EIGHT-JAM 2024年11月17日 東京スカパラダイスオーケストラ特集
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00:008 Jam
00:05Tonight's 8 Jam is...
00:08Tokyo Ska Paradise Orchestra
00:12This year marks the 35th anniversary of their debut.
00:18Let's see their amazing collaboration with various artists.
00:25Let's start with their collaboration.
00:29This album was released in 1995.
00:33Here we have guest vocalists like Naoto Takenaka, Sayuri Ishikawa, and Kenji Ozawa.
00:40Wow, Kenji Ozawa is amazing.
00:44It's a classic.
00:48Shadowing to this song with Kenji Ozawa.
00:52It's a song without much power, but it goes well with Kenji Ozawa's vocals.
00:57Kenji Ozawa and Suka, who were called Shibuya-style at the time,
01:01were able to sing the two parts without much interaction.
01:07It's cool. I love Ozawa.
01:11And the three-part work here established the image of a ska-paradise collaboration.
01:29It's cool.
01:32It's cool.
01:40Yes, yes, yes.
01:42It came out well.
01:48Yes, yes.
02:02Yes, yes.
02:20They changed the branding of ska.
02:23Ska is a wild style from Jamaica.
02:26They changed the concept of Japan to something stylish.
02:31I came to Tokyo for the first time on a radio show.
02:36At that time, I was already using Suka's songs.
02:40For commercials.
02:43That's fast.
02:44After that, I asked for a theater version of the stage.
02:49I asked Gen Hoshino to sing it.
02:51I see.
02:52That's how it ended.
02:54After that, I met him at a bar.
02:57That's good.
03:00There is still more.
03:02What is the behind-the-scenes of the ska-paradise collaboration?
03:08And the performance that shows the charm of ska.
03:15Tonight, let's start with the ska-paradise collaboration.
03:23It's good.
03:29It's JALA.
03:39The members are amazing.
03:47It's Mr. Hiroto.
03:49It's a direct call.
03:50It's Mr. Hiroto.
03:52I was friends with Mr. Hiroto.
03:56I called him directly.
03:59I asked him if he would sing at my house.
04:03He said yes.
04:05That's cool.
04:07It's a trust relationship.
04:15It's cool.
04:26It's a trust relationship.
04:56It's a trust relationship.
05:16It's Mr. Sakurai.
05:19It is a ska-paradise collaboration that has become a standard now.
05:23It didn't go well at first.
05:29The album was released in 1995.
05:33You collaborated with Mr. Ishikawa.
05:38You collaborated with British and American singers.
05:42You collaborated with international singers.
05:47But it didn't sell well.
05:50Based on the feedback at that time,
05:53We didn't deliver our message as a band.
05:59From this time on, we will write songs and deliver the message of ska-paradise.
06:05It started with TAJIMATAKO's MEGURETA ORANGE.
06:11It feels like a re-debut.
06:13The members are gathered now.
06:17Mr. Kato is also here.
06:19It's like going back to the beginning.
06:22It's a ska-paradise.
06:24It's time to face J-POP.
06:32We talked about collaboration.
06:35But I don't want to look like a back band.
06:39I didn't evaluate the sound at first.
06:45MEGURETA ORANGE TOKYO SKA-PARADISE ORCHESTRA
06:48It's a Tokyo ska-paradise orchestra.
06:51It's terrible to think about it.
06:53You agreed well.
06:56The concept is to be a member of ska-paradise.
07:01The concept was clear.
07:05This is the first song of the trilogy.
07:09MOTEGI was still a support member.
07:16KIN-CHAN decided to join the orchestra when he heard the playback of MEGURETA ORANGE.
07:24Did you support the orchestra until then?
07:26We supported the orchestra for two years.
07:29We toured all over Europe together.
07:32We toured all over the world for two years.
07:35We wore the smell of ska-paradise.
07:39We recorded MEGURETA ORANGE TOKYO SKA-PARADISE ORCHESTRA for the first time in a long time.
07:44When I heard the playback of MEGURETA ORANGE TOKYO SKA-PARADISE ORCHESTRA, I thought,
07:46This is the sound of ska-paradise.
07:50When we made this music video,
07:52I asked them to let me be an official member.
07:56All the members jumped up.
07:59We were wondering if the dressing room would shake.
08:03Did you want to be an official member?
08:06Did you worry about it for two years?
08:08I had to go to a place where I could express the color of ska-paradise.
08:14Otherwise, I couldn't say yes.
08:16Did you have respect for ska-paradise?
08:19That's right.
08:21We've been waiting for you to say that.
08:24I thought it was a little different for us to ask you to join us.
08:29I thought only Kin-chan was there.
08:31We've been working together for two years.
08:34When I asked him to join ska-paradise,
08:36We all jumped up.
08:38But he cried.
08:42We all cried.
08:44When Mr. Oomori joined ska-paradise,
08:47I was very happy.
08:50A handsome man came in.
08:53It's nice to see a handsome man now.
08:55I'm a handsome man.
09:00Ska-paradise's gorgeous collaboration is still to come.
09:05Aiko.
09:09Everyone is so pretty.
09:23She's so pretty.
09:27She's so pretty.
09:39She's so pretty.
09:53She's so pretty.
09:57Everyone is so pretty.
10:23She's so pretty.
10:30She's so pretty.
10:43She's so pretty.
10:56I thought it was interesting.
10:58It's a collaboration with a lot of people.
11:00Even though it's a ska-paradise song,
11:03It's interesting to hear all the different songs.
11:06That's why even if you collaborate with a lot of people,
11:08I think it will be a good main song.
11:13So how do the nine of you make such a ska-paradise song?
11:18Here it is.
11:20Here it is.
11:22First, the song.
11:26It's not in the sheet music.
11:29Second, I'll play it once.
11:33Third, I'll make it sleep.
11:35I'll make it sleep.
11:38I'll make it sleep.
11:42I'll save it.
11:43Fourth, I'll choose songs that suit the vocalist.
11:48Nekasuta and Nocchi will be selected, and the music will be arranged according to each song.
11:53Then, Mr. Yanaka's lyrics will finally move here.
11:57First, after the song is decided.
11:59There are times when a lot of songs will be released.
12:04At the time of the release.
12:05At the time of the release.
12:06Is there a rule that there is always one song per person when it gathers?
12:11There is no rule.
12:12There is no rule.
12:13Let's write it.
12:15I'll say it.
12:16There are times when everyone comes back.
12:20One song.
12:21One song.
12:22I don't have anything to do on the day of the rehearsal.
12:26I'm sorry to the studio.
12:28I'm sorry to the studio.
12:31At the time of the release.
12:32Well, I'll put this out next time, but I'll stock this.
12:35That's right.
12:36There are days when I split it into two.
12:38That's right.
12:39When is it so good?
12:40That's about it.
12:41When it comes out for the time being.
12:43Because everyone writes it.
12:45It's amazing that everyone can write a song.
12:48Even if you release one song per person, it's 9 patterns, right?
12:51That's right.
12:52If that's 2, it's 18.
12:54It's ridiculous.
12:55But there aren't many days like that.
12:59If you write 2-3 songs, it's already 2-30 songs.
13:01That's right.
13:02That's a day.
13:03There are times when you can't play it in a day.
13:06Anyway, I've decided to play it all together.
13:09It's amazing.
13:10No matter what song.
13:11I'll play it once.
13:12First of all.
13:13What kind of instrument is it?
13:15Is it a chord and a lead instrument?
13:17That's right.
13:18Chord and Schumero.
13:19Schumero.
13:20But if you make a demo tape properly.
13:22There are times when I make a demo tape.
13:24If that's the case, the image will be solidified.
13:28I see.
13:29It feels like everyone did it.
13:30When it's terrible, just the melody and chords.
13:33KIN-chan plays the drums as he pleases.
13:36I don't know what kind of song it is.
13:39I asked the person who wrote the song.
13:41I want to give you a count.
13:43What does it feel like?
13:45The answer is...
13:47It's SUKA.
13:49That's right.
13:53SUKA is a good word.
13:55I can't help it.
13:57I thought it was a melody brought by a ballad.
14:02I thought it would be cool if I increased the tempo.
14:07I came up with the idea at that time.
14:10I recorded a few patterns.
14:13Then I went to bed.
14:17How many songs are you sleeping now?
14:19There are a lot of songs I'm sleeping.
14:21But this also comes to an end depending on the season.
14:27Is that so?
14:28That's right.
14:30I think there's a lot of savings.
14:33Let's write songs when we get to that point.
14:37How do you choose songs for the 4th round?
14:42I choose a motif that suits the image of the vocalist.
14:49Of course, I decide the vocalist and write it again.
14:53I see.
14:55I choose the best one on the table.
15:00Do you compile it?
15:02That's right.
15:04The selection meeting is very long.
15:06That's right.
15:08What is the final decision?
15:10That's right.
15:12I choose two or three songs.
15:15I ask the vocalist to sing a little.
15:21I see.
15:22I want the vocalist's voice to come alive.
15:29I've actually experienced it.
15:31I see.
15:33I asked Maru-chan to come to the rehearsal.
15:35I see.
15:36We actually performed together.
15:38This is the song that the two groups have collaborated on this year.
15:54I didn't have a rap part.
15:56I was asked to do something.
15:59I added a rap part.
16:02YANAKA-SAN wrote the lyrics.
16:05Did you write the rap part?
16:07That was an instrumental part.
16:09That's right.
16:11That's how it was born.
16:13When we were recording, everyone came to see us.
16:18It's hard to record with everyone.
16:22It's very difficult.
16:25It's very difficult.
16:28Don't say it's difficult.
16:31I'm excited.
16:33I'm lonely.
16:35I happened to be in front of Murakami.
16:38I was watching it.
16:40Murakami was in a good mood.
16:44That's right.
16:46If I sing a song, everyone will be happy.
16:50It's true.
16:52Everyone will be happy.
16:55I'm a hero.
16:57I changed it to horror.
16:59I changed it to horror.
17:01I'm sorry.
17:03I said this too much.
17:05The next song was recorded.
17:07I sang two songs.
17:09The other day, the number of people decreased by three.
17:12Is that true?
17:14Did YOKOYAMA say that?
17:16I was told to be careful.
17:18If there are too many people, the pressure will be strong.
17:20I was told to be careful.
17:22I said too many things.
17:24I'm a gentle man.
17:26I'm grateful.
17:28I'm grateful.
17:30But there was no pressure.
17:33The next song will be recorded.
17:36How many people will be recorded?
17:38YOKOYAMA, you should say how many people.
17:40Five people.
17:42That's a little too much.
17:44Five people is too much.
17:46Five people is too much.
17:48I was told to put this person in.
17:50That's funny.
17:52I was told to put four people in.
17:54I think each artist has a different atmosphere.
17:56That's amazing.
17:58I think there are people who have been asked to do it many times.
18:00I want to sing with the performance.
18:04I see.
18:06I performed with HIROTO.
18:08I sang only once.
18:10I didn't even look at the score.
18:12I see.
18:14That's amazing.
18:16NAKAZUMI, who is a member of HIROTO.
18:18I performed with him.
18:20I sang a song with him.
18:22I opened the door so that I couldn't record it again.
18:24Everyone was singing here.
18:26I was nervous.
18:28I thought I could fix it later.
18:30I opened the door and everyone ran away.
18:32I couldn't run away.
18:34That's amazing.
18:36After this,
18:38SKAPARA's video.
18:40And the session.
18:42SHIBUDAI SUBARU.
18:44This is the last performance.
19:00Today's guest.
19:02SKAPARA's amazing performance.
19:04This is the first time he has performed this song.
19:06It's an arrangement for the song.
19:12SKAPARA's arrangement.
19:16The instrument plays the same melody as the song.
19:18He is good at arranging the song.
19:20What is the point of this arrangement?
19:24Brass has a similar volume to the voice.
19:26That's right.
19:28That's right.
19:30That's right.
19:32That's right.
19:34That's right.
19:36That's right.
19:38That's right.
19:40For most musicians,
19:42they have a conversation
19:44with instruments in the song.
19:46As the music progresses,
19:48the lyrics become powerful
19:50and the pace becomes faster.
19:52The song and the instruments
19:54mix.
19:56The overlap is
19:58because of mecreta Orange.
20:00That's right.
20:02That's your idea.
20:04My idea is different.
20:06With the mecreta Orange,
20:08The chorus of Make Way for Change was originally the theme of Kawakami-san's book.
20:15It was the intro, right?
20:16Yes.
20:17I think the intro here is the most chorus-like.
20:22There is a part where the lyrics are put on the melody of the piano and sung.
20:27That's why it's easy to establish a unison.
20:31And the forest that burns beautifully...
20:38Don't look back.
20:43I was lost.
20:51That was the riff of the piano at first.
20:54But I put the lyrics on it.
20:58The lyrics were on it.
21:00I put the lyrics in the melody of the piano.
21:08It's very impressive.
21:11By singing it, it's like a scapula.
21:16I thought it would be difficult to put the lyrics here.
21:21When I was worried, Mr. Kitagawa said,
21:23You're the only one I love.
21:28I thought it was a good mood.
21:31But it wasn't.
21:34When Mr. Kitagawa sings,
21:36You're the only one I love.
21:39I feel like I'm out of tune.
21:41It's strangely light.
21:46In the end, it was like Mr. Kitagawa's bad words.
21:50I felt sorry for him.
21:52Scaparra has been active for 35 years.
21:56But the beginning of its history is...
22:00Akina Nakamori, Checkers, etc.
22:03In 1985, when idol songs were in their prime.
22:08Asa-chan, who did hair and makeup like Kyoko Koizumi,
22:12Scaparra was formed in parallel with that activity.
22:16While such members were replaced,
22:18From 1987 to 1988,
22:22These six members are joining one after another.
22:27They're all wild.
22:34And in 1989,
22:36Debut with the album TOKYO OSCAR PARADISE ORCHESTRA.
22:42This is a precious video of Shibuya Street Live,
22:46Which has been held since before their debut.
22:50It's late.
23:01I made a mistake.
23:03I don't want to get involved.
23:06It's a young generation.
23:12It's amazing.
23:14It's exciting.
23:15In front of the stage.
23:20Gamo-chan.
23:21Cool.
23:28By the way, at that time,
23:30In addition to original songs and famous songs,
23:35Various songs such as arrangement covers for children's songs were performed.
23:45And they always perform live in a crowd.
23:49It's cool.
23:52A year after their debut,
23:54As an instrumental band,
23:56They performed 10,000 people at the Budokan at an extraordinary speed.
24:02I've never seen it before.
24:05It was an unimaginable visual.
24:08It was a time when everyone was sharp.
24:15I've been thinking about how to stand out.
24:20How can I stand out?
24:23I started with a suit.
24:25There weren't many bands like that.
24:27I thought I'd stand out if I came out in a suit.
24:32The staging was amazing.
24:36I used to hold a keyboard.
24:39When I was a student, I imitated it and got hurt.
24:45I didn't think it was that big.
24:48It's the size of a Buddha.
24:51In the beginning, I was too energetic.
24:55You have to put out your energy somewhere.
24:58However, the genre of ska played by ska players was not very popular at the time.
25:05There were people who took on the ska flavor.
25:07There was no one who specialized in ska so far.
25:09It's hard to do it as a mainstream.
25:12The beginning was a bit more rough.
25:16The ska that was born in Jamaica.
25:18I was receiving it like this.
25:22It came out really cool.
25:24It came out like this.
25:29In the first place, ska is a genre that was born in Jamaica in the 1960s.
25:35It is said that the rhythm is the biggest feature.
25:38It's a really free music.
25:41Anyway, if this is in the back of the box, it's ska.
25:48Is that so?
25:50You can combine it with any music.
25:52You can easily make any song into a ska.
25:55You can make it into a ska arrangement.
25:57The name is already a rhythm.
26:00Originally, I was doing it with a guitar.
26:04That's why it became ska.
26:05That's why it became ska?
26:07There was a rumor.
26:09This time, we have a musical instrument.
26:11I'd like you to play it.
26:16It's really fun.
26:20What is the biggest feature of ska, the rhythm of the back of the box?
26:26First of all, any J-pop or any song.
26:31If you arrange it with a ska beat, it will look like this.
26:35Thank you very much.
26:37Today is a big deal.
26:39I'd like you to sing a verse of Super 8's Omoidama.
26:48I've already signed a contract.
26:53There was a negotiation earlier.
26:57I've been waiting for you.
27:00Not again.
27:04We haven't had a meeting yet.
27:06It's a collision.
27:08It's a collision.
27:09It's a collision.
27:17I've already signed a contract.
27:21First of all, the original version.
27:23First of all, the original version.
27:27Let's do it.
27:36Omoidama ima sora e kakerou ka
27:41Sore wa ato ga iro ni matashitara
27:46Tori no oku no negai ame ni natta
27:51Koko no kibou no anata saki hodo nandara
27:59Cool!
28:03Cool!
28:06What happens if this is a ska version?
28:09Ska version.
28:11Let's do it.
28:19Omoidama ima sora e kakerou ka
28:24Sore wa ato ga iro ni matashitara
28:29Tori no oku no negai ame ni natta
28:34Koko no kibou no anata saki hodo nandara
28:42Cool!
28:45Cool!
28:48It's totally different.
28:50It's totally different.
28:52Maru-chan can sing well.
28:56It's totally different.
28:58It's totally different.
29:00His singing style has changed too.
29:02His singing style has changed too.
29:04His singing style has changed too.
29:06His accent has changed too.
29:08His body naturally moves.
29:10His body naturally moves.
29:12Even though it's a ska,
29:14even though it's a ska,
29:17there are 3 different types.
29:20Then, let's go with the original version.
29:25Let's do it.
29:25I'd like to try different kinds of ska in the same song.
29:29Oh, that's a good idea.
29:30Let's do it.
29:32First, the original ska.
29:33Okay.
29:55This is the original ska in the 60s.
30:07And in the 70s, two-tone ska was popular.
30:14It's a combination of punk, rock, and ska that was popular in London at the time.
30:21Two-tone ska version.
30:52It's cool.
30:58It's cool.
31:00It's totally different.
31:02It's even cooler.
31:05It was popular in the US in the 80s.
31:09It's called ska punk.
31:11It's a combination of ska and punk.
31:14It's a fusion of American punk.
31:17It's like ska core.
31:18Let's do it.
31:20Ska punk version, please.
31:51It's amazing.
31:53Even in the same song.
31:55It's intense.
31:56How did the difference change?
31:58Of course, there was a lot of rock and punk.
32:02The interpretation has changed a lot.
32:04At first, it was a little relaxed.
32:06But it's getting younger.
32:08It's getting faster.
32:10It's like a fusion of beats that were popular at the time.
32:16It's evolving.
32:20Speaking of ska punk, it's already active overseas.
32:25But where does it start?
32:30France
32:33From the early 1990s, they've been touring in Europe.
32:41Not just on the streets and live houses.
32:45Tokyo
32:48Sometimes it's a performance in Tokyo.
32:54In addition to Oomori, Kato and Motegi joined in 2000.
32:59Their activities are more serious.
33:03In five European countries, they have 11 shows in 12 days.
33:09It's amazing.
33:11In 2013, at the American Music Festival Coachella,
33:15They were the first Japanese to perform on the main stage.
33:20How did you decide to do it overseas?
33:24I changed members.
33:26I didn't feel the street life of ska punk when I debuted.
33:31I wanted to experience that.
33:35I performed in front of people I didn't know.
33:38It's getting bigger overseas.
33:41At that time, rock festivals were also getting bigger overseas.
33:46It's a band from Japan, but it's instrumental.
33:50It was easy to get in.
33:53Have you ever experienced a sense of fear?
34:00There are a lot of people.
34:03I thought we were amazing.
34:07At a big festival overseas,
34:10There was a big band at the same time.
34:16The worst was behind Radiohead.
34:21How many people were there?
34:23About 20 people.
34:26There was only one in the front row.
34:29The staff said,
34:31Hurry up and do it.
34:34It's time to do it.
34:37The ska punk stage at that time was amazing.
34:42There were no people, but I was excited.
34:49After the performance on the other side,
34:52I could see the audience going to the exit.
34:56This way!
34:58This way!
35:01In the end, there were 2,000 to 3,000 people.
35:06That's great.
35:08There were a lot of encores.
35:10The security guard who told me to go earlier said,
35:16It's like a drama.
35:18Congratulations.
35:20Go to the encore.
35:23It's a band that's really strong.
35:26When everyone was watching the live performance,
35:29I felt really proud.
35:31That's right.
35:34Skaparada has performed in many live performances overseas.
35:38The impression of the members remains.
35:44The first live performance in Mexico after the Great East Japan Earthquake in 2011.
35:50The first live performance in Mexico after the Great East Japan Earthquake in 2011.
35:52I was impressed by the warm welcome from Iwaki and Kato.
35:59Here's the stage.
36:09I'm impressed.
36:12That's great.
36:15That's great.
36:18Skaparada's trust in this song.
36:20That's right.
36:23That's great.
36:27I'm impressed.
36:29That's great.
36:35They're singing on the instrument.
36:38They're singing on the instrument.
36:51That's great.
36:53That's great.
37:06There's a way to get on stage that doesn't exist in Japan.
37:23That's great.
37:27It was a great performance.
37:29That's great.
37:31That's great.
37:33That's great.
37:37That's great.
37:39I was impressed.
37:41I was impressed.
37:43I was wondering if I should go all the way.
37:45I was wondering if I should go all the way.
37:47There was an earthquake in March.
37:49Everyone was in self-isolation in April.
37:51I see.
37:53I wonder if it's time to go to Mexico with music.
37:56It was decided before.
37:58It was decided before.
38:00It was an enthusiastic offer.
38:02I'm glad I went.
38:04Mexico is a country with a lot of earthquakes.
38:06Mexico is a country with a lot of earthquakes.
38:08That's right.
38:10He knew Japan was in trouble.
38:12He said we were together with you.
38:14He said we were together with you.
38:16He said we were together with you.
38:18I'm happy because he said so.
38:21In 35 years of history, Scaparra has gone through many breakups.
38:28Tonight, the memory band, Super 8, is a song that Yanaka wrote with the bond of the band in mind.
38:36There are a lot of things in a band.
38:39For example, Green Head Gimura, who was singing at the beginning, has passed away.
38:44The drummer Okita Tsujiki has passed away, and Asa-chan has also passed away.
38:49The band will not continue unless the members who have accumulated a lot of things in the past take care of it and make new things.
39:02I thought the band was really amazing.
39:05When I met Super 8, I reconfirmed it again.
39:10At that time, Super 8 also had a movement of the members.
39:16I had a strong desire to do my best.
39:20I wanted to make my feelings into lyrics.
39:24So I wrote the lyrics of the memory band.
39:29There is a line in the lyrics that says,
39:34When Subaru Shibudai appeared for the last time in KANJAM, I was on the other side.
39:44He looked like he was going to cry on the way.
39:52That image was always on my mind.
39:55After that, when I wrote the lyrics, I remembered that image.
40:00I want to leave this feeling in my heart.
40:07I remember that I wrote the lyrics.
40:11Thank you for your cooperation.
40:19After this is the actual performance.
40:21Thank you for your cooperation.
40:23Thank you for your cooperation.
40:275 seconds before the actual performance.
40:294,3,2
40:41After the dream season
40:48I ignored my tears and swam
40:54A big risk job
41:00Even when I lost badly
41:05I was worried and lost together
41:10I laughed it off
41:13Everyone was swallowing complaints
41:19I kept running alone
41:25All I knew was to fly
41:31You cried because you were having too much fun
41:36We started crying
41:39I knew everything
41:42I can't tell anyone
41:47Sadness is also important
41:51It was a secret bond
42:02Thank you for your cooperation.
42:04Thank you for your cooperation.
42:07I always want to say
42:13I kept it in my heart
42:18Was that good?
42:24Words just comfort
42:31We look at each other and understand each other
42:37Even when walking a different path
42:43Even if it's goodbye
42:51You cried because you were having too much fun
42:58We started crying
43:01I knew everything
43:05Even if we can't be together forever
43:12I will never forget
43:17We are always in the heart of the stage of life
43:26We are all lined up
43:32We are all lined up
43:37We are all lined up
43:41We are all lined up
43:48In our hello
43:50In our hello
43:53In our hello
43:57I
44:17Don't know what you want tonight, but I thought you did you don't want it. Don't you?
44:20Hey
44:25You saw this name, hola
44:27Consumable terasa t-bar the harmony
44:31Okay, she's a collaboration toxin
44:34Saison Cora Bono was Isaac got off the hook
44:37Salon, you've got a collaboration. That's pretty good. I'll die Koukai
44:41Hata Motohiro to come no collaboration. So no cuts tonight. It's pretty kata towa
44:47Kansan knee so she'll keep the turkey. No need to know
44:50I
44:52Love Cora Bono make your crew not weeps no, I've got it. Tonight. He goes