People Vip 20 de Noviembre
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00:00Hello friends of People en Español, Noelia Castro greets you, welcome to your program
00:10today where we will share exclusive interviews with the singer Luis Fonsi and the actors
00:16Carlos Ponce and Luciano Cáceres, as well as hot entertainment news, there is a lot of
00:24content today so let's start with those news that are in everyone's mouth.
00:31And if I don't like how he sings, what's the problem? I have to like it by force.
00:44I feel more free, I feel, because no one says it's perfect, I feel at peace with myself,
00:53I have received many testimonies from women in my networks, because many take that to the grave
01:00and well, I feel much better. It wasn't easy, but I do feel different, I feel much better
01:08because I have received support from many women who have experienced the same and who have not
01:13dared to say it, because of fear, because of shame, or because they are not going to believe them,
01:19because there are also many testimonies that say it in time and they do not believe them.
01:29Well, we are all salaried, that is, we have been everything, salaried is what it means to receive a salary
01:37and wanting him to do well, I wish him the best, my condolences, I love him, I love his songs,
01:43but, I mean, and I also put it at the height of Cher and Madonna and no one said anything.
01:48They always look for the black, they change it from context to make a yellowish note
01:56and make me look like the bad one.
02:05But this is a secret of Sevillanas, not of Santas, so I'm not looking for more black things.
02:11I already clarified what I had to clarify, and if I don't like how she sings, what's the problem?
02:16I have to like it by force, I love Ana Gabriel, I love Dianne Marquez,
02:20and she is talented, she has a lot of light, everything you want, but hey, I don't know what the scandal is.
02:26Instead, when they mess with me, some media that tell me such grotesque things,
02:34no, no, it's not worth it, because it's foreign shit and they have never defended me.
02:39When they don't defend me, they don't say anything, they let the note pass and make fun of me and laugh.
02:45Yes, they made fun of a poisoning, they said it wasn't true, so what can I do?
02:55And Luis Fonsi is happy with his passage through the Latin Grammys and new projects for 2025.
03:01Let's see what he told us in the next interview.
03:04It was a day full of many emotions, it was a week full of many emotions,
03:13with many events, singing in several very beautiful events, but yesterday was very special,
03:19obviously because I won a Latin Grammy for Best Pop Album,
03:26an album that one always says that each album is special,
03:30but the trip, being a slightly different concept, had its risks,
03:37to make an album that each song is the name of a city.
03:41There was a moment, being completely honest, that I said I would be making a mistake,
03:47instead of going straight to the singles, to suddenly make an album in the way it was promoted,
03:58I released 6-7 songs with 6-7 videos, it was a little different,
04:04each song was the name of a city, and that creates emotion at the same time, but nerves,
04:12because you never know how people will understand it.
04:15But to have this Latin Grammy reward, the most important Latin music award,
04:21to do it with my colleagues, to see so many people that I admire in the public,
04:25while I sang three songs from three different decades,
04:30I sang No Me Voy Provencido, Despacito and Santa Marta,
04:33it was like closing a cycle or a circle or something very beautiful,
04:41and that's why I got up with this hangover of love,
04:45not of alcohol because I didn't drink, but a hangover of feelings and love.
04:51Vives was also part of this album, and curiously the song that I'm promoting,
04:59one of the most successful of this album, was the song that I recorded with Carlos Vives, Santa Marta,
05:05so there was that very real bond in the present, now.
05:13Carlos for me has always been an example to follow, a friend from the heart,
05:21we have shared very beautiful moments on stage and off stage,
05:26family moments, I admire him a lot, and the person of the year is a prize,
05:34maybe it's that prize that every artist dreams of having,
05:39to see him on the night of that gala, so excited to see his eyes watered,
05:45when these legends, Juan Luis Guerra, Ruben Blades singing his songs, Gloria Estefan,
05:56well, the cast was brutal, honored to be part of that cast,
06:02and happy for Carlos because he has fought for it, based on work, love, heart,
06:09a humble guy, a guy who smiles at life, and I repeat, an example to follow.
06:15We are addicted to turning inspiration into music,
06:22and we need to be creating at all times,
06:27and the snowball always has to keep spinning, it can never stop.
06:35Right now I'm in the cycle of the tour,
06:41it's one of the facets that I enjoy the most, besides creating,
06:44being on stage is something that I'm very passionate about,
06:47but in January, when there is a small break from the tour,
06:54I go to the studio, and I have several coordinated sessions with producers,
06:59with composers, with whom I want to work,
07:04so I would say that the new creative cycle would begin,
07:09which I don't know where it will take me, and right now I don't want to know,
07:13what I want is to make a flight reservation,
07:18which right now has no destination,
07:19what I know is that I'm going to get on a flight somewhere,
07:22but I don't have the destination yet, and that fills me with a lot of hope,
07:26that I'm going to create, and I'll know when that next project will come out,
07:31but honestly, the present is about the tour of 25 years,
07:37which has taken me to wonderful places,
07:40there are still many shows left here in the United States,
07:43in December in Orlando, in Miami on the 22nd,
07:48next year there are still some concerts in the Northeast,
07:52in New York, in Pennsylvania,
07:55the big closure that will be in Puerto Rico on March 15,
07:58in the Choliseo, which I announced yesterday,
08:01which obviously has me super excited,
08:04to return to my land, where it all started,
08:08so nothing, celebrating many things at the same time.
08:10This year makes me very excited because I'm going to Puerto Rico,
08:14because if I'm not mistaken,
08:18I think Micaela has never said goodbye to the year in Puerto Rico,
08:23Rocono,
08:25so we did spend Christmas,
08:27but we're all going to say goodbye to the year as a family,
08:31and when I say all, I mean dad, mom, brother, cousins, nephews,
08:36cousins, nephews,
08:39we're going to Puerto Rico,
08:41we needed that tropical heat,
08:47that rice with peanuts,
08:50and I wanted my children to be there.
08:52It's been a year full of pure blessings,
08:56it's been a year of a lot, a lot, a lot of work,
09:01a lot of effort,
09:03a lot of completely new projects for me,
09:08like this movie,
09:10how to launch a children's book,
09:14how to launch this album,
09:17the trip that came out this year,
09:20the beginning of this tour,
09:23a 25-year anniversary,
09:26you couldn't write a book
09:29on a personal level,
09:31outside of the professional,
09:33on a personal level,
09:34I couldn't write a beautiful book
09:39about how this 2024 came about.
09:47This segment is presented by Metro by T-Mobile.
09:51Continuing with our People VIP,
09:53we have a very special guest
09:55to talk about a very, very relevant topic
09:58in this season.
10:00Thanksgiving is coming,
10:01the holidays,
10:03it's about family therapist and clinical psychologist
10:06Ricardo Pichardo.
10:08Mental health, for God's sake,
10:10who is not interested in this topic?
10:13Doctor, welcome.
10:15Thank you very much, Kika,
10:17the truth is that, well,
10:18from here, from the Dominican Republic,
10:20I send a greeting to all of you,
10:22to the entire audience,
10:23which I know is a lot,
10:24and as you said,
10:25everyone is interested now in these topics,
10:27and that's good, that's good,
10:29because it's a topic that affects us all,
10:31it obviously affects us all,
10:33and it's up to us to talk about it,
10:36and it's good that there are spaces like this for it.
10:38That's right,
10:39and I also think that holidays like this,
10:41Thanksgiving, Christmas,
10:43affect us a lot more,
10:45not all of us have the privilege of having a family,
10:47we are going through difficult situations
10:49on a personal, professional level,
10:51and in these moments of celebration,
10:55well, how do we deal with these times
10:59that are special,
11:00but at the same time involve many challenges?
11:04Look, Kika,
11:05by culture,
11:06especially us Latinos,
11:08we have this very rooted tradition
11:11of celebrating Christmas,
11:13for us,
11:14well, in the United States, Thanksgiving,
11:16obviously we have had to move
11:18and get on that wave of the United States,
11:20what we live,
11:21they live there in the United States,
11:23but look,
11:24it's something so rooted,
11:26of sharing in family,
11:28that many people can even feel pressured,
11:32because they feel like they don't like Christmas,
11:35in fact, we have people in therapy,
11:37in consultation,
11:38like telling us,
11:39look, I come here because I feel like I don't like Christmas,
11:41and then they feel bad,
11:43they feel sad,
11:44because they should like it,
11:46so look how they get to these times,
11:49they get to these celebrations,
11:51because they feel like they are not part of it,
11:54or that they feel that maybe
11:56they are not grateful enough,
11:58feeling like they are not part of the lot,
12:01like everyone has to like us to the same extent,
12:04and it really is not like that.
12:06Let's talk about those,
12:08let's not say tricks,
12:10but yes,
12:11those,
12:13well,
12:14real tools that can help us
12:16to handle this situation,
12:18to go through the festive season,
12:20and, as they say,
12:21to start again,
12:23how many new ones in 2025?
12:26Look, one thing that happens a lot here
12:28is that sometimes there are issues in families
12:30that are not yet resolved,
12:32there are issues that are sensitive,
12:34and people,
12:36when they know that they are going to meet
12:38with those families,
12:39and that there are issues
12:40that perhaps we have not talked about,
12:42duels that have not been resolved,
12:44well, it affects us a little,
12:46our well-being,
12:49right?
12:50So the first thing we could say,
12:52as a tool,
12:53is first to accept,
12:55to know that my family is not perfect,
12:58I think we suffer a lot when we idealize,
13:01I think these times and these celebrations
13:04idealize,
13:05romanticize,
13:07and I think we should give ourselves the permission
13:09to know and recognize
13:11that it does not have to be like that,
13:13that families are human beings,
13:15that our parents are wrong,
13:17that this idea that we,
13:19as Latinos, above all,
13:21we have the idea very
13:23badly conceived,
13:24a badly conceived construct,
13:25our mothers,
13:26our mothers are people too.
13:28Exactly,
13:29and it is also incredible to think,
13:31doctor,
13:32that the more we are surrounded by people,
13:34the more alone we feel,
13:36that feeling of loneliness
13:38that parties bring,
13:39well, there are people who
13:41spend them alone,
13:42let's say for some reason,
13:44but there are others who are still surrounded
13:46by people,
13:47they have that feeling,
13:48here I am alone,
13:49no one, no one,
13:50no one is really with me,
13:51so let's talk a little bit
13:53about loneliness and that feeling
13:55that just intensifies
13:58these end-of-year parties.
14:00Yes,
14:01of course,
14:02notice that there are people
14:03who have had to emigrate,
14:04that is,
14:05not because they wanted to,
14:06but out of necessity,
14:08notice that,
14:09of course,
14:10both cases hurt,
14:12but it is more difficult for those
14:14who have done it out of necessity,
14:15because in their countries
14:17perhaps they did not have the resources
14:19or were looking for a better life,
14:21right?
14:22In other latitudes.
14:23So,
14:24of course,
14:25notice that all the messages,
14:27everything that advertising brings us,
14:29the stores,
14:30everything is
14:31sharing,
14:32being together,
14:33being in a family,
14:34perhaps not everyone will have this opportunity,
14:36but as you also say,
14:37there are others
14:38who, while still surrounded by people,
14:40also feel that loneliness.
14:42To them specifically,
14:44it would be necessary to ask
14:46or suggest
14:48that they perhaps open themselves to the possibility
14:50of doing a therapeutic process
14:52so that we can see
14:53why I feel like this
14:55even though I do not have,
14:58that is, that I have a family,
15:00that I have friends,
15:01that I have, obviously,
15:02this group of people who do support me,
15:04that I am aware that they love me,
15:06so that we can discover,
15:08obviously,
15:09where this loneliness comes from,
15:11this feeling that,
15:12despite being surrounded,
15:13I feel like this.
15:14The importance,
15:15obviously,
15:16of all this
15:17is perhaps
15:18to be able to express it,
15:19to ventilate it.
15:21Sometimes,
15:22out of fear,
15:23we do not express our emotions,
15:25we understand that,
15:26ah, well,
15:27these are parties,
15:28I am not going to tell anyone,
15:30I am going to repress.
15:31And obviously,
15:32what I repress submits me.
15:35What I deny,
15:37obviously,
15:38will come out.
15:39And although I do not speak it,
15:40I do not express it
15:41with my voice,
15:42then that is going to affect
15:44what we call
15:45diseases that are somatic.
15:47What I do not speak with my mouth,
15:49my body will reflect it.
15:50There are people who do not have an allergy,
15:52there are people who have headaches
15:54that have no explanation,
15:56muscle pain, etc.
15:58Those are,
15:59perhaps,
16:00many emotions
16:01that they have not been able to express,
16:02that they have not been able to ventilate,
16:03and, obviously,
16:04it comes out somewhere.
16:13Hello my 12 people in Spanish,
16:15I am Noelia,
16:16and today I meet the artist
16:18Luciano Cáceres.
16:20Luciano, dear,
16:21welcome.
16:22How are you?
16:23Very well,
16:24here in New York.
16:25The truth is,
16:26the first time I am in this city,
16:27a lot of joy,
16:28a lot of expectation,
16:29the previous sale of the two bite functions
16:31in this city comes very well.
16:34We come from Miami,
16:36also my first time in Miami,
16:38exhausting two functions,
16:40a lot of joy.
16:41The truth is that I am happy.
16:42Great,
16:43and we are going to talk about
16:45that work,
16:46which is called Bite.
16:48Well,
16:49I want to ask you,
16:50dear Luciano,
16:51how would you define this work,
16:52perhaps,
16:53in a few words,
16:54and perhaps,
16:55what emotions do you think
16:56will awaken in the public?
16:59Well,
17:00Bite is
17:01a typical policeman
17:05who is going to discover
17:07the plot,
17:10the character René
17:11appears with bloodied hands
17:13and we do not know
17:14how long it happened
17:15or what happened
17:16and we find out little by little,
17:17but it is a work
17:18that goes through you,
17:19dark moments,
17:20moments of humor
17:21and moments of a deep tragedy.
17:24It is the story of a marginal being,
17:26of a different.
17:28René is a boy
17:29who was first abandoned
17:30by his mother at birth
17:31and then his father,
17:32at the age of ten,
17:33abandons him in a carpentry workshop
17:34in Ataúdes
17:35and he is suspended
17:36in those ten years
17:37intellectually
17:38and intellectually
17:39he becomes a man physically
17:41but with the innocent look
17:42of a child
17:44and he becomes the strange,
17:45the different,
17:46the different of the people.
17:48Excellent.
17:49We are just talking
17:50about René's character.
17:53Let's talk a little
17:54about the construction
17:55of this character, right?
17:56What elements, perhaps,
17:57were more challenging for you
18:00or perhaps,
18:01what were more gratifying
18:02for you
18:03when building René?
18:06Well, the challenge
18:07was very big.
18:08First, to think
18:09that it is a monologue,
18:10a unipersonal work,
18:11to be alone
18:12on the stage
18:13but I discovered
18:14that I have good companions
18:15who are the spectators.
18:16A chemistry is generated,
18:17a very special ritual,
18:18a direct connection
18:19with those who are in the room.
18:22My mother was a social worker
18:25for 30 years
18:26and she was young
18:27and I accompanied her
18:28to her work
18:29in the poor neighborhoods,
18:31villas, as they say
18:32in Buenos Aires
18:34and it caught my attention
18:36how the children of my age
18:37had moko hanging, right?
18:39And my mother said to me,
18:40well, that's why they are called
18:41mokozo,
18:42it's a way
18:43that children in Argentina
18:44are called,
18:45but I said to her,
18:46why do they have moko
18:47and I don't?
18:48And there she told me,
18:49well, because they don't have
18:50a mother present
18:51who is attending all the time.
18:53And somehow
18:54that was the first image
18:55of thinking
18:56about the naturalized abandonment
18:58that some people suffer.
19:01This work has a real engine
19:02which is a journalistic news
19:04where a teenager
19:05in Argentina
19:06for stealing a cell phone,
19:07a mobile phone,
19:09between 30
19:10they killed him with sticks.
19:13That teenager
19:14was not well,
19:16but between 30
19:17they killed a teenager
19:18for a phone.
19:19So it talks about that,
19:20how suddenly
19:21the sudden violence,
19:23the disinterest
19:24for the different,
19:25for the different
19:26and when one
19:27gets to know the story
19:28from there it changes
19:29the point of view, right?
19:30Because if you think
19:31only about that boy
19:32who stole,
19:33who was not well,
19:34but when one goes
19:35to the beginning of his story,
19:36from there you begin
19:37to understand
19:38a lot of other questions
19:39that have to do
19:40with the fact that
19:41he didn't have the opportunities
19:42or he had bad teachings
19:44or none,
19:45he did it alone, right?
19:47Of course,
19:48and now that you are
19:49addressing
19:50that theme
19:51of death,
19:53which is the central element,
19:56how did you perhaps
19:57approach
19:58the representation
20:00of this violence
20:01on stage
20:02without perhaps
20:03falling, I don't know,
20:04into morbidity?
20:05What messages
20:06do you think it transmits?
20:08Well, I think
20:09it's interesting
20:10the look
20:11that René has
20:12because he is still
20:13a child
20:14with an adult body.
20:15So all the brutality,
20:17everything that can be shown
20:19is always looked at
20:20with a child's look,
20:23without prejudice,
20:25without burden,
20:26without knowledge
20:27because from there
20:28the point of view
20:29that an adult has
20:30is done and right,
20:32has reflection,
20:33has a lot of information.
20:34He can't see
20:36why they don't accept him
20:37because
20:40it's very simple,
20:41it's very simple,
20:42it's very
20:45short there
20:46for his intellectual development
20:49and I think that
20:50also generates
20:51a lot of identification
20:52in the viewer
20:53because although
20:54we all have different lives,
20:55but who has not felt
20:56a different,
20:57a marginal,
20:58a different in some area?
21:00There is something very good
21:01that happened here in Miami,
21:03in the United States,
21:06that there are many people
21:07who came to make their lives,
21:10leaving their countries of origin,
21:12many immigrants,
21:13who suddenly
21:14have had a hard time finding out
21:16and without having
21:17the same story as René,
21:18they feel empathy
21:19with what this being lives
21:21and at the same time
21:22who has not suffered an abandonment.
21:24Out there, René's
21:25is too extreme
21:26and it's very hard
21:27that from such a young age
21:28no one is interested in you,
21:31but there is a direct connection
21:34and everyone obviously
21:35draws their own conclusions
21:38and debates
21:39about their point of view
21:40always,
21:42but the ritual
21:43that is generated with René
21:45goes beyond
21:46telling a work,
21:48going through a story,
21:49but it becomes
21:50a theatrical experience.
21:51As soon as you enter the room,
21:52you will see me there
21:54involved in the character
21:56and little by little,
21:57very kindly,
21:58you will get into a story
21:59that you did not expect.
22:00How beautiful!
22:01Congratulations, Luciano!
22:02Look,
22:03I'm going to bring you
22:04the VIP table
22:05so you can invite
22:06your fans
22:07not to miss
22:08this great work.
22:11Well, I want to invite
22:12all the people of New York
22:13and Los Angeles
22:14we will also be
22:1529 and 30
22:16in The Producer Club.
22:17Tickets are obtained
22:18by Ticketplay
22:20and also
22:21at the Boletería de Teatro.
22:23On November 2,
22:24we arrive in Los Angeles
22:25by the same ticket office,
22:26by Ticketplay too.
22:27And well,
22:28nothing, invite them.
22:29Wherever they know where to bite
22:30and wherever there is
22:31Argentine theater,
22:32always,
22:33I will always recommend them
22:34because it is a theater
22:35that is done with a lot of passion,
22:36with a lot of blood,
22:37with a lot of love
22:38and above all
22:39a lot,
22:40a lot of trade.
22:45And we had the opportunity
22:46to talk to the actor
22:47Carlos Ponce
22:48who tells us
22:49about a very important
22:50and very serious topic
22:51that all men
22:52and women
22:53should pay attention to.
22:55Let's see what he told us.
23:01Friends of People en Español,
23:02today I meet
23:03the artist
23:04Carlos Ponce.
23:06Dear Carlos,
23:07welcome.
23:08And today,
23:09we are going to talk
23:10about an extremely
23:11important topic.
23:12Carlos,
23:13I want to ask you,
23:14what motivated you
23:15to become
23:16a defender
23:17of cancer prevention,
23:18specifically,
23:19of colon cancer?
23:22Look,
23:23I am,
23:24yes,
23:25a defender
23:26of prevention.
23:27Oh my God,
23:28because we,
23:29Latinos,
23:30we procrastinate.
23:31I mean,
23:32why do we delay
23:33things so much
23:34all the time
23:35until the last minute?
23:36And in my house,
23:37unfortunately
23:38and fortunately
23:39also because
23:40we are very active
23:41in being aware
23:42of our health
23:43throughout life,
23:44there is a lot of cancer,
23:45especially
23:46between the woman
23:47and my mother
23:48who has been
23:49for many years.
23:50She is very well,
23:51healthy,
23:52but she is not in remission
23:53yet.
23:54So,
23:55for me,
23:56it is very important
23:57that people
23:58do these tests
23:59at an early age
24:00to be able to
24:01prevent something
24:02worse.
24:03It is very sad
24:04to see that
24:05something happened
24:06to you
24:07simply because
24:08you did not
24:09give yourself
24:10the time
24:11that is more
24:12important
24:13than the time
24:14you invest
24:15in a lot
24:16of other
24:17things
24:18in life.
24:19Yes,
24:20of course,
24:21as you just said,
24:22we procrastinate
24:23Latinos,
24:24right?
24:25And we know
24:26that colon cancer
24:27affects our
24:28Latino community
24:29disproportionately.
24:30And I would like
24:31to ask you,
24:32Carlos,
24:33how can we
24:34make colon cancer
24:35detention
24:36exams more
24:37accessible?
24:38I mean,
24:39less intimidating
24:40perhaps
24:41for the
24:42Latino community?
24:43Well,
24:44you touched
24:45on the perfect
24:46question
24:47because precisely
24:48what has happened
24:49is that there is
24:50a taboo
24:51around colon
24:52cancer.
24:53I mean,
24:54they tell you
24:55and you imagine
24:56inside there
24:57who knows
24:58what position
24:59you are in
25:00feeling terrible
25:01things.
25:02Technology
25:03has advanced
25:04a lot.
25:05My people
25:06have advanced
25:07a lot.
25:08For example,
25:09I did it
25:10at home.
25:11I did it
25:12alone,
25:13myself.
25:14I didn't even
25:15have to call
25:16Karina to
25:17help me.
25:18Thank God.
25:19I mean,
25:20it's like a kit
25:21where you put
25:22your sample
25:23of the
25:24s,
25:25well sealed,
25:26they put
25:27a liquid
25:28that they
25:29know what it is.
25:30I have no idea
25:31but the question
25:32is that
25:33you send it
25:34back completely
25:35private,
25:36sealed
25:37and
25:38it will be
25:39two or three
25:40days later
25:41the
25:42estimated
25:43results
25:44come back
25:45to you.
25:46The results
25:47come back
25:48to you.
25:49In my
25:50case,
25:51thank God,
25:52it was
25:53negative.
25:54And
25:55the good thing
25:56is that
25:57I think I
25:58understand
25:59the percentage
26:00above 90%
26:01that the
26:02probability
26:03that I
26:04have that
26:05type of
26:06cancer is
26:07zero.
26:08That's
26:09wonderful
26:10to know
26:11too,
26:12but one
26:13must
26:14prevent
26:15and go
26:16every
26:17day
26:18and
26:19it is
26:20very
26:21important
26:22that
26:23we
26:24know
26:25that
26:26the
26:27results
26:28that
26:29they
26:30are
26:31coming
26:32back
26:33are
26:34positive,
26:35that
26:36we
26:37must
26:38prevent
26:39the
26:40disease
26:41that
26:42we
26:43are
26:44going to
26:45have
26:46one of the others to know that it is normal.
26:49We have to normalize all these types of exams,
26:52between men and women as well.
26:53Apart from the colon cancer, it also affects women.
26:56We have to normalize all these conversations.
27:01And Carlos, look, what message of hope
27:03would you like to transmit to the people who are fighting
27:07against cancer, right?
27:08Or who have families who suffer from it.
27:12Well, look, I am a very believing person.
27:15I always put myself in the hands of God,
27:17but God does not help you if you do not help yourself.
27:19Help yourself, and I will help you, right?
27:23So you have to get up, you have to take action,
27:27and you have to prepare yourself and prepare your future
27:31and that of your heirs.
27:36Before, like after, heirs.
27:38Look, I'm making up words today.
27:41That of your people, that of your family.
27:42You have to take care of yourself and do it as a community.
27:48Of course.
27:48Well, to finish, Carlos, in addition to your work
27:50as a health defender, what are your next professional projects
27:55that you can tell us about?
27:58Oh, I have so many things right now.
28:00I have 20,000 things going around.
28:03I'm creating more programming.
28:05We did very well with the WPT program of Juntos en Acción.
28:12And I think we're going to do another season.
28:18We are creating two other projects as well.
28:20The production company Enhouse,
28:25Enhouse is us, we have Carino and I.
28:28And a couple of things that are coming for next year.
28:32A movie that I made in Puerto Rico is called Perla,
28:35with Zuleika, a very beautiful musical.
28:37And Paz Vega.
28:39That's about to come out.
28:41And that's where we're going.
28:42I'll tell you more later.
28:48Guys, thank you very much for tuning in today.
28:51And remember that for more information
28:53in the world of entertainment,
28:54you can access People en Español.com.
28:58I was with you, Noelia Castro,
28:59and see you in a next People VIP.
29:02Bye.