Eva Mon
Eva Mon
  • 2 days ago
Emitir:
Sanem Aydın: Demet Özdemir
Can Divit: Can Yaman
Leyla Aydın: Öznur Serçeler
Mevkibe Aydın: Özlem Tokaslan
Nihat Aydın: Berat Yenilmez
Emre Divit: Birand Tunca
Ayhan Işık: Ceren Taşçı
Muzaffer Kaya (Zebercet): Cihan Ercan
Deren Keskin: Tuğçe Kumral
Cengiz Özdemir (Ceycey): Anıl Çelik
Güliz Yıldırım: Sibel Şişman
Osman Işık: Ali Yağcı

Producción: Gold Film
Productor: Faruk Turgut
Director: Çağrı Bayrak
Guión: Ayşe Kutlu Üner
Transcript
00:00I don't like to lie and hide things from people, but there's no other way.
00:07Let's think about something.
00:09About Arthur Capello.
00:11We said he has experience, so he'll be about 70 years old.
00:14Where is this Arthur from?
00:16Iraqi?
00:17No, he's English from Spanish parents.
00:18The Iraqi thing was invented by J.J.
00:20But actually, Mr. Capello is Spanish and lives in England.
00:24Perfect. Very good. Bravo.
00:26Bravo.
00:28Let's see.
00:3070 years old and an intellectual.
00:32Does he speak English and Spanish?
00:35That's right.
00:36Of course.
00:37We'll have to find an unknown actor.
00:40So, start calling the casting agencies.
00:43There's another problem.
00:45If it's about such a famous director and he's had so much success,
00:48we'll have to create a website.
00:51I'll take care of that, friend Jan.
00:53Oh yeah? How are you going to do it?
00:55There are no instructions on how to make coffee.
00:57Shut up, Medichief.
00:59Enough. We'll take care of it.
01:01You don't know how to create websites either.
01:04Em recognized a hacker who worked with Aileen. Remember?
01:07He said Aileen. He named Aileen.
01:10Yes, I remember. How can I forget?
01:12Good. We'll have to find him.
01:14Okay. I'll take care of that.
01:16Well, then.
01:17See you later.
01:18We'll find the actor.
01:21J.J., you wanted more responsibility, didn't you?
01:23Well, help us with the casting. Go get a laptop.
01:25Of course, super friend.
01:27And?
01:28I'm going to work at that table.
01:30And that?
01:32What?
01:34Well, I don't want to bother you, Mr. Jan.
01:36And besides, everything stings me.
01:38Do you have an allergy?
01:39Well, no. Not in that sense.
01:41Oh, but what's wrong with you?
01:43It's a metaphor.
01:44A metaphor?
01:45Oh, he doesn't want company.
01:47Nothing to do with the allergy.
01:49Oh, it stings me too.
01:51No, it's not true. It's just a metaphor.
01:57What do you think of that guy? I think he's good.
01:59Yeah, he might work.
02:01What's wrong with you?
02:02What are you looking at?
02:03Calm down.
02:07Okay.
02:12I'm going to write down the number of that agency.
02:16Listen to me.
02:17Look for Sanem in the depths of your heart.
02:20And even if you don't find her,
02:22never let go of her hand.
02:43I don't remember her.
02:44And I understand it's because of that accident.
02:46But why don't I feel anything?
02:48I don't understand.
03:16I don't understand.
03:33Finally!
03:34Yes, of course. Why?
03:35I can see Arthur Capello!
03:37Here he is!
03:38Oh!
03:39Yes, here he is!
03:40Let me see.
03:41Yes, the perfect capello.
03:43I think that's perfect.
03:45It's ideal.
03:46Yes, it would look good.
03:48Ramos, Sanem, you're effective when you're angry.
03:50Ayati Tokmak, theater actor.
03:53And he has fluent English because he lived in England for several years.
03:59Good job.
04:00Let's call his agency.
04:02I already did.
04:03He's working on a play, The Old Man and the Sea.
04:06Well, we can go see it.
04:08Okay, I accept.
04:10Anything else?
04:11I'll take my bag and I'll be right back.
04:13Uh, Dere, call Emre and find out how they're doing.
04:16Very well.
04:17I'll call him right now.
04:19Theater is a way of life for me.
04:22They're solving their problems.
04:24How wonderful.
04:25But once again, they don't count on us.
04:27They meet and decide, but we're left out.
04:30Why would they ask you?
04:31Your opinion is non-transcendent.
04:33But I don't understand why they don't count on me.
04:35I'm a veteran in this company.
04:37Veteran?
04:38If we find a 70-year-old actor, that's a veteran.
04:40Do you have any idea how old I am, Musa?
04:42My town is a special place.
04:44Well, but we're not talking about that.
05:00I don't think the play will be very successful.
05:02It's summer, it's normal.
05:06Yes, of course.
05:07I guess people are on vacation.
05:10Artists put a lot of passion into their work.
05:13But of course, those things don't go with you, Mr. Can.
05:18Mr. Can again?
05:19What's your name?
05:23Zanem, what's wrong?
05:24Do you want to tell me something and you don't dare?
05:29Oh, I'm going to start.
05:36Hello, Captain.
05:37Hello.
05:38Tell us about the smell of the sea.
05:40The sea is our mother, great and generous.
05:43Tell us about the language of the sea.
05:45Take us to him, to his beauty, and to his way.
05:53Yes, this sea, this union, this connection.
05:57That's what will always bring us closer.
06:03Yes!
06:04Yes!
06:08Yes!
06:09Bravo!
06:15Yes, bravo, Zanem.
06:16We found Arthur Capello.
06:18Well, you found him.
06:20You're the best.
06:21Come here.
06:22Oh, they tell you two kind words and you forget everything.
06:26How fast you convince yourself, girl.
06:28Yes, you're right.
06:30Of course I have it.
06:31You solved the problem.
06:33I just do my job, Mr. Jan.
06:46Good afternoon.
06:47Good afternoon.
06:48How are you?
06:49We are from the FICRIARICA agency.
06:51Can we see Mr. Ayati?
06:52Of course.
06:53I will be delighted.
06:54Great.
06:55This way.
06:58Hello, congratulations.
06:59Thank you, how are you?
07:00Mr. Ayati, it was wonderful.
07:02I have goosebumps.
07:03A great performance.
07:04What a realism.
07:05Thank you very much, miss.
07:07It's an honor.
07:09Excuse me.
07:13Now, tell me.
07:14I am Jan, director of the agency.
07:16Zanem is from the creative team.
07:18Delighted.
07:19It's a pleasure for me.
07:20We would like to offer you a role.
07:22Really?
07:24Well, what a joy.
07:25My last role was in the series La Granja.
07:28I played the mayor.
07:30It was a long role, but I had to leave it for an accident.
07:34A horse kicked me hard.
07:36Oh, I'm sorry to hear that.
07:37Yes, it was a shame.
07:38Since then, I have not had more roles on TV.
07:41Is this an ad?
07:44No.
07:46Let's say it will play a protagonist.
07:49Don't tell me.
07:50Well, I think it's great.
07:54Does it feel good, sir?
07:56Yes, it's just that I got a little nervous.
07:59You will play the role of a foreign director.
08:06You speak English fluently, right?
08:10Yes, of course.
08:12Of course.
08:13It's a perfect role for me.
08:15Yes, of course.
08:16It's an excellent opportunity.
08:17What luck.
08:20Mr. Hayati, if you want, give me a little more water.
08:22Finish the glass.
08:23I'm fine.
08:24Calm down.
08:29Oh!
08:31Oh, no.
08:32Sanem, call an ambulance.
08:34Act.
08:35This is not acting.
08:36Look.
08:37He's not breathing.
08:38It could be a heart attack.
08:39Oh, I understand.
08:45Hello, emergency.
08:47That's right.
08:48A man fainted.
08:49Mr. Hayati.
08:51What do you mean he's not a famous actor?
08:53Sanem, I'm not going to breathe mouth to mouth.
08:56We both have a beard.
08:57Mouth to mouth, Jan.
08:59Hurry up and send an ambulance.
09:01Don't you see it's urgent?
09:03Okay, I'll do it, but I'll think of someone else.
09:08It's amazing.
09:09Look at him faint.
09:11By the way, it's good that we accompany him to the hospital.
09:15Of course.
09:16What else could we do?
09:17He had a heart attack.
09:18We couldn't leave him lying there.
09:19Luckily, he's still alive.
09:21When he recovers, we offer to make an announcement so that we can help him.
09:25But he doesn't need it.
09:26He's having a bad time.
09:27I agree.
09:28We have to help that poor man.
09:32In a way, I feel responsible.
09:35I don't care.
09:39I'll make a sandwich.
09:40Do you want?
09:41Yes, good idea.
09:42I'm going to make tea.
09:43Let me help you.
09:44Excellent idea, if you want.
09:46The tea is here, right?
09:47Yes, take what you need.
10:08It slips.
10:20Although he doesn't remember anything of the love we felt,
10:22I think...
10:24I understand.
10:25Really?
10:27And that?
10:29If you've looked at me like that for two years,
10:32it must have affected me.
10:53I'm sorry.
10:54I'm so sorry.
10:55I'm so sorry.
10:56I'm so sorry.
10:59I'm sorry.
11:00I'm so sorry.
11:01I'm so sorry.
11:02I'm so sorry.
11:07Come on, Sanem, you're not even an ice cream.
11:09You melt with every word I tell you.
11:11Why don't you be a little stronger?
11:13What are you talking about?
11:14I don't know what that means.
11:15We're tired today.
11:16That's why I have this look.
11:18I don't think that look is tired, you know?
11:22No se te escapa una.
11:26Pues aunque no lo creas, fue un día muy largo.
11:30Fuimos al teatro y luego tuvimos que ir al hospital.
11:34Estoy cansada, por eso te pongo estos ojitos.
11:38¿Por qué mirándome descansas?
11:42No, para nada.
11:45En realidad no te miraba, estaba ensimismada.
11:48Mira qué rara, siempre cambias de opinión.
11:50No soy rara, es que tú no lo entiendes.
11:52Prepara el té, quiero tomar una taza.
11:55Yo no voy a hacer el té.
11:57Hazlo tú, hasta mañana.
12:01¿Te molesta?
12:03¿Te ofendí?
12:06Como si yo no supiera prepararme uno.
12:08Haré un bocadillo.
12:09¿Y si quiero comer?
12:11¿Se fue?
12:12Ya no está.
12:15El bocadillo quedó delicioso.
12:17No es por nada, pero qué bueno está.
12:20Es una delicia.
12:29Espero que se te haya pasado el cansancio.
12:32¿Le pusiste queso al bocadillo?
12:36Pero te juro que no te miraba.
12:38¿Qué pasa?
12:43No grites, mañana trabajo y necesito dormir.
12:48Mira, ahora me manda carita sonrientes.
12:51¿Cuántos años tiene?
12:52Por favor, ya madura.
12:55Por favor, Sanem, si es cierto.
12:57Sí, lo estabas mirando.
12:59¿Te quieres callar?
13:01Ahora no tengo ganas de oírte, ya basta.
13:08No te lo decía a ti.
13:09¿Por qué te tomas todo como algo personal?
13:12Ay, qué día tan intenso llevo.
13:15Ya te lo dije.
13:18Te crees muy importante por ser el jefe.
13:25Parecía.
13:27Qué rico está.
13:52Buen día.
13:53Disculpe el retraso.
13:54No se preocupe.
13:56Ella es Sanem, la creadora de las cremas.
13:59Encantada.
14:00Igualmente es un placer.
14:10Mi currículum.
14:15¿Currículum?
14:16Las empresas donde he trabajado.
14:19También adjunté dos cartas de recomendación.
14:25Bien.
14:33¿Usted vino por el puesto de recepcionista?
14:37Así es.
14:40¿La chica de allá afuera no es la hija de Asim?
14:45Tal vez.
14:46No tengo idea.
14:48No quisiera.
14:50Igual que yo.
14:51Vamos a ver.
14:52Vamos.
14:54Mucha suerte en la entrevista.
15:04Le pido disculpas.
15:05Viene de Guma North, ¿cierto?
15:07Sí, señor Jan.
15:08Soy Aisha Dickman.
15:10Pero creo que sus empleados me conocen como la hija del señor
15:13Asim, ¿cierto?
15:18¡No puede ser!
15:19¡Era ella!
15:20¡Era ella!
15:22Disculpenos por el malentendido que se presentó.
15:24¿Vamos a mi oficina?
15:25Está bien.
15:26Pero antes quiero decirles que estudié en el extranjero con
15:28una beca y trabajé cinco años de asistente.
15:31En verdad.
15:34Pues bien, Betty.
15:35Yeye, ven aquí.
15:38Ocúpate de la señorita, por favor.
15:41Disculpenos, por favor.
15:42Por aquí.
15:45Pero qué bueno conocer a la señorita.
15:47Es evidente que tiene una formación académica.
15:51Ella era la hija de Asim.
15:58Parece la versión femenina de Yandivit.
16:00¿Lo notaste?
16:01Es una mujer hermosa.
16:04En serio que eres muy observadora.
16:06Por aquí, por favor.
16:08Personalmente la voy a entrevistar.
16:11¿Sanem?
16:14Quiero pedirle disculpas nuevamente por la confusión que hubo.
16:17No pasa nada.
16:18De hecho, quería venir ayer, pero me fui a acampar y se me
16:21descompuso el auto cuando venía aquí para verlos.
16:24Pero lo arreglé y vine directo a la agencia.
16:27¿Y pudo ver algo sobre nuestro proyecto?
16:30Sí, lo hice.
16:31Los felicito.
16:33Quizá tengamos que hacer un pequeño recorrido.
16:37¿Son placas del ejército?
16:39¿Y qué es lo que le preocupa?
16:41El director que eligieron.
16:43Artur Capello.
16:44Busqué un poco, pero no pude encontrar nada sobre su trabajo.
16:52Qué raro.
16:54¡Ay!
16:55Lo siento mucho.
16:57¿Qué es lo que le preocupa?
16:59¿Qué es lo que le preocupa?
17:01¿Qué es lo que le preocupa?
17:04Ay, lo siento mucho.
17:06Perdón.
17:07Tal vez se trate de un error.
17:09¿Estás bien, Sanem?
17:12Sí, sí, estoy bien, gracias.
17:14Es por el aire acondicionado.
17:16Es nuestro mayor enemigo en verano, por los ácaros.
17:20La verdad, me estoy sintiendo mal.
17:28Pero, ¿qué botas?
17:33Es que tengo mucha alergia.
17:35Por eso estornudo.
17:40Ay, Sanem me escribió.
17:42Me dice que solo tenemos cinco minutos para terminar.
17:44Date prisa.
17:45La hija ya sospecha.
17:46¿Qué haces?
17:47Deja de entretenerte.
17:48Termina ya.
17:49¿Cómo vas?
17:50Ya subí varios anuncios de otras páginas.
17:52Los trimé con el nombre de Artur.
17:54Bien, saldrá en los motores de búsqueda.
17:56Pero no tenemos ninguna foto de él.
17:58No podemos subir ninguna.
18:00No sabemos quién lo interpretará.
18:02Entonces, ¿ya quedó?
18:04Perfecto.
18:07Muy bien.
18:18Está bien, está bien.
18:19Sanem, ya quedó.
18:21Llámame y dices que hay un problema con la red.
18:24Lo lamento.
18:25No suelo hacer estas cosas.
18:26Mi madre tiene un problema y tuve que escribirle.
18:29Ahora voy a llamar a la señorita Leila.
18:31Disculpen.
18:35Hola, Leila.
18:36¿Puedes venir a la oficina del señor Jan?
18:38Tenemos un problema con la red y necesitamos tu ayuda.
18:41Muchas gracias.
18:44Bien, ella lo resolverá, como siempre lo hace.
18:47Leila.
18:49Hola.
18:50Hola, Leila.
18:51¿Dijeron que hay un problema?
18:53La señorita no ha encontrado nada de nuestro director en
18:55internet.
18:56Ah, ese es un problema muy común,
18:58porque nuestro director no se llama Arthur, sí.
19:01Su verdadero nombre es Arturo Capello.
19:03Por eso la gente no lo encuentra.
19:05Mire, escribe el nombre como lo digo en el buscador y verá
19:07como enseguida aparecerá.
19:16Es verdad.
19:21Es cierto, lo encontré.
19:24Genial.
19:25Sí.
19:26Claro.
19:28Creo que tiene otros anuncios.
19:30¿Por qué no me dijo lo del nombre, señor Jan?
19:34No, se lo dije porque no habíamos buscado bien su página
19:37web.
19:38Fue por eso.
19:39Tengo buena relación con Arturito.
19:42Y la verdad es que ni yo sabía que su nombre se escribía así.
19:45Es que depende del idioma en que se escribe.
19:47De una forma u otra.
19:48En inglés es con H, Arthur, Arturo.
19:51Se confunde, ¿no?
19:52Sí, suele pasarle a mucha gente.
19:54Entonces el asunto está resuelto.
19:57¿Y cuándo será la reunión con él?
19:59Leila buscará una fecha y le informaremos.
20:02Mientras tanto, podemos ir revisando los detalles.
20:04Perfecto.
20:05Estupendo.
20:06Con permiso.
20:11Bien.
20:13Y nosotras hay que hablar de lo mucho que te preocupa ella,
20:16Sanem.
20:18No te vaya a dar frío.
20:20En esa posición te da el aire acondicionado en la espalda.
20:25Aquí tenemos esto.
20:29Y esto.
20:31¿Estuviste en el ejército?
20:33Ay, perdón.
20:37Ya veo.
20:38¿Sí?
20:42Seguro que saldrá una campaña estupenda.
20:44Estoy de acuerdo.
20:46Le gustaría ir a comer para compensar las molestias.
20:48Perfecto.
20:49Conozco un restaurante mexicano.
20:51¿Le gustaría?
20:52Fabuloso.
20:53Genial.
20:54Sanem, tú también vienes.
20:56No sabe ni qué restaurante es.
21:02¿Por qué a ti no te pregunta si te gusta?
21:04Yo no le importo.
21:07Sanem, vamos.
21:09Ya voy.
21:10¿Sabías que mi padre tiene familia en México?
21:12Ya voy.
21:14En el centro de México.
21:23Subtítulos realizados por la comunidad de Amara.org