1987 Delirium FULL HOT MILF MOVIE
#EnglishMovie #cdrama #drama #engsub #chinesedramaengsub #movieshortfull
#EnglishMovie #cdrama #drama #engsub #chinesedramaengsub #movieshortfull
Category
🎥
Short filmTranscript
00:00:00🎵
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00:00:19📸
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00:00:20Kim, put your head back slowly.
00:00:22More.
00:00:24That's it.
00:00:26Now move it forward again.
00:00:29Okay, good.
00:00:31Caress me. Keep laughing.
00:00:33All of you.
00:00:35Remember, you want to be possessed, Kim.
00:00:37Good.
00:00:39That's it.
00:00:41That's it. Keep laughing.
00:00:43Good. Sexier. Make it sexier.
00:00:45Just a few more,
00:00:47then we can stop.
00:00:53Keep it up. You're water nymphs.
00:00:55Have fun. You're drunk with desire.
00:00:58Move around more. Offer yourself, Kim. You love it.
00:01:00You too, Christine. That's it.
00:01:02Good.
00:01:04More abandon. Let yourself go.
00:01:06Surrender to pleasure.
00:01:08You think it was a bright idea?
00:01:10Reshooting that story with Kim?
00:01:12Yeah, I guess so.
00:01:14Even if it's not the same thing.
00:01:16No, Tony knows his work.
00:01:18And Kim's beautiful.
00:01:20But you were something else.
00:01:22I'm getting cold in here.
00:01:24I can't believe it's been three years.
00:01:26It's more like a lifetime.
00:01:28Where's the makeup artist?
00:01:30Okay, come on out, girls.
00:01:32Evelyn!
00:01:36Evelyn!
00:01:38Where's the makeup girl?
00:01:40I don't know. I guess she's inside.
00:01:42What do you mean she's inside?
00:01:44Here I am. Oh, finally.
00:01:46I'm not paying her to sit on her ass.
00:01:48Look, the girl's makeup is running.
00:01:50Do you mind getting to work?
00:01:52How come your brother always gets so mad?
00:01:55Here, Kim, let me help you.
00:01:57Gloria.
00:01:59Oh, hello, Mark.
00:02:01I'm watching you.
00:02:03You are?
00:02:05Yes, and I'm going crazy.
00:02:07If I told you I was playing with it,
00:02:09would you come over and help me?
00:02:11No, don't be angry. It's not true.
00:02:13Don't hang up.
00:02:15I just had to tell you how beautiful you are today.
00:02:17More than usual.
00:02:19Are you wearing your panties now?
00:02:21No, don't pull down your skirt.
00:02:24I don't know how much pleasure I get just watching you.
00:02:26Don't you want to let me see you in the nude?
00:02:28I'd be forever grateful.
00:02:30Listen, Mark.
00:02:32You've been watching a show right under your window
00:02:34that isn't so bad.
00:02:36Be happy with that, huh?
00:02:38You're not like those others, Gloria.
00:02:40You could put out my fire, all right.
00:02:42You're a sex goddess.
00:02:44You make my member throb with desire.
00:02:46He wants to penetrate your flower
00:02:48and explode.
00:02:50This is getting boring, Mark.
00:02:53Outline her upper lip a little more.
00:02:55Here.
00:02:57You have much more to shoot?
00:02:59A couple of hours.
00:03:01I'd say less.
00:03:03The light's going.
00:03:05Come on.
00:03:07Then I'll go inside and help Evelyn.
00:03:09You're all staying for dinner, I hope.
00:03:11Quelle dommage.
00:03:13Kelly and I have to catch a plane tonight.
00:03:15We have a fashion show in Paris tomorrow morning.
00:03:17I'm sorry, Gloria.
00:03:19Thanks anyway.
00:03:21Bon voyage. Au revoir.
00:03:27Okay, Kim, let's start over here.
00:03:29Tony, we're ready.
00:03:31Tony!
00:03:37This guy had just finished
00:03:39making love with a girl.
00:03:41I'm sorry, he said.
00:03:43If I'd known you were a virgin,
00:03:45I'd have taken more time.
00:03:47But honey,
00:03:50if I'd known you had more time,
00:03:52I would have taken my panties off.
00:03:56You're right, Roberto.
00:04:00Evelyn, as usual,
00:04:02the dinner was just perfect.
00:04:06What would Gloria do without you?
00:04:10You're the best at everything.
00:04:12Now, now, don't be unpleasant.
00:04:14He doesn't have to work at it.
00:04:16It's a natural gift.
00:04:19Speaking of natural gifts,
00:04:21I found a gift for you.
00:04:33To my darling Gloria.
00:04:35Thank you. They're sweet.
00:04:37Well, after that little coup d'etat,
00:04:39I think I shall be going.
00:04:41Good night.
00:04:43I'm coming with you.
00:04:45The night is still young.
00:04:49Good night, Roberto.
00:04:55Don't be late, Tony.
00:04:57Tomorrow we'll have to choose the pictures.
00:04:59Okay, boss.
00:05:01Do you need a ride, Kim?
00:05:03No, thank you. I'll stay a while longer.
00:05:05I came with my own car.
00:05:07Okay.
00:05:09Aren't you scared to go home on your own?
00:05:11You never know who you might run into.
00:05:13Just as long as he's cute.
00:05:15Listen, honey,
00:05:17sometimes the two of us have the same needs.
00:05:21I'm going to bed now.
00:05:23I want to be at work early tomorrow.
00:05:29The next issue has got to be especially good,
00:05:31seeing as you're back with us.
00:05:33I'm sure it will.
00:05:35Good night.
00:05:37See you soon, Kim.
00:05:39Night.
00:05:43Has it been long
00:05:46since you took an interest in the magazine?
00:05:48It's over a year now,
00:05:50since the day of the accident.
00:06:16Do you like talking about it?
00:06:18Why not?
00:06:20You know, the day you married Carlo,
00:06:22a lot of people thought
00:06:24you were only doing it for his money.
00:06:26Well, don't you believe it.
00:06:28I married because I was in love.
00:06:30No other reason.
00:06:34I'm sorry.
00:06:36I'm sorry.
00:06:38I'm sorry.
00:06:40I'm sorry.
00:06:42I'm sorry.
00:06:45And never once did he ask me
00:06:47to stop posing in the nude.
00:06:49Instead, he gave me the chance to start a magazine of my own.
00:06:51I was the one who decided to stop modeling
00:06:53and put all that behind me
00:06:55because I wanted to be with him and have his children.
00:06:57I was afraid I wouldn't have time for work.
00:06:59Besides, there was Evelyn,
00:07:01always so efficient and ready to help.
00:07:03But maybe Carlo and I were too happy
00:07:05and fate decided to teach us a lesson.
00:07:07I'll never forget that day he was killed
00:07:09and a wind came up
00:07:11and his speedboat turned over.
00:07:14It's like a child who's in love with a toy
00:07:16determined to reach a record of 200 kilometers an hour.
00:07:18Well, he left me well off.
00:07:20The magazine,
00:07:22everything.
00:07:24And the memories of all we shared in this house.
00:07:26Now I have to start to live for myself again.
00:07:28As well as for Carlo.
00:07:30You're right, Gloria.
00:07:38I'm afraid I bored you.
00:07:40Oh, no.
00:07:42On the contrary.
00:07:44If I didn't have to get up early,
00:07:46I'd stay here all night.
00:07:52You don't have to come with me.
00:07:54I know the way.
00:07:56Ah, it stopped raining.
00:07:58I'll call you tomorrow.
00:08:00Bye.
00:08:12Bye.
00:08:42Bye.
00:09:12No!
00:09:34No!
00:09:42No!
00:10:12Hello?
00:10:14Your blonde model has just been murdered.
00:10:16Her body's floating in your swimming pool.
00:10:18Do you hear me?
00:10:20You're not very funny, Mark.
00:10:22I'd much rather hear your vulgarity
00:10:24than this stupid excuse to phone me.
00:10:26She was killed with a pitchfork.
00:10:28Believe me, Gloria,
00:10:30it wasn't a pretty sight to watch.
00:10:32It's not a pretty sight to watch.
00:10:34It's not a pretty sight to watch.
00:10:36It's not a pretty sight to watch.
00:10:38It's not a pretty sight to watch.
00:10:41Believe me, Gloria,
00:10:43it wasn't a pretty sight to watch.
00:10:45Didn't you hear anything?
00:10:47No.
00:10:49If you wanted to frighten me, you have.
00:10:51Now let me get some sleep, please.
00:10:53Too bad you turned the pool lights off.
00:10:55I might have been able to see the murderer's face.
00:10:57It might have been a woman.
00:10:59She had long blonde hair.
00:11:01Are you listening?
00:11:03Yes.
00:11:05Do you want me to call the police?
00:11:07You're not putting me on, Mark.
00:11:10Let me go and look first.
00:11:12Listen, Gloria, you'd better not.
00:11:14You won't like what you see there.
00:11:16Only a wild, crazed animal could kill someone like that.
00:11:18You'd better stay in the house.
00:11:20Evelyn!
00:11:42Evelyn!
00:11:50Evelyn!
00:11:58Evelyn!
00:12:14I'm sorry.
00:12:16I didn't mean to scare you.
00:12:18Mark just phoned me.
00:12:20He said that he saw Kim murdered in the pool just now.
00:12:22And you believe him?
00:12:24That boy's sick.
00:12:26He's sick in the head.
00:12:28Don't pay any attention to him.
00:12:30Go back to bed and forget it.
00:12:32Nothing has happened, I'm sure.
00:12:34Come on. I'll bet on it.
00:12:36Good night, Gloria.
00:12:38Good night.
00:12:48Good night.
00:13:18Good night.
00:13:48Shit on you!
00:14:02Good morning.
00:14:04Good morning.
00:14:06Good morning.
00:14:08Good morning.
00:14:10Good morning.
00:14:12Yes, the lighting's good.
00:14:14Can you use that one?
00:14:16I don't know. I prefer this one.
00:14:18Look.
00:14:20Yes, it's got movement.
00:14:22But so does this.
00:14:24And I like the line of her body.
00:14:26What do you think, Gloria?
00:14:28Oh, they're all good, Roberto.
00:14:30Tony, I know you'll pick the right ones.
00:14:32And Kim is marvelous.
00:14:34Okay. Let's go with these three.
00:14:36Yeah.
00:14:38Just a moment. I'll connect you.
00:14:40Oh, before I forget, Evelyn.
00:14:42Kim left her lighter last night at my house.
00:14:44Will you give it to her?
00:14:46She'll be happy to know she didn't lose it.
00:14:50Why don't you go into the other office to choose the pictures?
00:14:52Because it's yours.
00:14:54Well, in there I feel like a fish out of water.
00:14:56Well, then put on your scuba gear.
00:14:58There's a shark waiting for you.
00:15:00Flora!
00:15:02I couldn't get her out.
00:15:04She knew you'd come in sooner or later.
00:15:06And so she waited.
00:15:08She's waited in there for a year?
00:15:10Not quite, but over an hour for sure.
00:15:12Come on. Find an excuse.
00:15:14She'll just come back another time.
00:15:16Ah, and I was feeling so good.
00:15:18Tear her to pieces, Gloria.
00:15:20Otherwise, she'll tear you to pieces.
00:15:32Ah, welcome back, Gloria.
00:15:34And to what do I owe this pleasure?
00:15:36Are you here for the usual reason?
00:15:38I'd say suffering has enhanced your beauty, my dear.
00:15:40But not my willingness to deal with you.
00:15:42But why don't you want to sell me your magazine?
00:15:44I know there are better things you'd like.
00:15:46For example?
00:15:48Hmm, to live.
00:15:50You might travel. You have plenty of money.
00:15:54My dear, when I think of how you were
00:15:56when I saw you for the first time,
00:15:58you were so beautiful.
00:16:00You were so beautiful.
00:16:02You were so beautiful.
00:16:04When I saw you for the first time,
00:16:06you were so provincial
00:16:08and ready to do anything for money.
00:16:10I had to support Tony and myself then.
00:16:12And as you can see,
00:16:14I did it.
00:16:16It's funny, now you're the one who needs me.
00:16:18Don't you ever think of thanking
00:16:20those who lent you a hand in the past?
00:16:22And who should I thank?
00:16:24Me, for example.
00:16:26You never helped anyone for nothing, Flora.
00:16:28Don't give me that.
00:16:30You're too selfish.
00:16:32If you hadn't been modelling,
00:16:34you'd have turned into a cheap prostitute.
00:16:36You and your brother Tony didn't know
00:16:38where your next view was coming from in those days.
00:16:40Why, if it hadn't been for me,
00:16:42you'd be walking the street.
00:16:44If you hadn't had the good fortune, darling,
00:16:46to have known me.
00:16:48Walking the street, no.
00:16:50A prostitute, maybe.
00:16:52When there's nothing else,
00:16:54even prostitution's a way of keeping alive.
00:16:56How much do you want?
00:16:58This is funny, you know.
00:17:00I never meant anything more than a Kleenex.
00:17:02Something you use and throw away.
00:17:04Girls are precious, though.
00:17:06You know how to hit someone where it hurts most.
00:17:08I do.
00:17:10And you?
00:17:12When I said I wouldn't work for you any longer,
00:17:14you did everything to ruin me.
00:17:16You even did your best
00:17:18to turn my husband against me with your vile lies.
00:17:20Well, I'm not selling out, Flora.
00:17:22You'd better forget it.
00:17:24Now go.
00:17:26Okay, when you're poor again and you're too fat
00:17:28to work out with men, call me.
00:17:30You still have some capital.
00:17:32You know, those pictures you once posed for.
00:17:34I'd always be willing
00:17:36to buy them back again.
00:17:38I'm sure that you'd realize a good profit.
00:17:40Oh, naturally, my dear.
00:17:42I couldn't offer the same price.
00:17:44Those photographs still have some value.
00:17:46But, uh...
00:17:48mostly as souvenirs.
00:17:50There was another souvenir
00:17:52that you wanted from me and never got.
00:17:54And that you begged for.
00:17:56Be careful, Gloria.
00:17:58Don't make me change my feeling for you to hate.
00:18:00I warn you,
00:18:02the hate of a woman can be very bad.
00:18:26I'm sorry.
00:18:56Evelyn.
00:19:08You know you shouldn't drink.
00:19:10It's bad for you.
00:19:12What's wrong?
00:19:14I found this
00:19:16under the door.
00:19:20Oh, my God.
00:19:26Dammit.
00:19:42Dammit.
00:19:50Inspector, take a look at this pitchfork.
00:19:52I found it in the gardener's tool shed.
00:19:57Looks like it's never been used before.
00:19:59Yeah.
00:20:01Strange.
00:20:05I've got a sample of the pool water.
00:20:07Take it to the lab for analysis.
00:20:10I don't think they'll find anything new.
00:20:12Just playing it safe.
00:20:14To the lab, too?
00:20:16Yeah.
00:20:18Any sign of burglary?
00:20:20No, nothing.
00:20:27Did you see him?
00:20:29He looks like anything but a cop.
00:20:31Because you watch television too much.
00:20:35They always make us out to be different than we are.
00:20:42I'm sorry.
00:20:44Forget it. I'm used to it by now.
00:20:46Since I joined the force, my hardest job is to get people to trust me.
00:20:48They usually take me for a hood.
00:20:50Please sit down, Inspector.
00:20:52I questioned that kid, Mark.
00:20:54He didn't try to hold back.
00:20:56He told me exactly what he witnessed here last night.
00:20:58It appears absolutely certain he saw a murder.
00:21:01He's the only witness we have,
00:21:03but I don't think he'll be very useful.
00:21:05All we know is the murderer was blonde.
00:21:07But there are lots of blondes,
00:21:09both men and women, and wigs, besides.
00:21:11But why send that photograph?
00:21:13And pose Kim's body in front of a poster of me?
00:21:15And why was she killed?
00:21:17Right here?
00:21:19At my house?
00:21:21If we had the answers to all your questions,
00:21:23the case would be solved now.
00:21:25But by sending that photograph of her here,
00:21:27it looks like it points to me. Why?
00:21:29I don't know.
00:21:31And that's not the only thing that's baffling.
00:21:37It's either a warning or an attempt to implicate you.
00:21:39We'll investigate the background of that model
00:21:41and find out who her friends were.
00:21:43Inspector Corsi.
00:21:45Excuse me.
00:21:47Can I come back now?
00:22:17Your breakfast is served.
00:22:23You know you shouldn't spy on your neighbors.
00:22:25It's not very nice.
00:22:27Have you finished?
00:22:29I'll do as I like.
00:22:47Your father called from London last night,
00:22:49but you wouldn't answer.
00:22:51He said he'd call back today.
00:22:53Well, tell him I'm out.
00:22:55What about your mother?
00:22:57She's still on vacation,
00:22:59enjoying herself.
00:23:01Anyway, I don't give a good damn about either of them.
00:23:05Oh, thanks.
00:23:31Holy God.
00:23:33The beautiful model's corpse was found this morning
00:23:35in a garbage bin on Via Calderolo.
00:23:37Now, you are the news vendor who discovered Kim's body,
00:23:39whose picture appears on the cover of this magazine.
00:23:41Tell us in your own words how it happened.
00:23:43Well, I just finished unwrapping
00:23:45and I wish she was a pussycat
00:23:47and was going to put the plastic in the trash bin
00:23:49when I saw her, poor girl.
00:23:51Then what did you do?
00:23:53I called the police.
00:23:55And how did you feel? What was your reaction?
00:23:57Well, I was shocked.
00:23:59I felt sick almost.
00:24:01To see her like that, eyes staring at me,
00:24:03dried blood all over her dress,
00:24:05especially after seeing her so pretty and sexy
00:24:07on that cover picture.
00:24:09What? Hello?
00:24:11You ought to thank the murderer, huh?
00:24:13It's a pretty picture on the cover, isn't it?
00:24:23A favor?
00:24:27Only a sick kid like him could come up with an idea like that.
00:24:31Why do you talk to him?
00:24:35It's just that I pity the kid.
00:24:39Who are you calling, Evelyn?
00:24:41The printer.
00:24:43Ruggiero, is that you?
00:24:45Good. I was afraid you'd already left.
00:24:47Listen, I want another press run.
00:24:49Oh, you'd already figured we'd need one. Good.
00:24:51Yes, that should do it.
00:24:53Thank you. I'll talk to you later.
00:24:55My God, Evelyn,
00:24:57do you think we should be exploiting her murder?
00:24:59Gloria, you're a publisher.
00:25:01You can't afford to pass up this chance.
00:25:03No, it's a mistake, Evelyn.
00:25:05Gloria, I'm always trying to increase our circulation
00:25:07and now's the perfect chance...
00:25:09Well, then cancel it.
00:25:11What for?
00:25:13By doing that, do you think it would bring Kim back?
00:25:15You know it wouldn't.
00:25:17So why?
00:25:19I think Evelyn's right.
00:25:21Even though the killer didn't mean to do you a favor.
00:25:25How many copies are they printing?
00:25:29Well, come on.
00:25:31Here it is.
00:25:33The printer told me how many they ordered a little while ago.
00:25:35Oh, this is awful.
00:25:39Pour me a martini.
00:25:45Oh, forgive me, Lily.
00:25:51Isn't it a little early to be drinking?
00:25:53It's not quite 9.30 yet.
00:25:55Oh, well, my liver's about to explode anyway.
00:26:09The photographer said he should be finished with them by noon.
00:26:13And you say that Sabrina says she won't be coming back.
00:26:17That's right.
00:26:19She signed an exclusive contract with Pussycat.
00:26:21At double the salary that we offered her.
00:26:25That bitch is getting the best we have.
00:26:35Sometimes you just hit on the right idea by accident.
00:26:37Come on, I'll show you the studio.
00:26:39Fine, I'm curious.
00:27:01Here's the set.
00:27:03Well, what do you think of it?
00:27:05You like it?
00:27:07I think it's fantastic.
00:27:09And this is where I see Sabrina.
00:27:11Lost and alone in a world out of time.
00:27:13Haunted by surreal nightmares.
00:27:15Well, what do you say?
00:27:17It'll cost me a fortune.
00:27:19But how can I say no to you?
00:27:21I knew you'd like it. Thank you.
00:27:25If you'd brought Evelyn,
00:27:27it wouldn't have been so easy.
00:27:29That's the reason I only brought you along.
00:27:35Oh, I've got to talk to the set designer.
00:27:37Do you mind waiting?
00:27:39How long will you be?
00:27:41Fifteen minutes.
00:27:43Okay, I'll have a look around.
00:27:59Hey, Johnny, you shouldn't scare the girls like that.
00:28:01Yeah, I suppose you're right.
00:28:03But if she'd seen you without your makeup,
00:28:05she'd have probably fainted.
00:28:13When you see the chief of the other tribe,
00:28:15you pick up your sword...
00:28:17Yeah, but don't forget,
00:28:19the last shot I had the sword like Gloria.
00:28:21Alex.
00:28:23How are you?
00:28:25Fine, and you?
00:28:27Okay, let me look at you.
00:28:29Ah, you're prettier than ever.
00:28:31Let's take a ten-minute break.
00:28:33Do you want to talk for a while?
00:28:35Why not?
00:28:37I didn't recognize you dressed like this.
00:28:41I know.
00:28:43How long's it been?
00:28:45Over three years, huh?
00:28:47Yeah.
00:28:49And it was my fault.
00:28:51I don't want to rake over the past,
00:28:53but I want you to know that deep down
00:28:55I knew you were the right girl for me.
00:28:57And that if we kept going together,
00:28:59you're born free, eh?
00:29:03There's a right time for everything.
00:29:05What frightens you today, for example,
00:29:07tomorrow might seem a good possibility.
00:29:09You mean you're saying you're a changed man, you?
00:29:11I could.
00:29:13Ah, you'll never change.
00:29:15You'll be a villain till the day you die.
00:29:19Am I really that bad?
00:29:21No, but it's very disturbing for the girl you're with.
00:29:25I guess with Carlo it was different.
00:29:27Oh, I'm sorry. I didn't mean to talk about him.
00:29:29I don't mind.
00:29:31After all, if we hadn't broken up,
00:29:33I would never have known Carlo.
00:29:35I guess I owe you one, Alex.
00:29:37Well, hang on.
00:29:39I'm about to make you a proposition.
00:29:43Come on, Alex.
00:29:45You've got me on pins and needles.
00:29:47What's the proposition, huh?
00:29:49Am I supposed to believe that a leopard
00:29:51can change his spots?
00:29:53Yeah, why not?
00:29:55You know, a lamb by a very sexy bow-peak.
00:29:57Oh, Alex.
00:30:19Bang! Bang!
00:30:21Bang!
00:30:23Alex has.
00:30:25They're either blondes or brunettes.
00:30:27Didn't you say he'd changed?
00:30:29Yes, but I don't know how much.
00:30:31Look.
00:30:33On page one, a photo of Sabrina.
00:30:35On page three, answers to Gloria's letters.
00:30:37And Wolf says she's almost finished writing them.
00:30:39And then...
00:30:41Oh, please don't mention his name
00:30:43or he might come back again.
00:30:45He spent days in here asking us all kinds of questions.
00:30:47Come on.
00:30:49Can we go on?
00:30:53Roberto.
00:30:55I'm going with Sabrina.
00:30:57Hmm.
00:30:59I could see she's the kind of girl
00:31:01who's not exactly lacking initiative.
00:31:03I'll see you later.
00:31:09Tony.
00:31:11Yeah, what?
00:31:13You gonna take her back to our studio?
00:31:15I don't know.
00:31:19Enjoy yourself.
00:31:27It's so hot in here, I can't breathe.
00:31:29The windows are all open.
00:31:31In fact, I'm beginning to feel chilly.
00:31:39Come on, darling.
00:31:41Don't take it so badly.
00:31:43You know, it happens to a lot of men sometimes.
00:31:45Yeah.
00:31:49You must be an expert.
00:31:51You don't have to be insulting
00:31:53just because you're angry.
00:31:55Better to just laugh it off.
00:31:57Yeah, you're right, I should.
00:31:59Guess I worked too hard.
00:32:01Not again.
00:32:11She was found this morning
00:32:13by some children.
00:32:15She was in a pond.
00:32:17I guess she's been dead a few days.
00:32:19I was probably the last one to see her alive.
00:32:21The last one, no.
00:32:23You're forgetting her killer.
00:32:29What's that strong odor of perfume I smelled on her?
00:32:31It's strange.
00:32:33That perfume helped kill her.
00:32:35Essence of tuberose.
00:32:37Do you mind explaining, Inspector?
00:32:39How could perfume kill her?
00:32:41It attracts bees.
00:32:43They must have been infuriated first.
00:32:45Eventually, they began to sting her.
00:32:47It's certainly a devilish way to murder.
00:32:51What about that photo?
00:32:55You've convinced yourself the killer's real target is you, right?
00:32:57It seems to be obvious now.
00:32:59Look, try not to worry.
00:33:01And don't look for motives,
00:33:03because that's our work.
00:33:05I think from those photos, it's obvious I'm going to be the next victim.
00:33:07And when I asked Corsi, he said not to worry.
00:33:09He'll find the motive, he said.
00:33:11It's my picture with those dead girls.
00:33:13What?
00:33:15It's a threat, that's for sure.
00:33:17But maybe he just wants to scare you.
00:33:19But do you think that someone who's already killed two women
00:33:21only wants to scare me?
00:33:23To commit crimes like that,
00:33:25he must be paranoid.
00:33:27One can't guess what he's thinking.
00:33:33But there's something else.
00:33:35There's some detail I seem to have forgotten.
00:33:39Madam, may I go now?
00:33:41What were you saying?
00:33:43That poster of me with the dead girls.
00:33:45It's an old picture, and only one person could have the negative.
00:33:47Oh, Roberto.
00:33:49I gave him all those old negatives
00:33:51to hold that I got back from Flora.
00:33:53You have to tell Corsi.
00:33:55I better not.
00:33:57Why?
00:33:59The police would suspect him at once.
00:34:01They'd slap him in jail right away.
00:34:03Two girls, both were models, and he's gay besides.
00:34:05He probably doesn't have any alibis
00:34:07for either of those murders.
00:34:09I'm guessing.
00:34:11You know, he spends his night going around
00:34:13looking for men.
00:34:15I didn't want to tell you, stupidly.
00:34:21A lot of those negatives
00:34:23and a lot of valuable other stuff
00:34:25was stolen from my place.
00:34:31I'd invited around
00:34:33a couple of kids.
00:34:35Roberto, are you trying to tell me
00:34:37that the negatives are in the hands of the murderer now?
00:34:41Probably.
00:34:43But not necessarily.
00:34:45It's not absolutely certain
00:34:47that the negatives the murderer has
00:34:49are the original ones, Gloria.
00:34:51That big poster of you in the shots with the bodies
00:34:53could have been made from a dupe.
00:34:55I'm sorry, I don't understand, Roberto.
00:34:57Technically, there's no problem.
00:34:59All you've got to do is take a photograph
00:35:01of a photograph.
00:35:03You've got as many negatives as you like.
00:35:05Obviously, when you print them,
00:35:07the quality becomes more grainy.
00:35:09But once you've blown it up
00:35:11to six feet by six feet,
00:35:13it's impossible to tell the difference.
00:35:15Then we're back to where we started from again.
00:35:19I hope you're not too
00:35:21disappointed
00:35:23to find out that I'm not the murderer.
00:35:25Oh, no.
00:35:27No, don't think that. I never believed it was you.
00:35:35No.
00:35:55Don't turn the light on.
00:36:01I have one.
00:36:05I really want to admire you, Gloria.
00:36:35Ah!
00:36:37Ah!
00:36:39No!
00:36:41Ah!
00:36:43Shut up.
00:36:45Don't force me to murder you.
00:36:47Ah!
00:36:49Ah!
00:36:51Ah!
00:36:53Ah!
00:36:55Ah!
00:36:57Ah!
00:36:59Ah!
00:37:01Tell me that you love me.
00:37:03Tell me!
00:37:05Ah!
00:37:07Ah!
00:37:09Ah!
00:37:19Gloria.
00:37:21Gloria, it's okay.
00:37:23It's okay. Nothing's happened.
00:37:25It's just a bad dream.
00:37:27Oh, God, it's terrible.
00:37:33Dr. Lorenzi's here.
00:37:35Thank you. You may go.
00:37:37Hello, Mark.
00:37:43What are you doing?
00:37:45I'm taking my daily walk.
00:37:47Just stretching my legs, Doc.
00:37:53Keep on treating it as a joke,
00:37:55and you'll never get out of that chair, my boy.
00:37:59You quack.
00:38:01You think I'm enjoying myself
00:38:03being nailed to this chair day after day?
00:38:05No, I know how much you're suffering.
00:38:07But I also know that your paralysis
00:38:09doesn't have any physical cause.
00:38:11That's what you say.
00:38:13And my father and my mother,
00:38:15it's what you all like to think.
00:38:17You say there's no damage to my spine, eh?
00:38:19So you figure all that's wrong
00:38:21is right here in my brain, huh?
00:38:27Therefore,
00:38:29it's simply my fault that I'm crippled.
00:38:31Sounds like you enjoy
00:38:33playing the victim.
00:38:35Yeah, sure.
00:38:37I like being that.
00:38:39You know, Doctor,
00:38:41you're pretty smart after all.
00:38:43The truth is, you don't want to walk.
00:38:45You have a mental block
00:38:47because you feel responsible for Cinzia's death.
00:38:51Yes, you're right.
00:38:53She hadn't been in my car.
00:38:55Cinzia might still be alive.
00:38:59And I'd be walking.
00:39:03And we'd even have been married.
00:39:13No!
00:39:15No!
00:39:17Oh, God.
00:39:19No, please!
00:39:21No!
00:39:29She work in blue films also?
00:39:31Only this one.
00:39:33But the public seem to have forgotten it.
00:39:37Glory is quite respectable now.
00:39:47Do we have to watch any more?
00:39:49Leave it alone and sit down.
00:39:59Good morning.
00:40:01This must be important
00:40:03if you called us all here.
00:40:05I've decided to accept Flora's offer.
00:40:07You want to sell the magazine?
00:40:13I have no intention of working any longer here
00:40:15after all that's happened.
00:40:17I have a solution.
00:40:19But it's not as though you killed them.
00:40:21But my pictures with those dead girls,
00:40:23are you forgetting that?
00:40:25Or doesn't it worry you?
00:40:27Well, it won't help selling the magazine.
00:40:29If the killer wants you,
00:40:31it won't solve the problem.
00:40:33Or are you going to go somewhere and hide?
00:40:35Throwing away all your work and ours
00:40:37won't stop that crazy.
00:40:39But if I stay here,
00:40:41you should have killed me.
00:40:47I'm sorry.
00:40:49I'm sorry.
00:40:51I'm sorry.
00:40:53I'm sorry.
00:40:55I'm sorry.
00:40:57I'm sorry.
00:40:59I'm sorry.
00:41:01I'm sorry.
00:41:03I'm sorry.
00:41:05I'm sorry.
00:41:07I'm sorry.
00:41:09I'm sorry.
00:41:11I'm sorry.
00:41:13I'm sorry.
00:41:15I'm sorry.
00:41:17I'm sorry.
00:41:19I'm sorry.
00:41:21I'm sorry.
00:41:23I'm sorry.
00:41:25I'm sorry.
00:41:27I'm sorry.
00:41:29I'm sorry.
00:41:31I'm sorry.
00:41:33I'm sorry.
00:41:35I'm sorry.
00:41:37I'm sorry.
00:41:39I'm sorry.
00:41:41I'm sorry.
00:41:43I'm sorry.
00:41:45I'm sorry.
00:41:47I'm sorry.
00:41:49I'm sorry.
00:41:51I'm sorry.
00:41:53I'm sorry.
00:41:55I'm sorry.
00:41:57I'm sorry.
00:41:59I'm sorry.
00:42:01I'm sorry.
00:42:03I'm sorry.
00:42:05I'm sorry.
00:42:07I'm sorry.
00:42:09I'm sorry.
00:42:11I'm sorry.
00:42:42Hey.
00:42:49What's the hurry?
00:42:52What are you doing here?
00:42:55I came to get you.
00:42:57Our apartment remember?
00:43:00That girlfriend of mine is expecting us.
00:43:02How did you know I'd be coming here today?
00:43:06I know everything.
00:43:08Isn't today the anniversary of Carlo's death?
00:43:11Yes.
00:43:38There we are.
00:43:45Oh, thank you.
00:43:53Much obliged.
00:44:02Are you really sure you want to do this?
00:44:25Well, since I haven't sold the magazine yet, I thought I'd model again.
00:44:29Like in the old days.
00:44:30Hey, I haven't got anything against the idea.
00:44:33I think it's great.
00:44:35I'm coming.
00:44:39Sorry.
00:44:40Hi, Tony.
00:44:41Susan, this is my sister, Gloria.
00:44:43I'm glad to meet you finally.
00:44:44Tony's always talking about you.
00:44:46Oh, what does he say?
00:44:48Oh, he thinks you're the greatest, the most beautiful, the most...
00:44:51Hey, hey, come on now.
00:44:53Tony always exaggerates.
00:45:04Yeah, this place is perfect.
00:45:07What's over there?
00:45:08Children's clothes.
00:45:11Gee, I didn't know it was so big.
00:45:13Hey, be careful.
00:45:15She'll see us.
00:45:17Frankly, Tony, I think you're asking a lot of personal customer service.
00:45:21But I refuse Tony anything.
00:45:23He's filled the house with flowers and candy.
00:45:28Yes, phone calls, caviar, champagne.
00:45:32You have a very persuasive brother.
00:45:35What do you think if I posed with just this wind jacket on?
00:45:38Good idea.
00:45:40Or maybe better yet, nude on skis.
00:45:46Or modestly wearing a scarf.
00:45:49Would you like to visit the other floors now?
00:45:51Oh, yes, I would.
00:46:01Pretty good shot, huh?
00:46:03This is the men's department.
00:46:10This is still men's clothing.
00:46:12Men's sportswear, shirts, sweaters, underwear, slacks, you name it.
00:46:15They're as stylish as our clothes now, aren't they?
00:46:18Yeah, we do everything we can to please the ladies.
00:46:21They're all becoming more vain than we are.
00:46:23Oh, you're just jealous.
00:46:25Come here a minute.
00:46:26Tony, please.
00:46:27Listen, what are you doing with her?
00:46:28Maybe we could have dinner or...
00:46:29Okay, but calm down.
00:46:31Ooh, you come on strong, don't you?
00:46:37Hey.
00:46:38Hey!
00:46:40Come on, it's beautiful up here.
00:47:02Tony.
00:47:04Susan.
00:47:05Come on, you can play with fire later.
00:47:08You want to leave me alone here, huh?
00:47:12Come on up now, Tony.
00:47:18No, no!
00:47:20Tony, no!
00:47:23Oh, no!
00:47:24Oh, not you!
00:47:27Oh, God.
00:47:28What happened?
00:47:30Tony.
00:47:41Now it's your turn, Gloria.
00:47:46You can't escape.
00:47:57Now it's your turn to die.
00:48:15Susan?
00:48:46Susan, where are you?
00:48:59Susan!
00:49:07Susan!
00:49:37Susan!
00:50:07Susan!
00:50:37Susan!
00:50:47Susan!
00:50:57Susan!
00:51:27Susan!
00:51:37Susan!
00:51:48Now it's your turn, Gloria.
00:51:55You can't escape.
00:52:14When we went to the department store,
00:52:15there was no trace of either Tony or his girlfriend.
00:52:18They'll probably turn up in a few days, but who knows where.
00:52:40Gloria.
00:52:46Drink it.
00:52:53Evelyn, would you open the curtains?
00:52:56It's so dark in here.
00:53:05Oh.
00:53:14Is that better?
00:53:18It wasn't a nightmare this time, was it?
00:53:21You have to fight it, Gloria.
00:53:23We all have to.
00:53:26I know I have to, Evelyn.
00:53:28I have to.
00:53:31I know I have to, Evelyn.
00:53:33I have to go on living.
00:53:35I'll go get your pills.
00:53:36I won't be long.
00:53:37If you need anything, there's the maid.
00:53:39I'll be right back.
00:54:00Ow.
00:54:27Oh no.
00:54:29Oh my God.
00:54:59Ah!
00:55:07Wonder where we'll find the other body.
00:55:08Yeah, I wonder too.
00:55:12Hey, wait.
00:55:22All right.
00:55:25Looks like the same killer, all right.
00:55:26Yeah, I'd say so.
00:55:55What do you think, Inspector?
00:55:57Am I going to be the next victim?
00:56:05Yes, hello?
00:56:06Hi, Gloria.
00:56:07It's me, Alex.
00:56:08Alex.
00:56:10How are you?
00:56:11I'm so glad you called.
00:56:13You finished your film?
00:56:14You back?
00:56:15No, baby, I'm sorry.
00:56:18But I'll be in Rome Monday.
00:56:21I miss you.
00:56:52I love you.
00:56:58I love you too.
00:57:07I love you too.
00:57:33I love you too.
00:58:02I love you too.
00:58:31I love you too.
00:59:00Break the glass.
00:59:01Come on, hurry.
00:59:02But Inspector, we don't have a search warrant.
00:59:03I don't care, break it.
00:59:31Come on, break it.
00:59:58Hello, who's speaking?
01:00:04This is Inspector Corsi.
01:00:05Stay away from that photographer Roberto.
01:00:07But do you suspect him?
01:00:08You mean he's the murderer?
01:00:10I haven't time to explain now.
01:00:11Just do what I say.
01:00:12And don't open your door to him.
01:00:13We're coming right over.
01:00:19Gloria, let me in.
01:00:22I have to see you.
01:00:24Evelyn.
01:00:26Evelyn.
01:00:28Evelyn.
01:00:31Gloria.
01:00:34Wait.
01:00:44Gloria.
01:00:46Gloria.
01:00:47Gloria.
01:00:55Gloria, wait.
01:01:02Why are you running away?
01:01:07Gloria.
01:01:09I have to talk with you.
01:01:10It's me, Roberto.
01:01:15Stop, wait.
01:01:18Stop.
01:01:26I'm so sorry.
01:01:27Gloria, help me.
01:01:31I'm sorry.
01:01:33Oh.
01:01:46I can't understand any of this.
01:01:48Roberto obviously must have hated women.
01:01:51And especially you, Gloria.
01:01:53And why did he kill Tony?
01:01:54He liked him.
01:01:55It's difficult to know a killer's mind.
01:01:57But in the department store,
01:01:58what I clearly remember had a woman's voice.
01:02:01It wasn't a girl.
01:02:03The voice you heard at that moment
01:02:04might have sounded like a girl's voice.
01:02:07Assuming you're right.
01:02:09And why doesn't the rest of it make sense?
01:02:11That car that killed him, for example.
01:02:13Why didn't it stop?
01:02:16I've got to blot it out, or I'll go mad too.
01:02:19Who is it?
01:02:20This is Mark.
01:02:21I see the police are there again.
01:02:22What gives?
01:02:23How does it feel to be surrounded by death?
01:02:26Stop calling, you fool.
01:02:50Our battle seems to have finished.
01:02:53Though you certainly were a tough adversary.
01:02:55I'm sorry, my dear.
01:02:56I'm putting you out to pasture.
01:03:20You know, I suppose I really ought to thank you.
01:03:23I'm getting rid of a lot of bad memories.
01:03:25It's a shame you're so insensitive, Flora.
01:03:28I would have given it to you for the asking.
01:03:32Are you so proud of yourself now?
01:03:49Evelyn?
01:04:13Evelyn?
01:04:17Evelyn?
01:04:19Where's Miss Evelyn?
01:04:20She's gone, madam.
01:04:21She took all her things.
01:04:22She left this letter for you.
01:04:28Gloria, forgive me for leaving like this,
01:04:30but I worked for you, not the magazine.
01:04:32So what sense would it make for me to stay on,
01:04:34regretting what we no longer have?
01:04:36Good luck.
01:04:38She must think I have a will of iron.
01:04:40She wanted me to go on with the magazine
01:04:42after all of those killings.
01:04:49Good luck.
01:05:07Yes, hello?
01:05:09Hello?
01:05:19Hello?
01:05:45Oh no.
01:05:49Oh no.
01:06:06Tony!
01:06:08Oh dear God, no!
01:06:19No!
01:06:50Now it's your turn, Gloria.
01:06:55You can't escape.
01:07:02It's your turn to die.
01:07:05Come out!
01:07:06Show yourself!
01:07:07Kill me if you must!
01:07:08I can't take anymore!
01:07:10It's your turn, Gloria.
01:07:19Please!
01:07:25Now it's your turn, Gloria.
01:07:31You can't escape.
01:07:38It's your turn, Gloria.
01:07:41How would you like to die?
01:07:44The police took the pitchfork I used to kill Kim,
01:07:47and I didn't have time to get more killer bees
01:07:49that liked Sabrina so much.
01:07:52But I'll think of something.
01:07:54Maybe on the order of how I did Susan.
01:08:15No, Tony!
01:08:16No!
01:08:17It's me.
01:08:20What's the matter?
01:08:23Don't you like me?
01:08:25Don't you like me?
01:08:28Oh no.
01:08:31I haven't become a transvestite.
01:08:34I'm not even very good at that.
01:08:37But why, Tony?
01:08:38But why?
01:08:41You should know, Gloria.
01:08:43You're the only one I love.
01:08:46I've always loved you.
01:08:48Since we were kids.
01:08:51Tony, you killed those poor girls.
01:08:52What made you do that?
01:08:54You ought to thank me.
01:08:56Yeah.
01:08:57That bitch, Kim, was trying to take your place as a model.
01:09:01And Sabrina, your place in bed.
01:09:02And I didn't want that.
01:09:04And that little salesgirl, Susan, was trying to trap me.
01:09:07Even Roberto wanted to betray me.
01:09:10No, Tony, no!
01:09:11I'm dead, Gloria.
01:09:13Everyone thinks I'm dead.
01:09:16I could have run away, but I figured
01:09:19while you're alive, I...
01:09:22I'll never be free.
01:09:25But first,
01:09:27I want to see you naked one more time.
01:09:29No!
01:09:30No!
01:09:31No!
01:09:32No!
01:09:33No!
01:09:35Tony, stop!
01:09:40Help!
01:09:41Help!
01:09:47Help!
01:10:02And now strip.
01:10:04No, I can't.
01:10:05For the last time.
01:10:07Just for me.
01:10:10No, Tony, please don't ask me that.
01:10:17No!
01:10:19Tony, what are you doing?
01:10:22Oh, yes, I do.
01:10:23You belong to me.
01:10:24Only me.
01:10:46© BF-WATCH TV 2021
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01:11:46© BF-WATCH TV 2021
01:12:16Subs by www.zeoranger.co.uk
01:12:46© BF-WATCH TV 2021
01:13:16Subs by www.zeoranger.co.uk
01:13:46© BF-WATCH TV 2021
01:14:17I said take them off!
01:14:22Tony!
01:14:26Is my brother alive?
01:14:27Yes, he'll make it.
01:14:29Though I'm afraid he'll need a wheelchair the rest of his life.
01:14:32I'm sorry, Inspector.
01:14:33She's still in shock.
01:14:34She has to sleep.
01:14:35Yes, I'm going.
01:14:38I hope that from now on,
01:14:39life will be better for you.
01:14:41We'll see.
01:14:47Get well soon.
01:14:51You must try to sleep now.
01:14:53Call me if you need me.
01:15:16© BF-WATCH TV 2021
01:15:46© BF-WATCH TV 2021
01:16:17Did I frighten you?
01:16:18I'm sorry.
01:16:20I just had to see you.
01:16:28Here.
01:16:29Thanks.
01:16:30Gloria, you won't mind if I phone to tell you
01:16:32that you're beautiful.
01:16:34More beautiful.
01:16:35Of course you can, Mark.
01:16:37Do you know that I'm getting better?
01:16:39I'm beginning to walk a little now.
01:16:42I'm so glad.
01:16:43It's good to see you again.
01:16:45And you...
01:16:46You get better, huh?
01:16:47Yes.
01:16:54Don't forget me now.
01:16:55Promise?
01:16:56I won't.