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New Movie
  • 12 hours ago
Title: HORROR EXPRESS: PREHISTORIC CREATURE
Summary: While on the Trans-Siberian Express, an anthropologist and his rival must contain the threat posed by the former's cargo: a prehistoric ape which is the host for a parasitic life-form. #sci-fi #sciencefiction #scifi #scifimovies #sciencefictionmovies #fantasy #englishmovies #movies #horrorstories #horrorstory #thriller #thrillermovies

YOP: 1972
Cast: Christopher Lee, Peter Cushing, Alberto de Mendoza
Director: Eugenio Martín
Writer: Arnaud d'Usseau, Julian Zimet
Transcript
00:00:00The following report to the Royal Geological Society by the undersigned Alexander Saxton
00:00:20is a true and faithful account of events that befell the society's expedition in Manchuria.
00:00:29As the leader of the expedition, I must accept responsibility for its ending in disaster,
00:00:37but I will leave to the judgement of the honourable members the decision as to where the blame
00:00:43for the catastrophe lies.
00:01:29The following report to the Royal Geological Society by the undersigned Alexander Saxton
00:01:42is a true and faithful account of events that befell the society's expedition in Manchuria.
00:01:50The following report to the Royal Geological Society by the undersigned Alexander Saxton
00:02:00is a true and faithful account of events that befell the society's expedition in Manchuria.
00:02:10The following report to the Royal Geological Society by the undersigned Alexander Saxton
00:02:20is a true and faithful account of events that befell the society's expedition in Manchuria.
00:02:30The following report to the Royal Geological Society by the undersigned Alexander Saxton
00:02:40is a true and faithful account of events that befell the society's expedition in Manchuria.
00:02:50The following report to the Royal Geological Society by the undersigned Alexander Saxton
00:03:00is a true and faithful account of events that befell the society's expedition in Manchuria.
00:03:10The following report to the Royal Geological Society by the undersigned Alexander Saxton
00:03:18is a true and faithful account of events that befell the society's expedition in Manchuria.
00:03:28The following report to the Royal Geological Society by the undersigned Alexander Saxton
00:03:38is a true and faithful account of events that befell the society's expedition in Manchuria.
00:03:46The following report to the Royal Geological Society by the undersigned Alexander Saxton
00:03:56is a true and faithful account of events that befell the society's expedition in Manchuria.
00:04:06The following report to the Royal Geological Society by the undersigned Alexander Saxton
00:04:16is a true and faithful account of events that befell the society's expedition in Manchuria.
00:04:26The following report to the Royal Geological Society by the undersigned Alexander Saxton
00:04:36is a true and faithful account of events that befell the society's expedition in Manchuria.
00:04:46The following report to the Royal Geological Society by the undersigned Alexander Saxton
00:04:56is a true and faithful account of events that befell the society's expedition in Manchuria.
00:05:06The following report to the Royal Geological Society by the undersigned Alexander Saxton
00:05:16is a true and faithful account of events that befell the society's expedition in Manchuria.
00:05:26The following report to the Royal Geological Society by the undersigned Alexander Saxton
00:05:36is a true and faithful account of events that befell the society's expedition in Manchuria.
00:05:46The following report to the Royal Geological Society by the undersigned Alexander Saxton
00:05:56is a true and faithful account of events that befell the society's expedition in Manchuria.
00:06:06And the Lord hath mercy on his soul.
00:06:18Not that he deserves it, the dirty thief. You have his things?
00:06:22You knew him?
00:06:24Krishinski, the locksmith? He could open any trunk with a hairpin.
00:06:36A thief? But he was blind.
00:06:40Blind? He could spot a policeman a mile away.
00:06:48I'll be damned.
00:06:54The work of the devil.
00:07:07Can I be of any assistance, Father?
00:07:12This is yours.
00:07:14It is, but I demand an explanation.
00:07:16Whatever you have here is unholy and must be destroyed.
00:07:22Inspector Mirov, what is in there, Excellency?
00:07:36Fossils.
00:07:38What is a fossil?
00:07:40A stone.
00:07:42Stones.
00:07:44There wouldn't be something valuable in there, like gold.
00:07:48Gold?
00:07:50It's a laboratory specimen.
00:07:52No value to a thief.
00:07:54Where there is God, there is always a place for the cross.
00:08:00Even on this stone floor, just so.
00:08:08But Satan is evil, and where evil is, there is no place for the cross.
00:08:18Rubbish. A conjurer's trick.
00:08:32Captain?
00:08:34Yes, sir?
00:08:36You get your men to put the crate on the train.
00:08:44Ready?
00:08:48Lift it up.
00:08:50Off you go.
00:09:12Where's the crate's seat?
00:09:14It's over there, sir.
00:09:16You want to be careful with this one?
00:09:18Thank you, Captain.
00:09:42Follow me.
00:09:46Follow me.
00:10:16Follow me.
00:10:46Follow me.
00:11:16Follow me.
00:11:24What are you going to astound the scientific world with this time?
00:11:28You'll read about it in the Society's annual report.
00:11:30It's a remarkable fossil.
00:11:32Fossil?
00:11:34But you've got something live in there, I heard it.
00:11:36You're mistaken.
00:11:38You've only defeated them.
00:11:40The occupant hasn't eaten in two million years.
00:11:42That's one way to compromise on two bills.
00:11:48Baggage man.
00:11:54Malinka, what's the matter with you?
00:11:56Yes, Countess?
00:11:58You have a safe of valuables?
00:12:00Yes, Countess. I shall make out a receipt.
00:12:06Excuse me.
00:12:12Malinka's afraid of something.
00:12:14What do you have in that crate?
00:12:18Nothing that would interest Malinka, Madam.
00:12:24Normally she likes Englishmen.
00:12:26All we Poles do.
00:12:28I am honoured, Madam.
00:12:30Oh yes, England.
00:12:32Queen Victoria, crumpets, Shakespeare.
00:12:36I admire Poland, Madam.
00:12:38I believe that there is a bond between our countries.
00:12:42My husband, the Count Petrovsky,
00:12:44says that in the 15th century,
00:12:46your King Henry
00:12:48betrayed us to the Russians.
00:12:52I hope that you and your husband, Madam,
00:12:54will accept my profoundest apologies.
00:12:56She's really afraid.
00:13:02I wonder what it is.
00:13:04May I escort you back to your carriage, Madam?
00:13:12Yes.
00:13:38Yours?
00:13:40Oh, thank you.
00:13:42Excuse me.
00:13:44Yes?
00:13:46I was on the platform before,
00:13:48when that mad monk was carrying on.
00:13:50Yes?
00:13:52I'm an engineer. A scientist.
00:13:58And this is ordinary chalk.
00:14:02How do you explain it's not writing on that crate?
00:14:06Hypnosis. Yoga.
00:14:08These mystics can be very convincing.
00:14:10They can even hypnotise themselves.
00:14:24The fresh food we will pick up.
00:14:26Who will pay for it, sir?
00:14:28Oh, just keep in account of how much you spend.
00:14:32If someone were to
00:14:34drill a little hole in this crate
00:14:36during the night,
00:14:38and take a look at what's inside,
00:14:42I'd be very grateful.
00:15:02It's in order.
00:15:06Help me.
00:15:10In what way, Madam?
00:15:18Is this number eight?
00:15:20That's next door. Wells' confinement.
00:15:24There, there. Don't cry.
00:15:28Everything will be all right.
00:15:32Excuse me.
00:15:34Sorry, dear fellow.
00:15:36I'm afraid you're in the wrong pew.
00:15:38Here. Number eight. Do you see?
00:15:42Eight A. Lower berth.
00:15:44Eight B.
00:15:46Upper berth.
00:15:48Don't worry. Look here.
00:15:50I was supposed to have this compartment to myself.
00:15:52If you don't mind.
00:15:54I'm sorry if I'm in your way.
00:15:56Excuse me. I have no ticket,
00:15:58and I have to get out of Shanghai.
00:16:00I'm sure I can make it worth your while.
00:16:02The lady's in trouble.
00:16:04What do you suggest we do about it?
00:16:06Couldn't you double up with somebody else?
00:16:08Miss Jones?
00:16:10Steady.
00:16:12I'm sure we can all get along very well together.
00:16:32I'm sorry.
00:17:02I'm sorry.
00:17:32I'm sorry.
00:18:02I'm sorry.
00:18:32I'm sorry.
00:19:02I'm sorry.
00:19:32I'm sorry.
00:19:36There's the stink of hell on this train.
00:19:38Even the dog knows it.
00:19:46When the Englishman comes to call,
00:19:48what should I wear?
00:19:50Sure of yourself, aren't you?
00:19:52The blue one with the decollete.
00:19:56Or perhaps the red one.
00:19:58You're jesting with her immortal soul.
00:20:02That's why we keep you, Pujardov.
00:20:04Our immortal souls are your concern.
00:20:12She's afraid of something.
00:20:16Tell me, Pujardov.
00:20:18Yes?
00:20:20Which do you think I should wear for the Englishman?
00:20:22The red?
00:20:24Or the blue?
00:20:26Enough.
00:20:30I forbid you to talk this way.
00:20:32You forbid?
00:20:36Forgive me, Your Excellency.
00:20:40My concern for the spiritual welfare of the Countess.
00:20:42I forgot myself.
00:20:46I will pray for humility.
00:20:50Pray hard, Pujardov.
00:20:52Or you'll find yourself praying for a job, too.
00:20:54May your father's soul rest in peace.
00:21:12Oh, it's the piece I was playing.
00:21:16I wonder who it is.
00:21:24I wonder who it is.
00:21:54You wish to see us?
00:21:56I thought one of you might know
00:21:58what happened to the baggage man.
00:22:00I haven't the remotest idea.
00:22:02What about you?
00:22:06Perhaps it had something to do
00:22:08with what's inside that crate.
00:22:10I agree with you.
00:22:12He was trying to open it
00:22:14when something happened.
00:22:16What?
00:22:18Fortunately, he was interrupted.
00:22:20Yes.
00:22:22By whom?
00:22:24Why are you so worried
00:22:26about it being opened?
00:22:28It may be my fault.
00:22:30I asked the baggage man to take a look.
00:22:32I was curious.
00:22:34It was no concern of yours.
00:22:36Or of yours.
00:22:38Good night.
00:22:42One man dead, another missing.
00:22:44It's time we open this box.
00:22:46You'll do no such thing.
00:22:48Give me the key.
00:23:08Konev!
00:23:16Konev!
00:23:18See if you can open the crate with that.
00:23:20Go ahead!
00:23:38Oh, my God!
00:23:40Oh, my God!
00:24:06Oh, my God!
00:24:08Oh, my God!
00:24:10Oh, my God!
00:24:12Oh, my God!
00:24:14Oh, my God!
00:24:16Oh, my God!
00:24:18Oh, my God!
00:24:20Oh, my God!
00:24:22Oh, my God!
00:24:24Oh, my God!
00:24:26Oh, my God!
00:24:28Oh, my God!
00:24:30Oh, my God!
00:24:32Oh, my God!
00:24:34Oh, my God!
00:24:36I don't want to panic the passengers.
00:25:06Oh, my God!
00:25:08Oh, my God!
00:25:10Oh, my God!
00:25:12Oh, my God!
00:25:14Oh, my God!
00:25:16Oh, my God!
00:25:18Oh, my God!
00:25:20Oh, my God!
00:25:22Oh, my God!
00:25:24Oh, my God!
00:25:26Oh, my God!
00:25:28Oh, my God!
00:25:30Oh, my God!
00:25:32Oh, my God!
00:25:34Oh, my God!
00:25:36Oh, my God!
00:25:38Oh, my God!
00:25:40Oh, my God!
00:25:42Oh, my God!
00:25:44Oh, my God!
00:25:46Oh, my God!
00:25:48Oh, my God!
00:25:50Oh, my God!
00:25:52Oh, my God!
00:25:54Oh, my God!
00:25:56Oh, my God!
00:25:58Oh, my God!
00:26:00Oh, my God!
00:26:02Oh, my God!
00:26:04Oh, my God!
00:26:06Oh, my God!
00:26:08Oh, my God!
00:26:10Oh, my God!
00:26:12Oh, my God!
00:26:14Oh, my God!
00:26:16Oh, my God!
00:26:18Oh, my God!
00:26:20Oh, my God!
00:26:22Oh, my God!
00:26:24Oh, my God!
00:26:26Oh, my God!
00:26:28Oh, my God!
00:26:30Oh, my God!
00:26:32Oh, my God!
00:26:34Oh, my God!
00:26:36Oh, my God!
00:26:38Oh, my God!
00:26:40Oh, my God!
00:26:42Oh, my God!
00:26:44Oh, my God!
00:26:46Oh, my God!
00:26:48Oh, my God!
00:26:50Oh, my God!
00:26:52Oh, my God!
00:26:54Oh, my God!
00:26:56Oh, my God!
00:26:58Oh, my God!
00:27:00Oh, my God!
00:27:02Oh, my God!
00:27:04Oh, my God!
00:27:06Oh, my God!
00:27:08Oh, my God!
00:27:10Oh, my God!
00:27:12Oh, my God!
00:27:14Oh, my God!
00:27:16Oh, my God!
00:27:18Oh, my God!
00:27:20Oh, my God!
00:27:22Oh, my God!
00:27:24Oh, my God!
00:27:26Oh, my God!
00:27:28Oh, my God!
00:27:30Oh, my God!
00:27:32Oh, my God!
00:27:34Oh, my God!
00:27:36Oh, my God!
00:27:38Oh, my God!
00:27:40Oh, my God!
00:27:42Oh, my God!
00:27:44Oh, my God!
00:27:46Oh, my God!
00:27:48Oh, my God!
00:27:50Oh, my God!
00:27:52Oh, my God!
00:27:54My glass is empty.
00:27:58Oh, forgive me.
00:28:00My mind was elsewhere.
00:28:02What is it?
00:28:04I'm sorry.
00:28:06I can't tell you.
00:28:12Good evening.
00:28:14Good evening.
00:28:16Good evening.
00:28:18Haven't we met?
00:28:20I don't believe so.
00:28:22Yes, at the governor's palace.
00:28:24General Wang.
00:28:26Your mistake.
00:28:30Of course, I beg your pardon.
00:28:32It was somebody else.
00:28:50What's the matter?
00:28:52The eye of that fish.
00:28:54It's white.
00:28:58Naturally, it's boiled.
00:29:00Boiled?
00:29:02Yes.
00:29:10Is it true you're a doctor?
00:29:12Ask me when I finish my dinner.
00:29:14It's urgent.
00:29:16What are the symptoms?
00:29:18He's dead. You saw him.
00:29:20Oh, that one.
00:29:22There's nothing I can do for him.
00:29:24Now there's one more dead.
00:29:26One of my soldiers.
00:29:28The same white eyes.
00:29:30I want to know the cause of death.
00:29:32Who's dead?
00:29:34Keep your nose out of it.
00:29:36You didn't hear anything.
00:29:38Excuse me.
00:29:40Is Professor Saxon's fossil still at large?
00:29:42I think the fossil or whatever it is
00:29:44escaped.
00:29:46Train.
00:29:50Miss Jones,
00:29:52I shall need your assistance.
00:29:54Yes, well, at your age,
00:29:56I'm not surprised.
00:30:00With an autopsy.
00:30:02Oh, well, that's different.
00:30:16Very curious.
00:30:20A genetic defect,
00:30:22obviously.
00:30:26Scalpel.
00:30:30Can you keep that still?
00:30:32Mm-hmm.
00:30:38What is he doing?
00:30:40Tree pen.
00:30:46Don't get up, please.
00:30:54I see you have decided
00:30:56to dine alone, Sir Alexander.
00:31:00I've eaten in worse circumstances
00:31:02and in worse company.
00:31:04Burnt some.
00:31:06Here you are, Doctor.
00:31:16You're in bad humour
00:31:18because you've lost your box of bones.
00:31:20I'm not.
00:31:22I'm not.
00:31:24I'm not.
00:31:26I'm not.
00:31:28I'm not.
00:31:30I'm not.
00:31:32Box of bones?
00:31:36Hmm?
00:31:38That box of bones, madame,
00:31:40could have solved many of the riddles of science.
00:31:44If the theory of evolution is confirmed,
00:31:46if the science of biology
00:31:48is revolutionized, if the very origin
00:31:50of man is determined...
00:31:52I have heard of evolution.
00:31:54It's... it's immoral.
00:31:56It's a fact.
00:31:58And there's no morality in a fact.
00:32:02And what about
00:32:04the baggage man
00:32:06and that poor thief at the station?
00:32:08What about them?
00:32:10They're dead.
00:32:14Was your creature
00:32:16responsible for that?
00:32:18Probably.
00:32:20And you don't care?
00:32:24A baggage man
00:32:26and a thief?
00:32:28A baggage man and a thief?
00:32:36You're right, madame.
00:32:38I don't care as much as I should.
00:32:46Can you tell me how he died?
00:32:50Smooth as a baby's bottom.
00:32:52You saw this man today
00:32:54and he was gnarled.
00:32:56Absolutely.
00:32:58It must be a mutation, a freak of nature.
00:33:00What's so special about this brain?
00:33:02Learning and memory
00:33:04are engraved on the normal brain,
00:33:08leaving a wrinkled surface.
00:33:12This brain has been drained.
00:33:14The memory has been removed
00:33:16like chalk
00:33:18erased from a blackboard.
00:33:26The memory has been removed
00:33:28like chalk
00:33:30erased from a blackboard.
00:33:56Come in.
00:34:16It's all yours.
00:34:20I won't be long.
00:34:26I won't be long.
00:34:56I won't be long.
00:35:26I won't be long.
00:35:56I won't be long.
00:36:26I won't be long.
00:36:28I won't be long.
00:36:56Miss?
00:36:58It's Dr. Wells.
00:37:02Miss, are you all right?
00:37:26Miss, are you all right?
00:37:48Miss, are you there?
00:37:56Miss, are you there?
00:38:26Miss, are you there?
00:38:56Miss, are you there?
00:39:26Miss, are you there?
00:39:46Come in.
00:39:48Feeling better?
00:39:52Yes.
00:39:54Anything wrong?
00:39:56That woman who was killed.
00:39:58The engineer, you know, the chess player.
00:40:00He told me that she was
00:40:02an international spy.
00:40:04Yes, I know.
00:40:06Oh, you do?
00:40:08Well, could that fact have had anything to do
00:40:10with her death?
00:40:12What do you think?
00:40:14Dr. Wells and I
00:40:16performed an autopsy on her.
00:40:18Her brain was completely smooth,
00:40:20just like the baggage man's.
00:40:22Surprised.
00:40:24Now, I have a theory about this.
00:40:26I'm only a policeman, Professor.
00:40:28I don't have much education.
00:40:30Well, I'll make it simple.
00:40:32Supposing that creature,
00:40:34the one you killed,
00:40:36was capable of taking ideas
00:40:38directly from other people's brains
00:40:40and transferring them to its own.
00:40:42You mean it sucked other people's brains?
00:40:44Absorbed.
00:40:46Through the eyes.
00:40:48That was our first clue.
00:40:50The eyes going white.
00:40:52Then, if the beast had absorbed
00:40:54your brains,
00:40:56all of your education would have gone
00:40:58into its brain.
00:41:00It would have been as clever as you.
00:41:02Much more so, because
00:41:04what it had taken from me
00:41:06would have been added to the learning
00:41:08that it already had.
00:41:10Professor, spy,
00:41:12baggage man, thief.
00:41:14Spy, baggage man, thief.
00:41:18What was the creature looking for?
00:41:20Well, that we'll never know
00:41:22now that it's dead.
00:41:24And yet...
00:41:26What?
00:41:28A creature like that.
00:41:30How would it ever die?
00:41:34Inspector?
00:41:36What is it?
00:41:38I found this. The animal had it.
00:41:40The animal had it?
00:41:42It belonged to Count Petrovsky.
00:41:44How do you know?
00:41:46I saw him
00:41:48put it in the safe.
00:42:00Steel, harder than a diamond.
00:42:02That's why the spies
00:42:04are after it.
00:42:06French, German, English.
00:42:08But they're wasting their time.
00:42:10What really matters
00:42:12is the formula.
00:42:14And that gentleman is safe.
00:42:16Up here.
00:42:22What happened to the girl?
00:42:24The spy?
00:42:26She's dead.
00:42:28The fossil or whatever it was killed her.
00:42:30But there's no more danger, Countess.
00:42:32Beast is not dead.
00:42:34I put four bullets into him.
00:42:36You think evil
00:42:38can be killed with bullets?
00:42:42Satan lives.
00:42:44The unholy one
00:42:46is among us.
00:42:48Oh, Shema.
00:42:50Shema.
00:42:52Shema.
00:42:54Shema.
00:42:56Shema.
00:43:06Shema.
00:43:26Specimen job.
00:43:30What do you expect to find
00:43:32in the eye fluid?
00:43:34I don't know.
00:44:04Why, this is incredible.
00:44:06What?
00:44:12Why, it's the last thing the creature saw.
00:44:16The police inspector.
00:44:18The image has been retained
00:44:20in the fluid.
00:44:22Exactly. The creature's visual memory
00:44:24is located not in its brain
00:44:26but in the eye itself.
00:44:34I
00:44:36I
00:44:38I
00:44:40I
00:44:42I
00:44:44I
00:44:46I
00:44:48I
00:44:54I
00:44:56I
00:45:04I
00:45:06I
00:45:08I
00:45:10Can you identify anything?
00:45:12It's a brontosaurus.
00:45:16A pterodactyl.
00:45:18I
00:45:20I
00:45:22I
00:45:24I
00:45:26I
00:45:28I
00:45:30I
00:45:32I
00:45:34I
00:45:36I
00:45:38I
00:45:40I
00:45:42I
00:45:44I
00:45:46I
00:45:48I
00:45:50I
00:45:52I
00:45:54I
00:45:56I
00:45:58I
00:46:00I hope I'm not intruding.
00:46:02People on the train
00:46:04are becoming afraid, professor.
00:46:06People on long journeys become
00:46:08bored, madame.
00:46:10They crave excitement.
00:46:12Then there's no more danger.
00:46:14It's all finished.
00:46:18And what about your science?
00:46:20The evolution you were talking about.
00:46:22Look for yourself.
00:46:30Come here, Pujarov.
00:46:34There's something I want to show you.
00:46:40Look.
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