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Emilia Pérez, es un musical muy original que desafía las normas con una combinación inesperada de transformación sexual, memoria y narcotráfico. En esta entrevista con Zoe Saldana, una de sus protagonistas, la dominicana nos cuenta sobre su regreso a la danza, cómo inspira a sus hijos a través del arte, y la visión sobre la transformación sexual desde su punto de vista y el de su personaje, Rita.

Emilia Perez, una película con muchos niveles temáticos, que instalará el tema de la identidad sexual en la conversación social y que seguramente estará a la cabeza en la próxima temporada de premiaciones.

Gerardo Prat, desde Hollywood

Category

People
Transcript
00:00Zoey, the truth is, seeing you dance causes a feeling of freedom and chaos at the same time
00:07that seems to have a lot to do with the theme and message of this film.
00:11How was it to return to your origins as a dancer?
00:14Chaos, but I also think it has always been like that.
00:19It is a part of me that is so important, a big part of who I am
00:28and finally being able to share that, to reconnect with that part of my life
00:33was a very nice thing.
00:35You know, my daughters went to the same hip-hop school as your son
00:40and I have seen him several times because I went to look for them and I have seen him dance.
00:44Here in Los Angeles.
00:48And there is a scene where you dance, which is your son dancing.
00:52I mean, do you instill that in them?
00:56Yes, yes, yes.
00:58But I know that there are people who do not believe that the attitudes that one obtains in life are hereditary.
01:07But when I see my children, perhaps the environment where they are growing up,
01:12my husband and I are both artists, he is multidisciplinary
01:15because he does art in different ways, means, and I have also started doing that.
01:21The children are surrounded by that.
01:24For me, as I was a dancer since I was little,
01:30it is like every year I always try to put them in the dance.
01:34And there is a part of me that is because I want them to follow something
01:38that for me was a very great passion.
01:40But the other part of me is because I know the benefits,
01:44mainly for men, that they know how to move their body.
01:48Totally.
01:49And well, your character Rita has there also,
01:52it is like seeing a moral a little confused, right?
01:58Easily broken.
02:00What do you think of that and how did you approach it?
02:03You know that I set aside my reservations as a person
02:11because that way I would not be able to be in the world of Rita.
02:16What I allowed myself to feel and what I always wanted to feel
02:20was the despair that she felt of being able to feel that she was worth something,
02:26that she was worth so much or more than the people around her,
02:30that she deserved success and power,
02:33that they were things that she had a lust to obtain,
02:36that is, it is what it is.
02:38And also living in her flesh where she was a very shy person,
02:44with a lot of intelligence, a lot of curiosity, but very shy.
02:47So when she met a force like what Emilia is,
02:52she was afraid, but it was also an admiration and a curiosity,
02:58it was like a gravity, a magnetism that she felt towards her.
03:03And having worked with Carla and having experienced all this issue
03:07of transformation and gender identity,
03:11has your perspective on this issue changed in any way?
03:16No, I have always had great respect for the life of others
03:21and for the decisions of others,
03:23of a brother or a sister in life, on earth.
03:28What I have is that I have grown,
03:31I have more knowledge of the conversations
03:35to which I was invited to be part of
03:38and the questions that she allowed us all to ask,
03:42and what she also wanted to share from the heart.
03:45She is an incredible actress,
03:50whether she is trans or not,
03:53she is a woman with principles and values and an indisputable talent,
03:58and I am very happy and very proud that she had this opportunity.
04:02Because she has so much more to give,
04:06and sometimes as an artist,
04:11what I hate the most, the kryptonite of an artist,
04:15is that he cannot make his art.

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