Ding Gru
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El Ángel de Aurora Capitulo 69 Completo HD
El Ángel de Aurora Capitulo 70 Completo HD
El Ángel de Aurora Capitulo 71 Completo HD
El Ángel de Aurora Capitulo 69 Completo HD
Transcript
00:00CC-BY-NC-3S
00:11The meeting's over.
00:17Demian, please.
00:19I need you to wait.
00:22I've made another decision.
00:24Another?
00:25Yes.
00:27I'm going to change my actions.
00:30What do you mean you're going to change your actions?
00:32What are you talking about now?
00:34That all my actions of the company Campero
00:37are going to happen on behalf of my son Gabriel.
00:39What are you saying? You can't leave everything to a dead man.
00:42Gabriel is not...
00:43No, he's dead. He's dead.
00:45Accept it, please, now.
00:46You've been obsessed with your idea for a long time,
00:49and you're putting your family at risk
00:51because you're obsessed with chasing a ghost of the past.
00:53Demian, Demian.
00:54No, that's what happens.
00:55Demian, I won't let you talk like that.
00:58Aurora can do her actions to whoever she wants,
01:01because it's in her right.
01:03Oh, no.
01:05We're talking about executives.
01:06If it's Julio Cesar, please don't meddle.
01:08You're a lawyer.
01:09I'll let you know. Thank you.
01:10Aurora is my wife.
01:12Therefore, I can defend her in everything related
01:15in terms of her personal decisions as an executive, okay?
01:21With all my heart, I tell you,
01:24I'm not going to mess with you again, Angel,
01:27because you're what makes my daughter happy.
01:32Briana and I are not together anymore.
01:34Oh, thank God.
01:35I mean, that's bad. Why?
01:38Wait for me. I have a chance to talk to you.
01:41I'll be waiting for your call.
01:45Excuse me.
01:48What's up?
01:49Gabriana is no longer with that guy.
01:53You don't change.
01:54And you never will, Patricia.
01:56Yeah, Elena.
02:03Come on, Demian, Demian.
02:04Why do we always have to end up together
02:06screaming and fighting?
02:08Do you know what the problem is?
02:09Do you know what the problem is?
02:10That none of you three have the courage
02:12to tell her things in front of my aunt.
02:14And you need that.
02:15Forgive me. You have to overcome your trauma.
02:17More than 25 years of your tragedy have passed.
02:19You're wrong, Demian.
02:20Turn the page.
02:21You're wrong.
02:22Demian.
02:23I've lived through lies,
02:24scams from very bad people
02:27who, at all costs,
02:28want to stop me from getting to my son Gabriel.
02:30That's what's been happening.
02:32But we can't verify it yet.
02:35This is a personal matter
02:36that will not affect the company's future.
02:39Let's see.
02:40I don't agree.
02:42Why are we going to leave very important shares
02:45in the hands of a person who doesn't even exist?
02:49And secondly,
02:50in a place that's completely out of the business.
02:52That's my concern.
02:53And I imagine it's Demian's too.
02:55It's going to affect the overall assets of the other partners.
02:59Where's your son?
03:00What son are you talking about?
03:01Where's your son?
03:02Did you find him?
03:03Did you find him?
03:04No, right?
03:05So...
03:06Well, what happens if you find him?
03:07If he's a scammer, are you going to leave everything to him?
03:09You have no idea.
03:10You don't even know if he's alive.
03:11Please.
03:13Aurora, I support your decision.
03:16Demian,
03:17you...
03:18worry about that when Gabriel appears.
03:22It's easy to judge, Demian.
03:25I advise you to accept my decision well,
03:27and it's for everyone's good.
03:35It's good that the Rey family gave you my information.
03:38It was necessary to attend to the child immediately.
03:41What does my son have, Doctor?
03:42It's too early to give him a diagnosis.
03:45But do you think his blindness is due to emotional reasons?
03:49Yes.
03:50It is likely that his sudden blindness
03:52was caused by a strong emotion
03:54that led him to a catatonic state.
03:58My son,
04:00I know you suffered a terrible loss.
04:02A loss that affected your mind a lot.
04:06But
04:07this is where you will always take your daddy.
04:11And
04:12with these beautiful eyes
04:14you will see again how wonderful the world is
04:17and all the people who love you.
04:25I need that favor, Mom.
04:27I can't stand this idiot.
04:30I'll call you later.
04:34Your mom is a powerful woman, right?
04:36I don't know what you're talking about.
04:38I want to meet her.
04:39Edgar, I know you're worth being my brother,
04:41but do something good for someone else for once in your life, okay?
04:45Tell me where I can find her.
04:49Rolando,
04:50I want you to take a deep breath
04:52and let yourself be guided by your mom's voice.
04:57Daddy, focus on my voice, okay?
05:00I want you to think of all the people who love you
05:03and make you happy.
05:05Who do you think of, son?
05:07Of you.
05:09Angel,
05:11Anita,
05:14Gilles,
05:15Goyo,
05:16and Huichol.
05:18Very good, daddy.
05:20Now, I want you to focus on the three of them
05:23and tell me a moment that made you very happy.
05:29When they dressed up as clowns
05:32and gave me my little turtle, Lazara.
05:36Now, I want you to focus on Anita.
05:40I see her, mommy.
05:42And what do you think when you see her?
05:45That I'm very happy that she's my friend.
05:48I love her very much and she loves me.
05:51And do you remember any special moment with her?
05:54Everything I live with her is special.
05:57Even when she saved me from when Pintas took me to the children's prison.
06:01If we give the cooperative a shot,
06:03we're going to relieve poor Maggie.
06:06Well, if you need an extra, you can work with us
06:08at the quesadilla stand.
06:10Right, old lady?
06:12Vicky, what's wrong with you?
06:14What's wrong with you?
06:16Vicky!
06:17She's fainted!
06:19I'm going to the doctor!
06:20No, wait! I'm coming with you!
06:21Come on, Vicky.
06:23Mr. Pascual, hurry up.
06:25Yes, yes.
06:27Mr. Pascual, hurry up.
06:29Yes, yes.
06:31Excuse me.
06:32Let's see, Vicky.
06:35Vicky.
06:36Vicky.
06:37I asked for this moment alone with you
06:39because it is essential that you help Rolando in this process.
06:43Well, you don't even have to tell us.
06:45We are at your service.
06:46Really?
06:47I'm in too.
06:48You must build a safe space for Rolando
06:51in which he feels confident to express his emotions
06:54with someone other than his mother.
06:56Doctor, and about what he said,
06:58wouldn't it be convenient to file a complaint?
07:01Aquiles, I don't think Rolando is ready
07:03for the entire process of a complaint.
07:05The best thing is to help him improve first
07:07and then start the process.
07:10I agree with your friend.
07:11Although it is important to file the complaint
07:14as soon as Rolando is more stable.
07:16Hey, what if we do a laugh therapy like the one in the movie?
07:20Oh, that would be good, right?
07:21In fact, the group laugh therapy
07:23can help improve his mood
07:25and fight depression.
07:30Here are a series of laugh therapy exercises
07:33that you can do with Rolando.
07:36And who is going to do this?
07:37The baby?
07:39Of course.
07:40Yes?
07:42Dad.
07:43Don't you dare tell me
07:45that I shouldn't get upset
07:48about my aunt's stupid games.
07:51I'm sick of it.
07:52Now I wasn't going to tell you anything
07:54because I totally agree with you.
07:58But I'm worried that your aunt can change her actions
08:01like Plasca.
08:02I know, I know.
08:03But putting them in the name of a ghost
08:05is stupid, right?
08:06This lost child thing
08:08is out of proportion.
08:10What are we going to do?
08:12Because now even Antonio is convinced
08:14that Gabriel can appear at any time.
08:16I don't know where, but ...
08:18You know what I think?
08:21I feel that
08:23Elvia and Antonio have some kind of information
08:25that they are not telling us
08:26because there is no other explanation.
08:29My aunt Aurora
08:30thinks she knows something.
08:32It's possible.
08:35Maybe Aurora already found Gabriel
08:39and she hasn't told us anything.
08:42I care very little
08:43if Yesabel or Demian get angry or not.
08:45I'm tired of trying to bring the party
08:47to peace with them.
08:48My love.
08:51You already know that I support you
08:52in absolutely everything.
08:56I just think you should have told me before
08:59to be able to help you
09:00to make it much more settled
09:02and bring all the documents.
09:04Yes.
09:05I don't know.
09:06I have the feeling that Antonio reacted
09:08as if he already knew something.
09:10Did you tell him your decision before the meeting?
09:13No, of course not.
09:15Although
09:16I must admit that I also missed his reaction.
09:19Lately he feels very sure
09:22when he talks about Gabriel.
09:25What is coming will not be easy.
09:27Your sister and Demian will fight
09:29until the last consequences.
09:31And not only here.
09:33Also in your house.
09:34That's why I ask you to leave your house.
09:36Let's go to mine.
09:40Thank you for waiting for me.
09:41Don't worry.
09:42Don't worry.
09:44You should have seen the face of Yesabel and Demian.
09:46Well, now they faced each other.
09:48I mean, their blood pressure dropped.
09:50I hope Mrs. Aurora recovers from the presidency.
09:53She has much more vision than Mrs. Yesabel
09:55and the blood of her nephew.
09:57And sorry to tell you,
09:58I know it's going to be your son-in-law,
09:59but one thing is one thing.
10:00No, no, don't worry.
10:01Nothing happens.
10:02Besides, Aurora wants to do something good with Gabriel.
10:04Your son?
10:05Yes.
10:06Yes.
10:07Do you know what he's going to do?
10:08No.
10:09He's going to give her all the shares of the company.
10:11He's going to be a corporate camper.
10:13And can he do that?
10:14Well, if he's a good lawyer, yes.
10:15Or I don't know, he's going to prepare the papers
10:17to make the transfer as soon as he appears.
10:20And really, can he do that?
10:21Well, I'm not so sure.
10:23Like you'll be the main witness when that happens.
10:25Oh, come on.
10:26And why me?
10:27What?
10:28You're going to be a witness.
10:29You're going to...
10:31Give me a second.
10:33Daughter.
10:35Tell me.
10:37Shall we have dinner together?
10:39Better invite Angel, Dad.
10:40I'm very busy.
10:42Tania.
10:43Yes.
10:44I'm going to stay to finish some work.
10:46Have a good time.
10:47Okay.
10:48See you.
10:49Bye.
10:53You are my daughter, my love.
10:55Please.
11:03If he's alive, why don't they introduce him to us and that's it?
11:06Mom, do you think they're planning something against us?
11:09Like taking over the company?
11:10I don't know, but I always imagine the worst.
11:13And I'm rarely wrong.
11:15No, you taught me that whoever has information has power.
11:18No?
11:19So we can't let my aunt and Antonio take over?
11:22Yes, but if Aurora gives in to those actions,
11:24who's going to stop her to leave her place in the company?
11:27What?
11:28Nobody.
11:29There it is.
11:30But not even my aunt can give in to actions to a dead man.
11:33To a ghost.
11:36The problem, my love, is that Gabriel may be alive.
11:39And you're so sure of that?
11:44Because I falsified the death certificate for Aurora to leave the car.
11:59I'm going to stay a while to start with the papers for the action session.
12:03Thank you very much, my love.
12:04I think the best thing for the company is for you to be co-CEO with Demian.
12:10He already has several projects on the doorstep
12:13and they're just waiting for Antonio and Isabel's signature.
12:16My love, I understand your concern,
12:20but I want to review what Demian did in my absence.
12:24Yes.
12:25I have to go to the association to review a case
12:28and then I have to talk to him and I hope it won't take long.
12:31Think about what I told you.
12:32Think about what I told you.
12:34Look, we could move to a very nice house without any problems.
12:40Think about it.
12:42Oh, sorry, sorry.
12:43Sorry to interrupt you, but I love you.
12:46I just wanted to ask you what you want as a wedding gift.
12:49How hypocritical you are, Patricia.
12:53I'm going to ask you, please, not to withdraw from the company.
12:57Aurora...
12:58Nothing, nothing, Patricia.
12:59Leave right now.
13:00Leave right now.
13:02You love to call security, don't you?
13:06My love.
13:14You have to fix this problem.
13:16You told me you were going to take care of it.
13:19You didn't do anything.
13:22What do you want?
13:24I told you not to come back to this office without knocking.
13:26It's just that Mrs. Patricia came to see her
13:29and then she has an appointment with Rubicundo.
13:32Leave us alone, my love, please.
13:51Excuse me, please.
13:52It won't happen again.
13:54What did you hear?
13:56Hear?
13:57Nothing.
13:58I just got in.
14:00I can smell the lies here, Ometros Casandra.
14:04And you stink.
14:09I'm not going to ask you again.
14:11What did you hear?
14:14Mrs. Isabella, in these more than five years
14:16I've been working with you,
14:18I don't understand why, from time to time,
14:21the only thing I get from you are aggressions and threats.
14:25It's true.
14:27You've been with me for more than five years,
14:29but now that you started hanging out with the chicken down there,
14:32that you got involved with Edgar,
14:35that you spoke ill of me,
14:37there you lost my trust.
14:39I failed you.
14:42And right now I'm writing my resignation.
14:46I'm not useful to you if you don't trust me.
14:48And yet, if I didn't trust you,
14:51you'd be dead by now.
14:54It's Braumai, Casandra.
14:57But I do warn you that it's not in your best interest to resign,
15:01much less betray me.
15:03And well, having clarified the subject,
15:07as for Mr. Rey,
15:08send the documents I need, print them and bring them to me, please.
15:12Yes.
15:13Should I tell Mrs. Patricia to come in?
15:15No.
15:16No.
15:18Excuse me.
15:34Did you hear anything?
15:37Well, I hope not.
15:39Ignite's silly girl resigned.
15:42You know.
15:43Come on.
15:45What happens if you don't take care of what you say?
15:49I wouldn't be so sure if I didn't hear anything.
16:14I'm sorry.
16:15I'm sorry.
16:16I'm sorry.
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19:30I'm sorry.
19:31I'm sorry.
19:32I'm sorry.
19:33I'm sorry.
19:34I'm sorry.
19:35I'm sorry.
19:36I'm sorry.
19:37I broke up with Breanna.
19:39You know why?
19:40Because she wants to return to Elena.
19:46Son of a bitch.
19:48Shitty bastard.
19:51And she won't leave like this.
19:53This information will become valuable.
19:55So now I will be needing you to do me a favor.
20:00Edgar, I'll give you anything you want.
20:03Just get in touch with our landlord
20:05The owner of the house where Angel's family rents it.
20:10Pay him a visit.
20:24So that's how we do it, engineer. See you tomorrow.
20:28Ready, Angel?
20:29Yes.
20:30I'd just like to say something and ask for your advice before we go.
20:34I don't know which of the two things to start with.
20:36Well, I'm of the opinion that you should always start where it's most difficult.
20:43I broke up with your daughter.
20:44Yes.
20:45I mean, with your other daughter, Grena.
20:48Chale.
20:50Saying it out loud, she'll think I'm the worst.
20:53But I love your daughter.
20:54Yes.
20:55Your other daughter, Elena.
20:57That's a surprise for me.
21:00Look, we can't talk about heart issues, Angel.
21:03I'll take care of it.
21:05If you follow what your gut tells you, you can't go wrong.
21:10There goes my other problem.
21:13Demian gave my parents a house and I don't know what to do to avoid it.
21:18Tell me the truth.
21:21What is Demian doing to help your parents?
21:23Honey, I want you to be careful because I'm going to get romantic with the votes on the day of our wedding, my love.
21:32I already told Edgar to investigate who the best authors are for that.
21:36Those are your votes, Demian.
21:38That has to come out of your heart.
21:42What do you mean?
21:43It has to come out.
21:44Look, just who is there, my prince and his princess.
21:50My queen.
21:52My queen, how are you?
21:56How have you felt living in your new house, my love?
21:59Thank you for the support, Isabel.
22:01I couldn't keep living with my dad.
22:04It's just that he doesn't understand women.
22:06That's what happens to me.
22:07Mom, we're very tired, right, my love?
22:09Well, yes.
22:10Yes.
22:11Do you want us to take advantage and start organizing your wedding?
22:14I can take care of the party, the church, the decorations, the food, whatever you tell me.
22:19Thank you very much, Isabel.
22:21But I'm going to organize my wedding with the help of Aurora.
22:28The investigation continues to advance.
22:30And well, considering the high number of children stolen or disappeared in the country against the found,
22:37or the cases where at least there are clues, this is good news.
22:41Yes, I am aware of the figures, but is there any way to shorten the search?
22:47Of knowing where it could be found?
22:49Yes, I already have several.
22:51Well, then my son is probably closer than we think.
22:56At least during his childhood.
22:58The next step is a strong search campaign with the help of the authorities,
23:03in the prosecutor's offices, public ministries, and of course in the neighborhood of the city.
23:07Yes, I understand.
23:10Elvia, can you tell me something?
23:12Antonio told you that in two months he was going to give me my son?
23:17No, he didn't tell me anything.
23:19In fact, how could he do that if I haven't shared information with him?
23:22So, Antonio is cheating on me?
23:31Mike, if Demian is conditioning the help, tell me.
23:40I can intervene.
23:42No, leave it.
23:44I only wanted to consult him because my mom got very excited,
23:47but dad doesn't agree.
23:49Of course not.
23:51I wouldn't agree either.
23:53Now everything has come together.
23:55Rolitas, my breakup with Briana, Demian, Elena, my mom.
24:01Why don't you trust me?
24:03I'm trusting you.
24:05Look, I don't deny that Demian has qualities, yes, yes,
24:08but as they say out there,
24:11no da paso sin guarache.
24:14The neighborhood is already hitting you.
24:16No, no, no, no, no.
24:17I also...
24:18Yes, my words.
24:19Me too.
24:20Now that we're talking about Demian,
24:22what really happened between the three of you?
24:24Because Elena is sure that I was the one who intervened
24:26so that you two would finish,
24:28but although I was worried about your safety
24:30the moment you were attacked,
24:32I believe that the one who intervened was Demian.
24:37I made the decision for Elena's sake.
24:41But I have to talk to her because there is something
24:43that I could never tell her.
24:45Well, I just understand.
24:47I'm leaving.
24:49No, Angel.
24:51Elena and Demian are already friends.
24:56Think carefully.
24:58If what you're going to tell Elena
25:00will bring her happiness or sadness.
25:06Angel, don't hurt her again.
25:11So, Antonio took the bait
25:14with this story that he's going to find my son?
25:16I don't know. I don't know, Aurora.
25:18What I do know is that Antonio is a great man.
25:20He's not the kind of person who lies or deceives.
25:23I know him pretty well.
25:24I've known him all my life.
25:27And I do know that he can lie.
25:29Aurora, it seems to me that you still see Antonio
25:31as the young man who abandoned you at church,
25:33not as the man he is now
25:35and who has also done many good things for you
25:37and also to redeem his mistake.
25:39It's very easy to judge
25:40when you see things from the outside.
25:42And much more when there are feelings for that person.
25:45Well, if he told you that in two months
25:48he's going to give you your son,
25:49it's because he fully trusts me and my work.
25:52I have no other explanation.
25:53Look, I can only tell you
25:55that it doesn't matter what I feel for Antonio.
25:57What I can tell you
25:59is that he is still aware of who he was
26:01and the love of his life.
26:04¿A qué le vas a tu casa?
26:06Sí, tengo un chorro que estudiar.
26:08Bueno, ¿por qué no me acompañas a cenar?
26:11Quiero que aprendas ciertas reglas sociales
26:13sobre hacer negocios.
26:15¿Me quiere dar clases de buenos modales?
26:17Muchos tratos se hicieron en comidas y cenas.
26:21Es importante que sepas cómo comportarte en la mesa.
26:25Pero...
26:26Sin pretextos.
26:27Es que mañana tengo que...
26:28No, no, no.
26:29Mañana llegas tarde aquí
26:31No importa si te des velas por estudiar,
26:33yo te doy permiso.
26:35Bueno.
26:36¿Pero vamos a los tacos?
26:38Te aseguro que ahí se cierran mucho más negocios
26:40que de los que usted cree.
26:41Perfecto, vamos.
26:43Ya está.
26:44Bueno, ¿hay uno de buche y de trompa que yo conozco?
26:47Hemos ampliado la investigación
26:48a diversas zonas de la ciudad.
26:50También tengo una cita en la fiscalía especializada
26:53en la búsqueda, localización e investigación
26:56de personas arsidas.
26:58Quiero estar presente en esa cita
26:59porque quiero entender
27:00lo que está pasando en la investigación.
27:02Sí, claro, claro.
27:03También he solicitado
27:04que se revisen los expedientes generados
27:06desde el momento en que levantaste
27:08el acta de desaparición de tu hijo.
27:10Lo que se necesite, hazlo.
27:12Yo voy a estar al pendiente.
27:14Vamos a hacer una actualización del rostro de Gabriel
27:17a partir de una fotografía de cuando era bebé.
27:20El detective Rocha hizo una.
27:22Pero bueno, seguramente está mal
27:24como toda su investigación.
27:26Si quieres, también puedo grabar un video.
27:28No, no, no, no lo recomiendo.
27:30Se podría atraer a los estafadores.
27:32Mejor no.
27:34Me voy.
27:35Te confirmo el día de la cita en la fiscalía.
27:37Sí, gracias.
27:39Aurora, ¿Antonio te dijo dos meses?
27:43Así es.
27:45Dos meses para entregarme a mi hijo.
27:48Dime una cosa,
27:49¿tú conoces a la familia del muchacho
27:51que ayuda a Antonio?
27:52Sí, sí, sí.
27:55Sí, sí, son gente muy sencilla,
27:57gente de buen corazón.
27:59¿Por qué?
28:00No, no, no.
28:01Por nada, curiosidad solamente.
28:04Te aviso el día de la cita.
28:06Ajá.
28:07Espero que tu mamá no se tome personal
28:10el hecho de que no quiero que ella se encargue
28:12de los preparativos de nuestra boda.
28:14Tú tranquila.
28:16Se va a hacer lo que tú decidas, ¿sí?
28:19Solo ten en cuenta que preferiste a mi tía
28:21sobre mi mamá y, pues,
28:23soy su único hijo.
28:24Ella tenía la ilusión.
28:26Bueno, pues, muchas gracias
28:28que por lo menos aceptaste
28:29que vayamos a cenar juntos.
28:31¿Qué crees?
28:32Elena le canceló a su papá
28:33para poder estar con nosotros.
28:35Ay, qué dulce de tu parte, mi reina.
28:38Te ves muy linda, ¿eh?
28:40Con tu nuevo cambio de look.
28:41Qué bueno que ya le haces caso a tu marido.
28:44Gracias.
28:46Y sí, Isabel,
28:48decidí que Aurora me ayude con mi boda
28:50porque tú y yo hemos tenido muchos problemas
28:54y siento que el estrés
28:55de una planeación tan importante
28:58puede romper nuestra relación
29:00y no me gustaría.
29:03¿Te adelantas si nos desparas en el coche?
29:06Claro.
29:12Cualquier cosa grita.
29:15Estoy aquí afuera.
29:18En verdad, eres muy hermosa.
29:20¿Sabes que pudiste haber sido mi hija?
29:23Sí, hubo un tiempo
29:24en el que estuve enamorada de tu papá,
29:26pero ya sabes,
29:27un caprichillo de juventud
29:28y sin importancia.
29:31Supongo que de ahí
29:34viene tu rivalidad con Aurora.
29:40Pues, más bien creo que es Aurora
29:42la que me envidia a mí
29:44porque he logrado mucho
29:45dentro de la empresa
29:47y durante muchos años
29:48ella solamente ha estado dedicada
29:50a buscar a Gabriel
29:51y bueno, además yo tengo a mi hijo conmigo,
29:53ella no...
29:54Aurora pronto va a encontrar a su hijo.
29:56Estoy convencida de eso.
29:59Bueno, no dejemos que Aurora
30:01nos contagie con todo ese drama
30:03y...
30:06te pido una disculpa
30:07si en algún momento me porté mal contigo
30:09y sentiste que no podías confiar en mí.
30:12Patricia también fue a la empresa
30:15a ofrecerme una disculpa y...
30:17Ojalá la gente entendiera
30:18que no puede andar por la vida hiriendo
30:21y tratando de resolverlo todo
30:23con una disculpa.
30:25Sí, ojalá.
30:28Tú pronto vas a ser
30:29una mujer de alta sociedad
30:31y yo sé que para ti no es importante,
30:32pero para Demian sí.
30:35Y te quiero.
30:36Te quiero porque mi hijo te quiere mucho
30:38y te quiere yo creo que más que a mí.
30:41Valora eso, ¿eh?
30:42Porque no es fácil
30:43que un hombre decida amar a su pareja
30:46por encima de su madre.
30:48¿Eh?
30:51Algún día me entenderás.
30:56Gracias.
30:58¿Esto es así por lo de Diana
30:59y por lo de Elena?
31:00No, en parte.
31:02Estoy preocupado por Roalitas.
31:04Usted siente una gran responsabilidad por él
31:07y les lamento mucho que se esté...
31:10que esté perdiendo la vista.
31:11Señor, ¿qué hablas?
31:14Por eso y por más cosas
31:15no me quiero ir del barrio.
31:16Ahí está mi gente.
31:19Hasta los 15 anduve con mis jefes
31:21de cuarto en cuarto
31:22rentando por aquí, por allá,
31:25diciéndoles que ya no nos fuéramos.
31:28Pues que nos quedáramos en ese barrio.
31:30¿Para qué tanta mudanza?
31:32Mis amigos como el titi, el moto,
31:34yo pues toda la bandota de la colonia.
31:37Mamá no es mi prioridad,
31:39pero por ella hice un gran sacrificio.
31:43La falta de ganas siempre ha sido un tema
31:45en la casa, pero no pensé que fuera
31:48la diferencia entre ser feliz o no.
31:51¿A qué sacrificio te refieres?
31:56Uno que pronto voy a solucionar.
32:03Venga, al privado.
32:06¿De dónde conoces a Patricia Gil?
32:08¿La conoció en mi juventud?
32:10Del negocio.
32:12Sí, pero no somos iguales.
32:15Hasta aquí hay categorías.
32:17Pero aún así le tuviste la confianza
32:19para decirle que Briana es mi hermana, ¿no?
32:22Prefiero que vayamos al privado, ¿sí?
32:24No, ya nada es privado, madre.
32:26Hijo...
32:27A ver, necesito que me hagas un favor, madre.
32:31Bueno, varios.
32:33Sabes que siempre voy a hacer
32:35lo que tú quieras, hijo.
32:39¿Me permite tantito?
32:41Sí, claro. ¿Le ayudo?
32:43Sí, por favor.
32:45¿Sí, Antonio?
32:47Aurora, estoy con Ángel.
32:49Quiero pedirte un favor.
32:51¿Puedes venir a hablar con él?
32:53La verdad, nunca lo había visto tan triste.
32:55Y está un poco deprimido, de hecho.
32:57Estoy preocupado.
32:59Mira, es que voy saliendo de la asociación
33:01y quedé de verme con Julio César
33:03para ir a cenar.
33:04Pero, ¿qué tiene Ángel?
33:06Bueno, parece que se le juntó
33:08el peso de todo lo que está pasando.
33:11Primero su mamá,
33:13luego Elena,
33:15y ahora, pues, la muerte de su amigo.
33:17Yo sé que hay más,
33:19pero no quiere abrirse de todo conmigo.
33:21Y aparte, resulta que debían comprar una casa para ellos.
33:25¿Cómo?
33:26Sí, sí, aparentemente,
33:28para que se salgan del barrio.
33:30Pero, en fin, entiendo que no puedas venir.
33:33¿Dónde están?
33:36Qué bueno que viniste, mija.
33:39Ya me siento mejor, no te preocupes.
33:42¿Quiere que le ayude a peinarse?
33:45Qué buena eres conmigo, Brianita.
33:49¿Qué tienes, mi niña?
33:51Te noto triste.
33:53Nada, señora Vicky.
33:55He tenido mucho trabajo.
33:57Eso es todo.
34:00Briana,
34:02¿cuándo yo ya no esté?
34:04Señora Vicky.
34:08No piense en eso.
34:10Cuando yo me vaya,
34:12quiero que estés con Ángel
34:14y lo ayudes a salir adelante.
34:18Dile que no me guardes rencor.
34:24Y cuiden a mi niña Anita.
34:29Cuiden mucho a mi chiquita.
34:33Ten conmigo.
34:35Ya, Vicky.
34:37Pero, pues, ¿de qué le puede guardar rencor
34:39a Ángel a usted?
34:43Yo le quité lo que era de él.
34:49Porque siempre lo mereció.
34:52Y por eso, por eso te pido que no lo dejes.
34:59Mejor no hay que hablar de eso.
35:03¿Qué le parece si...
35:05si le hago un peinado muy bonito?
35:23Aurora me acaba de enviar
35:25un mensaje disculpándose.
35:27Me dice que quiere ir a ver a Ángel
35:29ya que está muy deprimido.
35:31Bueno, pues, gracias por invitarme, licenciado,
35:33pero si la señora Aurora no viene,
35:35no quiero que se malinterpreten las cosas.
35:37Digo, usted es un hombre muy guapo
35:39y, pues, ya daría brincos yo, ¿verdad?
35:41Pero está casado.
35:43Nadie tiene por qué malinterpretar nada.
35:45Aurora sabe que estás aquí.
35:47Yo se lo dije.
35:49Además, bueno, apenas nos acaban de servir, ¿no?
35:53Bueno, salud.
35:54Salud.
35:56No, no, no, se lo dije.
35:57¿Qué pasó?
35:58Se lo dije, ahora sí se armó la gorda.
36:00Este, perdón, licenciado,
36:01pero me acabo de acordar que me tengo que ir.
36:03¡Casandra, Casandra, Casandra!
36:07¿Qué haces cenando con el marido de mi hermana?
36:10Yo la invité.
36:12Y para que no haya malentendidos,
36:14Aurora está entelada.
36:16¿Nos quieren acompañar?
36:18Este, con permiso, voy al tocador.
36:22Claro que los acompañamos.
36:23¿Nos sentamos con ellos?
36:25Voy contigo, Casandra.
36:27Hola.
36:30Hola.
36:31Hola.
36:33Listo.
36:34Quedó chulísimo.
36:36Gracias.
36:38Jefa, ya está lista la cena desde hace rato.
36:41Y mi carnal, nada que llega.
36:46Briana, te quiero decir que es posible
36:48que nos vayamos de este barrio.
36:51Pero, ¿por qué?
36:53Es que el señor Demian nos regaló una casita.
36:57A mí lo único que me va a dar tristeza
36:59es que voy a estar lejos de mis rolitas.
37:02Y si viene otra vez el Pintas y lo atosiga,
37:05¿quién lo va a defender?
37:07No es ese Pintas.
37:09Hay un malandro que se ha encargado
37:10de envenenar a todos aquí.
37:12Tú lo conoces, es el borracho que estaba
37:14el día que vino tu mamá por ti, ¿te acuerdas?
37:17¿Quién es este teporocho?
37:19El Pintas.
37:21Es su servidor.
37:26Bueno, ya me tengo que ir.
37:29¿Por qué, mija?
37:31¿No te quedas a echarte un taco?
37:33Ángel no debe tardar en llegar
37:35y tú sabes que esta es tu casa,
37:37aunque tu novio no esté.
37:40Fue el licenciado que insistió en invitarme.
37:43Y también iba a venir la señora Aurora,
37:45pero canceló la mera hora.
37:47Y le dijiste algo de lo que diste en la oficina, ¿verdad?
37:49No entiendo, yo no escuché nada.
37:51Ah, pues qué bueno.
37:53Digo, si ya sabes cómo soy.
37:55Me entero que me dices mentiras
37:57o que andas de boca floja
37:59y ya sabes cómo te va a ir, ¿verdad?
38:01Sí, este, bueno, ahora sí ya,
38:03ya este, voy al baño porque ya no aguanto.
38:05Suerte.
38:15Dime, ¿ya saben?
38:17Estamos cenando, ¿no quieres venir, hermana?
38:19No, no, no puedo.
38:21Quedé de verme con Antonio.
38:23Surgió algo con Ángel y
38:25los voy a ver a los dos un momento nada más.
38:27Ok.
38:29Pues entonces no.
38:31¿Y Isabel?
38:33¿Y Isabel?
38:35Bueno.
38:37Listo.
38:39Ya coordiné todo para que mañana se note.
38:41La familia de ese muchacho se va a quedar sin casa.
38:43Perfect.
38:45Hijo,
38:47no te vayas.
38:49Espera un momento.
38:51Nos vemos tan poco que...
38:55Quiero que dejes de ser el asistente
38:57de mi alberga.
38:59Quédate aquí como gerente del bar.
39:01Gracias, pero
39:03a mí no me gusta lidiar con esta clase
39:05de clientes, la verdad.
39:07Aquí puedes ganar mucho más.
39:09Este negocio es bueno, Edgar.
39:11Además, no tienes que estar aguantando jefes.
39:15Pues sí,
39:17podría.
39:19Yo tengo mis propios clientes y
39:21no te creas, fíjate que sí me pagan
39:23muy bien a veces.
39:25¿Sigues con Isabel, campero?
39:27A pesar de que casi te ahogas en
39:29alcohol por ella.
39:31Esta mujer, Edgar, es peor que cualquier
39:33mujer que está en este lugar.
39:37Tú no te preocupes. Deja que yo
39:39resuelva ese problema, ¿sí?
39:41Piensa lo que te
39:43digo, mi amor.
39:45Todo esto es tuyo, mi amor.
39:47Tú no la necesitas.
39:49Tú me tienes a mí.
39:51Mira,
39:53yo lo sé.
39:55Desde muy pequeño
39:57yo he visto todo lo que he sacrificado
39:59por darme lo mejor.
40:01Pero entiéndeme,
40:03quiero manejar mi propia vida,
40:05mis propios negocios.
40:07Verdad,
40:09no te preocupes por mí.
40:11Gracias.
40:13Sí, amor.
40:21Voy.
40:27Ana, es tu jefa.
40:29¿Cómo?
40:31Pase.
40:33Gracias.
40:35Y con ustedes, en su muy humilde
40:37casita, la primera actriz,
40:39López del Valle.
40:41Qué pena, perdón.
40:43Mamá, ¿qué haces aquí?
40:45Pues nada más vine a ver cómo está la señora Victoria.
40:47Perdón.
40:49Perdón, están cenando.
40:51Ay.
40:53Qué lindo que nos juntáramos, ¿no?
40:55Te parece cena familiar.
40:57Bueno, ¿qué hace?
40:59Es una lástima que mi tía no esté aquí,
41:01porque hubiera sido el momento perfecto
41:03para hacerles una petición,
41:05Julio César, a ti y a mi tía.
41:07Queremos que
41:09Aurora y tú sean nuestros padrinos de anillos.
41:11Ah.
41:13Pero me hubiera gustado pedírselos juntos.
41:15Ay, mi hermana,
41:17nunca se sabe qué está haciendo.
41:19O sea, ahorita, por ejemplo, está cenando con Antonio.
41:21No sé dónde.
41:23Sí, con tu papá.
41:25¿Acaso no estaba con Ángel?
41:27Bueno,
41:29no que yo sepa, acabo de hablar con ella
41:31y estaba con Antonio.
41:33¿No sabías?
41:37¿Qué?
41:39Delicia, señora Victoria.
41:41Están buenísimas.
41:43¿Me podría dar seis para llevar, por favor?
41:45Mamá, no las están vendiendo.
41:47¿Cómo crees?
41:49Perdón, se me olvidó que no estamos en el puesto.
41:51Pero yo le puedo preparar unas
41:53para que se las lleve.
41:55Pero qué gente más amable.
41:59¿Entonces ya no odia a Ángel, señora?
42:01No,
42:03claro que no.
42:05Ese peso ya me lo quité de encima.
42:07Me regala tantita agua,
42:09es que ya me enchilé un poco.
42:11Por cierto,
42:13aquí en el barrio vive un señor
42:15que le dicen el Pintas, ¿verdad?
42:17¿A poco lo conoce?
42:19Solo de vista.
42:21Estuvo un rato hospedado en el hotel
42:23en el que estoy, gracias.
42:25¿Ustedes saben dónde vive?
42:27Mi amiga,
42:29ya sabe, me pidió que lo localizara.
42:31Esto es para usted.
42:33Aprovecho y le doy un abono de todo lo que le debo.
42:35No, no, no, no, no.
42:37A ver, Ángel, ¿en qué quedamos?
42:39Te dije que no era necesario.
42:41Por favor, aceptalo.
42:43No, no, no, no.
42:45De verdad que no.
42:47Esa deuda está saldada.
42:49Pero es que para Ángel es importante
42:51que le recibas el dinero.
42:53Yo ya lo había platicado con Ángel.
42:55No, no, no, no.
42:57No, no, no, no.
42:59Yo ya lo había platicado con Ángel.
43:01Ángel, tú y tu familia
43:03necesitan ese dinero y no lo voy a aceptar.
43:05Te lo agradezco.
43:07Pero no, ¿va?
43:09Y bueno,
43:11ya que estoy aquí, Antonio,
43:13a mí me encantaría saber, pues,
43:15cómo le vas a hacer para entregarme
43:17dos meses a la Brienne.
43:19El tiempo está pasando.
43:21Y no veo claro.
43:23Incluso le pregunté a Elia
43:25y me dijo que no tiene ni idea
43:27de lo que piensas hacer.
43:29¿Dos meses?
43:31¿Tampoco que en dos meses le va a entregar a su hijo a la señora Aurora?
43:33¿Pues si todo el tiempo se la pasa conmigo
43:35enseñándome cosas del negocio?
43:37¿Cuándo?
43:57¿Cuándo?