Eva Mon
  • el mes pasado
Emitir:
Sanem Aydın: Demet Özdemir
Can Divit: Can Yaman
Leyla Aydın: Öznur Serçeler
Mevkibe Aydın: Özlem Tokaslan
Nihat Aydın: Berat Yenilmez
Emre Divit: Birand Tunca
Ayhan Işık: Ceren Taşçı
Muzaffer Kaya (Zebercet): Cihan Ercan
Deren Keskin: Tuğçe Kumral
Cengiz Özdemir (Ceycey): Anıl Çelik
Güliz Yıldırım: Sibel Şişman
Osman Işık: Ali Yağcı

Producción: Gold Film
Productor: Faruk Turgut
Director: Çağrı Bayrak
Guión: Ayşe Kutlu Üner
Transcripción
00:00To begin with, I want some chicken tacos.
00:02I want the same, and also some enchiladas.
00:05Yes, but with chili, the spicy one.
00:06And with meat.
00:07Excellent.
00:08And you?
00:09The usual.
00:10And what is it?
00:15The same as them.
00:19So you two were in Mexico?
00:21Yes, I even spent a night in prison.
00:24Really? And you survived something like that?
00:26Because I lost my passport in Mexico.
00:28And I saw what the police stations are like.
00:30I can't imagine what the prisons will be like.
00:32It's better that you never know.
00:33Can we talk about work?
00:34No, let's leave work aside today.
00:36This food is to get to know us a little better as collaborators.
00:40And what else do you want us to talk about?
00:42The two of you were in Mexico, and where else?
00:44Yes, it's a good idea.
00:45What are you missing to know, Aisha?
00:47I'm missing the polar areas.
00:49And... well, you won't believe it, but I don't know Cuba either.
00:54Don't ask me why.
00:55Or Australia.
00:56You don't know much, don't you think?
00:58You haven't traveled much.
00:59You don't know the world.
01:01What countries have you visited, Dinos?
01:02Because I'm missing three.
01:07What nonsense.
01:11So you also like to travel?
01:13Uh-huh.
01:14I was going to go around the world, but...
01:17What happened?
01:18The person I was supposed to go with, well...
01:20He left without you?
01:22He lost his memory.
01:24He had an accident.
01:29He hit his head.
01:31And then he remembered everything, except for me.
01:34But that's another story.
01:36I'll tell you another day.
01:38And... why do you travel so much?
01:42To be honest, I love outdoor sports.
01:45Uh-huh.
01:46Bravo.
01:47You got her to be more interested in it now.
01:50Are you happy now?
01:54Yes.
02:00Those at the table back there...
02:02They're talking very loud.
02:03It looks like they're giving a concert.
02:05Well, go on.
02:06I do mountain climbing.
02:08Really? Mountain climbing?
02:09That's right.
02:10Good. Where have you climbed?
02:11I guess to many mountains around the world.
02:12Excellent, Cupid.
02:13You're finding two soul mates.
02:15Don't exaggerate.
02:16But no, I'm not exaggerating.
02:18Climbing, rappelling, parachuting, everything, but...
02:21There's nothing like diving without an oxygen tank.
02:23I once dived with pearl divers in the Caribbean.
02:26You're one of mine.
02:27Excellent. Well done, Sanem.
02:29Chico!
02:34What did I say?
02:41I saw a friend from Mexico.
02:44I'm going to say hi.
02:45I'll be right back.
02:47She's a very peculiar girl.
02:49Very, very, very peculiar.
02:59Think about it, Sanem.
03:01If you met someone who speaks with an inner voice,
03:04you'd be surprised too, wouldn't you?
03:07Try to understand Johnny and Aisha.
03:10Can I know what you're hinting at now?
03:12What can I say? We've made it this far.
03:15I can't say anything else.
03:17From now on, you'll be together.
03:19You'll commit and you'll get married.
03:21That's not going to happen.
03:23I'll never give up on him.
03:26What are you talking about?
03:27You heard what he said.
03:28He doesn't feel you in his heart.
03:30Okay.
03:31We may be apart now,
03:33but that doesn't mean it's forever.
03:35Jan's heart is my home.
03:38So, are you going to fight?
03:40Did you say fight?
03:42If necessary, I'll start World War III.
03:45Are you looking for trouble?
03:47Excuse me?
03:48How would you feel if they told you about a commitment and a wedding?
03:52Listen to me.
03:53A long time ago, I was able to conquer his heart.
03:56And I'll do it again.
03:59Did you understand?
04:03Look at how they throw stones.
04:07We ate very well. I'm satisfied.
04:09Do you want us to order coffee?
04:10No, I have a commitment.
04:12Okay.
04:16Did you see your friend?
04:17The Mexican.
04:18The boy.
04:19Oh, yes.
04:20He sends his regards.
04:21If you have a Mexican friend,
04:23I'm sure you know something about him.
04:26Long live Carlos Santana.
04:28Of course, he's a great character.
04:30But, well, let's change the subject.
04:38Come in.
04:39Mr. Jan.
04:40Come in.
04:41Mr. Jan.
04:49Now that we're all here, we can start.
04:51One second, Jan.
04:52I want a latte.
04:53Oh, yes.
04:55Jan and Sanem, have tea.
04:57What do you want?
04:58Another latte.
04:59A latte is fine.
05:00Let's see, how many lattes?
05:01Two and three?
05:02Who's going to bring them?
05:03And where's the waiter?
05:05What do you mean, who's going to bring them?
05:07Of course, since J.J. isn't here, it's your turn.
05:10Look, Sanem, don't get me wrong, and neither do you.
05:13I'm also a shareholder of this company,
05:15even though I only have 1%.
05:17Do you understand?
05:19Then J.J. can come too.
05:21Yes.
05:22We work together.
05:23He has excellent ideas.
05:24Oh, no.
05:25He can't come now.
05:26He's picking up his things from your house.
05:28Oh, Mom must be sad.
05:30Well, I accept that we're a strange agency,
05:32but I'd appreciate if you didn't start the meetings with phrases like,
05:34Mom must be sad.
05:36He does it to annoy me.
05:38Very good.
05:39Arthur.
05:40Capello.
05:41Who will interpret it?
05:42That's not a priority.
05:43First, we have to see the recording.
05:45Jan will direct it.
05:46We'll look for someone for the scenography.
05:48Very good.
05:49Well, let the rain of ideas begin.
05:50Very good.
05:52Let's see, let's see, yes.
06:07Mr. Jan.
06:08I'm not fired, am I?
06:10Did you ask for Henry's permission?
06:12Yes, of course.
06:13But I was still very worried.
06:15You know me.
06:16Well, now that I'm here, you can ask for whatever you want.
06:20Moussafer.
06:21You look very good sitting there,
06:22but I don't see anyone having coffee.
06:24Yes, I also realized.
06:25We are in the middle of a creative meeting,
06:27and there is no coffee or tea on the table.
06:29Go bring them, please.
06:30We have a dry throat.
06:32Did you lose?
06:33No.
06:34Do you have a dry throat?
06:35Did you lose your head?
06:36If so, you will be fired.
06:38No, I'm crazy.
06:39On the contrary, I'm very intelligent.
06:41I just joined the creative team and I'm on fire.
06:44I'm giving some amazing ideas.
06:47So he participates in creative meetings?
06:49Why?
06:50And what about me?
06:51Comment why.
06:53The board decided it.
06:54Did they really talk about it?
06:55I didn't know.
06:56It has to be a joke.
06:58I didn't know either, really.
07:00Can we focus on the purpose of the meeting?
07:02Mr. Aziz wouldn't allow something so impossible.
07:06He just left.
07:07Mr. Aziz is gone.
07:09You lied to me, Musafer.
07:11Calm down.
07:12It was a trap.
07:13You planned all this while I was at home.
07:15I don't know.
07:16I've been working at this agency for more than 10 years.
07:18And that traitor has just arrived.
07:20Why do I have to serve the coffee?
07:22Coffee, me!
07:31Why were you so tense at lunch?
07:33I wasn't tense.
07:34What are you talking about?
07:35A question.
07:37Was that guy a friend of the neighborhood?
07:40Or did you know him in Mexico?
07:42I know where you're going.
07:43You're insinuating that person doesn't exist, right?
07:45I think you made up an excuse to go to the sanitarium.
07:48I noticed, Sanem.
07:50As always.
07:51You never notice.
07:52If I wanted to go to the sanitarium, I would have said it.
07:55It's natural.
07:56Why would I make up a story?
07:57That's what I don't understand.
07:59And that's what I'm telling you.
08:00You never understand anything.
08:02I never understand anything?
08:03And what do I have to understand?
08:05Look, if you could...
08:06If I could what?
08:07I can't explain it to you because you won't understand it.
08:10Forget it.
08:11This conversation is starting to get absurd.
08:13Exactly.
08:14It's absurd.
08:15Just like that stupid food.
08:17I know what's wrong with you.
08:19And what's wrong with me?
08:21You're jealous of me.
08:23What?
08:24Don't worry, forget it.
08:27Long live Carlos Santana!
08:31I can't stand it anymore.
08:47Jan!
08:48Jan!
08:49Jan!
08:50Jan!
08:51Jan!
08:52Jan!
08:53I found him!
08:54Now I finally found him!
08:56Who did you find?
08:57Your Mexican friend?
08:58No, what are you talking about?
09:01I found our Arthur.
09:03Ah.
09:04And who is he?
09:05It will be Mr. Selim.
09:08Ah, yes.
09:09It fits well.
09:10That's right.
09:11And he also speaks three languages.
09:12Italian, Spanish and English.
09:14It's great.
09:16That's right.
09:18I hope you thank me.
09:21Hi Aisha.
09:23I want to introduce you to Arthur Capello tomorrow at the office.
09:26Whenever you can, of course.
09:28Check your agenda and confirm me.
09:32Okay, see you.
09:36And why did you call her?
09:40They're going to pay us a lot of money.
09:42They're going to pay us a lot of money.
09:44What did you want me to do?
09:45Send her a message?
09:47Well, yes. That would be a better idea.
09:50I already wanted to get rid of Capello.
09:52That great idea you had.
09:54I'm super smart.
09:55I came up with it like that.
09:56You wouldn't have thought of it.
09:58But I'm smarter.
10:12I love you.
10:33Did you bring me a flower?
10:34No, it's not for you.
10:35It's for Arthur Capello.
10:38I think he'll like it.
10:39It's his style.
10:40The flowers and that.
10:42Give it to Celine.
10:46I may have lost my memory,
10:48but I think you've lost the meaning of life.
10:51I don't know.
10:52They hadn't told me anything,
10:53but I'll ask the doctor.
10:56Yes, ask him.
10:58This is to thank you.
11:00You saved us from a big problem when you found Celine.
11:03Is it a gift?
11:05For being efficient?
11:07Not just for that, Sanem.
11:09And what else would it be?
11:11For that beautiful face I have in front of me.
11:15Go on.
11:16Well, go on.
11:18For your beautiful heart that you didn't give up on me
11:20despite having lost your memory.
11:23And what else?
11:25What else?
11:26I see you capable of unleashing a storm
11:28and that's what just woke you up
11:30with those eyes so alive that you have.
11:33Hey, did you do this very often the last two years?
11:36Yes, and now you're not the only one who does it.
11:38Do I have imitators?
11:40Yes.
11:48You'll end up exhausted if you don't thank me for that kiss.
11:51Well, where was I?
11:53You were praising me.
12:00Yes, that was the best.
12:01Yes, it was.
12:02I assure you.
12:03Ladies and gentlemen,
12:04let me introduce you to the famous English-Spanish director,
12:06Arthur Capello.
12:08Bravo! Welcome!
12:17Thank you very much.
12:19Thank you all.
12:20Very good image.
12:21Great.
12:22I was worried.
12:28I want to ask you a question.
12:29Do the directors have a characteristic trait
12:32that I should take into account
12:33or can I act naturally?
12:35If you behave as if life began and ended with you,
12:37it would be great.
12:39Do I behave like that in the film?
12:41No, not at all.
12:42I didn't say it for you.
12:44Perfect.
12:46And do you prefer me to speak in English or Italian?
12:49In fact, any of the two works.
12:51As you want, you can alternate between the two.
12:53Very good.
12:54But to avoid problems,
12:55speak in the interpreter's ear, okay?
12:58By the way, Mr. Nesim doesn't speak languages.
13:01Don't say anything that isn't necessary.
13:02Sure, no problem.
13:04Who will be the interpreter?
13:05Me.
13:06I'll lean against your ear
13:07and murmur as if I were talking to you.
13:09You'll do well.
13:10You'll look at me and say things,
13:11and we'll pretend.
13:12Okay?
13:13It'll be easy.
13:14Good.
13:15Understood.
13:16Perfect.
13:17No problem.
13:18Everything will be excellent.
13:19No, it won't be good.
13:20You have to be optimistic.
13:21Oh, don't say that, JJ.
13:23I have a bad feeling about this.
13:26All this gives me a bad spine.
13:28I don't know.
13:29I feel pessimistic.
13:30And it won't be gases?
13:31What do you mean?
13:32Well, okay.
13:33Don't bring negativity.
13:36It's here.
13:37Oh, no, I shouldn't clap.
13:39There it is.
13:40Welcome.
13:41There you go.
13:43How are you?
13:44How are you?
13:45We are delighted to finally meet Capello.
13:48With what it costs to hire him.
13:50Well, here he is.
13:51This is Arthur Capello.
13:55How are you, sir?
13:57Hello.
13:58It's a pleasure to meet you.
14:00It's a pleasure to meet you.
14:01I didn't understand.
14:02Let's go to my office.
14:03This way.
14:05Very well.
14:06Okay.
14:07Please.
14:08Come in.
14:09Welcome.
14:10Please.
14:11To your office, please.
14:13It's a pleasure.
14:14Come in, come in.
14:15Go ahead.
14:18JJ, don't be negative.
14:20I have a bad feeling.
14:21I don't like that man at all.
14:23He's much weirder than Musa.
14:26We are delighted with the campaign.
14:28Yes.
14:29And with the collaboration of Mr. Capello,
14:31I'm sure everything will go better.
14:33You can be sure you'll like the result
14:35because Mr. Capello is an amazing director.
14:38I'm sure you'll get to know his work.
14:41No, unfortunately not, but I'm looking forward to it.
14:44Is it possible?
14:45Can we see something?
14:46Can we?
14:48I don't think so.
14:50I knew it.
14:51I don't think so.
14:53Why don't you shut up now?
14:55I think I screwed up and now I don't know what to do.
14:58This is going to be a fiasco.
15:01A fiasco?
15:02That's what he said.
15:04He...
15:05Yes.
15:07Mr. Capello doesn't want to.
15:08He thinks it's better.
15:09Why?
15:10It's your fault.
15:12He said something very sensible.
15:13He just told me he prefers to see the best work he's done to date
15:17and that he's going to record it after the meeting.
15:20Exactly.
15:21Wonderful.
15:22Interesting.
15:23What a great man he is, right?
15:24Funny.
15:25Exactly.
15:26Exactly.
15:28He's very smart, Jan.
15:30What a good strategy.
15:32Yes.
15:39What's going on in there?
15:41Let's see.
15:42What are you doing?
15:44I don't like that Salim at all.
15:47It looks like you're talking and everything's fine, but I don't trust you.
15:50Would you like something to drink?
15:52Well, yes.
15:53Wait.
15:54Of course we know what you like best.
15:56We have it here.
15:57For us, it is very important that you are comfortable.
16:01Mr. Musafer.
16:03Musafer.
16:04Come here.
16:05Musa.
16:08Oh, sorry.
16:09As you said, sir.
16:10I got distracted.
16:11Yes, I am Mr. Musafer.
16:12You said it very well.
16:14Well, yes.
16:15It's so kind of you to tell J.J. to bring what he has prepared.
16:18Of course, Leilita.
16:19Right now I'm going to talk to Mr. J.J. to bring the sodas.
16:22And here we all work in harmony.
16:26Yesterday, after lunch, we went back to the agency and we were working.
16:30Arthur also thought it was good.
16:32He loves what he does.
16:34I'll send it to you by mail.
16:35Perfect.
16:38What are you doing?
16:39What are you doing?
16:40What are you doing?
16:45Beautiful.
16:46The actress was really gorgeous.
16:48He says the actress was very beautiful, but a little stupid.
16:51Yes, I can imagine.
16:53But very beautiful.
16:54I see.
16:55Hey, Jan.
16:56Tell me.
16:57We are sure that it will be the best thing that Cappello has shot to date.
17:01But anyway, we would like to see it before it is broadcast.
17:04Yes.
17:08Excuse me.
17:11Your coffee.
17:20I already relaxed.
17:22No.
17:24What?
17:25How?
17:28He said no.
17:30Maybe I did not express myself well.
17:31I translated badly.
17:32It was my fault.
17:33Excuse me.
17:34No.
17:37What are you doing?
17:39Is it for the coffee?
17:41If you know how I like coffee, then you will know that I do not speak a word of English.
17:46But with current technology, it is not a problem.
17:48I can not imagine.
17:49But we all know what it means, right?
17:51I know.
17:52That could understand, gentlemen.
17:53Calm down.
17:54I did not want to tell my son.
17:55Calm down.
17:56You are the directors, but you are sure that we will see at the end your work.
18:00We have to put ourselves in God's hands.
18:02Calm down.
18:05Of course you will see it.
18:07Excuse me, this has been a misunderstanding.
18:09Please, Mr. Jan, translate a little better what he wanted to say.
18:12And tell Mr. Arthur ...
18:13Shut up!
18:15No ad will be released, unless I give the good look.
18:19Oh, no!
18:21I!
18:22But what is he doing?
18:23Well, he's the director.
18:25And I'm in control.
18:26What?
18:27No.
18:28And he decides.
18:29I am a great artist.
18:31He didn't say that.
18:32He says he's an artist.
18:33You're translating it wrong.
18:34Translate it.
18:35I'm the client.
18:36Say it.
18:37Yes, wait.
18:38That's right.
18:39Do what I tell you.
18:40I pay you.
18:41Translate it.
18:42Calm down.
18:42Money, money, huh?
18:44And you, gloop.
18:45Okay?
18:45Gloop?
18:46Exactly.
18:46Better forget it.
18:47But...
18:49What happened?
18:50What did I say?
18:51Shut up.
18:53Are you cursing me?
18:54What's wrong with you, sir?
18:56Translate it.
19:00What does it say?
19:01Nothing.
19:02I can't work with him.
19:03I think he's cursing him.
19:04All of this is nonsense.
19:05He's not translating it.
19:06No, no.
19:07Don't yell at him.
19:08Please.
19:09It's a communication problem.
19:10Mr. Chan.
19:11It's all my fault.
19:12Mr. Chan, please tell him.
19:13Let's see if we can clarify it.
19:14No, he's not really cursing.
19:15It's not that.
19:16It's that...
19:17It's not complete?
19:18He's an artist.
19:19It's his temperament.
19:20But if he doesn't stop yelling...
19:21No.
19:22Now.
19:24Calm down.
19:25Mother, shut up.
19:26Enough.
19:27Oh, please.
19:28Let's calm down.
19:29Please.
19:30I don't want to work with him.
19:31Nor with this agency ever.
19:32Finito.
19:36They'll continue with the creams.
19:37Thank goodness.
19:38But the ad project is over.
19:40Let's go.
19:41Bye-bye.
19:44I'll kill you.
19:45Mr. Messin, please calm down.
19:47You've gone too far.
19:49Enough, please.
19:51I told you.
19:52You're right.
19:53I'm always right.
19:54All right.
19:55The time has come.
19:56Yes.
19:57How about a nice coffee with milk?
19:59No, I want it alone.
20:01All right.
20:05Mr. Messin, wait, please.
20:07Uncle.
20:13What do you think I'm telling him now?
20:16I can't hear anything.
20:17Please calm down.
20:18Wait.
20:20I'm going to try to convince him.
20:22But I'm going to need your help.
20:24What are you saying?
20:26It's not the time to be jealous.