53I'll arrest you in the second half of the first round at 2 p.m.
08:57Damn it!
09:01I didn't know he was using the tweezers skillfully.
09:05I saw a flash of light from the gap of his handkerchief.
09:09No matter how mysterious it looks,
09:11it's not magic.
09:12There must be a trick.
09:15It takes a lot of reasoning to figure it out.
09:20See you again.
09:22I'll be waiting for you.
09:27But after this,
09:28a trick with a more clever trick appears.
09:34Ouch!
09:35Ouch!
09:36Ouch!
09:37Ouch!
09:39Who is it?
09:40Who is it?
09:53I'm sorry.
09:54I'm sorry.
09:55I'm sorry.
09:57I'm sorry.
09:58I'm sorry.
09:59I'm sorry.
10:00What?
10:01What?
10:13I don't have my wallet.
10:15What?
10:16Why?
10:18The wallet he had suddenly disappeared.
10:22What happened?
10:25I was going to give my wallet to the police,
10:27but it was gone from my bag.
10:29By the way,
10:30before you lost your wallet,
10:32did you bump into a woman or talk to her?
10:35She was in her mid-twenties.
10:36Her height was about 165 cm.
10:38Isn't she a nice person?
10:39Yes.
10:40Her luggage was scattered,
10:41so we picked it up together.
10:42I knew it.
10:43What do you mean?
10:45There have been many similar thefts this month.
10:49Everyone is contacting the station headquarters.
10:51What?
10:55Yes, this is Okabe.
10:57I got it.
10:58Please send it right away.
10:59Mr. Shoninji has obtained the security camera footage,
11:01so he will send it now.
11:02Oh, it's here.
11:04Here it is.
11:05Can I check it?
11:10Is this person really the culprit?
11:12No.
11:13It's true that all the victims are in contact,
11:16but there is no sign of this woman stealing.
11:19What?
11:21Then who is the culprit?
11:23We are investigating it now.
11:25It's the turn of the legend.
11:28Again?
11:29All the victims are in contact with this woman,
11:33but there is no sign of her stealing in the security camera footage.
11:37What?
11:38So we started investigating at the station headquarters.
11:41We decided to investigate the woman who seems to be involved in a series of thefts.
11:47The person who is wearing earphones or a walkie-talkie is likely to be targeted by the thieves.
11:52Please be careful of such people.
11:54Roger.
12:01It's not her.
12:04There are too many.
12:08It's difficult to find her.
12:11Excuse me.
12:13Yes?
12:14I want to go here.
12:16What?
12:19Over there.
12:20Well...
12:21Her height and short hair...
12:25This is Kanechika.
12:26I found a woman near the central phone booth.
12:29I got it. I'm on my way. Don't take your eyes off her.
12:31Roger.
12:32We're on our way, too.
12:35We're on our way.
12:38I want to go here. Do you know where the exit No.1 is?
12:43This is the exit No.1.
12:45Oh, there are two people.
12:47They are her friends.
12:50What?
12:52Turn right here.
12:56Turn left?
12:57Yes.
12:58Turn left.
12:59Oh, I got it.
13:01There was a competitor.
13:03Yes.
13:04This case is a crime committed by multiple people.
13:07I see.
13:08One of them was a partner, and the other one was stealing a wallet from her bag.
13:14Who are you going to arrest?
13:15Roger.
13:18Can I talk to you for a moment?
13:20What?
13:25I'm sorry. I don't have time.
13:27Can I talk to you for a moment?
13:29Can I talk to you for a moment?
13:31Roger.
13:32Can I talk to you for a moment?
13:36What?
13:37What's going on?
13:38What's going on?
13:41I'm a police officer.
13:43You stole a wallet from a passenger, didn't you?
13:45Do you know where the office is?
13:47Wait a minute.
13:48I'm a hostage.
13:50We arrested two suspects who were involved in the theft.
13:54But...
13:57Where is it?
13:58Where is it?
13:59Where is it?
14:00He's yawning.
14:01Damn it.
14:04I can't find it.
14:07Mr. Udai.
14:08I can't find anything.
14:09No way.
14:11Of course.
14:12I don't have it.
14:13There's no way I have it.
14:14Can I talk to you for a moment?
14:15I have nothing to do with it.
14:17Nothing to do with it?
14:18All the passengers who contacted you have their wallets stolen.
14:22Yes.
14:23That's just a coincidence, isn't it?
14:25So what's the evidence I stole?
14:29Damn it.
14:33I'm sure I saw the moment I stole it.
14:38But why can't I find my wallet?
14:42I've prepared a video of the security camera.
14:46There should be evidence here that you stole my wallet.
14:50There should be.
14:56But...
15:02The security camera can't confirm the thief's stolen wallet.
15:06It's suspicious enough.
15:10I don't have my wallet.
15:11I don't have a video.
15:13I don't have any evidence.
15:16This is a false accusation.
15:18Can I go home now?
15:26Are you sure?
15:27I saw them taking my wallet with my own eyes.
15:33Even if we arrest them, we can't arrest them without evidence.
15:38Damn it.
15:43Hello?
15:45Yes.
15:46I found your wallet.
15:48What?
15:50What do you mean?
15:51What?
15:57The cleaning staff found your wallet in this trash can.
16:01What's going on?
16:03I've been following him since he took my wallet.
16:06Why is he so far away?
16:07And he took all my money.
16:10The place where the wallet was found is a public toilet just outside the station.
16:15It's impossible for the two suspects to leave the place because they were sure that the wallet was stolen.
16:21Mr. Udai.
16:22Is there a possibility that there is another accomplice?
16:25It's a relay system.
16:27A relay system?
16:28Yes.
16:29They turn the stolen wallet from one place to another.
16:32It's an old-fashioned method abroad.
16:36The relay system is an anti-theft technology that is handed over to the accomplice immediately after the crime.
16:44It's a popular method abroad, and it's been increasing in Japan in recent years.
16:49If that's the case, did he hand over the wallet to someone in that situation?
16:53I've never heard of it.
16:55It's quite a trick.
16:57I'm sure he's the leader of the three groups who got the wallet at the end.
17:02But the two sides of the accomplice are split, so shouldn't we mark them all the time?
17:09No.
17:10I don't think they're going to play a role this time.
17:13There is a high possibility that they will commit another crime.
17:16So we have to catch the leader after all?
17:20Even if you mark the face-recognizable men and women,
17:22there is a possibility that they will be used as a decoy.
17:28In order to secure the three groups,
17:30it is necessary to catch the leader, who is responsible for receiving the wallet.
17:34So, let's check the camera to see if there are any people who have come into contact with the thief.
17:41I don't know his face or the moment of the crime.
17:45I'm sure he's using a surveillance camera to receive the wallet.
17:50So there's no harvest.
17:52No, there was a harvest.
17:55If the man and woman committed a crime at the Toppa Station platform,
17:58they must not get on the train anymore.
18:00They must leave the ticket gate and go home.
18:03There is a high possibility that they will meet the leader with the wallet after that.
18:07In other words, the leader is one of the people who passed the ticket gate right after the crime.
18:14So, isn't it the culprit who got stuck in front of the ticket gate,
18:17checked the luggage of the customer,
18:19and the wallet came out from there?
18:22That's impossible. I don't know his face.
18:24There are 50,000 people at the Toppa Station platform a day.
18:28If I ask one by one, I won't make it in time.
18:32Even though he saw the crime scene,
18:34he escaped when the accomplice appeared.
18:38The moment he received the wallet,
18:40he didn't show up on the surveillance camera.
18:42The leader's face remains a mystery.
18:45How can we catch the accomplice without his appearance?
18:49If we don't catch the accomplice who ran away with the wallet at the end,
18:52we can't arrest this group 3 at all.
18:56But how do we catch the other one who doesn't know his appearance?
19:01There must be a way.
19:03Think about it.
19:05Think about it.
19:07Huh?
19:08I'm Shigarashi Minagawa.
19:10Thank you for your cooperation.
19:12He's the only one who hasn't been caught.
19:15I see.
19:17I might be able to say this method.
19:20Here's the Toppa Quiz!
19:23How can we catch the leader who doesn't know his appearance?
19:28The hint is in this scene!
19:32How can we catch the leader who doesn't know his appearance?
19:37I got it.
19:39I'm looking forward to it.
19:40Yes.
19:42We always think about it together while watching TV.
19:45I think there are a lot of answers that come from the angle of the screen.
19:50It's getting more and more difficult.
19:52I heard that there are people who do arm wrestling.
19:56How do they do it?
19:57They do it so that they can't be found.
20:00That's important.
20:01What did you see?
20:04How did they catch the leader who doesn't know his appearance?
20:10That's fast.
20:12First of all, the person who came into the station to do arm wrestling gets off at the station.
20:18I think that's how they do it.
20:20That person is the leader.
20:21This is...
20:22It could be.
20:23It could be.
20:26No!
20:27It's completely different.
20:28It's completely different.
20:29It's completely different.
20:30It's not even a millimeter.
20:32It's not.
20:34Yes.
20:35Udai was looking at me like this for a long time.
20:38No, no, there are seconds.
20:40This is...
20:45There seems to be a limit.
20:47I didn't know that.
20:49Oh, Hasegawa.
20:50The person who received the last wallet will buy something with this money.
20:53I don't know.
20:55I saw a car, a delicious sukiyaki, and food here.
20:59I said, this is it.
21:04Why are you embarrassed?
21:05I'm not embarrassed.
21:07A car and a sukiyaki came out.
21:09When I was handing over the wallet, I handed it over with my right hand and received it with my left hand.
21:13The person at the station who didn't do anything with his left ear.
21:16It's difficult.
21:17How do you figure it out?
21:18This is...
21:20A person who doesn't do anything with his left ear.
21:23It's not.
21:25Anna.
21:26Footprints.
21:27The person who was stepping on his shoes.
21:29I think it's a hint that you can follow the footprints and find them.
21:34This is...
21:39It's close.
21:40It's close.
21:41How do you follow the footprints?
21:43It's pretty primitive.
21:46For example, a dog.
21:48This is...
21:51A police dog.
21:53It's not.
21:54It's not a police dog.
21:55It's not a police dog.
21:57Rio.
21:58Wrapping sand.
22:00This is...
22:05It's very close.
22:08Taki.
22:09Wrapping water.
22:10This is...
22:14It's over.
22:18Did you see the moment he broke through?
22:21Where did he wrap the water to identify the culprit?
22:24How is it?
22:25I was able to detect it.
22:26Good.
22:44Suspicious.
22:45Suspicious.
22:48Excuse me.
22:49Yes.
22:50I want to change to the southern line.
22:52If so...
22:55This is Shoinji.
22:56I found a person like a star.
22:58Roger that.
23:09It's far from the crime scene.
23:12What?
23:18I can't confirm the location.
23:21The leader of a group of people.
23:23What is the trace?
23:26Amazing.
23:32Go down the stairs over there.
23:37It's far from the crime scene.
23:42I can't confirm the location.
23:44There.
23:45Now.
23:54I see.
23:58There is a beautiful trace.
24:04I found it.
24:05There is a man in a white hat.
24:07Roger that.
24:08It's amazing.
24:09It's a man in a white hat.
24:10Roger that.
24:11It's amazing.
24:12Good job.
24:15Whose wallet is this?
24:17What are you doing?
24:18It's already decided.
24:19Is that so?
24:20Can I confirm it?
24:22What is your name?
24:25What?
24:26What is your date of birth?
24:29I can't answer.
24:32I was arrested for theft.
24:35It's amazing.
24:39I can't believe you caught the criminal immediately.
24:42I saw the trace on the toilet.
24:45I thought he was wearing sneakers.
24:49I thought he wasn't wearing shoes.
24:52The police found the trace of the criminal.
24:58They expect the police to come out at the time of the crime.
25:03They watered the place before the police came.
25:05They measured the trace of the criminal.
25:10I want to see Udai disappear again.
25:13I only saw him once.
25:15He is a legendary man.
25:17You guys need more training.
25:20Next.
25:22They face various problems in the local government.
25:25This is the real Sugu Yaruka.
25:28It's a mole.
25:30It's a drama based on the real problem.
25:38It's a breakthrough.
25:42The hint is at the beginning of the video.
25:44This is delicious.
25:46It's a big success.
25:48It's a festival to break through the autumn.
25:50I wanted to know the local food.
25:54I didn't expect so many people to come.
25:57I had a lot of thoughts.
26:01It's time for the main event.
26:03This is the highlight of the day.
26:07This is a free potato.
26:13I want to eat it.
26:14Mr. Ogata is excited.
26:16This is an event that Nae-chan worked hard on.
26:20Thank you for coming today.
26:24Mr. Murakami.
26:25Thank you for providing me with a free potato.
26:29I would be happy if you knew about my free potato.
26:33Can you get me a free potato?
26:35I will help you.
26:37This is a festival to liven up the local area.
26:40But after this, there was a big problem.
26:48Free potato.
26:56This is big.
27:00This is a giant boar that is 1.5 meters long.
27:08This is a boar.
27:13This is big.
27:20What are you doing?
27:24This is big.
27:27This is a boar.
27:32This is a boar.
27:40This is cool.
27:43This is big.
27:49This is big.
27:53This is a boar.
27:59This is a boar.
28:06This is strong.
28:07Wait a minute.
28:14This is terrible.
28:18This is a festival that everyone worked hard on.
28:23You are a boar.
28:26I'm hot.
28:30Kill the urban boar that attacks the city.
28:35In recent years, the population of the boar has decreased.
28:39Urban boars have spread to the city.
28:44This is scary.
28:45This is a boar that was spotted in Tokyo.
28:49Urban boars are afraid of people.
28:53They are afraid of people and attack people.
28:57Urban boars cannot dig up dirt and eat.
29:02Urban boars are afraid of people and attack people.
29:06But why is there a huge boar in this city?
29:12Urban boars came down from the mountains to eat.
29:15Since we've learned that there's food in this town,
29:18we won't be able to go back to the mountains that easily.
29:21Seriously?
29:22But if we just stay here, there'll be more and more victims.
29:26If that happens, we'll have to use force.
29:29There's also a dormitory, but we can't use anesthesia in the town yet.
29:35If they actually show up in the town,
29:38there's no choice but to capture them with a rope or a net.
29:41No matter when an accident happens, there's always a chance.
29:46And just then...
29:50Yes?
29:51What?
29:52What's wrong?
29:53A boar appeared in the park on the second street.
29:57And as soon as they got there,
29:59a shocking sight awaited them.
30:02It's deep in the mountains!
30:04Understood.
30:12What?
30:15There's a lot of them.
30:16There's more of them.
30:17Why?
30:18It's easy to hide because there's a lot of trees.
30:22They must have turned this place into a nest.
30:24Seriously?
30:25What should we do?
30:26We can't miss this chance.
30:29Let's ask the police for help,
30:31block off the surroundings,
30:32and capture them.
30:35They'll capture Nejiro with the human world tactics
30:37and turn him into a beast.
30:42I'm scared.
30:43Don't move.
30:45Just a little more.
30:47Okay, I can do it.
30:50And just then...
30:54Oh no!
30:57He's here.
30:59Oh no!
31:03Damn it!
31:09Watch out!
31:20A bullet?
31:26It can't be.
31:29It can't be.
31:30Are you okay?
31:31It can't be.
31:34Don't let him get away!
31:35Hey!
31:37Watch out!
31:40Damn it!
31:41After that,
31:42they searched for where they were going.
31:44But they didn't return to the park.
31:47So,
31:48they thought of a way to get the wild boars out of this town.
31:52We're going to capture them.
31:55A place that looks like a new Nejiro.
31:57A supermarket, a convenience store, a restaurant.
31:59We're going to block off all the wild boars.
32:02If they think it's hard to get food in this town,
32:05they'll go to the mountains.
32:07I see.
32:08But the problem is,
32:10there are at least 100 places
32:12where they can get food.
32:16No, let's do it now.
32:18I won't let that happen again.
32:20That's right!
32:21That's why we have to do it now!
32:24They blocked off all the places where they can get food.
32:28So,
32:29they thought that the wild boars would go back to the mountains.
32:34Mr. Murakami.
32:35Where are the wild boars?
32:36They disappeared into the grassy village over there.
32:38It used to be a field,
32:40but it was abandoned for a long time.
32:41Now, it looks like this.
32:43It's a wasteland.
32:44But if it's a wasteland,
32:46there shouldn't be any food.
32:48The landowner has left his farm
32:50due to his old age.
32:52This is a wasteland.
32:54There shouldn't be any food,
32:56but why did the wild boars come in?
33:00Let's investigate.
33:05Are you okay?
33:08I'm scared.
33:14Hey, there's a hole.
33:17I see.
33:18So that's what it is.
33:20What?
33:21This is a feeding ground for the wild boars.
33:23A feeding ground?
33:25What do you mean?
33:26This field itself hasn't been used for many years,
33:28but the roots and seeds of the plants
33:30that were originally grown in the soil
33:32are still there.
33:33They grow naturally.
33:35They dig them up and eat them.
33:37Even in such a barren field,
33:39it's a feeding ground for the wild boars.
33:42In the abandoned land,
33:44the roots of the crops remain
33:46and the wild boars
33:48become valuable food for the wild boars.
33:50I see.
33:52At this rate,
33:54the wild boars will eat this place
33:56and become aggressive
33:58in the winter.
34:00There is a possibility
34:02that a new accident
34:04or human damage may occur.
34:06Then we should surround the area
34:08with electric fences
34:10like the field at Mr. Mukami's place.
34:13Then what should we do?
34:16Without being able to rescue the wild boars,
34:18it takes time and money
34:20to surround the feeding ground
34:22with electric fences.
34:24If we don't catch them as soon as possible,
34:26a new victim will come out.
34:28But as long as there is this field,
34:30they will continue to lurk in the village.
34:32How can we block this place
34:34without spending time or money?
34:36Think about it.
34:38Think about it.
34:40What are you doing?
34:42What are you doing to me?
34:47Oh,
34:49I have an idea.
34:53Wait for me,
34:55wild boars!
34:57We'll break through here.
35:01In the abandoned land,
35:03the roots of the crops remain
35:05and the wild boars
35:07become valuable food for the wild boars.
35:10How can we prevent wild boars
35:12from entering the abandoned land?
35:16We have to deal with the problem
35:18of wild boars.
35:20It's hard to do it right away.
35:22That's amazing.
35:26How can we prevent wild boars
35:28from entering the abandoned land?
35:32There is a custom
35:34that cows and other animals
35:36rush into red things.
35:38Then, they chase the wild boars
35:40and let them out of the forest.
35:42This is...
35:46No, it's not.
35:50I think that's why
35:52those big animals
35:54have delicate legs.
35:56They have thorns on their legs.
35:58This is...
36:04Almost!
36:06It's getting closer.
36:14This is...
36:19No, it's not.
36:27This is...
36:32No, it's not.
36:36I've heard that wild boars
36:38can only go straight.
36:40It's like a crank hell.
36:44No, it's not.
36:46A wild boar stepped on a sweet potato
36:48and made a sound.
36:50This is...
36:55Almost!
36:57The wild boar didn't like it.
36:59That's a big hint.
37:01Riho-chan.
37:03It's rolling a rock.
37:06This is...
37:10Almost!
37:12It's not a rock.
37:14Anna-chan.
37:16This is...
37:20It's over!
37:22Wonderful.
37:24Let's see the moment.
37:30Let's get rid of them
37:32while they're gone.
37:36This is good.
37:42This is OK.
37:44We just have to wait
37:46for them to come back.
37:48They just put the gravel
37:50in the field.
37:52What's the effect?
37:54It's true.
37:56It's coming.
37:58Finally!
38:00The movie
38:02will be released
38:04in Japan.
38:06What is the purpose
38:08of the fugitive?
38:10It's a touching suspense
38:12entertainment.
38:14Please watch it at the theater.
38:34The movie will be released on December 5th.
38:36They just put the gravel
38:38in the field.
38:40What's the effect?
38:44It's coming.
38:52I don't like it.
38:54OK.
38:56Why don't you like gravel?
38:58Wild boars don't like the sound
39:00of stepping on gravel.
39:02They don't like the feeling of stepping on it.
39:04Wild boars are sensitive
39:06to the sound and the feeling of stepping on it.
39:10They don't like the sound
39:12of stepping on gravel
39:14and the feeling of stepping on it.
39:18If they can't get food,
39:20they'll go back to the mountain.
39:22We'll plan the event
39:24to continue the festival.
39:26They can't stop
39:28the fluttering.
39:30I've been waiting for this.
39:32In this corner,
39:34we'll introduce the breakthrough
39:36that has been solved
39:38with a single blow.
39:40The breakthrough
39:42is here.
39:44The breakthrough
39:46will be decided
39:48by Uchimura.
39:50First of all,
39:52he's worried about raising a baby.
39:54Mikio,
39:56it's dangerous to enter the kitchen.
39:58Why don't you put a baby gate
40:00so that the baby doesn't come in?
40:02It's dangerous to put a baby gate.
40:04It's safe to put a baby gate,
40:06but it costs money and takes up a lot of space.
40:08That's why the kitchen is dangerous.
40:10You can't do that.
40:12You'll be in trouble if you do that.
40:14Oh, cute.
40:16Who is this?
40:18This is Ryo Yoshioka,
40:20who is in his early childhood.
40:22He has a lot of weight around his eyes.
40:24Can you make the same face now?
40:26It's the same.
40:28It's the same.
40:30It costs money to install a baby gate,
40:32and it takes up a lot of space.
40:34We solved it with a solution.
40:36Wrap it in gravel?
40:38No way.
40:40Like a boar?
40:42Wrap it in rocks?
40:44Here's the breakthrough.
40:46He laid artificial grass.
40:48He said he didn't want
40:50the grass to be sticky,
40:52so he didn't come in.
40:54I see.
40:56I'm scared when I open my eyes.
40:58This is good.
41:00This is good.
41:06Okabenkei and Kouringohi.
41:08Set.
41:10Next is this problem
41:12that happens when you change the pattern.
41:14There's a trace of a stick on the wall.
41:16The trace is surprisingly noticeable
41:18when you remove it.
41:20Why is there such a trace?
41:22Why is there such a trace?
41:24What a trace.
41:26It's like a waffle.
41:28It must have exploded.
41:30The trace of a stick on the wall
41:32is clearly visible.
41:34Before you put it on,
41:36paint it like a grain of rice.
41:38I won't call it a grain of rice.
41:40Of course.
41:42You said it.
41:44Let's call it a piece of paper
41:46like a grain of rice.
41:48Let's call it a piece of paper.
41:50Do you want to push the dent part
41:52from the other side?
41:54How?
41:56Just a little bit.
41:58Here's how you do it.
42:00You put a steam iron on it.
42:02Does this fix it?
42:04No way.
42:06You're kidding.
42:08It's a good video.
42:10Hurry up.
42:12When you put a towel-wrapped steam iron
42:14on a dented wall,
42:16the dent disappears
42:18when you put a towel-wrapped steam iron on it.
42:20It's amazing.
42:22By adding steam and heat,
42:24the ingredients in the wall become soft
42:26and the dent disappears
42:28to expand.
42:30By the way,
42:32if you put a steam iron directly on the wall,
42:34it may deform.
42:36It's amazing.
42:38I felt like I was being applauded.
42:40I agree.
42:42I'll try it.
42:44Do you have a stick?
42:46I don't have a stick.
42:48I'll use my hands.
42:54Mel Angel and Dave.
42:58What's more,
43:00he's worried about the pack.
43:02It's a mess.
43:04Why is it so difficult
43:06to put sashimi on a plate?
43:08When customers come to my house,
43:10I can't put it in a pack.
43:12I gave up.
43:14What's this?
43:16What's this?
43:18It's a sashimi arm made of octopus.
43:20It's amazing.
43:22He wants to put the sashimi he bought
43:24back in a beautiful way.
43:26He has overcome such a problem.
43:28I put the sashimi on a plate.
43:30Then,
43:32I bite it.
43:34Like Mr. Sakai.
43:36Table-crossing.
43:38There is a lid.
43:40I do this.
43:42I put the sashimi on a plate.
43:44Then, I put the plate back in a beautiful way.
43:46That's amazing.
43:48I see.
43:50I'll show you how to overcome this problem.
43:52He put the sashimi on a plate
43:54after putting it on a lid.
43:56That's amazing.
43:58That's amazing.
44:00He put the sashimi on a plate
44:02after putting it on a lid.
44:04He put the plate on a plate
44:06and put it on a lid again.
44:08He can put the sashimi on a plate
44:10after putting it on a lid.
44:12That's amazing.
44:14I can't believe it.
44:16He's smart.
44:18I'm looking forward to eating it
44:20as it is.
44:22Why?
44:24Who are you going to eat it with?
44:26You're talking nonsense.
44:28Mr. Uchiro, please give us a comment.
44:34Mr. Kaneji and Mr. Rintaro.
44:36Let's go.