Chikahin natin ang stars ng Celestina: Burlesk Dancer na sina Yen Durano at Christine Bermas. Nood at comment na!
#CelestinaBurleskDancer #YenDurano #ChristineBermas
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#CelestinaBurleskDancer #YenDurano #ChristineBermas
Host: Bong Godinez
Live Stream Operator: Rommel Llanes
Watch our past PEP Live interviews here: https://bit.ly/PEPLIVEplaylist
Subscribe to our YouTube channel! https://www.youtube.com/@pep_tv
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PeopleTranscript
00:00I'm getting a little hair.
00:31Hi, PEPsters! Hello!
00:33Welcome back to PEPlive.
00:35I'm your host for today, Bongo Dines.
00:38For today, our episode is very special.
00:41Joining us are the beautiful stars of the VMX Regional
00:47showing in cinemas on December 4.
00:50The title of the movie is Celestina, Burlesque Dancer.
00:54Let's all welcome Yen Dorano and Christine Bermas.
00:58Hi, PEPsters!
01:00How are you? Good afternoon.
01:02Hi, Yen. Hi, Christine.
01:04Hi, Bong.
01:05Hello.
01:06How are you?
01:07Okay.
01:08But before we start,
01:10how are you?
01:16I'm okay.
01:18I'm back from the beach.
01:20I came from Zambales.
01:21Playa Las Flores.
01:22Shout out to Playa Las Flores.
01:25Thank you for having me.
01:27I'm a little sunburnt.
01:30How are you, Christine?
01:31You still look pretty, though.
01:35Well, I'm doing good.
01:38I've been battling in tournaments lately.
01:40So, yeah.
01:41You won.
01:42Yes, and we won.
01:44So, yeah.
01:46Christine, how many PEPlives have you done?
01:49I think you're done with PEPlive, right?
01:52I think it's my third.
01:54I think so.
01:55But my second one was last year.
02:00I believe.
02:01So, yeah. Last year.
02:03Yen, it's your first time for PEPlive.
02:05Oh, first time.
02:07I think it's my first time.
02:11Okay.
02:13Let's start.
02:16I saw the trailer of the movie.
02:18It's a period film, right?
02:20The attack was different.
02:23So, for the benefit of our viewers,
02:27tell us about Celestina, the Burlesque Dancer.
02:32Go, Yen.
02:33Well, Celestina, it's about...
02:36Celestina is a wife and a mother.
02:39Her husband is very abusive towards her.
02:44But she's a good father to their child.
02:48So, Celestina needed a job.
02:51So, there's an opening in a theater.
02:56So, there's an opening for burlesque.
02:59So, that's what she did to save money.
03:05That's it.
03:07How did you get the project?
03:10How did you get the offer?
03:12What was your first impression when you read the script?
03:19Well, first, it's a theatrical script.
03:24The way it was written is very theatrical.
03:28Then, this movie was actually written for me.
03:36Yeah.
03:37So, Direk Mac and Sir Ricky,
03:42they had this idea of this story.
03:47They had this story in mind.
03:49It's not like Vilma Santos.
03:52It's not like Burlesque.
03:54Although, it's similar,
03:56the story is completely different.
03:58Different.
03:59Yeah.
04:00Then, there's another important character here,
04:02which is Rosa Linda.
04:03That's Christine.
04:05So, Direk Mac handpicked her for this movie
04:09because she fits the role perfectly.
04:12As in, Rosa Linda.
04:15She's from Rita.
04:20I watched it.
04:21Christine is really good.
04:23I'm better.
04:25She's really good.
04:26So, she fits the character of Rosa Linda.
04:31Actually, Celestina and Rosa Linda,
04:33they're friends.
04:35Good friends.
04:36Yeah.
04:37Yeah.
04:39What's the name of your role here, Christine?
04:43I played the role of Rosa Linda.
04:47She's a singer.
04:48She became a friend of Celestina.
04:51She helped Celestina.
04:54She was also a burlesque dancer.
04:57She used to dance.
05:00Okay.
05:01And then, the name of your role here again is?
05:04Celestina.
05:06It's Celestina, I guess.
05:08How about this?
05:10Again, it's a period film.
05:12So, how did you prepare for this?
05:14Did you do any research for this?
05:16Because it's a period film.
05:17I think it's a Japanese period.
05:19World War II, I think.
05:21It's pre-war.
05:22It's pre-war.
05:23So, the research that we did for this,
05:26actually, it's all in the script.
05:28You won't see any war at all.
05:32But you can see Japanese people.
05:37Well, me, I had to research how they speak.
05:42What was happening during that time
05:44to be more aware.
05:48Then, the whole vibe of the film was beautiful.
05:53Like the way it was created and directed.
05:58The cinematography was beautiful.
06:01I watched a few clips of it.
06:03So, it was perfect.
06:04It was like a movie.
06:06Because the cinematography would be a waste
06:09if it was just online.
06:11How about you, Christine?
06:12How did you prepare for the movie and your role?
06:16I mean, I also researched about the era before.
06:21And then, we also had a preparation for that.
06:25We had a workshop.
06:27We were taught how to dance burlesque.
06:30And we had this, like, they hired, like,
06:34really, she really danced burlesque before.
06:38So, she taught the two of us.
06:41And it really helped the two of us to do this film.
06:46Yeah, aside from the workshop,
06:48me and Christine, we went to the gym together
06:51in preparation for the film.
06:54It was one of our preparation as well.
06:57So, bonding moments, you know, behind the scenes.
07:00Yeah, the look test didn't start yet.
07:03Christine reached out to me.
07:05We should hang out and get to know each other
07:08before the film starts.
07:09Because it helps during the shooting period.
07:13Yes, because at that time, I remember,
07:15my handler messaged me about the project,
07:18like, the Celestina.
07:19And then, I saw Yen's name.
07:22So, I was like, I reached out to her
07:24and messaged her.
07:25And I told her that maybe we could, like, hang out,
07:28do gym, or eat somewhere.
07:31So, that's when it started.
07:33That's when it started, I said.
07:37Yeah.
07:38Speaking of that,
07:40how did you discover your personality?
07:42What did you discover about each other
07:43during those bonding moments?
07:46I'd say that we're very similar,
07:48but very different then, in a good way.
07:51As in, we're just vibing.
07:53Our energy matches.
07:55Because we're both easy to be with.
07:57Yes.
07:58And it's easy to open up to Christine.
08:00Like, we don't judge each other.
08:03For some reason, I felt connected to her already,
08:06even prior to meeting her.
08:09Yeah.
08:10Our connection is that strong.
08:13Yes.
08:14Yeah, and you'll see that in the film.
08:17So, the chemistry that you'll see on the screen,
08:21they'll feel it.
08:22In terms of your roles,
08:24how challenging is it?
08:26What's the most challenging part for you?
08:30Well, aside from it being really physically demanding,
08:36because I'm not much of a dancer.
08:38I like to dance,
08:39but I'm not, like, a professional dancer.
08:41Christine has a...
08:43I just have moves, but I'm not yet.
08:46She has a lot of experience in dancing.
08:49So, she's really the pro dancer here.
08:54Wow.
08:55My struggles was really the dance part.
08:57Because, first of all, it's hard to shoot.
09:00There are a lot of different angles that need to be taken.
09:04And then...
09:07And you're not just dancing.
09:09It's not just dancing.
09:10You have to dance naked.
09:13Not completely, but it's challenging.
09:16Because you have to get the timing right
09:21in one take or something.
09:23You have to be efficient as an actor.
09:29How about you, Christine?
09:31For me, the character itself, I would say.
09:33Because she's always...
09:35I'm not going to spoil it, but she's always drunk.
09:38So, it's really hard to be consistent from the start until the end.
09:44And we had this one scene that was really hard and challenging for the both of us.
09:50Which was the ending part.
09:53That was the most hard and challenging for us, I would say.
09:57For me, despite all the challenges,
10:00especially in our scene with Christine,
10:03which was really challenging,
10:05I felt her support even during the take.
10:09And sometimes, we'd hug each other just to feel that I'm here.
10:14Or like, it means something to her.
10:16Sometimes, she'd hold my hand.
10:22Like, I'm here for you. You can do it.
10:24So, I really appreciate that about me and Christine's relationship.
10:30Yes.
10:31So, I feel like the film really worked because I had her with me.
10:36Would you say this is the most challenging role you've done so far?
10:42Because it's also a heavy drama, right?
10:45Like, all the roles?
10:46All the roles?
10:47Yes.
10:48For me, this is really...
10:50There's so much pressure because, first of all, it's for a cinema release.
10:56And for the past burlesque movies,
11:02their standards were high since they're Vilma Santos, Inaray Mundo.
11:07Yeah.
11:08So, we needed to step up and prove ourselves that we can do this.
11:16Yeah.
11:18How about Christine?
11:20Is this the most...
11:21Actually, this is the most...
11:28This is the most challenging movie for me as well compared to the past movies that I did.
11:37Well, Ian told already that it's a cinema release.
11:41So, yeah.
11:42There's a lot of pressure.
11:44But at the same time, when we were doing this project,
11:47we were excited as well.
11:50We were nervous, excited, and happy.
11:55And at the same time, of course, we're grateful that we became a part of this movie.
12:03Personality-wise, do you relate to your roles?
12:05To the personality of your roles?
12:07If so, what is it?
12:08What is it?
12:09And what is your feeling?
12:11I don't think it's close to my personality.
12:16For Celestina, I feel that she's really soft-spoken.
12:22Or she's really shy.
12:24But in real life, I'm really mischievous and frank.
12:28Yeah.
12:30And then, I think it was hard for me to express anger.
12:35Because in real life, I don't get angry.
12:39Or like, I get angry but I'm just quiet.
12:41I'm not the one who's expressive much on it.
12:44So, that's where I had a hard time.
12:48In the scenes where I have to shout or get angry.
12:51Crying is okay because in real life, I really cry.
12:55Same!
12:58So, that's it.
12:59Only the angry moments, I can recall.
13:06How about you, Christine?
13:08For me, to be honest, I also cry in real life.
13:15When I love someone, I also give a lot.
13:19Which is kind of similar to this story.
13:23And the only thing that doesn't make me cry is when I'm drunk.
13:28Because I'm not like that in real life.
13:31It's like one drink and that's it.
13:33That's it.
13:34That's it. I'm dead.
13:36I'm really weak when it comes to alcohol.
13:39So, yeah.
13:42You mentioned that, Christine.
13:43How was your preparation for that?
13:45How did you manage to overcome that?
13:49Because you're not a drinker.
13:52I know.
13:53And you can't drink on set just to feel that you're drunk.
13:59So, I talked to them.
14:02Even the makeup artists.
14:04Because we're from the same holding area.
14:07I asked them what I should do.
14:09Should I take alcohol or drink alcohol or not?
14:13But the makeup artists told me not to do that.
14:17So, before I do the scene,
14:21I just imagine it.
14:23I put myself into that character.
14:26Okay.
14:27This is it.
14:28This is my mindset.
14:29You're a drinker.
14:30You're a different person.
14:31Totally.
14:32And I really listen to music.
14:36Like music.
14:37That's what really helped me to feel in that moment
14:41that this is not Christine Bermas anymore.
14:43This is Rosalinda.
14:46Yeah.
14:48We talked about the drama element of the movie.
14:51But the fans are wondering.
14:53In the daring scenes,
14:56how was it?
14:57What do they expect from the movie?
15:02It's very daring.
15:04If you saw the trailer, it's not there yet.
15:06It's still very clean.
15:11What to expect?
15:12I'd say it's pretty graphic.
15:15It's pretty graphic.
15:18But in a way that it all makes sense.
15:21It's not like,
15:22Oh, they just kissed.
15:23Oh, they just kissed.
15:25It's not for entertainment.
15:27It's like,
15:29it all has a meaning.
15:31Yes.
15:32There's a reason why they kissed.
15:35Yes.
15:36There's a reason why this scene happened.
15:39There's a need.
15:41There's no throwback.
15:46How was that?
15:47Was it hard to act?
15:50Because you're dancing in front of an audience.
15:56How did you prepare during the shoot?
16:01What was your mindset like?
16:04Before the take,
16:06there was no take actually.
16:08When I woke up in the morning,
16:09I take a lot of deep breaths within the day.
16:12I don't know if people noticed,
16:14but my makeup artists,
16:16since they're the ones always with me,
16:20they ask me if I'm okay
16:22because I breathe so deeply.
16:23But that's my process.
16:25It's really a breath work.
16:27It helps calm me.
16:30It erases all the confusion in my mind.
16:35So, it helps.
16:36After the take,
16:37I take a big deep breath.
16:41And then I'm okay.
16:43Although,
16:44dancing is really hard.
16:46But dancing and acting at the same time
16:48is a whole different story.
16:52That's the challenge.
16:54It's a different challenge, right?
16:56Aside from acting,
16:57you really need to perform.
16:59Yeah.
17:00At that level.
17:01Earlier,
17:02we asked if the rules are challenging.
17:05But in the daring scenes,
17:07do you think it's different
17:11or more daring than what you did before?
17:14Or...
17:16How would you say it?
17:19What do you think?
17:22I think it's even more daring for me.
17:25In my past films,
17:27if it's daring,
17:29it's more daring here.
17:32So, for sure,
17:33you'll look forward to Celestina.
17:36I gave my 100% here.
17:39I said,
17:40Direk, let's go.
17:42Let's do it.
17:44I agree with him.
17:46I believe in his vision.
17:47Especially Direk Mac.
17:49I believe in him.
17:50So, I just trusted him with everything.
17:54Same with Christine.
17:55I'm sure you have your own ideas.
17:58Yeah.
17:59But it's more on the end story.
18:00Like Celestina.
18:01It's really about Celestina.
18:04So, I only had...
18:06I didn't have many intimate scenes here.
18:10So, I only had, I think...
18:13I remember only one.
18:16But it was totally daring as well.
18:18So, yeah.
18:21You mentioned Direk Mac earlier.
18:24So, how was it?
18:26How was working with Direk Mac?
18:28Like, for the both of you.
18:32Do you have a story about how he worked?
18:34Was it tight?
18:35Well, for me,
18:37it's my second time working with Direk Mac.
18:39My first time was when we shot
18:42Ganti-Ganti.
18:43That's with Anjali Kang.
18:46Sir Ricky Lee was the one who wrote it.
18:48So, that was our first project.
18:50At that time, I was...
18:54I was still changing.
18:57Because the vibe of Direk's set was different.
18:59Suddenly, it's all so serious.
19:02But it's still fun.
19:04It's not too strict.
19:07He knows how to have fun.
19:09But when it's time to be serious,
19:12it's really serious.
19:14So, that's how I felt.
19:15This time, for Celestina,
19:17when we were shooting,
19:20it's still the same.
19:22But now, it's easier for me to
19:26navigate the set.
19:28Because now, I know how he is.
19:31And Direk,
19:32he's very helpful
19:35during the scene, before the scene.
19:38Even after the scene,
19:39he'll still say something.
19:41So, he's very helpful.
19:42Especially in my growth as an actress,
19:44as a person.
19:47And I respect him a lot.
19:48Because, like I said in the press con,
19:51he's the type of person that
19:54he's not afraid to tell you the truth.
19:57As long as it's necessary.
19:59And you're always gonna get a lesson out of him.
20:03So, that's what I appreciate.
20:04Because
20:06he's the type of person
20:07who tells you the truth.
20:09That's right.
20:11So, when I see a person
20:12who's not afraid to hurt you,
20:15as long as he tells you the truth,
20:17I appreciate that.
20:19I like that more.
20:22Is this your first time, Christine,
20:23working with Direk?
20:25Yes.
20:26It's my first time working with Direk.
20:28Actually, as a director.
20:30Because before, I worked with him.
20:32But,
20:34I think he's the producer of Rita.
20:37He produced it.
20:40Actually,
20:41it's very okay to work with Direk.
20:45It's easy.
20:46But you'll feel that
20:48he's very serious
20:50when it comes to work.
20:52And very professional as well.
20:56What I appreciate is that
20:58he would always give you time.
21:00Especially,
21:01when you're about to take scenes.
21:05Like what Yen told you earlier,
21:08he'll tell you
21:11that he'll be honest with you.
21:14And that's okay
21:15because it's for you
21:16at the end of the day.
21:18And it will help you
21:19when it comes to acting
21:21so that you can perform well.
21:27So, do you get scolded on set?
21:30Of course.
21:35It's very stressful for him.
21:39Because there are times
21:40when we don't understand each other.
21:41Like me, I'm an over-thinker.
21:46I worry a lot
21:47about what I should do.
21:50Instead of acting,
21:51I just output it.
21:55That's also our struggle
21:56with Direk
21:57with the communication part.
21:59But it's okay.
22:01It's just a struggle
22:02in the beginning.
22:05Then, Ricky Lee wrote
22:07about a national artist.
22:10Did you meet Ricky?
22:11Or did you have a chance to meet him?
22:13Or not?
22:14Did you just see the script?
22:17Just the script.
22:18I've never met him
22:19but it would be such an honor
22:20to meet him.
22:21To meet him in person.
22:23I hope we'll have a chance
22:25to get to know him.
22:33So, in terms of...
22:34Because, again,
22:36the movie has different attacks.
22:37So, you think
22:39this will pave the way
22:40for you guys to make more movies
22:43of this kind.
22:45Yeah.
22:47I feel like this is a start.
22:49This is the beginning
22:50of many possibilities
22:52for me and Christine.
22:55And I think it's about time.
22:57I think we've done the work.
22:59We've been patient.
23:02We are grateful
23:03and we are blessed
23:04to have this film.
23:07And they let us work on it.
23:10Because for me,
23:12there are so many people
23:14who are waiting for a break.
23:17Why us two?
23:18I feel like
23:19it's time.
23:21And we believe in time.
23:23It's the right time.
23:25It's all about timing.
23:27Yeah.
23:28Have you watched the movie?
23:29Or...
23:31No.
23:32Not yet.
23:34But the trailer is beautiful.
23:35It's really beautiful.
23:36That's why I said
23:37that their attacks are different.
23:40It's very intriguing.
23:43Very much so.
23:45Yeah.
23:46So, for you two,
23:47what is the message
23:48of the movie?
23:50So that our viewers
23:51have an idea.
23:52What is the message
23:54of the movie?
23:57I guess the story touches
23:58on a lot of themes
24:00like domestic abuse,
24:02the coming of war.
24:03But you won't see that
24:04in the film.
24:05Since...
24:07That's the...
24:09It's about going to war.
24:10But you won't see that
24:11at all.
24:12There's also
24:13self-discovery,
24:15friendship,
24:16death,
24:17but most importantly,
24:18love.
24:19So that's something
24:20that holds in pieces
24:21almost
24:22all of the stories.
24:24In Celestina,
24:25you'll see
24:26different types of love.
24:28There's romantic,
24:30platonic,
24:31familial,
24:32and patriotic.
24:34So behind everything,
24:35beyond reason,
24:36there is love.
24:40There you go.
24:41You got the answer.
24:44It's also about sacrifice,
24:45right?
24:46Yes.
24:48It's actually
24:49a movie about love
24:51but it's not
24:52a love story.
24:55Yeah.
24:56So,
24:57for you guys,
24:58in real life,
24:59how far
25:00can you sacrifice
25:01for...
25:03for your love
25:04or for yourself?
25:07The truth
25:08until I die,
25:09I guess.
25:10For me,
25:11I would do anything.
25:13I would do anything.
25:16I feel like
25:17that's where I relate
25:18to Celestina.
25:19I'll do everything.
25:21How about you, Christine?
25:22Same.
25:23Also,
25:24until I die,
25:25yeah.
25:26I'll do everything
25:27until I die.
25:28Everything.
25:31Then,
25:32for the movie you're going to release,
25:35how do you feel
25:37that there's
25:38extra pressure
25:39due to...
25:40Of course,
25:41streaming is different
25:42compared to movies
25:43and theaters.
25:45So,
25:46how do you feel right now?
25:47December 4th?
25:48December 4th,
25:49yes.
25:51We're very excited,
25:52actually,
25:53for them
25:54to watch our film.
25:56And,
25:57we know that
25:58and others,
25:59I mean,
26:00everyone who's making this film
26:01that we gave
26:02all our best,
26:04best shot
26:05for this one.
26:06And,
26:08yeah.
26:09We're really excited
26:10for them to watch this.
26:13For me,
26:14there's pressure
26:15especially when
26:16it's a film movie
26:17since
26:18during the pandemic,
26:19the whole cinema thing
26:20kind of died down,
26:23and now it's just
26:24coming back.
26:27I feel like
26:28the pressure is
26:29making people
26:30come back to the cinemas.
26:33That there are still
26:34stories worth
26:36watching.
26:40So,
26:41it's the second
26:42VMX original film.
26:44That's right.
26:46And,
26:47I would say
26:48that this was
26:49all worth it.
26:50Everything that
26:51we went through,
26:53it was so worth it
26:54because this film
26:55is so beautiful.
26:57Cinematography,
26:58you can't say anything
26:59about cinematography.
27:03All the more
27:04the story.
27:07And also,
27:08we were supported
27:09by really good actors.
27:10Sid Lucero,
27:12Aaron De Niro,
27:13Alan Paole.
27:15Yeah.
27:16You and
27:17we have it.
27:19How was the work
27:20of the veteran stars?
27:23For me,
27:26it was helpful
27:27because they really
27:28supported us
27:29and they believed us.
27:31Especially me
27:32with Sir Sid.
27:34It felt so real
27:35when I was acting
27:36with him.
27:39Sid Lucero
27:40has a magic.
27:42You can't see it
27:43but he's so good.
27:45Sid Lucero is so good
27:46with the movies
27:47that he makes
27:48but this one
27:49was really good here.
27:52Kirsten,
27:53you've worked with
27:54a lot of stars.
27:56Yes.
27:57It was my second time
27:58working with
28:01Sir Paul.
28:02What was it?
28:03Alan Paole.
28:04Yes.
28:05Sir Paul.
28:06Sorry.
28:07Alan Paole.
28:08Before,
28:10we had a film
28:11for the first time.
28:13It was from
28:14Direk.
28:17I don't know.
28:20Jeez.
28:23Direk.
28:25You can do it.
28:27Wait. Sorry.
28:28I'm confused.
28:29He was also
28:30one of the best
28:31directors.
28:33Before.
28:34Well, I forgot.
28:35But,
28:36I worked with
28:37Alan Paole.
28:38He was my father
28:39before.
28:40And now,
28:41here in Celestino,
28:42I worked with him again.
28:44He's a super good actor.
28:48He'll help you.
28:49He'll tell you.
28:50He'll help you.
28:51What to do
28:52and what to add
28:53for your scene.
28:56Sorry.
28:57Now, I remember.
28:58Direk Brilliante Mendoza.
29:03We worked with
29:04Coco Martin
29:05and Julia Montez.
29:07Pula.
29:08It's called Pula.
29:09The title is Pula.
29:11It's on Netflix, right?
29:13It's on Netflix, yeah.
29:14That's right.
29:16Yeah.
29:17Do you have any horror stories
29:18working with
29:19veteran stars?
29:21Do you have any experiences
29:22like that?
29:24None.
29:25None.
29:27Okay.
29:28I'm also curious
29:29because, again,
29:30it's not related
29:31to the past
29:32movies
29:33like
29:34Burlesque Queen
29:35or something like that.
29:36But,
29:37did you watch
29:38or did you watch
29:39the old ones?
29:40For example,
29:41Diana Masantos
29:42or Leonardo Di Niro.
29:43Again,
29:44it's not related
29:45to your movie.
29:46But,
29:47did you watch them
29:48even before
29:49you became an artist
29:50or before you made
29:51this movie?
29:52Me,
29:53I researched on it.
29:54On YouTube,
29:55I looked for clips
29:56or even the full movie
29:57but I couldn't find it.
29:58So,
29:59I didn't know
30:00where to look
30:01for those movies.
30:02I watched snippets of it.
30:05That's when I got the idea
30:06of
30:07what was going to happen
30:08and what it's going to look like.
30:10But, I didn't know
30:11that it's going to look
30:12this good.
30:14I didn't expect
30:15that it's going to be
30:16that good.
30:17I didn't
30:18I didn't become biased
30:19but like
30:20if I was an outsider
30:21and I watched that film,
30:22I'd be like,
30:23wow.
30:25It's beautiful.
30:27So,
30:28you were influenced
30:29somehow
30:30or at least
30:31it helped you
30:32in your role.
30:39So,
30:41actually,
30:42before we
30:44let you go
30:45or before you promote again,
30:47we're going to play a game.
30:48Actually,
30:49all of our guests
30:50are going through
30:52a game.
30:53So,
30:55our game today is
30:59I forgot the title.
31:00Okay, actually.
31:01There.
31:02So,
31:03here are our questions.
31:08So, the title
31:11is
31:14a set of questions
31:15that
31:17you're going to answer.
31:19Then,
31:20maybe I'll have
31:21follow-up questions.
31:22So, the first one is
31:26vain or
31:27banidoso?
31:28Banidoso?
31:29What's that?
31:30What's that?
31:32Isn't it vain?
31:34It's just sour.
31:36Am I vain?
31:37Yes.
31:38Okay, let's do this.
31:41What's the first thing
31:42you look at in the mirror
31:43other than your face
31:44when you look at the mirror?
31:49What do I look at?
31:50It's always my face though.
31:53My whole body.
31:54Body, yeah.
31:55I'd say,
31:56it's me
31:57but to a certain extent,
31:58not the O.A.
32:00I think we're all vain.
32:02All of us.
32:03We all go through that.
32:05We are the
32:06We judge ourselves.
32:07We judge ourselves.
32:09Yeah.
32:16I won't lie.
32:20To a certain
32:21healthy extent.
32:31Okay.
32:32So, number two is
32:38because
32:39you left your wallet
32:40or
32:44One, two, three.
32:47I'll just joke.
32:48Come on, come on.
32:50Like once in a lifetime, right?
32:54Out of
32:55jokes.
32:58But there's a follow-up.
32:59I said,
33:00if you don't have
33:01a massage
33:02and you're single,
33:03what can you give
33:04in exchange?
33:06Ngiti.
33:10Ngitian na lang.
33:12Or subscription
33:13sa VM.
33:18Eto manood ka, kuya.
33:19Haanood ka na lang.
33:21Passes down, no?
33:22Parang ano.
33:24Sige.
33:25Yung pangatlo is
33:28maingay sa set
33:29o palabati sa lahat
33:30ng nasa set?
33:31So, kayo ba yung
33:32maingay sa set?
33:33Or
33:34friendly?
33:36Ako yun.
33:39Like, ako yun.
33:42Parang hindi ka sure
33:43kung ikaw yun.
33:45Maingay like
33:46in a bad way?
33:47Or hindi naman?
33:48Hindi naman.
33:49Maingay lang in general.
33:51Ugly.
33:52Ako yun.
33:53Kami pala yun.
33:54Kami yun.
33:57So, sa set naman
33:58is ano naman kayo?
34:00Friendly naman sa set?
34:01Or
34:02pagod?
34:04Oo.
34:06Yung follow-up ko dun is
34:08what would make you ignore a person?
34:10Na-ignore ka na bang person
34:11kapag bumabati ka sa grupo
34:13ng friends or coworkers mo?
34:16Siguro pag
34:18pag may off siyang
34:19energy na
34:20nararamdaman ko na
34:21hindi masyadong
34:22maganda.
34:23Pero so far, wala pa naman
34:25ganun.
34:26Tsaka kahit naman off siya,
34:27I'm still gonna say hi.
34:29Out of respect.
34:31Yeah.
34:32Okay.
34:33Si Christine?
34:34Same with me as well.
34:35I mean, wala pa rin naman
34:36akong na-encounter
34:37na parang hindi
34:38ako nag-say
34:39na hi.
34:40Even if siguro yung
34:42tao na yun is like,
34:43you know, like
34:44negative
34:45person for people.
34:46So, yeah.
34:48Pag hindi ko panansin,
34:49bakit malabo na yung mata ko,
34:50hindi ko siya nakita.
34:51Minsan kasi ganun talaga.
34:52I can't see you.
34:53Ganun.
34:54Mag-honest.
34:55Honest yung may utang sa'yo
34:56tas hindi mo talaga
34:57di pa talaga siya nag-bias.
34:58Yes.
34:59Yes.
35:00Yes.
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